Famil y

User Manual
v6.4

C o p y r i g h t 2 0 1 3 E le c tr o n i c T h e a t r e C o n t r o l s , I n c .
All Rights reserved.
P r o d u c t in f o r m a t i on a n d s p e c i f i c a t i o n s s u bj e c t t o c h a n g e .
P a r t N umbe r : 7310M1200-6.4.0 R ev A
R e le a s ed : 2 0 1 3 - 0 4
E T C p e r m i t s t h e r e p r o d u c t i o n o f m a te r i a l s i n t h is m a nu a l o n l y f o r n o n - c o m m e r c i a l p u r p o s e s . A l l o t h e r r i g h t s a r e
reserved by ETC.

E T C i n t en d s t h i s d o c u m e n t , w h e th e r p r i n t e d o r e l e c t r o n i c , t o b e p r o v i d e d i n i t s e n t i r e t y .
CONGO MANUAL
This is the manual for the Congo Family.
(V6.4 2013-03-15 Last: 2012-08-22)

This manual covers Congo, Congo Jr, Congo Kid, Congo Lightserver,
Client and Offline editor.

1
 Table Of Contents

CONGO MANUAL ........................................................................................................................ 1

Table Of Contents ........................................................................................................................... 2
CONGO MANUAL ...................................................................................................................... 39

This Manual - Using the Help system ...................................................................................... 40

Help System - Change Language .......................................................................................... 40

Help System - Navigating ..................................................................................................... 40
Help - Search Function ......................................................................................................... 41
Help System - Favourites ...................................................................................................... 42

This Manual - Terminology ...................................................................................................... 43

Disclaimer ..................................................................................................................................... 44
***News in This V6.4 *** ........................................................................................................... 45
*** News in 6.3 *** ..................................................................................................................... 46

6.3 - A More Intuitive Interface ............................................................................................ 46

6.3 - A New Way of Managing a Sequence.......................................................................... 48
6.3 - Easy And Flexible Organization................................................................................... 48
6.3 - A Complete New Import Interface ............................................................................... 51
6.3 - Enhanced Safari/VLC Import ....................................................................................... 52
6.3 - New Show Control Options .......................................................................................... 52

***News in V6.2*** .................................................................................................................... 53

***News in V6.1*** .................................................................................................................... 54
***News in V6*** ....................................................................................................................... 55

General screen improvements in V6 ..................................................................................... 55

Blind Attribute Editing in V6 ............................................................................................... 56
Effects in V6 ......................................................................................................................... 56
New Remote - iRFR in V6.................................................................................................... 57
Master Playbacks in V6 ........................................................................................................ 57
Printing in V6 ........................................................................................................................ 58
New Dock Areas in V6 ......................................................................................................... 58
Time Code in V6 ................................................................................................................... 58
File Handling in V6 .............................................................................................................. 59
Lock Console in V6 .............................................................................................................. 59
Sequence and Presets in V6 .................................................................................................. 59
2
 Scale Key in V6 .................................................................................................................... 60
Auto Close Tab Mode in V6 ................................................................................................. 60
About Play in V6 .................................................................................................................. 61

GETTING STARTED .................................................................................................................. 62

General Info .................................................................................................................................. 63

System Overview ...................................................................................................................... 64

Console Specification ........................................................................................................... 65

Interface Specification .......................................................................................................... 66

Installation guidelines ............................................................................................................... 67

Key Syntaxes ............................................................................................................................ 68
Congo Terminology .................................................................................................................. 69
Control Hierarchy ..................................................................................................................... 71

Playbacks - Introduction ....................................................................................................... 71

Control Hierarchy - Master Playbacks .................................................................................. 72
Control Hierarchy - Main Playback ...................................................................................... 72
Control Hierarchy - Highest Takes Precedence .................................................................... 72

Software & Update ................................................................................................................... 73

Version Information .............................................................................................................. 73

Workflow in Congo ...................................................................................................................... 74

Patch (workflow) .................................................................................................................. 75

Control (workflow) ............................................................................................................... 76
Record (workflow) ................................................................................................................ 77
Playback (workflow) ............................................................................................................. 78
Edit (workflow) ..................................................................................................................... 79

Power-up Procedure ...................................................................................................................... 81

Reset The System...................................................................................................................... 82

Reset The Console Facepanel ............................................................................................... 82

Check The Output ................................................................................................................. 84

Bypass Startup Screen .............................................................................................................. 85

Troubleshooting ............................................................................................................................ 86

3
 Troubleshooting - Lights Are Not Responding ........................................................................ 87
Troubleshooting - Crashes & Bugs ........................................................................................... 88

An Error Popup Appears - copy log ..................................................................................... 88

What to do after a crash? ...................................................................................................... 89
Making a crash or bug report ................................................................................................ 89

Troubleshooting - Reset ............................................................................................................ 90

Troubleshooting - Help from ETC Technical Services ............................................................ 91

ETC Technical Services - United Kingdom ......................................................................... 91

ETC Technical Services - Americas ..................................................................................... 91
ETC Technical Services - Asia ............................................................................................. 91
ETC Technical Services - Germany ..................................................................................... 91

System Info ................................................................................................................................... 92

Console Specification ........................................................................................................... 92

Interface Specification .......................................................................................................... 93

Console Facepanels ....................................................................................................................... 94

Facepanel - Congo .................................................................................................................... 95

Facepanel - Congo Jr ................................................................................................................ 96

Congo Jr Master Playback Wing .......................................................................................... 97

Facepanel - Congo Kid ............................................................................................................. 99

Facepanel - Congo LS............................................................................................................. 100
Facepanel - Programming Section .......................................................................................... 101
Facepanel - Console Main Display ......................................................................................... 103

Main Display - Functions.................................................................................................... 104

Facepanel - Trackball.............................................................................................................. 106

GENERAL FUNCTIONS .......................................................................................................... 107

Navigating ................................................................................................................................... 108

Navigating - Introduction........................................................................................................ 109

The Navigation Pad............................................................................................................. 109

The ARROW Keys ............................................................................................................. 110
The ESC Key ...................................................................................................................... 110
The MODIFY Key .............................................................................................................. 110
4
 The Level Wheel ................................................................................................................. 110

Navigating - Browser .............................................................................................................. 111

Browser Controls (6.3)........................................................................................................ 112

Browser Functions - LOAD ................................................................................................ 113

Navigating - Tabs.................................................................................................................... 114

Auto close tab mode (6.0) ................................................................................................... 114

Navigating The Tabs ........................................................................................................... 115
Tab Setup and Lock ............................................................................................................ 115
Tabs - Drag and Drop (6.3) ................................................................................................. 116

Navigating - Channel Views (6.3) .......................................................................................... 117

Compact Channel Format ................................................................................................... 118

Channel View Formats - Selected....................................................................................... 118
Channel View Format - Selected and non-zero .................................................................. 119
Channel View Format - Selected And Captured................................................................. 119
Channel View Format - Used In Play ................................................................................. 120
Channel View Format - Layout .......................................................................................... 120
Channel View Zoom ........................................................................................................... 121

Navigating - Lists.................................................................................................................... 122

Navigating In Lists .............................................................................................................. 122

Editing In Lists .................................................................................................................... 123
Sort By Column .................................................................................................................. 123
Change The List View ........................................................................................................ 124

Navigating - Soft Key Pages ................................................................................................... 125

Copy, Cut & Paste .................................................................................................................. 126

Copy, Cut & Paste Attributes.............................................................................................. 126

Entering Texts ......................................................................................................................... 127

The TEXT Key ................................................................................................................... 127

Text From The Console Keyboard ..................................................................................... 128

Display Lists ........................................................................................................................... 129

Mute & Solo............................................................................................................................ 131

Mute & Solo - MUTE ......................................................................................................... 131

5
 Mute & Solo - SOLO .......................................................................................................... 132

Output Mode Switch ............................................................................................................... 133

Grand Master .......................................................................................................................... 134
Freeze Mode ........................................................................................................................... 135

Direct Selects .............................................................................................................................. 136

Direct Selects - Introduction ................................................................................................... 137

Direct Selects - Content .......................................................................................................... 138

Content Types (6.3) ............................................................................................................ 139

Direct Selects - Record & Update........................................................................................... 140

Direct Selects - User Setups.................................................................................................... 141
Direct Selects - Direct Mode .................................................................................................. 142

Jam Mode .................................................................................................................................... 143

Jam Mode - Introduction (6.0) ................................................................................................ 144

Activate & Setup Jam Mode (6.0) ...................................................................................... 145

Two Scene Masters (6.0) ........................................................................................................ 146

Fading Two Scene Masters (6.0) ........................................................................................ 146

Create new looks in Blind and record to masters (6.0) ....................................................... 147

Device Masters (6.0) ............................................................................................................... 148

Device Masters Step 1 - Check Groups .............................................................................. 149

Device Masters Step 2 - Update Focus Palettes.................................................................. 149
Device Masters Step 3 - Check Color Palettes ................................................................... 150
Device Masters Option - Create Beam Palettes .................................................................. 151

Device Masters - Working Method (6.0) ................................................................................ 152

Device Masters - Selecting Devices.................................................................................... 152

Device Masters - Set Positions and Colors ......................................................................... 153

Misc Soft Key Page (6.0) ........................................................................................................ 154

Lock Console (6.3) ................................................................................................................. 156
Context Menus (6.3) ............................................................................................................... 157
Drag and Drop (6.3) ................................................................................................................ 160

6
 Drag and Drop - Replacing Data (6.3) ................................................................................ 163

About........................................................................................................................................... 165

About - Congo ........................................................................................................................ 166

About - Play ............................................................................................................................ 168
Dimmer/Device Feedback Log (6.2) ...................................................................................... 169

Sensor3 & Sensor+ Dimmer Feedback (6.2) ...................................................................... 170

Files ............................................................................................................................................. 171

Files - Introduction.................................................................................................................. 172

New (6.3) ................................................................................................................................ 174
Open ........................................................................................................................................ 178

Delete a Play ....................................................................................................................... 178

Save & Save as... (6.3) ............................................................................................................ 179

Creating Subfolders For Files (6.3) .................................................................................... 180

Save Copy to USB (6.3) ......................................................................................................... 181

Import from... (6.3) ................................................................................................................. 182

Import Organizer - Functions (6.3) ..................................................................................... 183

Import - Types of items to import (6.3) .............................................................................. 185
Import Items With Dependencies (6.3) ............................................................................... 185
Import From Other Lighting Control Systems (6.3) ........................................................... 188

Export to Expert diskette ........................................................................................................ 191

Default Play wizard (6.1) ........................................................................................................ 192
Print ......................................................................................................................................... 193
Copy Log files to USB............................................................................................................ 195
Exit to System Settings ........................................................................................................... 196
System Settings - General ....................................................................................................... 197
System Settings - Com Port .................................................................................................... 199
System Settings - Protocols .................................................................................................... 200
System Settings - Universe Map (6.0) .................................................................................... 202
System Settings - Output (6.4) ................................................................................................ 204
System Settings - Backup ....................................................................................................... 205
System Settings - Network ..................................................................................................... 206

Network Configuration Applications (6.0) ......................................................................... 209

7
 System Settings - Monitor ...................................................................................................... 210
System Settings - Update ........................................................................................................ 212

Update Software.................................................................................................................. 213

System Settings - USB RFR ................................................................................................... 214

System Settings - Utilities (6.0) .............................................................................................. 215
Exit to Welcome Screen ......................................................................................................... 217
Power Off (Quit) ..................................................................................................................... 219

Power Loss .......................................................................................................................... 219

General Settings .......................................................................................................................... 220

Play Settings................................................................................................................................ 221

Play Settings - Introduction .................................................................................................... 222

Play Settings - Basic ............................................................................................................... 223
Play Settings - Channels ......................................................................................................... 224

Channel Settings ................................................................................................................. 225

Play Settings - Crossfade ........................................................................................................ 226

Crossfade Settings ............................................................................................................... 227

Play Settings - Master ............................................................................................................. 229

Master Settings.................................................................................................................... 229

Play Settings - Effects (6.1) .................................................................................................... 230

Play Settings - System ............................................................................................................ 231

System Settings ................................................................................................................... 231

Play Settings - Attribute .......................................................................................................... 232

Attribute Settings (6.0)........................................................................................................ 233

Play Settings - MIDI (6.4) ...................................................................................................... 235

Direct Mode MIDI (6.4) ..................................................................................................... 237

Play Settings - Show Control .................................................................................................. 239

Show Control Settings ........................................................................................................ 239

8
 Console Settings ..................................................................................................................... 241

Sound Settings (6.3) ............................................................................................................ 242

Network....................................................................................................................................... 243

Network - Introduction ........................................................................................................... 244

Network - Functions ............................................................................................................... 245
Network - Server/Backup ....................................................................................................... 246

Network - Backup Setup ..................................................................................................... 247

Network - Client ..................................................................................................................... 249

Network - Multiple Users ....................................................................................................... 251

Multiple Users - Global Functions ...................................................................................... 251

Multiple Users - Local Functions ....................................................................................... 253

Server Commands ................................................................................................................... 254

Send Play ............................................................................................................................ 254

Fetch Play............................................................................................................................ 254

Backup Sync ........................................................................................................................... 256

Force To Backup ................................................................................................................. 257

Backup Commands ................................................................................................................. 258

Fetch Play............................................................................................................................ 258

Convert To Server ............................................................................................................... 259

Network nodes ........................................................................................................................ 260

Find/configure CEM + ............................................................................................................ 261
Net3/ACN Device List............................................................................................................ 262
Screens .................................................................................................................................... 263

Screen Names...................................................................................................................... 264

Load screen (6.0) ................................................................................................................ 264
Delete Screens ..................................................................................................................... 265

Dock Areas (6.1) ......................................................................................................................... 266

Dock Areas - Introduction ...................................................................................................... 267

Dock Areas - Functions .......................................................................................................... 269
9
 Configure Dock Areas (6.3) ................................................................................................ 269
Navigate Dock Areas (6.3) ................................................................................................. 271

Console Mimic Dock .............................................................................................................. 273

Designer Summary ................................................................................................................. 274
Selected - Live dock ............................................................................................................... 275
Time Code dock ...................................................................................................................... 276
Color Dock (6.1) ..................................................................................................................... 277
User List .................................................................................................................................. 278

User List - Columns ............................................................................................................ 278

Create a User Login ............................................................................................................ 279

Change User ............................................................................................................................ 280

Event List .................................................................................................................................... 281

Event List - Introduction ......................................................................................................... 282

Event List - Action Macros ..................................................................................................... 283

Action Macro Rules ............................................................................................................ 283

Congo Action Macros (6.2) ................................................................................................ 284
Serial COM data ................................................................................................................. 285
MIDI Data ........................................................................................................................... 285
UDP data (6.2) .................................................................................................................... 286

Event List - Events .................................................................................................................. 288

Triggers for Events ............................................................................................................. 288

Macro List ............................................................................................................................... 290

Macros - Record & Playback .............................................................................................. 290

Patching....................................................................................................................................... 292

Patch - Introduction ................................................................................................................ 293

Patch by Channel/Dimmer ...................................................................................................... 294

Output Editor - Formats ...................................................................................................... 294

Output Editor - Patch By Channel ...................................................................................... 297
Output Editor - Patch By Dimmer ...................................................................................... 298
Output Editor - Dimmer Check Mode ................................................................................ 299
Output Editor - Channel Check Mode (6.1)........................................................................ 299

10
 Import Template Wizard (6.2) ................................................................................................ 300
Patch Wizard ........................................................................................................................... 302

Patch Dimmer(s) ................................................................................................................. 302

Patch Device(s) ................................................................................................................... 303
Clear/reset patch or rename................................................................................................. 304

Device List .............................................................................................................................. 305

Device Settings - Columns & Functions ............................................................................. 306

Device Settings - Patching (6.1) ......................................................................................... 307
Edit/Change a Device ......................................................................................................... 308

>Settings and Tools - Patching ................................................................................................... 309

Channel List ............................................................................................................................ 310

Channel List - Columns & Functions ................................................................................. 311

Channel List - Select & Patch Channels (6.3) .................................................................... 312

Patch - Rename Channels ....................................................................................................... 313

Change a channel name....................................................................................................... 313

Output List - Columns & Functions.................................................................................... 314
Output List - Select & Patch Outputs ................................................................................. 315

Parked ..................................................................................................................................... 316

Park - Parked Items List.......................................................................................................... 317

Templates .................................................................................................................................... 318

Templates - Introduction ......................................................................................................... 319

Templates - List ...................................................................................................................... 320

Template List - Columns & Functions................................................................................ 320

Templates - Editor .................................................................................................................. 321

Template Editor - Columns & Functions ............................................................................ 322

Templates - Create .................................................................................................................. 323

Templates - Type LTP or HTP ............................................................................................... 324
Templates - Type 8/16 bit control........................................................................................... 325

16 Bit Control And Wheel Behaviour ................................................................................ 325

11
 16 Bit Control - Fine Step ................................................................................................... 326

Templates - Snap or Fade ....................................................................................................... 327

Templates - Ranges ................................................................................................................. 328

Template Range Editor - Columns ..................................................................................... 329

Template Range Wizard ..................................................................................................... 329

Templates - Mode Tables ....................................................................................................... 331

Define A Range Table ........................................................................................................ 331

Templates - Fade With Intensity ............................................................................................. 333

Parameter Definitions ............................................................................................................. 334

Parameter Definition Editor ................................................................................................ 334

Dimmer Curve List ................................................................................................................. 336

Patch - Dimmer Curve Editor ............................................................................................. 336

Main Show Data ......................................................................................................................... 338

Organizer (1 tab) (6.3) ............................................................................................................ 339

Opening Focused Organizer Tabs (6.3) .............................................................................. 340

Execute from the Organizer (6.3) ....................................................................................... 341
Drag and Drop in the Organizer (6.3) ................................................................................. 341

Organizer (2 tabs) (6.3) ........................................................................................................... 344

Groups ......................................................................................................................................... 345

Groups - Introduction.............................................................................................................. 346

Group functionality ............................................................................................................. 346

Record a Group (6.1) .......................................................................................................... 347

Groups - Record ...................................................................................................................... 348

900-groups .......................................................................................................................... 348

Groups - Select Channels ........................................................................................................ 349

Groups - Select Channels Context Menu (6.3) ................................................................... 350

12
 Groups - Fetch Intensities ....................................................................................................... 351
Groups - List ........................................................................................................................... 352

Group List - Columns & Functions .................................................................................... 353

Groups - Display List .............................................................................................................. 354

Groups - Load To Playbacks .................................................................................................. 355

Presets ......................................................................................................................................... 356

Presets - Introduction .............................................................................................................. 357

Record a Preset Live (6.1) .................................................................................................. 358

Presets - Record ...................................................................................................................... 359

The Recording Popup (6.3) ................................................................................................. 360

Record Presets - Live Tab ................................................................................................... 362
Record Presets - Field A Only ............................................................................................ 362
Record Preset - Do not add to Sequence ............................................................................. 363
Record All Attributes for selected channels ....................................................................... 363
Record Directly To A Master ............................................................................................. 364
Record Selected Channels To Any Preset .......................................................................... 364

Presets - Update ...................................................................................................................... 365

Presets - List............................................................................................................................ 366

Preset List Channel View (6.0) ........................................................................................... 367

Preset List - Columns .......................................................................................................... 368
Preset List - Functions ........................................................................................................ 369

Presets - Load To Playbacks ................................................................................................... 370

Quick-load Presets to Masters ............................................................................................ 370

Presets - Copy ......................................................................................................................... 371

Presets - Select Channels ........................................................................................................ 372

Presets - Select Channels Context Menu (6.3).................................................................... 372

Presets - Fetch Intensities ....................................................................................................... 373

Presets - Display List .............................................................................................................. 374
Presets - Channel Editor Wizard ............................................................................................. 375

Channel Editor Wizard - Type Of Change 6.1.................................................................... 376

13
 Channel Editor Wizard - Value........................................................................................... 376
Channel Editor Wizard - Include If 0% .............................................................................. 377

Presets - Auto-Save ................................................................................................................. 378

Presets - Times ........................................................................................................................ 379
Presets - Compare Mode ......................................................................................................... 380
Presets - Delete ....................................................................................................................... 381
Presets - Renumber (6.3) ........................................................................................................ 382
Presets - Import & Undo (6.3) ................................................................................................ 383

Presets - Multiple Import & Undo (6.3).............................................................................. 384

Sequences.................................................................................................................................... 387

Sequences - Introduction ........................................................................................................ 388

Record a Sequence Live (6.1) ............................................................................................. 389

Sequences - In The Main Playback......................................................................................... 390

Sequences - List ...................................................................................................................... 391

Sequences List - Insert/Delete/Load ................................................................................... 391

Sequences List - Columns ................................................................................................... 392

Sequences - Sequence List ...................................................................................................... 393

Sequence List Channel View (6.0) ..................................................................................... 394

Sequence List Functions ..................................................................................................... 395
Sequence List - Columns .................................................................................................... 396
Sequence and Preset texts (6.0) .......................................................................................... 397

Sequences - Crossfade Movefade & Lockfade ....................................................................... 398

Sequences - Times (6.0).......................................................................................................... 399

Sequence Times - Set To A or B......................................................................................... 399

Sequence Times - Main Times (in/out/delay/wait) ............................................................. 400
Sequence Times - Channel Times....................................................................................... 401
Sequence - Channel Time Editor ........................................................................................ 402
The Time Editor Popup ....................................................................................................... 403
The Times Soft Key Page (6.2)........................................................................................... 404
Sequence Times - FCB Times ............................................................................................ 406
Sequence Times - Parameter Times .................................................................................... 406
Sequence Times - WAF Alert Times .................................................................................. 407
Sequence Times - WAF Wait & Followon Times .............................................................. 407

14
 Sequences - Crossfade Profiles (6.0) ...................................................................................... 408
Sequences - Insert Step ........................................................................................................... 409

Insert A Sequence Step - In any playback .......................................................................... 409

Insert A Sequence Step Directly In The Main Playback (6.0) ............................................ 409
Insert A Sequence Step - In The List .................................................................................. 410

Sequences - Delete Step .......................................................................................................... 411

Delete a sequence step directly in the main playback (6.0) ................................................ 411

Sequences - Links ................................................................................................................... 412

Sequence Step Links - Master Playbacks ........................................................................... 412

Sequence Step Links - Shortcut .......................................................................................... 413
Sequence Step Links - Master Pages .................................................................................. 413
Sequence Step Links - Another Step................................................................................... 414

Sequences - Load .................................................................................................................... 415

Sequences - Build & Modify Modes (6.3) .............................................................................. 416

Sequence - Build Sequence Mode ...................................................................................... 417

Sequence - Modify Sequence Mode ................................................................................... 417

Sequences - Block Values....................................................................................................... 418

Sequences - Track List ............................................................................................................ 419

Sequences - Chase Mode ............................................................................................................ 420

Chase - Introduction................................................................................................................ 421

Chase - Playback View ........................................................................................................... 422
Chase - Playback Modes ......................................................................................................... 423
Chase - Set Rate ...................................................................................................................... 424
Chase - BPM & Tap Tempo ................................................................................................... 425

Set BPM Numerically ......................................................................................................... 425

Set BPM using Tap Tempo ................................................................................................. 425

Chase - Wizard........................................................................................................................ 426

Chase Wizard - Functions ................................................................................................... 428

Sequences - Split Fade (6.1) ................................................................................................... 429

Sequences - Drag And Drop (6.3) .......................................................................................... 430

15
 Drag and Drop a Sequence Step (6.3) ................................................................................. 430
Drag and Drop Device Attributes (6.3)............................................................................... 433

Sequences - Section Markers (6.3) ......................................................................................... 436

Jump Between Section Markers (6.3) ................................................................................. 438

Playlist (6.2) ............................................................................................................................ 439

The Playlist - Mode ............................................................................................................. 440

The Playlist - Console Display ........................................................................................... 440

Groups/Palettes Overview ...................................................................................................... 441

>Settings & Tools - Main Show Data ..................................................................................... 442
Fade Curves (6.1) .................................................................................................................... 443

Sequence - Assign Fade Curves .......................................................................................... 444

Notes Editor ............................................................................................................................ 445

Notes - Create ..................................................................................................................... 445

Notes - Editor ...................................................................................................................... 446
Note Editor - Columns ........................................................................................................ 446
Note Editor - Delete ............................................................................................................ 447

Delete Wizard ......................................................................................................................... 448

Channels...................................................................................................................................... 450

Channels - Introduction .......................................................................................................... 451

Channels - Functions................................................................................................................... 452

Channels - Views .................................................................................................................... 453

Channels - Command Syntax ................................................................................................. 454

Select Channels (6.1) .......................................................................................................... 455

Set Channel Levels ............................................................................................................. 456
Park Level ........................................................................................................................... 457

Channels - Ch Only Mode ...................................................................................................... 458

Channels - 8 bit 256 Step Levels ............................................................................................ 459
Channels - Capture Mode ....................................................................................................... 460

Permanent Capture Mode ................................................................................................... 460

16
 Capturing levels or parameters ........................................................................................... 461
Recording only Captured channels ..................................................................................... 461
Releasing Captured Channels ............................................................................................. 462

Channels - Clear Functions ..................................................................................................... 463

Channels - Check Mode .......................................................................................................... 465
Channels - Balance Mode ....................................................................................................... 466

Balance Mode Key .............................................................................................................. 467

Channels - Random Select ...................................................................................................... 468

Channels - Scale channel levels .............................................................................................. 470

Clear Scale Values (6.0) ..................................................................................................... 471

Channels - Used & Unused ..................................................................................................... 472

Channels - Group Wheel Mode .............................................................................................. 473
Channels - Rem Dim............................................................................................................... 475
Channels - Soft key page ........................................................................................................ 476
Channels - Next & Last Mode ................................................................................................ 478
Channels - Select Functions .................................................................................................... 479

Select - Sub-selection Functions ......................................................................................... 480

Live (6.0)..................................................................................................................................... 481

Live - Introduction (6.0) ......................................................................................................... 482

Select the Live Tab (6.0) ..................................................................................................... 482

Selecting channels with mouse (6.3)................................................................................... 483
Channel viewing formats .................................................................................................... 483
Channel View Zoom ........................................................................................................... 484
Channel Information - Info Box ......................................................................................... 485
Multiple Live Tabs .............................................................................................................. 486

Editing in Live ........................................................................................................................ 487

Record in Live (6.0) ............................................................................................................ 488

Channel Symbols (6.0) ........................................................................................................... 489

Channel Information - Important modes (6.0) .................................................................... 491

Channel Information - Fade indications (6.0) ..................................................................... 492

Blind (6.0) ................................................................................................................................... 493

17
 Blind - Introduction 6.0) ......................................................................................................... 494

Select the Blind Tab ............................................................................................................ 494

Editing In Blind (6.0) .............................................................................................................. 495

Record and copy in Blind (6.0) ........................................................................................... 495

Track List .................................................................................................................................... 497

Track - Introduction (6.3) ....................................................................................................... 498

Track - Lists (6.1) ................................................................................................................... 499

Track List - Functions ......................................................................................................... 500

Track List - Show Levels & Attributes ............................................................................... 501

Track - Channels ..................................................................................................................... 502

Track Channels - In Sequences ........................................................................................... 502

Track To Wizard ................................................................................................................. 503
Track Channels - In Presets ................................................................................................ 503
Track Channels - Groups .................................................................................................... 504
Track Channels - Palettes.................................................................................................... 505
Track Channels - In The Play ............................................................................................. 506

Track - Presets (6.3) ................................................................................................................ 507

Track - Palettes ....................................................................................................................... 509
Track - Track Editing .............................................................................................................. 510

Track Editing - Intensities ................................................................................................... 510

Track Editing - Update Attributes (6.1) .............................................................................. 511
Track Editing - Unblock Attributes .................................................................................... 512

Parked ......................................................................................................................................... 513

Park - Introduction .................................................................................................................. 514

Park - Parking values .............................................................................................................. 515
Park - Edit Parked Values ....................................................................................................... 516
Park - Un-parking Values ....................................................................................................... 517
Park - Parked Items List.......................................................................................................... 518

>Settings and Tools - Channels .................................................................................................. 519

Channel Database ................................................................................................................... 520

18
 Set Channel Texts For The Database .................................................................................. 520
Display List - Auto Groups ................................................................................................. 523
Channel Database - Import Text File Wizard ..................................................................... 523
Import Text File - LightWright ........................................................................................... 525
Import Text File - Excel ...................................................................................................... 526

Channel Layouts ......................................................................................................................... 527

Channel Layouts - Introduction .............................................................................................. 528

Channel Layouts - Load and navigate .................................................................................... 529
Channel Layouts - List ............................................................................................................ 530

Channel Layout List - Columns & Functions ..................................................................... 530

Channel Layouts - Editor (6.0) ............................................................................................... 532

Channel Layout Editor - General Functions ....................................................................... 532

Channel Layout Editor - Wheels......................................................................................... 533
Channel Layout Editor - Colors .......................................................................................... 534
Channel Layout Editor - Align ........................................................................................... 535
Channel Layout Editor - Wizard ......................................................................................... 535
Channel Layout Editor - Text ............................................................................................. 536
Channel Layout Editor - Print (6.0) .................................................................................... 537

Channel Layouts - Create ....................................................................................................... 538

Channel Layouts - Channels ................................................................................................... 539

Channel Layouts - Channel Numbers ................................................................................. 539

Channel Layouts - Channel Features .................................................................................. 540

Channel Layouts - Lines ......................................................................................................... 541

Channel Layouts - Boxes and Circles (6.0) ............................................................................ 542
Channel Layouts - Content ..................................................................................................... 543

Channel Partitions ....................................................................................................................... 544

Partitions - Introduction .......................................................................................................... 545

Partitions - List........................................................................................................................ 546

Partitions List - Columns .................................................................................................... 546

Partitions - Create ................................................................................................................... 547

Partitions - Add Partition Wizard........................................................................................ 547

19
 Partitions - Activate ................................................................................................................ 549

Devices........................................................................................................................................ 550

Devices - Introduction ............................................................................................................ 551

Devices - Media Servers ..................................................................................................... 552

Devices - Functions ................................................................................................................ 554

Device Control ............................................................................................................................ 555

Device Control - Introduction ................................................................................................. 556

Device Controls - Explanation ............................................................................................ 557

Device Control - Lamp Strike Douse & Reset ....................................................................... 558

Control Soft Key Page - Functions ..................................................................................... 560

Device Control - Home Positioning........................................................................................ 561

Device Control - U1-U2-U3 ................................................................................................... 562

U1-U3 - Setting Up Parameters .......................................................................................... 563

Device Control - Align ........................................................................................................... 564

Device Control - Fan............................................................................................................... 565

Fan Settings ......................................................................................................................... 565

Device Control - Fetch/Copy .................................................................................................. 566

Device Control - Highlight Mode (6.0) .................................................................................. 567
Device Control - Flip .............................................................................................................. 568
Device Control - Moving Light Dock Area ............................................................................ 570

Device Control - Select Changed (softkey) ........................................................................ 570

Device Views .............................................................................................................................. 572

Device Views - Introduction ................................................................................................... 573

Device Views - Live ............................................................................................................... 574
Device Views - Filtering ......................................................................................................... 575
Device Views - Editing ........................................................................................................... 576
Device Views - Presets ........................................................................................................... 577

20
 Preset Attribute Editor - Columns....................................................................................... 578
Preset Attribute Editor - Times ........................................................................................... 578

Device Views - Data ............................................................................................................... 579

Device Recording........................................................................................................................ 580

Device Recording - Introduction ............................................................................................ 581

Device Recording - Modes ..................................................................................................... 582

Changed mode .................................................................................................................... 583

Active Mode & Mark .......................................................................................................... 584
Active Mode & Attribute Tracking..................................................................................... 585

Device Recording - Block Cues.............................................................................................. 586

Device Recording - Delete ...................................................................................................... 587
Device Recording - Cue Only ................................................................................................. 588

Device Palettes ............................................................................................................................ 589

Device Palettes - Introduction................................................................................................. 590

Device Palettes - Record ......................................................................................................... 591

Each Device or Each Device Type ..................................................................................... 591

Record A Focus Palette ....................................................................................................... 592
Record A Color Palette ....................................................................................................... 593
Record A Beam Palette ....................................................................................................... 594
Record An All Palette ......................................................................................................... 595

Device Palettes - Update ......................................................................................................... 596

Device Palettes - UPDATE direct key ................................................................................ 597

Re-record A Palette - Merge Or Replace ............................................................................ 598

Device Palettes - Edit .............................................................................................................. 599

Device Palettes - Lists............................................................................................................. 600

Palette List - Columns & Functions .................................................................................... 600

Device Palettes - Activate By Number ................................................................................... 601

Device Palettes - Direct Mode ................................................................................................ 602
Device Palettes - In Masters ................................................................................................... 603
Device Palettes - Select Active Channels ............................................................................... 604
Device Palettes - Select Stored Channels ............................................................................... 605
Device Palettes - Display List ................................................................................................. 606
21
 Device Palettes - Focusing Mode ........................................................................................... 607
Device Palettes - Renumber (6.3) ........................................................................................... 608

Device Times .............................................................................................................................. 609

Device Times - Introduction ................................................................................................... 610

Default Attribute Time (6.2) ............................................................................................... 610

Percent times, or seconds? .................................................................................................. 611

Device Times - Individual or FCB (6.0) ................................................................................. 612

Device Times - Attribute Editor Times .................................................................................. 614

Attribute Times ................................................................................................................... 615

Attribute Delay Times......................................................................................................... 616

Device Times - Fan Times ...................................................................................................... 617

Device Play Back ........................................................................................................................ 618

Device Play back - Introduction ............................................................................................. 619

Device Play back - Attributes Follow Faders ......................................................................... 620

Masters And Attributes - General ....................................................................................... 620

Crossfaders And Attributes ................................................................................................. 620
N/A ...................................................................................................................................... 620

Device Play back - Attrib Move ............................................................................................. 621

AutoMark ............................................................................................................................ 621

Live Attributes (6.0) ............................................................................................................... 622

Live Attributes - Columns .................................................................................................. 623

Gel Picker ............................................................................................................................... 624

All Palettes .............................................................................................................................. 625
Focus Palettes ......................................................................................................................... 626
Color Palettes .......................................................................................................................... 627
Beam Palettes .......................................................................................................................... 628
Mask........................................................................................................................................ 629

Global Mask - Functions ..................................................................................................... 629

Mask - Editor (6.1) .............................................................................................................. 630
User Masks - Functions (6.1) .............................................................................................. 631
22
 >Settings & Tools ................................................................................................................... 632
Scroller Rolls .......................................................................................................................... 633

Scroller Rolls Editor - Columns .......................................................................................... 633

Create a Scroller Roll .......................................................................................................... 633
Assign A Scroller Roll ........................................................................................................ 634
Calibrate Individual Scroller Rolls ..................................................................................... 635
Scroller Fan override........................................................................................................... 636

Auto-create Palette Wizard (6.0) ............................................................................................ 637

Jam Mode Wizard (6.0) ...................................................................................................... 638

Effects ......................................................................................................................................... 640

Effects - Introduction (6.0) ..................................................................................................... 641

Effects - Functions ...................................................................................................................... 643

Effects - Views (6.0) ............................................................................................................... 644

Effects in Dock Areas (6.0) ................................................................................................ 645

Effects - Command syntax ...................................................................................................... 646

Select and activate effects (6.1) .......................................................................................... 646

Select channels from effect (6.1) ........................................................................................ 648
Home functions for effects.................................................................................................. 648
Load an effect to a master ................................................................................................... 649
Effect Soft Key Page ........................................................................................................... 649

Effects - Edit (6.0) .................................................................................................................. 651

Effects - Record ...................................................................................................................... 652
Effects - Channel Distribution Wizard ................................................................................... 653
Live Effects ............................................................................................................................. 655
Effect Playbacks ..................................................................................................................... 656

Create an Effect Playback ................................................................................................... 657

Effect Overview ...................................................................................................................... 658

Chase Effects .......................................................................................................................... 659

Create a Chase..................................................................................................................... 660

Copy a chase effect (6.0) .................................................................................................... 661
Control a Chase Effect ........................................................................................................ 662
23
 Chase Tap Tempo ............................................................................................................... 662

Chase Effect Parameters ......................................................................................................... 663

Chase Editor ........................................................................................................................ 665

Chase Editor - Functions ..................................................................................................... 666
Chase Step Editor ................................................................................................................ 667
Chase Step Editor - Functions............................................................................................. 668

Content Effects (6.0) ............................................................................................................... 669

Create a Content Effect Playback ....................................................................................... 670

Control Content Effects ...................................................................................................... 671
Content Effect Parameters .................................................................................................. 671

Content Effect Modes ............................................................................................................. 675

What mode do I use?........................................................................................................... 675

Content Effect Times .......................................................................................................... 677

Series List ............................................................................................................................... 678

Series List - Functions ........................................................................................................ 679

Series Step Editor.................................................................................................................... 680

Series Step Editor - Functions............................................................................................. 681

Dynamic Effect ....................................................................................................................... 682

Waveforms - Dynamic Templates & Tables....................................................................... 683

Create a Dynamic Effect Playback ..................................................................................... 683
Control a Dynamic Effect ................................................................................................... 684
Dynamic Effect Parameters ................................................................................................ 684

Dynamic Templates ................................................................................................................ 686

Dynamic Effect Library - Columns & Functions................................................................ 686

Dynamic Template Editor - Create ..................................................................................... 686
Dynamic Template Editor - Functions ................................................................................ 687

Dynamic Tables ...................................................................................................................... 688

Table Editor ........................................................................................................................ 689

24
Live Dynamics (old) ............................................................................................................... 690

Live Dynamic Effects - Columns........................................................................................ 691

Old Dynamic Effects .............................................................................................................. 692

Dynamics - Base Value........................................................................................................... 693
Dynamics - Start ..................................................................................................................... 694

Start Dynamics By Number ................................................................................................ 694

Start Dynamics From The Effect Library Tab .................................................................... 694
Start Dynamics From The Effect Library Node ................................................................. 695
Start Dynamics From The Direct Selects............................................................................ 695
Start Dynamics With Direct Mode ..................................................................................... 696

Dynamics - Control ................................................................................................................. 697

Clear Dynamics Soft Keys .................................................................................................. 697

Dynamic Wheels - Size, Rate, Offset & Delay ................................................................... 698
Live Dynamic Effects Display List..................................................................................... 698
Keep Dynamics In Next Preset ........................................................................................... 698
Set Distance In % ................................................................................................................ 698

Dynamics - Stop...................................................................................................................... 699

Stop Dynamics Manually .................................................................................................... 699

Activate A Dynamic Stop Table ......................................................................................... 700
Delete A Dynamic From Running Dynamics ..................................................................... 700
Delete A Dynamic Using The Dynamics Display .............................................................. 701
Fade In A Preset In The Main Playback ............................................................................. 702
Load a new Sequence to the Main Playback ...................................................................... 702

Dynamics - Record ................................................................................................................. 703

Record Changed Dynamics................................................................................................. 703

Record Dynamics To Another Preset ................................................................................. 703
Record Dynamics To A Master .......................................................................................... 703
Record Keep Dynamics (New Base Value) ........................................................................ 704

Dynamics - Preset Dynamics Editor ....................................................................................... 705

Dynamics - Size & Rate.......................................................................................................... 706

Size ...................................................................................................................................... 706

Size Channel ....................................................................................................................... 706
Rate ..................................................................................................................................... 707
Rate Channel ....................................................................................................................... 707
25
 Dynamics - Relations & Distance ........................................................................................... 708

Offset Relation .................................................................................................................... 708

Offset Relation - Dynamics Display ................................................................................... 708
Delay Relation & Distance ................................................................................................. 710
Delay Relation & Distance - Dynamics Display ................................................................ 711

Dynamics - Loop Count .......................................................................................................... 712

Dynamics - Fade ..................................................................................................................... 713
Dynamics - Form .................................................................................................................... 714
Dynamics - Fetch From A Preset ............................................................................................ 715
Dynamics - Playing Back ....................................................................................................... 716
Dynamics - Store Running To Library ................................................................................... 717
Image Effects (6.0) ................................................................................................................. 718

Create an image effect playback (6.0) ................................................................................ 719

Control image effects (6.0) ................................................................................................. 719
Image effect parameters (6.0) ............................................................................................. 720
Animation effects (6.0) ....................................................................................................... 721

Effect layouts (6.0) ................................................................................................................. 722

Create a new effect layout (6.0) .......................................................................................... 723

Effect layout wizard (6.0) ................................................................................................... 724
Effect Layout Editor wheels (6.0) ....................................................................................... 725
Effect layout channel tools (6.0) ......................................................................................... 725
Copy an effect layout (6.0) ................................................................................................. 727

Effect Images (6.0) ................................................................................................................. 728

Create a new image (6.0) .................................................................................................... 728

Edit an image (6.0) .............................................................................................................. 729
Copy an effect image (6.0).................................................................................................. 730

Effect Texts (6.0) .................................................................................................................... 731

Create an effect text (6.0).................................................................................................... 731

Import Effect Images (6.0)...................................................................................................... 732

Channel Sets ........................................................................................................................... 733

Create a Set ......................................................................................................................... 733

Edit a Set ............................................................................................................................. 734

Main Playback ............................................................................................................................ 735

26
 Main Playback - Introduction ................................................................................................. 736

Main Playback - Functions ......................................................................................................... 739

Main Playback - Manual Crossfades ...................................................................................... 740

Main Playback - Transport Keys ............................................................................................ 741

The GOTO List (6.1) .......................................................................................................... 742

Main Playback - Edit Keys ..................................................................................................... 743

Main Playback - Time Settings ............................................................................................... 744
Main Playback - Default Settings ........................................................................................... 745
Main Playback - Refresh Functions ........................................................................................ 746
Playback View ........................................................................................................................ 747

Sequence Playback Views - The Graphical Representation ............................................... 748

Sequence Playback Views - Column Format ...................................................................... 749

Sequence Editor ...................................................................................................................... 750

Load Sequence ........................................................................................................................ 751

Independents ............................................................................................................................... 752

Independents - Introduction .................................................................................................... 753

Independent Dock Areas ..................................................................................................... 754

Using the Independents ........................................................................................................... 755

Independent Modes ................................................................................................................. 756
Independent Dock Area .......................................................................................................... 757

Masters ........................................................................................................................................ 759

Masters - Introduction (6.0) .................................................................................................... 760

Important master control keys (6.0) .................................................................................... 760

Master Fader Mode Switch (6.0) ........................................................................................ 761

Masters - Functions (6.0) ............................................................................................................ 762

Masters - Settings (6.1) ........................................................................................................... 763

Master Mode ....................................................................................................................... 765

Exclude Record ................................................................................................................... 765
Master button (6.3).............................................................................................................. 766
27
 Master fader settings (6.1) .................................................................................................. 767
Flash settings (6.1) .............................................................................................................. 768
Disable Flash Keys (6.3) ..................................................................................................... 769
Master Settings From the Console ...................................................................................... 770

Masters - Commands .............................................................................................................. 771

Select masters and set levels ............................................................................................... 771

Master single field editor (6.1)............................................................................................ 772
Select channels in a master ................................................................................................. 772
Mask in masters (6.1) .......................................................................................................... 773
Masters - Clear .................................................................................................................... 773

Masters - Times ...................................................................................................................... 774

Set In-Wait-Out times for a Master .................................................................................... 774

Master settings for times ..................................................................................................... 774
Flash On Time..................................................................................................................... 775

Masters - Channels (6.0) ......................................................................................................... 776

Load channels to masters (6.1) ........................................................................................... 776

Master Settings for channels (6.0) ...................................................................................... 777

Masters - Presets (6.0) ............................................................................................................ 779

Load a preset to a master (6.0) ............................................................................................ 780

Record a preset to a master (6.0) ........................................................................................ 780
Master settings for presets (6.0) .......................................................................................... 783

Masters - Groups (6.0) ............................................................................................................ 785

Load a group to a master (6.0) ............................................................................................ 785

Master settings for groups (6.0) .......................................................................................... 785

Masters - Effects (6.0) ............................................................................................................ 788

Load an effect to a master (6.0) .......................................................................................... 788

Master settings for effects (6.0) .......................................................................................... 789

Masters - Palettes (6.1) ........................................................................................................... 791

Load palettes to masters ...................................................................................................... 792

Play back palettes from a master ........................................................................................ 792

28
 Masters - Sequences (6.1) ....................................................................................................... 793

Load a sequence to a master ............................................................................................... 793

Record a sequence to a master (6.1) ................................................................................... 794
Master settings for sequences ............................................................................................. 794
Dual Fader mode for Sequences (6.1)................................................................................. 797

Masters - Chase mode sequences (6.0) ................................................................................... 799

Load a chase sequence to a master (6.0) ............................................................................. 800

Master settings for chase mode sequences (6.0) ................................................................. 800

Masters - Dynamics ................................................................................................................ 803

Load a dynamic template to a master (6.0) ......................................................................... 803

Masters - Channel Layouts ..................................................................................................... 804

Load a channel layout to a master (6.0) .............................................................................. 804

Masters - Attribute parameters (6.1) ....................................................................................... 805

Load a parameter to a master (6.0) ..................................................................................... 805

Masters - Console keys ........................................................................................................... 806

Assign a console key to a master (6.0)................................................................................ 806

Masters - Macros .................................................................................................................... 807

Assign a macro to a master (6.0) ........................................................................................ 807

Master Playback - Functions ............................................................................................... 808
Masters - Drag and Drop Data (6.3) ................................................................................... 809
Drag and Drop Master Links (6.3) ...................................................................................... 811

Master View ............................................................................................................................ 812

Master View - Formats ....................................................................................................... 813

Master List .............................................................................................................................. 814

Master list - Columns & Functions ..................................................................................... 815

Masters - Content ................................................................................................................ 816

Master Pages ............................................................................................................................... 817

29
 Master Pages - Introduction .................................................................................................... 818
Master Pages - Record (6.2) ................................................................................................... 819
Master Pages - Functions (6.1) ............................................................................................... 820

Master Soft Key page for Jr & Kid (6.2) ............................................................................ 821

Master Pages - List ................................................................................................................. 822

Master Pages List - Columns .............................................................................................. 822

Master Pages List - Functions ............................................................................................. 823

Master Pages - Editor .............................................................................................................. 824

Master Page - Columns ....................................................................................................... 825

Master Pages - Times .............................................................................................................. 826

Master Page Times - In, Out, Wait ..................................................................................... 826

Master Page Times - Page Time ......................................................................................... 826
Master Page Times - BPM .................................................................................................. 827

Master Pages - Auto-update Mode ......................................................................................... 828

Master Pages - Display List .................................................................................................... 829
Remote Controls ..................................................................................................................... 830

Clear Remotes ..................................................................................................................... 830

Remote Control List ............................................................................................................ 830

Media .......................................................................................................................................... 832

Media - Introduction ............................................................................................................... 833

Movies .................................................................................................................................... 834
Images ..................................................................................................................................... 835

Media Images - Delete ........................................................................................................ 835

Training Projects ..................................................................................................................... 836

Training Projects - Open Project ......................................................................................... 836

Training Projects - The Camera .......................................................................................... 836
Training Projects - Hints ..................................................................................................... 838

CONSOLE KEYS....................................................................................................................... 839

Console Key Quick Help ........................................................................................................ 840

30
Console Key - ? ................................................................................................................... 840
Console Key - <-- (Disp Mode) .......................................................................................... 840
Console Key - @LEVEL .................................................................................................... 841
Console Key - A.................................................................................................................. 841
Console Key - ALIGN ........................................................................................................ 841
Console Key - ALL ............................................................................................................. 842
Console Key - Arrow Keys ................................................................................................. 842
Left Arrow .......................................................................................................................... 842
Right Arrow ........................................................................................................................ 842
Up Arrow ............................................................................................................................ 843
Console Key - ATTRIB ...................................................................................................... 843
Console Key - B .................................................................................................................. 843
Console Key - BALANCE.................................................................................................. 843
Console Key - BANK ......................................................................................................... 844
Console Key - BEAM ......................................................................................................... 844
Console Key - BLIND ........................................................................................................ 844
Console Key - BROWSER ................................................................................................. 845
Console Key - C/ALT (6.3) ................................................................................................ 845
Console Key - CAPTURE .................................................................................................. 846
Console Key - CH/ID.......................................................................................................... 846
Console Key - CHANNEL SET ......................................................................................... 846
Console Key - CHASE ....................................................................................................... 847
Console Key - CH TIME .................................................................................................... 847
Console Key - CH DELAY ................................................................................................ 847
Console Key - CLEAR CHANGED ................................................................................... 848
Console Key - CLIENT ...................................................................................................... 848
Console Key - COLOR ....................................................................................................... 849
Console Key - COLUMN ................................................................................................... 849
Console key - CONNECT .................................................................................................. 849
Console Key - COMPARE ................................................................................................. 850
Console Key - COPY/CUT ................................................................................................. 850
Console Key - CURSOR .................................................................................................... 850
Console Key - DATA (6.0) ................................................................................................. 851
Console Key - DELAY ....................................................................................................... 851
Console Key - DELETE ..................................................................................................... 851
Console key - DEVICE ....................................................................................................... 852
Console Key - Direct Select Pages ..................................................................................... 852
Console Key - DISPLAY LIST .......................................................................................... 852
Console Key - EFFECT ...................................................................................................... 853
Console Key - EFFECT OVERVI ...................................................................................... 853
Console Key - ESC (6.3) .................................................................................................... 853
Console Key - FAN ............................................................................................................ 854
Console Key - FCB DELAY .............................................................................................. 854
Console Key - FCB TIME .................................................................................................. 854
Console Key - FLASH ........................................................................................................ 855
31
Console Key - FLASH MODE (6.2) .................................................................................. 855
Console Key - FLIP ............................................................................................................ 855
Console Key - FOCUS........................................................................................................ 856
Console Key - FOCUS MODE ........................................................................................... 856
Console Key - FORMAT .................................................................................................... 856
Console Key - GO ............................................................................................................... 857
Console Key - GO (Master Playback) ................................................................................ 857
Console Key - GO BACK................................................................................................... 857
Console Key - GO BACK (Master Playback) .................................................................... 858
Console Key - GOTO ......................................................................................................... 858
Console Key - GROUP ....................................................................................................... 858
Console Key - GROUP WHEEL MODE ........................................................................... 859
Console Key - HIGHLIGHT .............................................................................................. 859
Console Key - HOME ATTRIB ......................................................................................... 859
Console Key - IN ................................................................................................................ 860
Console Key - INDEPENDENTS 7,8,9 ............................................................................. 860
Console Key - INSERT ...................................................................................................... 860
Console Key - INV GROUP ............................................................................................... 861
Console Key - JUMP TO B ................................................................................................ 861
Console Key - LAST .......................................................................................................... 861
Console Key - LEARN ALERT ......................................................................................... 862
Console Key - LEARN MACRO ....................................................................................... 862
Console Key - LEARN PROFILE (6.0) ............................................................................. 862
Console Key - LEFT ........................................................................................................... 862
Console Key - LIVE ........................................................................................................... 863
Console Key - LOAD (6.3) ................................................................................................. 863
Console Key - MACRO ...................................................................................................... 863
Console Key - MARK ........................................................................................................ 864
Console Key - MASK ......................................................................................................... 864
Console Key - MASTER KEYS ......................................................................................... 865
Console Key - MASTER .................................................................................................... 865
Console Key - MINUS........................................................................................................ 866
Console Key - MINUS PERCENT (-%) ............................................................................ 866
Console Key - MODIFY ..................................................................................................... 867
Console Key - MODIFY SEQ ............................................................................................ 867
Console Key - MUTE ......................................................................................................... 867
Console Key - NEXT .......................................................................................................... 868
Console Key - NOTE .......................................................................................................... 868
Console Key - Numerical Keypad ...................................................................................... 868
Console Key - ON/FETCH ................................................................................................. 869
Console Key - OUT ............................................................................................................ 869
Console Key - OUTPUT ..................................................................................................... 869
Console Key - PAGE .......................................................................................................... 870
Console Key - Page+ .......................................................................................................... 870
Console Key - Page- ........................................................................................................... 870
32
Console Key - PAUSE ........................................................................................................ 870
Console Key - PAUSE (in Master Playback) ..................................................................... 871
Console Key - PALETTE (Alt P) ....................................................................................... 871
Console Key - PARAMETER ............................................................................................ 871
Console Key - PARK .......................................................................................................... 872
Console Key - PASTE ........................................................................................................ 872
Console Key - PLAYBACK ............................................................................................... 872
Console Key - PLAYLIST.................................................................................................. 873
Console Key - PLUS ........................................................................................................... 873
Console Key - PLUS PERCENT (+%) ............................................................................... 873
Console Key - PRESET ...................................................................................................... 874
Console Key - PRINT SCREEN......................................................................................... 874
Console Key - RANDOM ................................................................................................... 874
Console Key - REM DIM ................................................................................................... 875
Console Key - RECORD .................................................................................................... 875
Console Key - REFRESH ................................................................................................... 876
Console Key - RELEASE ................................................................................................... 876
Console Key - RIGHT (DispSel) ........................................................................................ 877
Console Key - SCALE (6.0) ............................................................................................... 877
Console Key - SELECT ...................................................................................................... 877
Console Key - SELECT 2ND ............................................................................................. 877
Console Key - SELECT 3RD ............................................................................................. 878
Console Key - SELECT ALL ............................................................................................. 878
Console Key - SELECT CHANGE .................................................................................... 878
Console Key - SELECT NTH............................................................................................. 878
Console Key - SERIES ....................................................................................................... 879
Console Key - SETUP ........................................................................................................ 879
Console Key - SET CHANGED ......................................................................................... 879
Console Key - SEQ ............................................................................................................. 880
Console Key - SEQ + .......................................................................................................... 880
Console Key - >> (Master Playback).................................................................................. 880
Console Key - SEQ -........................................................................................................... 881
Console Key - << (Master Playback).................................................................................. 881
Console Key - SOLO .......................................................................................................... 881
Console Key - START ........................................................................................................ 881
Console Key - TAB ............................................................................................................ 882
Console Key - TAP ............................................................................................................. 882
Console Key - TEXT .......................................................................................................... 882
Console Key - THRU.......................................................................................................... 883
Console Key - TIME ........................................................................................................... 883
Console Key - TRACK ....................................................................................................... 884
Console Key - TYPE .......................................................................................................... 884
Console Key - U1-U3 ......................................................................................................... 885
Console Key - UNPARK .................................................................................................... 885
Console Key - UPDATE ..................................................................................................... 885
33
 Console Key - UPDATE PALETTE .................................................................................. 886
Console Key - WAIT .......................................................................................................... 886
Console Key - WIZARD .................................................................................................... 886
Soft Key Menu - Channels .................................................................................................. 887
Soft Key Menu - Device ..................................................................................................... 887
Soft Key Menu - Effect ....................................................................................................... 887
Soft Key Menu - Learn ....................................................................................................... 887
Soft Key Menu - Misc......................................................................................................... 888
Soft Key Menu - Select ....................................................................................................... 888
Soft Key Menu - Times....................................................................................................... 888
Soft Key Menu - Wheel Keys ............................................................................................. 888

