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    BSIH

    Brills Studies in Intellectual History 212

    Br ills Studies on A rt, A rt History, a nd Intellectua l History 4

    212

    Br ills Studies on A rt, A rt History, a nd Intellectua l History 4

    Reflection on the history and practice of art history has long been a major topic
    of research and scholarship, and this volume builds on this tradition by offering a
    critical survey of many of the major development in the contemporary discipline,
    such as the impact of digital technologies, the rise of visual studies or new initiatives
    in conservation theory and practice. Alongside these methodological issues this
    book addresses the mostly neglected question of the impact of national contexts on
    the development of the discipline. Taking a wide range of case studies, this book
    examines the impact of the specific national political, institutional and ideological
    demands on the practice of art history. The result is an account that both draws out
    common features and also highlights the differences and the plurality of practices
    that together constitute art history as a discipline.

    rampley et al (eds)

    Matthew Rampley is Professsor in the History of Art of the University of


    Birmingham. He has published widely on aesthetics and the historiography of art,
    with a particular focus on Nietzsche, Warburg, Riegl and the Vienna School of Art
    History, and is associate editor of the Journal of Art Historiography.

    Art History and Visual Studies in Europe

    Hubert Locher is Professor of the History and Theory of the Image, and Director
    of the German Art Historical Documentation Centre of the Philipps University,
    Marburg. Alongside work on the Renaissance, specifically, Alberti, Raphael and
    Ghirlandaio, he has also written and edited numerous books on museum and
    exhibitionary practice, art theory and the historiography of art.
    Andrea Pinotti is Professor of Philosophy at the Universit degli Studi, Milan. He
    has written widely on German nineteenth- and twentieth-century aesthetics and
    its place within the historiography of art, including books on Riegl, Warburg and
    Walter Benjamin.
    Charlotte Schoell-Glass is Professor of Art History at the University of Hamburg.
    A member of the editorial board of Word & Image, her research interests focus on
    the relation between image and text, and she has also published on Aby Warburg,
    including a critical edition of the Diary of the Warburg Library in Hamburg and
    a study of Warburg and anti-Semitism.
    K itty Zijlmans is Director of the Leiden University
    Institute for Cultural Disciplines. Her main areas of
    research and publication have been contemporary art,
    the theory and methodologies of art history and world
    art studies as a new disciplinary paradigm.

    ISSN 0920-8607
    brill.nl/BSIH

    Thierry Lenain is Professor of Art Theory at the Universit Libre de Bruxelles.


    Published works include studies of forgery, monkey painting and the image in
    Deleuze, Foucault and Lyotard.

    Brills Studies in Intellectual History 212

    Art History and


    Visual Studies in Europe
    Transnational Discourses
    and National Frameworks

    Edited by

    Matthew Rampley, Thierry Lenain,


    Hubert Locher, Andrea Pinotti,
    Charlotte Schoell-Glass & Kitty Zijlmans
    Subseries Editor: ROBERT ZWIJNENBeRG

    This book was supported by funds made available by the European Science Foundation (ESF),
    which was established in 1974 to provide a common platform for its Member Organisations to
    advance European research collaboration and explore new directions for research.
    This publication was supported by grants from the Aby Warburg-Stiftung and the Hamburgische
    Wissenschaftlich Stiftung, both in Hamburg.
    Cover illustration: Elliott Erwitt. Personal. 1996. Elliott Erwitt/Magnum Photos.

    This publication has been typeset in the multilingual Brill typeface. With over 5,100 characters
    covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the
    humanities. For more information, please see www.brill.nl/brill-typeface.
    ISSN 0920-8607
    ISBN 978 90 04 21877
    2692922 (hardback)
    ISBN 978 90 04 23170 2 (e-book)
    Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands.
    Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing,
    IDC Publishers and Martinus Nijhofff Publishers.
    All rights reserved. No part of this publication may be reproduced, translated, stored in
    a retrieval system, or transmitted in any form or by any means, electronic, mechanical,
    photocopying, recording or otherwise, without prior written permission from the publisher.
    Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV
    provided that the appropriate fees are paid directly to The Copyright Clearance Center,
    222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA.
    Fees are subject to change.
    This book is printed on acid-free paper.

    i-xviii_RAMPLEY_F1.indd iv

    3/20/2012 1:34:40 PM

    Art History and Visual Studies in Europe

    i-xviii_RAMPLEY_F1.indd i

    3/20/2012 1:34:39 PM

    Art History and Visual Studies


    in Europe
    Transnational Discourses and National Frameworks

    Edited by

    Matthew Rampley
    Thierry Lenain
    Hubert Locher
    Andrea Pinotti
    Charlotte Schoell-Glass
    Kitty Zijlmans

