Death Mask
Death Mask
Death Mask
1 History
1.1 Sculptures
a persons face following death. Death masks may be mementos of the dead, or be used for creation of portraits. It
is sometimes possible to identify portraits that have been
painted from death masks, because of the characteristic slight distortions of the features caused by the weight
of the plaster during the making of the mold. In other
cultures a death mask may be a funeral mask, an image placed on the face of the deceased before burial rites,
and normally buried with them. The best known of these
are the masks used by ancient Egyptians as part of the
mummication process, such as Tutankhamuns mask,
and those from Mycenean Greece such as the Mask of
Agamemnon.
In the 10th century in some European countries, it was
common for death masks to be used as part of the egy
of the deceased, displayed at state funerals; the con
portrait was an alternative. Mourning portraits were also
painted, showing the subject lying in repose. During the
18th and 19th centuries masks were also used to permanently record the features of unknown corpses for purposes of identication. This function was later replaced
by post-mortem photography.
Tutankhamuns mask
HISTORY
1.2
Casts
1.3 Science
3
physiognomy. The life mask was also increasingly common at this time, taken from living persons. Anthropologists used such masks to study physiognomic features in
famous people and notorious criminals. Masks were also
used to collect data on racial dierences.
2 See also
Plastered human skulls
Portrait
Sculpture
1.4
Forensic science
3 References
[1] H.W. Janson with Dora Jane Janson, History of Art: A
Survey of the Major Visual Arts from the Dawn of History to the Present Day, Englewood Clis, New Jersey,
Prentice-Hall, and New York, Harry N. Abrams, 1962,
p. 141.
[2] N. Steensma, Some considerations on the function and
meaning of the Etruscan bronze masks from Chiusi
(seventh century BC), in: H. Duinker, E. Hopman & J.
Steding (eds.), Proceedings of the 11th annual Symposium
Onderzoek Jonge Archeologen, Groningen 2014, p. 65-74.
[3] Virtual Museum of Death Mask URL accessed on December 4, 2006.
[4] Portraits of the Presidents. National Portrait Gallery,
Smithsonian Institution. Smithsonian Institution.
[5] Laerdal company website: The Girl from the River Seine
URL accessed on January 8, 2013
[6] A Death Mask to Help Save Lives Archer Gordon, M.D.,
PH.D. URL accessed on June 8, 2007
4 External links
L'Inconnue de la Seine
Before the widespread availability of photography, the facial features of unidentied bodies were sometimes preserved by creating death masks so that relatives of the deceased could recognize them if they were seeking a missing person.
One mask, known as L'Inconnue de la Seine, recorded the
face of an unidentied young woman who, around the age
of sixteen, according to one mans story, had been found
drowned in the Seine River at Paris, France around the
late 1880s. A morgue worker made a cast of her face, saying Her beauty was breathtaking, and showed few signs
of distress at the time of passing. So bewitching that I
knew beauty as such must be preserved. The cast was
also compared to Mona Lisa, and other famous paintings
and sculptures. In the following years, copies of the mask
became a fashionable xture in Parisian Bohemian society.
The face of Resusci Anne, the worlds rst CPR training mannequin, introduced in 1960, was modeled after
L'Inconnue de la Seine.[5][6]
5.1
Text
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5.2
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5.3
Content license