Console Key Shortcuts............................................................................................................ 889

Shortcuts - Select Channels ................................................................................................ 890

Shortcuts - Channel Levels ................................................................................................. 891
Shortcuts - Channel Modes ................................................................................................. 892
Shortcuts - Select Nth Functions......................................................................................... 892
Shortcuts - Channel Views.................................................................................................. 893
Shortcuts - HELP ................................................................................................................ 893
Shortcuts - Channels Only Mode ........................................................................................ 894
Shortcuts - General Editing Keys ....................................................................................... 894
Shortcuts - Spreadsheet Editing .......................................................................................... 895
Shortcuts - Navigation Keys ............................................................................................... 896
Shortcuts - Master Playbacks .............................................................................................. 897
Shortcuts - Masters & Channels ......................................................................................... 899
Shortcuts - Master Pages ..................................................................................................... 900
Shortcuts - Devices To Home Position ............................................................................... 901
Shortcuts - Device Attribute Editors ................................................................................... 901
Shortcuts - Device Masking ................................................................................................ 902
Shortcuts - Device Palette Recording ................................................................................. 903
Shortcuts - Device Palette Activating ................................................................................. 904
Shortcuts - Device Palette Updating ................................................................................... 904
Shortcuts - Device Palette Specials..................................................................................... 905
Shortcuts - Device Palette Views ........................................................................................ 905
Shortcuts - Device Palettes In Masters ............................................................................... 906
Shortcuts - Device Align & Fetch ....................................................................................... 906
Shortcuts - Patch & Outputs ............................................................................................... 907
Shortcuts - Main Display, General...................................................................................... 908
Shortcuts - Track ................................................................................................................. 908
Shortcuts - Presets ............................................................................................................... 909
Shortcuts - Groups .............................................................................................................. 910
Shortcuts - Live & Blind ..................................................................................................... 911
Shortcuts - Record Functions .............................................................................................. 912
Shortcuts - Update Functions .............................................................................................. 912
34
 Shortcuts - Channel Text Wizard ........................................................................................ 913
Shortcuts - Main Playback .................................................................................................. 913
Shortcuts - Sequence Editor ................................................................................................ 914
Shortcuts - Direct Selects .................................................................................................... 915
Shortcuts - Notes ................................................................................................................. 915
Shortcuts - Capture & Release ............................................................................................ 916
Shortcuts - Dynamics (old) ................................................................................................. 918
Shortcuts - Times ................................................................................................................ 920

ACCESSORIES .......................................................................................................................... 921

Accessories - Ext. Keyboard ................................................................................................... 922

Keyboard - Numerical Input on a Notebook....................................................................... 922

Keyboard - Standard Functions .......................................................................................... 922
Console Keys in a Keyboard............................................................................................... 922
Keyboard - Level Wheel ..................................................................................................... 925
Keyboard - CH Step ............................................................................................................ 925

Accessories - Ext. Mouse or Trackball (6.3) .......................................................................... 926

Accessories - Fader Wings ..................................................................................................... 927

Master Playback Wing ........................................................................................................ 927

Universal Fader Wings (6.0) ............................................................................................... 928
Lynx Fader Wing ................................................................................................................ 928

Accessories - Remote Control ................................................................................................ 929

Remote Control - Introduction (6.0) ....................................................................................... 930

Remote Controls and at mode ............................................................................................. 931

Remote Control - RFR Radio Remote .................................................................................... 932

Connecting the RFR ............................................................................................................ 932

RFR - General Functionality ............................................................................................... 933
RFR Channel functionality ................................................................................................. 933
RFR Group List................................................................................................................... 934
RFR Devices ....................................................................................................................... 934
RFR Playback (6.1) ............................................................................................................. 935
RFR Patch (6.0) .................................................................................................................. 935
RFR Palettes (6.1) ............................................................................................................... 936
RFR Focus Mode ................................................................................................................ 937
RFR Scroller Calibration .................................................................................................... 937

Remote Control - Phone Remote ............................................................................................ 938

35
 Phone Remote - Functions .................................................................................................. 938

Remote Control - iRFR (6.0) .................................................................................................. 941

Using the iRFR (6.0) ........................................................................................................... 941

iRFR Color Picker (6.0) ...................................................................................................... 943
iRFR Settings (6.0) ............................................................................................................. 943
Network configuration for iRFR (6.0) ................................................................................ 944
iPhone and iPod Configuration (6.0) .................................................................................. 945
Testing iRFR network connectivity (6.0) ........................................................................... 946
Connecting iRFR to your console (6.0) .............................................................................. 948

Remote Control - cRRFU Radio Remote ............................................................................... 951

Crrfu Remote Functions ...................................................................................................... 951

Transmitter Setup ................................................................................................................ 953
Replacing the transmitter battery ........................................................................................ 954

Remote Control - TT Radio Remote....................................................................................... 955

TT Radio Remote Functions ............................................................................................... 955

Accessories - Visualisation Software ..................................................................................... 957

Visualisation - WYSIWYG ................................................................................................ 957

Visualisation - Capture ....................................................................................................... 958
Visualisation - Blind output (6.0) ....................................................................................... 958

Accessories - Client ................................................................................................................ 959

Accessories - Net3 Remote Video Interface ........................................................................... 960
X-keys ..................................................................................................................................... 961

APPENDIX ................................................................................................................................. 962

Connectors .............................................................................................................................. 963

Connector - DMX512 ......................................................................................................... 963

Connector - VGA Monitor .................................................................................................. 964
Connector - Phone Remote ................................................................................................. 964
Connector - Remote Radio.................................................................................................. 965
Connector - MIDI ............................................................................................................... 965
Connector - APN................................................................................................................. 965
Connector - External Trig 1-9 ............................................................................................. 966
Connector - Ethernet ........................................................................................................... 967
Connector - Keyboard and Mouse ...................................................................................... 967
36
 Connector - Desk Light ....................................................................................................... 967
Connector - Congo Jr Backpanel ........................................................................................ 967
Connector - Congo Kid Backpanel ..................................................................................... 968

MIDI ........................................................................................................................................... 969

MIDI - Introduction ................................................................................................................ 970

MIDI - Standard MIDI ............................................................................................................ 971
MIDI - MIDI Show Control.................................................................................................... 972
MIDI - Time Code .................................................................................................................. 975

Edit time code in the sequence list (6.0) ............................................................................. 976

MIDI - Implementation Chart ................................................................................................. 977

Console Keys - MIDI Chart ................................................................................................ 978

Console Faders - MIDI Chart ............................................................................................. 982

The Congo Story ......................................................................................................................... 984

Congo - The Avab Heritage ................................................................................................ 985

Congo - Creating the specification ..................................................................................... 985
Congo - Designing The Screens ......................................................................................... 986
Congo - Designing The Hardware ...................................................................................... 987
Congo - The Eurovision ...................................................................................................... 988
Congo - The arrival of Jr! ................................................................................................... 989
V5 - a new approach to effects! .......................................................................................... 990
V6 - Time to Play! .............................................................................................................. 990

RDM Functionality (6.3) ............................................................................................................ 991

RDM Patching (6.2) ............................................................................................................ 991

RDM Indicators (6.2) .......................................................................................................... 993
RDM Device List (6.2) ....................................................................................................... 994
RDM Device List Cache (6.3) ............................................................................................ 995
RDM Device Parameter List (6.2) ...................................................................................... 996
RDM Device Sensor List (6.2) ........................................................................................... 996

OSC Functionality (6.3) .............................................................................................................. 997

Receive - OSC Input (6.3) .................................................................................................. 998

Transmit - OSC Output (6.3) .............................................................................................. 999

INDEX ...................................................................................................................................... 1001

37
38
CONGO MANUAL
This is the manual for the Congo Family.
(V6.4 2013-03-15 Last: 2012-08-22)

This manual covers Congo, Congo Jr, Congo Kid, Congo Lightserver,
Client and Offline editor.

The introduction contains the following sections

This Manual - Using the Help System

This Manual - Terminology
Disclaimer

39
This Manual - Using the Help system
Action Key Feedback
Help [?] The help system is
started in a tab.
Find topic [?] & [Key] Hold the ? key and press
any key in the console to
open help for that key.
Find topic tab [?] Press ? after opening an
editor or list to get help.
Jump to page 1 [?] Press ? to jump to page
1.

Use the up and down arrow keys to browse the table of contents. The right arrow
expands a topic and the left arrow jumps to the parent and closes. See Navigating -
Browser.

Help System - Change Language

Language is selected in the system settings. See System Settings - General.

Help System - Navigating

Navigating in the help can be done as a paper manual (next or last page) and as a web
browser (previous page).

Action Key Feedback

Scroll [Down_Arrow] & Scrolls up/down within
Wheel this page.

Next [Down_Arrow] Steps to the next page.

Previous [Up_Arrow] Steps to the previous

page.
Last visited page [Left_Arrow] Steps to the last visited
page.

40
Help - Search Function

Pressing TEXT in the Help tab opens a search dialog where you can search for information
in the Online Help.

The result page is shown like this example. The focused link will be bold.

Navigating links is done like this.MODIFY follows the focused link (bold).

Action Key Feedback

Next [C/ALT] & Steps to the next
[Down_Arrow] hyperlink (bold).

Previous [C/ALT] & Steps to the previous

[Up_Arrow] hyperlink (bold).

First [C/ALT] & First hyperlink on this

[Left_Arrow] page is focused.

Last [C/ALT] & Last hyperlink on this

[Right_Arrow] page is focused.

Open [MODIFY] Follows the currently

focused hyperlink.

41
Help System - Favourites

Press NOTE in a Help tab to record a Favourite. A dialog allows you to enter a pretty long
descriptive text for the chapter you are tagging as a favourite.

This text is shown in the Info area when you focus on a Favourite in the Browser.

See Navigating - Browser.

To delete a Note - focus it in the Browser and press DELETE.

42
This Manual - Terminology
This manual is intended for use with the Congo lighting control system by ETC.

The on-line manual and the paper manual are the exact same document.

In order to be specific about where features and commands are found, the following naming
and text conventions will be used

Congo processor (hardware): the computer used to run the Congo applications.
Congo Facepanel (hardware): the control console hardware. This is also referred to
simply as the "Facepanel".
Congo software: the application that gives you the functionality of the Congo system
controlled from the Facepanel.
Commands in the Browser Tab are indicated like this: Browser >Files >New.
Console keys in general are indicated in all CAPS. For example RECORD.
Console keys in tables are have a button outline like this:

[RECORD]

When a key is held and another key is pressed at the same time is written like this:
RECORD & MASTER
References to other parts of the manual are indicated as underlined hyperlinks.
When viewing this manual electronically, click on the reference to jump to that
section of the manual.

43
Disclaimer
We do everything possible to guarantee the reliability of this system.

Please don't load other software onto your Congo lighting console.
ETC has tested the configuration of this system to guarantee its best
performance. Additional software or unauthorized changes within the
operating system may significantly affect the performance of this
lighting control system. In the worst case, ETC may require that the
hard disk be reimaged back to factory default settings to return a
system to an operational state.

We highly recommend that you save your play data frequently while
programming and that you back up important data to portable media
often.

Please contact your ETC representative with questions or concerns.

See Troubleshooting.

44
***News in This V6.4 ***
One of the main differences in 6.4 are the addition of Direct Mode Midi that allow you to
connect any MIDI device that is set up to address the functions described in this chapter and
use as a remote interface for Congo.

See Direct Mode Midi.

Another main differenc is the possibility to use RDM on the local DMX ports of the console.
This is default set to ON.

See System Settings - Output.

Besides this there are a lot of minor tweaks, in general search for "6.4".

45
*** News in 6.3 ***
Version 6.3 is an exciting version in many ways. You can use the search function and search for "6.3"
to find all new instances directly in the help system.

A more intuitive Interface

A new way of structuring a sequence
Easy and flexible organization
A Complete new import interface
Enhanced Safari/VLC import
New interface options

6.3 - A More Intuitive Interface

Many users tell us they choose Congo because it provides an intuitive user interface: "Once
you understand the basic structure it is usually easy, fun, and intuitive to find the right
commands".

One example of this is the way the RECORD key always has worked in combination with
other keys:

RECORD = Records a preset

RECORD & GROUP = Records a group
RECORD & FOCUS = Records a focus palette
etc...

This is fast, logical and simple, but... you have to KNOW that the record key is the one you
need, right?
So, what if you are wondering "which of all functions are the most useful ones when I am
working in the channel view?"

Well, there is the HELP system, so you can hold "?" and press LIVE to open the Help Page
for the Live button. If you know that the CH button is key in selecting channels you can hold
"?" and press CH to get all those shortcuts as well. But, what if you just want to find some of
the most important functions for the channel view in Live (or any other situation)?

Answer: Context Menus!

When in Live: try pressing SELECT twice. This will open the Context Menu for Live.

46
These are the options you get in a channel view:

You can choose any of the functions with the arrow keys and press MODIFY to confirm.

The reason it is called a "Context" menu is that it opens the functions that apply most to the
part of the interface you have focused at the moment.

Examples

Press BROWSER to select the Browser. Select any node with the arrows and press
SELECT twice to open the appropriate Context Menu.
Press PRESET to open the Preset List. Select any cell with the arrows and press
SELECT twice to open the appropriate Context Menu.
Working with a mouse? Right-Click to open the Context Menu!

See Context Menus.

47
6.3 - A New Way of Managing a Sequence

When there is a long main sequence, with may different sections, you may want to get out of
navigating by Preset or Step numbers. This is where the simple philosopy of "bookmarks"
enter in the form of Sequence Section Markers.

They are easy to activate and deactivate from the new context menus directly in the
Playback tab but also available as a column in the Sequence List editor, and an option in the
Advanced tab in the Record dialogue - the Section Markers offer a visual aid as well as a
new way to jump between sections using a key combination or a new type of Direct Selects.

Curious? See Sequences - Section Markers.

6.3 - Easy And Flexible Organization

Most of the work with a show is about sorting and grouping data of different kinds and
trimming times. You sort channels and parameters as Groups to select them faster, as
Focus, Color or Beam Palettes to be able to reuse and reference data - and as Presets that
can be played back as steps in a Sequence, or from Masters.

Sometimes you need to reorganize data, maybe move presets from one master to another,
or copy a series of sequence steps to another location.... or just move a device link from one

48
sequence step to another because it makes too much noise and has to be positioned
earlier....

Wouldn't it be great if it was possible to do this as easy as copying and pasting or dragging
and dropping in a text document?

Answer: The Organizer tab!

This is a new tab in 6.3 and it's packed with power under its simple and innocent looking
grey surface. It shows you the entire data of your show file, in a simple tree structure - similar
to the Browser.

You can navigate with keys or with a mouse. Using keys it is exactly like navigating in the
Browser:

up/down arrows to scroll

left/right arrows to open/close nodes
SELECT and arrows to select multiple objects
Use COPY/CUT and PASTE to move objects around
SELECT SELECT to open the context menu for an object

49
Using a mouse you can click on any node to expand it, you can select any item, select
several with Shift-Click - and drag (hold left key and drag to a new location).

Examples of drag and drop

Click-hold and drag a preset to a Sequence Step.

Click-hold and drag an attribute link from a sequence step to another sequence step.

Other actions

Right-click on a group to open the context menu. Choose action:

50
 See Drag And Drop.

6.3 - A Complete New Import Interface

The interface for importing parts of another play into the current play has changed
completely from the Import Wizard into the new Organizer - with a special Import tab for the
Organizer where you can drag and drop easily from a play in memory to the current play.

See Import From...

51
6.3 - Enhanced Safari/VLC Import

These are ASCII Safari show file reading improvements:

Additional palette types (4 and 5) are merged into Beam palettes. Note: If there is a
corresponding Beam palette, its existing name will be kept. If there is no
corresponding beam palette, the VLC palette name will be used.
Sequences above 1 are read.
VLC Effects are translated to Chase Sequences with numbers offset by 10 (similar to
Presto import).

See Import From - Avab VLC Safari (6.3)

6.3 - New Show Control Options

Are you familiar with the feeling of wanting your lighting system to interact with other
equipment, and you know it should be possible, but not how easy it can be?

Congo 6.3 integrates Open Sound Control (OSC), a content format for messaging among
computers, sound synthesizers, and other multimedia devices. OSC is often used as an
alternative to MIDI, when higher performance, higher resolution and a richer parameter
space is desired.

Here are some examples of situations where OSC can be useful:

Customize remote control by extracting control surfaces from the console such as
master faders and playback buttons to any computer, iPad, iPhone, Android or
similar touch interface...
Customizing data views such as master and playback status from your lighting
system into other equipments...
Integrating lighting with sensory devices of any kind such as switches, light sensors,
Nintendo Wii remote or sound to light over third party OSC software such as
Isadora or Max/MSP

See OSC Functionality.

52
***News in V6.2***
You can find all new functions in the help system by using the search function (press TEXT
when the help is open) and searching for "6.2".

Congo V6.2 offers the following features and improvements:

Dimmer/Device Feedback
Information from CEM3, FDX and RDM devices has been added.
See or search the chapter Browser >About >Dimmer/Device Feedback.

RDM Device Patching & Control

Congo will detect and offer patching and control of RDM devices on the network.
See or search the chapter Browser >RDM Functionality.

UDP Strings
Congo can now receive and send UDP strings.
See or search the chapter Browser >General Settings >Event List >Event List -
Action Macros >UDP Data.

Minor additions
- FCB Time and Delay Soft keys in Jr and Kid Time Displays.
- Macros and Action Macros are indicated in the Playback view
- Devices with native Hue/Saturation parameters are fully supported by the Gel and
Color Picker.
- Templates with calibrated color data that can be controlled with Hue/Sat and color
picker and are indicated in the Import Template Wizard with a (C).

53
***News in V6.1***
Congo V6.1 brings the following features and improvements:

Performance improvements
These are all around and improve speed of performance, screen updates, saving and
loading shows.

New Color Engine

A new color dock and color picker. Please note to see calibrated color gamut lines in
the color picker, you need to use templates from the Extended Library.
See Color Dock.

Masters Settings
These have been improved giving you more options and control over how the faders
and buttons control the content of the faders. New dual fader mode masters allow
for true AB crossfading of sequences on masters, spreading the sequence across two
consecutive master faders.
See Dual Fader mode for Sequences

Split Fade
An option for manual fades that removes the dipless crossfade behavior from the
fader pair.
See Sequences - Split Fade

You can find all new functions in the help system by using the search function (press TEXT
when the help is open) and searching for "6.1".

54
***News in V6***

Congo V6 is a major upgrade bringing new features and improvements to all kinds of
operational styles. This includes improved graphics, response times, timing resolution and
blind editing.

Part of V6 is designed specifically for those of you who need to improvise on the fly -
bringing old school operation to a completely new level with two-scene master mode and
enhanced master settings.

You can find all new functions in the help system by using the search function (press TEXT
when the help is open) and searching for "6.0".

General screen improvements in V6

The channel symbols have been redesigned to give you more channels in the same view.
There are several new formats, clearer indications of modes and a lot more information for
moving devices.

See Channel Symbols.

Also, the Attribute view is now integrated into all channel views, editors, blind/live -
everywhere - simply press ATTRIB to activate it.

See Device Views.

55
Blind Attribute Editing in V6

Since Attributes now can be shown in any channel view, spreadsheet editing now is
something you activate per tab - this allows you to use parameter wheels, Fetch and Palette
functions in all Attribute views including BLIND.

See Device Views - Editing.

Effects in V6

The new effect playbacks that were introduced in V5 have new symbols with more details,
and a new type of effect that works great for channel mapping applications has been added:
Image Effects. Image effects allow you to map images, animations (supplied) and texts to
channels, and apply them to intensity, color mix, iris or zoom.

See Image Effects.

There are some new functions for quickly selecting all channels involved in effect playbacks.

See Select channels from effect

56
New Remote - iRFR in V6

In V6 the new iRFR for iPhone or iPod touch is supported giving you all the functionality of
the RFR.

See Remote Control - iRFR

Master Playbacks in V6

This is a big part of V6. We have added 40 more master playbacks - giving you a total of 80
master playbacks. These can be accessed both from the software and using any
combination of fader wings.

See Masters.

The master settings and screens have been redesigned to provide fine tuning of the
behavior of every single master playback. This includes flash modes, key modes, fader
modes, masking, inhibit, exclusive, contribution to the LTP field and rubberbanding.

See Masters - Settings.

A new mode called Two-Scene Masters brings old school improvisation to a completely new
level providing you with 20 blind masters for presetting and then fading into 20 live masters.

See Two Scene Masters.

Every master now also has a single editor for the channel content of that master.

See Master Single Field Editor.

57
Printing in V6

There is a completely new printing wizard that allows you to print play data to pdf or text files,
sorted in different ways and in different formats. These files are copied to a USB memory
and printed from any standard computer.

See Print.

You can print Channel Layouts in grey or color as jpg files.

See Channel Layout Editor - Print.

New Dock Areas in V6

Dock area navigation has been simplified so you always reach the Browser when pressing
BROWSER - and you can close/open or resize any dock area by holding BROWSER and
pressing the arrow key of that dock.

There is a new Designer Summary dock with information about the current playback
status and palettes.
There is a new Selected - Live dock for channels and effect playbacks.
There is a new Time Code dock.

See Dock Areas.

Time Code in V6

There is a new Time Code dock area and a new Time Code Editor for editing multiple steps.

See Time Code Dock and Edit time code in the sequence list

58
File Handling in V6

In system settings there is a new utility for moving play files between your Congo system and
a USB memory.

See System Settings - Utilities

Lock Console in V6

You can lock the console so that unauthorized operators are unable to use it.

See Lock Console

Sequence and Presets in V6

Preset numbering is increased to 9999.999 providing you with a lot of new possibilities for
organizing your numbering.

See Presets - Introduction

Sequence times are also increased to double decimals, providing more refined timing.

See Sequences - Times

59
 Sequence profiles can be recorded manually and played back.

See Sequences - Crossfade Profiles.

You can insert and delete sequence steps directly with an new shortcut: INSERT & A/B or
DELETE & A/B.

See Sequences - Insert Step.

Scale Key in V6

In V6 the popular SCALE key is added to the Channels soft key page allowing you to Scale
directly by holding the key which makes it easier to use the function for touring and television
when intensities may need to be scaled.

See Channels - Scale channel levels

Auto Close Tab Mode in V6

In Congo System Settings you can activate a mode that will close the previous tab when a
new tab is opened, to keep down the number of tabs at all times.

See System Settings - General.

60
About Play in V6

There is a new summary of your play in the About node of the Browser.

See About Play

61
GETTING STARTED
Getting Started is all about connecting your console, powering up
and understanding the basic functionality.

General Info
Workflow In Congo
Power-up Procedure
Troubleshooting
System Info
Console Facepanels
General Functions

NOTE
We recommend new users to spend half an hour on the Workflow in
Congo. Also see the movies in the MEDIA folder of the Browser.

62
General Info
This chapter describes the key syntaxes, basic software and
control terminology.

This chapter contains the following sections

System Overview
Installation Guidelines
Key Syntaxes
Congo Terminology
Control Hierarchy
Software & Update

63
System Overview
Congo is a control system for conventional lights, moving devices, scrollers and media
servers. It controls up to 3072channels and 6144 outputs.

Consoles and main accessories

1. Congo
2. Congo Jr
3. Congo Light Server, Net3 RVI & Client
4. Radio Remote
5. Congo Jr Master Playback wing 2x20
6. Universal Fader Wings 1x20, 2x20, 2x10
7. Net3 Node
8. Congo Kid (new) See Facepanel - Congo Kid

For 30 years ETC has been known for revolutionary lighting control design. For 30 years
Avab products have been known for a spirit of bold innovation. Now those great minds have
met, in Congo. Melding together the engineering brilliance and experience of ETC and Avab
systems, Congo maintains the simplicity of classic systems with the feature-rich functionality
of a dedicated moving lights console. Clean functions for everyday theatre work with
conventional lights, plus advanced control of hundreds of moving lights, without mouse
operations or computer menus. Like today's sophisticated but deadline-driven productions,
Congo is high energy -- with short commands for fast results.

With Congo, you can move independent channels such as worklights, conductor lights,
followspot and smoke machine control to a special section that isn't affected by the rest of
the system. You have somewhere to put your screens without blocking your view of the
stage. You see the important information, at any time, on the screens or in the console
displays. And you can even have remote control of your rig with your own cordless phone.
Simple, intuitive and innovative lighting control with a big brain for complexity wherever it
arises. Congo handles the future without forgetting the past. Congo is designed for theater,
broadcast, club systems, concert and special-event lighting. At the Eurovision Song Contest
broadcast in Kyiv, Ukraine, Congo consoles controlled 300+ moving lights, 200+
conventionals and 16 media servers, among other devices. Complete with a theatrical-style
main playback fader pair, 40 multipurpose Masters for group, submaster, effect and
additional sequence control, 40 Direct Selects and a dedicated moving lights control section,
Congo's hardware is suitable for any kind of playback situation. Over 200 moving-light

64
 templates and a brand new Effects system is provided within the console, with an
amazing ability to build and edit effects on the fly.

Console Specification

Console data Explanation

Control channels Maximum 3072 channels,
numbering from 1 to 4999.
Congo Kid: 250 channels.
Outputs Maximum 6144 outputs.
Congo Kid: 1024 outputs.
Output protocols DMX512, ETCNET2, ETCNet3,
AVABIPX and ArtNet over Ethernet,
streaming ACN.
Dimmers Free proportional patch, unlimited
per channel number
Displays Up to two Monitors (three in the
large Congo console), graphical
LCD-Display, LED-Displays.
Channel selection RPN and At Mode (Direct Mode)
Effect Playbacks 999
Channel groups 999
Presets 9999.999
Sequences & Chases 999
Main Theatrical Style Playback 1
Master Playbacks 80 by numbers and wings
Congo Kid: 40 in facepanel, 40
virtual by number
Backup media Hard drive, USB Memory
Power 110 V/230 V, 47...63 Hz, ca. 270 VA

65
Interface Specification

Interfaces Explanation
Monitor Congo: 3 x VGA
Congo jr: Y-cable splitter for 2x DVI
or VGA (with adapters, included)
Congo Kid: 2 x DVI or 1 x DVI+1 x
VGA, two monitors maximum
Mouse or trackball USB Interface (integrated in Congo)
Keyboard Integrated plus USB Interface
DMX512 Output 1 & 2 for DMX512. RDM
ready.
Ethernet RJ 45 (Twisted Pair)
MIDI In/Out/Thru (2 connectors)
APN For external panels or Lynx fader
wing (not available in Congo Jr)
Radio remote control Radio control, able to penetrate an
"iron curtain"
External trigger inputs D-sub 15 pins
Console lighting Connections for 2 goose neck lamps
(1 in Congo Jr).
Phone Remote RJ 11 Phone Connector
Audio In & Out Mini stereo plug

66
Installation guidelines
Equipment required to run this system

Congo, Congo Jr, Congo Lightserver, Net3 RVI, Client software

Monitor(s) starting at 1024 x 768 resolution
Power cables
Monitor signal cable(s) - with Congo Jr you need a split from DVI to VGA
DMX512 or Ethernet cable(s) to external equipment

Connect the monitor signal cable(s) from the back of the console to the monitor(s), and then
connect the power cables to a 230/110V outlet and start all units. After approximately 30
seconds Congo should be running.

If not then check:

Is each monitor is set for VGA IBM compatible mode?

Is each monitor cable is properly connected?
Is each monitor power on?

NOTE
The Congo Jr ONLY supports monitors from the dual DVI connector.
You NEED the split DVI to VGA converter to connect a VGA monitor
to Congo Jr.

See Power-up Procedure.

67
Key Syntaxes
There are mainly two kinds of keys in the console: keys with a fixed function, and the
softkeys around the LCD Display.

Keys in the Congo can behave in the following ways

Function Description Example

Direct Will perform a function directly GO and PAUSE in the
when it is pressed. Main Playback
Numerical Requires a numerical entry (0- (#) RECORD to store a
Prefix 9) before it is pressed. preset with that number
Combination Will change the function of Hold C/Alt and press
another key if it is held down PLAYBACK to clear the
while pressing that key. Main Playback

Some keys can combine all three ways of working. An example of this is the PRESET key

Pressing PRESET with no numerical prefix opens the Preset List with all presets.
A number and PRESET selects the channels of that specific preset.
A number and holding PRESET while pressing a Master Key will load preset (#) to
that Master.

NOTE
Hold down the ? (HELP) key, and press a key to jump to the page in
the online manual that describes that function.

68
Congo Terminology
It can be easier to understand Congo if you are familiar with the basic terminology.

Channels (terminology)

A Channel is the control handle used to call anything controlled by Congo. Regardless if it is
a dimmer channel, a moving device, a smoke machine or something else it will always
correspond to a channel number in the Patch.

See Channels

Attributes (terminology)

The control of non-intensity parameters, for example a moving device or a scroller, are called
attributes. These are patched to the controls of Congo when the Template corresponding to
that device is assigned to a control channel in the Patch.

See Moving Devices

Patch (terminology)

Patch is where outputs are assigned to channels, either directly in the case of dimmers or
using a Template in the case of devices. All settings pertaining to outputs, channels and
devices are also adjusted within the patch.

See Patch

Output protocol (terminology)

Congo supports a lot of output protocols through Ethernet, and has two DMX512 outputs as
well.

See Output Settings

Groups (terminology)

Frequently used combinations of channels can be stored in up to 999 Groups, for quick
recall from the keypad or a remote focusing system.

See Groups

69
Presets (terminology)

This is a specific "Avab" concept. Frequently used combinations of channels are stored in up
to 9999.999 Presets for playback in the Main or Master Playbacks. The combination of a
Preset and a Sequence Step is the equivalent of a "Cue" in many other systems. The
advantage here is that Presets can be reused in any Sequence, with different times.

See Presets

Sequences (terminology)

Lists of Presets are called Sequences, that can be crossfaded, move faded or lock faded in
consecutive order from a Master or Crossfade Playback. A Sequence can be played back in
Chase mode.

See Sequences

Dynamic Effects (terminology)

Dynamic Effects are wave-forms that are applied to intensity or attribute parameters for a
selection of channels to provide a Dynamic Effect, for example a circular movement or a
ballyhoo.

See Dynamics

Effects (terminology)

Effects are run in effect playbacks, very similar to channel handles for moving devices. There
is also a backwards compatible older style of chase effect which is a mode for any
sequence.

There are four types of effects.

Chase Effects - intensity only, step based with tap tempo.

Content Effects - very powerful content based effects that can be reused with new
data.
Dynamic Effects - Wave-form effects to provide movements.
Image Effects - a text or an image source is mapped to a channel layout.

See Effects

70
Control Hierarchy
Intensity is handled with highest-takes-precedence (HTP) logic, meaning the highest output
level will be the "winner" and have control of those channels.

Attributes are handled using last-takes-precedence (LTP) logic, meaning the last instruction
given to the attribute will be the winner.

There is a Grand Master and Inhibit Masters that can subtract from the output.

There is a Capture mode which can override HTP control of intensities.

Playbacks - Introduction

Intensities and parameters can be played back from the following playbacks.

The main playback and Live field

The 80 master playbacks
The Independents
The Blind field
The Freeze field

The following functions can affect the playback of an intensity or parameter

Capture Mode
Exclusive Mode
Inhibit Mode
Balance Mode
Park
Scale
Mute
Solo

SUMMARY
Congo has a main theatrical playback, plus 80 Master Playbacks. All of them are capable of
running a sequence or chase. The main difference is that the theatrical playback has a large
amount of different manual controls for crossfades.

The Live and Blind fields are central to the concept of Congo - being able to work in
both at the same time.
The Independents are a special set of masters, designed for control of special
channels you want to keep separate from the rest of the system.
The Direct Selects are used for quick selection and assignment of data suitable for
single-button action like group selects, palettes, screen layouts and such. They are
extremely powerful.

71
Control Hierarchy - Master Playbacks

Light output from the Masters is added to the output on a Highest Takes Precedence basis.
Device attributes are controlled by Last Takes Precedence.

An Independents Master set to Inhibit Mode will subtract the assigned channels from the
output similar to the function of the Grand Master.

See Master Playbacks

Control Hierarchy - Main Playback

Light output from the Main Playback is added to the output on a Highest Takes Precedence
basis. Device attributes are controlled by Last Takes Precedence.

The Main Playback consists of two faders, one for the active channels (A), and one for the
channels in the next step (B). A and B also interact on a Highest Takes Precedence basis,
with the addition that channels that exist in both faders are calculated so all crossfades are
dipless. As a result, even if both faders are at 0%, common channels will remain on stage.

See Main Playbacks

Control Hierarchy - Highest Takes Precedence

You can output light from all Masters and the Main Playback at the same time. But what
happens if you have faded in Preset 1 on the Main Playback and it's up on a Master too?

- The answer is that the highest intensity level of a channel "takes precedence" whenever it's
output from more than one place in the system.

If the "Highest" level for a channel is generated from one of the Masters it is displayed in
yellow, if it is generated from the Main Playback it is white.

72
Software & Update
We constantly update the Congo software with new features, bug fixes and changes. Check
www.etcconnect.com periodically to see if there's a more recent version than the one you
are currently working with.

Software versions come in two types: Beta release and Official release. Beta releases are
test versions, which are not meant for use on real Plays. Once Beta releases are tested and
proven reliable, they become official releases.

The AVAB Congo software is owned and manufactured by ETC.

To update the software see System Settings - Update.

Version Information

You can see which version you have in About Congo (Browser >About>About Congo).

73
Workflow in Congo
The workflow in Congo can be divided into five steps

This chapter is a simplified introduction to this workflow - meant to serve as an introduction to

the basic functionality of the system.

Patch
Before you can control a dimmer or device it has to be patched to a channel. See Patch
(workflow).

Control
Control is how you select channels, set levels and control parameters. See Control
(workflow).

Record
To be able to playback something it has to be recorded. See Record (workflow).

Playback
There is a main playback and 40 master playbacks. See Playback (workflow).

Edit
When recorded information needs to be adjusted there are many tools for editing. See Edit
(workflow).

74
Patch (workflow)

There are various approaches to patching, which depend on your situation. Very often
conventional lights are patched in one universe, and moving devices in another, in order to
simplify troubleshooting. The main work with patching is the planning involved before
approaching the console.

Patching Conventional Lights

There are three basic approaches to patching conventional lights

Patch 1:1
You can choose the option "Patch 1:1" when you open a new play, or you can set the Patch
1:1 in the Patch Wizard.
See Patch Wizard.

Patch by channel
Patch by channel is easy and fast in the Output editor. It can be done live or blind. You can
start with a cleared patch or with a 1:1 patch.
See Patch by Channel/Dimmer.

Patch by dimmer
Patch by dimmer is easy and fast in the Output Editor. It can be done live or blind. You can
start with a cleared patch or with a 1:1 patch.
See Patch by Channel/Dimmer.

NOTE
To clear the Patch, see the Patch Wizard.
To get an overview of the current patch, see the Channels List.

Patching Moving Devices

To patch a moving device, scroller, color mixing device or media server you need to load a
template for this device. This can be imported with the Import Template Wizard or from
another play. You can also create custom templates in the Template Editor.
See Import Template Wizard.

There are two approaches to patching single or multiple moving devices

Patch Wizard
In the Patch Wizard it is easy to patch single devices, and multiple devices that have
consecutive addresses. It's possible to add a channel offset to a template as well.
See Patch Wizard.

Device List
If you are patching single devices, or multiple devices with irregular addresses the Device
List is a great tool. It's also great for changing address or universe, and for adjusting

75
 individual parameters like pan, tilt and scroller calibration.
See Device List.

Control (workflow)

Controlling channels, levels and moving device parameters is very straightforward. The
default setting is to work in "Live" which is the sum of all playbacks. Intensities are added to
live in the A field of the main playback.

Command Syntax
The whole command structure of Congo is designed to get you from point A to point B with
as few keystrokes as possible. Basically, there is no function or feature that involves more
than two key presses (besides numbers).

The structure is simple

Press a key
Hold a key and press another key.

When a number is required, simply enter it before either of the key combinations above.

See Channels - Command Syntax.

Channel "handles"
Regardless if a lighting instrument is a conventional light, or some kind of moving device, the
intensity function of this device is assigned a unique Channel number in the patch.

Example

Enter a number and move the level wheel to select the channel and change the
intensity.

When you select this channel, all parameters are automatically mapped to the controls of the
console. All parameters are divided into three groups that have a dedicated key in the
console.

FOCUS (pan/tilt)
COLOR (color mixing and color wheels)
BEAM (gobos, shutters, iris, zoom, prism etc)

Example

If a selected channel has a scroller, press COLOR. The scroller can be controlled
from one of the four parameter wheels by number (frame) or continously.
76
 If a selected channel is a moving device press FOCUS to get pan and tilt functions
on the parameter wheels.

See Devices - Control.

NOTE
If you are looking for a "RELEASE" function you are probably used to
working with a console that has a "programmer". There is no
programmer in Congo, instead you work directly in any playback.

Record (workflow)

If you press RECORD in LIVE, the default record target is the next free Preset, of the
Sequence in the Main Playback. You can record to any other target as well, using the
various recording functions.
See Presets - Record.

What is recorded?

Intensities
The default setting is that all intensities on stage are stored. Conventional lights and moving
devices alike.

Moving Devices
Before you start recording moving devices, you need to make two decisions in the default
settings for attributes (parameters).

What parameters do I want to record? (active (default), changed, popup, all, ).

See Device Recording - Modes.
How do I want parameters to be executed? (Auto Mark (default), On Go, In B).
See Device Play back - Go OnGo or GoInB.

Where is it recorded?

Presets - the basic building block

Light intensities and moving device parameters are stored in Presets. A Preset is referenced
data that can be played back on its own in a master or the main playback. It can also play
back as the content of a sequence step or content effect. A preset can contain absolute
data (values) or referenced data (palettes).

See Presets.
See Sequences.

77
 Other types of record targets
Besides presets there are Groups for organising channel selection and Palettes for
referencing moving device data.
See Groups.
See Devices - Palettes.

Playback (workflow)

There is a Main Playback, and forty Master Playbacks. The Main Playback is used for
theatre style sequential playback of any Preset or Sequence.

The Master Playbacks can play back

Single channels
Groups
Palettes
Parameters
Presets
Sequences
Console keys

See Masters.

Playing back Presets and the main sequence.

As soon as a preset is recorded you can play it back in the Main Playback or any of
the 80 Master Playbacks.
See Presets - Load To Playbacks.
All presets that have been recorded in Live have been added to the Sequence of the
Main Playback as Steps with default fade times (5s). They can be played back with
or without this default time, or manually.
See Main Playback.

Rules for playback

Intensities will play back following HTP (Highest Takes Precedence) between all
playbacks.
Attributes are LTP (Latest Takes Precedence). As soon as they are triggered they
will move to this position. They are never owned by a playback.

Exceptions

78
 CAPTURE will override all normal playback features and "hold" the values of
intensities and/or attributes.
See Capture.
There is a PARK feature to park any intensity or parameter at a fixed value.
See Parked.
There is an exclusive mode for the Independents and Master Playbacks, that will
"remove" the intensity of the assigned channels from the normal functionality of the
console.
See Independent Modes.
There is an INHIBIT mode for the independents and Master Playbacks, that allow
you to filter the maximum output of an intensity channel.
See Independent Modes.
There is a FREEZE mode that will maintain a static DMX output so you can work
completely blind.
See Output Switch.

Edit (workflow)

Once a Play is recorded you will want to edit and adjust data. Most of the functionality in
Congo is about editing. Here is where basic data is edited.

Groups

Channels, intensities and text is edited in the Groups list.

See Groups - List.

Presets

Intensities, text and FCB timing data are edited in the Preset List.
See Preset - List.
Attributes and individual attribute times are edited in the Preset Attribute editor.
See Device Views - Presets.

Sequences

Presets, In/Out/Delay/Wait times, text, Attribute Move, Time Code, Macros and
Notes are edited in the Sequence editor.
See Sequences - Sequence List.
Channel Times are edited in the Channel Time editor.
See Sequences - Times.
Master Links are edited in the Master Link editor.
See Sequences - Links.

79
 General playback mode (Sequence/Chase) and chase parameters are set in the
Sequences list.
See Sequences - List.

Additional editing features

It's possible to track and edit intensities and parameters in a lot of different ways with
the Track function.
See Track - Track Editing.
To edit channel intensities in the main playback there is a Channel Editor Wizard.
See Presets - Channel Editor Wizard.

80
Power-up Procedure
For best performance, power-up your system in the following order.

No output will be sent until the startup show file has been loaded.
Action Hardware Feedback
1. Turn on external Power switches
hub(s) or switch(es)
2. Turn on the console Power and/or reset The displays will light up
and monitor(s) switch on console with the Congo logo. The
and monitors. screens will load the
login screen.

3. Start the Congo [MODIFY] You can select start

software option with mouse or
console keys (trackball
or arrow keys).
4. Choose starting Play [MODIFY] or [ESC] A popup will give the
choice of the last play (or
recovery) or a new
play. See New.
5. Turn on any ETCNet2 Power switches You should be able to
Nodes and accessories control the outputs now*
such as Remote Focus
units

*See Console Key - OUTPUT

NOTE
In a network with multiple Congo Systems online, allow the main
system to fully start-up before starting the other systems. This will
ensure that your network configures correctly.

81
Reset The System
When you open a new (empty) Play, you can choose to set the patch 1:1. This chapter is a
checklist for resetting the frontpanel and checking the output.

This chapter contains the following sections

Reset The Console Facepanel

Check The Output

Before you start, make sure you have loaded a new (empty) Play. See Load a New (empty)
Play

Reset The Console Facepanel

To get light you have to make sure the console is reset properly.

There is an Output Mode switch in the top right corner of the console.

Action Console Feedback

1. Enable output Output Mode Switch
to ON

82
The crossfaders are in the bottom right corner of the console.

Action Console Feedback

2. Reset the crossfaders A/B faders to bottom
by moving the up and position
back down

The Grand Master is in the top right corner. It controls the total output of the console.

Action Console Feedback

3. Reset the Grand Grand Master to
Master 100%

The Playback Fade mode switch is normally in Masters mode.

Note that in Congo Jr and Kid this is a soft key function. See Master Soft Key page for Jr &
Kid

Action Console Feedback

4. Reset the Playback Fader Mode to
Fader mode MASTERS

83
Check The Output

After loading a new Play the patch is set 1:1 and the output protocol will be set to DMX512
on both output connectors in the back of the console.

If you enter a number and move the level wheel, a dimmer should respond - providing there
is one connected.

If nothing happens, see Lights Are Not Responding.

84
Bypass Startup Screen
It's possible to set the system to boot directly into the lighting control software - without
having to pass the login screen.

This was designed for backup systems and Light Servers so that they can self-boot, and it
may be desirable also for a normal situation where the system settings are not needed at
power-up.

This function is described in System Settings - Backup

85
Troubleshooting
When you run into a problem with this system there are few probable
reasons.

This chapter contains the following sections

Troubleshooting - Lights Are Not Responding

Troubleshooting - Crashes & Bugs
Troubleshooting - Reset
Troubleshooting - Help from ETC Technical Services

86
Troubleshooting - Lights Are Not Responding
If you have lights (dimmers, devices) connected and they are not
responding check this list.

Have you reset the console properly? See Reset the system.
Is the device powered properly?
Is the device set to receive the protocol you have set the board to transmit?
Is the device receiving a signal from the console?
Is the device set to the right channel address?
Is there a light source connected to the device?
Is it a lamp failure?
Is the device circuit breaker thrown?

If nothing works you may want to use a DMX tester to check that there is DMX at the
receiving devices.

87
Troubleshooting - Crashes & Bugs
All software-based products run the risk of a crash regardless of
testing procedures. In the unlikely event it happens, please help us to
eliminate problems with crashes and bugs by reporting them to us.

An Error Popup Appears - copy log

If you get an error popup we have saved your show data and created two files (log and
dmp) that can be saved to a USB memory if there is one connected to the console.

Mail these file to us. It can help us solve your problem very fast.

1. Make sure there is a USB memory in one of the USB slots.

2. Open the Browser and select "Copy Log files to USB"

3. Mail both files (log & dmp) to congo@etcconnect.com

NOTE
This has to be done directly. The dmp file is a temporary file that will
be overwritten if anything happens later. BOTH files are needed to
solve the problem. Thank you for your help.

88
What to do after a crash?

In most cases your play will have been saved (recover.asc). In this case you got a popup
explaining this and returned to the login screen.

Log in again.

If you don't return to the login screen, which is extremely unlikely you need to restart the
console.

Press Esc if the front panel seems frozen.

Try resetting the console using the reset button on the back, in the middle.
If none of these efforts work, contact your local ETC Support.

Making a crash or bug report

If you have the possibility, try to reproduce the problem by repeating your actions. If you can
send us a description of how to repeat the problem reliably, we are much very likely to solve
it rapidly.

Crash or bug report

Date =
Your Name =
Phone/fax/mail =
Congo Software version = "4.1" (bottom left corner of the main screen, or About Congo in the
Browser)

Description (example):

1. I was trying to edit a Preset on stage.

2. I started a crossfade
3. I got a crash with a message = "FILE main.cpp LINE 37" or "Offset: 12345678"
4. It is repeatable following 1 & 2.

Please fax the bugs reports to Congo BUG REPORT at +49 8024 990-300 or preferably e-
mail them to congo@etcconnect.com

89
Troubleshooting - Reset
There is a "reset" button in the back of the console. It works differently depending on your
Congo Hardware model.

There are two kinds of Congo hardware.

Without internal UPS

These consoles have a soft switch for power.

In order to reset the console, press reset.

With internal UPS

These consoles have a two position mains switch (on/off) for power.

In order to reset the console, hold the reset button for more than 5 seconds. This will
shut down the console.
In order to re-start the console after the above step, hit the reset button once. This
will start up the console again. It is IMPORTANT that you use the same reset button
to start up the console again.

90
Troubleshooting - Help from ETC Technical Services
Emergency service is available from all ETC offices outside of normal
business hours.

If you are having difficulties, your most convenient resources are the references given in this
manual and the Help system. To search more widely, try the ETC website at
www.etcconnect.com/community. If none of these resources is sufficient, contact ETC
Technical Services directly at one of the offices identified below.

When calling for help, please have the following information handy

Console model and serial number (located on back panel)

Software version (is located beneath the Congo logo on Screen 1)
Dimmer manufacturer and installation type
Moving light information (manufacturer, mode, data cable type)
Other components in your system (Unison, other consoles, etc.)

ETC Technical Services - United ETC Technical Services - Asia

Kingdom
Electronic Theatre Controls Asia,
Electronic Theatre Controls Ltd. Ltd
Technical Services Department Technical Services Department
26-28, Victoria Industrial Estate Room 1801, 18/F, Tower I
Victoria Road, London W3 6UU Enterprise Square
England 9 Sheung Yuet Road
Tel: +44 (0)20 8896 1000 Kowloon Bay, Kowloon, Hong Kong
service@etceurope.com +852 2799 1220
service@etcasia.com

ETC Technical Services - Americas

ETC Technical Services - Germany
Electronic Theatre Controls Inc.
Technical Services Department Electronic Theatre Controls GmbH
3031 Pleasant View Road Technical Services Department
Middleton, WI 53562 Ohmstrasse 3
800-775-4382 (USA, toll-free) 83607 Holzkirchen, Germany
+1-608 831-4116 +49 (80 24) 47 00-0
service@etcconnect.com techserv-hoki@etcconnect.com

91
System Info
This chapter describes what is included in a Congo system.

This chapter contains the following sections

System Info - Installation Guidelines

System Info - Software & Update
System Info - Console Specification
System Info - Interface Specification

Console Specification

Console data Explanation

Control channels Maximum 3072 channels,
numbering from 1 to 4999.
Congo Kid: 250 channels.
Outputs Maximum 6144 outputs.
Congo Kid: 1024 outputs.
Output protocols DMX512, ETCNET2, ETCNet3,
AVABIPX and ArtNet over Ethernet,
streaming ACN.
Dimmers Free proportional patch, unlimited
per channel number
Displays Up to two Monitors (three in the
large Congo console), graphical
LCD-Display, LED-Displays.
Channel selection RPN and At Mode (Direct Mode)
Effect Playbacks 999
Channel groups 999
Presets 9999.999
Sequences & Chases 999
Main Theatrical Style Playback 1
Master Playbacks 80 by numbers and wings
Congo Kid: 40 in facepanel, 40
virtual by number
Backup media Hard drive, USB Memory
Power 110 V/230 V, 47...63 Hz, ca. 270 VA

92
Interface Specification

Interfaces Explanation
Monitor Congo: 3 x VGA
Congo jr: Y-cable splitter for 2x DVI
or VGA (with adapters, included)
Congo Kid: 2 x DVI or 1 x DVI+1 x
VGA, two monitors maximum
Mouse or trackball USB Interface (integrated in Congo)
Keyboard Integrated plus USB Interface
DMX512 Output 1 & 2 for DMX512. RDM
ready.
Ethernet RJ 45 (Twisted Pair)
MIDI In/Out/Thru (2 connectors)
APN For external panels or Lynx fader
wing (not available in Congo Jr)
Radio remote control Radio control, able to penetrate an
"iron curtain"
External trigger inputs D-sub 15 pins
Console lighting Connections for 2 goose neck lamps
(1 in Congo Jr).
Phone Remote RJ 11 Phone Connector
Audio In & Out Mini stereo plug

93
Console Facepanels
There are four facepanels for Congo:

Congo
Congo Jr
Congo Kid
Congo LS (rack)

The facepanel of a Congo Console is divided into different sections.

