A mermaid is a legendary aquatic creature with the head and upper body of a female human

and the tail of a fish.[1] Mermaids appear in the folklore of many cultures worldwide,
including the Near East, Europe, Africa and Asia. The first stories appeared in ancient
Assyria, in which the goddess Atargatis transformed herself into a mermaid out of shame for
accidentally killing her human lover. Mermaids are sometimes associated with perilous
events such as floods, storms, shipwrecks and drownings. In other folk traditions (or
sometimes within the same tradition), they can be benevolent or beneficent, bestowing boons
or falling in love with humans.

The male equivalent of the mermaid is the merman, also a familiar figure in folklore and
heraldry. Although traditions about and sightings of mermen are less common than those of
mermaids, they are generally assumed to co-exist with their female counterparts.

Some of the attributes of mermaids may have been influenced by the Sirens of Greek
mythology. Historical accounts of mermaids, such as those reported by Christopher
Columbus during his exploration of the Caribbean, may have been inspired by manatees and
similar aquatic mammals. While there is no evidence that mermaids exist outside of folklore,
reports of mermaid sightings continue to the present day, including 21st century examples
from Israel and Zimbabwe.

Mermaids have been a popular subject of art and literature in recent centuries, such as in
Hans Christian Andersen's well-known fairy tale "The Little Mermaid" (1836). They have
subsequently been depicted in operas, paintings, books, films and comics.

Etymology and related terms

The Fisherman and the Syren, by Frederic Leighton, c. 18561858

The word mermaid is a compound of the Old English mere (sea), and maid (a girl or young
woman).[1] The equivalent term in Old English was merewif.[2] They are conventionally
depicted as beautiful with long flowing hair.[1] As cited above, they are sometimes equated
with the sirens of Greek mythology (especially the Odyssey), half-bird femmes fatales whose
enchanting voices would lure soon-to-be-shipwrecked sailors to nearby rocks, sandbars or
shoals.[3]
Sirenia

Sirenia is an order of fully aquatic, herbivorous mammals that inhabit rivers, estuaries,
coastal marine waters, swamps and marine wetlands. Sirenians, including manatees and
dugongs, possess major aquatic adaptations: arms used for steering, a paddle used for
propulsion, and remnants of hind limbs (legs) in the form of two small bones floating deep in
the muscle. They look ponderous and clumsy but are actually fusiform, hydrodynamic and
highly muscular, and mariners before the mid-nineteenth century referred to them as
mermaids.[4]

Sirenomelia

Sirenomelia, also called "mermaid syndrome", is a rare congenital disorder in which a child is
born with his or her legs fused together and small genitalia. This condition is about as rare as
conjoined twins, affecting one out of every 100,000 live births[5] and is usually fatal within a
day or two of birth because of kidney and bladder complications. Four survivors were known
as of July 2003.[6]

Folklore
As the anthropologist A. Asbjrn Jn noted: "these 'marine beasts' have featured in folk
tradition for many centuries now, and until relatively recently they have maintained a
reasonably standard set of characteristics. Many folklorists and mythographers deem that the
origin of the mythic mermaid is the dugong, posing a theory that mythicised tales have been
constructed around early sightings of dugongs by sailors." [7]

Near East, Ancient Greece

The goddess Atargatis shown as a fish with human head, on an ancient Greek coin of
Demetrius III Eucaerus

The first known mermaid stories appeared in Assyria c. 1000 BC. The goddess Atargatis,
mother of Assyrian queen Semiramis, loved a mortal (a shepherd) and unintentionally killed
him. Ashamed, she jumped into a lake and took the form of a fish, but the waters would not
conceal her divine beauty. Thereafter, she took the form of a mermaid human above the
waist, fish below although the earliest representations of Atargatis showed her as a fish
with a human head and arm, similar to the Babylonian god Ea. The Greeks recognized
Atargatis under the name Derketo. Sometime before 546 BC, Milesian philosopher
Anaximander postulated that mankind had sprung from an aquatic animal species. He thought
that humans, who begin life with prolonged infancy, could not have survived otherwise.