    LEIDENBOSTON
    2012

    2012 Koninklijke Brill NV978 90 04 21877 2

    CONTENTS
    List of Contributors ........................................................................................
    Preface and Acknowledgements ................................................................
    Thierry Lenain, Hubert Locher, Andrea Pinotti, Charlotte
    Schoell-Glass, Matthew Rampley and Kitty Zijlmans

    ix
    xv

    Introduction .....................................................................................................
    Matthew Rampley

    PART ONE

    METHODS, DEBATES AND PARADIGMS


    Art History, Aesthetics and Art Criticism ...............................................
    Antonio Somaini

    17

    The Idea of the Canon and Canon Formation in Art History ..........
    Hubert Locher

    29

    European Heritage: Unity in Diversity? ...................................................


    Brian Graham

    41

    Contemporary Art and the Concept of Art History: Influence,


    Dependency and Challenge ....................................................................
    Peter J. Schneemann

    59

    Formalism and the History of Style ..........................................................


    Andrea Pinotti

    75

    Visual Culture and Visual Studies..............................................................


    Jan Baetens

    91

    Theories of the Image in France: Between Art History and


    Visual Anthropology .................................................................................
    Ralph Dekoninck

    107

    2012 Koninklijke Brill NV978 90 04 21877 2

    vi

    contents

    Bildwissenschaft: Theories of the Image in German-Language


    Scholarship...................................................................................................
    Matthew Rampley
    Computerization, Digitization and the Internet ...................................
    Antonella Sbrilli

    119

    135

    Technical Art History: The Synergy of Art, Conservation and


    Science ..........................................................................................................
    Erma Hermens

    151

    Dimensions of Dialogue: Art History and the Discourse of


    Economics ....................................................................................................
    Victor Ginsburgh and Franois Mairesse

    167

    Sociologies of Art: With and against Art History ..................................


    Nathalie Heinich

    185

    Museums and Museologies ..........................................................................


    Dominique Poulot

    197

    Art History in a Global Frame: World Art Studies ...............................


    Wilfried van Damme and Kitty Zijlmans

    217

    The Construction of National Art Histories and the


    New Europe ...............................................................................................
    Matthew Rampley

    231

    PART TWO

    THE GEOGRAPHY OF THE DISCIPLINE


    Cultures of Interruptions. Art History in the Baltic States: Estonia,
    Latvia and Lithuania .................................................................................
    Krista Kodres, Giedr Micknait and Stella Pele
    In Search of a Synthesis: Art History in Belgium ..................................
    Raphal Pirenne

    2012 Koninklijke Brill NV978 90 04 21877 2

    249

    275

    contents

    vii

    Art History in Bulgaria: Institutional Frameworks, Research


    Directions and Individual Scholars ......................................................
    Elka Bakalova

    287

    Art History in the Czech and Slovak Republics: Institutional


    Frameworks, Topics and Loyalties .......................................................
    Milena Bartlov

    305

    Art History in France: A Conflict of Traditions .....................................


    Ralph Dekoninck and Jol Roucloux
    Art History in German-Speaking Countries: Austria, Germany
    and Switzerland ..........................................................................................
    Charlotte Schoell-Glass
    Art History and Visual Studies in Great Britain and Ireland ............
    Griselda Pollock

    315

    335

    355

    Born of a Peripheral Modernism: Art History in Greece and


    Cyprus............................................................................................................
    Areti Adamopoulou

    379

    Art History in Italy: Connoisseurship, Academic Scholarship


    and the Protection of Cultural Heritage .............................................
    Laura Iamurri

    393

    Art History in the Netherlands: The Past and Present of the


    Discipline......................................................................................................
    Marga van Mechelen and Kitty Zijlmans

    407

    Art History in the Nordic Countries .........................................................


    Dan Karlholm, Hans Dam Christensen and Matthew Rampley

    421

    A Marginalised Tradition? Polish Art History........................................


    Wojciech Baus

    439

    In Search of National Traditions: Art History in Romania ................


    Corina Teac

    451

    2012 Koninklijke Brill NV978 90 04 21877 2

    viii

    contents

    Art History in Serbia, Bosnia-Herzegovina and Macedonia ..............


    Nenad Makuljevi

    461

    Art History in Spain: A Generational History ........................................


    Gonzalo M. Borrs Gualis

    473

    Art History and the Founding of the Modern Turkish State ............
    Burcu Dogramaci

    485

    Bibliography .....................................................................................................
    Dennis Janzen

    493

    Index ...................................................................................................................

    543

    2012 Koninklijke Brill NV978 90 04 21877 2

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