In Congo and Congo Jr these sections are more or less identical -
there are some small differences.

These sections are described in this chapter

Facepanel - Congo
Facepanel - Congo Jr
Facepanel - Congo Kid
Facepanel - Congo LS
Facepanel - Programming Section
Facepanel - Console Main Display Facepanel - Trackball

These sections are described elsewhere in this manual

Main Playback
Master Playbacks
Direct Selects
Independents
Output Mode Switch
Grand Master

94
Facepanel - Congo
In the Congo console everything is integrated. There is an integrated trackball and a Master
Playback section. The main display has a display list section.

95
Facepanel - Congo Jr
In the Congo Jr console there is an external mouse. The Main Display does not have a
display list section. The Master Playbacks is an optional wing. The Master Playback
functionality is integrated into the Main Playback.

96
Congo Jr Master Playback Wing

For access to physical faders you can connect two different types of master playback wings
to the Congo Jr.
See Accessories - Fader Wings.

The wing that provides the full functionality of the big Congo is the Master Playback wing.
It can be connected with an external power supply and a USB cable to the Jr - or it can be
mounted so they form one unit.

The functionality is the same as in the large Congo - since there are only two graphical
displays, you have to switch between Direct Selects mode and Masters mode. This is done
with the DIRECT SELECT key to the right.

1. Direct Select pages

2. Displays
3. BANK and TYPE keys for operating the Direct Selects are incorporated between the
displays with the PAGE keys.
4. Function keys - same as in Congo plus Direct Select Mode.

97
98
Facepanel - Congo Kid
The Congo Kid is similar to Congo Jr in facepanel layout and display functionality. The
mouse is external if needed (mainly for creating channel layouts). The Main Display does not
have a display list section. There are few, but some limiting factors for the Kid:

Channels/outputs
The Kid has a maximum control capacity of 256 channels/devices and 1024 outputs by direct
output or Ethernet.

Masters
The Master Playback functionality is integrated into the Main Playback. The functions of the
Master Switch are available in the soft key pages. See Master Soft Key page for Jr & Kid

Monitors
There are direct outputs for 2xDVi or 1xDVI & 1xVGA (but not 2xVGA).

99
Facepanel - Congo LS
The Congo Light Servers 19-design packs the identical features, channel and output counts
as the Congo console into a stand-alone, rack-mountable enclosure suitable for permanently
installed applications. Running Congos operating software, the Congo Light Server is a fully
independent lighting playback controller or a convenient back-up option. There are twenty
keys with a shift function in the front panel that make it possible to run a lot of functions. An
external mouse is supplied and recommended.

Button functions - unshifted

1 2 3 4 5 6 7 8 9 0
Ch Thru All + @ Output Master Point C Shift

Button functions - shifted

Esc Up Modify Insert Live Format Tab Browser Macro Load

Play
Left Down Right Delete Goto GO Pause Go Back Record Shift

We recommend the use of X-keys. See X-keys.

100
Facepanel - Programming Section
NOTE
Congo & Congo JR share the exact same layout of the Programming
Section. The only difference is that in Congo Jr, the number input
and channel info displays are only shown on the screen status bars.

The keys in the programming section allow you to select and store channels, levels, moving
light parameters and times.

General Facts

To the right of the numeric keypad there is a row with keys for selecting groups of
channels, and to the right of that is a row with keys for setting levels in different
ways.
There are keys for setting times to the sequence in the Main Playback.
There are keys for recording and updating the current preset.
There are direct keys to open editors for play data (SEQ, PRESET, GROUP etc)
The Navigation pad includes the round navigating keys, the arrow keys, the level
wheel and ESC and MODIFY. See Navigating In Congo

There are two small displays

These two displays are only available physically in the big Congo. In all systems you find
them replicated at the bottom of the screens.

Number Input (left) shows the last entered number input from the numerical keypad.
Channel Info (right) shows the number and level of the last selected channel.

101
102
Facepanel - Console Main Display
This section has different programming functions.

The Display has soft menus with different sets of functions for the keys around it.
The wheels can be used for any device parameter.
There is a list section in the middle that is controlled by the Disp List function of the
Trackball (not available in Congo Jr)

Congo main display area

103
 Congo Jr main display area

Main Display - Functions

The Soft Menu exit key (<--) moves one step back up to the top menu level each time it is
pressed.

These are the soft menu keys in the top menu

Congo

Congo Jr

104
Summary of soft key menus

Soft Key Menus Explanation

Times Shortcuts for setting times.
See The Times Soft Key Page
Dynamics Controls for running Dynamics.
See Dynamics - Control
Channels Channel functions.
See Channels - Balance Mode
See Channels - Group Wheel Mode
See Presets - Compare Mode
Device Device control and special functions.
See Device Control - Flip
See Device Palettes - Focusing Mode
See Only "Changed" are recorded
See Device Palettes - Update
Select Select functions.
See Device Control - Select
Misc Miscellaneous functions.
See Navigating - Misc Soft Key Page

105
Facepanel - Trackball
NOTE
Congo JR has no integrated mouse or trackball. It is delivered with
an external mouse that is connected via USB.

The trackball has three different modes that are activated with the keys around it.

Key Feedback
Cursor The trackball controls the cursor in the software.
This is mainly used for creating channel layouts.
Parameter Controls Pan and Tilt of the selected Device(s).
Left/Right work as Next/Last (5.0).
Display List Is used to select and scroll Display Lists. See
Display Lists.
NOTE
It is possible to connect any USB mouse or trackball.
See External Mouse Or Trackball

106
GENERAL FUNCTIONS
These are important functions that apply in general and don't belong
to a specific chapter or node of the Browser.

These are the chapters

Navigating
Copy, Cut & Paste
Entering Texts
Display Lists
Mute & Solo
Output Mode Switch
Grand Master
Direct Selects
Jam Mode
Misc Soft Key Page
Lock Console

107
Navigating
You can control everything in the software from the Navigating pad.
Open and close tabs, zoom, move tabs and edit in lists. We call it
mouseless navigation.

This chapter contains the following sections

Navigating - Introduction
Navigating - Browser
Navigating - Tabs
Navigating - Channel Views
Navigating - Lists

108
Navigating - Introduction
The Navigation Pad is the centre of all programming in Congo. I makes it possible to open
tabs, move tabs, browse the software and zoom without the need to use a mouse or
trackball.

The Navigation Pad

109
 The round navigation keys are described in other chapters.

For BROWSER see The Browser

For SELECT see The Lists
For COLUMN see The Lists
For TAB see The Tabs
For LIVE see The Live Tab
For FORMAT see The Channel Views
For BLIND see The Blind View

The ARROW Keys

The arrow keys are used for navigating in all directions. Hold an arrow key and used the
level wheel to speed scroll in that direction.

The ESC Key

The ESC Key is used to close tabs and popups.

NOTE
Pressing ESC to close a dialogue that does not have an [ESC] button
will keep the settings made in that dialogue.

The MODIFY Key

Modify is the "Enter" command wherever one is needed. It is used to enter values or toggle
between options or open dropdown menus.

It is also used in combination with some keys for special functions:

Hold MODIFY and press any playback key to open its editor
Hold MODIFY and press certain keys to open an editor, for example CH to open the
Channel List.

The Level Wheel

The level wheel sets intensities. Together with the navigation keys it also has the following
functionality:

Hold any arrow key and use the level wheel to speed scroll in that direction
Hold FORMAT and use the level wheel to zoom in channel views
Hold BLIND and use the level wheel to add that content to the output
Hold COLUMN and use the level wheel to scroll the column width

110
Navigating - Browser
The Browser tab gives you a direct link to everything in Congo.

111
Browser Controls (6.3)

Action Key Feedback

Select the Browser [BROWSER] The Browser is focused. Press
again to close or open it.
Move up/down in a [Arrow_Keys] Up and down arrows move in all
list open lists.
Open a sublist [Right_Arrow] The right arrow opens a sublist
under a closed node.
Jump to top sublist [Left_Arrow] The left arrow jumps to the top of a
sublist, and closes that node if
pressed again.
Open an editor [MODIFY] Opens the editor of the object
selected in the Browser.
Resize the Browser [BROWSER] & Moving the wheel while holding
Wheel BROWSER will resize the Browser
area.
Collapse the Browser [C] & All open nodes are collapsed.
[BROWSER]
Open Context menu [SELECT] Opens the context menu
(6.3) [SELECT]
Track item [TRACK] Tracks the selected preset or
palette in the Sequence loaded to
the Main Playback.

112
Browser Functions - LOAD

Use MODIFY and LOAD to activate selected items from the lists in the Browser.

Action Key Feedback

Open an editor [MODIFY] Opens the editor of the object selected in
the Browser.
Load a Group [LOAD] Loads the selected Group to the active
Channel View.
Activate a palette [LOAD] Activates palette # for the selected
channel(s).
Load a sequence to [LOAD] Loads the selected sequence to the Main
the main playback Playback*
Load a Preset to the [LOAD] Loads the selected Preset
active channel view
Activate a Dynamic [LOAD] Activates Effect library # for the selected
Effect channel(s).

*Its possible to expand items like Sequences to see linked information for each step, and to
open the corresponding editor by pressing MODIFY.

113
Navigating - Tabs
All data and editors are opened in a tab.

There are direct keys for most tabs (PRESET, PLAYBACK etc)
Tabs can also be opened from the Browser
Two tabs are never closed: LIVE and MAIN PLAYBACK
Tabs can be locked (PARK & TAB)
Every tab is assigned a number when opened.

Auto close tab mode (6.0)

In Congo System Settings you can activate a mode that will close the previous tab when a
new tab is opened, to keep down the number of tabs at all times.

See System Settings - General.

114
Navigating The Tabs

Function Key Feedback

Toggle open tabs [TAB] Steps through all open tabs in all
screens
Select Tab # [#] [TAB] Selects the tab with that number

Split [TAB] & First press creates a vertical-,

[Down_Arrow] second press a horizontal split.

Reset [TAB] & [Up_Arrow] Exits a split view.

Move [TAB] & Moves the selected tab to

[Right_Arrow] another screen or tab position in
[TAB] & [Left_Arrow] a split screen view.
Close [ESC] Closes any selected tab except
Live and Playback.
Reset all [C/ALT] & [TAB] Closes all tabs except Live and
Playback.
Reset all [C/ALT] & [TAB] Closes all tabs, including locked
(including locked) [TAB] ones, except Live and Playback.

Tab Setup and Lock

It is possible to lock a tab from closing when you press ESC.

Hold PARK and press TAB.

This can also be done in the Tab Parameter Setup. Hold SETUP and press TAB to
open.

Include Channel View in Pool refers only to Live Views. See Live - Live Tab.

115
Tabs - Drag and Drop (6.3)

You can drag tabs between screens and between split areas with the mouse. You have to
drop the tab in the tab header area of the receiving screen or split area.

There is also a context menu for this if you right-click on the tab header:

116
Navigating - Channel Views (6.3)
The Channel Views are easy to navigate with the navigation keys.

Hold FORMAT and use the level wheel to zoom

Hold C & FORMAT to reset the zoom factor
Press FORMAT to toggle channel formats
Hold FORMAT and press ALL to select the All Channels format directly
Hold FORMAT and use up/down arrow to select compact format (see below)
Enter a number and press FORMAT to select a Channel Layout
Hold CH and press Arrow keys to page
Hold CH and move the level wheel to scroll (not in Ch Layouts)

The status bar in the top shows the current Preset in the Main Playback to the left and the
selected format to the right. You can right-click on the right side of the header bar to open a
context menu with all formats as shown above (6.3).

The channel symbols and formats are described in another chapter. See Channel Symbols.

117
Compact Channel Format

There is a compact channel format where relative intensity levels are shown with a white
status bar.

FORMAT & up arrow - compacts the format

FORMAT & down arrow - expands the format

Channel View Formats - Selected

Only selected channels are shown. (Pressing FORMAT toggles through the formats.)

118
Channel View Format - Selected and non-zero

Selected and non-zero channels are shown. (Pressing FORMAT toggles through the
formats.)

Hold FORMAT and press CH/ID to select this format directly.

Channel View Format - Selected And Captured

Selected and captured channels are shown. (Pressing FORMAT toggles through the
formats.)

Hold FORMAT and press CAPTURE to select this format directly.

See Channels - Capture Mode.

119
Channel View Format - Used In Play

Only channels recorded in some way in this play are shown. (Pressing FORMAT toggles
through the formats).

Channel View Format - Layout

The last selected Channel Layout is shown. (# FORMAT selects Layout #.) If there are no
Layouts stored in the show, this screen will not appear.

120
Channel View Zoom

Hold FORMAT and use the wheel to Zoom in/out.

NOTE
Hold C & FORMAT to reset the zoom factor.

121
Navigating - Lists
All editors are lists. They behave very similar to a standard spreadsheet.

You can edit all cells which are not dimmed

You can edit multiple cells
You can sort information by column
You can move columns
You can resize a list by holding COLUMN and using the wheel

Navigating In Lists

Function Key Feedback

Step or scroll around Arrows and wheel Use arrow keys, or hold
an arrow key and use
the level wheel to speed
scroll in any direction

122
Editing In Lists

Function Key Feedback

Edit the selected cells [MODIFY] Entering a value and press
MODIFY. If it is a dropdown just
press MODIFY. If it is a text cell,
press MODIFY, enter a text and
press MODIFY to exit.
Insert a new item [INSERT] Inserts a new item with the next
free number. If you enter a
number first, the inserted item
will have that number.
Delete selected item(s) [DELETE] Deletes the selected items
(cannot be undone).
Select all items in a [COLUMN] Selects all cells in a column
column from the current cell down.*
Select multiple cells [SELECT] & Hold Select and use Right and
[Arrow_keys] Down arrows to select multiple
cells.*
Select multiple cells in CTRL and Hold CTRL and use the cursor
any column or order Click to select multiple cells.*
(Keyboard &
trackball)

* When you enter a value and press MODIFY it is applied to all selected cells.

Sort By Column

Function Key Feedback

Sort from low to high [COLUMN] & The list is sorted by this
[Up_Arrow] column from low to
high.*
Sort from high to low [COLUMN] & The list is sorted by this
[Down_Arrow] column from high to
low.*

* These changes are temporary, they will be lost if the tab is closed and opened again.

123
Change The List View

Function Key Feedback

Move a column [COLUMN] & The selected column is
[Side_Arrows] moved left/right
depending on which
arrow you press*
Resize a column [COLUMN] & Wheel The column is resized

Resize the list section [TAB] & Wheel The list section is
resized*

* These changes are temporary, they will be lost if the tab is closed and opened again.

124
Navigating - Soft Key Pages
The Soft Key pages are the menu keys around the Main Display in the consoles. This
display is different between console types, but the functionality is the same.

There is a menu key marked with an left arrow"<--" to the right of the display, that is used to
get to the top level. Press a soft key to get to the corresponding page.

Congo Soft keys

Congo Jr/Kid Soft keys

125
Copy, Cut & Paste
Copy, cut and paste Sequence Steps, Groups, Presets and Device
Templates.

Action Key Feedback

Copy [COPY/CUT] The currently selected
object is copied.
Cut [COPY/CUT] The currently selected
[COPY/CUT] object (devices
excluded) is cut.
Paste [PASTE] The last copied or cut
object is pasted.
NOTE
When you paste a Sequence step in the Sequence Editor, it will be
inserted before the currently focused step.

When you paste a Preset in the Preset Editor, you will overwrite the
content of the currently focused preset. This applies to Groups as
well.

Texts can be copied with the shortcut CTL-C from a keyboard.

Copy, Cut & Paste Attributes

In the Preset List it's possible to copy, cut and paste attributes for the selected channels from
any step to any other step.

1. Open the Preset List.

2. Go to the Attributes Column.
3. Select channel(s) to copy or cut from.
4. Press COPY to copy, press COPY again to CUT (see the confirmation in the
message bar at bottom of the screen).
5. Move to the attributes column for the Preset you wish to copy to.
6. Press PASTE

NOTE
Attibutes with the value "0" will not be pasted.

126
Entering Texts
Almost every item in a Play can be labeled with a text.

The texts are entered from a keyboard, and there is a special TEXT key that can be used to
quickly edit the text of a Sequence Step, or a Preset/Group in a Master.

Numbers and decimal point can be entered from the numerical keypad of the console(s).

IMPORTANT NOTE
If you have an external keyboard with a NUM LOCK key connected
you have to activate NUM LOCK for the numerical keypad in Congo
to work. This is because the numerical keypad on the external
keyboard and Congo's keypad are linked.

The TEXT Key

Press MODIFY in the text cell of a spreadsheet to activate text input, since the keys of an
external keyboard otherwise simulate functions keys of the console.

It is also possible to activate text input directly to specific items using the TEXT key.

Action Key Feedback

Preset in A [TEXT] A popup for setting text
to the step in A appears.
Preset in B [TEXT] & [B] A popup for setting text
to the step in B appears.
Master [TEXT] & A popup for setting text
[Master_Key] to a Preset or Group in
Master # appears.
Cell in a spreadsheet [MODIFY] Text entry is activated for
the text cell.
NOTE
In keyboard override mode, level and mouse wheels are blocked to
prevent unintentional changes.

127
Text From The Console Keyboard

Anytime text input is activated, the lower left and right row of master keys and the displays
are converted into a qwerty keyboard. The master keys correspond to the key in the display.

NOTE
In the Congo Jr/Kid the keyboard works in the same way, but layered
in the main display of the console. You need to use the three keys to
the left side of the display to select the desired line of letters to use
with the top ten keys.

Right Display

Hold the SHIFT key (Flash for Master 20) to get Capital letters.

Some of the Console keys are used in addition to the letters of the display keyboard.

Function Key Feedback

Special characters [SHIFT] & [#] Hold keyboard SHIFT
and press 1-9 to get
special characters
DELETE [DELETE] Console key is part of
keyboard functions.
INSERT [INSERT] Console key is part of
keyboard functions.
BACKSPACE [C/ALT] Console key is part of
keyboard functions.
Numbers Numerical keypad Console keys are part of
keyboard functions.

See Accessories - Ext. Keyboard

128
Display Lists
NOTE
Display Lists are available on the ML display of the Congo (and ONLY
the large Congo), and within Console Mimic Docks.
See Dock Areas - Console Mimic.

The main display of the console handles a number of data lists in the mid section. You can
use the trackball to access information in these lists in the Display List mode. There are two
ways of opening a List.

Hold DISPLAY LIST and press a function key

Hold DISPLAY LIST and select from the Direct Selects

Example - Display List for Auto Groups

129
These are the lists. Select an item with the trackball and right- or left click to activate it.

List Shortcut Description

Preset List [DISPLAY_LIST] & All presets.
[PRESET]
Group List [DISPLAY_LIST] & All groups. Click to
[GROUP] select.

Channel List [DISPLAY_LIST] & All selected channels

[CH] and names.

Auto Group List [DISPLAY_LIST] & All auto groups from the
[CH] [CH] channel database. Click
to select.
Playback List [DISPLAY_LIST] & Shows the sequence
[PLAYBACK] steps and times in the
Main Playback.
Parameter List [DISPLAY_LIST] & Shows all ranges of the
[WHEEL_KEY] selected parameter.

Dynamic Effect List [DISPLAY_LIST] & All dynamic effects. Click

[DYN_EFFECT] to activate.

PlayList [DISPLAY_LIST] & The Playlist. See

[PLAYLIST] Playlist.

All Palette List [DISPLAY_LIST] & All Palettes. Click to

[PALETTE] activate.

Focus Palette List [DISPLAY_LIST] & All Focus Palettes. Click

[FOCUS] to activate.

Color Palette List [DISPLAY_LIST] & All Color Palettes. Click

[COLOR] to activate.

Beam Palette List [DISPLAY_LIST] & All Beam Palettes. Click

[BEAM] to activate.

Master Page List [DISPLAY_LIST] & All Master Pages. Click

[PAGE] to activate.

Master List [DISPLAY_LIST] & All Master Playbacks.

[MASTER]
Channel Layout List [DISPLAY_LIST] & All Channel Lists. Click
Direct Select to activate.

130
Mute & Solo
Mute & Solo allow you to treat all Playbacks (masters and Main
Playback) as you would in a sound console - being able to
temporarily Mute or Solo the content of any Playback.

Muting a Playback will temporarily stop all output from this Playback without
changing data or fader level.
Soloing a Playback will temporarily mute all Playbacks except this one, without
changing data or fader levels.

In effect this is the same functionality that is found in a sound console. It allows you to
quickly isolate the lights from any Playback, for editing or for playback purposes.

Mute & Solo - MUTE

Hold MUTE and press a Playback key to activate/deactivate.

Function Key Feedback

Mute a Master plabyack [MUTE] & The Muted status is
# [Master_key] indicated in the Master
Display of the console
and in the Master View.
Mute Main Playback [MUTE] & The Mute status is
[PLAYBACK] indicated in the Playback
tab.

Un-mute a Master [MUTE] & The master is no longer

playback # [Master_key] muted.

Un-mute Main Playback [MUTE] & The main playback is no

[PLAYBACK] longer muted.

Clear all Muted [C] & [MUTE] All Muted Playbacks are
playbacks reset.
NOTE
MUTE will not change any data or fader levels.

In Congo Jr/Kid the MUTE key is a soft key in the Misc Soft Key Page.

131
Mute & Solo - SOLO

Hold SOLO and press a Playback key to activate/deactivate.

Function Key Feedback

Solo a Master playback [SOLO] & The Solo status is
# [Master_key] indicated in the Master
Display of the console
and in the Master View.
Solo Main Playback [SOLO] & The Solo status is
[PLAYBACK] indicated in the Playback
tab.

Un-solo a Master [SOLO] & The master is no longer

playback # [Master_key] soloed.

Un-solo Main Playback [SOLO] & The main playback is no

[PLAYBACK] longer soloed.

Clear all Soloed [C] & [SOLO] All Soloed playbacks are
playbacks reset.
NOTE
SOLO will not change any data or fader levels.
The keyboard equivalent of SOLO is Alt Y.
In Congo Jr/Kid the SOLO key is a soft key in the Misc Soft Key Page.

132
Output Mode Switch
Output Mode is a three-position switch in the top right corner of the console facepanel.

Action Feedback
B.O. A Black Out of all intensity outputs, except
those controlled by the Independents in
Exclusive mode. A red B.O. Indication will
appear on the top of all screens.
ON The mode for normal operation of the console
Freeze The current output to stage is frozen. A
blue FREEZE Indication will appear on the top
of all screens.See Freeze Mode.

NOTE that a freeze on a paused playback will

reset that playback on restore.
NOTE
If you set the Output mode switch to Freeze before you start the
application, the output will not be updated until you move the switch
to on. This makes it possible to start without output and prepare the
correct light before activating it on stage.

133
Grand Master
The Grand Master is located in the top right corner of the console facepanel.

Console Feedback
Grand Master Will scale the total output of all intensities
(only) when below 100%, except channels
controlled by the Independents and/or
Masters in Exclusive mode. A red Level
Indication will appear on the top of all screens.

NOTE
Attributes are not affected by the Grand Master.

134
Freeze Mode
When the Output Mode switch is set to FREEZE, the output is "frozen" and will remain static
until the switch is set back to ON.

When the switch is set back to ON the output is loaded to the A field of the Main Playback.
The Sequence will also reposition to where it was when you activated Freeze.

Action Feedback
Activate Freeze All outputs will be "frozen", including moving
devices. You can work with all functions without
affecting the output*
Deactivate Freeze The "frozen" output of Freeze is loaded to the A
field of the Main Playback**

*The complete output, including all Master Playbacks is loaded to Freeze.

**If all Masters are down when you exit Freeze, there is no change in the output on stage.

NOTE
If you set the Output mode switch to FREEZE before you start the
application, the output will not be updated until you move the switch
to on. This makes it possible to start without output and prepare the
correct light before activating it on stage.

This is indicated at the top of the screens with the text "FREEZE".

135
Direct Selects
The Direct Selects provide extremely fast and hands on access to all
kinds of data. There are four sets with ten Direct Select keys for quick
access to Palettes, Effects, Groups etc.

This chapter contains the following chapters

Direct Selects - Introduction

Direct Selects - Content
Direct Selects - Record & Update
Direct Selects - User Setups
Direct Selects - Direct Mode

136
Direct Selects - Introduction
The Direct Selects give extremely fast access to stored data such as groups, palettes,
effects and screens.

The Direct Selects have four sections with ten keys.

You can select Type of content and Bank for each section.
You can store a complete setting of four sections to the five Setups.

Congo

Congo Jr

When you press a TYPE key, Direct Selects are activated for section 1-4. Then use BANK to
select a Bank for this section. Press TYPE again to exit. You can enter a number 1-5 and
press the top Direct Select key to access the five Setups that have direct keys in the big
Congo console.

NOTE
In Jr you can exit Direct Select Mode by pressing the same key again.

Hold MODIFY and press a Direct Select for a Palette or Group to open
the corresponding editor (5.0).

137
Direct Selects - Content
Content is selected by type, and then by bank in groups of ten.

Type of content (hold TYPE)

Press More to get these

When TYPE is held the different types are displayed over each section. Press the key
corresponding to the Type you want, without letting go of TYPE.

Congo Jr & Kid: In Jr the four keys to the left of the display activate Direct Select section 1-
4 AND act as TYPE key for each section when activated.

Bank (hold BANK)

When BANK is held the different banks are displayed over each section. Press the key
corresponding to the Bank you want, without letting go of BANK.

Congo Jr & Kid: Activate Direct Select section 1-4 with the corresponding TYPE key, as
described above and select a type of content. The key to the right of the ten Direct Select
keys works like the BANK key described above.

NOTE
A bank contains the content that has been stored to those numbers.
For example Focus Palette 11 is in bank 11-20.

138
Content Types (6.3)

These are the possible Types of content for the Direct Selects.

Type Function Read More

Focus Activates a Focus Palette Moving Device - Palettes
for the selected channel(s)*
Color Activates a Color Palette Moving Device - Palettes
for the selected channel(s)*
Beam Activates a Beam Palette Moving Device - Palettes
for the selected channel(s)*
Pal Activates an all Palette for Moving Device - Palettes
the selected channel(s)*
Gel Select a Gel color for a Device Views - Gel Picker
moving device from the gel
picker.
Group Selects the channels in a Groups
Group***
Param Ranges for a First select Param, then press
parameter (gobo wheel) the wheel key for a moving
device parameter to connect
that range to the Direct Select
keys.
Auto Group Auto Groups generated Channel Database & Auto
from the Channel Groups
Database**
Screen Press to select the stored Screens
screens
Mast Master keys (1-80) The keys will correspond to
(jr/Kid) master keys in a wing.
Masks Masks User Masks - Functions
Section Sections Sequences - Section Markers

*You can enter a time # before pressing a key to activate the change in this time.
**Auto Groups are sorted by Text Column from the Channel Database.
***You can hold the GROUP key and use the level wheel to change levels for this group
directly (6.3)
139
Direct Selects - Record & Update
The data in the Direct Selects is loaded as it is recorded, regardless of how it is recorded.

It is possible to record and update directly to the direct select keys, which is a very fast
working method requiring extremely few keystrokes.

These are the content types that can be recorded and updated directly holding [RECORD] or
[UPDATE]and pressing a [direct select key] for that content type.

Focus
Color
Beam
Pal (All Palette)
Group
Screen

140
Direct Selects - User Setups
There are five User Setup "pages" for all settings in the Direct Selects. They are stored to the
five round keys over the Direct Selects.

Congo

Action Console Feedback

1. Select User Setup Setup key The LED of that key is lit
2. Select Types and The current types and
Banks banks can be recalled
with this Setup key.

Congo Jr
See Direct Selects - Content.

Action Console Feedback

1. Activate A Direct Direct Select key The LED of that key is lit
Select Mode section (1-4)
2. Select Setup # Direct Select key The LED of that key is lit
3. Select Types and Bank Select key The current types and
Banks banks can be recalled
with this Setup key.

141
Direct Selects - Direct Mode
One of the very fast and unique functions of Congo. A large number of keys can be held to
enter temporary Direct Mode for the Direct Selects. As long as the key is held it is possible to
access the first forty items belonging to this key category.

Function Key Feedback

1. Activate Direct Mode Hold a key (see Direct Select display
below) shows the first 40
2. Select key (1-40) Direct Select key When the key is pressed
that item is activated.

Keys that enter Direct Mode when held

Key Function
[FOCUS] Focus Palettes.

[COLOR] Color Palettes.

[BEAM] Beam Palettes.

[PALETTE] All Palettes.

[Wheel_Parameter] Any wheel parameter can be pressed to get

direct access to all range positions. This
includes scrollers. Including range tables
[GROUP] Select channels in Group.

[CLIENT] Activate Client permissions

142
Jam Mode
Jam Mode allows you to switch over to one of two Playback Modes
that allow improvising with Moving Devices more or less directly
after patching them. It is also possible to auto generate play data for
improvising.

This chapter contains the following sections

Jam Mode - Introduction

Two Scene Masters
Device Masters

143
Jam Mode - Introduction (6.0)
Jam Modes are designed to allow you to improvise directly after patching, regardless if you
have a small or large rig, and regardless if you have moving devices or conventional.

There are two styles of jam mode that can be connected to the Jam Mode switch. See Play
Settings - Master.

Two Scene Masters (Default)

Great for both conventional rigs and moving light rigs. The upper row of masters can be set
up blind and faded into live and onto the lower row of masters. Extremely flexible with full
control both live and blind. As soon as you have a couple of looks you are ready to roll. Very
easy to set up new looks on the fly and fade into them.

Device Masters
This mode is intended for rigs with a lot of moving lights. The console is set up with fader
sections that are used to create combinations of looks on stage live.

Jam mode uses a separate direct select page to store the direct select configuration. It is
therefore possible to assign whatever direct select content to the special Jam mode page
and it will be restored when Jam mode is reactivated.

Data is created and can be forced. See Jam Mode Wizard.

144
Activate & Setup Jam Mode (6.0)

Jam mode is activated from the three position switch in the top middle of the big Congo and
on the 2x20 Congo wing for Congo Jr.

Jam Mode is indicated at the top of all screens

The mode for the Jam switch is set in Play Settings - Masters.

1. Press SETUP
2. Select the Masters tab
3. Use the dropdown to select Two Scene Masters (default) or Jam Mode.

145
Two Scene Masters (6.0)
The most exciting addition to Congo V6 is the playback mode called Two Scene Masters.
This is the default setting for the Jam Mode switch. See Play Settings - Masters.

Two scene masters takes old school improvisation where channels could be preset blind and
then faded onto stage to a new level.

The top twenty master faders are blind

The lower twenty masters are live

You can set up and record anything on the top masters, and then fade on your choice of
fade time into these settings. Once the fade is complete, all settings in the top masters have
been loaded to the lower masters - which means that you have live control of them.

Fading Two Scene Masters (6.0)

To fade the settings and content of the top row of masters (blind) into the bottom row of
masters (live) press START or GO on the Masters Playback.

You can enter a time before pressing START or GO. This time will continue to be used until
a new time is entered.

146
 NOTE
Any changes you make to content in the top masters will be loaded
to the bottom live masters, but ONLY if the fader of the master is over
zero %.

It is possible to modify the Live masters at all times except when

there is a crossfade running between Live and Blind because of the
dipless calculation.

Create new looks in Blind and record to masters (6.0)

One way of improvising on the fly in two-scene masters mode is to use the Blind field to
create new looks, record them to the top masters and fade into them.

1. Press BLIND to activate the blind tab.

2. Select the channels and moving devices you want to modify blind, and use the parameter
wheels and palette functions to create a look.

3. Hold RECORD and press a Master key for a master in the top row to record to that
master. A popup will ask you to confirm.

4. Bring up the master fader to activate the look. Press START to fade into that look and
load it to the corresponding master in the lower "live" row.

147
Device Masters (6.0)
The layout and functionality of Device Masters is based on our experience of how many
moving light operators will prepare a console for improvising with moving devices. Most of
this data is set up with the Jam Mode Wizard.

JAM MODE DESCRIPTION

Masters 1-10 are used to select (activate) a Group of Devices, and the
rest of the masters are used to control them.

Use Masters Keys 1-10 for select Groups of Devices and the
faders to control the Intensities
Use Masters 11-14 for effects and 18-20 for adjusting them.
Use 21-30 to move to new positions with faders or buttons.
Use Masters 31-40 to change colors with faders or buttons.

The main difference to normal master operation is that if you select a group by pressing the
master key - it stays selected until another group is selected.

When Jam Mode is left (by moving the mode switch back to Masters or Channels Only) the
console will return to the state of the Master Playbacks previous to entering Jam Mode. To
avoid sudden changes, all Masters over 1% will be set to pending, which means they will
refresh their content when moved to zero.

148
Device Masters Step 1 - Check Groups

Masters 1-10 are used for Groups. These Groups are the main "handles" for improvising. If
there is specific selection of Devices you need to access fast that isn't created already,
create it.

The Jam Mode Wizard can be used to create a maximum of ten Groups will be created
starting at 101. Group number 110 on Master 10 is ALL DEVICES.

See Groups - Record and Groups - Load to Playbacks.

Device Masters Step 2 - Update Focus Palettes

Masters 21-30 are used for Focus Palettes. The first time Jam Mode is activated ten Focus
Palettes will be created starting at 101. They need to be updated because they are all set
to HOME as default. The first one is a HOME Palette - and does not need to be updated.

Updating the Focus Palettes in Master Playbacks 21-30 is the only preparation needed to set
up Jam Mode for improvising with any rig of Moving Devices. Since all Moving Devices are
generated as Groups by Device Type on Master Playbacks we suggest using these Groups
to update the Focus Palettes.

Update the Focus Palettes

1. Select all Devices in Master 1 by pressing the master key for that Playback. The
LED in the Master key will light up. All Devices of the first type are select.
2. Use the NEXT key to select them one by one and the PAN and TILT wheels (or the
Trackball in Parameter Mode) to create the first Focus.
3. Hold UPDATE and press the Master Key 22 for the second Focus palette. This will
provide an UPDATE POPUP.

149
 4. Press MODIFY again to confirm.
5. Repeat this procedure for as many Focus Palettes as you think you may need. Then
repeat with all devices in the Group on Master 2 (if there is more than one type
patched).

Device Masters Step 3 - Check Color Palettes

Masters 31-40 are used for Color Palettes. The first time Jam Mode is activated ten CMY
Color Palettes will be created starting at 101. The first one is Open White (O/W).

These Color Palettes are auto-generated for Moving Devices with CMY mix. If there are no
CMY devices - you may wish to record some Color Palettes for your Devices. It is also
possible to access fixed colors from the Direct Selects.

Check the Color Palettes

1. Select all Devices in Master 1 by pressing the master key for that Playback. The
LED in the Master key will light up. All Devices of the first type are select.
2. Check how they correspond to Color Palette 1 by pressing Master Key 31. They will
all be set to the first color.

Update the Color Palettes

1. Select all Devices in Master 1 by pressing the master key for that Playback. The
LED in the Master key will light up. All Devices of the first type are select.
2. Select COLOR parameters for the Main Display of the console.
3. Use the wheels and wheel keys to set Color parameters.
4. Hold UPDATE and press a Master key to store. There will be a popup where you
can enter a Text.
5. Press MODIFY to confirm.

150
Device Masters Option - Create Beam Palettes

Direct Selects in the fourth (lower right) section are used for Beam Palettes (1-10). Beam
Palettes are not generated automatically. If there are Beam Palettes 1-10 they are displayed.
If not it is easy to update/record them.

Record Beam Palettes

1. Select all Devices in Master 1 by pressing the master key for that Playback. The
LED in the Master key will light up. All Devices of the first type are select.
2. Select BEAM parameters for the Main Display of the console.
3. Use the wheels and wheel keys to set Beam parameters.
4. Hold RECORD and press a Direct Select key to store. There will be a popup where
you can enter a Text.
5. Press MODIFY to confirm.

151
Device Masters - Working Method (6.0)
Device Masters is based on you selecting devices and moving them to positions and colors.
On top of this you have some powerful effects that can be applied on the fly and in the tempo
of your choice. Most of this data is set up with the Jam Mode Wizard.

Device Masters - Selecting Devices

Devices are selected from Masters.

Function Key Feedback

Select Group Master Key 1-10 The LED in the Master
(>20) Key is lit. The Group
stays selected
until another Master
Key is pressed*
Add Group [+] & [Master_Key] Both LED's are lit and
both Groups are active*
Subtract Group [-] & [Master_Key] This Group is
deactivated
Select any Device See Select Channels Any Device can be
selected with normal
Command Syntax from
the numerical keypad.

152
Device Masters - Set Positions and Colors

The currently active Group (Master LED is lit) will move to the target of any Palette by key or
fader.

Masters 21-30 have Focus Palettes, and Masters 31-40 have CMY Color Palettes.

This is basic operation

Function Key Feedback

Rubberband to Palette # Move Master fader The currently active
Group will fade to the
target of the Palette in
that Master Playback.
Snap to Palette # [Master_Key] The currently active
Group will snap to the
target of the Palette*
Move to Palette # in a [#] [Master_Key] The currently active
time of # seconds Group will move to the
target of the Palette in #
seconds.

*Executing palettes by pressing the Master keys executes on the field time if there is one, or
on the master page time, if a percent time is set to the field. See Master Playbacks - Times.

153
Misc Soft Key Page (6.0)
The Miscellaneous Soft Key Page is selected with the soft key MISC in the Main Display of
the console.

Congo

Congo Jr & Kid

154
These are the functions
(Solo, Mute and Park are described in the chapters: SOLO, MUTE, PARK)

Function Softkey Feedback

Play back Macro # [#] [Macro] Macro # is played back..
See MACROS.
Learn Macro # [#] [Learn_Macro] Macro # is recorded.
See MACROS.
Print Screen [Print_Screen] Prints the current screen
to a node called
PRINTOUTS. See Print.
Playlist mode [Playlist] The Playlist is activated.
See The Playlist.
UnPark [UnPark] Is used in combination
with other keys to unpark
channel values. See
Park.
Suspend auto-times in [Modify_Seq] When on, links and
Main Playback wait/followon times are
not activated during
playback.
Remote Control List [Remote_Ctrls] Opens the Remote
Control List. See
Remotes List.
Clear all remote levels [Clear_All_Levels] Clears all levels set by
remotes. See Remote
Controls.

155
Lock Console (6.3)

You can to lock the console by holding ESC and pressing C/ALT. The same command will
unlock again.

[ESC] & [C/ALT]

NOTE
The following mouse actions are blocked (6.3)

- Screen actions from layouts

- Drag and drop
- Double clicking in editors.

156
Context Menus (6.3)
In most places of the Congo screen interface there is a context sensitive menu that offers the
functions that apply most to the part of the interface you have focused at the moment.

It is opened by pressing SELECT twice, or by right clicking with a mouse or trackball. This
works in the following views:

Channel View
Attribute View
Editors
Browser
Organizer

Examples

Press BROWSER to select the Browser. Select any node with the arrows and press
SELECT twice to open the appropriate Context Menu.
Press PRESET to open the Preset List. Select any cell with the arrows and press
SELECT twice to open the appropriate Context Menu.
Working with a mouse? Right-Click to open the Context Menu!

In the Browser it can look like this:

You can choose any of the functions with the arrow keys and press MODIFY to confirm.

157
In a Channel View it looks like this:

In the Playback tab over a preset it looks like this:

158
When you are handling dock areas there are two context menus, one in the header to
choose dock content, and one in the content area to choose format (See Dock Areas):

159
Drag and Drop (6.3)
In most places of the Congo screen interface you can use a mouse or trackball to drag
content to other locations and drop there. This is the same as doing a copy/paste or
cut/paste command with key presses.

Please note that there are two options for drag-and-drop editing within Congo - editing within
the same play and using drag/drop to import data from another play - this can be an older
version of the current play to perform UNDO actions, or another play entirely.

Usually there is a dialogue box to allow you a choice of results when dragging and dropping.

Examples

In the Browser, click and hold a preset in the preset node and drag it to a channel
view and drop there to replace the content of that channel view with the preset.
In a Sequence Editor, click and hold a sequence step and drag it to another
sequence step and drop there for a dialogue with options of actions (copy/move).
See Sequence - drag and drop data.
In a Master View, click and hold the content of one master, then drag and drop to
another to move around. See Masters - Drag and Drop Data.

Dragging a preset from the Browser to Live

1. Click, hold and drag a preset from the Browser to Live.

2. Drop over Live - the content in Live will be replaced by the levels of the channels in that
Preset.

NOTE
There is no warning, the content of Live will be replaced by the
intensity content of the Preset dropped.

160
Dragging sequence steps

1. Open the main playback Sequence Editor (MODIFY and PLAYBACK).

2. Click, hold and drag a sequence step to another sequence step, then drop.

3. You will now get a dialogue with the following options:

This dialogue allows you to COPY or MOVE the selected step.

COPY = Makes a copy of the source and inserts it into the sequence after the target step.
MOVE = Moves the source and inserts it into the sequence after the target step.

161
If you select the Advanced tab by pressing left arrow, you get the following options:

The first option allows you to define where you want to copy/move the step to.

After the target step (default)

Before the target step
Replace the target step

The second option "Create Between" allows you to create a new step with a new preset
number and insert (after/before).

NOTE
For more info, see: Sequence - drag and drop data.

162
Drag and Drop - Replacing Data (6.3)

If you drag a Sequence, Preset or Palette and drop it on another node of the same kind, you
will get the option of replacing the node you are dropping data on. This feature works both
within the same play and in the Import From Organizer.

163
164
About
The About node shows you a summary of the system and a summary
of the currently loaded play.

About Node

This chapter contains the following sections

About - Congo...
About - Play...

165
About - Congo
About Congo shows you a summary of your system configuration - this information is often
only used in case of technical support.

SOFTWARE AND OUTPUTS

Software Version: The version and revision of the Congo software installed.
Qt Library: Qt is a supporting tool that is used by Congo. Only for support.
Dongle number: This is your unique software number that is required when you
upgrade your system size.
Console Firmware Version: Shows the version of the Congo Sr face panel
firmware. Only for support.
IO Firmware Version: Shows the version of the I/O board firmware. Only for
support.
Channels: The number of channels your system can run. If your system is
downgraded in the System Settings the downgrade number is shown.
Outputs: The number of outputs your system is upgraded to run. The maximum is
6144 (12 DMX universes). Contact your ETC dealer for upgrade information.

166
ROLE

Possible roles: These are the possible roles your dongle permits: Server, Backup
and/or Client.
Name: System name
Current Role: The currently active role

NETWORKING

Net: The logical network this console is active on.

IP: IP address of this system.
Enabled network protocols: A summary of enabled protocols and the current
Universe Map for each of them.
Network DMX input: Shows if this is active.
ACN Library Info: Shows information about Advanced Control Network libraries in
use .

FILE PATHS

FileServer path: If a FileServer path has been defined, it is shown here.

USB path: This is the drive-letter the system is looking for a USB drive under. If
Congo cannot find a connected USB memory, you can check here to see that it
corresponds with the drive letter assigned by Windows.

167
About - Play
This is a summary of your play. The same information is included in your printouts.

168
Dimmer/Device Feedback Log (6.2)
The Dimmer/Device feedback log (Browser >About) will show all logged dimmer feedback
messages from:

- RDM (new in v6.2)

- CEM3 (new in v6.2)
- FDX (new in v6.2)
- CEM+
- Dimstat

Active errors are marked with red. A column Type will show the source of the error.

Features

The Active column shows if the error is active or if it has been cleared. You can also
reset a known error (to get rid of the indication on the channel) by toggling the Active
field.
Select one or more rows in the Dimmer Feedback Log and press DELETE to remove
them from the list.
If general dimmer errors are active, there is a warning sign in the title bar (see
below).

In the Header bar on top of the screens, the warning sign indicator will show dimmer and/or
other faults in the format: General Errors/Dimmer Errors.

169
Sensor3 & Sensor+ Dimmer Feedback (6.2)

These devices will show up in the Net3/ACN Device List (Browser >General Settings
>Network >Net3/ACN Device List).

Channel Display
When a channel is patched to an output that is associated with a Sensor3 or Sensor+
dimmer then that channel will indicate the state of that dimmer.

When the associated dimmer has an error or warning then the channel display will include a
small warning sign as part of the display.

If a channel is selected, the number of active dimmer errors for the channel will be shown in
the Info box below the Browser.

170
Files
The files node is where you can open, save, export and import show
files. You can also save a default show, copy log files to a USB
memory - and exit the system.

Files Node

This chapter contains the following sections

Files - Introduction
New
Open
Save & Save as...
Import from...
Export to Expert diskette
Default show data Wizard
Copy Log files to USB
Exit to System Settings
Exit to Welcome Screen
Power Off (Quit)

171
Files - Introduction
Make sure you save your information at all times. If the current Play
has been altered since it was last saved, the name is displayed in
yellow instead of white. If over 30 minutes have passed without
saving, the time stamp will turn red (6.1).

All file handling is done from the File node (BROWSER >File).

This system has a hard drive as the primary storage. You can also use a USB memory stick,
an external USB drive, Floppy or a File Server on the network. For alternative Play Paths
see Login Settings - General Functions.

Function Key Feedback

New [MODIFY] Opens a popup asking you to
confirm. See Load a new (empty)
Play.
Open... [MODIFY] See Open a Play.

Save [MODIFY] Saves the current play. Opens a

popup asking you to press MODIFY
to confirm.
Save as... [MODIFY] See Save a Play

Import from... [MODIFY] See the Import Wizard.

NOTE
USB memory is the main external storage media.

If you insert a USB device which contains Image or Movie files, you
get a question about auto importing them to the Images and Movies
folders.

The Floppy drive is mainly an interface for importing shows from

other systems using floppy such as Pronto, Safari, Expression,
Strand 500-series etc. If your system does not have a floppy drive,
connect one with USB or move the files to a USB memory stick. On

172
more information about importing shows files see IMPORT WIZARD.

Sub folders are shown at the start of the file list with the name in
[brackets].

173
New (6.3)
When you want to clear the console to start with a new play, you use the "New" command
(Browser >Files >New).

Function Key Feedback

1. Select the Browser [BROWSER] The Browser is selected
on the left side of screen
1. If the Browser already
was selected - it will be
closed. Press Browser
again to reopen.

2. Go to "Files" at the top Arrow keys Files is marked in orange

3. Open the File node Right arrow Opens a subtree of
functions.
4. Select "New" Down arrow New is marked in orange
5. Load a new play [MODIFY] Opens a dialogue - see
below

If the current play has unsaved changes this dialogue will open;

174
After which this one will open:

If the current play has unsaved changes and has never been saved this dialogue will open
instead:

175
New Play Patch Options
These are the most important settings that you need to consider when starting a new Play in
Congo.

First there is a dialogue asking you about the patch options for the new play. There is an
option to use a default patch, a channel-to-dimmer patch 1:1, to start with No patch. See
Patch.

Then there will be a dialogue asking you to select the most important settings for the new
play

General Settings
These settings affect default times and master recording in Live.

Set times to - Options are A and B to set which sequence step will receive timing
commands made Live.
See Sequences - Times.

176
 Enable Remote Controls - When checked, allows remote controls to interact with
the lighting system.
See Play Settings - System.

Default Go Time - Sets the time used by sequence steps with no other recorded
timing data.
See Play Settings - Crossfade.

Default out Time - Sets the out-fade time to be recorded to sequence steps.
See Play Settings - Crossfade.

Default In Time - Sets the in-fade time to be recorded to sequence steps.

See Play Settings - Crossfade.

Moving Device Settings

These settings affect how moving devices are recorded and played back.

Record Attribute mode - See Device Recording - Modes.

Sequence attribute playback default - See Device Play Back - Attrib Move.

Master Settings
These settings are important for the general behavior of masters and master flash keys.

Exclude Int. from Record - Excludes the intensities from masters when pressing
Record (default is off).
Enable Flash key - Sets Flash keys to be active (default is on).

177
Open
When you want to open a play, you use the "Open..." command (Browser >Files >Open).

Function Key Feedback

1. Select the Browser [BROWSER] The Browser is selected on the
left side of screen 1*

2. Go to "Files" at the top Arrow keys Files is marked in orange

3. Open the File node Right arrow Opens a subtree of functions.
4. Select "Open" Down arrow Open is highlighted.
5. Open this node Right arrow Opens a subtree of media
choices.
6. Select Media Down arrow Selected media (Floppy, Play
Archive (HD) or USB) is
highlighted.
7. Open media archive Right arrow A subtree is opened with all
plays in the selected Media**
8. Load the selected play [MODIFY] Opens a popup. If there are
changes in your current play
you will be asked to save
9. Confirm (or don't) [MODIFY] Use arrow key to select your
choice and MODIFY to confirm
it. The selected Play is loaded.

*If the Browser already was selected, it will be closed. Press BROWSER again to reopen.**If
Floppy, File Server or USB files are not shown you can update this node by clicking on it.

Delete a Play

You can delete a Play file by selecting it in the browser and pressing DELETE.

178
Save & Save as... (6.3)
The key shortcut for saving a play is C & UPDATE (save) or C & RECORD (save as). You
can also press CTRL-S on a keyboard.

To save using the Files node in the Browser:

Function Key Feedback

1. Open the Browser [BROWSER] If it was already selected
it will be closed. Press
again to open.
2. Go to Files Down Arrow Files is highlighted
3. Expand subnodes Right arrow Subnodes are expanded.
4. Select Save as Down Arrow "Save as..." is
highlighted

5. Confirm [MODIFY] A dialogue is opened

(see below). Choose
target drive Play Archive
(Hard drive in console),
USB (if inserted) or
Floppy (if connected).

Depending on if the current play was saved or not you will either get the "Save" dialogue

179
 or the "Save as" dialogue

*It is possible to set up a file server by specifying the file server path in the Login Settings.
See Login Settings, General Functions.

Creating Subfolders For Files (6.3)

You can create sub-folders for files with the INSERT command in the context menu (press
SELECT SELECT or the INSERT console key) for the Play Archive node in Browser >File
>Save as... >Play Archive.

180
Save Copy to USB (6.3)
There is an an option to save a copy of the play directly to a USB memory stick. For
example, this can be used to create a backup copy of the show.

BROWSER >Files >Save Copy To USB

Simply connect your USB memory stick and select this option.

NOTE (6.3)
You have the option of saving revisions 1-9 of a play every time you
store it with the same name on the same USB memory if you use the
Save... option to save to USB.

181
Import from... (6.3)
You can import part of any play into your current play, if you want to
reuse color palettes, presets, groups or if you want to reload a
previous version of an object such as a preset from an earlier version
of the same play.

You can also import lists from Excel, LightWright or WYSIWYG. See
Channel Database - Import Text File Wizard.

This chapter describes the import functions. Parts about drag and drop are referred to the
chapter about Drag and Drop. See Drag and Drop.

Import from other lighting systems

If you are importing a play, or parts of a play from a different lighting system see exceptions
and notes in this chapter.

1. Open the play - any play in Standard ASCII Light Cues format (name.asc or
name.alq) can be opened directly.
2. Save the play as a normal Congo play.
3. Use this import Organizer to import parts of these plays.

CAUTION
We strongly advise you to save your Play before using the Import
Organizer, since it can alter your Play greatly.

182
Import Organizer - Functions (6.3)

The basic functionality of the Import Organizer is that you can use drag and drop (mouse) or
copy and paste (keys) to copy any type of data from an external play to the one in memory.

Importing single items

When you want to import a single item you have a choice of using drag and drop, or the
copy/paste function.

Drag & Drop

1. Click and hold on the single item you want to import in the Organizer (import from)
tab.
2. Drag the item to the same position in the Organizer tab and let go.
3. Confirm what kind of action you are doing in the drag and drop dialogue. See Drag
And Drop.

Copy/Paste

1. Use the arrows to select the single item you want to import in the Organizer (import
from) tab.
2. Press COPY
3. Select the Organizer tab (TAB) and use the arrows to select the node you wish to
import this item to.
4. Press PASTE
5. Confirm what kind of action you are doing in the drag and drop dialogue. See Drag
And Drop.