A popular Greek legend turned Alexander the Great's sister, Thessalonike, into a mermaid
after her death,[8] living in the Aegean. She would ask the sailors on any ship she would
encounter only one question: "Is King Alexander alive?" (Greek: "
;"), to which the correct answer was: "He lives and reigns and conquers the
world" (Greek: " "). This answer would please her,
and she would accordingly calm the waters and bid the ship farewell. Any other answer
would enrage her, and she would stir up a terrible storm, dooming the ship and every sailor
on board.[9][10]

Lucian of Samosata in Syria (2nd century A.D.), in De Dea Syria (About the Syrian Goddess)
wrote of the Syrian temples he had visited:

"Among them Now that is the traditional story among them concerning the temple.
But other men swear that Semiramis of Babylonia, whose deeds are many in Asia,
also founded this site, and not for Hera but for her own mother, whose name was
Derketo."
"I saw Derketo's likeness in Phoenicia, a strange marvel. It is woman for half its
length; but the other half, from thighs to feet, stretched out in a fish's tail. But the
image in the Holy City is entirely a woman, and the grounds for their account are not
very clear. They consider fish to be sacred, and they never eat them; and though they
eat all other fowls they do not eat the dove, for they believe it is holy. And these
things are done, they believe, because of Derketo and Semiramis, the first because
Derketo has the shape of a fish, and the other because ultimately Semiramis turned
into a dove. Well, I may grant that the temple was a work of Semiramis perhaps; but
that it belongs to Derketo I do not believe in any way. For among the Egyptians some
people do not eat fish, and that is not done to honor Derketo."[11]

One Thousand and One Nights

A dried skate, or Jenny Haniver. Mashhad Museum, Iran

The One Thousand and One Nights collection includes several tales featuring "sea people",
such as "Djullanar the Sea-girl".[12] Unlike depictions of mermaids in other mythologies, these
are anatomically identical to land-bound humans, differing only in their ability to breathe and
live underwater. They can (and do) interbreed with land humans, and the children of such
unions have the ability to live underwater. In the tale "Abdullah the Fisherman and Abdullah
the Merman", the protagonist Abdullah the Fisherman gains the ability to breathe underwater
and discovers an underwater society that is portrayed as an inverted reflection of society on
land. The underwater society follows a form of primitive communism where concepts like
money and clothing do not exist. In "The Adventures of Bulukiya", the protagonist
Bulukiya's quest for the herb of immortality leads him to explore the seas, where he
encounters societies of mermaids.[12]

Due to their vaguely anthropomorphic shape, dried skates have long been described as
mermaids. Often their appearance is deliberately modified to make them look even more
human. In Europe, dried skates, sometimes called devil fish, (not to be confused with devil
fish or devil rays, two species of ray native to the north Atlantic) were displayed as
mermaids, angels, demons, or basilisks. In Britain they are known as Jenny Hanivers, perhaps
in reference to Antwerp, where they were made by sailors. Dried skates are also known in
Mexico, where they are believed to have magical powers, and are used in healing rituals.[13]

British Isles

16th century Zennor mermaid chair

The Norman chapel in Durham Castle, built around 1078 by Saxon stonemasons, has what is
probably the earliest surviving artistic depiction of a mermaid in England.[14] It can be seen on
a south-facing capital above one of the original Norman stone pillars.[15]

Mermaids appear in British folklore as unlucky omens, both foretelling disaster and
provoking it.[16] Several variants of the ballad Sir Patrick Spens depict a mermaid speaking to
the doomed ships. In some versions, she tells them they will never see land again; in others,
she claims they are near shore, which they are wise enough to know means the same thing.
Mermaids can also be a sign of approaching rough weather,[17] and some have been described
as monstrous in size, up to 2,000 feet (610 m).[16]

Mermaids have also been described as able to swim up rivers to freshwater lakes. In one
story, the Laird of Lorntie went to aid a woman he thought was drowning in a lake near his
house; a servant of his pulled him back, warning that it was a mermaid, and the mermaid
screamed at them that she would have killed him if it were not for his servant.[18] But
mermaids could occasionally be more beneficent; e.g., teaching humans cures for certain
diseases.[19] Mermen have been described as wilder and uglier than mermaids, with little
interest in humans.[20]

According to legend, a mermaid came to the Cornish village of Zennor where she used to
listen to the singing of a chorister, Matthew Trewhella. The two fell in love, and Matthew
went with the mermaid to her home at Pendour Cove. On summer nights, the lovers can be
heard singing together. At the Church of Saint Senara in Zennor, there is a famous chair
decorated by a mermaid carving which is probably six hundred years old.[21]

