Audio Terminology Basics PDF
Audio Terminology Basics PDF
Audio Terminology Basics PDF
Introduction3
A-I 5
J-R 10
S-Z 13
Wrap-up 15
Audio Terminology
Are you getting ready to buy a new amp? Is your band booking
some bigger venues and in need of new loudspeakers? Are you
just starting out and have no idea what equipment you need?
As you look up equipment details, a lot of the terminology can
be pretty confusing.
When youre searching for the right audio equipment, you dont
need to know everything about audio engineering. You just need
to understand the terms that matter to you. This quick-reference
guide explains some basic audio terms and why they matter.
Electro-Voice has been in the audio equipment business since 1930. Recognized the world over as a leader in audio technology, EV is
ubiquitous in performing arts centers, sports facilities, houses of worship, cinemas, dance clubs, transportation centers, theaters, and,
of course, live music. EVs reputation for providing superior audio products and dedication to innovation continues today. Whether EV
microphones, loudspeaker systems, amplifiers, signal processors, the EV solution is always a step up in performance and reliability.
A balanced connection allows for the use of long cables Also called phase cancellation. A comb filter adds a delayed version
while reducing susceptibility to external noise. Professional of a signal to itself, causing interference. Comb filtering can occur
audio products support a balanced connection. A typical when two loudspeakers are playing the same signal at different
balanced cable contains two identical wires, which are distances from the listener. In an enclosed space, a listener hears a
twisted together and then wrapped with a third conductor mixture of direct sound and reflected sound. Because the reflected
that acts as a shield. Three-pin XLR connectors are the most sound takes a longer path, it sounds like a delayed version of the
common balanced connector, but quarter-inch ( or 6.35 direct sound, which is called comb filtering.
mm) TRS connectors (tip-ring-sleeve) are also commonly
used. Companding
Bandwidth Reducing the dynamic range of a signal for recording and then
expanding it to its original value for reproduction or playback.
The range of frequencies an amplifier or transducer
produces. Compression Driver
An electrical circuit (passive or active) consisting of a An electric current that does not change direction of flow.
combination of filters used to divide an audio frequency into
segments suitable for individual loudspeaker use. Decibel (dB)
Active crossovers split frequency bands prior to amplification A logarithmic scale that is used to measure signal levels. Sound
of the audio signal. pressure level (SPL) can be measured in dB.
Passive crossovers split frequency bands after amplification Good to Know: Doubling electrical power only yields an increase of
of the audio signal, just before reaching the individual loud- +3 dB. Increasing the power tenfold will yield an increase of +10 dB
speaker components. Passive networks may cause power loss and is a doubling of perceived loudness.
and usually arent capable of the fine tuning and adjustment
that an active crossover provides. dBu
Current Decibels unloaded; reference voltage for professional applications.
The reference voltage for the decibel unloaded (0 dBu) is the
Electric current is the flow of electric charge through a voltage required to produce 1 milliwatt (mW) of power across a 600
conductor, such as wire. load (approximately 0.7746 VRMS). The most common nominal
level for professional equipment is +4 dBu.
Cycles per Second (CPS)
dBV
One cycle is the transition of a sine wave from 0 to positive
crest down through 0 to the negative crst and back to 0. Decibel volts; reference voltage for consumer applications. The
One full cycle is shown in this graph. Cycles per Second reference voltage for the decibel volt (0 dBV) is 1 VRMS, which is
refers to the number of times a full cycle is repeated in the voltage required to produce 1 mW of power across a 1 kilohm
the period of one second. Cycles per Second is usually (k) load. The most common nominal level for consumer audio
expressed as hertz (Hz). One hertz is equal to one cycle per equipment is 10 dBV.
second.
An electronic circuit that delays the audio signal for a short The number of times a wave repeats per second, measured in Hertz
period. Mixing delayed signals back with the original sound (Hz).
generates a number of audio effects.
Frequency Response is given as the range of frequencies between
Digital Signal Processor (DSP) the points at the upper and lower ends of the sounds spectrum, where
the speaker response is 3 dB below the nominal output level. This
A device which receives an audio signal and trypicall. indicates that the system is starting to have a reduced output below
this frequency.
Direct Box (DI box)
Frequency Range is given as the range of frequencies between the
points at the upper and lower ends of the sound spectrum, where
A device that enables a musical instrument to be connected
the speaker response is 10 dB below the nominal output level. This is
directly to a mic- or line-level mixer input. commonly referred to as the lower and upper limit of the systems us-
able output. Anything below or above this frequency range should not
Distortion be expected to be reproduced from the system.