183
Importing multiple items
When you want to import multiple items, you do it in the exact same way as when importing
single items. The difference is in how you select which items to import.

Select the top node to import all items of the same kind, like Sequence, Presets, Groups
etc...

Hold SHIFT (keyboard) or SELECT and click to select a range of multiple items of the same
kind. Hold SELECT and use arrows in console.

Hold CTRL (keyboard) and click to select multiple items of the same kind in a random order.
This is only possible with mouse/trackball and keyboard.

184
Import - Types of items to import (6.3)

Here are some examples of items that can be imported from any play to the one in memory
using the import function:

Sequences
Sequence steps
Channel Times
Device Links
Master Links
Action Macros
Presets
Groups
Palettes
Templates
Patch
Devices
Effects
Master Pages
Scroller Rolls
Channel Layouts

Import Items With Dependencies (6.3)

Many items in a Play are dependent on other items. For example, if you want to import a
Focus Palette, it will be dependent on the specific device that is stored within it and the
template of that device. To make it simple, there is an intelligent function under the hood that
finds these dependencies and imports all related items for you.

These are the four situations with dependencies:

1. When you import a patch with devices, you will also import the device templates
2. When you import a palette, you will also import the related patch, devices and
templates
3. When you import a preset, you will also import all related palettes, patch, devices
and templates
4. When you import a sequence, you will also import all related presets, patch, devices,
palletes and templates

185
Every time you make an import with dependencies you will first get a drop dialogue

186
And after this you will get a dialogue confirming the dependencies that have been imported
as well.

187
Import From Other Lighting Control Systems (6.3)

Importing a show from another lighting system is easy, as long as it is saved in the Standard
ASCII Light Cues format.

Basically the easiest way to get the information into Congo is to

1. Open the play - any play in Standard ASCII Light Cues format (name.asc or
name.alq) can be opened directly.
2. Save the play as a normal Congo play.
3. Use the import Organizer in this chapter to import parts of these plays.

Check each system for specific conversion rules. The ASCII Light Cues format is quite old
and contains standard definition of simple play data like dimmer patch, cues for intensity
information, groups and submasters. More complex data, like moving light data and effects,
is not defined in the standard. Some control systems' ASCII files contain data not included in
the standard, some not. Congo can get differing amounts of data from these ASCII show
files. Systems with expanded capabilites are described below.

NOTE
Due to some difference in play structure some play data may not be
transferred.

Import from - ETC Express/Expression/Emphasis

Only ASCII light cue format is supported (files ending ".asc"). Export this using Expression
Offline or within Emphasis. See the Express(ion) and Emphasis manuals for more details.

Group keywords are now treated as real Groups and not as presets not in the
sequence.
Parameter Definitions are imported.
Templates are imported.
Devices are imported.
Support for translation of parameter values from channel levels (the Emphasis style)
to attribute parameters (the Congo style).

Import from - Strand

The following applies when opening a show with data from a Strand System. Strand ASCII
Light Cues files that ends with .alq can be opened directly.

Patch
Patch 1 is always used.

Submaster content
If a submaster contained attributes on the Strand system, the attributes are not transferred to
Congo, only the intensities.

188
 Palette references
In the Strand system, attribute information stored in groups can be used as palettes and
referred to in presets. Strand groups that are referenced from presets are converted to All
Palettes and a reference to the palette is stored in the Congo Preset.

Groups
Groups that are not referenced from other presets, are stored as Congo groups to avoid mix-
up with preset numbers. In Strand plays groups may contain attributes - this is not supported
in Congo.

Parts
Parts are translated to Channel Times. Strand consoles can store channels and values
overlapping in Part cues in a way so sometimes it isnt possible to translate this properly to
Channel Times. Strand consoles can store attribute information in the Parts. This is not
supported on the Congo side.

NOTE
Since a Congo Palette cannot store intensity values, a Strand group
that gets converted to an All Palette will lose its intensity information.

In the Strand system, intensities in a preset can also reference a

group. This is currently not supported in Congo. All such values will
be set to 99% to indicate that they have to be updated manually.

Import from - Avab VLC Safari (6.3)

Most data from a Safari VLC play 3.5 or higher in ASCII format can be imported into Congo.
See local manual for export instructions to this format.

Indexed parameter numbers (like Shutters) are remapped to new Congo parameter
numbers to preserve the corresponding data.
Palette references in sequences are handled.
Scroller Roll references in Palettes are handled.

These are ASCII Safari show file reading improvements in 6.3

Additional palette types (4 and 5) are merged into Beam palettes. Note: If there is a
corresponding Beam palette, its existing name will be kept. If there is no
corresponding beam palette, the VLC palette name will be used.
Sequences above 1 are read.
VLC Effects are translated to Chase Sequences with numbers offset by 10 (similar to
Presto import).

NOTE
Due to some difference in play structure some play data may not be
transferred.

189
Import from - Avab Expert

Expert plays can be read directly from a floppy drive or as ASCII plays from a USB, See local
manual for export instructions to this format.

The way Expert plays are read has changed completely to be able to read more data. Using
an external utility, the Expert binary file format is translated into ASCII Light Cues and
opened just like any other file.

Loading an Expert play is done from Browser >File >Open. When a diskette with an
Expert.pla file is detected, you get the option of converting it when you double click
on it.
An "Export to Expert" diskette command in the Browser allows you to export a
Congo play to Expert format.

NOTE
There are still some parts of the play that arent imported. More will
come.

There are five parts in an expert play (pla, eff, ren, gl & set). All five
are needed.

Import from - GrandMa

Congo can read GrandMA alq files. The tracking cues of GrandMA will be converted to full
cues.

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Export to Expert diskette
This option allows you to export the current play to a floppy disc in Avab Expert play format.

1. Connect an external floppy drive

2. Insert an empty floppy
3. Select Export to Expert diskette and press MODIFY

191
Default Play wizard (6.1)
The Default PlayWizard allows you to store various parts of your current show as a default
file. The data in the default file will be offered when you start with a New Play.

192
Print
You can print play data to pdf files, sorted in different ways and in
different formats. These files are copied to a USB memory and
printed from any standard computer.

Patch and Channel Database can be exported to a comma separated

text file, suitable for spreadsheet or database programs like Excel.

Channel Layouts are printed separately from the Channel Layout

editor.

1. Open the Printout Wizard (BROWSER >Files >Print...)

This popup will appear

2. Select what to print to pdf (or select Print to Text)

All
Sequences & Presets
Sequences
Presets
Groups
Palettes
Device List
Channel Database (only those with texts)
Channel List (only patched channels)
Output List (only patched outputs)

193
3. Choose if you want to include attributes or not.

4. Choose if you want to sort by Channel, by level or by difference.

5. Choose if you want to print All channels or just those that are changed (more compact).

6. Press EXECUTE to confirm, two things will happen:

The print file will be stored under the print node in a node called PRINTOUTS.
If a USB memory is inserted before pressing EXECUTE, the files will be copied to it,
in a folder called PRINTOUTS.

This popup will appear and show the name of the file consisting of the play name followed by
the name of the printout and the date and time stamp.

194
Copy Log files to USB
This function will copy the log files that are automatically stored in case of a program
termination to a USB memory so you can email them to ETC for analysis.

See Troubleshooting - Crashes & Bugs

195
Exit to System Settings
The System Settings is where you configure time, nationality, output,
network, protocols and software update/upgrade.

The Congo System Settings are opened from the Welcome Screen, or from the Browser
(Browser >Files >Exit To System Settings). If you start an offline system all of the options will
not be available, since they relate to the hardware of a console.

System Settings - General

System Settings - Com Port
System Settings - Protocols
System Settings - Universe Map
System Settings - Output
System Settings - Backup
System Settings - Network
System Settings - Monitor
System Settings - Update
System Settings - RFR
System Settings - Utilities

196
System Settings - General
These are the general System Settings.

System Name
This specifies the name this Congo console will use to identify itself on the network to other
devices. It is displayed at the top of each screen.

Time & Date

Set time and date for this system.

Preferred Language
Select a language with MODIFY and confirm with MODIFY.

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Preferred Help Language
Select a language with MODIFY and confirm with MODIFY.

Locale
This will change the way dates are entered, and the international keyboard setting.

Fileserver Patch
This is the default location to save show files. The full path must be typed in and specified in
a legal Windows format.

Example
D:\congo\backup (internal path/folder)
\\anders\playfolder (external server name/folder)
\\192.168.1.1\plays (external IPaddress/folder)

Inverse LCD
Inverts the colors for the Master and Direct Select LCD's in the console facepanel.

Channel Downgrade
Reduces the number of control channels in a system. Default is 1,024 channels, but this may
be increased to 3,072 on any Congo system.

Swap 0 & C
Swap the physical location of the numerical keypads 0 and C buttons (do so in the console
as well physically).

At Mode
Sets At Mode for the console. An indicator will show that it is active, in the status bar at the
bottom of all screens.

At Mode point style

This allows you to enter levels "5.5" for 55 and then ".6" for turning that into 56.

Auto Close Tab Mode

When this is checked you will close the previous tab when opening a new one, to keep the
number of tabs down.

Calibrate Touch Screens

You can calibrate ETC TouchKit or ELO touch screens here

198
System Settings - Com Port
This is used to set up the COM port(s) of your Congo Jr or Congo Light Server system. This
has to be defined if you are communicating to an external device through the serial port OR
if you are using an older TT Radio Remote.

Consult the manual of your device for the required settings of the serial port. Please observe
that you cannot use the same serial port for radio remote and trigger devices at the same
time.

199
System Settings - Protocols
This is where you activate different output protocols.

Net3/ACN
Net3 is the equivalent of ACN. The system name that is exposed on Net3 is Congo + the
system name.

There are two options:

ACN
This needs to be enabled if you have units with bi-directional communication, like for
example the Net3 I/O Gateway.
Priority: A Net3/ACN source can have a priority of 1-200. 200 is highest, and 1 is
lowest. This parameter decides the priority status of this system if there are multiple
sources (for example Congo and Unison). Sources with the same priority share on
an HTP level. If there are different priorities, the highest one will "win".

Streaming ACN
This is a broadcast protocol, like DMX over ethernet, designed to be simple. Check
this feature if you are using devices or nodes receiving streaming ACN. Priority is

200
 fetched from the setting above. In Offline mode, Streaming ACN is sent on priority 1.
Visualisation software such as Capture require sACN tor CITP.

ETCNet2
Activate if you are using any ETCNet2 nodes. The system name that is exposed on Net2 is
Congo + the system name.

ETCNet2
Priority: An ETCNet2 source can have a priority of 20-1. 1 is highest, and 20 is
lowest. This parameter decides the priority status of this system if there are multiple
sources (for example Congo and Unison). Sources with the same priority share on
an HTP level. If there are different priorities, the highest one will "win". See ETCNet2
documentation.

Server/Backup Use Same Priority

This setting inhibits the Congo Backup unit from activating at a higher priority than
the server. Normally, the backup will activate at a higher priority to ensure that the
system is being controlled by only one server. In some systems, however, control is
shared by the Congo server and other consoles or architectural lighting control in
such a way that having the backup jump a priority can cause unexpected behavior of
the system. In those systems, it may be desired to force the backup to activate at the
same priority as the server.

Other
Two other common third party protocols are ArtNet and AvabIPX.

ArtNet
- Check this feature if you are using devices or nodes receiving ArtNet.
Address: Choose network and IP address if more than one is available.

Avab IPX
- Check this feature if you are using devices or nodes receiving AVAB IPX. The
settings of the Logical Network will affect the AvabIPX settings. Visualisation
software such as WYSIWYG require Avab IPX to be ON.

UNIVERSE MAP
Opens the universe map tab.

201
System Settings - Universe Map (6.0)
Each server in a multiple server system requires a logical network of it's own. There are ten
networks, 0-9. In each of these networks you can set a name, and the EDMX, sACN and
Artnet mapping.

In a setup with several systems in the same network, such as for example a television
studio, you can assign names to the networks belonging to each studio.

202
When the system is started these names will appear in the top right corner of the Welcome
screen.

Use the up/down arrows to select and MODIFY to activate.

HINT
If you want to turn the protocol off for a specific universe, set it to zero.

203
System Settings - Output (6.4)
These are the settings for the DMX outputs of the consoles, and ethernet to visualizers.

Visualizer Link
Activates bi-directional communication with third party visualisation tools.

NOTE
When the software is started in Offline mode there is no DMX output.

DMX SETTINGS

Local DMX Output

Set the start output and output speed for the DMX outputs of the consoles. The main reason
for changing output speed is that you are controlling older equipment that isn't compatible
with full speed DMX.

Disable Local RDM (6.4)

This checkbox allows you to deactivate local RDM on the DMX ports of the console.

DMX Input mode

You can activate DMX input for one DMX universe (selectable) though an ETC node from an
EDMX or sACN universe and map it to a channel which will be the start channel for that
universe. When DMX input is activated, master playback 20 will act as a master for the DMX
input.
204
System Settings - Backup
These are settings mostly used in a Server/Backup situation, although some options may be
interesting in a single Server system as well.

BACKUP MODE
Sets start mode of your choice for this system.

Always Server
Always Backup
Server/Backup depends on startup order

ALWAYS START UP WITH SPECIFIC PLAY FILE

Select any play file to be auto-loaded at startup, skipping the startup screen. Suitable for
museum and event applications. You can also select the option "Use last saved file".

Auto-transfer play to Backup

When checked, the Server will always transfer its play to the Backup when a new play is
opened.

Bypass startup screen

Sets the system to boot directly into the lighting control software and load the last saved
show - without having to pass the Welcome screen. This was designed for backup systems
and Light Servers so that they can self-boot, and it may be desirable also for any situation
where the system settings are not needed at power-up.

205
System Settings - Network
These are specific network settings for Net3 services and IP settings.

Network Adapter
This will say Online if a network is detected, otherwise it will say Offline.

NET3 SERVICES
Net3 Services are a suite of services that provide infrastructure support for a Net3/ACN
network. Those services are a dynamic IP address server, a network time server and a file
server. Each of these services are described below. Unchecking this box acts to disable all
of the Net3 Services. Checking the box only enables services selected to be active.

206
Network Services
Clicking in the enable box will activate the Net3 settings for Address or Time Server, or TFTP
(file transfer for software distribution).

Address Service (DHCP)

Net3 Services uses a DHCP (Dynamic Host Configuration Protocol) address server. DHCP
is a TCP/IP protocol that dynamically assigns an IP address to a network device when it
requests one. This is a small and simple DHCP server that is intended to be used on non-
routed networks. It will not serve IP addresses across a router.

CAUTION: There should only be a single DHCP server active on a network. It is possible to
start more than one DHCP server on a single network (nothing is built-in to DHCP servers to
prevent this from happening). If this occurs, it will result in unstable conditions and possibly
result in network communications failures.

Clicking in the enable box will start the DHCP server in the Congo console. It will use the
settings below to determine which IP addresses it gives out.

Fist Address - This sets the starting IP address for the range of IP addresses that
the DHCP server will hand out.

Number of Addresses - This sets how many IP addresses the DHCP server will
give out. A setting of 500 means it will give out IP addresses to the first 500 devices
that ask for an IP address.

Subnet Mask - This sets the logical network size vs. the device address. ETCs
default is 255.255.000.000 (class B). This is the subnet mask that the DHCP server
will give to network devices.

Enable Routed Network - This specifies the IP address of a router if one is present
on your network. This is the gateway IP address that the DHCP server will send to
network devices to use. If you are on a flat or non-routed network, the Gateway
IP address should match the IP address of the device. In order to configure this
DHCP server to send out matching gateway IP addresses, configure this gateway
IP address to
match the First Address field. Then the DHCP server will give out a gateway IP
address that matches the IP address.

Learn Network Devices...

Makes a refresh of all ACN network devices.

Update Service (TFTP)

Clicking in the enable box will start the TFTP (Trivial File Transfer Protocol) server.

Update File Directory - This sets the directory where files are to be served through
TFTP. This must be
the full path to the directory, including drive letter. For example: C:\etc\nodesbin

Time Service (SNTP)

Clicking in the enable box will start the SNTP (Simple Network Time Protocol) service. You
determine if the service is running as a client (receiving time messages) or as a server
(sending time messages) during the installation process.

207
IP SETTINGS
These are the settings that determine the method to get an IP address and/or the actual IP
address information that Congo uses for network communication.

Preferred IP address
This tells Congo which network adapter it should use for communication with the lighting
system. In consoles and Light Servers, there is only one network adapter so the Automatic
(default) setting is fine. When Congo is run offline or on a Client PC, there may be more than
one network connection on that PC (such as on laptops with both wired and wireless
connections). In these cases you may need to tell Congo specifically which network
connection to use to communicate with the lighting system or a connected visualization
software application..

Use DHCP
Clicking in the enable box will set Congo to get its IP address dynamically from a DHCP
server. While the console is starting, it will ask for an IP address from a DHCP server. If one
responds, it will use the assigned IP address.

If no DHCP server is available, Congo will default to a self-generated link-local IP address in

the range of 169.254.x.y. The IP address used by Congo in this configuration may change
dynamically as needed. A change should typically only occur when there are changes to the
network configuration or to resolve an IP address conflict.

Enabling or disabling the DHCP setting will require you to reboot Congo for the new setting
to take effect.

IP address
o If DHCP is disabled, you set the Congo IP address here. This is a static IP
address and will remain set until changed by a user.
o If DHCP is enabled, this field will display the IP address that is being used
by the console (whether it is served via DHCP or a self-generated link-local
IP address).

Subnet mask
o If DHCP is disabled, you set the Congo subnet mask here. This is a static
setting and will remain set until changed by a user.
o If DHCP is enabled, this field will display the subnet mask that is being
used by the console (whether it is served via DHCP or a self-generated link-
local IP address).

208
 Gateway
o If DHCP is disabled, you set the Congo gateway IP address here. This is a
static gateway IP address and will remain set until changed by a user.
If DHCP is enabled, this field will display the gateway IP address that is
being used by the console (whether it is served via DHCP or a self-
generated link-local IP address).

Network Configuration Applications (6.0)

This is where you can configure your Net3 Gateways and ETC Networks. To be able to
configure nodes from the console NCE and/or GCE have to be installed.
Download the latest GCE from the ETC website, put it on a USB stick in the same folder as
Congo installers and install it in the same way as you update the Congo software.

Please check the corresponding manuals for these products.

209
System Settings - Monitor
System Settings - Monitor

Max physical monitors

Select the number of physical monitors you want to run your system with. If you are running
an offline version you can choose virtual screens.

Monitor 1
Check this enable box to change Placement (left/middle/right) or Mode (resolution).

Monitor 2
Check this enable box to change Placement (left/middle/right) or Mode (resolution).

210
Show Advanced Options
If you have a custom widescreen monitor with specific coordinates, you can use the
Advanced Options.

Identify
Click here to identify all monitors with a number.

Apply
Click here to apply the current monitor settings with a time-out option to return to the
previous settings.

211
System Settings - Update
You can update software, and upgrade the number of outputs your system supports.

To update the software you need a USB memory stick with the latest congo.exe file
from www.etcconnect.com that is inserted in a USB port before activating this tab.
To upgrade the outputs you need an upgrade code from your ETC retailer.

212
Update Software

In a Congo Jr or Server you will need a mouse to do this. In the big Congo you can use the
trackball.

Function Action Feedback

1. Download latest www.etcconnect.com Save the file "congo.exe"
software on a USB memory stick
2. Put USB in Congo -
3. Exit to Settings "Exit to System You will open the system
Settings" node in the settings.
browser
4. Go to Update click on Update
5. Select software in click on Software The Software Update
dropdown Update dropdown dropdown is activated.
6. Select INSTALL click on INSTALL
7. Confirm Update Follow the steps in You will get an
Software the installation installation wizard to
wizard confirm all steps.
End update Click on OK Reboots console, and
returns to the Welcome
screen showing updated
version.

213
System Settings - USB RFR
You can set HF (frequency) and Network ID (group) for each RFR remote. Simply make sure
they correspond to your remote settings. You can also update the firmware of your RFR
base unit and remote. For more information see Remote Control - RFR Radio Remote.

For the remote to work both base station and console need to be set to the same HF and
Network ID.

214
System Settings - Utilities (6.0)
These are some useful utilities for file handling.

FILE MANAGER
This opens a file manager utility for copying and/or moving files between Congo and a USB
memory or file server.

BACKUP SHOW ARCHIVE

Will copy all shows in the archive including backup plays to a USB memory.

215
VERIFY HARD DISK
Technical Services request that you do this as part of fault-finding. Select the appropriate
drive letter and click START..

BACKUP SETTINGS
Creates a backup of your console settings in case you need to reimage the system.

RESTORE SETTINGS
Allows you to restore settings from a backup.

216
Exit to Welcome Screen
Press MODIFY to exit to the Welcome Screen. From here you can start as Server, Backup or
Offline. You can open System Settings and Quit.

In the message box you will be notified

If there are Congos with different software versions running on the same network.
If the same sACN or Net2 universe is mapped to multiple Congo universes.

217
In the top right corner network and command syntax settings are shown when appropriate.

In the top left corner you will see if there are multiple user setups, for example for different tv-
studios.

218
Power Off (Quit)
Always shut down your system correctly with the Exit function
(BROWSER >File >Power Off). If your console has a softpower button
you can use that as well.
Function Key Feedback
1. Open the Browser [BROWSER] If it was already selected
it will be closed. Press
again to open.
2. Go to Files Down Arrow Files is highlighted
3. Open subnodes Right arrow Subnodes are opened
4. Select Power Off Down Arrow Power Off is highlighted
5. Confirm Power Off [MODIFY] You will get a popup
asking you to confirm,
and exit the system.
NOTE
The current play will be saved to a temporary file called
"SAVED.ASC". This file is loaded automatically the next time the
Congo is powered up.

Power Loss

ETC recommends use of an external UPS (Uninterruptible Power Supply) to ensure the
possibility to save your data and perform a proper shutdown of the Congo system in the
event of an external power loss. The console and the monitor with the Browser should be
connected to the UPS.

In early models of Congo with an internal UPS supply, on a power loss the screen
background turns orange. The internal battery of the power supply (UPS) will keep the
console running approximately two minutes, after which it makes a controlled shutdown
saving the Play.

NOTE
The current play will be saved to a temporary file called
"SAVED.ASC". This file is loaded automatically the next time the
Congo is powered up.

Always make sure to save a backup to an external media like a USB

device. It is your only protection against an internal hardware failure.

219
General Settings
The General Settings node contains all the settings for the play, the
console, networking, printing, dock areas etc.

General Settings Node

This chapter contains the following sections

Play Settings
Console Settings
Network
Print Wizard
Screens (5.0)
Dock Areas
User Login
Event List
Macro List

220
Play Settings
The Settings define default times and values, the behaviour of
recording functions, and attribute behaviour in faders during
playback.

This chapter contains the following sections

Play Settings - Introduction

Play Settings - Let's Begin
Play Settings - Channel
Play Settings - Crossfade
Play Settings - Master
Play Settings - Effects
Play Settings - System
Play Settings - Attribute
Play Settings - Show Control

221
Play Settings - Introduction
The system settings are opened with SETUP. You can also open a local settings popup for
any key by holding SETUP and pressing that key (for example GO or RECORD)

The system settings popup contains the following sections

LETS BEGIN >A summary of the most important settings.

CHANNELS >Configure default values and select Command Syntax.
CROSSFADE >Configure default times, fader modes and fade direction.
MASTERS >Configure Flash and fade on time and Auto-save master pages.
EFFECTS >Configure "Remember Effect Parameters".
SYSTEM >Configure Auto-save, rubberband, beep, remote etc.
ATTRIBUTES >Configure default times and recording modes.
MIDI (6.4) >Midi Settings
SHOW CONTROL (6.0) >Configure Midi, Show Control and Time Code.

222
Play Settings - Basic
The "Let's Begin" settings are a cross selection of settings from all tabs that are very
important to fill in before starting to work with a new show. See New.

223
Play Settings - Channels
Press SETUP and use the right/left arrows to select the Channel Settings tab.

Use the down arrow to select a cell.

Use MODIFY or # MODIFY to change values.

224
Channel Settings

The Channel Settings are general for all Channel Views.

Function Explanation Default

value
ID Level The level used by the ID function 100%
(hold CH and press @LEVEL)
Step Level The Level applied when 70%
pressing @LEVEL without any
value
Step % Value The Level applied when 5%
pressing the +/-% keys
Release Time Default release time for 3**
Captured channels
Slower level wheel Reduces the response speed of Off
response the level wheel
Use REM DIM as Sets the function of the REM Off***
Balance DIM key to BALANCE
Channel Database Texts Sets a text header for the -****
Channel Database texts

** See Channels - Capture Mode

***See Channels - Balance Mode
****See Channel Database

225
Play Settings - Crossfade
Press SETUP and use the right/left arrows to select the Crossfade Settings tab.

Use the down arrow to select a cell.

Use MODIFY or # MODIFY to change values.

226
Crossfade Settings

The Crossfade Settings are general for the Main Playback.

Timing settings

Function Explanation Default

value
Default GO Time The Time used by the GO key when no 5
times have been assigned to a
crossfade
Default Go Back Time The Time used by the GO BACK key 2
when pressed independent of any
ongoing fades.
Default Out/In Time Causes the specified time(s) to be
automatically recorded into all new
sequence steps, which will be used
instead of the Default GO time.

Playback mode settings

Function Explanation Default

value
Modify Sequence Deactivate all Auto-times, Master Links Off
and other Autostart items for all
Sequences.
Build Sequence Presets recorded in LIVE will On
automatically added into the Sequence
of the A/B Playback. They will always
be stored in the Preset List
Crossfade both ways Crossfaders make a crossfade both up Off
and down (instead of only up).
Set times to Times are set directly to the Sequence B
Step in the A field, or the B field
GOTO jumps to GOTO fades to Preset numbers, or Preset
Sequence Step numbers

227
Specific playback settings

Function Explanation Default

value
Disable PB Disables attributes from the faders of Off
Rubberband the Main Playback.
Always start Dynamics Sets Dynamics to start on Go Off
on Go regardless of other settings.
Don't loop Sequence At the end of a Sequence it will not Off
restart at step 1.
Don't advance Playback Crossfades will not advance any Off
sequence steps automatically.
Show sequence Display of Sequence Steps in the On
numbers Playback tab.
Designer dock shows Designer dock shows data from A or B A
data from
Alert Alarm Time The time at which the warning (yellow 5
and beep) will be issued before the
Alert time is finished.
Beep on Alert Audio Alert warning. On

228
Play Settings - Master
In v6 most settings for the masters have moved into individual Master Settings. These are
the global settings for the whole play.

Press SETUP and use the right/left arrows to select the Master Settings tab.

Use the down arrow to select a cell.

Use MODIFY to toggle a setting.

Master Settings

The Master Settings are general for the Master Playbacks.

Function Explanation Default

value
Auto-Update master Changes to a Master Page On
page are stored automatically.
Jam mode switch Sets Jam Mode for the switch Two Scene
controls masters
Exclude Int. from Excludes all master intensities Off
Record (6.1) from record actions in Live
Enable Flash key (6.1) Enables Flash mode to On
momentary (on) in all consoles
and wing panels with physical
flash keys.

229
Play Settings - Effects (6.1)
These are global effect settings for the whole play.

Press SETUP and use the right/left arrows to select the Effects Settings tab.

Use the down arrow to select "Remember Effect Parameters"

Use MODIFY to toggle on/off. The default value is on.

When this is set to "on" all effect parameters are stored and recalled when you shut down
the system, regardless if they are stored into palettes or presets or not.

230
Play Settings - System
Press SETUP and use the right/left arrows to select the System Settings tab.

Use the down arrow to select a cell.

Use MODIFY to toggle a setting.

System Settings

The System Settings are general for the behaviour of the console.

Function Explanation Default

value
Beep An audio "beep" warning when On
illegal commands are performed
AND when a crossfade is
completed
Remote Control Activate Radio remote focus On
units and remote trigger.
Auto-save on Record Saves the Play after each time Off
you press RECORD. Caution,
this can take some time with
large play files.
Auto-send play on Record Sends the play to the Backup Off
after each time you press
record.
Auto-stop Dynamics in PB Loading a new Sequence to the Off
Main Playback stops all running
Dynamics started from the
current Sequence.

231
Play Settings - Attribute
Press SETUP and use the right/left arrows to select the Attribute Settings tab.

Use the down arrow to select a cell.

Use MODIFY or # MODIFY to change values.

232
Attribute Settings (6.0)

The Attribute settings affect recording and control of moving device parameters.

Recording and control functions

Function Explanation Default

Sequence attribute Record attributes to move "live" Auto Mark*
playback default (GoOnGo), when the positions
are loaded for the next
Crossfade (GoInB) or Auto
Move.
Record Attribute mode There are different modes for Active
recording Attributes. See Device
Recording - Modes. See Attrib
Move in Sequence List -
Functions.
Attribute Editor default The default setting for entering Palette
values in the Attribute Editors:
Palettes or %.
Default Attribute time Sets a time for all moving device 3 seconds
changes during programming.
Time: Use % as default Times are set as % of the In- Off (seconds)
time of a crossfade, or in
seconds.
Coarse/Fine 16 bit When checked, holding down Off (8 bits)
control the Wheel Key gives 'fine'
control on the parameter wheel.
When unchecked, moving the
wheels slowly gives fine control.
See Device Templates - 16 bit
control.
Override scroller fan Override the fan of all patched 0%
value scrollers with fan control.
Sort devices by type Specifies if attribute views Off
(6.0) should be sorted by channel
number or by device type

*You can change this separately for each Sequence Step in the Sequences - Sequence
List.

233
Time settings

Function Explanation Default

F-Del A default delay time in seconds 0 seconds
or % (of the In time), used when
recording Preset with Attributes.
C-Del See above 0 seconds
B-Del See above 0 seconds
F-Time A default time in seconds or % 100%
(of the In time), used when
recording Preset with Attributes.
C-Time See above 100%
B-Time See above 100%

234
Play Settings - MIDI (6.4)
Press SETUP and use the right/left arrows to select the MIDI Settings tab.

Use the down arrow to select a cell.

Use MODIFY or # MODIFY to change values.

235
Standard MIDI (6.4)

All keys and faders can send notes and controllers when this is activated in the MIDI
Settings.You can use MIDI notes and controllers to remote control any key or fader of the
Console.The Congo can also be set to activate a specific crossfade when receiving a
Program Change command through MIDI. See MIDI.

Function Explanation Default

value
Direct mode Midi Direct Mode (6.4) On
MIDI Channel The MIDI channel used by 1
Congo
Keys All keys are sent as notes. Off
Faders All faders are sent as controllers. Off
Program Change Jumps to sequence step # -

MIDI Show control

Congo supports sending and receiving of MIDI Show Control (MSC) commands. See MIDI -
MIDI Show Control.

Function Explanation Default

value
Enable Activates reception of MSC. Off
Device ID Sets a Device ID for this Congo. 1

Time Code

Every sequence step can be triggered both manually, and by a specific MIDI Time Code time
on the MIDI port. See MIDI - Time Code.

Function Explanation Default

value
Time Code MIDI Times Code reception is Off
on.
Learn mode Activate learn mode for setting Off
Time Code to Sequence Steps.
Auto-locate step Sets if Time Code should auto- Off
locate steps or not.
Enable Backup clock Enables the backup clock Off
Internal clock start Sets a start time for the internal --.--.--.--
clock.

236
Direct Mode MIDI (6.4)

Direct Mode is designed to allow you to connect any MIDI equipment to Congo and be able
to make it work, providing it is sending the corresponding MIDI commands.

MIDI - Direct playback mode

Notes MIDI Start at End at Count

Channel< Number number

Master 1-20 1 0 19 20
Flash 1-20 1 20 39 20
Page+/Page-, block 1 1 40 41 2

Master 21-40 2 0 19 20
Flash 21-40 2 20 39 20
Page+/Page-, block 2 2 40 41 2

Master 41-60 3 0 19 20
Flash 41-60 3 20 39 20
Page+/Page-, block 3 3 40 41 2

Master 61-80 4 0 19 20
Flash 61-80 4 20 39 20
Page+/Page-, block 4 4 40 41 2

Direct Select 1-40 1 50 89 40

Direct Select Page 1-5 1 90 94 5

Independent 7-9 1 100 102 3

GO, Pause, GoBack 1 103 105 3

Refresh? 1 106 106 1

Controllers

Master 1-20 1 0 19 20
Master 21-40 2 0 19 20
Master 41-60 3 0 19 20
Master 61-80 4 0 19 20

Crossfade A, B 1 100 101 2

237
MIDI - Direct playback mode

Speed Control A, B 1 102 103 2

GrandMaster 1 104 1
Independent 1-6 1 110 115 6

ProgramChange

Page, block 1 1 0-127 128

Page, block 2 2 0-127 128
Page, block 3 3 0-127 128
Page, block 4 4 0-127 128

Jump in main playback 5 0-127 128

MSC

Extend to allow control of all

masters.

238
Play Settings - Show Control
Press SETUP and use the right/left arrows to select the Show Control Settings tab.

Use the down arrow to select a cell.

Use MODIFY or # MODIFY to change values.

Show Control Settings

The Show Control Settings are general for the system.

UDP Strings (6.2)

UDP (User Datagram Protocol) is a communications protocol where messages are

exchanged between computers in a network that uses the Internet Protocol (IP). See UDP
data.

239
In Congo UDP allows you to use the Ethernet network to:

Receive Congo specific Action Macros directly from another unit, without having to
first create a trigger and event.
Send any proprietary string of data to another unit that can receive commands over
UDP

Function Explanation Default

value
Input Port The Input Port Congo listens to 0
Output Port The Output port Congo sends to 0
Output IPs The Output IP(s) Congo sends 0
to, add multiple and separate
with semicolon ";".

OSC (6.3)

Open Sound Control (OSC) is a content format for messaging among computers, sound
synthesizers, and other multimedia devices. See OSC Functionality.

Function Explanation Default

value
Activate Activate OSC Off
Input Port The Input Port Congo listens to 8000
Output Port The Output port Congo sends to 7000
Output IPs The Output IP(s) Congo sends -
to, add multiple and separate
with semicolon ";".

240
Console Settings
The Console Settings are set from the node Console Settings in the Setup node of the
Browser. (Browser >Settings >Console Settings).

You can set the values from 0-100%. They will take effect immediately and are NOT related
to different play files.

241
Sound Settings (6.3)

The volume of the internal speaker is set by holding SETUP and moving the level Wheel.
You will see the result in the value next to the loudspeaker symbol in the top right corner of
the monitor screens.

This will take effect immediately and is NOT related to different play files.

You can also right-click on the speaker to open a context menu for setting sound levels (6.3).

242
Network
Congo has client/server networking with multiple operators. It is
possible to send and fetch a play between Server and Backup. There
is backup sync for running shows.

This chapter contains the following sections

Network - Introduction
Network - Functions
Server Commands
Backup Commands
Network nodes
Universe Map

243
Network - Introduction
A Congo network consists of a Server and a Backup, and/or Clients. A Server can have up
to ten Clients.

NOTE
Any Congo, Congo Jr, Congo Kid or Congo Light Server can be
started as Server, Backup or Client. A backup can only back
up within its channel and output limitations.

General Facts

A system can be setup to start as either Server, Backup or auto-detect.

Only the Server transmits output data
Plays can be transferred between Main and Backup system
There is a backup sync that can be activated from the Server

See System Settings - Networking.

244
Network - Functions
These are the general network functions.

This chapter contains the following sections

Network - Server/Backup
Network - Client
Network - Multiple Users

245
Network - Server/Backup
Backup consoles/Light Servers are used when it is imperative that control of the lighting
system be maintained in the event of a failure of the server. A Backup sends no data to the
lighting system until it has activated and taken over by converting to a server (either
manually or automatically due to loss of communication with a server).

It is possible to use a crossed cable with just two consoles. But if you are using Server and
Backup, you should use a Switch AND have a Net3 gateway (or similar) that is taking care of
the output of DMX. They can be connected as Server/Backup, or Server/Client. The client
can be used as a separate workstation in parallel with the Server, while the Backup is only
used for programming once converted to Server.

Server/Backup
The first system to boot will become the Server unless it has been set up differently.
See Network - Backup Setup.

NOTE
If two Servers are active on the same network for some reason, the
header bar at the top of all screens will show "Warning: Dual Servers
Online".

246
 A message is shown in the Message area (bottom of screens) on the Server system when
a Backup or Client is started. The system that is started as Backup now displays an
information message about this.

When the contact is lost between two linked Congos a message is shown in the Message
area (bottom of screens), and the Backup Congo is automatically converted to Server.

ETCNet2
You can connect to ETC nodes with a Switch (avoid routers, they tend to complicate things).
Congo consoles/Client PCs should be given IP addresses in the 10.101.201.101+ range
when used with ETCNet2. Please see the ETCNet2 v4 Planning Guide for information on
configuring an ETCNet2 network.

Network - Backup Setup

A system can be set up to start as Backup or Server regardless of the order in which the
systems are powered, or by detecting this order. There is also a setting for Auto-transferring
the current play to the Backup when both systems are powered up.

These settings are in the System Settings of the Welcome Screen .

1. Exit to the system settings if Congo is running (Browser >File node).

2. Open System Settings

3. Select Backup Setup at the bottom.

247
NOTE
If using fixed roles (always server or always backup) make sure that
both consoles are configured into a fixed role (one as server and one
as backup).!

When the Auto-transfer setting is checked in both Server and Backup, the following actions
will be performed each time you make a New, Open, Save or Save As command on the
Server:

Transfer play to the Backup.

Save play on the Backup.
Activate Sync mode.

You can also set the system to transfer the play automatically every time you record a
preset, in the Recording Setup. Hold SETUP and press RECORD.

248
Network - Client
You can use the ETC Net3 Remote Video Interface or a personal computer as a client. You
can connect a maximum of ten clients to a server. You need a dongle to run the software in
a personal computer as a Client to an existing Server.
See Net3 Remote Video Interface.

To log in as a Client, use the CLIENT key from the Login Screen of Congo. Once you are
logged in as Backup or Server you have to log out to log in as a Client again.

As soon as a Client is connected to a Server, a message is shown on all stations.

If the Server is stopped, clients will restart and present a modified welcome screen informing
about what happened, allowing you to restart. If the same Server is online you will be offered
to re-connect. If there is a new Server (if the Backup took over) you will be offered to connect
to this Server.

249
For the following commands use the CLIENT key of the console.

Action Keys Feedback

Toggle Clients on/off [CLIENT] Confirmation message at
bottom of screens.
Set permission modes [CLIENT] (held) As long as CLIENT is
held permissions can be
set with the direct
selects. Currently only
Full Access and View
Only Mode are available.
NOTE
Be careful when using the client since you are making changes
directly in the server. Don't try to work on the patch from the client. In
View Only Mode, you can change the play on the main console -
which you may not want to

250
Network - Multiple Users
In a Multi User setup there will always be a Server. You can connect up to ten clients to this
Server. Each client can access and work independently with the data of the Play in the
Server. Playback controls are shared (See Multiple Users - Global Functions).

This is a true client/server system. This means that all light output is calculated and output
from the Server at all times.

To set up a Multi User system it is important to do things in a specific order. It is also

important to structure the working method of the Users since they will all be sharing the
same system. A Backup can be connected to the Server - Note that it is not to be used as a
client - it is a Backup.

Patch First!
Start by patching the whole system, with devices and everything. See Patch. Basically you
can connect several clients directly after patching, to a Server, or Server/Backup system -
and each client can access the whole system in parallel with the other clients.

Option: Define Partitions

You can define Partitions that can be activated for different users. The Partitions can be
helpful to avoid one user affecting channels of another user. Make sure you do this BEFORE
activating Partitions or User Logins other than the default ones. See Partitions.

Option: Define Users

If necessary, define User Logins for different work stations. The User Logins may be of help
when different users try to access the Server - partly because there are personal settings,
and partly because Partitions can be set to default and automatically be activated when a
specific User logs in. See User Login.

Multiple Users - Global Functions

All Play data is Global and owned by the database of the Server. Also, all playback features
are Global, shared by all users.

NOTE
You are free to work independently blind from any client or the
Server at the same time.

When working Live you are sharing control spaces - as soon as

someone presses for example GO it will affect all systems. This is
something you have to synchronise on a human level - operator to
operator.

251
252
 Main and Master Playbacks
Playback functions are global and shared by all. This includes functions like GO, PAUSE and
REFRESH.

Highlight Mode
This is a global mode, both affecting and indicated on all screens on all stations.

Grand Master
The Grand Master is global. This means any user can control it for the whole system.

Freeze
The Freeze switch is global. This means any user can control it for the whole system.

B.O.
The Blackout switch is global. This means any user can control it for the whole system.

Independents
The Independents are global. This means any user can control them for the whole system.

Multiple Users - Local Functions

Basically everything is local except the global features described above. See Multiple Users -
Global Functions. There are some special cases:

Capture
Each user has its own Capture mode, but all captures channels are handled on a global
system level on a first come, first served basis. This means that if a channel can be
controlled from two clients or the Server, and one of them has Captured it - it is "owned" by
this client/Server until released.

Group Wheel Mode

Group Wheel mode is local for each client - just like all other channel control functions.

253
Server Commands
These are the general Server functions.

This chapter contains the following sections

Send Play
Fetch Play
Backup Sync
Force To Backup

Send Play

Play data is not replicated automatically - for security reasons. A play can only be sent from
Server to Backup. Always send or fetch the most current play before running a show.

1. Select the Browser by pressing BROWSER (if it was selected it will be closed, press again
to open).

2. Use the down and right arrow keys to open the NETWORK node.

3. Select Send Play and press MODIFY. You will get a confirmation message in the bottom
of the screens.

Once the Play is transferred you have the same Play information in both consoles. The Play
file name is transferred, and the playbacks in the receiving system will position to the same
steps as in the main system. If you make changes in either console, you have to transfer the
Play to update the other console. This guarantees that a programming crash in one system
won't bring down the other system.

NOTE
The Play is transferred, but not saved. You have to save it manually.

There is an Auto-transfer Play option in the Backup Settings. See

Network - Backup Commands.

Fetch Play

Play data is not replicated automatically - for security reasons. Always send or fetch the most
current play before running a show.

1. Select the Browser by pressing BROWSER (if it was selected it will be closed, press again
to open).

2. Use the down and right arrow keys to open the NETWORK node.
254
3. Select Fetch Play and press MODIFY. You will get a confirmation message in the bottom
of the screens.

Once the Play is transferred you have the same Play information in both consoles. The Play
file name is transferred, and the playbacks in the receiving system will position to the same
steps as in the main system. If you make changes in either console, you have to transfer the
Play to update the other console. This guarantees that a programming crash in one system
won't bring down the other system.

NOTE
The Play is transferred, but not saved. You have to save it manually.

There is an Auto-transfer Play option in the Backup Settings. See

Network - Backup Setup.

255
Backup Sync
The link between the two consoles is activated from the Network node of the Browser. This
can only be done from the Server .

The following things are synchronized

Loading new content into a Master.

Activating content from a Master with the Master key.
Changing the level of a Master fader.
Loading new content into the Main or Master Playback.
Starting a playback with the GO, GOTO, GO BACK and PAUSE keys. GO
commands include the current Sequence and position to make sure that the
playbacks are at the same position.
Jumping in the Sequence with SEQ+/- or # GOTO.
Activating a new Master Page.
Manual Crossfades: when starting a manual crossfade, a GO command is sent to
the backup system to make sure that crossfade-related things are started.

NOTE
There is an Auto-transfer Play option in the Backup Settings. See
Network - Backup Setup.

1. Select the Browser by pressing BROWSER (if it was selected it will be closed, press again
to open).

2. Use the down and right arrow keys to open the NETWORK node.

3. Select Backup Sync.

You will get a confirmation message in the bottom of the screens. Also, the background color
of the screens in the Backup System will change to a brighter color.

256
Force To Backup

Force To Backup is only used if there are two servers in a network, due to network dropouts.

1. Select the Browser by pressing BROWSER (if it was selected it will be closed, press again
to open).

2. Use the down and right arrow keys to open the Network >Server Commands >Force to
Backup.

3. Select Force to Backup and press MODIFY. You will get a confirmation message in the
bottom of the screens.

257
Backup Commands
These are the general Backup functions.

This chapter contains the following sections

Fetch Play
Convert To Server

Fetch Play

Play data is not replicated automatically - for security reasons. Always send or fetch the most
current play before running a show.

1. Select the Browser by pressing BROWSER (if it was selected it will be closed, press again
to open).

2. Use the down and right arrow keys to open the NETWORK node.

3. Select Fetch Play and press MODIFY. You will get a confirmation message in the bottom
of the screens.

Once the Play is transferred you have the same Play information in both consoles. The Play
file name is transferred, and the playbacks in the receiving system will position to the same
steps as in the main system. If you make changes in either console, you have to transfer the
Play to update the other console. This guarantees that a programming crash in one system
won't bring down the other system.

NOTE
The Play is transferred, but not saved. You have to save it manually.

There is an Auto-transfer Play option in the Backup Settings. See

Network - Backup Setup.

258
Convert To Server

The Server system is the system that transmits output. The Backup system will start doing so
when it is converted to Server. This will happen automatically in case of a crash. It can
be done manually at anytime too, but only from the Backup itself.

The top of each screen indicates if a system is running as Server or Backup.

Changing manually

1. Select the Browser by pressing BROWSER (if it was selected it will be closed, press again
to open).

2. Use the down and right arrow keys to open the NETWORK node.

3. Select Convert To Server and press MODIFY. You will get a confirmation message in the
bottom of the screens.

259
Network nodes
This node shows all Congo devices on the network, including the one you are working on,
which is indicated with a * before the name.

You can see the role, IP address and logical network in the Info area. See System Settings.

260
Find/configure CEM +
This opens an explorer window to discover CEM dimmers on the network.

See the manual for the CEM dimmers for more information.

261
Net3/ACN Device List
Lists all Net3 Devices in the network, and allows some editing. Congo servers and backups
will automatically connect to discovered CEM3s as it
does with CEM+s when it is configured to do so. Congo console will attempt re-connect
CEM3s when a network disconnect occurs as it does with CEM+s.

Press MODIFY to open the Net3/ACN Device List

HINTS (5.1)
RFR BaseStation and RFR Handheld devices are shown in the list.
RFR Host is shown as active.

262
Screens
There are 100 definable memories for all screens including zoom, channel format and split
tabs. They are stored in the Direct Selects, as Screens.

Action Console Feedback

1. Select Type [TYPE] & [SCREEN] When TYPE is held
you can press SCREEN
in your choice of Direct
Select Section.
2. Record the current [REDORD] & The current screen
screen settings (5.0) [Section_Key] settings are stored to
that key. A number will
appear over the key.

263
 When you press this key, all screens will change to the stored layout and format.

NOTE
In Congo Jr the four Direct Select keys to the left of the display also
work as TYPE keys for each section.

Screen Names

Open the screen list in the Browser >General Settings >Screens, to see and edit names.

Select the Text cell, press MODIFY and enter a text.

Load screen (6.0)

You can load a screen from the direct selects or from the Browser. To load from the Browser,
select the screen and press MODIFY or double click.

264
Delete Screens

Open the screen list in the Browser >General Settings >Screens, to see and delete screens.

Select a screen and press DELETE.

265
Dock Areas (6.1)
Congo is designed so windows never overlap. Instead there is a
concept of tabs that are opened in the middle of each screen, and
dock areas around them.

This chapter contains the following sections

Dock Areas - Introduction

Dock Areas - Functions
Designer Summary
Selected channels - Live dock
Time Code dock
Color dock

266
Dock Areas - Introduction
Dock areas are fast and flexible control and viewing panels that can be set up in the
top/bottom/left/right borders of each screen.

The left Browser dock and the bottom Effect dock are opened by default.

Once they are set up you can toggle the content by holding BROWSER and pressing
FORMAT.

The left/right docks can show

Browser
Masters
Independents
Effects
Selected channels - Live (6.0)

267
The top/bottom docks can show

Masters
Independents
Moving Lights
Console Mimic
Effects
Designer (6.0)
Selected channels - Live (6.0)
Time Code (6.0)

268
Dock Areas - Functions
The dock areas are easy to use once they are configured. Two dock areas are set up
default, the left (browser) and the bottom (effects) on screen 1.

You can toggle the contents of any selected dock area by holding BROWSER and pressing
FORMAT.

Configure Dock Areas (6.3)

A dock area has to be configured before you can use it.

< dock configure>

SETUP & BROWSER

Right-click on the background at the edge where the dock will reside. (6.3)
From the Browser >General Settings >Dock Areas (MODIFY)

SETUP & BROWSER

Configure new dock areas for the currently focused screen by holding SETUP and pressing
BROWSER.

NOTE
Docks are defined for each display on the Congo - so each monitor
can support 4 docks. To configure docks, first select a tab on the
screen you want to assign docks to, then press SETUP & BROWSER
to open the setup dialog.

It is possible to configure any type of area several times.

In Congo Sr it is not possible to open docks on the right side of

screen 1.

269
Right-click in the Dock Area of the screens (6.3)
Another way of opening and configuring dock areas is to right click in the dock areas of the
screens. This will work also in screens with no tabs. Please note that you actually click on th
dark edge of the frame in the upper and lower dock areas and on the background color in the
left and right areas.

NOTE
You can resize any open dock area either holding FORMAT and
moving the level wheel, OR just left-clicking and dragging with the
mouse or trackball.

270
Navigate Dock Areas (6.3)

Dock Areas can be opened with these key combinations or using a mouse.

Key functions

Function Key Feedback

Open/close the Browser [BROWSER] The Browser dock in
screen 1 is operated
directly with the Browser
key.
Open/close the right [BROWSER] & Right area is opened.
dock [Right_arrow]
Open/close the top dock [BROWSER] & Top area is opened.
[Up_arrow]
Open/close the bottom [BROWSER] & Bottom area is opened.
dock [Down_arrow]
Resize selected [BROWSER] & Wheel The selected dock area
is resized.

271
Mouse functions (6.3)

Right-click for context menu

Right-click on header to choose format
Double-click (left) on dock to open
Drag on divider line to resize

272
Console Mimic Dock
The Console Mimic dock gives you the user interface of the physical console.

Click on a button or fader to press or move. Pressed button is indicated with a yellow
background.
Hold CTRL and click on a button to "hold" it so you can press another button after.
Combine the Console Mimic and keyboard or console commands in any way.
Press FORMAT to toggle different console mimic formats
Hold FORMAT and use the Level Wheel to zoom.
Hold Browser (F10) and use the Level Wheel to resize the selected dock area.

NOTE
Important Limitation - because the mimics are within Congo, when
dialog boxes open on top of Congo all other Congo controls are
unavailable, including the mimic dock. For data entry and navigation
of dialogs, physical console keys, alpha keyboard/mouse or an
attached X-Keys panel must be used.

273
Designer Summary
The designer summary provides playback information at a glance that is intended to be
useful for the lighting designer.

There are three formats that can be toggled with the FORMAT key:

Selected (channels)
Main playback
Main playback & selected (channels)

Selected

The Selected view shows

Active palettes
Channel database texts
Dimmers address, curves and device address (single channels only)
The previous level
The current level
A command line view of the last key presses

Main Playback

The Main Playback format will show

Palette information for A or B depending on what is selected in the Crossfade

Settings, see Play Settings - Crossfade. The Palette section only shows palette info
for palettes that have been executed by the main playback, as part of the sequence.
The box to the left indicates with Red background in the playback info block that a
crossfade is running.
The number of Devices in the next fade
The total duration of the step in A or B, plus In/Out/Delay times for intensity and
Focus, Color, Beam.
Timecode in and the next timecode step.
Recording mode for moving devices
If times are set to A or B

274
Selected - Live dock
The selected - live dock provides a summary the currently selected channels and effect
playbacks in the Live tab. This is the only view that will show effect playbacks and channels
together.

275
Time Code dock
The Time Code dock provides a summary of the important time code features and
information.

To the right, use the screen buttons to select Internal or External time code source.

Enable BU (BackUp) clock will set the internal clock to take over if the external source is lost.

Console Time code Settings

LEARN activates learn mode. See MIDI - Time Code

Auto Locate activates auto location. See MIDI - Time Code

276
Color Dock (6.1)
The Color dock allows you to choose colors with a color picker. For most types of color-
mixing devices, the color gamut (possible colors) is indicated in the color picker.