Some tales raised the question of whether mermaids had immortal souls, answering in the
negative.[22] The figure of L Ban appears as a sanctified mermaid, but she was a human being
transformed into a mermaid. After three centuries, when Christianity had come to Ireland, she
was baptized.[23] The Irish mermaid is called merrow in tales such as "Lady of Gollerus"
published in the 19th century. In Scottish mythology, a ceasg is a fresh-water mermaid,
though little beside the term has been preserved in folklore.[24]

Mermaids from the Isle of Man, known as ben-varrey, are considered more favorable toward
humans than those of other regions,[25] with various accounts of assistance, gifts and rewards.
One story tells of a fisherman who carried a stranded mermaid back into the sea and was
rewarded with the location of treasure. Another recounts the tale of a baby mermaid who
stole a doll from a human little girl, but was rebuked by her mother and sent back to the girl
with a gift of a pearl necklace to atone for the theft. A third story tells of a fishing family that
made regular gifts of apples to a mermaid and was rewarded with prosperity.[25]

Western Europe

Raymond walks in on his wife, Melusine, in her bath, finding she has the lower body of a
serpent. Jean d'Arras, Le livre de Mlusine, 1478.

A freshwater mermaid-like creature from European folklore is Melusine. She is sometimes

depicted with two fish tails, or with the lower body of a serpent.[26]

The best-known example of mermaids in literature is probably Hans Christian Andersen's

fairy tale, The Little Mermaid, first published in 1837. In the original story, a young mermaid
falls in love with a human prince whom she saves from drowning when his ship is wrecked in
a storm. Although her grandmother tells her not to envy humans, who live much shorter lives
than mermaids, and whose only consolation is an immortal soul, the mermaid chooses to risk
her life in order to be with the prince. She trades her tongue and her beautiful voice to the
sea-witch in exchange for a draught that will make her human and allow her to live on land.
She will have to rely on her beauty and charm to win the prince's love, as she will be entirely
mute.

Mermaid in a Romanesque capital of the Rio Mau Monastic church rebuilt in 1151.

The sea-witch warns the mermaid that, although she will be graceful, each step will feel as
though she is stepping on knives; and that if she does not earn the prince's love, she will die
of a broken heart after he weds another. The spell is worked, and the mermaid is found by the
prince, who sees the resemblance between her and the one who rescued him from drowning,
although he does not realize that they are the same person. Although the prince cares deeply
for the mermaid, he is betrothed to the daughter of a neighboring king, and the mermaid
cannot prevent their marriage.

The mermaid's sisters trade their beautiful hair to the sea-witch for a knife that the mermaid
can use to break the spell and return to the sea. She must kill the prince before dawn on the
day after his wedding. But the mermaid still loves the prince and cannot harm him. She flings
the knife into the sea and jumps in after it, then begins to dissolve into foam. Then she is
transformed into one of the daughters of the air, ethereal beings who strive to earn an
immortal soul by doing good deeds in the world of men.[27]

A world-famous statue of the Little Mermaid, based on Andersen's fairy tale, has been in
Copenhagen, Denmark since August 1913, with copies in 13 other locations around the
world almost half of them in North America.[28][29][30]

In 1989, Walt Disney Studios released a full-length animated film based on the Andersen
fairy tale. Featuring an Academy Award-winning soundtrack with songs by Alan Menken
and Howard Ashman,[31] the film garnered glowing reviews, and was credited with
revitalizing both the studio and the concept of animated feature films.[32][33] Notable changes to
the plot of Andersen's story include the elimination of the grandmother character and the
religious aspects of the fairy tale, including the mermaid's quest to obtain an immortal soul.
The sea-witch herself replaces the princess to whom the prince becomes engaged, using the
mermaid's voice to prevent her from obtaining the prince's love. However, on their wedding
day the plot is revealed, and the sea-witch is vanquished. The knife motif is not used in the
film, which ends with the mermaid and the prince marrying.[34] Among other things, the film
was praised for portraying the mermaid as an independent and even rebellious young woman,
rather than a passive actor content to let others determine her destiny.[35]