Hertz
Impedance (Z)
Input
Connection from a signal source.
Inverse-Square Law
Limiter Magnitude
A circuit that allows signals below a specified input The value of a voltage or current waveform.
power to pass unaffected while attenuating the peaks of
stronger signals that exceed this input power. A limiter is Microphone
a compressor with a high ratio and, generally, a fast attack
time. An acoustic-to-electric transducer that converts sound into an
electrical signal.
Loudspeaker
Condenser Microphone
An electroacoustic transducer that produces sound in A microphone where a condenser (capacitor) is created by
response to an electrical audio signal input. May refer to stretching a thin diaphragm in front of a metal disc (the back-
individual transducers (or drivers) or to complete speaker plate). Condenser microphones require external voltage to oper-
systems consisting of more than one. To reproduce a ate, which is normally supplied in the form of phantom power
wide range of frequencies, most loudspeaker systems use from the microphone preamp or the mixing console.
more than one driver. Individual drivers reproduce different
Dynamic Microphone
frequency ranges.
A microphone design where a wire coil is attached to a small
diaphragm. Sound pressure causes the coil to move in a mag-
Subwoofer
netic field, thus creating electrical voltage proportional to the
A loudspeaker designed to reproduce bass frequencies.
sound pressure. Theyre rugged, robust and reliable micro-
phones that add coloration to the audio signal. Since dynamic
Tweeter
microphones have a weaker signal than condenser mics, they
A small loudspeaker designed for the reproduction of high-
must be placed relatively close to the audio source.
frequency sounds.
Woofer
A loudspeaker designed for the reproduction of low-frequency
sounds.
Also called a soundboard, a mixing console is an electronic Preamplifier; device that amplifies the weak electrical signals from
device for combining, routing, and changing the level, timbre microphones and pickups used to record voices and musical
and/or dynamics of audio signals. instruments to professional line level.
An increase in bass or low frequency response when a sound An electronic device, with an antenna, that receives audio waves
source is close to a microphone. Proximity effect is caused by and converts the information carried by them to an audio signal. The
the ports that create directional polar pickup patterns, so omni- antenna intercepts electromagnetic waves and converts them to
directional mics are not affected. alternating currents, which are applied to the receiver; the receiver
extracts the audio. The receiver uses electronic filters to separate
the wanted audio frequency signal from all other signals.
A certain number of decibels at 1 W electrical input, The effective voltage value of the signal that leaves or feeds an
measured at 1 meter, often at a single frequency. Driver audio device.
ratings based on the SPL for a given input are called
sensitivity ratings. Line Level
Within a sound system, signals of various levels enter a mixer, but the
Shielding signal that leaves the mixer is at professional line level. The standard
is +4 dBu or -10 dBV audio levels, or approximately 1V.
A shielded cable is an electrical cable of one or more
insulated conductors enclosed by a common conductive Mic Level
The relatively low-level signal (generally -40 dBV to -60 dBV) of micro-
layer. The shield may be composed of braided strands of
phone or pickup output that must be amplified to line level, where it is
metal, a non-braided spiral winding of copper tape, or a layer
more easily manipulated by a mixing console.
of conducting polymer. Usually, this shield is covered with a
jacket. The shield reduces electrical noise and interference. Speaker Level
In shielded signal cables the shield may act as the return Signals stronger than line level that are used to drive headphones and
path for the signal, or may act as screening only. loudspeaker. Produced by amplifiers.
The loudness of an acoustic wave stated in dB. A unit of power in the International System of Units equal to one
joule per second. Watts of electrical power equals volts times
Squelch amperes.
A function that mutes the audio output of a receiver when XLR cable/connector
there isnt a strong enough radio frequency (RF) signal
present at the antennas. Most professional level wireless A style of electrical connector most commonly associated with
microphones have adjustable squelch. balanced audio interconnection.
Transmitter Z
An electronic device which produces radio frequency (RF) The electrical symbol for impedance.
signal. The transmitter itself generates a radio frequency
alternating current, which is applied to the antenna. When
excited by this alternating current, the antenna radiates radio
waves.
Unbalanced Connection
Voltage
Now that you understand the specs that matter to you, you should be ready to
make some decisions about your audio components and hit the road.
We hope this list helped you get a grip on some audio terms youre going to encounter when choosing your audio equipment. If you need
additional information or help, visit Electro-Voice online at http://www.electrovoice.com.