Click on the color picker using a mouse or touch screen to choose a color. The small black
circle in the color picker indicates the current output of the selected channel.

The color picker does not work for devices with scrollers or fixed color wheels.

277
User List
User logins allow you to keep personal settings for Direct Selects, Screens and Notes, within
the same Play as other users.
See Direct Selects, and Notes.

It's also possible to connect Partitions to User Logins, which makes it possible to have a
User Login with a predefined set of channels that can be accessed by that user.
See Partitions.

You can view, edit and create new Users in the User List (Browser >General Settings >User
List).

User List - Columns

Function Key Feedback

User The ID of each Partition. Cannot
be changed.
Name [MODIFY] Press MODIFY to activate and
end text input. This text is shown
in the top of the screens.
Default Partition [MODIFY] Toggles the Default Partition
on/off. This is the partition that
will be activated when this User
logs in.
Allowed Partitions [MODIFY] Opens the User Partition
List where it is possible to toggle
the permission for each Partition
Yes/No *

278
 * Please note that the Default Partition has to be set to YES in the User Partition List as well
- this is done automatically.

NOTE
The default Users "Default" and "View" are defined to allow access to
the full system.

Create a User Login

User Logins are created in the User List.

1. Open the User List (BROWSER >General Settings >User List).

2. Press INSERT to create a new User.

3. Select the Name cell and press MODIFY to enter a text label.
4. Select Default Partition (press MODIFY in the Default Partition cell)

Allowed Partitions
When a new user is created, the Default Partition is set to ALL, and all Partitions are set as
Allowed. You can disallow Partitions for a User by pressing MODIFY in the Allowed
Partitions cell - opening the User Partition List.

279
Change User
User Login is activated from the command Change User in the Browser. If no User has
been logged in, the Default User will be logged in when a Play is opened.

1. Select the node Change User and press MODIFY (BROWSER >General Settings
>Change User). You will get a popup where you can choose from all defined Users.

2. The User is activated and indicated in the top left corner of all screens:

Any Partitions associated to this User will be activated. See Partitions.

NOTE
The last used login name will be remembered in each station and
used for the next startup.

280
Event List
An Event combines a Trigger with an Action Macro.

Action Macros are a powerful way of creating commands inside

Congo and to control external devices.

Triggers can start Congo commands from external inputs like the
COM port (unison macros for example).

This chapter contains the following sections

Event List - Introduction

Event List - Action Macros
Event List - Events

281
Event List - Introduction
An Event is a combination of a Trigger and an Action Macro. An Action Macro can be
defined also directly in the step of a Sequence.

Action Macro
An Action Macro consists of a string of characters forming a line of commands. These
commands can be used to trigger internal actions (Go, Pause etc) or external devices (DVD
players, computers etc) with serial & MIDI commands

Trigger
A Trigger is used only to trigger an Action Macro. This can be done from the local Com or
MIDI ports, Closure or through a Net3 node.

Event
An Event is created when a Trigger is combined with an Action Macro.

NOTE
The COM port of Congo has to be activated to receive Triggers. See
System Settings - Com Port.

282
Event List - Action Macros
An Action is a kind of Macro that consists of a string of characters forming a line of
commands. These commands can be internal (Congo) or external (COM port serial
communication with DVD player, computers etc). Action Macros can be entered directly in
the Sequence Action Macro column. Action Macros can be linked to Triggers in the Event
list.

In the Playback View Action Macros are shown with the"*" character or the word "Action
Macro" depending on format.

Action Macro Rules

The rules for all Action Macros are very strictly defined. There is no warning if your formatting
is wrong.

An Action Macro starts with an action type (for example COM, MIDI, GO, RELAY).
The commando is followed by a list of parameters, separated by commas.
Parameters in <> are optional.
Multiple commands can be entered in the same Action Macro, separated by a
semicolon ; character.

283
Congo Action Macros (6.2)

These are the available Congo Action Macros. Some have changed from over the
years. Please note that existing Action Macros using the changed commands will not be
converted automatically. They have to be manually updated to work as expected.

Remember the RULES.

Function Command Information

Master START START Mx Moves Master x to 'target'
<,target> <,time> percent in 'time' seconds
Master GO Go Mx <,preset> <,time> Mx,preset,time. If Preset is 0
or omitted, a simple GO
command is made,
otherwise a GOTO (preset)
is executed. If Time is set, it
will replace sequence timing.
Playback GO Go PB <,preset> <,time> As per Go Mx but in the
Main Playback.
Master PAUSE Pause Mx Pause fade on master.
Playback PAUSE Pause PB Pause fade on playback.
Run Macro # Macro x Executes macro x
Change Page # Page x<,y> Selects page x on bank y
(1=lower bank 1-20),
(2=upper bank 21-40).
Relay Status Relay Groupx Sets the status of relay 1-24,
,Relayx,ON/OFF in relay group #. Group 0 is
local to the console.
UDP String UDP <String> Sends an UDP string to the
(6.2) port and IP defined in
System Settings.

Examples

Go M3,100 (Master 3 GOTO Preset 100 in default time)

Go PB,1 (Goto Step 1 in the sequence of the Main Playback)

Relay 1 ,2 ,ON (Set relay 2 in group 1 to ON)

See also OSC Functionality

284
Serial COM data

In an Action Macro, this data is started with the word COM. Two parameters are used after
the COM type.

Group number (group 0 is the local console) followed by a comma.

The parameter values (hexadecimal or ASCII)

RULES

You can mix ASCII and hexadecimal values.

The data bytes are separated by a space character.
A hex byte is always written as two hexadecimal characters (like AE) followed by a
space.
An ASCII character is written as a single character followed by a space.
Carriage return is written 0D.
Line feed is written 0A.
Tab is written 09.

Examples

COM 1 ,ee 0e 00 00 40 M a c r o 1 . E X E C 00 00 (ETC Unison system example string)

COM 1 ,41 42 43 sends a serial string with three bytes (all values in hex)

COM 1 ,P L A Y 1 sends a serial string with the value PLAY1 (ASCII data)

COM 1 ,P L A Y 1 0D sends a serial string with the value PLAY1 followed by Carriage
Return.

MIDI Data

You can send an arbitrary data string on the console MIDI port, or through MIDI on a Net3
Gateway.

In an Action, this data is started with the word MIDI followed by port, comma and data.

RULES
When specifying data for a MIDI port trigger or Action, you enter the string with hexadecimal
values.

Group number (group 0 is the local console) followed by a comma.

The data bytes are separated by a space character.
A hex byte is always written as two hexadecimal characters (like 7E) followed by a
space.
Basically any type of MIDI message can be sent from an Action Macro. Note On,
Note Off, Program Change and System Exclusive (including Midi Show Control)
messages are most frequently used.

285
 Examples

MIDI 0, 90 24 40 sends a Note On message to the console output on Channel 1 for note 24
(36 in decimal) with a velocity of 40 (64 in decimal)

MIDI 1, 80 24 00 sends a Note Off message on group 1 in a Net3 Gateway on Channel 1 for
note 24.

More examples for the local console port

MIDI 0, F0 7F 01 02 01 01 F7 sends a Midi Show Control (System Exclusive) command: GO

MIDI 0, F0 7F 01 02 01 01 31 30 F7 sends a Midi Show Control (System Exclusive)

command: GOTO Cue 10

MIDI 0, C0 10 sends a Program Change message (on channel 1) for program 10 (16 in
decimal)

UDP data (6.2)

UDP (User Datagram Protocol) is a communications protocol where messages are

exchanged between computers in a network that uses the Internet Protocol (IP). UDP is an
alternative to the Transmission Control Protocol (TCP) and, together with IP, is sometimes
referred to as UDP/IP.

In Congo UDP allows you to use the Ethernet network to:

Receive Congo specific Action Macros directly from another unit, without having to
first create a trigger and event.
Send any proprietary string of data to another unit that can receive commands over
UDP

Receiving Action Macros over UDP

For Congo to receive Action Macros you need to set a receive port in the Play Settings -
Show Control (Browser >General Settings >Play Settings) and make sure that the incoming
Action Macro text strings are written by the rules for Congo Action Macros explained in that
chapter. An incoming Action Macro is processed the instant it is received.

Sending UDP Strings

For Congo to send Action Macros a send port and IP address have to be set up in the Play
Settings - Show Control (Browser >General Settings >Play Settings) and the the text string
you send needs to be written according to the specifications of the receiving device.

286
287
Event List - Events
To trigger an Action Macro from an external input an Event has to be created and a Trigger
has to be defined. This is done in the Event List.

For each type of trigger (input), an Event list needs to be created. This is to allow for future
expansion of both internal ports and network ports.

1. Open the Event List

Insert an item (INSERT) and define a Trigger (you can add a description).

2. Open the editor by pressing MODIFY in the first column.

Use INSERT to insert a new line. Define the Trigger and Action string using the
formats described in Actions & Events - Actions. You can add a description as well
(recommended)

Triggers for Events

An Event is a way to link a Trigger to an Action Macro. A Trigger can be serial

communication received on a COM or MIDI port of the console. Note that COM x,' and 'MIDI
x,' are not required in Triggers.

Local Com-port - See Serial COM data

Local MIDI-port - See MIDI and Serial MIDI data

Net3 I/O Node Com-port

288
 Net3 I/O Node Closure - You can specify the closure input (1-24) and if you want to
trigger on close of open state. Note: Closure input are using the analog inputs of the
physical node but has only two states, on and off.

Net3 I/O Node Analog - You can specify an analog input (1-24), a trigger value and
the direction.

Local Closure - You can define triggers and actions for the external trig inputs in the
same way as for Net3 I/O node closures.
If a trigger is defined for an input, the default action (Go, Pause, Go Back and Master
40) wont be carried out. See Connectors

Group Numbers
Using Group numbers, you can set up a system where Congo listens to several different I/O
nodes (or local ports) and reacts with different actions. Group 0 applies to local serial and
MIDI ports, Group 1-x applies to network ports and has to match the group configured in the
node.

289
Macro List
A Macro is basically a series of key presses and actions that are stored under a number for
random playback.

Macros can be recorded and played back in real time or fast.

Macros can be linked to a sequence or chase step.
Each Macro can have a text label.
Macros can not be edited.
There is an indication in the top right corner when a Macro is being played back.

The Macro List is opened by holding MODIFY and pressing MACRO. In the list it is possible
to toggle between real-time and fast playback - and set a text label.

Macros - Record & Playback

Macros are recorded with the LEARN MACRO soft key of the Misc Soft key page in the
consoles.

Record a Macro

1. Select the Misc Soft Key page.

2. Enter a number and press LEARN MACRO. As long as recording is going on the text
"Recording macro" is displayed in the top right corner of the screens.

3. Click on Recording Macro in the top right corner of the screens to end recording.

290
Playback a Macro

Enter the number and press MACRO. As long as the Macro is being played back the text
"Playing macro" is displayed in the top right corner of the screens.

291
Patching
Before you can control a channel or moving device, it needs to be
patched.

Patching Node

This chapter contains the following sections

Patch - Introduction
Patch - Output Editor
Patch - Patch Wizard
Patch - Device List
>Settings and Tools - Patching

292
Patch - Introduction
Patch is where outputs are assigned to channels, either directly in the case of dimmers or
using a Template in the case of devices. All settings pertaining to outputs, channels and
devices are also adjusted within the patch.

Before you can control a dimmer or device it has to be patched to a channel. When opening
a new play you can choose to set the Patch 1:1 or cleared. There are many ways to patch.
These are the available options.

Patch by channel or output

Depending on how you mount your rig you may want to patch by output (not knowing which
output is connected to which light) or by channel (having a plot). Both are done easily in the
Output Editor. See Patch by Channel/Dimmer.

To edit Channel scale factor, fade curve, park status or rename, see the Channel
List.
To edit Output scale factor, fade curve & park status, see the Output List.
To clear the patch see the Patch Wizard.

Patch multiple moving devices

Before you can patch a moving device, you need to import the template using the Import
Template Wizard. See Import Template Wizard.
Once a template is imported, you can adjust it and patch single or multiple devices using
either the Patch Wizard, or the Device List. See Patch Wizard. See Device List.

To adjust individual devices, such as inverting or swap pan/tilt. Scroller roll &
calibration. Change template, channel or address. See Device List.

Channel Database
The channel database allows you to tag each channel handle with up to four texts. These
texts will create auto-groups. See Channel Database.

293
Patch by Channel/Dimmer

The Output Editor gives access to the following actions.

View Outputs in different formats (All, patched, unpatched, selected)

Select by Output or by Channel.
Patch by Channel/Dimmer.
Expand information to show Device Parameter names
Levels are shown in 8 bits (0-255).
Changing Levels are shown with a blue background for going up, and green for
down.
Patch ranges or single channels/outputs directly.
Park status is showed as a dimmed Output symbol.
Next and Last can be used to step around within a selection of channels or outputs.
Move around by holding CH/ID and using arrows or wheel.

See Patch - Introduction

The Output Editor is opened from the Browser or with keys:

BROWSER >Patching >Patch by Channel/Dimmer

Hold MODIFY and press OUTPUT
Enter an output # and press OUTPUT

Output Editor - Formats

You can toggle between these formats by pressing FORMAT. The currently selected format
is indicated in the top right corner.

All outputs
Patched
Un-patched
Selected
294
There are color indications for most statuses:

Devices are marked in with a horizontal bar that show the involved outputs.
Levels are shown in 8 or 16 bits (depending on template).
Changing Levels are shown with a blue background for going up, and green for down.
Park status is showed as a dimmed Output symbol (214 in image).
Next and Last can be used to step around within a selection of channels or outputs (197-
199 in image).

295
Hold FORMAT and press down/up arrow to open/close detailed view showing parameter
names.

Hold FORMAT and move the level Wheel to zoom out/in. When you zoom out you will see all
available universes.

296
Output Editor - Patch By Channel

As soon as a channel is selected, the Output Editor is automatically in channel mode. Select
a single channel or a range of channels to patch to Outputs. Use 0 MODIFY to unpatch.

Patch a single channel

Action Key Feedback

1. Select channel [#] [CH/ID] Channel is selected.

2. Patch to output [#] [MODIFY] A popup will ask if you

want to replace existing
output(s)*
3. Confirm [MODIFY] Patch is complete.

Patch a channel range

Action Key Feedback

1. Select channel range Channel functions Channels are selected
2. Patch to output(s) [#] [MODIFY] A popup will ask if you
want to patch a range of
outputs starting at #
3. Confirm [MODIFY] Patch is complete.

297
Output Editor - Patch By Dimmer

As soon as an output is selected, the Output Editor is automatically in outputmode. Select a

single output or a range of outputs to patch to channels. Use 0 MODIFY to unpatch.

Patch a single output

Action Key Feedback

1. Select output [#] [OUTPUT] Output is selected. You
can use the format
output.universe.
2. Patch to channel [#] [MODIFY] A popup will ask if you
want to replace existing
channel*
3. Confirm [MODIFY] Patch is complete.

Patch an output range

Action Key Feedback

1. Select output range Output functions Outputs are selected
2. Patch to channel(s) [#] [MODIFY] A popup will ask if you
want to patch all to one
channel or as a range*.
Use 0 to unpatch
selected outputs.
3. Confirm [MODIFY] Patch is complete.

298
Output Editor - Dimmer Check Mode

Dimmer Check mode is a fast way to check the outputs consecutively.

1. Select first output with # OUTPUT

2. Set a level for checking with # @ LEVEL (a level is given between 0-255. 128 = 50%)

3. Press + or - to use this level and step to the next/previous Output. Levels that are higher
than zero are restored automatically as they are passed by.

4. Deselect the last output to leave channel check mode (0 OUTPUT). Or, simply set that
output to a level of 0% (0 @ LEVEL or use the wheel)

Output Editor - Channel Check Mode (6.1)

Channel Check mode is a fast way to check the channels consecutively in the output editor.

1. Select first output with # CH

2. Set a level for checking with # @ LEVEL (a level is given between 0-255. 128 = 50%)

3. Press + or - to use this level and step to the next/previous patched channel. Levels that
are higher than zero are restored automatically as they are passed by. Channels that are not
patched will not be lit.

4. Deselect the last channel to leave channel check mode (0 CH or C/ALT CH). Or, simply
set that channel to a level of 0% (0 @ LEVEL or use the wheel)

299
Import Template Wizard (6.2)
Before you can patch a moving device you need to import or create the corresponding
template.

To import from the libraries, use the Import Template Wizard in the Browser
(Browser >Patching > Import Template Wizard).
User templates from other Plays are imported with the Import Wizard. See Import
Wizard.
Custom templates can be created from scratch with the Templates Editor.

1. Open Import Template Wizard from Browser >Patching >Import Template Wizard

2. Select Library (standard or Extended - see NOTE below).

3. Select Manufacturer

4. Select Device/mode

Note that devices with calibrated color data are indicated with a (C) - this means they will be
possible to use with the Gel Picker and calibrated Color Picker even if they have more than
three color emitters (6.2)
300
The imported Template is added to the "Templates" node of the Browser >Patching.

NOTE
Standard or Extended Library?

There are two libraries of templates - standard (smaller) and extended

(larger) - both are accessed from the Import Template Wizard. We
recommend that you use the extended library if you cannot find the
fixture in the standard library

The standard library is the one that's been in Congo from the start.
All templates are hand-made. The Extended library is data we get
from the Carallon subscription service and is made by crunching a
lot of data. The templates are as good as Carallon (with some work
from ETC) can make them, but they have not all been tested with real
lights or adjusted by humans.

301
Patch Wizard
The Patch Wizard is opened from the Browser (Browser >Patching >Patch Wizard). See
Navigating - Browser.

There are three sections

Patch Dimmer - patch one, or a range of dimmers

Patch Device - patch one, or a range of devices
Set/Clear - clear or reset a range/all outputs, devices or renaming.

Patch Dimmer(s)

Enter the number of dimmers, the desk channel, DMX address and universe. If you check
Replace existing dimmers, these will be unpatched automatically.

302
Patch Device(s)

Select a template from the list, or open the Import Template Wizard. See Import Template
Wizard. Importing a template will add it to the list in this dropdown.

Enter the number of devices, desk channel, DMX address and universe. When the device
type and number of devices are specified the required block of outputs is indicated in italic
over the DMX Address (see image). The first free DMX address and output offset is
suggested too.

If you check Replace existing dimmers (default), they will be unpatched automatically. If you
are patching scrollers, you can select a scroller roll. You can assign a scroller roll later as
well, from the device settings list.

Output Offset allows you to set an offset from the first attribute of each moving device to
achieve a specific numbering for the start addresses.

NOTE
Patched devices are automatically set to default values.
See Home Positioning.
NOTE
As soon as a moving device is patched, the channel symbol in the
channel views will get an extra field for moving device information.

303
Clear/reset patch or rename

You can reset (1:1) or clear the dimmer patch, the moving device patch, or the renaming
system for any channel range from # to #. If you check "Apply To All" you don't need to
specify a range. Unpatch All clears channel, device and name patch.

These are the options in the Clear wizard tab

See Renaming Channels

NOTE
Checking Apply To All clears everything up to the total system limits
regardless of any prior downgrade of channels/outputs.

304
Device List
You can view and edit moving device settings in the Device List (BROWSER >Patching
>Device List). There is a shortcut to open it: hold MODIFY and press DEVICE.

See Introduction To Patching

305
Device Settings - Columns & Functions

Column Input Function

Item No input The number of this item - cannot be
edited here.
Channel 0-3072 The number of the desk channel this
device is assigned to.
Template Dropdown Shows the device template - dropdown
menu to change. Use the Import Template
Wizard to import templates.
Device Address #.# Shows the device address - change by
address.universe. You can
change universe by ".universe"
Inv. Pan Off/On You can invert pan for this device on the
input (manual control) or output (stored
data) (6.0)
Inv. Tilt Off/On You can invert tilt for this device on the
input (manual control) or output (stored
data) (6.0)
Swap Pan/Tilt Off/On Swap pan/tilt for this device.
Scroller Roll Dropdown Shows the assigned scroller roll -
menu dropdown to change. See Scroller Rolls.
Calibration Editor [MODIFY] Press MODIFY to open the Calibration
Editor for a specific scroller roll. See
Calibrate Individual Scroller Rolls.

306
Device Settings - Patching (6.1)

It is possible to Patch devices directly into the Device Settings tab. You can use any channel
selection to patch fast.

Function Key Feedback

Insert a new [#] [INSERT] A new Device is inserted.
Device
Delete the [DELETE] The selected Device is deleted.
selected Device You can only delete one device
at a time.
Insert the current [INSERT] The current channel selection is
channel selection inserted as Devices.
as devices
Change template [SELECT] Use SELECT to select multiple
for multiple cells. Select a new template
devices from the dropdown and press
MODIFY *
Change address [SELECT] Use SELECT to select multiple
for multiple cells. Enter a start address and
devices press MODIFY.
Unpatch a device [0] [MODIFY] In the Adress cell you can
(6.1) unpatch the currently selected
devices by entering 0.

*If a template isn't available, use the Import Template Wizard to import it. See Import
Template Wizard.

307
Edit/Change a Device

You can exchange one moving device with another in the Device List. All parameters that
are similar will continue functioning.

Function Where Explanation

Change Device Type* Device Settings, Press MODIFY to get a
Template column dropdown with all
templates. Select a new
device template.
Change Device Address Device Settings, Enter a new device
Device Address address with
column address.universe. You
can change universe
only by ".universe"
Change Device Channel Device Settings, Enter a new device
Device Channel channel.
column
Delete Device Device Settings Press DELETE in any
row.

* All play information that can be read by the replacement device template will be used. You
can swap back to the first device at anytime later. This is useful if you have to replace one
type/brand of Moving Device with another.

308
>Settings and Tools - Patching
These are the settings and tools for Patching.

This chapter contains the following sections

Channel List
Output List
Parked
Templates
Parameter Definitions
Dimmer Curve List

309
Channel List
You can view and edit dimmer outputs, scaling and constant ch level in the Channel List
(BROWSER >Patching >Settings & Tools >Channel List). There is a shortcut to open it: hold
MODIFY and press CH.

See Patch - Introduction for more information.

NOTE
When a step is selected, the corresponding channel and output are
selected in the Live and Output Editor tabs

310
Channel List - Columns & Functions

Column Input Function

Channel No input The number of this Channel - cannot be
edited here (see Output List).
Dimmer Address #.# Enter the address, followed by decimal
point and then DMX universe. You can
change the universe by entering ".#"
Dimmer Address [MODIFY] Opens an Output Editor for adding
multiple outputs or editing.
Device No input Shows the device template - cannot be
edited here (see Device Settings).
Device Address #.# Enter the address, followed by decimal
point and then DMX universe. You can
change the universe by entering ".#"
(see Device Settings).
Scale 0-200% Sets the scaling factor for the intensity
of this channel.
Park 0-100% Shows the level a channel is parked at.
Set a level with # MODIFY and remove
with C & MODIFY. See Park.
Name 0-6144 Enter the number and press MODIFY to
change a channel name (see Renaming
Channels).

311
Channel List - Select & Patch Channels (6.3)

It is possible to select and patch channels to outputs directly with a Command Syntax in this
list (this does not work in At Mode).

Function Key Feedback

Select a channel [#] [CH/ID] The channel is selected in the
list and in the Live tab.
Add a channel to [#] [+] The channel is added to the
this selection current selection.
Add a range of [#] [THRU] The channel range is added to
channels to this the current selection.
selection
Patch a range of [#] [MODIFY] The output range is patched to
outputs to this the current selection. A popup
selection will warn if outputs are in use
already. Once the current
channel is patched the next
channel is auto-selected so you
can continue entering #
MODIFY, # MODIFY... to
continue patching. (6.3)

312
Patch - Rename Channels
You can change the number used to access your instruments, without altering your Patch.
This is useful when you want to keep your addresses and dimmer assignments as they are,
but you want to change the numbering to fit the numbering of a Plot. Renaming is done in
the Name column of the Channel List (BROWSER >Patching >Channel List)

Change a channel name

Function Key Feedback

Change name [#] [MODIFY] Enter a new name and
press MODIFY. If the
name exists you will get a
warning message about
this.
Change names [#] [MODIFY] Select several cells, enter
a start name and press
MODIFY.
Remove selected channel(s) [0] [MODIFY] If a Name is set to zero,
from all channel views the channel will disappear
from all channel views and
cannot be accessed until
given a name.*
Clear all channel names Patch Wizard All Channel Renames can
be cleared from the Patch
Wizard.
Set names 1:1 Patch Wizard The Rename function can
be reset from the Patch
Wizard.

*It will not disappear from Channel Layouts.

313
 Output List

You can view and edit desk channel, scaling and curve for outputs in the Output List
(BROWSER >Patching >Output List >Universe #).

See Patch - Introduction

NOTE
The Output List is divided into DMX universes. Open each from the
Browser >Patching >Output List >Universe #

Output List - Columns & Functions

Column Input Function

Output (EDMX)* No input The number of this Output (and EDMX)
- cannot be edited here.
Channel 0-3072 Enter the number, followed by MODIFY.
Proportion 0-100% Sets a proportional scaling factor for the
intensity of this output (channels can be
scaled in the Channel List).
Curve dropdown Shows the output curve. See Dimmer
Curves.
Device Info No Input Shows the moving device template and
parameter assigned to this output.
Cannot be edited - see Device Settings.
Park 0-100% Shows the level an output is parked at.
Set a level with # MODIFY and remove
with C & MODIFY. See Park.

*Output Lists show EDMX numbers in ( ) after the offset.port numbers in the first column.
This is a direct translation of EDMX values calculated using the EDMX Start value in the
Settings dialog (Congo output 1.1 = the EDMX Start number, and all subsequent outputs are
calculated from there).

314
Output List - Select & Patch Outputs

It is possible to select outputs directly with a Command Syntax in this list (only in RPN
mode).

Function Key Feedback

Select output [#] [OUTPUT] The output is selected in the list
and in the Live tab.
Add output [#] [+] The output is added to the
current selection.
Add a range [#] [THRU] The output range is added to the
current selection.
Patch to channel [#] [MODIFY] The output selection is patched
to channel #.

315
Parked
When an output or attribute is parked it will remain fixed at the parked value regardless of all
other functionality.

316
Park - Parked Items List
The Parked Items list shows all parked channels, intensities and attributes.
Individual items can be unparked by selecting the appropriate row and pressing [DELETE].
See Parked.

317
Templates
A Template maps the functions of a Moving Device to the moving
light controls of Congo This chapter is about creating and editing
Templates.

This chapter contains the following sections

Templates - Introduction
Templates - List
Templates - Editor
Templates - Create
Templates - Type LTP or HTP
Templates - Type 8/16 Bit Control
Templates - Snap Or Fade
Templates - Ranges
Templates - Mode Tables
Templates - Fade With Intensity
Templates - Scroller Rolls
Templates - Import Template Wizard

318
Templates - Introduction
A template maps the attributes of a moving Device to the controls and functions of Congo.
Most common devices and scrollers already have templates in the library, ready to use.

General Facts

Templates can be edited or created at any time.

Templates are stored to and imported from Plays.
Change a Template during a show and all similar parameters will continue
functioning.
Table ranges can be set to control modes in devices such as the x.Spot from High
End.
Color mix can follow intensity to dim mixing devices such as the Nesys Quadra.
Trim the 16bit resolution to finetune control of 16bit parameters.
Extensive scroller handling with roll libraries and individual calibration per unit.
Assign any device parameter to a Master and store in a Master Page.

319
Templates - List
The Template Lists are opened from the Browser (Browser >Patching >Settings and Tools
>Templates).

Template List - Columns & Functions

Function Key Feedback

Template [MODIFY] The ID of each Template. Press
MODIFY to open the Editor
Text [MODIFY] Press MODIFY to activate and end text
input.
Parameters [MODIFY] The number of DMX channels it uses.
Press MODIFY to open the Editor.
Comment [MODIFY] Press MODIFY to activate and end text
input.
Time Stamp Date and time
Import Wizard [WIZARD] Opens the Import Template Wizard.

320
Templates - Editor
The Template Editor is opened from the Item or Parameter cell in the Template List (Browser
>Patching >Templates). Open an existing one directly in this node as well (Browser
>Patching >Templates >xxxx).

321
Template Editor - Columns & Functions

Press INSERT to insert a new Parameter. These are the functions in the columns.

Function Key Feedback

Parameter [MODIFY] Opens a dropdown. Select
parameter.
DMX [#] [MODIFY] Set DMX offset (1-256).

Type [MODIFY] Set HTP (intensity) or LTP 8/16bits.

Default [MODIFY] The default value that is used when

patched, and by HOME ATTRIB.
Highlight [MODIFY] The value used in Highlight mode.

Snap [MODIFY] Set Snap or Fade.

Invert [MODIFY] Invert the values of a parameter.

Ranges [MODIFY] Opens the Range Editor for

subranges such as gobo positions.
Tables [MODIFY] Opens the Table Editor for table
functions.
Low DMX [#] [MODIFY] Set the low resolution DMX offset for
16 bit parameters
Fine Step [MODIFY] See 16 Bit Control - Fine Step

Fade with int [MODIFY] The parameter will follow the

intensity of this Device.

322
Templates - Create
1. Open the Template List from the Browser (Browser >Patching >Templates)

2. Go to the end of the list and press INSERT to select a new Template.

3. Enter a name in the text column (press MODIFY to activate and MODIFY to store).

4. Press MODIFY in the first column. This will open the Template Editor, which will be empty.

5. Use INSERT to create as many steps as the Moving Device has control channels.

6. Edit the columns for each step to fit the specification of the Moving Device.

323
Templates - Type LTP or HTP
Each parameter in a Template can be set to LTP (Latest Takes Precedence) or HTP
(Highest Takes Precedence).

HTP8 is used for intensity parameters

LTP8 is used for 8 bit parameters
LTP16 is used for 16 bit parameters*

This is set in the Template Editor.

See Device Templates - Editor.

*Observe that the DMX offset of a parameter has to be incremented by 2, if the previous
parameter is set to 16-bit resolution.
See Device Templates - 16 bit Control

324
Templates - Type 8/16 bit control
Some Devices have parameters that require 16 bit control. Usually this is Pan or Tilt. This is
set in Type cell of the Template Editor.

LTP 8 bit - normal 8 bit control

LTP 16 bit - 16 bit control

16 Bit Control And Wheel Behaviour

The functionality of "Coarse/Fine 16 bit control" is set in the Attribute Setup. Hold SETUP
and press ATTRIB.

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 On = The wheel controls the Coarse part of the16- bit value. Hold the wheel key
down and move the wheel to control the Fine part of the 16-bit value.
Off (default) = The wheel will control Coarse when moved fast, and Fine when
moved slowly.

16 Bit Control - Fine Step

Devices with 16 bit control rarely use all 16 bits. Therefore it is possible to fine tune the
resolution of this parameter in the cell Fine Step in the Template Editor.

Full 16 bit control, which few Devices use (generally Media Servers, for example Catalyst)
require this value to be set to 1 (default = 4).

326
Templates - Snap or Fade
Snap or Fade is defined in the Template Editor.

When set to Snap (checked) it will not be affected by times. It will move at the beginning of
each repositioning.

When Snap is Off (unchecked) - the parameter will fade on times. See Devices - Times.

Press modify in the Parameter cell to toggle On/Off.

327
Templates - Ranges
The Template Range Editor makes it possible to define (and edit) ranges, subranges and
positions (for colors, gobos etc) in Templates.

This editor is opened by pressing MODIFY in the Range column of the Template Editor.

There is a Range Wizard to create ranges. See Template Range Wizard.

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Template Range Editor - Columns

Function Value Feedback

Min 0-255 This is the start value for a sub range*. The
same value for Min and Max will be treated like
a position (for a color or gobo for example).
The Min value can be entered in the Min%
column as well.
Max 0-255 This is the end value for a sub range*. The
Max value can be entered in the Max% column
as well.
Min% 0-100 The Min value can be entered as % here
instead of bits (0-255) in Min.
Max% 0-100 The Max value can be entered as % here
instead of bits (0-255) in Max.
Text This text is displayed in all editors, and in with
the Parameter Wheels.
Centered On/Off When On, selecting a range will set the output
to the middle of the given range. Parameter
values are displayed relative to this centre
position with +/- steps.

This can useful for speed, rotation or index

parameters for wheels, with a stop position in
the middle.

*Values between positions (start=stop) cannot be set with the wheel, unless they are
specified as subranges.

Template Range Wizard

Press WIZARD in the Template Range Editor. This Wizard simplifies entering a number of
evenly spread ranges, for example frames, between 0-255. This is useful to create positions
for a scroller, or a gobo/color wheel.

1. Open the Template Range Editor. See Device Template - Ranges.

2. Press WIZARD.

329
3. Enter the number of ranges you wish to create and press MODIFY.

4. Step to Centered and Snap Positions with arrow keys. Use MODIFY to toggle.

Centered = The middle value of a range is always output when selected

Snap Positions = Fixed positions (Start = Stop)

5. Select EXECUTE and press MODIFY (previously existing ranges will be overwritten).

330
Templates - Mode Tables
Range Tables make it possible to control multiple mode devices such as, for example, the
High End x.Spot.

A set of ranges are defined for a parameter.

The Table defines which range is used for one parameter based upon the Range
setting of another parameter.

In the High End x.Spot there are Mode parameters (color mode) that affect the function of
another parameter (color wheel). When a mode is set by selecting a Range on one function,
the corresponding Table Range will be assigned to the other parameter.

If there are both Range Tables and Ranges defined for a parameter, the Range Table will be
used if there is a corresponding range, otherwise the normal Ranges will be used.

Define A Range Table

1. Define the ranges for the different "modes" of the Device. See Device Templates -
Ranges.

2. Define Range Tables for these modes in the corresponding function parameter. Start by
opening the Range Table editor by pressing MODIFY in the Tables column of the Template
Editor.

331
3. Use INSERT* to create a Range Tables. These are the options.

Function Key Feedback

Parameter [MODIFY] Opens a dropdown. Select the mode
parameter that activates this Range
Table.
Range [MODIFY] Opens a dropdown. Select the range
position in the mode parameter that
activates this Range Table.
Ranges [MODIFY] Opens the Range Editor for defining
these ranges.

*When you make INSERT for additional Range Tables, the parameter will be copied from the
first defined Range Table.

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Templates - Fade With Intensity
Fade with Intensity can be set in the Template Editor.

When On, the parameter will be scaled through the intensity channel of the device. Also, the
types of fixtures where color = intensity will be able to be controlled by the Grand Master and
Black Out key when set up with an Intensity parameter.

This is useful for controlling a softlight or LED fixture with color mix coming from colored
fluorescents, that also are light sources. It makes it possible to mix a color and fade the
intensity of the result without changing the Hue (color mix result).

333
Parameter Definitions
Parameter types are defined in the first cell or the Template Editor.

Each parameter is used differently. For example, Pan and Tilt automatically belong to Focus
Palettes, and are mapped to the trackball in Parameter mode.

Press MODIFY in the Parameter cell to open the dropdown. Select with arrow keys (or use
the first letter from the keyboard) and press MODIFY to confirm.

The Parameters are picked from the Parameter Definition Editor. Parameters can be added
to this list if necessary. See Parameter Definition Editor.

Parameter Definition Editor

The complete Parameter Definition Editor contains all to this point known parameters.

334
Function Description
Parameter Parameter ID - cannot be changed.
Name The name is used for controlling the parameter.
WARNING - Changing an existing name
could alter the complete functionality of all
Templates
Palette The Group defines which Palette and parameter
group a parameter will belong to*

*Palette and parameter Groups

Group Description
INT All intensities belong to INT.
FOCUS Focus parameters
COLOR Color parameters
BEAM Beam parameters
AUX 1 Control parameters
AUX 2 Control parameters

335
Dimmer Curve List
A set of default Curves can be assigned to dimmers in the Output Setup. It is also possible to
create user specific dimmer curves.

When you open a new show (4.1) some default curves are loaded (contained in the file
CURVES.DEF).

Patch - Dimmer Curve Editor

It is possible to create any kind of curve in the Dimmer Curve Editor.

Action Key Feedback

1. Open the Dimmer Browser >Patching The Dimmer Curve List
Curve List >Dimmer Curve List is opened.
2. Insert a New Curve [INSERT] A new curve is inserted.
You can name it in the
Text cell.
3. Open the Dimmer [MODIFY] Press MODIFY in the
Curve Editor Dimmer Curve cell to
open the editor.

336
Dimmer Curve Editor (example: Off/On Curve)

Action Key Feedback

4. Insert a position [INSERT] A position is inserted.
You can set percent,
Output and if this step
should use interpolation
to the next step.

INTERPOLATION
When Interpolation is ON the values to this point will be calculated smoothly from the
previous point. When Interpolation is OFF the value will be jumped to at this level.

NOTE
If a curve does not have a 0% and 100% rows, it will default to
0% = 0 output and 100% = 100 output

337
Main Show Data
The main show data is what you generate when you start recording.
All data are under this node of the Browser, except effects, which
have a node of their own.

Main Show Data Node

This chapter contains the following sections

Groups
Presets
Sequences
Playlist
Groups/Palettes overview
>Settings & Tools - Main Show Data

338
Organizer (1 tab) (6.3)
The Organizer tab allows you to view, edit and restructure all data in your show in one tab,
The Organizer can be opened with focus on a specific type of data or with all show data
visible at once.

There are three ways to open it

Open from the Browser> Main Show Data> Organizer (1 tab)

Press LOAD to open in any tab or spreadsheet cell (except from Browser)
From a context menu in any List (SELECT SELECT)

Most things in the Organizer can be edited.

There are two main working methods in the Organizer

Drag and drop with mouse

Context Menus (SELECT SELECT)

You can press TRACK for items like presets, groups, palettes to track use in the current
Play.

339
Opening Focused Organizer Tabs (6.3)

You can open an organizer tab with only one type of object focused by holding LOAD and
pressing one of the following keys.

PRESET
GROUP
SEQUENCE
FOCUS
COLOR
BEAM
PALETTE

Example of organizer focused on presets

340
Execute from the Organizer (6.3)

In the Organizer there is a function that allows you to execute (play back) Sequence Steps,
Groups and Presets in the Live field directly.

Right-click on the appropriate object to open the context menu and select Execute.

Drag and Drop in the Organizer (6.3)

You can click, hold and drag items in the Organizer from one place to another. See
Sequence - Drag and Drop .

Here are some examples of items that can be copied or moved by dragging and dropping:

Sequences
Sequence steps
Channel Times
Device Links
Master Links
Action Macros
Presets
Groups
Palettes
Templates
341
 Patch
Devices
Effects
Master Pages
Scroller Rolls
Channel Layouts

If you drag and drop an item on top of a similar item, for example a Sequence Step, you get
the option of creating a copy of this item or moving it.

342
There is also an advanced tab where you can choose if you want to create an extra step, an
extra preset, before or after or replacing the step you dropped it on.

343
Organizer (2 tabs) (6.3)
This is the same organizer as the 1 tab organizer, with the option of being able to move
items between two windows, to make work simpler.

See Organizer (1 tab).

344
Groups
Groups are a way of recalling a channel selection with a single
number. They are often used to speed up programming.

This chapter contains the following sections

Groups - Introduction
Groups - Record
Groups - Select Channels
Groups - Fetch Intensities
Groups - List
Groups - Display List
Groups - Load To Playbacks

345
Groups - Introduction
Groups are used mainly for selecting lights, but may also be assigned to masters where they
function like traditional intensity submasters. You can store channel combinations into
groups. The difference between a group and a Preset is that a group does not necessarily
need levels for the channels involved, only the channels selected are stored regardless of
how many other channels are active. Groups also do not contain moving light attributes.

Example: channels and levels are stored in groups, under a single number and name.

For editing groups see Group List Functions.

Groups are accessible from the remotes. See Remote Control.

Group functionality

Only selected channels are stored in a group.

Each group will "remember" the order in which channels were selected to create the
group.
Groups are not automatically inserted into the Sequence in the Main Playback.
Each group can have a text label.
A group can be selected in the same way as a single channel
A group can be loaded to a Master or a channel layout.

346
Record a Group (6.1)

Record a Group:

1. Select channels (setting levels is optional)

2. Hold RECORD and press GROUP - you will get a popup suggesting the next free
group number
3. Press MODIFY- you have now recorded a group

Use this Group to select channels:

1. Enter 0 and press CH - no channels are selected

2. Enter the number of the group you just recorded and press GROUP - these channels
should now be selected

NOTE: If you are operating in the At Mode syntax you select a group by pressing GROUP
followed by the group number.

Assign this Group to a master:

1. Enter the number of the Group

2. Hold GROUP and press a master key. This group is now assigned to this master. If
the group has intensities stored they will apply when the master is raised. To select
the channels in this group, press the master key.

347
Groups - Record
Only selected channels are recorded. The selected channels can have a level, but it is not
necessary.

Function Key Feedback

Record [RECORD] & You will get a popup
[GROUP] where you confirm
recording this group, and
can write a text label.
Record as... [#] [RECORD] & You will get a popup
[GROUP] where you confirm
recording this group, and
can write a text label.
Record with Direct [RECORD] & You will get a popup
Selects [direct_select] where you confirm
recording this group, and
can write a text label.
NOTE
The order in which the channels were selected is stored with the
group.

900-groups

900 groups is a remnant from the eighties, when consoles often never had more than 900
channels. To be able to access user definable channel groups from a remote control for
focusing, an exception was made for these presets. In Congo groups 1-999 are available
instead. If an play with 900-groups is imported they will be converted to Congo Groups.

348
Groups - Select Channels
You can add and subtract channels that are stored in Groups to/from the current channel
selection.

Function Key Feedback

Select [#] [GROUP] All channels in the
specified Group are
selected and can be
controlled by wheel or
with level functions.
Add [#] [GROUP] & [+] All channels in the
specified Group are
added to the current
channel selection.
Subtract [#] [GROUP] & [-] All channels in the
specified Group are
subtracted from the
current channel
selection.
Select range [#] [GROUP] All channels stored in
[#] [GROUP] & every Group from # to
[THRU] # are selected.

At mode syntax

If your Congo is set to use At Mode for channel commands, groups are selected in the same
way as channels once the GROUP key has been pressed. Press CH to return to channel
selection.

Action Key Feedback

Select group mode [GROUP] From this point all select
functions apply to
groups.
Select group [#] Group # is selected

Add group [+] [#] Group # is added to the

current selection
Subtract group [-] [#] Group # is subtracted
from the current
selection
Add multiple group [#] [THRU] Up to group # is added
to the current selection

349
Groups - Select Channels Context Menu (6.3)

You can select the channels of a Group in the Browser by opening the context menu and
choosing SELECT CHANNEL(S).

350
Groups - Fetch Intensities
Fetch intensities for all or specific channels from any Group.

Function Key Feedback

Copy level [#] [FETCH/ON] & All selected channels are
[GROUP] set to the levels stored in
Group #.
Copy levels and [#] [GROUP] & All channels in the
channels [@LEVEL] specified Group are
selected and set to the
levels in Group #.
Add proportionally [#] [GROUP] & Group # is faded in
Level Wheel proportionally on the
Level Wheel

351
Groups - List
You can view, edit and create new Groups directly in the Group List (GROUP or BROWSER
>Main Show Data>Group).

If the content of a group is changed, the top header will be purple to indicate this. The
channel order of the group is indicated in the far right column.

352
Group List - Columns & Functions

These are the functions in the Group list.

Function Key Feedback

Open list [GROUP] The Group List is opened.

Open list at... [#] [MODIFY] & The Group list is opened and
[GROUP] focused at the specified
group.
Update changes [UPDATE] [UPDATE] Updates all changes in the
or current group. There is a
[RECORD] [RECORD] popup after the first key.
Insert [INSERT] Inserts a new group with the
next free number, with the
channels that are selected.
Insert as... [#] [INSERT] Inserts a new group with this
number, with the channels
that are selected.
Delete [DELETE] Deletes the selected group.
Cannot be undone.
Set text [MODIFY] Press MODIFY in the text
cell, enter the text and press
MODIFY to exit.

353
Groups - Display List
You can use a list of groups in the main display of the big Congo console to view, select, add
and subtract groups to the current channel selection.

Function Console Action

Open Group list [DISPLAY_LIST] & Opens the Group List.
[GROUP] Use the trackball in
Display List mode to
scroll.
Select group Trackball in Display Select with the trackball
List Mode and right- or left click.
Add group Trackball in Display Hold right- or left click
List Mode and press +.
Subtract group Trackball in Display Hold right- or left click
List Mode and press -.

354
Groups - Load To Playbacks
You can load Groups directly to any Playback.

Action Key(s) Feedback

Load to master [#] [GROUP] & Group # is loaded to the
[Master_Key] Master Playback

Add to Live [#] [GROUP] & Group # is added to Live

[LIVE]
Add to Blind [#] [GROUP] & Group # is added to
[BLIND] Blind

355
Presets
A Preset is used to store intensities, attributes or attribute times for
playback in a Sequence, Main- or Master Playback.

This chapter contains the following sections

Presets - Introduction
Presets - Record
Presets - Update
Presets - List
Presets - Load To Playbacks
Presets - Copy
Presets - Select Channels
Presets - Fetch Intensities
Presets - Display List
Presets - Channel Editor Wizard
Presets - Auto-Save
Presets - Times
Presets - Compare Mode
Presets - Delete
Presets - Rename

356
Presets - Introduction
The basic building block in Congo is a Preset.

General Facts

Channels, levels, attributes and Dynamic Effects are stored into Presets.
Presets can be played back from the Master Playbacks, and the Main Playback one
by one, or as part of a Sequence or Chase.
You can store Presets with up to three decimals using Preset numbers 0.001-
9999.999.
Presets can be arranged in a list called a Sequence, with predefined fade times.
Presets can be modified blind or live.
Presets can be copied.
Presets can be added together to create new Presets
You can retrieve individual channel levels from recorded Presets with Fetch.
When a Preset is recorded in the A playback, it is automatically placed in numerical
order in a step of the Sequence in that playback.

NOTE
A Preset is a memory that can be reused in several Sequences or
Playbacks at the same time. To delete it completely you have to go to
the source of all Presets: the Preset List. See Presets - List.

This does NOT mean that the Preset number will disappear from the
Sequence or from Master Pages, but it means that it will be an empty
Preset with no channels or levels stored. It also means that the
number of the Preset will be regarded as an unused Preset in the
system.

When deleting a Preset in the Preset List you will get a checkbox
option of deleting all related Sequence Steps.

357
Record a Preset Live (6.1)

Record a preset in the A field (live):

1. Enter a number
2. Use the level wheel to set an intensity level
3. Press RECORD - you will get a popup suggesting the next free preset number
4. Press RECORD again - you have now recorded a preset

Try out this preset in the Main Playback (live):

1. Enter 0 and press GOTO - lights in A fade to zero

2. Enter the number of the preset you just recorded and press GOTO - it should now
fade in

NOTE
The Main Playback and the Master Playbacks share intensities using
HTP (Highest Takes Precedence) logic. Channels with intensities
coming from Master Playbacks may not appear to fade in the Main
Playback if the levels from the masters are the same or higher than
those in the Main Playback.

358
Presets - Record
You can record the output on stage, or part of it, to a Preset. What you see in the active
Channel View is what is recorded. Normally only changed moving device parameters are
recorded.

Function Key Feedback

Record new [RECORD] Record the content of
the selected Channel
View to a new Preset
with the next free
number. You will get a
popup. See The
Recording Popup
Record new # [#] [RECORD] Records preset #. You
will get a popup. See
The Recording Popup
NOTE
You can define how moving device parameters are stored in the
Record Settings. Hold SETUP and press RECORD.

A recorded Preset is always added to the Preset List (Browser

>Presets).

If there are moving devices defined and you are using "Changed"
recording mode, the first preset in an empty sequence will ask you if
you want to make a block cue.

359
The Recording Popup (6.3)

The recording popup has Basic, Advanced, and Times tabs. The last used tab is saved as
the default choice for the next record action. The Times tab will default back to the Advanced
tab for the next record action.

In the Basic tab you can confirm recording a Preset (RECORD or MODIFY). You can also
add a Preset or Sequence text and define the fade type.

In the Advanced tab, in addition to the options of the basic tab, you can set a Block flag for
intensities, attributes, and keep Running Dynamics. It is also possible to toggle the GoOnGo
flag and toggle Section Markers.

360
In the Times tab you can set fade and moving device times.

See Preset Times

See Sequence Times
See Moving Device Times

361
Record Presets - Live Tab

When the channel control is set to the Live Tab, you will record the complete stage output.
The Preset is automatically added to the sequence in the Main Playback.

Action Key Feedback

1. Activate the Live tab [LIVE] The Channel Controls are mapped
to the A field.
1a. Record the complete [RECORD] You will get a popup with the next
stage output to a new free preset suggested. You can
Preset with the next free write a text label. The Preset is
number added to the sequence in the Main
Playback.*
1b. Record a new Preset [#] You will get a popup where you
with a specific number [RECORD] also can write a text label. The
Preset is added to the sequence in
the Main Playback

*This depends on the BUILD SEQ mode (softkey in the Playback soft key page of the Main
Display).

Record Presets - Field A Only

There are a lot of options for recording presets. some are set in the Record Settings (hold
SETUP and press RECORD). This is a summary of the rest.

Action Key Feedback

Record [RECORD] & No output from the Master Playbacks will be
new [A] recorded. The Preset is added to the sequence
in the Main Playback. See The Recording
Popup.
Record [#] No output from the Master Playbacks will be
new # [RECORD] & recorded. See The Recording Popup.The Preset
[A] is added to the sequence in the Main Playback.

362
Record Preset - Do not add to Sequence

When a Preset is recorded, it is automatically added to the sequence in the Main Playback. It
is possible to bypass this.

Action Key Feedback

Record [#] [RECORD] The Preset is recorded and added to the
selected to & [PRESET] Preset List, but not to the Sequence in
Preset # the Main Playback.

Record All Attributes for selected channels

Depending on how attribute recording is set up only changed moving device parameters are
recorded. You can record all parameters of the selected channels at any time with a
shortcut (similar to a block cue). See Device Recording - Introduction.

Setting Key Feedback

Record selected [RECORD] & Record all attributes for
[ATTRIBUTES] the selected channels to
the currently loaded
Preset in the A field.

You will get a popup, see

below.
Record selected to... [#] [RECORD] & Record all attributes for
[ATTRIBUTES] the selected channels to
Preset #.

You will get a popup, see

below.

This is the Record Attributes popup

NOTE
Control parameters are normally not recorded. However, many
fixtures have control on the Strobe parameter, which is recorded.

363
Record Directly To A Master

You can record the selected channels, or all channels with an intensity on stage directly to a
Master. A preset will be created automatically if none is specified. If Attribute recording is set
to Automatic, attributes will also be recorded. The time is default set to 100%. See Presets -
Times.

Action Key Feedback

Record selected [RECORD] You will get a popup with
& Master Key the next free preset
suggested**.
Record selected as... [#] [RECORD] You get the message
& Master Key "Preset Recorded" in the
status bar.

*If no channels are selected - all channels in A are recorded.

**To separate the number series of Presets in Masters and in the Main Playback the
suggested Preset number (if no number is entered) will be starting at Preset 801. After this
the last used number when recording to this Master will be incremented.

NOTE
For a Master with a Sequence or Chase, a new preset is recorded to
that Sequence or Chase.

For a Preset - all attributes are recorded, except those Masked by the
Global Mask. For a Sequence step attributes are recorded in the
same way as the sequence of the Main Playback.

Record Selected Channels To Any Preset

Record the selected channels, with attributes and dynamics, to a specified Preset. All
moving device attributes for the selected channels will be recorded (not only changed
attributes).

Setting Key Feedback

Record selected [CH] & [RECORD] You will get a popup
where you confirm
recording this Preset,
and can write a text
label.
Record selected to... [#] [CH] & You will get a popup
[RECORD] where you confirm
recording this Preset,
and can write a text
label.

364
Presets - Update
Updates the preset in the playback connected to the channel control. This can be Live, Blind,
any Master Playback or a step in the Preset List.

Action Key Feedback

Update [UPDATE] Updates changed levels
and attributes to the
currently loaded Preset.