Eastern Europe
Sadko in the Underwater Kingdom by Ilya Repin

Rusalkas are the Slavic counterpart of the Greek sirens and naiads.[36] The nature of rusalkas
varies among folk traditions, but according to ethnologist D.K. Zelenin they all share a
common element: they are the restless spirits of the unclean dead.[36] They are usually the
ghosts of young women who died a violent or untimely death, perhaps by murder or suicide,
before their wedding and especially by drowning. Rusalkas are said to inhabit lakes and
rivers. They appear as beautiful young women with long pale green hair and pale skin,
suggesting a connection with floating weeds and days spent underwater in faint sunlight.
They can be seen after dark, dancing together under the moon and calling out to young men
by name, luring them to the water and drowning them. The characterization of rusalkas as
both desirable and treacherous is prevalent in southern Russia, the Ukraine and Belarus, and
was emphasized by 19th-century Russian authors.[37][38][39] The best-known of the great Czech
nationalist composer Antonn Dvok's operas is Rusalka.

In Sadko (Russian: ), a Russian medieval epic, the title characteran adventurer,

merchant and gusli musician from Novgorodlives for some time in the underwater court of
the "Sea Tsar" and marries his daughter before finally returning home. The tale inspired such
works as the poem "Sadko"[40] by Alexei Tolstoy (181775), the opera Sadko composed by
Nikolai Rimsky-Korsakov and the painting by Ilya Repin.

China

Mermaids are included in the Shanhaijing (Classic of Mountains and Seas) compilation of
Chinese geography and mythology, dating from the 4th century BC. A 15th-century
compilation of quotations from Chinese literature tells of a mermaid who "wept tears which
became pearls".[41] An early 19th-century book entitled Jottings on the South of China
contains two stories about mermaids. In the first, a man captures a mermaid on the shore of
Namtao island. She looks human in every respect except that her body is covered with fine
hair of many colors. She can't talk, but he takes her home and marries her. After his death, the
mermaid returns to the sea where she was found. In the second story, a man sees a woman
lying on the beach while his ship was anchored offshore. On closer inspection, her feet and
hands appear to be webbed. She is carried to the water, and expresses her gratitude toward the
sailors before swimming away.[42]

Hinduism
Suvannamaccha (lit. golden mermaid) is a daughter of Ravana that appears in the Cambodian
and Thai versions of the Ramayana. She is a mermaid princess who tries to spoil Hanuman's
plans to build a bridge to Lanka but falls in love with him instead. She is a popular figure of
Thai folklore.[43]

Africa

Mami Water (Lit. "Mother of the Water") are water spirits venerated in west, central and
southern Africa, and in the African diaspora in the Caribbean and parts of North and South
America. They are usually female, but are sometimes male. They are regarded as diabolical
beings, and are often femme fatale, luring men to their deaths.[44] The Persian word ""
or "maneli" means "mermaid".[45]

Other

The Neo-Tano nations of the Caribbean identify a mermaid called Aycayia[46][47] with
attributes of the goddess Jagua and the hibiscus flower of the majagua tree Hibiscus
tiliaceus.[48] In modern Caribbean culture, there is a mermaid recognized as a Haitian vodou
loa called La Sirene (lit. "the mermaid"), representing wealth, beauty and the orisha Yemaya.

Examples from other cultures are the jengu of Cameroon, the iara of Brazil and the Greek
oceanids, nereids and naiads. The ningyo is a fishlike creature from Japanese folklore, and
consuming its flesh bestows amazing longevity. Mermaids and mermen are also characters of
Philippine folklore, where they are locally known as sirena and siyokoy respectively.[49] The
Javanese people believe that the southern beach in Java is a home of Javanese mermaid queen
Nyi Roro Kidul.[50] The myth of "Pania of the Reef", a well known tale of Mori mythology,
has many parallels with stories of sea-people in other parts of the world.

According to Dorothy Dinnerstein's book The Mermaid and the Minotaur, human-animal
hybrids such as mermaids and minotaurs convey the emergent understanding of the ancients
that human beings were both one with and different from animals:

[Human] nature is internally inconsistent, that our continuities with, and our differences from,
the earth's other animals are mysterious and profound; and in these continuities, and these
differences, lie both a sense of strangeness on earth and the possible key to a way of feeling
at home here."[51]

Reported sightings
In 1493, sailing off the coast of Hispaniola, Christopher Columbus reported seeing three
"female forms" which "rose high out of the sea, but were not as beautiful as they are
represented".[52][53] The logbook of Blackbeard, an English pirate, records that he instructed his
crew on several voyages to steer away from charted waters which he called "enchanted" for
fear of merfolk or mermaids, which Blackbeard himself and members of his crew reported
seeing.[54] These sightings were often recounted and shared by sailors and pirates who
believed that mermaids brought bad luck and would bewitch them into giving up their gold
and dragging them to the bottom of the sea. Two sightings were reported in Canada near
Vancouver and Victoria, one from sometime between 1870 and 1890, the other from
1967.[55][56] A Pennsylvania fisherman reported five sightings of a mermaid in the Susquehanna
River near Marietta in June 1881.[57]

In August 2009, after dozens of people reported seeing a mermaid leaping out of Haifa Bay
waters and doing aerial tricks, the Israeli coastal town of Kiryat Yam offered a $1 million
award for proof of its existence.[58] In February 2012, work on two reservoirs near Gokwe and
Mutare in Zimbabwe stopped when workers refused to continue, stating that mermaids had
hounded them away from the sites. It was reported by Samuel Sipepa Nkomo, the water
resources minister.[59]

Animal Planet broadcasts

P.T. Barnum's Fiji mermaid (1842)

In May 2012, a Mermaids: The Body Found, a television docufiction[60] aired on Animal
Planet which centered on the experiences of former National Oceanic and Atmospheric
Administration scientists, showing a CGI recreation of amateur sound and video of a beached
mermaid and discussing scientific theories involving the existence of mermaids.[60] In July
2012 in response to public inquiries, and the possibility that some viewers may have mistaken
the programme for a documentary, the National Ocean Service (a branch of NOAA) made the
unusual declaration that "no evidence of aquatic humanoids has ever been found".[61][62]

A year later in May 2013, Animal Planet aired another docu-fiction titled Mermaids: The
New Evidence featuring "previously unreleased video evidence",[63][64] including what a former
Iceland GeoSurvey scientist witnessed while diving off the coast of Greenland in an
underwater submersible. The videos provide two different shots of what appears to be a
humanoid creature approaching and touching their vehicle.[65] NOAA once again released a
statement saying "The person identified as a NOAA scientist was an actor."[66][67] The actor is
separately identified as David Evans[68] of Ontario, Canada.

Hoaxes

In the middle of the 17th century, John Tradescant the elder created a wunderkammer (called
Tradescant's Ark) in which he displayed, among other things, a "mermaid's hand".[69] P. T.
Barnum's 19th century taxidermal hoax called the Fiji mermaid has been mentioned above.
Others have perpetrated similar hoaxes, which are usually papier-mch fabrications or parts
of deceased creatures, usually monkeys and fish, stitched together for the appearance of a
grotesque mermaid. In the wake of the 2004 tsunami, pictures of Fiji "mermaids" circulated
on the Internet as supposed examples of items that had washed up amid the devastation,
though they were no more real than Barnum's exhibit.[70]

Art and literature

See also: Mermaids in popular culture

Illustration of the daughters of the Rhine, by Arthur Rackham (1910)

Becky Sharp, protagonist of Thackeray's Vanity Fair portrayed as a mermaid

Famous in more recent centuries is the fairy tale "The Little Mermaid" (1836) by Hans
Christian Andersen, whose works have been translated into over 100 languages.[71] The
mermaid (as conceived by Andersen) is similar to an Undine, a water nymph in German
folklore who could only obtain an immortal soul by marrying a human being.[72] Andersen's
heroine inspired a bronze sculpture in Copenhagen harbour and influenced Western literary
works such as Oscar Wilde's The Fisherman and His Soul and H.G. Wells' The Sea Lady.[73]
Sue Monk Kidd wrote a book called The Mermaid Chair loosely based on the legends of
Saint Senara and the mermaid of Zennor.

Sculptures and statues of mermaids can be found in many countries and cultures, with over
130 public art mermaid statues across the world. Countries with public art mermaid
sculptures include Russia, Finland, Lithuania, Poland, Romania, Denmark, Norway, England,
Scotland, Ireland, Germany, Netherlands, Belgium, France, Spain, Italy, Austria,
Switzerland, Greece, Turkey, India, China, Thailand, South Korea, Japan, Guam, Australia,
New Zealand, Brazil, Ecuador, Colombia, Mexico, Cayman Islands, Mexico, Saudi Arabia
(Jeddah), the United States (including Hawaii and Virgin Islands) and Canada.[74] Some of
these mermaid statues have become icons of their city or country, and have become major
tourist attractions in themselves. The Little Mermaid statue in Copenhagen is an icon of that
city as well as of Denmark. The Havis Amanda statue symbolizes the rebirth of the city of
Helsinki, capital of Finland. The Syrenka (mermaid) is part of the Coat of Arms of Warsaw,
and is considered a protector of Warsaw, capital of Poland, which publicly displays statues of
their mermaid.