You will get a simpler

version of the Recording
popup. See The
Recording Popup
NOTE
If you are in the Live field the Preset loaded to the A field of the Main
Playback will be updated.

365
Presets - List
The Presets list is a spreadsheet view of all presets in your play. You can view, edit and
create new Presets (blind) in the Preset List.

Open the Preset list by pressing PRESET or Browser >Main Show Data >Presets.

See Presets - Introduction.

See also Preset List - Functions.

366
Preset List Channel View (6.0)

The top part of the Preset list is a channel view where you can edit all the channel and
attribute values directly.

Press ATTRIB to toggle to the attribute view between channels and attributes. In the attribute
view you can use all the moving device controls to edit parameters.

NOTE
You can only edit attributes with console functions (wheels and
keys). If you want to edit attributes on the screen, move to the
Attributes cell and press MODIFY to open the Preset Attribute Editor.

367
Preset List - Columns

Column Input Function

Preset No input The number of this Preset - cannot
be edited.
Text ABCDE... Press MODIFY to activate and end
text input. This text is shown also in
the Playback views.
Channels No input Shows how many channels/devices
that are stored with an intensity in
this Preset
Attributes [MODIFY] Shows how many moving devices
are stored in this Preset. MODIFY
opens the attribute editor.
Dynamics [MODIFY] Shows how many Dynamics are
stored in this Preset. MODIFY
opens the Dynamics editor.
Mask [MODIFY] Open the Mask editor where you
can mask any parameter.
FCB-Time [#] [MODIFY] Hold C and press MODIFY to enter
a time in seconds instead of % of
the main fade times.
FCB-Delay [#] [MODIFY] Hold C and press MODIFY to enter
a time in seconds instead of % of
the main fade times.
Note [MODIFY] Opens the Note list for a note

368
Preset List - Functions

These are the functions in the Preset list. See also Copy, Cut & Paste.

Setting Key Feedback

Open [PRESET] The Preset List is
opened.
Open [MODIFY] & The Preset List is
[PRESET] opened.

Open at Preset # [#] The Preset list is opened

[MODIFY] & and focused at the
[PRESET] specified Preset.

Update focused Preset [UPDATE] Updates all changes in

the current Preset.
Copy Preset [#] [RECORD] Records a copy of the
current Preset with this
number.
Delete Preset [DELETE] Deletes the selected
Preset. Cannot be
undone. See Presets -
Delete.
Insert new Preset # [#] [INSERT] Inserts a new Preset #,
with the channels and
levels from Live (A).
Insert new Preset with [INSERT] Inserts a new Preset with
the next free number this number.
Edit a cell with a numeric [#] [MODIFY] Changes the value of the
value selected cell.

369
Presets - Load To Playbacks
You can load Presets directly to any Playback.

Action Key(s) Feedback

Load to A [#] [PRESET] & The Preset is loaded to
[A] the A field, replacing the
content of that field.
Load to B [#] [PRESET] & The Preset is loaded to
[B] the B field, replacing the
content of that field.
Load to master [#] [PRESET] & Preset # is loaded to the
[Master_Key] Master Playback

Load to Live [#] [PRESET] & Preset # is loaded to

[LIVE] Live

Load to Blind [#] [PRESET] & Preset # is loaded to

[BLIND] Blind

Quick-load Presets to Masters

The direct functions allow you to load a series of recorded Presets to Masters, this is called
quick-loading Presets to Masters.

1. Enter the number of the first Preset.

2. Hold down the PRESET key, and pull your finger over a range of Master Keys.

All existing consecutive Presets will be loaded.

370
Presets - Copy
Copy a Preset by recording it with a different Preset number. This can be done in any
Playback, or directly in the Preset List. In the Preset List it can be done with the COPY
function as well. See Preset List and Copy, Cut & Paste.

Action Key Feedback

Copy preset [#] [RECORD] Copies the preset in the
channel view connected
to the channel controls to
a new number.

You will get a popup.

See The Recording
Popup

371
Presets - Select Channels
You can add and subtract channels that are stored in Presets to/from the current channel
selection.

Function Key Feedback

Select all [#] [PRESET] All channels with a level
in the specified Preset
are selected.
Add to current [#] [PRESET] & All channels with a level
[+] in the specified Preset
are added to the current
channel selection.
Subtract all [#] [PRESET] & [- All channels with a level
] in the specified Preset
are subtracted from the
current channel
selection.
Select all over 0% [#] [PRESET] & All channels with a level
[ALL] in the channel control,
that also have a level in
the specified Preset, are
selected.
Select all in a range [#] [PRESET] All channels stored in
[#] [PRESET] & every Preset from # to
[THRU] # are selected.

Presets - Select Channels Context Menu (6.3)

You can select the channels of a Preset in the Browser by opening the context menu and
choosing SELECT CHANNEL(S).

372
Presets - Fetch Intensities
Fetch intensities for all or specific channels from any Preset.

Function Key Feedback

Set last stored level [FETCH/ON] All selected channels are
set to their last stored
levels.
Copy level [#] [FETCH/ON] All selected channels are
set to the levels stored in
Preset #.*
Copy levels and [#] [PRESET] & All channels in the
channels [@LEVEL] specified Preset are
selected and set to the
levels in Preset #.
Add proportionally [#] [PRESET] & Preset # is faded in
Level Wheel proportionally on the
Level Wheel

HINT
You can fetch attribute values as well. See Device Control - Fetch/Copy.

*You can press # ON/FETCH & PRESET as well.

373
Presets - Display List
Opens a list that shows all Presets in the Main LCD of the console.

Function Console Action

Preset Display list [DISPLAY_LIST] & Opens a list of all
[PRESET] Presets. Use the
trackball in Display List
mode to scroll.

374
Presets - Channel Editor Wizard
The Channel Editor Wizard allows you to track intensity changes in all Presets with powerful
arguments. Press WIZARD in any channel view to open the Channel Wizard.

NOTE
You cannot reverse or undo changes made with this Wizard. We
therefore recommend you strongly to save your play before using
this function.

375
Channel Editor Wizard - Type Of Change 6.1

You can perform the following actions through any range of Presets.

The parameter "Include All Channels" will affect channels with no level (0%) as well, and is
necessary in some cases.

Function Explanation
Set Level Set level #
Add Absolute Adds # points to the current channel(s) intensity
level - adding with a value of 5, 50% becomes
55%, 80% becomes 85%.
Subtract Absolute Subtract # points from the current channel(s)
intensity level.
Add percent Adds a % of the current channel(s) intensity
level - adding with a value of 10, 50% becomes
55%, 80% becomes 88%.
Subtract percent Subtracts a % from the current channel(s)
intensity level.
Swap channels Change levels between the selected channel
and the channel # in Argument.
Copy from channel Copy all levels from channel value # to the
selected channel(s). (6.1)
Set min level Sets a minimum level HTP with the current
levels.
Set max level Sets a maximum level to the current levels.

Channel Editor Wizard - Value

Depending on the type of change - the number here is the Value used. It can be a level or a
channel number.

376
Channel Editor Wizard - Include If 0%

This parameter will allow the change to affect the channels with no level (0%) in the target
Presets.

377
Presets - Auto-Save
Each time you record a preset or a group all changes to the play since the last RECORD or
Save are stored in a play called AUTOSAVE.ASC.

This play is stored in the Play Archive (Browser >File >Open >Play Archive) and can be
opened like any play.

Function Console Feedback

Open Auto Save setting [SETUP] & Opens a popup where
[RECORD] you can set Auto-Save to
ON.

NOTE
This is a feature that we recommend you to use with caution. Saving
a large show can slow down the system temporarily.

378
Presets - Times
FCB times for moving device parameters are stored with the Preset.

The default setting for FCB times is 100% of the main In time
The default setting for FCB delay times is 0 seconds. If you set FCB delay times in
%, then that setting refers to main In time.

These times are executed when played back from a Sequence or from a Master Playback.

You can set them in % or as absolute times in seconds. You can select what to default to in
the Time Settings (SETUP & TIME). Hold C/Alt and press MODIFY to set the opposite of
what is currently selected.

379
Presets - Compare Mode
The Compare function allows you to compare the current light in the active field with the
recorded version of the preset in the active field. When Compare mode is active it is
indicated in the top of all screens.

This key is in the Channels Soft Key Page.

Congo

Congo Jr

Action Key Feedback

Compare to stored [COMPARE] The last stored version
will be loaded. Press
COMPARE to exit
Compare mode.
Compare to preset [#] [COMPARE] The selected preset will
be loaded. Press
COMPARE to exit
Compare mode.

380
Presets - Delete
Presets are deleted from the Preset List (Browser >Main Show Data >Presets).

Action Key Feedback

Delete selected Preset. [DELETE] You will get a popup
where you can choose to
delete the corresponding
Sequence Steps this
Preset is used in as well.

381
Presets - Renumber (6.3)
You can renumber presets in the organizer from the context menu in the Preset nodes.

1. Press SELECT SELECT or right click to open the context menu, then click Renumber.

2. Press MODIFY and click to open the Change Number dialog.

3. Enter a new preset number and press MODIFY to confirm.

NOTE
Changing the number of a Preset will not change any of the
references, such as Master Links, Masters, Sequence Steps, Content
Effects, that pointed to the previous number.

382
Presets - Import & Undo (6.3)
If you need to import a preset from a previously saved version of your play, because you
want to undo the current changes - it is done in the organizer.

1. Open the Import Organizer for the last saved version (name.001) in the Browser (Browser
>Files >Import From >Play Archive)

2. Drag the previously saved version of the preset and drop on the same preset in the
current play

383
 3. In the Advanced dialogue, check the box "overwrite" (or save with a different number)

Presets - Multiple Import & Undo (6.3)

You can import a range of presets from a previously saved version of your play.

1. Open the Import Organizer for the last saved version in the Browser (Browser >Files
>Import From >Play Archive)

2. Use SELECT or SHIFT & arrow/mouse to select a range of presets in the previously
saved play.

384
3. Drag and drop on preset node in the current play

4. In the Advanced dialogue, select the renumbering option "Keep original spacing and gaps"
or "Convert to consecutive numbers" and enter a "start at" number for the first preset.

385
Keep original spacing and gaps will keep preset numbering as it was in the old play, using
the start at value to create an offset. For example, if you drag in presets numbered 1, 1.5
and 3 into the current play with a start at value of 5, the new presets will be numbered 5, 5,5
and 8.

Convert to Consecutive Numbers will clean up decimals and gaps in the preset list - so
dragging in the same three presets 1, 1.5 and 3 into the current play using this setting and a
start at value of 5 will create presets 5, 6 and 7.

386
Sequences
A sequence is a list of presets that can be played back manually, with
fade times, and as a chase.

This chapter contains the following sections

Sequences - Introduction
Sequences - In The Main Playback
Sequences - List
Sequences - Sequence List
Sequences - Crossfade Movefade, Lockfade
Sequences - Times
Sequences - Insert Step
Sequences - Delete Step
Sequences - Links
Sequences - Load
Sequences - Build & Modify Modes
Sequences - Block Values
Sequences - Track List
Sequences - Chase mode
Sequences - drag and drop data (6.3)

387
Sequences - Introduction
Theatrical style playback of a number of pre-recorded looks and times is called a "sequence"
in Congo.

A sequence is a list of sequence steps. Each step always contains a preset. Each time a
Preset is recorded in the Live tab a new Sequence step is created with that Preset. Basically
everything in Congo can be triggered from a sequence.

A Sequence Step consists of two main components

Item Contains Read More

Sequence Step Data Fade Times, Auto Times, See Sequences -
Text, Master Link, Master Sequence List
Page Link, Macro Link,
Automark flag for Attributes.
Preset Intensities, Dynamics, See Preset List
Attributes and Attribute
Times.

General Facts

You can rearrange the order in a Sequence at anytime.

The same Preset can exist in several sequence steps, and sequences.
You can set times to every channel and parameter in a sequence step.
388
 Sequences can be played back from the Main playback, or any Master Playback.
You can create up to 999 sequences.
You can link any Master Playback to a sequence step.
You can trigger a Sequence with MIDI and Time Code.
You can play back any Sequence in Chase (looped) mode with BPM and rate.
A new play begins with Sequence 1 already loaded into the Main Playback, ready for
creation by simply recording presets.

Record a Sequence Live (6.1)

Record a sequence in the Main Playback:

1. Enter a number
2. Use the level wheel to set an intensity level
3. Press RECORD - you will get a popup suggesting the next free preset number
4. Press RECORD again - you have now recorded a preset, and it has been added as
the first (or next) sequence step in the main playback
5. Repeat this procedure three times - you will have a sequence with three steps

Play back this sequence on the Main Playback:

1. Enter 0 and press GOTO - lights in A fade to zero

2. Press GO to fade through the sequence - the fade time is default set to 5 seconds

NOTE
The Main Playback and the Master Playbacks share intensities using
HTP (Highest Takes Precedence) logic. Channels with intensities
coming from Master Playbacks may not appear to fade in the Main
Playback if the levels from the masters are the same or higher than
those in the Main Playback.

389
Sequences - In The Main Playback
When you open a new play there is a default sequence (1) in the Main Playback.
When you record a Preset in the Live field it will be added to the sequence in the Main
playback.

These are the sequence functions for the Main Playback

Function Key Feedback

Record a new step [#] [RECORD] Each time a Preset is
recorded in Live it is
added as a new step to
the sequence loaded to
the Main Playback*
Edit step [MODIFY] & Opens the Sequence
[PLAYBACK] List for the sequence in
the Main Playback. See
Sequences - Sequence
List.
Navigate See Main Playback.

*Unless the mode Build Sequence is off. See Settings - Crossfade.

390
Sequences - List
You can insert and delete sequences, and change playback modes (chase) in the
Sequences list (SEQ or BROWSER >Sequence).

Sequences List - Insert/Delete/Load

Function Key Feedback

Insert [#] [INSERT] Sequence # is inserted
into the list
Delete [DELETE] The selected sequence
is deleted*
Load [Master_Key] The selected sequence
is loaded to this Master
Playback.

*The Sequence is deleted, and all timing and text information. The Preset still exists in the
Preset list and can be used again.

391
Sequences List - Columns

Column Input Function

Sequence [MODIFY] The number of this Step- cannot be edited.
Press MODIFY to open the Sequence List.
Text [MODIFY] Press MODIFY to activate and end text
input. This text is shown in the top of the
Playback views.
Mode [MODIFY] Toggles between Normal and Chase mode.

Rate [#] Speeds up the playback by #% (Chase

[MODIFY] mode).

Bounce [MODIFY] Sets playback to alternate continuously

between forward and reverse (Chase
mode).
Reverse [MODIFY] Sets Playback in the reverse direction only
(Chase mode).
Single Shot [MODIFY] Sets Playback to one time (Chase mode).

BPM [#] Suppresses fade times and sets step time

[MODIFY] (wait) to BPM # (Chase mode).

392
Sequences - Sequence List
You can view, edit and delete sequence steps in the Sequence list (# SEQ or BROWSER
>Sequence >#).

The currently active sequence step in the main playback is indicated with a brown
background.

NOTE
You can open the Sequence List for the Main Playback by holding
MODIFY and pressing PLAYBACK. This is not possible, however, in
Tabs that use MODIFY for other functions.

It is possible to enter the number of a step/preset first to open the list

with that step focused

393
Sequence List Channel View (6.0)

The top part of the Sequence list is a channel view where you can edit all the channel and
attribute values directly.

Press ATTRIB to toggle to the attribute view between channels and attributes. In the attribute
view you can use all the moving device controls to edit parameters.

NOTE
You can only edit attributes with console functions (wheels and
keys). If you want to edit attributes on the screen, move to the Preset
cell and press MODIFY twice to open the Preset Attribute Editor.

394
Sequence List Functions

Function Key Feedback

Open List [#] [SEQ] The Sequence List is opened for
seq #.
Open List [#] The Sequence List is opened for
[MODIFY] seq #.
[SEQ]
Go to Step [GOTO] Fades in the Main Playback to the
selected step.
Update Step [UPDATE] Updates level changes in the current
step.
Insert a new Step [#] Inserts a new step, with Preset #.
[INSERT]
Edit Text [MODIFY] Opens the text cell for editing. The
Congo keyboard is activated in
Master Playback display four.
Delete selected Step(s) [DELETE] Deletes the selected Step. Cannot
be undone.
Edit any value [#] Enter a new value and press
[MODIFY] MODIFY.

Move Step Drag and You can drag and drop a Sequence
drop Step with the trackball to move it.
In time [#] [IN] Sets an In time of # seconds directly
to the focused step.
Out time [#] [OUT] Sets an Out time of # seconds
directly to the focused step.
NOTE
You can use COPY, CUT and PASTE to insert and delete steps in the
Sequence List as well. See Copy, Cut & Paste.

395
Sequence List - Columns

Part 1

Column Input Function

Step No input The number of this Step. Cannot be edited.
Preset [#] This is the number of the Preset in this step.
[MODIFY] It can be edited with the Preset Change
Wizard.
DelayOut [#] Edit the delay out time.
[MODIFY]
Out [#] Edit the Out time.
[MODIFY]
DelayIn [#] Edit the Delay In time.
[MODIFY]
In [MODIFY] Edit the In time.

WFA * [MODIFY] Toggle time type between Wait, Followon

and Alert.
WFA Time [#] Edit the (WFA) time.
[MODIFY]
Mode [MODIFY] Change fade mode. Select between
crossfade (x) movefade (m) and lockfade (l).
Text [MODIFY] Press MODIFY to activate and end text
input. This text is shown in the Playback
views.

* You can toggle the time between two steps between Wait, Alert and Followon. See
Sequence Times - Alert Times and Sequence Times - WAF Wait & Followon Times

396
 Part 2

Column Input Function

Attrib Move [MODIFY] Toggle between, AutoMark, GoOnGo and
GoInB. Controls if moving devices will move
on GO or when the step is loaded in B
(next).
ChTime [MODIFY] Shows the number of channel times in this
step. Opens the channel time editor.
MastLink [MODIFY] Shows the number of master links in this
step. Opens the master link editor.
MastPage [#] Shows or edits which Master Page is linked.
[MODIFY]
Fade Curve [#] Shows or edits which Fade Curve is linked.
[MODIFY]
LinkToStep [#] Shows or edits which step this step is linked
[MODIFY] to.

TimeCode [#] View/Edit Time Code for this step

[MODIFY]
Note [MODIFY] Opens the editor for a Note

Block [MODIFY] Blocks tracking through this step

Tracking
Macro [#] Sets this step to trigger Macro #.
[MODIFY]
Action Macro [MODIFY] Opens this cell for text input of an Action
Macro - See Actions & Events - Actions.

Sequence and Preset texts (6.0)

In the sequence list you can see and edit both the unique sequence step text and the text
belonging to the preset occupying a sequence step.

Go to the Text column and press MODIFY to edit the sequence step text.
Go to the P-Text column and press MODIFY to edit the Preset text.

397
Sequences - Crossfade Movefade & Lockfade
When you record a new Preset to a Sequence you will get the option to store it as a
Crossfade, a Movefade or a Lockfade. Each of these modes affects how channels in that
Preset will be played back when a the next crossfade is started.

Function Shortcut Feedback

Record a [RECORD] Normally a crossfade (x) is
crossfade recorded. This means that all
channel values are replaced when a
new crossfade is started.
Record a Move [+] & [RECORD] When a movefade (m) is followed by
Fade another movefade, only channels
with new levels will be affected.
Record a [-] & [RECORD] When a lockfade (l) is started, the
LockFade channels involved will not be
affected by anything until they have
finished the fade they started.

Stepping in the sequence will stop

ongoing lock fades.

HINTS

When you jump in the sequence with GOTO, the history of all fades will be executed
to recreate the correct state after the jump.
GOTO & B updates the current state (scanning backwards in the sequence
accumulating Move/Lock fades).
For a Lock fade, it is not possible to press PAUSE or GO BACK, since the nature is
to "lock" the fade regardless of other playback controls.
Stepping through the sequence with SEQ+/SEQ- or using GOTO will stop current
Lock fades.
If you start a move or lock fade on top of a crossfade, the crossfade now continues
to run in the background and is also available for speed control on the display.
Move and Lock fades are indicated with M and L in the Channel Views.

398
Sequences - Times (6.0)
You can set times to a sequence step, and all channels and moving device parameters will
follow that time.

You can also set individual times in seconds, or as a percentage of the in- and delay times
for each channel and moving device parameter in a sequence step.

Times are set from, like this: 0.01 9.99. seconds to 49.59 minutes (0.1- 4959). It is possible
to use hundreds of seconds as input during the first 10 seconds (v6.0)

When no time is set to a sequence step, the default time (5seconds) will be used. Change
this setting by holding SETUP and pressing A.

The easiest way to set times to ANY step of the sequence in the main playback is to use the
TIME EDITOR. Enter the number of the step, hold MODIFY and press TIME. See The Time
Editor Popup.

NOTE
Fade times of a Sequence Step are related to that step, not to the
Preset occupying the Step. This makes it possible to use the same
Preset with different fade times in other Steps or in the Masters.

To edit the times for a step open the Sequence List.

Sequence Times - Set To A or B

Times are set to A or B depending on what situation you are working in. The current setting
is indicated with an arrow next to the times:

It is possible to toggle if times are set to A or B by holding TIME and pressing A or B.

399
Sequence Times - Main Times (in/out/delay/wait)

Times are set to the step in A (Active) or B (Next) depending on the setting for times (SETUP
& TIME).

Function Key Feedback

In time [#] [IN] A time is set for the
incoming channels.
Out time [#] [OUT] A time is set for the
outgoing channels.
In- and Out time [#] [TIME] A time is set for the in-
and outgoing channels.
Delay In time [#] [DELAY] & [IN] A delay time is set for
the incoming channels.
Delay Out time [#] [DELAY] & A delay time is set for
[OUT] the outgoing channels.

Wait, Followon or Sequences - Enter the time in the

Alert time * Sequence List WFA Time column of the
Sequence List. You can
toggle between Wait,
Alert or Followon in the
previous column

* A Wait or Followon time will automatically execute a crossfade to the Step it is assigned to.
The difference is that a Wait time starts counting down after the END of the previous
crossfade, while the Followon time starts counting down from the START of the previous
crossfade. Wait times is the default setting. The Alert time will count down as a warning to
the operator, but not execute the next fade. See Sequence Times - Alert Times.

See Times Soft Key Page.

You can view/edit the main times in the Sequence List.

400
Sequence Times - Channel Times

Times are set to the step in A (Active) or B (Next) depending on the setting for times (SETUP
& TIME).
Function Soft Key Feedback
1. Select the TIME soft TIMES (soft key) The time soft key page is
menu page selected in the main
display.
2. Set a channel time for [#] [CH_TIME] A time is set for the
the selected channels selected channels. You
can set a text label to the
channel time group.
3. Set a channel delay [#] [CH_DELAY] A time is set for the
time for the selected selected channels.
channels

You can set channel times with two shortcuts as well.

Function Key Shortcut Feedback

Channel time [#] [CH] & [TIME] A time is set for the
or selected channels. You
[#] [TIME] & [CH] can set a text label to the
channel time group.
Channel delay [#] [CH] & A time is set for the
[DELAY] selected channels.
or
[#] [DELAY] &
[CH]

This is what it looks like in a playback view, If no name is assigned, the channel numbers will
be shown.

401
 This is how the time is indicated in the live channel view, under the level.

NOTE
When Channel Times are activated, the first four Channel Times are
shown on the Main Display over the 4 wheels. The status for each
Channel Time is displayed over each wheel. Rate for each channel
can be adjusted with the corresponding wheel and the Channel Time
can be started/stopped with the corresponding wheel key.

Sequence - Channel Time Editor

Channel Times are edited in the Channel Time Editor (press MODIFY in the ChTime column
of the Sequence List). See Sequence List.

This is where you can add a text to each channel time group. This text is shown in the
graphical time line view of the Playback list.

Editing Channels in a Channel Time Group

1. Select the Group in the Channel Time Editor

2. Add or remove Channels.

3. Press UPDATE to store.

402
The Time Editor Popup

The Time Editor (also part of the Record popups Advanced tab) allows you to edit the times
of any sequence step from a popup.

Press MODIFY and TIME to open the Time Editor popup for the step in A or B (see NOTE
below).
Enter the number of a step first to open it for any step.

NOTE
The Time Editor follows the setting of the "Times in A/B" parameter
in the Congo Setup (SETUP or F11).

The WAF box allows you to toggle between Wait, Alert and Followon
time for this step.

403
The first six existing Channel Times can be edited directly in the Channel Times tab.

The Times Soft Key Page (6.2)

The Time Soft Key Page is selected with the soft key TIMES in the Main Display of the
console.

Congo

In the big Congo the LEARN functions are a sub page:

404
Congo Jr (6.2)

405
 These are the functions available. All times are set to the Main Playback.

Function Softkey Feedback

Channel time [#] [CH_TIME] Sets a channel time (#) to the
selected channels.
Channel delay [#] [CH_DELAY] Sets a channel delay time (#) to
the selected channels.
Wait [#] [WAIT] Sets a Wait time (#) to the
Preset in A (or B).
Out [#] [OUT] Sets an out time (#) to the
Preset in A (or B).
Delay out [#] [DELAY_OUT] Sets a Delay Out time (#) to the
Preset in A (or B).
Delay in [#] [DELAY_IN] Sets a Delay In time (#) to the
Preset in A (or B).
In [#] [IN] Sets an In time (#) to the Preset
in A (or B).
FCB time [#] [FCB_Time] Sets FCB times (#) to the Preset
in A (or B).
FCB delay [#] [FCB_Delay] Sets FCB delay (#) to the Preset
in A (or B).
Learn Alert * [Learn_Alert] Activates Learn Alert Time
mode.
Learn Profile [Learn_Profile] Activates Learn Profile mode for
the next crossfade.
See Sequences - Crossfade
Profiles.

* See Sequence Times - WFA Alert Times.

Sequence Times - FCB Times

FCB Times are set to the Preset of a Sequence Step. See Moving Device Times - FCB Time

Sequence Times - Parameter Times

Individual Moving Device Parameter times are set to the preset of a Sequence Step. See
Moving Device Times - Parameter Time.

406
Sequence Times - WAF Alert Times

An Alert time will count down from the completion of the previous crossfade, and alert the
operator as to when the next fade should be manually executed.

There is a Learn Mode that will record Alert times automatically as a show is played back in
real time by an operator. This mode is activated with the soft key LEARN ALERT in the
Times Soft Key page. See The Times Soft Key Page.

Time Limit
There is both a visual and an audio warning set to alert 5 seconds before the next fade. You
can change this time limit in the Time Settings. See Settings - Crossfade.

Visual
The top part of the playback view will be green as long as the alert time is over 5 seconds. At
5 seconds it turns yellow and after completion it turns red.

The Alert time is edited in the Sequence List WFA and WFA Time columns. It can be toggled
to be a Wait or Followon Time as well. See Sequence List - Columns. See also Sequence
Times - WFA Wait & Followon Times.

Sequence Times - WAF Wait & Followon Times

It's possible to set a Wait or Followon time between each step of a Sequence.

Wait
A Wait time will execute the step it is on, # seconds after the completion of the previous fade.

Followon
A Followon time will execute the next step, # seconds after the start of the fade. The
Followon time is displayed in the same way as the Alert Times. See Sequence Times - WAF
Alert Times.

The Wait and Followon times are edited in the Sequence List WAF and WAF Time columns.
They can be toggled to be an Alert Time as well. See Sequence List - Columns.
407
Sequences - Crossfade Profiles (6.0)
You can record the movements of the A and B faders. When you start the crossfade the next
time, the profile will be played back.

1. Start recording a profile by pressing the LEARN PROFILE soft key in the Times soft key
page. See Times Soft Key Page.

2. The recording will stop when both faders reach their end position at the same time.

A preview of the profile is shown in the timeline view.

The total time of A and B are separately stored as the Out and In times. If you change these
times, the recorded profiles will be scaled on playback to play back in the new time.

A new column (Profile) is added in Sequence Editor. It shows a check mark when a profile
has been recorded. You can press DELETE in this column to delete the profile.

408
Sequences - Insert Step
There are two ways of inserting a sequence step between two existing ones.

Record a preset with a (decimal) number that fits between

Insert any preset in the Sequence List (See Sequence List)

Insert A Sequence Step - In any playback

When you are working directly in a Playback and record a new preset, it is inserted
numerically into the sequence of that Playback.

Function Shortcut Feedback

Insert Step [1] [.] [5] Inserts between 1 and 2.
[RECORD] A popup will ask you to
confirm recording.
Confirm [RECORD] The preset is recorded
between 1 and 2.

Insert A Sequence Step Directly In The Main Playback (6.0)

You can insert a preset into the sequence of the main playback directly.

Function Shortcut Feedback

Insert before A [#] [INSERT] & [A] Preset # is inserted before
the current step in A
Insert before B [#] [INSERT] & [B] Preset # is inserted before
the current step in B

409
Insert A Sequence Step - In The List

Function Shortcut Feedback

1. Open the Sequence [#] [SEQ] The List for sequence #
list is opened.
2. Move to the step you Arrow Keys The selected step is
wish to insert a new step highlighted in yellow.
after
3. Insert Preset # [#] [INSERT] The preset is inserted
after the selected step
NOTE
You can use COPY, CUT and PASTE to insert and delete steps in the
Sequence List as well. See Copy, Cut & Paste.
NOTE
The Preset does not bring sequence texts, fade times or links from
other sequence steps if it has been used earlier.

410
Sequences - Delete Step
Function Shortcut Feedback
1. Open the Sequence [#] [SEQ] The List for sequence #
list is opened.
2. Select the step you Arrow Keys The selected step is
wish to delete highlighted in yellow.
3. Delete the selected [DELETE] You will get a popup
step where you can choose to
delete this step and the
related Preset.

NOTE
When you delete a Sequence Step all assigned times, links and texts
are lost. The Preset of that step can still exist in the Preset List, and
be used again.

Delete a sequence step directly in the main playback (6.0)

You can delete a sequence step in the main playback directly. The Preset is left intact in the
Preset List.

Function Shortcut Feedback

Delete step in A [DELETE] & [A] The sequence step in A is
deleted.
Delete step in B [DELETE] & [B] The sequence step in B is
deleted

411
Sequences - Links
A sequence step can have a link to Master fades, a Master Page, a different sequence step
(see NOTE in this explanation), and a Macro.

All links are done in the Sequence List which can be opened with # SEQ or Browser >Main
Show Data >Sequences >#.

Sequence Step Links - Master Playbacks

Master Links are loaded when the Sequence step is loaded to the B field. They are faded
when GO is pressed or the crossfade faders are moved.

Function Key Feedback

1. Select MastLink Arrow keys The column is
column* highlighted
2. Open Master Link List [MODIFY] The Master Link List is
open.
3. Insert a link to Master [#] [INSERT] Master # is linked, with
# its current content, and a
target level of 100%.

*In the Sequences - List.

NOTE
All functions in the Master Link list are the same as in the View
Masters list. The only differing one is Target, which is the level the
Master will fade to. To load a Master for manual operation, set the
target level to 0%.

412
Sequence Step Links - Shortcut

There is a shortcut for inserting a Master Link directly to the current Sequence Step in the
Main Playback.

Function Key Feedback

Insert link [INSERT] & Master # is inserted as a
[Master_Key] link to the Step in A.

Insert link with target [#] [INSERT] & Master # is linked, with
[Master_Key] its current content, and a
target level of 100 or 0%
depending on earlier
links.

Sequence Step Links - Master Pages

You can insert a link to a master page.

Function Key Feedback

1. Select the MastPage Arrow keys The column is
column* highlighted
2. Insert a link [#] [MODIFY] Master Page # is linked.
It will be loaded to
Masters 1-20 when this
step is loaded to the B
(Next) playback.

*In the Sequence List.

413
Sequence Step Links - Another Step

NOTE
Links to another sequence step are used mainly to create playback
loops. Links are NOT used to change a playback order in Congo - this
is done by cutting and pasting a step in a different location. See
Copy, Cut & Paste.

Function Column Feedback

1. Select the LinkTo Arrow keys The column is
column* highlighted
2. Insert a link [#] [MODIFY] Sequence Step # is
to Sequence Step # linked. When this step is
faded in, the next step
will be Step #.

*In the Sequence List.

414
Sequences - Load
A Sequence can be loaded to the Main Playback, or any Master Playback. For information
on how to control a Sequence once it is loaded, see Main Playback and Masters.

Function Keys Feedback

Load [#] [SEQ] & Sequence # is loaded to
[PLAYBACK] the Main Playback. The
light in A (Active) and B
(Next) is not affected.
Load to master [#] [SEQ] & Sequence # is loaded to
[Master_Key] the Master Playback.

NOTE
Loading a non-existent Sequence to Playback will open a window
asking if you wish to create that Sequence.

You can load a sequence directly from the Browser as well

Function Keys Feedback

Load [LOAD] & Sequence # is loaded to
[PLAYBACK] the Main Playback. The
light in A (Active) and B
(Next) is not affected.
Load to master [LOAD] & Sequence # is loaded to
[Master_Key] the Master Playback.

415
Sequences - Build & Modify Modes (6.3)
There are two modes that affect recording and playback of Sequences. Build Sequence and
Modify Sequence.

The fastest way to toggle them on/off is with the context menu (right-click) on the header of
the Playback Tab (6.3).
Both can be set in System Settings as well. See System Settings - Crossfade.

416
Sequence - Build Sequence Mode

This mode is set in the Crossfade Settings. See System Settings - Crossfade.

The default setting for this mode is ON. When ON every Preset recorded in the Live or A tab
will automatically be added to the Sequence in the Main Playback (in numerical order). The
only reason to set this mode to OFF is when a Preset recorded in Live or A should NOT be
added to the sequence in the Main Playback.

NOTE
You can record a Preset without adding it to the Sequence in the
Main Playback with a shortcut; # RECORD & PRESET

See Record Preset - Do not add to Sequence

Sequence - Modify Sequence Mode

This function is accessed by a softkey in the Misc Soft Key Page. See Navigating - Misc Soft
Key Page.

The default setting for this mode is OFF. When turned ON all crossfade in Sequences will
disregard Wait and Followon Times, Master Links, Master Pages, Links and other linked
information. It is a mode created for rehearsals where only the main lighting changes are
advanced manually.

When activated there will be a popup explaining what this means for the user;

417
Sequences - Block Values
It is possible to set a block for all track editing functions for a step.This is done in the
Sequences List.

See Sequences - Sequence List.

See also Track - Track Editing

A block is indicated in the Playback List with a B after the Preset and a line over the step.In
this image step 7 is blocked.

NOTE
Currently all intensities are blocked. To block the intensity for an
individual channel set it to a different value from incoming or
outgoing values (like 99% or 49%).

418
Sequences - Track List
All tracking features have been moved to the chapter Track List.
See Track List.

419
Sequences - Chase Mode
A chase is a sequence set to chase mode, which means it
will constant loop during playback. See Sequences.

This chapter contains the following sections

Chase - Introduction
Chase - Playback View
Chase - Playback Modes
Chase - Set Rate
Chase - BPM & Tap Tempo
Chase - Wizard

420
Chase - Introduction
A Sequence can be set to run in Chase mode. This means the Sequence will chase
endlessly through all Steps on the predefined times. There are several parameters that can
affect how it will run in Chase mode.

General Facts

Chases are edited in the same way as Sequences.

In addition to Sequences they have Rate and BPM.
BPM can be set with TAP from the Master Playback.
A Chase has playback modes such as Reverse, Bounce, Single Shot.
You can link any chase to a sequence step using a Master Link.
You can play back a chase from any playback, including the Main Playback.

421
Chase - Playback View
The Chase playback view is the same as the Sequence Playback view with some added
functionality.

The added chase functionality appears under the sequence name display in the top of the
Playback view. The functions are described in The Sequences List Columns as well as the
rest of this chapter.

422
Chase - Playback Modes
There are three modes that affect the playback of a chase.

Mode Where Function

Reverse Set in The Sequences Reverses the chase direction.
List Columns
Bounce Set in The Sequences Makes the chase reverse
List Columns direction every second time.
Single Shot Set in The Sequences The chase will run one time and
List Columns stop.

423
Chase - Set Rate
You can set a rate 1-1000% for a Chase. It will scale all times proportionally.

Action Keys Feedback

1. Open the Sequences [SEQ] The Sequences List is
list opened.
2. Step to the Rate cell Arrow Keys The cell is highlighted.
for a chase
3. Enter a new Rate [#] [MODIFY] The Rate # is assigned
to this Chase. All fade
times are proportionally
scaled.

424
Chase - BPM & Tap Tempo
You can set the tempo/speed to a chaser in BPM. This can be set numerically in the
Sequences tab (Browser >Main Show Data >Sequences) or using the Tap Tempo function.

Set BPM Numerically

Action Keys Feedback

1. Open the Sequences [SEQ] The Sequences List is
list opened.
2. Step to the BPM cell Arrow Keys The cell is highlighted.
for a chase
3. Enter a new BPM [#] [MODIFY] The BPM # is assigned
to this Chase. *

*The BPM parameter is only used for sequences in Chase mode. When the BPM parameter
is set, it will override all programmed times. The In and Out times will be 0 s and the Wait
time will be set according to the BPM parameter.

Set BPM using Tap Tempo

Action Keys Feedback

1. Assign the chaser to a [#] [SEQ] & The Chase is assigned
Master [Master_Key] to the Master Playback.

2. Tap the Tempo [TAP] & Hold TAP and tap the
[Master_Key] Master Key at least
twice.*

*You have to tap at least 2 times in a row before the new tempo is activated. The tapping
speed is translated to, and stored as the BPM parameter in the Sequence List. You can
easily change it afterwards.

425
Chase - Wizard
The Chase Wizard can create a chase sequence from a channel selection. It is activated
from within the Sequences List.

Action Keys Feedback

1. Open the Sequences [SEQ] The Sequences List is
list opened.
2. Open the Chase [WIZARD] The Chase Wizard is
Wizard opened. The next free
Sequence number is
suggested.
3. Select channels and Channel functions The current channel
set levels selection from Live is
automatically
loaded. Change if
wanted to.
4. Fill in the Chase Arrow Keys See Chase Wizard -
Wizard Functions
5. Execute the Chase [EXECUTE] The Wizard is closed,
Wizard and the new Chase is
added to the Sequences
List.

426
This is the Chase Wizard

427
Chase Wizard - Functions

Column Input Function

Number of steps [#] [MODIFY] The number of steps the
Chase shall have.
Channels per step [#] [MODIFY] The number of channels you
wish to have in each step
Step time [#] [MODIFY] Default wait time for each
step. Can be edited after.
Chase number [#] [MODIFY] The number this Chase will
have. Next free is
suggested.
Start at preset [#] [MODIFY] The Preset number this
Chase will use for the steps.
It will start at Preset 800 by
default.
Increment [#] [MODIFY] You can set the Chase to
use Presets with an
increment of .1 here.
Build [MODIFY] Check if you want the
Sequence Steps to continue
adding new channels in each
step to the previous ones.
NOTE
If you want to make changes in the Chase Sequence you just created,
use the Sequence and Preset editors. It is a "normal" Sequence that
has been created by the Chase Wizard.

428
Sequences - Split Fade (6.1)
There is a setting in the Mode cell of each step in the Sequence List that allows you to set
the fade mode to S (Split) in which there will be no dipless calculation between the
crossfaders - allowing for a blackout by moving each fader to zero.

See Sequences - Sequence List

429
Sequences - Drag And Drop (6.3)
There are many ways of moving around data in a sequence. Drag and drop is one of them. It
can be useful if you want to reorganize the order of your sequence steps, or for example if
you want to move an attribute link from one step to another.

Drag and Drop a Sequence Step (6.3)

Moving or copying a sequence step to another position can be done in all three Sequence
views:

Playback View
Sequence List
Organizer

Simply select the step you wish to move, click, hold and drag to another position and drop.

In the Playback View:

430
In the Sequence List:

In the Organizer:

In all three cases you will get the following dialogue:

This dialogue allows you to COPY or MOVE the selected step.

COPY = Makes a copy of the source and inserts it into the sequence after the target step.
MOVE = Moves the source and inserts it into the sequence after the target step.

431
If you select the Advanced tab by pressing left arrow you get the following options:

The first option allows you to define where you want to copy/move the step to.

After the target step (default)

Before the target step
Replace the target step

The second option "Create Between" allows you to create a new step with a new preset
number and insert (after/before).

432
Drag and Drop Device Attributes (6.3)

Moving and copying device links in a sequence can be done in the organizer, or in the main
playback tab.

Organizer

1. Open the Organizer tab (Browser >Main Show Data >Organizer (1 tab)) and expand the
sequence nodes.

433
2. Left-click, hold and drag the Devices node from step 2 to step 1, and drop. This will give
you a dialogue:

Your options are to either copy, or move the device link you just dragged.

NOTE
You can drag all devices, devices of the same type or just a single
device depending on where you click when you drag.

434
Main Playback Tab

In the main Playback Tab, left-click, hold and drag devices in the device cell of a sequence
step to another step and drop to get the same dialogue as when you drag and drop in the
Organizer as described above.

435
Sequences - Section Markers (6.3)
You can organize the contents of a sequence visually by setting section markers that will
provide a blue heading. In addition to this you can jump between section markers.

The quickest way to apply or remove a section marker is using the context menu (right-click
over a sequence step in the Playback tab).

You can see and set the section markers in the sequence editor as well - in the column at
the far right

436
AND you can set the section marker also when you record a new preset in the sequence
from the Advanced Record dialogue.

437
Jump Between Section Markers (6.3)

There are different ways to jump between section markers

Function Keys Feedback

Next marker to A [GOTO] & [SEQ+] Step with next marker is
loaded to A
Previous marker to A [GOTO] & [SEQ-] Step with previous
marker is loaded to A
Next marker to B [JUMPTOB] & Step with next marker is
[SEQ+] loaded to B

Previous marker to B [JUMPTOB] & [SEQ- Step with previous

] marker is loaded to B

Snap to next/previous G & up/down_arrows From Keyboard: Snap to

marker (from keyboard) next/previous marker

A new Direct Select type is available for Sections to make a Goto directly

438
Playlist (6.2)
The Playlist allows you to arrange the order in which sequences are loaded to the main
playback.

1. Make sure you have some sequences to arrange in the playlist.

2. Open the Playlist editor

The Playlist is opened from Browser >Main Show Data >Playlist.

These are the functions in the Playlist.

Function Keys Feedback

Insert [#] [INSERT] Sequence # is inserted
into the Playlist
Delete [DELETE] Sequence # is deleted
from the Playlist
Load [GOTO] Loads the selected
Sequence to the Main
Playback from the next
fade.

3. Activate Playlist Mode from the Misc Soft Key Page (see below).

NOTE (6.2)
You can reset the Playlist to strart from the top at anytime by holding
C and pressing PLAYLIST in the Misc Soft Key Page.

439
The Playlist - Mode

Playlist mode is activated by the softkey PLAYLIST in the Misc Soft Key Page.

Congo

Congo Jr

When it is active all Sequences in the Playlist will be loaded when the previous is finished,
until the end. Every time a new Sequence is loaded this will be notified with a message on
the main screen.

The Playlist - Console Display

Hold [<--] and press the softkey PLAYLIST in the Misc soft key page to activate the Playlist
in the main display.

You can select any sequence with the trackball in DispList mode by clicking on it.

440
Groups/Palettes Overview
This is an overview showing both Groups and Palettes of all types (Focus, Color, Beam, All)
in the same tab.

Open from the Browser >Main Show Data >Group/Palette Overview.

Press MODIFY to activate a selected item.
Press TRACK to track a selected item.
Press MODIFY to edit a name.

441
>Settings & Tools - Main Show Data
These are the settings and tools for Main Show Data.

This chapter contains the following sections

Fade Curves
Notes Editor
Delete Wizard

442
Fade Curves (6.1)
It is possible to create and assign fade curves to each crossfade. It is possible to create any
kind of curve in the Fade Curve Editor. The curves affect intensities, not Moving
Device attributes.

When you create a new play (6.1) a set of standard fade curves are loaded.

Action Key Feedback

1. Open the Fade Curve Browser >Main Show The Fade Curve List is
List Data >Settings and opened.
Tools >Fade Curves
2. Insert a New Curve [INSERT] A new curve is inserted.
You can name it in the
Name cell.
3. Open the Fade Curve [MODIFY] Press MODIFY in the
Editor Fade Curve cell to open
the editor.

Fade Curve Editor (example: fast start Curve)

Action Key Feedback

4. Insert a position [INSERT] A position is inserted.
You can set percent,
Output and if this step
should use interpolation
to the next step.
443
Sequence - Assign Fade Curves

Assign curves to a sequence step in the Sequence Editor.

Action Key Feedback

1. Open the Sequence [MODIFY] & The Sequence List is
Editor [PLAYBACK] opened.

2. Move to the column Arrow Keys The cell is highlighted

"Fade Curve"
3. Open the Fade Curve [MODIFY] The popup is opened. If
popup no curves are defined it
will only have "No curve".

4. Select a Curve Arrow keys The selected curve is

highlighted
5. Confirm [MODIFY] The popup is closed and
the selected curve is
assigned to this step.

444
Notes Editor
Notes allow a comment and a color code to be attached to any Sequence Step, Group,
Preset or Palette. All Notes are summarized in a list with a time and user stamp - and a
direct link to the object the Note is attached to.

All Notes are tagged with a time stamp, and the user login of the operator.
Notes are shown in the Playback View with Flags.
The color of these flags can be set in the Notes Editor.
In the Notes Editor, it is possible to edit, delete and change color code for Notes.

Notes - Create

Notes are created in the following lists by pressing NOTE.

Playback view
Sequence List
Preset List
Group List
Focus Palette List
Color Palette List
Beam Palette List
All Palette List

Pressing NOTE (for example in the Preset List) will produce the following popup

Press MODIFY to save. See Notes - Editor.

445
Notes - Editor

Open the Notes Editor by holding MODIFY and pressing NOTE or from the Browser
(Browser >Main Show Data >Settings and Tools >Note Editor).

Note Editor - Columns

These are the columns in the Note Editor.

Column Input Function

TimeStamp [MODIFY] The time stamp of this Note - Press
MODIFY to open the editor for this
object.
User [MODIFY] The user that created this Note -
Press MODIFY to open the editor for
this object.
Linked to [MODIFY] The object of this Note - Press
MODIFY to open the editor for this
object.
Note [MODIFY] The Note text. MODIFY opens the
text for editing.
Color [MODIFY] The color popup (only for the
playback tab). Press MODIFY to
open and select. Press MODIFY to
close*

*The color flag is shown for Notes in the Playback View.

446
Note Editor - Delete

Notes are deleted in the Note Editor.

1. Open the editor. See Notes - Editor.

2. Select the Note with arrow keys.

3. Press DELETE. The Note is deleted.

447
Delete Wizard
The Delete Wizard allows you to delete bulk data in your play.

It is opened from the Browser >Main Show Data >Settings and Tools >Delete Wizard.

There are two tabs.

Delete All (of a type of data)

Delete Partial (from #-#)

Delete All

448
Delete Partial

449
Channels
Every dimmer or device controlled from Congo is selected and
controlled by its channel number.

Channels Node

This chapter contains the following sections

Channels Functions
Live View
Blind View
Track List
Parked
>Settings and Tools - Channels

450
Channels - Introduction
A channel is the "handle" you call upon to control any dimmer or moving device connected to
the system.

Dimmer channel

Device

Channels are selected with the channel functions of the programming section. The Channel
Control functions are mapped to any section of the console at any time - for example
pressing LIVE connects to the A field of the Main Playback, pressing BLIND connects to the
Blind field.

NOTE
Channel Control is not the same thing as a "programmer" where
channels are "stolen" into the programmer and have to be "released"
- instead the Channel Control is mapped to any Playback (A, B, Live,
Blind, Masters), and controls the channels directly in that playback.

General Facts

Channel levels can be set with the faders in Channels Only Mode
Channels can be selected and set with a Command Syntax from the keypad
Channel levels are set from 0-100%. 0% values are not displayed on the channel
screen and 100% values are displayed as F, standing for "Full". The full resolution of
DMX 512 is higher than 100 steps, its 256 steps called bits. Therefore there are
functions for setting and changing levels in increments of bits (0-255).
Channels are always controlled directly in a playback or an editor, and the current
one is indicated in the small display "Channel Control" at the bottom of all screens.
There is a Highlight mode, mainly used for focusing devices, that can also be used
for conventional lights. See Device Control -- Highlight Mode.

451
Channels - Functions
These are the channel functions.

This chapter contains the following sections

Channels - Views
Channels - Command Syntax
Channels - Ch Only Mode
Channels - 8 bit 256 Step Levels
Channels - Capture Mode
Channels - Clear Functions
Channels - Check Mode
Channels - Balance Mode
Channels - Random Selection
Channels - Scale Level
Channels - Used & Unused
Channels - Group Wheel Mode
Channels - Rem Dim
Channels - Next & Last Mode

452
Channels - Views
Channels are displayed graphically in channel views. These views are part of editors like the
Preset Editor, the Sequence Editor, Effect Editors etc. The main channel view is the LIVE
tab.

Channel views can show channel intensities, palettes and attributes. They have different
levels of detail and can be zoomed. For more information see Navigating - Channel Views
and Live - Introduction.

453
Channels - Command Syntax
The default mode for entering commands in the system is simple to learn, requires few
keystrokes and applies to all functions in the system. It is used a lot in HP calculators for
speedy calculations and is called Reverse Polish Notation (RPN). Since RPN applies to
everything in the system we recommend you spend the necessary 30 minutes to understand
it. There's one single rule: enter the number first and press the function key after.

At Mode (also called (Direct Entry) is different in the way that ch numbers are entered
directly, followed by a function (@ LEVEL for example) and the value of that function.

NOTE
At mode setting is set up and stored in the registry as a system
setting. See System Settings - General.

454
Select Channels (6.1)

The fastest way to select a channel and set a level regardless of syntax is to enter the
number of that channel and move the level wheel.

This is a table with the key entries for most channel commands.

Channel RPN AT MODE

Clear selected [C/ALT] [C/ALT] [C/ALT] & [C/ALT]
channels
Select channel 1 [1] [CH] [1]
Add channel 2 [2] [+] [+] [2]
Add through 7 [7] [THRU] [THRU] [7]
Subtract ch 3 [3] [-] [-] [3]
Select all channels with [ALL] [ALL]
a level in the channel
control
Select all channels at # [ALL] & [@LEVEL] # [ALL] & [@LEVEL]
level # in the channel
control (6.1)
Select all channels with [ALL] [ALL] [ALL] [ALL]
a level in any playback
Invert the current [INV_GROUP] [INV_GROUP]
channel selection (of all
channels with a level)
Step to the next ch [+] [+]
Step to the previous ch [-] [-]

NOTE
To complete a channel selection in At Mode without pressing the @
LEVEL key. use the decimal [.] key.

See Channels - Clear Functions

455
Set Channel Levels

Once a channel(s) is selected you can set levels in the following ways.

Level Command RPN AT MODE

Set to 50% [5] [0] [@LEVEL] [0] [5]
[@LEVEL]
Set to 55% [5] [5] [@LEVEL] [5] [5]
[@LEVEL]
Set to 100% [@LEVEL] [@LEVEL] [@LEVEL]
[@LEVEL]
Set to 70%* [@LEVEL] [@LEVEL] [7]
Set to 0% [@LEVEL] [@LEVEL] [@LEVEL]
[@LEVEL] [@LEVEL]
[@LEVEL]
Set to 0% [C] & [-%] [C] & [-%]
Add 5% [+%] [+%]
Subtract 5% [-%] [-%]
Select ch # and add 5% [#] [+%] [#] [+%]
Select ch # and subtract [#] [-%] [#] [-%]
5%
Increase level by #% [#] [.] [+%]
Diminish level by #% [#] [.] [-%]
Revert to last used level [ON/FETCH] & [ON/FETCH] & [@LEVEL]
(Undo) [@LEVEL]

*This is the Step Level value of the SETUP for the Level key. You can change it by holding
SETUP and pressing @LEVEL.

NOTE
There is a function for setting the last recorded level, and for fetching
levels from any recorded Preset.

See Presets - Fetch Intensities

456
Park Level

You can set a channel at a constant level. It will not be affected by any other controls
(including the Grand Master).

See Park.

457
Channels - Ch Only Mode
The idea of a Channels Only Mode allows a complete novice to get some lights on stage.
The Fader Mode switch converts all 40 Playback faders to channel faders temporarily,
actually turning the console into a single scene board.

See Master Playbacks - Fader Mode Switch

Action Console Feedback

1. Make sure the Grand Grand Master Otherwise there is no
Master is up light output
2. Make sure the Freeze Switch Otherwise there is static,
FREEZE switch is set to or no light output
ON
3. Turn Fader Mode Mode Switch Channels 1-40 can be
switch to "Channels accessed from the
Only" Master faders now.
Move fader 1 and you
can see the value for
channel 1 on the channel
views.
You can select a channel Direct Select keys The channels in each
range from the Direct range are indicated in
Select keys. the displays.

The levels will remain when you exit Channel Only mode and can be used in the normal
mode.

To exit Channels Only Mode move the switch back to Masters.

458
Channels - 8 bit 256 Step Levels
You can work with 8 bit 256 step levels.

Action Key Feedback

256 bit step level [#] [.] & Holding the decimal
[@LEVEL] while pressing @LEVEL
sets the level in 256 bit
steps.
Increase 1 bit [.] & [+%] As long as the decimal
point is held, pressing
+% will add one bit step
to the selected channels
Decrease 1 bit [.] & [-%] As long as the decimal
point is held, pressing
+% will subtract one bit
step from the selected
channels
Show 256 bit levels [FORMAT] & Toggles the view
[[@LEVEL] between decimal and
256 bit levels

EXPLANATION
Levels for channels controlling dimmers are traditionally set from 0-100%. The internal
resolution of DMX 512 however, is about 2.5 times greater, from 0 to 255. You may want to
use this higher accuracy when you are setting values for mechanical dimming devices.

The board will display the %-value rounded off to the closest value. (1.4% will be displayed
as 1% and 1.6% will be displayed as 2%)

To convert between 0-100% and 0-255 raw DMX levels, you divide the % level with 0.39
(100/255=0.39). For example: 50% / 0.39 = 128 bit steps (actually 128.21)

The other way around you multiply by the same factor of 0.39. Example: 129 x 0.39 =
50,31%

NOTE
256 bit step levels are not displayed on the channel screen, but are
stored with the show and exported in ASCII Light Cues.

459
Channels - Capture Mode
Capture Mode makes it possible to control and record any channel level or parameter,
regardless of where it is output from. Captured levels are considered to be changed at all
times and will be recorded into Presets accordingly. The channel is kept until released.

The channel number background of a captured channel is red.

RECORD will store the captured level.

It is possible to work in a permanent Capture mode, and there are functions for Capturing
any part of a ch.

As soon as Capture is active for a channel or parameter, this is indicated at the top of all
screens.

Permanent Capture Mode

While Capture mode is activated, all channels that are changed are automatically captured.

Action Key Feedback

Activate [CAPTURE] [CAPTURE] Capture will light up. All
channels that are selected
and changed will remain at
that level until released.
Deactivate [CAPTURE] [CAPTURE] Capture light goes off.
Captured channels remain
captured until released.
Captured channels will have
a red background for the
channel number.

460
Capturing levels or parameters

Regardless if Capture mode is active or not, it is always possible to capture channels or part
of channels. Capture mode is not toggled to a permanent active state by these commands
(5.0).

OBSERVE
That all of these commands will affect the currently selected channels. If a number is entered
first, only this channel will be affected.

Action Key Feedback

Intensity and [CAPTURE] & [CH] Captured channels will have
parameters a red background for the
channel number.
Intensities [CAPTURE] & Level is captured until
[@LEVEL] released.

Parameters [CAPTURE] & Parameters are captured

[ATTRIB] until released.

Single Parameters [CAPTURE] & Parameters are captured

[Wheel_key] until released.

Focus parameters [CAPTURE] & Parameters are captured

[FOCUS] until released.

Color parameters [CAPTURE] & Parameters are captured

[COLOR] until released.

Beam parameters [CAPTURE] & Parameters are captured

[BEAM] until released.

U1-U3 parameters [CAPTURE] & [U1- Parameters are captured

U3] until released.

Recording only Captured channels

You can record only captured channels.

Action Key Feedback

Record captured [RECORD] & [CAPTURE] Levels and parameters of
only captured channels are
recorded.

461
Releasing Captured Channels

Captured channels are released back to the sum of all playbacks, this can be done on time.

Action Key Feedback

Selected [RELEASE] The selected channel
intensities are released,
regardless if Capture is active
or not.
Selected [RELEASE] & The selected channel
[CH/ID] intensities and attributes are
released, regardless if
Capture is active or not.
In # seconds [#] [RELEASE] The selected channels are
released in the time #,
regardless if Capture is active
or not.
All [RELEASE] All captured channels are
[RELEASE] released, regardless if
Capture is active or not.
Focus [RELEASE] & Release captured Focus
[FOCUS] parameters

Color [RELEASE] & Release captured Color

[COLOR] parameters

Beam [RELEASE] & Release captured Beam

[BEAM] parameters

Single parameters [RELEASE] & Release captured parameters

[Wheel_key]
Grouped parameters [RELEASE] & Release captured parameters
[U1-U3]

462
Channels - Clear Functions
The C/ALT key is used in combination with other keys to quickly clear different playback
areas of channel levels and channel selection.

These functions can be used to clear channels and levels

Action Key Feedback

Clear selected [C/ALT] [C/ALT] All channels in the
contributing field of the
channel view connected
to the channel control
are deselected.
Clear A [C/ALT] & [LIVE] All channels in the A field
are set to zero and
deselected.
Clear all [C/ALT] & [LIVE] All channels in all
[LIVE] Playbacks are set to
zero and deselected**
Clear Blind [C/ALT] & [BLIND] All channels in
the Blind field are set to
zero and deselected.
Clear channel view [C/ALT] & [CH] All channels in the
Playback connected to
the Channel Control are
set to zero and
deselected.
Clear and home [C/ALT] & [CH] All channels in the
[CH] Playback connected to
the Channel Control are
set to zero, deselected,
homed and the changed
flag is reset.
Clear selected [C/ALT] & [@LEVEL] Selected channels in the
Playback connected to
the Channel Control are
set to zero and
deselected.

*Captured channels and Independent Channels in Exclusive mode are not cleared.
**Channels in Master Playbacks are restored by bringing the Master fader to zero and back
up.

463
Home Attribute functions

Action Key Feedback

Clear [C/Alt] & Homes all attributes and
[HOME_ATTRIB] clears all Dynamics.

Clear [C/Alt] & Homes all attributes and

[HOME_ATTRIB] clears all Dynamics and
[HOME_ATTRIB] intensities.

464
Channels - Check Mode
There is a function for stepping through a series of channels at any selected level. If a
channel is already set to a level when checked it will cut back to the previous level when the
next channel is checked.

Action Key Feedback

1. Select start channel [#] Level_Wheel This level will be used by
and set a level check mode.
2. Activate temporary [C/Alt] & [+] As long as C/Alt is held the
check mode in up or + and - keys will check the
down direction next or previous channel.
3. Exit temporary Let go of the C/Alt key.
check mode

465
Channels - Balance Mode
The Balance makes it possible to temporarily set all channels to 0% except a selection. The
original output of these channels is restored when Balance Mode is exited. This key is in the
Channels Soft Key Page. As soon as balance mode is activated, it is indicated at the top of
all screens.

Congo

Congo Jr

466
 Action Key Feedback
1. Select the channels to See Channel Command
work with Syntax
2. Activate Balance [BALANCE] All other channels in the
Mode channel view will be set
to 0% temporarily. You
can now work with the
selected channels.
3. Exit Balance Mode [BALANCE] The channel levels that
were muted are restored.
NOTE
It is not possible to use RECORD when Balance mode is active.

Balance Mode Key

It is possible to set the REM DIM key to function as BALANCE instead. This is done in the
System Settings.

See System Settings - Channel

467
Channels - Random Select
It is possible to randomize the order of the channels within the current selection. This can be
used to get a random order in a chase or with a Dynamic Effect.

These functions are keys in the Selects Soft Key Page

Congo

Congo Jr

Action Soft Key Feedback

1. Select the channels See Channel
you want to work with Command
Syntax
2. Select the Selects Soft [SELECT] This changes soft
Key Page menu to the
Select functions
3. Make a random [RANDOM] The channels are
selection re-selected in a
random order.

468
You can use the numbering functions that allow you to select every 2nd, 3rd or Nth together
with the random function.

Function Soft Key Feedback

Random 2nd [RANDOM] & [SELECT_2nd] Every random
2nd is selected.
Random 3rd [RANDOM] & [SELECT_3rd] Every random
3rd is selected.
Random Nth [RANDOM] & [SELECT_Nth] Every random
Nth is selected.

469
Channels - Scale channel levels
Channel Scale is a multiplier applied to the intensity level. When 100%, channels are
controlled and played back at normal or recorded levels. Scale settings other than 100% will
proportionally inhibit or boost the intensity output by the channel. For example, a channel
scaled to 150% will play back 75% when actually recorded and played back at 50% by a
preset.

Scaling is mainly used in these situations:

When the light source is too bright due to temporary change of hanging position
(100-0%)
When you need to brighten part of a rig temporarily to adapt it for camera footage
(100-200%).

Scaling with the SCALE soft key

1. Hold the SCALE soft key in the Channels Soft key page of the main display. The channel
view will show the scale levels.

2. Use the level wheel to set the scale level 0-200% for the selected channel(s).

No scale is shown as "---".

A channel with a scaled level gets a symbol next to the level, and the scale leve is shown in
the INFO area of the Browser when the channel is selected.

470
 Scaling from the channel list

Action Key Feedback

1. Open the Channel List [MODIFY] & [CH] The Channel List is
opened and focused at
the channel with that
number.
2. Select the channel [#] [CH] Channel is selected.

3. Move to the Scale Arrow keys

column
4. Set a Scale level [#] [MODIFY] All levels of this channel
will be multiplied by the
Scale factor. A +/-
symbol will be shown
next to the level. Set
100% to remove the
Scale factor.

Clear Scale Values (6.0)

Clearing scales from channels is a key shortcut

Action Key Feedback

1. Select channel(s) [#] [CH] Channels to be unscaled

2. Clear scale [C/Alt] & [SCALE] Scales are cleared.

471
Channels - Used & Unused
You can create a selection of channels based on if they are used or not in the
sequence loaded to the Main Playback.

Action Key Feedback

1. Open the Channel [WIZARD] & [CH] A popup with the
Selection Wizard Channel select wizard is
opened.
2. Select UNUSED or [MODIFY] This is a choice in the
USED dropdown menu.
3. Select the Start and Arrow keys This is default set to the
Stop ranges first and last step of the
Sequence.
4. Execute the selection Based on your choice all
unused or used channels
of the sequence loaded
to the Main Playback are
selected.

472
Channels - Group Wheel Mode
In Group Wheel Mode you can assign a channel group to each wheel under the Main
Display. All wheels interact inside the A field of the Live tab on a Latest Takes Precedence
basis.

Action Key Feedback

CHANNELS Channels (Softkey) The CHANNELS Soft
Key Page is selected in
the Main Display of the
Console.
NOTE
In a client setup with multiple users each client will have individual
settings for group wheel mode.

Congo

Congo Jr

The Channels soft key page:

473
Congo

Congo Jr

Load channels

Action Key Feedback

Load selected [PRESET] & The selected channels
[Wheel_Key] are loaded as a channel
group to the wheel.
Load selected [GROUP] & The selected channels
[Wheel_Key] are loaded as a channel
group to the wheel.
Load group [#] [GROUP] & The channels of Group #
[Wheel_Key] are loaded to the wheel.

Load selected [CH] & [Wheel_Key] The selected channels

are loaded as a channel
group to the wheel.
Load channel... [#] [CH] & The channel # is loaded
[Wheel_Key] to the wheel.

NOTE
The channels affected by a group wheel are updated when they are
selected. This means that if the level has changed (by a crossfade or
a manual change of some kind), the group wheel will now always
catch up. The overflow/underflow information will therefore be lost if
you are taking multiple channels over 100% or under 0%.

474
Channels - Rem Dim
Rem Dim will set all channels in the Channel Control to zero, except the currently selected
channel(s)

Function Key Feedback

Dim remaining [REM_DIM] All channels in
the Channel
Control are set to
zero, except the
current selection.

NOTE
It is possible to set the REM DIM key to function as BALANCE. This is
done in the System Settings. See System Settings - Channel

475
Channels - Soft key page
The Channels Soft Key Page is selected with the soft key CHANNELS in the Main Display of
the console.

Congo

Congo Jr

476
Functions

Function Soft Key Feedback

Compare mode [Compare] Activates Compare mode.
See Presets - Compare mode
Balance mode [Balance] Activates Balance mode.
See Channels - Balance mode
Data [Data] Toggles if console displays and
monitor screens display absolute
device data or references to
palettes.
Mark [Mark] Sets a Mark level to the selected
device(s).
See Active Mode & Mark
Scale [Scale] Activates Scale when held.
See Channels - Scale channel
levels.
Group Wheel [Group_Wheel_mode] Activates Group Wheel mode.
Mode See Channels - Group Wheel
Mode

477
Channels - Next & Last Mode
Next/Last will step through the current channel selection, in the order they were selected.
The focused channel is mapped to intensity and parameter controls.

Action Key Feedback

Activate Next/Last [NEXT] The first channel in the
current channel selection
is marked as red, and
mapped to the level and
device controls. LAST
can be used as well.
Step forward [NEXT] Channels are focused in
the order they were
selected. The focused
channel is highlighted in
red in the active Channel
View*
Step backwards [LAST] Same as above, but
backwards.
Leave Next/Last mode [SELECT_ALL] All channels are selected
again

*Focused channel is highlighted in red.

NOTE
Next/Last and Highlight Mode are often used in combination for
focusing single channels within a channel selection. See Highlight
Mode

When you focus a channel with NEXT/LAST, it will be shown with

number and name in the Information area of the Browser.

478
Channels - Select Functions
This key is in the Select Soft key page.

Open by pressing SELECT (softkey) from the top menu in the Main Display of the console
facepanel. See Main Display - Functions.

Congo

Congo Jr & Kid

479
Select - Sub-selection Functions

In all cases below - Press SELECT ALL to return to the original selection.
Function Soft Key Feedback
Every 2nd [Select_2nd] Every second channel from the
current channel selection is
selected. Use NEXT/LAST to
step.
Every 3rd [Select_3rd] Every third channel from the
current channel selection is
selected. Use NEXT/LAST to
step.
Every # th * [#] [Select_Nth] Every # th channel from the
current channel selection is
selected. Use NEXT/LAST to
step.
Random 2nd [RANDOM] & Two random selections are
[Select_2nd] created from the current
selection. Use NEXT/LAST to
step.
Random 3rd [RANDOM] & Three random selections are
[Select_3rd] created from the current
selection. Use NEXT/LAST to
step.
Random Nth [RANDOM] & Nth random selections are
[Select_Nth] created from the current
selection. Use NEXT/LAST to
step**

*If no number is entered, the last used number will be used.

**The last used Random selection # is used.

480
Live (6.0)
The Live tab is the most fundamental tab, where you can view and
edit values for channels and devices "live".

This chapter contains the following sections

Live - Introduction
Editing in Live
Channel Symbols

481
Live - Introduction (6.0)
Live is the main Channel view where you can control and view the live output of all channels
and devices. The Live tab shows all channel levels, no matter where they are output from. If
you add channel intensities they will be output from the Active field of the Main Playback (A).

NOTE
The Live Tab cannot be closed with ESC unless it is unlocked. To
unlock hold SETUP and press TAB when it is selected.

Select the Live Tab (6.0)

Pressing LIVE will always select the Live tab, and allow you to control channels and devices.

Press ATTRIB to view attributes (providing a moving device is patched).

482
Selecting channels with mouse (6.3)

Click on a channel to select or deselect it, and hold SHIFT and click on a channel to make a
THRU function. In channel layouts you can click on a bar or box to select all channel on/in it.

Double-click a channel to select just that channel.

Right-click in a channel view to open the context menu with channel functions

You can drag and drop channels between channel views, and to masters. All intensities will
be copied.

Channel viewing formats

All channel views have a variety of viewing formats (selected, non-zero etc). The currently
selected format is indicated in the top right corner of each Channel View. To read more
about the viewing formats see Navigating - Channel views.

You can toggle through these formats by pressing FORMAT repeatedly:

All channels
Selected channels
Selected and non-zero channels
Selected and captured channels
Selected and used in play channels* (see NOTE)
Channel Layout (if there is one defined)
# FORMAT (select Channel Layout)

483
 You can activate the following of those formats directly by holding FORMAT and pressing a
key

All channels (FORMAT & ALL)

All non-zero channels (FORMAT & CH)
Captured channels (FORMAT & CAPTURE)
Parked channels (FORMAT & PARK)

NOTE
SELECTED AND USED IN PLAY = Shows channels that are recorded
in presets and Groups. If you select previously not recorded
channels, they will be shown in this view. But, when you select this
format the next time, a new scan through all groups and presets will
be made and they will disappear again if they dont have recorded
levels.

Channel View Zoom

Hold FORMAT and use the wheel to Zoom in/out.

NOTE
Hold C & FORMAT to reset the zoom factor.

484
Channel Information - Info Box

Under the Browser there is an INFO box which will show information for the currently
selected channel(s). It is possible to use NEXT/LAST to focus a single channel within a
selection and get the channel info.

The following information is shown

Text A-D for the channel

Template name.
If a dimmer curve is assigned.
The Dimmer/Device Addresses.
Park status.
More than one channel select is shown as x channels selected.
If there are dimmer errors reported for a channel.

485
Multiple Live Tabs

It is possible to open several Live tabs. They can be set to operate individually, or linked to
the same channel pool - synchronising to show as many channels as possible at all times.

Action Key Feedback

Open new [TAB] & [LIVE] A new Live tab is
opened.

Every Live tab that is supposed to be linked to the same channel pool needs to activate this
feature.

1. Hold SETUP and press TAB (with the Tab in mind focused).

2. Check the box "Include Channel View in pool".

486
Editing in Live
All controls of the console are available for editing when Live is active.

Select channels and/or devices and you can

Set/change intensities with level wheel or level keys

Change parameters with parameter wheels
Activate palettes with palette keys and/or direct selects

Intensities = HTP
Intensities are added to the output in the A field of the main playback. The levels are piled by
Highest Takes Precedence (HTP)on top of the output from all playbacks.

Override = Capture Mode

If you want to control intensity or attributes of any channel regardless of where it is output
from, use Capture Mode. Capturing a channel is similar to using a programmer, which
means that the channel has to be released back to the playbacks or it will stay at the
captured level. See Capture Mode.

Edit Attributes on screen

Please note that Spreadsheet editing on screen is OFF as default. To activate this open the
tab settings by holding SETUP and pressing TAB.

487
Record in Live (6.0)

Recording
You can record in Live directly to the sequence in the main playback, directly to a master, or
to Preset.

Action Key Feedback

Record Live [RECORD] A popup will ask you to
confirm that the content
of Live is recorded to the
next free preset of the
sequence in the main
playback.
Record to a Master [RECORD] & A popup will ask you to
[Master_Key] confirm that the selected
channels are recorded to
the next free preset in
that Master Playback.
Update Preset [UPDATE] A popup will ask you to
confirm updating the
preset currently loaded
to A.

488
Channel Symbols (6.0)
These are the different channel and device symbols with indicators for basic modes and
content.

You can choose different levels of detail as shown below by holding FORMAT and pressing
the up/down arrows.

Dimmer channels

The channel number is on top, and the level is indicated with a level bar to the right of the
number and/or a level in % 0-F under.

Scrollers

Similar to dimmer channels, except there is additional information about the currently
selected color.

Moving Devices

Similar to dimmer channels, except there is additional information about the device template
and Focus, Color and Beam palettes and activity. If the device has color mixing there is a
color preview to the left of the channel number showing the current mix.

You can toggle if palette names or number are shown by holding FORMAT and pressing
left/right arrow.

489
Basic indications

Indicator Screen Explanation

Selected and A yellow frame shows that
HTP a channel is selected. If a
master is source the level
is shown in yellow
(channel 3). The top right
corner shows the source
of the current highest
level*
Changed Purple background for
values indicates that a level or
parameter type has
changed.

*Masters are 1-40, Main Playback is AB, Independents are displayed as "I", Capture as
"C" and Remote fields are displayed as "Re".

490
Channel Information - Important modes (6.0)

These are the different modes and functions that can "steal" or "filter" the levels and
parameters of a channel or device.

Function Screen Explanation

Captured A red background for
the channel number
indicates attributes
are captured. A red
background for the
level indicates the
level is captured.
Parked The background of
all information is
dimmed. "PARK" is
indicated at the top
of all screens.

Exclusive level A blue level

indicates this level is
set as exclusive to a
master or
independent

Scaled level A +/- sign after the

level indicates it is
scaled

Inhibited level A red level indicates

an inhibit master is
limiting the level

491
Channel Information - Fade indications (6.0)

Channel information for fades are only shown in the Live channel view and are all related to
the sequence in the main playback.

Function Screen Explanation

Fade The arrow indicates what it
direction will do on pressing GO, not
necessarily what it is doing
right now.

Up = blue arrow
Down = green arrow
No indication means it is not
changing.
Channel Channel Time (T) and Delay
Times (D) are indicated under the
level

Move Fade Channel Time (T) and Delay

(D) are indicated under the
level

Lock Fade An "L" after the time indicates

Lock Fade

Effects En "E" (effect) or "D"

(dynamics) is shown under
the level

Device White on grey = current

parameters White on purple = changed
White on blue = Automarked
Yellow = moving

492
Blind (6.0)
The Blind tab allows you to view and edit values for channels and
devices blind.

This chapter contains the following sections

Blind - Introduction
Editing in Blind

493
Blind - Introduction 6.0)
Blind is a channel view where you can control any channels and devices blind.

Create a look blind and load or record to any playback.

Load the content of any playback to Blind, and load the content of Blind to any
playback.
Record the content of Blind.

Select the Blind Tab

Pressing BLIND will always select the blind tab, and allow you to edit channels and
devices without affecting the output.

The channel viewing formats, zoom and channel information are the same as for all channel
views and Live - see Channel viewing formats.

494
Editing In Blind (6.0)
Most normal controls of the console are available for editing in Blind.

Select channels and/or devices and you can

Set/change intensities with level wheel or level keys

When the attribute view is open you can

Change parameters with parameter wheels

Activate palettes with palette keys and/or direct selects
Use Fetch to copy attributes and levels from any existing preset

Edit Attributes on screen

Please note that Spreadsheet editing on screen is OFF as default. To activate this open the
tab settings by holding SETUP and pressing TAB.

Record and copy in Blind (6.0)

Recording
You can record from Blind directly to a master, or to Preset.

Action Key Feedback

Record to a Master [RECORD] & A popup will ask you to
[Master_Key] confirm that the
content of Blind is
recorded to that Master
Playback.
Record Blind [RECORD] A popup will ask you to
confirm that the content
of Blind is recorded to
the next free preset.
Update Preset [UPDATE] A popup will ask you to
confirm updating the
preset currently loaded
to Blind.

495
Copy and load functions
There are shortcuts for quickly copying information to and from the Blind tab.

Action Key Feedback

Clear [C] & [BLIND] Clears all values in Blind

Copy Live to Blind [LIVE] & [BLIND] All in Live is copied to

Blind
Copy Blind to Live [BLIND] & [BLIND] All in Blind is copied to
Live
Load Preset [#] [PRESET] & Preset # is copied to
[BLIND] Blind

Load Group [#] [GROUP] & Group # is copied to

[LIVE] Blind

Try intensities [BLIND] & Wheel The intensities

in Blind are piled on top
of the rest of the output.

496
Track List
It is possible to track intensities, channels, devices and attributes in
Groups, Presets, Palettes and Sequences.

This chapter contains the following sections

Track - Introduction
Track - Channels
Track - Lists
Track - Presets
Track - Palettes
Track - Track Editing

497
Track - Introduction (6.3)
It is possible to Track a channel/moving device selection with attributes through Play data
(Presets, Groups, Palettes, Sequences. It is also possible from the Browser, to track Presets
and Palettes.

A channel selection can be tracked

In the Sequence of the Main Playback

In the Sequence of a Master Playback
In all Sequences
In all Presets
In all Groups
In all Palettes (Focus, Color, Beam, All)
In the Play (Sequences, Presets, Groups & Palettes)

From the Browser it is possible to track

Where Presets are used (in Sequences)

Where Palettes are used (Focus, Color, Beam, All)

To track an object press TRACK or open the context menu (SELECT SELECT or right-click)
(6.3).

NOTE
You can press MODIFY in the first column of any track list to open
the corresponding editor for that item.

There is a limit of 30 columns of data in all Track Lists to avoid

creating huge spreadsheets if many channels with many parameters
are selected.

As long as a Track List is open the tracking commands UPDATE &

@LEVEL and UPDATE & ATTRIB are blocked to avoid confusion.

IMPORTANT: Be careful using track editing or unblock wizard in a

show where presets appear in multiple sequences or on masters as
well as sequences, since the changes follow through in all places.
498
Track - Lists (6.1)
Any selection of channels/effect playbacks can be tracked. Once the Track List is opened
you can

View and edit levels directly.

Select multiple cells by holding SELECT and using arrow keys.
Press DELETE to delete the data in a cell (6.1).
Enter a number and press MODIFY to set referenced data like palettes for
parameters.
Enter a number, hold C/ALT and press MODIFY to set absolute data for parameters.

NOTE
In all Track Lists with attributes (Seq, Preset, Palettes), both
attributes and levels can be toggled on/off. See Track Channels -
Show Levels & Attributes.

Open any editor directly by pressing MODIFY in that column.

499
Track List - Functions

Column Action Feedback

Step [MODIFY] Opens the Sequence
List focused at this Step.
Preset [MODIFY] Opens the Preset List
focused at this Preset.
Text No Input Shows the Step Text.
Mode [MODIFY] Opens the Sequence
List focused at this
Preset.
Devices [MODIFY] Opens the Preset
Attribute List for this
Preset.
Channel/Device cells [#] [MODIFY] Sets an intensity or
reference data for the
selected cells.
Channel/Device cells [DELETE] Delets intensity or data
for the selected cells.
(6.1)
Parameter cells [#] [C/ALT] & Sets absolute data for
[MODIFY] the selected parameter
cells when the parameter
editing default is set to
Palettes. Sets a Palette
number when the
parameter editing default
is set to abslute data.

500
Track List - Show Levels & Attributes

In all Track Lists with attributes, the attributes and levels can be toggled on/off with the
following functions.

Function Column Feedback

Levels [FORMAT] & The intensity column is
[@LEVEL] toggled.

Focus attributes [FORMAT] & The Focus parameter

[FOCUS] columns are toggled.

Color attributes [FORMAT] & The Color parameter

[COLOR] columns are toggled.

Beam attributes [FORMAT] & [BEAM] The Beam parameter

columns are toggled.
Parameters [FORMAT] & Specific parameter
[Parameter_Key] columns are toggled

Example - show Focus Attributes only

Example - show a single parameter (Iris for example)

501
Track - Channels
The current channel selection can be tracked in Sequences, Chases, Presets, Groups and
all kinds of Palettes (Focus, Color, Beam & All).

Once the channel(s) are selected there is a key combination of TRACK and some other key
to activate the corresponding tracking tab.

You can delete attribute values by pressing DELETE in a cell. There is no undo for this.
(5.0)

Track Channels - In Sequences

Track the current channel selection in a Sequence or Chase.

Function Key Feedback

Main Playback. [TRACK] Track List for Sequence
in Main Playback is
opened*
All Sequences [TRACK] & [SEQ] Track List for all
Sequences is opened**
A Master Playback [TRACK] & Track List for Sequence
[Master_Key] in Master Playback is
opened providing the
master setting is
"Selected Channels" ***

*Track list for the Sequence of the Main Playback

**Track list for all Sequences

502
 ***Track list for the Sequence of a Master Playback

See Track Channels - Show Levels & Attributes.

Track To Wizard

If you press WIZARD on a level in a sequence step, you will get a popup where you can
select up to which Sequence Step the same level should be changed (= Tracked To).

Track Channels - In Presets

Track the current channel selection in all Presets.

Function Key Feedback

Presets [TRACK] & Track List for Presets is
[PRESET] opened*

503
 *Track list for Presets

See Track Channels - Show Levels & Attributes.

Track Channels - Groups

Track the current channel selection in all Groups.

Function Key Feedback

Groups [TRACK] & [GROUP] Track List for Groups is
opened*

*Track list for Groups

504
Track Channels - Palettes

Track the current channel selection in Palettes (Focus, Color, Beam, All).
See Track Channels - Show Levels & Attributes.

Function Key Feedback

Focus Palettes [TRACK] & [FOCUS] Track List for Focus
Palettes is opened*
Color Palettes [TRACK] & [COLOR] Track List for Color
Palettes is opened**
Beam Palettes [TRACK] & [BEAM] Track List for Beam
Palettes is opened***
All Palettes [TRACK] & Track List for All Palettes
[PALETTE] is opened****

*Track list for Focus Palettes

**Track list for Color Palettes

***Track list for Beam Palettes

505
 ****Track list for All Palettes

Track Channels - In The Play

Track the current channel selection in Sequences, Presets, Groups and Palettes.

Function Key Feedback

Play [TRACK] & [CH] Track List for Play is
opened*

*Track list for Play

506
Track - Presets (6.3)
A Preset can be tracked through the current Play. The TRACK function used in the Browser
will produce a listing of all sequences and steps where that Preset is used in the current
play.

Track a Preset in the Browser

Select the preset under the Preset Node in the Browser (F10) and press TRACK (F12) or
use the context menu Track command (SELECT SELECT or right-click).

Track list for tracking Preset 3.0 from the Browser:

507
Track a Preset in the Organizer
Select the preset under the Preset Node in the Organizer tab and press TRACK (F12) or use
the context menu Track command (SELECT SELECT or right-click).

NOTE
The Track command can only be used on objects within the current
play and not in the Organizer (Import From) tab.

508
Track - Palettes
All types of Palettes can be tracked through the current Play. This is done by selecting the
Palette in the Palette node of the Browser (F10) and pressing TRACK.

Function Key Feedback

1. Open the "Palettes" See Navigating - Palettes node is selected
node in the Browser Browser and opened
2. Open a Palette type See Navigating - A Palette node is
(Focus, Color, Beam, All) Browser selected and opened
3. Select a Palette See Navigating - A Palette is highlighted
Browser
4. Track this Palette [TRACK] Track List for Palette # is
opened*

*Track list for tracking Color Palette 3.0 from the Browser.

509
Track - Track Editing
Track editing is a very powerful way to edit in a Sequence. They are used to save time when
the same type of change is wanted in a series of Presets.

Track Editing - Intensities

Intensity changes in a Preset (for all channels) can be tracked forward and/or backward.
When an Intensity Block is set they will stop. This can be set in the Sequence List. See
Sequences - Block Values.

1. Make level changes in a Preset

2. Hold UPDATE and press @LEVEL. A track popup will open.

3. Select forward, backward or both.

4. Confirm.

NOTE
Each channel will be tracked individually until the position where the
level changes value. Dialog shows the number of channels that will
be affected. A step in the sequence set to Block Tracking will prevent
levels from tracking through. To set a block on individual channels in
a step set the intensity to 1% higher or lower on those channels
you wish to block.

510
Track Editing - Update Attributes (6.1)

Attribute changes in a Preset (for all channels) can be updated to the Preset where they
were last changed.

1. Make level changes in a Preset

2. Hold UPDATE and press ATTRIB. A track popup will open.

This dialog includes the possibility to track forwards/backwards/both directions like the
intensity dialog.

Record if changed looks up the sequence on the main playback and finds the source of the
tracked-in attribute(s) and makes the update in that preset.

Record if Active updates many presets, forwards, backwards or in both directions from the
current preset, until a different value or a block instruction is encountered.

3. Confirm.

NOTE
If you have RECORD set to ACTIVE the console will insert data where
required in previous and7or subsequent steps when this editing is
used.

511
Track Editing - Unblock Attributes

An Unblock function can be accessed by pressing WIZARD in the Sequence List. It will
remove all duplicate parameter values for Devices in the sequence in the main playback.
You can select the start and stop step for this operation.

1. Open the Sequence List for Sequence # by entering # SEQ.

2. Press WIZARD to open the unblock Wizard.

3. Make your selection and confirm. All redundant parameters will be deleted.

512
Parked
Park allow you to Park any part of a channel or device at a constant
value. The Park status is stored with the play.
Keyboard shortcut = Z.

This chapter contains the following sections

Park - Introduction
Park - Parking Values
Park - Edit Parked Values
Park - Un-parking Values
Park - Parked Items List

513
Park - Introduction
Park allows you to Park the output of any part of a channel or device at a constant value.

Parked values are indicated with PARK in the Channel view and the Info box of the
Browser when the channel is selected.

A parked channel or parameter can still be altered and recorded blind.

Park can be held and used with

@LEVEL
CH
ATTRIB
FOCUS
COLOR
BEAM
U1-U3
Wheel parameter keys.

There is a softkey UNPARK for unparking parts of a channel or device.

In Live Attributes PARK and UNPARK are used for selected cells.
There is a PARK tab for viewing and clearing Parked values. MODIFY & PARK.
Keyboard equivalent = Z

NOTE
Park replaces the Constant feature of older versions than 4.2.

514
Park - Parking values
The Parked status is indicated in the status part at the top of the screens in blue, in the Live
channel view for each channel ("PARK") and in the attribute views (dimmed).

NOTE
PARK applies to the selected cells when an Attribute View is open.

There is a Parked items list that is opened with MODIFY & PARK.
You can hold PARK and press several different values consequently.

Function Key Feedback

Channel [PARK] & [CH] Park all values of the
selected channel(s)
Level [PARK] & [@LEVEL] Levels are parked.
Attributes [PARK] & [ATTRIB] Attributes are parked.

Focus [PARK] & [FOCUS] Focus parameters are

parked.
Color [PARK] & [COLOR] Color parameters are
parked.
Beam [PARK] & [BEAM] Beam parameters are
parked.
U1-U3 [PARK] & [U1-U3] U1-U3 parameters are
parked.
Parameter [PARK] & Single parameter is
[Wheel_key] parked.

515
Park - Edit Parked Values
Parked values can be edited in the PARK column of the Channel and Output lists. Select the
cell, enter a value and press MODIFY (or click).

Both lists can be opened from the Browser > Patching >Settings and Tools >.

See Patch - Channel List.

See Patch - Output List.

516
Park - Un-parking Values
It is easy to un-park values. The Parked status is indicated in the Live channel view ("PARK")
and in the attribute views (dimmed).

You can hold the soft key UNPARK (Misc) and press several different items consequently.

Function Key Feedback

Channel [UN-PARK] & Unpark entire Channel (Intensity and all
[CH] parameters)

Level [UN-PARK] & Levels are un-parked.

[@LEVEL]
Attributes [UN-PARK] & Attributes are un-parked.
[ATTRIB]
Focus [UN-PARK] & Focus parameters are un-parked.
[FOCUS]
Color [UN-PARK] & Color parameters are un-parked.
[COLOR]
Beam [UN-PARK] & Beam parameters are un-parked.
[BEAM]
U1-U3 [UN-PARK] & U1-U3 parameters are un-parked.
[U1-U3]
Parameter [UN-PARK] & Single parameter is un-parked.
[Wheel_key]

Unpark a parameter or parameter group

Hold UNPARK and press

[FOCUS] [COLOR] [BEAM] [U1] [U2] [U3] [Wheel_Keys]

Un-park all values of the selected channels and devices

[C] & [PARK]

or

[UNPARK] & [CH]

There is a Parked items list that is opened with MODIFY & PARK where it is possible to un-
park as well with DELETE. See Park - Parked Items List.

517
Park - Parked Items List
The Parked Items list shows all parked channels, intensities and attributes.
Individual items can be unparked by selecting the appropriate row and pressing [DELETE].
See Parked.

518
>Settings and Tools - Channels
These are the functions in the Settings and Tools node for Channels
in the Browser.

This chapter contains the following sections

Channel Database & Autogroups

Channel Layouts
Channel Partitions
Remote Controls

519
Channel Database
You can give each channel up to four text labels (ABCD). From these texts "auto-groups" are
automatically created. The auto-groups are available from the Direct Selects and in the
Congo from the Name List in the Main Display (DISP MODE & CH CH).

Any moving device that is patched will automatically show up on the Name List as well,
which allows you to select all "Stage Zooms" or "Scrollers" without creating any groups in
advance.

The Channel Database is opened from the Browser (Browser >Channels >Settings &
Tools >Channel Database).

Set Channel Texts For The Database

There are three ways of setting text to channels in the Channel Database (Browser
>Patching >Channel Database).

Method 1
In the Channel Database cells directly

Action Key Feedback

Set a text in a cell(s) Select any cell(s) in Press MODIFY, enter a
the ABCD columns text and press MODIFY
again to confirm.

520
Method 2
In the Channel Database with a Wizard

Action Key Feedback

1. Select text column Select any cell(s) in Cell is highlighted
the ABCD columns
2. Open the Wizard [WIZARD] Text Wizard is opened

3. Select channels Channel functions Channels appear in Text

Wizard

Action Key Feedback

4. Enter Text Text cell Select text cell, Press
MODIFY, enter a text
and press MODIFY
again to confirm.
5. Confirm Execute button Select Execute, Press
MODIFY to confirm.

521
Method 3
In any channel view

Action Key Feedback

1. Select channels Channel functions Channels are highlighted
in yellow
2. Open Text Wizard [CH] & [TEXT] Text Wizard is opened.
You can set text ABCD
and EXECUTE.

NOTE
You will not get a warning if you are overwriting existing texts.

522
Display List - Auto Groups

This is the Display List for Auto Groups (available in Congo jr using the console mimic dock).

There are different ways of opening the Display list

Key Feedback
[DISPLAY_LIST] & You will get a list of all auto-groups.
[CH] [CH]
Hold DISPLAY LIST When DISPLAY LIST is held you get all lists in the
and press AUTO Direct Selects.
GROUPS in the
Direct Selects

Channel Database - Import Text File Wizard

The Channel Database can import any comma or tab-delimited file and assign four text fields
to the text fields (ABCD) of the database. This makes it possible to import data from
programs like Lightwright, Excel, Word, Wysiwyg and such.

The file has to have the ending .txt and is opened from the Browser (Browser >File >Import
from...).

523
Follow the instructions (1, 2, 3) and import the texts. You can save your mapping and reuse
if you want to import a similar file later.

1. Select the delimiter used by the file you are importing.

2. Select which columns that should be mapped to the internal channel database fields.
3. If you want, choose to store the mappings under a given name for later reuse.

Field description

Setting Feedback
Text file format Choose if the file you are importing is tab or
comma delimited.
Map to columns Channel numbers, and text to each column.
Use column headers in The source file headers will be displayed
Channel Database instead of TEXT A, B, C, D.
Use existing mapping Use this mapping or select a previously stored
mapping.
Save as new mapping Save this mapping for later use.
Name for new mapping Name for this mapping when saving.

524
Import Text File - LightWright

It is easy to import Channel Database texts from LightWright. Here are some good things to
know.

You can download the Lightwright demo from http://www.mckernon.com. The demo works
fine and you can even save shows (it has a limit of 75 units). It also contains a demo show.

Export Format
In Lightwright, data can be exported to tab or comma separated *.txt files. We recommend
tab separated files, since comma separated files can cause problems with data that includes
commas. This is found under File > Export > Data. In this popup you can also select which
data to export.

Uncheck Items
We suggest you select which items to export in the export popup mentioned above, or you
will have an enormous amount of data to select from.

Typical categories to include would probably be

Channel
Dimmer
Wattage
Purpose
Position
Instrument
Type
Color
Type & Wattage
Color & Template.

A suggestion for columns to import (besides Channels) into the Channel Database would be

Text A= Purpose
Text B= Position
Text C= Color & Template
Text D= Type & Wattage

Uncheck Parentheses
Lightwright seems to by default use parentheses (#) on channel numbers. So channel 1 in
Lightwright is (1).
When you export the data from LightWright, in Export options, check the option "Strip
channel parentheses ()". If you do not check this option, the channel will be exported with the
parentheses and Congo will not understand that it is a channel number.

There is also a setting in Edit > Preferences, "Use parentheses () around channel numbers".
By checking that box, it's also possible to get rid of the parentheses in the lists.

525
 Export Devices as Channels
Check the option "For lights with attributes, export only the first row" in Export options.
Otherwise it will export all of the attribute channels as separate channels for moving lights.

LIMITATIONS
If there are multiple items/units with the same channel number, only the item/unit data for the
last item/unit will be imported. This is because the multiple units use the same channel
number and one channel cannot contain different data's. In this case each unit has its own
row in the exported file, so several rows have the same channel number.

If the Lightwright show includes several units patched to one channel, only the last Unit# will
be imported.

Import Text File - Excel

It is easy to import Channel Database texts from an Excel file. Here are some good things to
know.

If you have a nicely formatted list (check example below) and want to import this to the
Channel Database, you need to make sure the table only has headers at the top, since these
are recognized by the import tool. Save as a Tab delimited .txt file.

Example - Data in Excel easy to import

526
Channel Layouts
A Channel Layout is a topographical custom view of your whole
lighting rig, or part of it. It can also contain show data.

This chapter contains the following sections

Channel Layouts - Introduction

Channel Layouts - Load and navigate
Channel Layouts - List
Channel Layouts - Editor
Channel Layouts - Create
Channel Layouts - Channels
Channel Layouts - Lines
Channel Layouts - Boxes and Circles
Channel Layouts - Content

527
Channel Layouts - Introduction
You can have up to 999 custom Channel Layouts in addition to the normal channel views.

This is an example of some instrument symbols in a Channel Layout.

General Facts

Auto-select function by channel content

The same channel can exist in several Channel Layouts
There are USITT plot symbols for different light sources
They can contain any type of data besides channels
FORMAT is used to open a Channel Layout
Channel Layouts can be assigned to Master Playbacks
Use Arrow Keys and level wheel to move around in a layout (5.0)
Zoom (FORMAT & level wheel) will zoom to the selected channel (5.0)
Channels can be selected by dragging a frame around them with a mouse (5.0)

528
Channel Layouts - Load and navigate
These are the functions you need to load and navigate layouts in a channel view.

Function Key Feedback

Load [#] [FORMAT] Channel Layout # is loaded
in the currently
selected Channel View.
Hide symbols [FORMAT] & All channel symbols are set
[Right_Arrow] to the standard symbol of
Congo.
Show symbols [FORMAT] & All channel symbols from the
[Left_Arrow] Channel Layout are shown.

Zoom [FORMAT] & Zoom in layout.

[level_wheel]
Move [Arrow_keys] & Move in layout.
[level_wheel]
Reset [C] & [FORMAT] Resets zoom and move and
puts layout in centre screen.

529
Channel Layouts - List
You can insert and delete Channel Layouts in the Channel layout list (Browser >Channels
>Settings & Tools >Channel Layout).

Channel Layout List - Columns & Functions

Function Key Feedback

Channel layout The ID of each Layout. Cannot be
changed.
Text [MODIFY] Press MODIFY to activate and end
text input. This text is shown in the
lower right corner of the channel
views.
Auto Selectable [MODIFY] Enables Auto-Select*

Delete Layout [DELETE] Deletes the currently selected

Channel Layout. Cannot be undone.
Insert a new [#] [INSERT] Inserts a new Channel Layout **
Channel Layout
#
Copy a Layout [COPY] Copies the selected layout

Paste a Layout [#] [PASTE] Pastes a copied layout to a new

layout #

*If you select a channel that is included in a layout marked as "Auto-

selectable", this layout will be selected. If the same channel is included in
several layouts, the first Auto-Selectable one will be selected.

530
**NOTE
When a new Layout is inserted it is possible to pre-fill it with the
current channel selection or all patched channels. There is a limit to
500 objects for this.

531
Channel Layouts - Editor (6.0)
This is where you create and edit a Channel Layout.
It is opened from: Browser >Channels >Settings & Tools >Channel Layout >#.

Channel Layout Editor - General Functions

The Channel Layout Editor requires a mouse or trackball. Select objects in the upper area
and action in the toolbar. Each function is described in the following chapters.

Select ARROW to select or edit objects.

Select OBJECT and type to insert objects.
Select a channel and set a level to check live.

532
 These are general functions.

Function Key Feedback

Insert # Mouse click Item # is inserted at the
cursor. Selected content
type is used.
Insert next Mouse click Next item of same type
as the previous is
inserted.
Insert channels [INSERT] Selected channels are
inserted.
Delete [DELETE] The currently selected
item(s) is deleted.
Copy selected [COPY] Copies selected items.

Paste selected [PASTE] Paste last copied items*

Move selected Arrow keys Moves selected items.

*The paste popup has options for pasting a range of channels, or mirroring the selected
object.

Channel Layout Editor - Wheels

The wheels are used to spread the selected objects horizontally or vertically, and to change
size or rotation.

533
 1. Select objects (Cursor mode).

2. Use wheel to edit.

Function Feedback
Stretch H Objects are spread horizontally
Stretch V Objects are spread vertically
Size Object size is changed
Rotate Object is rotated. Hold C to rotate
individual objects within selection.

Channel Layout Editor - Colors

It is possible to set Foreground and Background color for all objects.

1. Select object.

2. Select Foreground or Background color (deselect object to view colors)

534
Channel Layout Editor - Align

There are different align options for a selection of objects.

1. Select objects

2. Click on ALIGN to get the Align popup.

3. Make selection and confirm with MODIFY.

Channel Layout Editor - Wizard

The wizard makes it possible to insert a matrix/array or circle of objects of any type.

1. Open the wizard by pressing or clicking WIZARD.

535
 2. Select matrix/array or circle.

3. Fill in numbers, type and behaviour.

4.Confirm.

HINT: Use the Stretch H and V wheels to trim the insertion.

Examples of circle and matrix

Channel Layout Editor - Text

It is possible to set a text to a line or box.

1. Select the object.

2. Press TEXT (Alt T from keyboard).

536
 3. Enter a text and confirm with MODIFY.

NOTE
Use size to resize a text for an object.

Channel Layout Editor - Print (6.0)

You can print channel layouts the PRINT key in the Channel Layout editor to jpg in grey
scale, or in color using print screen to jpg in the MISC soft key page. The print file will be
stored under the print node in a node called PRINTOUTS and can be copied to a USB
memory from there.

537
Channel Layouts - Create
Start by inserting and naming a new Layout.

Function Key Feedback

1. Open the Channel Browser >Setup Opens the Channel
Layout List. >Channel Layout Layout list.
2. Create a new layout [#] [INSERT] A new layout is inserted.
A popup will ask if you
want to pre-fill with patch
or channel selection.
3. Name Layout [MODIFY] Move to TEXT cell and
press MODIFY. Give a
name.

Now open the Channel Layout Editor

Function Key Feedback

4. Select the Item cell of Arrow Keys The cell is highlighted.
the new Layout
5. Open the Channel [MODIFY] The Channel Layout
Layout Editor. Editor is opened.

To Load this Layout, see Channel Layouts - Load.

538
Channel Layouts - Channels
Channels can have color, symbol, rotation and color. You can use Align, Copy, Paste and
Wizard to edit and insert channels. See Channel Layouts - Editor.

Insert single channels

1. Select channel object with the arrow in the lower corner of the object box.

2. Enter a starting number

3. Click to insert the first

4. Continue clicking to insert consecutive objects. Select the arrow tool to edit an existing
object.

Insert a channel selection

1. Create a channel selection with channel select functions.

2. Press INSERT. The selected channels will be inserted at the top left corner of the Channel
Layout.

NOTE
Channel Symbols can be changed here, and are stored in the
Channel Database. See Channel Database.

It is possible to copy a channel selection and paste with new

numbers. See Channel Layouts - Editor.

Channel Layouts - Channel Numbers

It is possible to change the numbering of any channel selection.

1. Select channels.

2. Enter first number.

539
 3. Confirm with MODIFY. All channels in the selection will change with the same offset as the
previous numbering. For example if channel 1 and 5 are selected and 10 MODIFY is
pressed - they will change into 10 and 14.

Channel Layouts - Channel Features

There are various features for a channel in a Layout. Color, size, rotation etc. All of these
features are described in the chapter Channel Layouts - Editor.

These are examples of most functions in use.

540
Channel Layouts - Lines
Lines can be drawn in any direction.

1. Select line object with the arrow in the lower corner of the object box.

2. Click and drag to draw a line.

3. Click and drag again to create a new line.

Select the arrow tool to edit an existing line.

NOTE
If you click on a line in an active layout, you will select all channels
that are on top of it. If you double click, all other channels will be de-
selected first. Objects will be executed.

541
Channel Layouts - Boxes and Circles (6.0)
Boxes and circles can be filled or frames and have a text label.

1. Select box or circle object with the arrow in the lower corner of the object box.

2. Click and drag to draw a box or circle.

3. Click and drag again to create a new box or circle.

Select the arrow tool to edit an existing box or circle.

NOTE
If you click on a box or circle in an active layout, you will select all
channels inside. If you double click, all other channels will be de-
selected first. Objects like palettes will be executed when clicked on.

542
Channel Layouts - Content
The following types of Play content, besides channels, can be added to a channel layout. To
activate a content object in a Layout - click on it.

Color and Size do not apply to these objects. All other Layout functions are available.

Focus Palettes
Color Palettes
Beam Palettes
All Palettes
Dynamics
Groups
Devices
Masters

543
Channel Partitions
A channel partition is a definition of a limited set of channels and
attributes. When activated, only these channels can be accessed.

This chapter contains the following sections

Partitions - Introduction
Partitions - List
Partitions - Create
Partitions - Activate

544
Partitions - Introduction
A partition is a definition of a set of channels/devices. Every Partition has a permission
mask which defines if the Partition is applied to

IFCB
Intensity
Intensity/Color
Intensity/Focus/Beam/Other

Partitions can only be activated by users that have permission to activate them. Once a
Partition is active, it limits the access to these channels. The following functions are filtered
through the Active Partition:

The channel selection (only allowed channels can be selected and viewed)
Parameter access (non-allowed attributes are not shown in Attribute Views)
Recording of attributes or intensities

Non-allowed Partitions for the current logged in User are indicated with --- in the Partition
List. Every partition can have a text label.

NOTE
The default Partition "All" allows access to all functions of all
channels.

545
Partitions - List
You can view, edit and create new Partitions in the Partition List (Browser >Channels
>Settings and Tools >Channel Partitions).

Partitions List - Columns

Function Key Feedback

Partition The ID of each Partition. Cannot be
changed.
Text [MODIFY] Press MODIFY to activate and end
text input. This text is shown in the
top bar of the channel views.
Active [MODIFY] Toggles the Partition on/off. *

Apply to [MODIFY] Opens a popup where it is possible

to select if the Partition applies to
IFCB, Intensity, Color or Focus &
Beam.

* If a User is logged in that does not have permission to activate a Partition, the Active cell
will show "---". See User Login.

NOTE
The default Partition "All" is always defined to allow access to the full
system.

546
Partitions - Create
Partitions are created in the Channel Partition List.

1. Open the Channel Partition List (Browser >Channels >Settings and Tools >Channel
Partitions)

2. Press INSERT
3. Select channels (they will show up in the Channel View part).
4. Press RECORD or UPDATE to store the channel selection.
5. Press MODIFY in the TEXT cell to give a name to this Partition
6. Press MODIFY in the APPLY TO cell to choose permission level.

Partitions - Add Partition Wizard

There is a Wizard to assist you in creating Partitions using Play information that already has
been generated.

1. Open the Partition List (BROWSER >Setup >Partition List)

2. Press WIZARD.

547
These are the different options.

Add by Device Type

Choose a Template corresponding to the Device Type, and what it applies for (IFCB,
Intensity, Color, Focus/Beam/Other).

Add by Channel Database Text

Enter the Database Text you wish to search for, and what it applies for (IFCB, Intensity,
Color, Focus/Beam/Other).

Add by Channel Number

Select a channel range from channel # to channel #, and what it applies for (IFCB, Intensity,
Color, Focus/Beam/Other).