Musical depictions of mermaids include those by Felix Mendelssohn in his Fair Melusina
overture and the three "Rhine daughters" in Richard Wagner's Der Ring des Nibelungen.
Lorelei, the name of a Rhine mermaid immortalized in the Heinrich Heine poem of that
name, has become a synonym for a siren. The Weeping Mermaid is an orchestral piece by
Taiwanese composer Fan-Long Ko.[75]

An influential image was created by John William Waterhouse, from 1895 to 1905, entitled A
Mermaid. An example of late British Academy style artwork, the piece debuted to
considerable acclaim (and secured Waterhouse's place as a member of the Royal Academy),
but disappeared into a private collection and did not resurface until the 1970s. It is currently
once again in the Royal Academy's collection.[76] Mermaids were a favorite subject of John
Reinhard Weguelin, a contemporary of Waterhouse. He painted an image of the mermaid of
Zennor as well as several other depictions of mermaids in watercolour.

Film depictions include the romantic comedy Splash (1984) and Aquamarine (2006). A 1963
episode of the television series Route 66 entitled "The Cruelest Sea" featured a mermaid
performance artist working at Weeki Wachee aquatic park. Mermaids also appeared in the
popular supernatural drama television series Charmed, and were the basis of its spin-off
series Mermaid. In She Creature (2001), two carnival workers abduct a mermaid in Ireland c.
1900 and attempt to transport her to America. The film Pirates of the Caribbean: On
Stranger Tides mixes old and new myths about mermaids: singing to sailors to lure them to
their death, growing legs when taken onto dry land, and bestowing kisses with magical
healing properties. Animated films include Disney's musical version of Andersen's tale, The
Little Mermaid, and Hayao Miyazaki's Ponyo. The Australian teen dramedy H2O: Just Add
Water chronicles the adventures of three modern-day mermaids along the Gold Coast of
Australia.

Heraldry

Coat of arms of Warsaw

Cusack Crest

In heraldry, the charge of a mermaid is commonly represented with a comb and a mirror,[77]
and blazoned as a "mermaid in her vanity".[78] In addition to vanity, mermaids are also a
symbol of eloquence.[79]

A shield and sword-wielding mermaid (Syrenka) is on the official coat of arms of Warsaw.[80]
Images of a mermaid have symbolized Warsaw on its arms since the middle of the 14th
century.[81] Several legends associate Triton of Greek mythology with the city, which may
have been the origin of the mermaid's association.[82]

The Cusack family crest includes a mermaid wielding a sword, as depicted on a memorial
stone for Sir Thomas Cusack (14901571).[83] [84]

The city of Norfolk, Virginia, also uses a mermaid as a symbol. The personal coat of arms of
Michalle Jean, a former Governor General of Canada, features two mermaids as
supporters.[85]

Mermaid fandom
Interest in mermaid costuming has grown alongside the popularity of fantasy cosplay as well
as the availability of inexpensive monofins used in the construction of mermaid costumes.
These costumes are typically designed to be used while swimming, in an activity known as
mermaiding. Mermaid fandom conventions have also been held.[86][87]

Human divers
The Ama are Japanese skin divers, predominantly women, who traditionally dive for shellfish
and seaweed wearing only a loincloth and who have been in action for at least 2,000 years.
Starting in the twentieth century, they have increasingly been regarded as a tourist
attraction.[88] They operate off reefs near the shore, and some perform for sightseers instead of
diving to collect a harvest. They have been romanticized as mermaids.[89]

Professional female divers have performed as mermaids at Florida's Weeki Wachee Springs
since 1947. The state park calls itself "The Only City of Live Mermaids"[90] and was
extremely popular in the 1960s, drawing almost one million tourists per year.[91] Most of the
current performers work part-time while attending college, and all are certified Scuba divers.
They wear fabric tails and perform aquatic ballet (while holding their breath) for an audience
in an underwater stage with glass walls. Children often ask if the "mermaids" are real. The
park's PR director says "Just like with Santa Claus or any other mythical character, we always
say yes. We're not going to tell them they're not real".[92