Add by Channel Layout

Choose a Channel Layout corresponding to the Channel Layout.

548
Partitions - Activate
Partitions are activated from the Partition List.

1. Open the Partition List (Browser>Channels>Settings and Tools>Channel Partition)

2. Press MODIFY in the ACTIVE cell to toggle Yes/No. The active Partition is indicated
in the yellow info banner at the top of all Channel Views.

NOTE
If no Partition is active, all channels are available, and shown in the
Live View.

In Live Attributes, only channels and attributes that can be controlled

are shown.

NOTE
REFRESH with no channels selected will affect all channels in the
Playback including channels outside the Partition.

549
Devices
A channel with any attributes (parameters) in addition to intensity is
called a Device. This includes scrollers, moving lights and media
servers.

Devices Node

This chapter contains the following sections

Devices - Introduction
Devices - Functions
Live Attributes
Gel Picker
All Palettes
Focus Palettes
Color Palettes
Beam Palettes
Mask
>Settings & Tools

550
Devices - Introduction
A Device has to be Patched before you can start controlling it. See Patch Device(s).

Devices - Controls

Select a channel to get control of a Device.

The Main Display of the console has wheels and keys for controlling Moving Device
parameters.
Position pan/tilt with the trackball or wheels.
There is a special Device mode for testing.
Load and change templates at any time
There is a soft key page for lamp strike.
Select odds and evens at any time with the Selection tool.
Fan and align any kind of parameter
Mask any parameter or group of parameters
Special functions for scrollers with rolls and calibration.

Devices - Views

The Live Attribute View shows all parameters for selected devices.

Devices - Palettes

Store reference Palettes for Focus, Color and Beam (or All).
Select all active devices using a palette - "all blue" or "all centre stage".
Store palettes for "all of the same type" and reuse (for color mixing).
Palettes are quickly accessible from the Direct Selects.
Load Palettes to Masters and fade selected channel(s).

Devices - Playing Back

Play back Devices from any playback.

Parameters can follow the fader.
Any device parameter can be assigned to a Master Playback
There is a GoOnGo or GoInB function (Move while dark)
Times can be set to follow In, to groups (FCB), devices or single parameters.

Devices - Focusing Mode

Next & Last Mode

Highlight Mode
Palette Focusing Mode

551
 Devices - Effects

Use Effects to create patterns of intensity, color or movement such as circles or fly-
outs.
Define your own Effects

Devices - Templates

Edit a template at any time

Create your own templates
Change a template (device) for another

Devices - Media Servers

A media server is no different from any other device - patch the template and use it.
However we have created a standardised interaction interface (CITP with a MSEX
extension) that allows interaction with the ArKaos media server, in a specific version of
ArKaos. It is probable that more media server manufacturers will adopt this new
communications standard which will allow Congo to have similar interactivity with servers
from Coolux, Green Hippo and others.

ArKaos support
1. Before trying this interaction make sure the ArKaos system is up and running on the
network, with the right show loaded.

2. You must patch the layers of the media server first, and all layers of a single server must
be patched to a continuous range of channels. Enter the channel number that the first layer
will be mapped to. Subsequent layers will be mapped to the following channels. The number
of layers is defined in the ArKaos software.

3. When an ArKaos system is detected, it will show up under Network Devices in the
Browser. Double clicking on the ArKaos item will allow you to connect to it. A popup will
confirm the connection.

When you connect to an ArKaos system, the names of the available media will be
transferred into the ArKaos template and can be used in all situations where a range name
normally occurs. For this to work, you need to use the Arkaos full fixture mode template.

When connecting to the ArKaos system, all old media names in the ArKaos template will
be cleared first.
Unused media names will be set to #: No name.
A media that is playing is indicated with a play symbol (triangle) in the media preview in
the Channel Layout.
ArKaos: Media extensions (like .jpg) are stripped off the range names.
When using Library and File parameters on Direct Selects, File content is
now updated when you change the Library.

552
NOTE
When you connect to a media server the first time (this is when it just
says ArKaos in the Network Devices menu), the names of the media
elements and types are transferred from the media server to the
Congo application. After this, the connection is only used for
transferring runtime status like if a media is playing or not. Updates
to media on the ArKaos side after you connect wont be transferred
to Congo. (In the future, there will be an automatic update in this
case).

Even if you try to connect again on the Congo side, this will not
trigger an update so make sure that all media elements are loaded on
the ArKaos side before you connect.

4.3 Effect types and names are transferred and appear under Effect
Type and Effect Index.

Media Server supporting CITP - MSEX must be used!

553
Devices - Functions
These are the general device functions.

This chapter contains the following sections

Device Control
Device Views
Device Recording
Device Palettes
Device Times
Device Playback

554
Device Control
The Main Display section of the console is optimized for working with
functions in moving devices.

These are the sections in this chapter

Device Control - Introduction

Device Control - Lamp Strike, Douse & Reset
Device Control - Home Positioning
Device Control - U1-U2-U3
Device Control - Align
Device Control - Fan
Device Control - Fetch/Copy
Device Control - Highlight Mode
Device Control - Flip
Device Control - Moving Light Dock Area
Device Control - Select Changed

555
Device Control - Introduction
When you select the channel(s) of a moving device(s) - all controls are automatically
mapped to this section.

Congo

Congo Jr/Kid

556
Device Controls - Explanation

Number Function Explanation

1 Parameter Groups* Parameters are divided into three
categories, Focus, Color and Beam. Select
category by pressing one of these keys. All
available Device Parameters within this
category are mapped to the Wheels and
shown in the display above them (2). If
there are more than four parameters, press
the category key again for the next set.
2 Wheel Content Each wheel has a section of the display
dedicated to it. In this section the
parameter type is displayed on top, and
the current value (or Palette name) under.
If there is a range number it is displayed.
3 Parameter Wheel Move the parameter wheel to set a value.
For 16-bit control move slowly, for 8-bit
control move fast.
4 Wheel key with Press to toggle between zero and full.
value Enter a number and press the key to set a
value.
5 Wheel key with list Hold wheel key to get the sublist in the
display. Use the wheel to select, and let go
to activate. Enter a number and press the
key to select a range.
6 Parameter mode In Parameter mode the trackball controls
pan and tilt of the selected channel(s).

*All parameters of a moving device are grouped into four groups of functions.

Focus = Pan and tilt

Color = all color functions such as CMY, color wheels etc
Beam = everything else

Intensity = is stored in Presets

Control parameters = are usually not stored, but can be included or excluded by using
Masks.

557
Device Control - Lamp Strike Douse & Reset
In Control Soft Key Page there are functions for lamp ON/OFF and RESET for devices
(which are defined in the template of that device).

1. Go to the top menu for the Main Display in the console facepanel by pressing [<--] until
you have this page.

Congo

Congo Jr/Kid

2. Press DEVICE to select the Device Soft Key page.

Congo

558
Congo Jr/Kid

3. Press Control to get the Control Soft Key Page

Congo

Congo Jr/Kid

559
Control Soft Key Page - Functions

Action Soft Key Feedback

Enable [ENABLE] This key has to be
pressed together with
Lamp On/Off/Reset to
activate them (as a
safety measure).
Lamp Idle [ENABLE] & The Device is set to it's
[Lamp_Idle] Lamp idle value

Lamp On [ENABLE] & A lamp strike is set to the

[Lamp_On] selected channel(s)

Lamp Off [ENABLE] & A lamp off is set to the

[Lamp_Off] selected channel(s)

Reset [ENABLE] & [Reset] A lamp reset is set to the

selected channel(s)
NOTE
These functions are Device and Template Specific. Check the manual
and template of each Device.

Control parameters are not stored in Presets.

Press HOME ATTRIB after a Lamp On/Off/Reset, or lamp idle, to avoid

sending control commands to the lights forever.

560
Device Control - Home Positioning
Home positioning of a device means setting all parameters (or part of them) to the default
values defined in the template of this device. See Devices - Templates.

Normally it means setting pan and tilt to 50%, color to white and all other parameters to
neutral.

These functions apply to the currently selected channel(s)

Action Key Feedback

All attributes [HOME_ATTRIB] All parameters are set to
[HOME_ATTRIB] home

Focus [HOME_ATTRIB] & Focus parameters are

[FOCUS] set to home

Color [HOME_ATTRIB] & Color parameters are set

[COLOR] to home

Beam [HOME_ATTRIB] & Beam parameters are

[BEAM] set to home

Single parameters [HOME_ATTRIB] & Parameter # is set to

[Wheel_Key] home

Another way of doing the same thing

Action Key Feedback

Focus [0] [FOCUS] Focus parameters are
set to home
Color [0] [COLOR] Color parameters are set
to home
Beam [0] [BEAM] Beam parameters are
set to home
All attributes [C/ALT] & All parameters are set to
[ATTRIBUTES] home

561
Device Control - U1-U2-U3
The parameter group keys U1-U3 can be set up with any mix of device parameters. Each of
them have three sub-pages. This makes a total of nine user definable parameter pages.

This editor is opened by holding MODIFY and pressing U1-U3 or a Wheel key when a bank
(U1-U3) is selected.

NOTE
Each User Bank (U1-U3) has three parameter pages (1-3). They are
shown in the same editor.

562
U1-U3 - Setting Up Parameters

Column Function Feedback

Page No function This is the number of the
Page (1-3) under this
User Bank (U1-U3)
Wheel No function This is the number of the
Wheel, and cannot be
changed.
Parameter [MODIFY] Opens a dropdown with
all parameters. Select
one and press MODIFY
to confirm*

*The letter (FCB) after a parameter indicates it's parameter group.

NOTE
Parameters in U1-U3 are still stored in the original palette types
(Focus, Color, Beam).

563
Device Control - Align
The Align key copies parameters from one Device to others.

Action Key Feedback

1. Select the device you Channel select The selected channel is
want to copy from functions highlighted
2. Add the channels of Channel select The selected channels
all devices you want to functions are highlighted
copy to

Hold ALIGN and then press the key corresponding to the parameter or parameter group you
want to copy

Function Key Feedback

Align FOCUS [ALIGN] & [FOCUS] All Focus parameters are
copied*
Align COLOR [ALIGN] & [COLOR] All Color parameters are
copied*
Align BEAM [ALIGN] & [BEAM] All Beam parameters are
copied*
Align single parameters [ALIGN] & The parameter assigned
[Wheel_Key] to the wheel is copied.

*If Palettes are used, the palettes will be aligned, not the values.

NOTE
If you are using NEXT/LAST the currently focused channel is the one
you will copy from - to the rest.

564
Device Control - Fan
FAN is used to distribute values of a parameter evenly around a centre point. There are four
different shapes of fan:

Linear
S = S shaped
V = V shaped
U = U shaped

Function Key Feedback

1. Select channels Channel Select Selected channels are
functions highlighted in the
Channel View
2. Select base channel* [NEXT] The focused channel is
highlighted in red
3. Fan parameter # [FAN] & [Wheel] Parameter # is fanned
according to the shape in
the Settings, around the
channel focused by
NEXT/LAST.

*If no base channel is selected, the centre channel of the selection is used.

Fan Settings

Hold SETUP and press FAN to open the Fan Settings

Select with arrow keys, and press MODIFY to confirm.

565
Device Control - Fetch/Copy
Use Fetch to copy parameter values for devices from any Preset. Fetching from Presets in
the Main Sequence will copy the STATE of those devices including any tracked values from
presets earlier in the Sequence.

First select the devices you wish to copy values to.

Function Key Feedback

FOCUS values [#] [FETCH] & Focus values from
[FOCUS] Preset # are copied to
the selected channel(s).
COLOR values [#] [FETCH] & Color values from Preset
[COLOR] # are copied to the
selected channel(s).
BEAM values [#] [FETCH] & Beam values from
[BEAM] Preset # are copied to
the selected channel(s).
Parameter values [#] [FETCH] & Parameter values from
[Wheel_Key] Preset # are copied to
the selected channel(s).
All values [#] [FETCH] & All parameter values
[ATTRIB] from Preset # are copied
to the selected
channel(s).
NOTE
If the Preset specified is in the Main Sequence, you will fetch the
ACTUAL STATE of the attributes in the specified preset. This is not
necessarily the same values that are stored in that preset, since
some of them may be tracking into it from previous presets.

HINT
You can fetch intensity values as well. See Presets - Fetch Intensities.

566
Device Control - Highlight Mode (6.0)
Highlight is a temporary mode. It will set all intensity channels to the ID level in Congo
Settings (default 100%) and all device channels to the values defined in their templates,
with the highlighted device to white.
Action Key Feedback
Activate Highlight [HIGHLIGHT] All channels in the current selection
are highlighted. The LED in the key is
lit.Highlight is indicated at the top of
the screens

Step forward [NEXT] Channels are focused, and

Highlighted in the order they were
selected.
Step backwards [LAST] Channels are focused, and
Highlighted in the order they were
selected.
Leave Highlight [HIGHLIGHT] Highlight mode is deactivated. The
mode LED in the key is off. All Devices
return to their last CB values.
NOTE
Highlighted Intensity channels are indicated in the channel views
with a highlighted background.

567
Device Control - Flip
If a moving head reaches its end position for Pan - it is possible to press FLIP (softkey in the
Device Soft Key Page) to invert the pan and tilt values so that the end position is "passed".
Observe that the result of a flip depends on the pan range of a device, and will not always be
the same position as before the flip.

1. Go to the top menu for the Main Display in the console facepanel by pressing [<--] until
you have this page.

Congo

Congo Jr & Kid

2. Press DEVICE to select the Device Soft Key page.

568
Congo

Congo Jr & Kid

3. Select the device(s) you wish to flip, and press FLIP. To undo press FLIP again.

569
Device Control - Moving Light Dock Area
A Moving Light control panel can be assigned to a dock area. See Dock Areas - Configure.

All features are the same as in the console, and controlled by mouse.

The color picker is unique here. Click to select a color for the selected Moving Device(s).

NOTE
You cannot click to hold a key and press another at the same time,
like FAN and PAN. To achieve this from an offline editor, use a
keyboard shortcut in combination with this view. For example Ctrl F
(FAN) and click on the Pan wheel to fan Pan.

Device Control - Select Changed (softkey)

This key is in the Select Soft key page.

Open by pressing SELECT (softkey) from the top menu in the Main Display of the console
facepanel. See Main Display - Functions.

Congo

570
Congo Jr & Kid

Function Soft Key Feedback

Select changed channels [Select_Change] Selects all device
channels that have
manually changed
attributes other than
intensity since the
current Preset was
loaded to the A field.

571
Device Views
Attributes for devices can be shown in any channel view.

This chapter contains the following sections

Device Views - Introduction

Device Views - Live
Device Views - Filtering
Device Views - Editing
Device Views - Presets
Device Views - Data

572
Device Views - Introduction
A device view with attributes can be opened in any channel view by pressing ATTRIB.

They are all edited in the same way. In the Live tab attribute view you can set times. See
Devices - Times.

General Facts

Devices are listed by type

You can set attribute values directly (depending on the Attribute Setup)
You can set Palettes directly (depending on the Attribute Setup)
You can filter parameter groups
Changed values are shown with a purple background (Live)
You can view/edit attribute times

NOTE
Hold FORMAT and press @LEVEL to toggle levels between 100% and
full 8/16 bit values.

HINT
In the browser Preset items have a sub node called Attribute Editor for presets with
attributes. Pressing MODIFY on this node opens the attribute editor (v5.0).

573
Device Views - Live
The Device view is viewed in the Live tab by pressing ATTRIB.

You can toggle between these formats by pressing FORMAT

Selected devices
Non-zero devices
Selected and changed devices
All devices

The currently selected format is indicated in the top right corner of each Channel View

You can open cells for setting parameter times and delays directly by holding FORMAT and
pressing the DOWN ARROW.

574
Device Views - Filtering
Hold the FORMAT key and press FOCUS, COLOR or BEAM to select which parameter
group to hide/show in a Moving Device View.

575
Device Views - Editing
When you open a device view you can use all palette and wheel controls to edit attributes.

NOTE
All attribute views need to be unlocked for screen editing by holding
SETUP & TAB and activating in the popup.

If you unlock the view for screen editing you can enter a value or a Palette reference,
depending on the Attribute Editor Default Settings. The default setting is Palette. See
Attribute Settings.

This is how you can enter values for the selected cell(s). To save changes press UPDATE.

Function Key Feedback

Enter a value* [#] [MODIFY] The Palette # is
assigned to the selected
cell(s)
Open a dropdown [MODIFY] All available Palettes
(FCB) for the selected
cell(s) are opened in a
dropdown
Set an absolute value [#] [C/Alt] & The absolute value is set
[MODIFY] to the selected cell(s)
(not 16 bit values)
Delete the content of [DELETE] The content is deleted
selected cell(s) for these cells.

*Changed values get a purple background in the Live Attributes View

NOTE
If the Attribute Editor Default Setting is set to Absolute, you can
select Palettes in the same way as setting absolute values in Palette
mode: enter the number, hold C/ALT and press MODIFY.

576
Device Views - Presets
You can view and edit all device parameters for a Preset in the Preset Attribute Editor (#
PRESET & ATTRIB).

NOTE
Select format by pressing FORMAT.

Hold FORMAT and press Down Arrow to open up Time and Delay
rows. See Device Times - Attribute Time Editor

577
Preset Attribute Editor - Columns

These are the different Device parameters that are displayed for each with their current
values. For editing see Device Views - Editing.

Function group Parameters Explanation

Channel & Level No input The number of the device is
highlighted when selected, and
red when focused with
NEXT/LAST. The level is
indicated to the right.
Device Delete Device Press DELETE to delete this
device completely*
GoOnGo AutoMark, GoOnGo Overrides the Sequence Step
or GoInB per Device GoOnGo setting for this
particular Device.
FOCUS Pan, Tilt, Focus The parameters that exist for the
parameters Speed selected device are shown with
their values.
COLOR Cyan, Magenta, The parameters that exist for the
parameters Yellow, Color, selected device are shown with
Color2, CTO, Color their values.
speed etc...
BEAM Focus, Iris, Zoom, The parameters that exist for the
parameters Strobe, Gobo, Gobo selected device are shown with
<>, Gobo rot, etc... their values.
CONTROL Aux 1, Control, The parameters that exist for the
parameters Dummy ch's etc... selected device are shown with
their values.

*There is a popup to confirm deleting a device.

Preset Attribute Editor - Times

You can toggle the format of the Preset Attribute Editor to show Times and Delays by
holding FORMAT and pressing arrow DOWN or arrow UP.

578
Device Views - Data
Attribute data can be shown in absolute values or referenced values (palettes). This is
toggled with the Data softkey added in the Channels Soft key page. Absolute values are
preceded by a # character to show that they are absolute values in stead of palettes.

Press <- to get to the top menu

Press Channels

Press DATA

Live Effects/Preset Attribute Editors show Absolute/Palette in the header depending on the
current setting

579
Device Recording
Attributes are stored in Presets just like intensities. There are
different recording modes.

This chapter contains the following sections

Device Recording - Introduction

Device Recording - Modes
Device Recording - Block Cues
Device Recording - Delete
Device Recording - Cue Only

580
Device Recording - Introduction
There are four recording modes for recording device parameters:

Active (default)
Changed
All
Popup

If only changed Device parameters are recorded it is important to record all parameters (a
block cue) in the beginning of each Sequence. There is a check box for this in the Advanced
Tab of the Recording Popup.

Regardless of these settings it's always possible to record attributes

All attributes manually

Selected device(s) only
Selected device(s) to any Preset
Set all or selected parameters to Changed (to record as Changed) .

NOTE
IF you are working with Changed, there is a SET CHANGED softkey in
the Devices soft key page of the Main Display that allows you to force
the flag changed for any parameter or parameter group. See Device
Recording - Modes.

581
Device Recording - Modes
There are four different Recording modes for recording Device attributes.

They are set in the RECORD SETTINGS (Hold SETUP and press RECORD). You will get
this popup

These are the modes

Function Description
Changed All changed attributes are recorded
automatically*
Popup A popup is provided to confirm recording all
changed attributes
All All attributes are recorded
Active (default) All attributes of devices with an intensity over
zero are recorded.

*This means that it is necessary to record all attributes for the first step in a Sequence
manually. See Record All Attributes for selected channels

582
Changed mode

Attributes are tagged as Changed when they have been altered since they were last
recorded. This indication is a purple background in Channel and Attribute views.

You can force this flag manually with the soft key SET CHNGED in the Devices soft key
page of the console Main Display.

Congo

Congo Jr/Kid

583
 All commands are executed to the currently selected Devices.

Function Key Feedback

Set all parameters to [Set_Chnged] & All parameters are
changed [PALETTE] flagged as changed
(purple background).
Set Focus parameters to [Set_Chnged] & Focus parameters are
changed [FOCUS] flagged as changed
(purple background).
Set Color parameters to [Set_Chnged] & Color parameters are
changed [COLOR] flagged as changed
(purple background).
Set Beam parameters to [Set_Chnged] & Beam parameters are
changed [BEAM] flagged as changed
(purple background).
Set a specific parameter [Set_Chnged] & Specific parameters are
to changed [Wheel_Key] flagged as changed
(purple background).

The changed device indication is cleared when you fade or step in the Sequence.

See Channel Information - Detailed

For more information see Presets - Record

Active Mode & Mark

Active Mode (default) (5.1) means that all devices with an intensity over 0% will be recorded
with all parameters.

To be able to record parameters when an intensity is at 0% there is a special intensity state

called "Mark" which is indicated with an "M" where the level is normally shown.

To set a Mark level, select the channels and use the MARK key in the Channels Soft key
page.

1. Select channels

2. Activate the Channels soft key page by pressing Channels in the soft key menu of the
console.

584
 3. Press Mark.

Active Mode & Attribute Tracking

This is a mode that is automatically set to ON when you select Active mode for recording
attributes (5.1).

Hold UPDATE & ATTRIB to update changed attribute values in multiple presets (useful in
record if Active mode) similar to Intensity tracking.

Use the check box to activate track-editing through a series of sequence steps of the main
sequence (stopping at Blocks) and select forward, backward or both in the direction
dropdown.

585
Device Recording - Block Cues
In Changed mode, only changed (purple) parametersare recorded for devices. The opposite
of this is to record all values - this is called a "block cue".

A Block Cue is automatically created when you record devices directly to a Master Playback.
In the sequence it is an option in the advanced Recording Popup. See The Recording
Popup.

Check the box "Record all attributes" to create a block cue.

A block cue will stop all track-editing commands at the block.

586
Device Recording - Delete
Deleting a Device from a Preset is done in the Preset editor, or in the Preset Attribute editor.
See Device Views - Editing.

1. Open the Preset List for the Preset.

Enter the number of the Preset, hold MODIFY and press PRESET
Open the List from the Browser (Browser >Main Show Data >Presets)

2. Select the Attributes column.

3. Select the channels you wish to delete. If no channels are selected, attributes for all
channels will be deleted.

4. Press DELETE. A popup will appear for confirmation.

5. Press MODIFY to confirm.

587
Device Recording - Cue Only
When this option in the Advanced tab of the Record dialog is activated all the attribute values
that were active in the previous sequence step (regardless of where they were coming from)
will be copied into the Preset in the sequence step following the newly inserted preset. This
is useful when you want to record a new state within a series of tracked values.

Cue Only is an option in the advanced Recording Popup. See The Recording Popup.

Check the box "Attributes: Cue only" to record Cue only.

588
Device Palettes
Moving Device values can be stored in Palettes, that are used to
recall these values. Palettes can be stored in Presets, as references
to the stored values. Palettes are organized in parameter groups
(Focus, Color, Beam, All).

This chapter contains the following sections

Device Palettes - Introduction

Device Palettes - Record
Device Palettes - Update
Device Palettes - Edit
Device Palettes - Lists
Device Palettes - Activate By Number
Device Palettes - Direct Mode
Device Palettes - In Masters
Device Palettes - Select Active Channels
Device Palettes - Select Stored Channels
Device Palettes - Display List
Device Palettes - Focusing Mode
Device Palettes - Renumber

589
Device Palettes - Introduction
A Palette is a memory for all or some parameters of a Moving Device. A Palette is used to
load these parameters quickly, and stored as a reference in Presets for playback.

Direct selects are important for accessing Palettes. See Direct Selects.

There are four kinds of Palettes

Type Key Parameters

Focus Palettes [FOCUS] Position parameters like
pan, tilt...
Color Palettes [COLOR] Color parameters like
cyan, magenta, yellow,
color wheel...
Beam Palettes [BEAM] Beam parameters like
gobo, shape, shutter,
focus, iris...
All Palettes [PALETTE] All parameters

"By device" or "By device type"

Palettes usually store individual values for all devices. Color and Beam Palettes can be
stored for one device, and reused for all devices of the same type. This choice is available in
the recording popup.

Palettes in Presets

When a Palette is used to position a Device before recording a Preset - the Palette is
referenced, not the individual values for each Device. This means that changing the Palette
will update this reference in the whole Play.

Palettes in Direct Selects

Palettes can be accessed from the Direct Selects

590
Device Palettes - Record
Palettes are stored for the currently selected channel(s).

To re-record a Palette, store it with the same number again.

In the recording popup for Palettes there is a Text field to label each Palette. This is
displayed every time the Palette is used.

NOTE
When you record a Palette, it is also activated and will be recorded
into the next Preset.

Each Device or Each Device Type

In the Palette recording popup there is a choice to store the values individually for Each
Device, or for Each Device Type.

Positions (FOCUS) are best stored for Each Device, since they always are unique
for each Device (channel).
Color and Beam values are best stored for a Each Device Type, since color and
beam parameter levels are the same for each Device (channel), and can be reused.

NOTE
If several Device Types are selected, the highest selected channel of
each type will be recorded.

An "Each Device Palette" (individual) will override an "Each Device

Type Palette" (General).

591
Record A Focus Palette

1. Select channel(s)

2. Initiate recording of next free Palette or Palette #

Function Key Feedback

Record [RECORD] & Records the next free
[FOCUS] Focus palette. You will
get a popup*
Record as... [#] [RECORD] & Records as palette #.
[FOCUS] You will get a popup*

Record Direct [RECORD] & Records to a direct

[direct_select] select in palette mode.
You will get a popup*

*Popup

3. Enter a text (optional)

4. Select Recording mode. For Focus Palettes this is usually "Each Device".
See Each Device or Each Device Type.

5. Press MODIFY to confirm recording.

NOTE
The MASK function can be used to filter out unwanted parameters
when recording a Palette. See Device Control - Mask.

592
Record A Color Palette

1. Select channel(s)

2. Initiate recording of next free Palette or Palette #

Function Key Feedback

Record [RECORD] & Records the next free
[COLOR] Color palette. You will
get a popup*
Record as... [#] [RECORD] & Records as palette #.
[COLOR] You will get a popup*

Record Direct [RECORD] & Records to a direct

[direct_select] select in palette mode.
You will get a popup*

*Popup

3. Enter a text (optional)

4. Select Recording mode. For Color Palettes this is default set to "Each Device Type".
See Each Device or Each Device Type.

5. Press MODIFY to confirm recording.

NOTE
The MASK function can be used to filter out unwanted parameters
when recording a Palette. See Device Control - Mask.

593
Record A Beam Palette

1. Select channel(s)

2. Initiate recording of next free Palette or Palette #

Function Key Feedback

Record [RECORD] & [BEAM] Records the next free
Beam palette. You will
get a popup*
Record as... [#] [RECORD] & Records as palette #.
[BEAM] You will get a popup*

Record Direct [RECORD] & Records to a direct

[direct_select] select in palette mode.
You will get a popup*

*Popup

3. Enter a text (optional)

4. Select Recording mode. For Focus Palettes this is usually "Each Device Type".
See Each Device or Each Device Type.

5. Press MODIFY to confirm recording.

NOTE
The MASK function can be used to filter out unwanted parameters
when recording a Palette. See Device Control - Mask.

594
Record An All Palette

1. Select channel(s)

2. Initiate recording of next free Palette or Palette #

Function Key Feedback

Record [RECORD] & Records the next free All
[PALETTE] palette.You will get a
popup*
Record as... [#] [RECORD] & Records as all palette #.
[PALETTE] You will get a popup*

Record Direct [RECORD] & Records to a direct

[direct_select] select in palette
mode.You will get a
popup*

*Popup

3. Enter a text (optional)

4. Select Recording mode. For All Palettes this is usually Each Device.
See Each Device or Each Device Type.

5. Press MODIFY to confirm recording.

NOTE
The MASK function can be used to filter out unwanted parameters
when recording a Palette. See Device Control - Mask.

595
Device Palettes - Update
The UPDATE PALETTE (softkey) in the Device Soft Key page is the fastest way to update
all changed Palettes.

1. Go to the top menu for the Main Display in the console facepanel by pressing <-- until you
have this page.

Congo

Congo Jr & Kid

2. Press DEVICE to select the Device Soft Key page.

596
 Congo

Congo Jr & Kid

3. Press UPDATE PALETTE to update all changed Palettes for the selected channel(s). You
will get a popup confirming which ones are involved.

Device Palettes - UPDATE direct key

If a Palette is loaded to a Direct Select section, or to a Master Playback - it is possible to

update it by selecting the involved channels, holding UPDATE and pressing the
corresponding Direct Select or Master key.

NOTE
This shortcut is not available when an Editor is focused that uses
UPDATE for something else. For example the Preset List.

597
Re-record A Palette - Merge Or Replace

When you re-record a preset or palette where attribute information already exists, you will
get a choice of merging or replacing the existing attributes.

Merge with existing will add the changes for the selected channel(s)
Replace existing will replace all values in this Palette with those of the selected
channel(s)

598
Device Palettes - Edit
Device Palettes can be edited and filtered in the same way as the Live Attributes and Preset
Attribute views. See Device Views - Editing and Device Views - Filtering.

599
Device Palettes - Lists
The Palette Lists are opened from the Browser (Browser >Devices >Palettes >Focus
Palettes). You can open them directly by holding MODIFY and pressing FOCUS, COLOR,
BEAM or PALETTE.

NOTE
Palettes that have been recorded "per type of device" are shown first
in these lists. Most often these are Color Palettes. See Each Device or
Each Device Type

Palette List - Columns & Functions

Function Key Feedback

Palette The ID of each Palette.
Cannot be changed.
Text [MODIFY] Press MODIFY to
activate and end text
input.
Attribute [MODIFY] Opens the Palette
Attribute Editor. The
number indicates how
many Devices are stored
in this Palette.

600
Device Palettes - Activate By Number
Activate a Palette for the selected channel(s) by number.

Function Key Feedback

Focus Palette [#] [FOCUS] Values are set from
Palette #.
Color Palette [#] [COLOR] Values are set from
Palette #.
Beam Palette [#] [BEAM] Values are set from
Palette #.
All Palette [#] [PALETTE] Values are set from
Palette #.
NOTE
Only selected channel(s) that are referenced in Palette # will be
affected.

601
Device Palettes - Direct Mode
When a Palette key (FOCUS, COLOR, BEAM, PALETTE) is held the first 40 Palettes can be
activated from the Direct Select keys.

Function Key Feedback

1. Activate Direct Mode Hold a Palette key Direct Select display
shows the first 40
2. Select Palette Direct Select key When the key is pressed
that Palette is activated.

602
Device Palettes - In Masters
Device Palettes can be played back from Master Playbacks. See Master Playbacks -
Palettes.

603
Device Palettes - Select Active Channels
All channels currently referencing a Palette can be selected using the Direct Select keys for
Palettes (FOCUS, COLOR, BEAM, PALETTE), in combination with CH and ALL.

Palettes are selected from the Direct Selects for this function. See Direct Selects.

Function Key Feedback

Select channels [CH] & All channels stored in
[Direct_Select#] Palette # are selected in
the active Channel View.
Select channels over [ALL] & All channels with a level
zero% [Direct_Select#] in the active Channel
View are selected .

604
Device Palettes - Select Stored Channels
You can Select all channels that are stored in a Palette as Each Device.

NOTE
This is not possible for palettes stored as "Each Device
Type", since no specific channels are stored with them.
Function Key Feedback
Focus channels [#] [CH] & All channels stored in
[FOCUS] Palette # are selected in
the active Channel View.
Color channels [#] [CH] & All channels stored in
[COLOR] Palette # are selected in
the active Channel View.
Beam channels [#] [CH] & [BEAM] All channels stored in
Palette # are selected in
the active Channel View.
Palette channels [#] [CH] & All channels stored in
[PALETTE] Palette # are selected in
the active Channel View.

605
Device Palettes - Display List
All Palettes can be activated from the Display Lists in the Main Display of the console
facepanel.

When the Trackball is in DISPLAY LIST mode you can use it to select/activate palettes by
pressing RIGHT/LEFT click.

Function Key Feedback

Focus Palette List [Display_List] & The Focus Palette list is
[FOCUS] opened in the Main
Display.
Color Palette List [Display_List] & The Color Palette list is
[COLOR] opened in the Main
Display.
Beam Palette List [Display_List] & The Beam Palette list is
[BEAM] opened in the Main
Display.
All Palette List [Display_List] & The All Palette list is
[PALETTE] opened in the Main
Display.

This is an example of the Color Palette list in the main display (Display Lists are currently
only available in Congo Jr through the console mimic).

606
Device Palettes - Focusing Mode
Focusing mode is designed for quickly focusing and updating palettes. It works together with
the List section of the LCD Display. It is activated from the FOCUS MODE soft-key in the
DEVICE Soft page.

Action Key Feedback

1. Select the DEVICE [DEVICE] The Device soft
soft page (Softkey) functions are selected in
the Main Display of the
console.
2. Activate Focus Mode [FOCUS_MODE] "Focusing mode" is
(Softkey) shown on the Main
Display. The Focus
Palette list is
automatically activated.
3. Select Palette from Use the Trackball The corresponding
the list Disp List function to channels are selected
select a Palette and displayed in the
Channel Display list. The
palette is activated and
Highlight mode is turned
on.
4. Focus one by one with [NEXT] & [LAST] Each focused channel is
NEXT/LAST mapped to the channel
controls.
5. Update the Palette [UPDATE_PALETTE] The Palette is updated
(Softkey) and you are returned to
the Focus Palette list to
select a new Palette.
6. Exit Focus Mode [FOCUS_MODE] Focusing mode is exited.
(Softkey)

607
Device Palettes - Renumber (6.3)
You can renumber a Palette of any type (FCBP) in the Organizer.

1. Open the Organizer for the type of palette you wish to renumber by holding LOAD and
pressing the palette key (FOCUS, COLOR, BEAM, PALETTE).

2. Enter the new number and press MODIFY

608
Device Times
Times for Moving Devices can be set in seconds or as a percentage
of the Sequence Step In-times.

This chapter contains the following sections

Device Times - Introduction

Device Times - Individual or FCB
Device Times - Attribute Editor Times
Device Times - Fan Times

609
Device Times - Introduction
A Moving Device can have Times and Delays in the following ways.

No time - follows the Sequence Step In-time.

Parameter group times - an attribute time for FOCUS, COLOR or BEAM
parameters.
FCB times - Same as above, but there is a shortcut for setting all three
Device parameter times - A time for each attribute of a Moving Device.

NOTE
All times are set to the Preset in the A or B field depending on the
setting of the parameter "Set Times To Field" in the Congo Settings.

All attribute times are stored with a Preset.

There is a default Attribute Time that is used when Moving Devices are positioned manually
or with GoInB. See Moving Device Times - Default Attribute Time.

Default Attribute Time (6.2)

The Default Attribute Time (3 seconds) is used mainly to keep noise and unnecessary
mechanical friction down when a Moving Device is positioned in the following situations:

When attributes are executed from Independents

When copying Blind attributes to Live
When using Stop table for an old dynamic
When you press Home Attributes
When jumping in the sequence
Using REFRESH in the Main Playback

To change this time see Attribute Settings.

NOTE
The Default Attribute Time does not affect how fast a palette is
activated from direct selects or directly. This time can be set on the
fly - for example #(s) DIRECT SELECT PALETTE.

See Shortcuts - Device Palette Activating

610
Percent times, or seconds?

Times for Moving Devices are set in seconds (absolute) or as a percentage of the IN time of
a Sequence Step.

The default setting is percent. This means that all FCB-Times will equal the IN time of a
Sequence Step, and all FCB-Delay Times will execute as a percentage of the IN time of a
Sequence Step.

NOTE
In all plays files earlier than 4.2, the FCB Delay time was set to 100%
due to the fact that Delay Times were inherited from the Delay In
time. These plays (pre-4.2) with FCB Delays set to 100% will be
converted to use a delay of 0s instead.

If the FCB Times are set to 50% of the IN-time they will be 2.5 seconds at an in time of 5
seconds.

If the In-time is changed to 10 seconds, the FCB-times will be 50% of 10 (= 5 seconds).

611
Device Times - Individual or FCB (6.0)
Device times can be set to individual parameter of selected devices, or to a parameter group
like Focus, Color or Beam for all devices in the preset.

FCB times are defaulted to run in 100% of the main In and Delay times for a step. You can
change this percentage or set an absolute time in seconds. An individual parameter time
always wins over a general FCB time.

Times are shown in the playback view. Individual parameter times are shown as a red dot at
the end of FCB timelines.

Setting times in the advanced recording popup

You can set these times directly in the Advanced tab of the Recording Popup when you
record a new preset.

Setting times with key shortcuts

You can set times with a key shortcut by entering the time, holding TIME and pressing a
destination key (see table).

You will get a popup asking if you want to set the times on a general FCB -level for all
devices, or as individual Parameter Times for the selected devices.

612
Key Shortcuts for device times

Function Key Shortcut Feedback

Focus time [#] [TIME] & Popup (see above)
[FOCUS]
Color time [#] [TIME] & Popup (see above)
[COLOR]
Beam time [#] [TIME] & Popup (see above)
[BEAM]
Parameter time [#] [TIME] & An individual time is set
[Parameter_Key] to this parameter for the
selected device(s)
Focus delay time [#] [DELAY] & Popup (see above)
[FOCUS]
Color delay time [#] [DELAY] & Popup (see above)
[COLOR]
Beam delay time [#] [DELAY] & Popup (see above)
[BEAM]
Parameter delay time [#] [DELAY] & An individual delay time
[Parameter_Key] is set to this parameter

You can edit FCB times in the Preset List.

NOTE
There is a shortcut for setting both F, C and B-Times to the same
value. Enter the time and hold TIME or DELAY and press ATTRIBUTE.

In the Times soft key page there are keys for setting FCB time and
delay directly. See Times Soft Key Page.

613
Device Times - Attribute Editor Times
Times can be set and edited in the Live Attributes and Preset Attribute Editors. Please note
that times are set to A working in this editor, regardless of all other settings.

Press ATTRIB to open the Live Attribute Editor.

Enter a Preset number, hold PRESET and press ATTRIB to open the Preset
Attribute Editor.

Hold FORMAT and press the down arrow to open Time and Delay rows.
Hold FORMAT and press TIME or DELAY to do the same thing.
Hold FORMAT and press the up arrow to close these rows.

In this editor press FORMAT to toggle between

Selected devices
Non-zero devices
Changed devices
All devices
Devices with attributes

The current format is indicated in the upper right corner ("Selected devices" in the example
above).

NOTE
Times can be set default as % or in seconds. See Device Times -
Percent Or Seconds.

614
Attribute Times

These functions will work in the Live Attribute Editor and the Preset Attribute Editor.

Action Key Feedback

1. Open the Time row [FORMAT] & The Time row is opened
[Down_arrow] under each cell
or
[FORMAT] &
[TIME]
2. Select Attribute time Arrow keys The cell(s) is highlighted
cell(s)
3. Set time # [#] [MODIFY] The time # is set to the
selected cell(s)
4. Update Preset [UPDATE] Only needed in Live
Attributes Editor.
NOTE
Times can be set to the selected devices also by holding TIME and
pressing FOCUS, COLOR or BEAM.

Set Time to Devices popup.

615
Attribute Delay Times

These functions will work in the Live Attribute Editor and the Preset Attribute Editor.
Action Key Feedback
1. Open the Delay row [FORMAT] & The Delay row is opened
[Down_arrow] under each cell
[Down_arrow]
or
[FORMAT] &
[DELAY]
2. Select Attribute delay Arrow keys The cell(s) is highlighted
cell(s)
3. Set delay time # [#] [MODIFY] The delay time # is set to
the selected cell(s)
4. Update Preset [UPDATE] Only needed in Live
Attributes Editor.
NOTE
Delay times can be set to the selected devices also by holding
DELAY and pressing FOCUS, COLOR or BEAM.

616
Device Times - Fan Times
In the Live and Preset Attribute Views there is a wizard for fanning parameter times. This
Wizard will only open when a Time or Delay cell is selected. The selected cells are fanned
between the devices.

1. Open an Attribute view. See Device Views - Live and Device Views - Presets.
2. Open the Time and Delay rows by holding FORMAT and pressing the Down Arrow.
See Device Times - Attribute Time Editor.
3. Select the Time or Delay cells for the parameters and devices intended.

4. Press WIZARD. The Fan Time Wizard popup will open.

5. Select values and confirm.

617
Device Play Back
When moving Devices are played back from the Main Playback and
the Master Playbacks there are different modes for when and how
attributes are trigged.

This chapter contains the following sections

Device Play back - Introduction

Device Play back - Attributes Follow Faders
Device Play back - Attrib Move

618
Device Play back - Introduction
Attributes will be trigged during playback in the following situations

A Preset is faded in a Sequence or Chase

A Preset is faded in on a Master Playback fader
A Preset is faded out on a Master Playback fader
A Master is flashed
A Dynamic effect is started

In a Sequence Step attributes can be set to move with Auto Mark (5.0), OnGo (live) or InB
(move while black, preposition).

619
Device Play back - Attributes Follow Faders
Attributes will follow the manual movement of masters depending on the Master Settings.
These are some general rules. See Master Settings.

The always follow the B fader of the Main Playback.

They start moving at 1%.

Snap parameters also trig at 1%.

Master Playbacks behave different from the crossfaders of the Main Playback.

Masters And Attributes - General

When a master leaves its 0% position, the corresponding attribute parameters are trigged
and follow the fader.

During a timed fade in a Master, attributes will follow the FCB-times of the Preset in that
Master.

If another master with overlapping attribute parameters is activated, (leaves 0%), it will take
control of the corresponding attributes. To re-gain control from any Master, move it to 0%
and up again.

How attributes behave when moving the Master fader down depends on the settings for the
fader.

Crossfaders And Attributes

When a manual crossfade is made, the attribute positions will follow the B fader. If the fader
is moved slower than the time assigned to the attributes, the fader has control. If the fader is
moved faster than the assigned time, the time will take control to make a smooth movement.

N/A

N/A

620
Device Play back - Attrib Move
Attributes can be executed in three ways

AutoMark
On Go
In B

Depending on this setting Attributes will be executed when a step is faded in live (On Go) or
when a Step is loaded to be faded in (In B). See System Settings - Attribute.

You can choose a setting as default depending on the style of your show - and then change
individually for any step or device. See Sequence List.

NOTE
GoInB attributes follow the times recorded in the preset.

The old (pre v5.0) dynamics can be set to start on GO always - See
Settings - Crossfade.

AutoMark

The default setting is AutoMark but you can change this on the sequence step or in the
Preset Attribute editor. In AutoMark mode, attributes are automatically activated In B or On
Go based on the level in Live and in B.

If the device intensity is >0% in Live, attributes are On Go.

If the device intensity is 0% in Live and >0% in B, attributes are In B.
If the device intensity is 0% in Live and 0% in B, attributes are On Go.)

Live view: Channels that are auto-marking are indicated with a blue background on the FCB
indicators. This indicator remains until you press GO.

621
Live Attributes (6.0)
In addition to the Attribute format of the Live tab you can view all moving device parameters
in the Live Attribute Editor.

This tab can only be opened from the Browser (Browser >Devices >Live Attributes). The
functions are the same as in any channel view with attributes.

NOTE
All attribute views need to be unlocked for screen editing by holding
SETUP & TAB and activating in the popup.

PARK works against selected cells when an Attribute View is open.

Hold FORMAT and press Right Arrow to show all parameters listed over each other,
blanking out the ones not relevant. Hold FORMAT and press Left Arrow to change back.

Running attributes are shown with yellow progress bars.

622
 NOTE
Select format by pressing FORMAT.

Hold FORMAT and press Down Arrow to open up Time and Delay
rows. See Device Times - Attribute Time Editor

Live Attributes - Columns

These are the different Moving Device parameters that are displayed for each with their
current values. For editing see Device Views - Editing

Function group Parameters Explanation

Channel & Level No input The number of the device
is highlighted when
selected, and red when
focused with
NEXT/LAST. The level is
indicated to the right.
FOCUS Pan, Tilt, Focus Speed Current parameter values
are shown.
COLOR Cyan, Magenta, Current parameter values
Yellow, Color, Color2, are shown.
CTO, Color speed
etc...
BEAM Focus, Iris, Zoom, Current parameter values
Strobe, Gobo, Gobo are shown.
<>, Gobo rot, etc...
CONTROL* Aux 1, Control, Current parameter values
Dummy ch's etc... are shown.

*Control parameters labelled "control" can be edited, but will not be stored, Aux values are
stored.

NOTE
Hold COLUMN and move wheel to change column sizes.

623
Gel Picker
There is a Gel Picker that uses the data for each moving device with CMY/RGB mix to
generate the values for gels of each type.

It is opened from the Browser >Devices >Gel Picker. Use arrow keys and MODIFY to select
a color.

If you know the exact gel brand and number you can select a gel from the Direct Selects as
well. See Direct Selects - Content.

624
All Palettes
This node opens the list of All Palettes.

Press MODIFY in the Attribute cell to open the corresponding Palette editor.
See Device Palettes.

625
Focus Palettes
This node opens the list of Focus Palettes.

Press MODIFY in the Attribute cell to open the corresponding Palette editor.
See Device Palettes.

626
Color Palettes
This node opens the list of Color Palettes.

Press MODIFY in the Attribute cell to open the corresponding Palette editor.
See Device Palettes.

627
Beam Palettes
This node opens the list of Beam Palettes.

Press MODIFY in the Attribute cell to open the corresponding Palette editor.
See Device Palettes.

628
Mask
You can mask whole groups of parameters (FCB) or single parameters in a group with the
MASK key.

When mask is active it is indicated in the LED of the MASK key, and at the top of the
screens.
The mask is used when recording Presets, Palettes and Dynamics.
Masked parameters are displayed in Live tab Attributes view and in the ML LCD on
the facepanel with "--".
When you record a Preset or Palette, masked parameters are NOT recorded.
You can prepare and store 999 Mask templates and activate as the global mask
anytime.
User Masks can be accessed as content in the Direct Selects.

Global Mask - Functions

Function Key Feedback

Enable/Disable Mask [MASK] The LED in MASK is lit.
In the Main Display you
can see "Mask: and "-"
for nothing, "fcb" for
partial and "FCB" for full
masking. On the top of
every screen you can
see:

Mask FOCUS [MASK] & [FOCUS] Toggles the Mask for the
all FOCUS parameters
Mask COLOR [MASK] & [COLOR] Toggles the Mask for the
all COLOR parameters
Mask BEAM [MASK] & [BEAM] Toggles the Mask for the
all BEAM parameters
Mask parameter [MASK] & Toggles the Mask for
[Wheel_Key] any single parameter

Open Mask editor [MODIFY] & [MASK] Opens the Mask editor
(see below).

Masking indication
When Mask is enabled, a summary of active masks is shown in the ML display. Each
parameter category is indicated with a dash, lowercase or uppercase letter.

629
 "-" (Dash) means the category is unmasked - all parameters are available for control and
recording.

"fcb" (Lowercase lettering) means the category is partially masked - some parameters have
been masked and are unavailable for control or recording.

"FCB" (Uppercase lettering) means the entire category is masked and no parameters from
that category are available for control or recording.

Mask - Editor (6.1)

In the Mask Editor, single parameters can be toggled on/off by pressing MODIFY in the
Allow column. This also means that, if you want to toggle a parameter column on/off, you
can select the top cell, press COLUMN to select the whole column, and the press MODIFY.

Hold MODIFY and press MASK to open the editor.

630
User Masks - Functions (6.1)

You can save and label up to 999 different combinations of masked parameters. These
Masks can then be applied to masters as playback masks, or to the Global Mask for use
when recording Palettes or Presets. They are stored in the Mask List (Browser > Devices
>Masks).

To record a user Mask:

1. Set up the Global Mask any way you want (See Global Mask - Functions)
2. Enter a number, hold RECORD and press MASK (with no preceding number the
next free Mask is recorded)

To recall a user Mask:

1. Enter a number and press MASK or

2. Press a Direct Select for this Mask.

To load a user Mask to a master:

1. Enter the number, hold MASK and press the Master key.
- This will load this mask as a playback mask for the content of this master.

You can use # INSERT and DELETE to add or remove masks from this list, and you can edit
them by pressing MODIFY in the Mask cell - which will open the Mask Editor for that Mask.

631
>Settings & Tools
These are the settings and tools for Devices.

This chapter contains the following sections

Scroller Rolls
Auto-create Palette Wizard

632
Scroller Rolls
Scroller Rolls are defined in the Scroller Roll Editor. It is opened from the Browser (Browser
>Devices >Settings & Tools >Scroller Rolls)

Scroller Rolls Editor - Columns

Function Value Feedback

Scroller Roll 1-999 The ID of each Template. Press
MODIFY to open the Editor
Fan = Intensity On/Off Press MODIFY to toggle if Fan should
follow intensity channel of the scroller
Device to keep down noise when not in
use (providing the scroller and template
have a fan parameter).
Default Time 0s-45min This is the default time per frame the
scroller will use when changed
manually, to keep down noise, and save
the gel string.
Text Press MODIFY to activate and end text
input.

Create a Scroller Roll

1. Open the Scroller Rolls List from the Browser (Browser >Devices >Settings and Tools
>Scroller Rolls).

2.Press INSERT to create a new Roll (a number of standard Rolls are created by default
when you open a new Play).

3. Set Fan=Intensity, Default Time and TEXT for this roll.

633
 4. Press MODIFY in the Scroller Roll cell to open the Scroller Roll Editor. A Wizard is opened
where you can define the number of frames and the default Fan value (can be edited later).

5. This it what the scroller roll editor looks like with five frames defined

You can define the following functions

Function Value Feedback

Position 1-999 The ID of each Position. Cannot be
changed.
Text Press MODIFY to activate and end text
input.
Fan % 0-100% It is possible to set a Fan value for each
color (to keep noise down).
AutoMove 0-10 The scroller will move slowly forth and
back 0-10 bits when the corresponding
color is selected. It will not take
individual calibration into account.
Value 0-255 This is the 8 bit value (0-255) that will be
output when this frame is selected.

6. Exit with ESC.

Assign A Scroller Roll

Scroller Rolls can be assigned from the Device Settings. They can also be assigned when a
scroller is patched, from the Patch Wizard.

1. Open the Device Settings (Browser >Patching >Device Settings). (You can also hold
MODIFY and press DEVICE).
634
 2. Use arrow keys to select the Scroller Roll Cell for a channel.

3. Press MODIFY to get a dropdown with all defined Rolls.

4. Select a roll with arrow keys.

5. Press MODIFY to confirm.

The currently selected color will be shown in the black box under the level in the Channel
Views.

Calibrate Individual Scroller Rolls

Each scroller roll can be calibrated individually. This is done in the Scroller Calibration Editor
that is opened from the Device Settings.

1. Open the Device Settings (Browser >Patching >Device Settings).

2. Use arrow keys to select the Calibration Editor cell to the far right.

3. Press MODIFY to open the Calibration Editor for the selected channel.

4. Select Adjusted Position, enter a new value (confirm with MODIFY). It is updated live.

5. Press ESC to exit. Changes are stored automatically.

635
 NOTE
(v5.0) If you change the scroller calibration for a device and close the
Scroller Calibration Editor, recorded data (presets, palettes) for the
previous frame values will be updated to the new frame values.
Values between frames will not be affected.

To "clear" calibrations from a device/scroller: Re-select the same

scroller roll in the Device list

Scroller Fan override

In the Attribute setup (SETUP & ATTRIBUTE) it is possible to specify an Override value for
all Scroller Fans. If you set a value > 0%, this value will be used instead of the Fan values
programmed in the Scroller Roll. This is useful for making a temporary and absolute override
of all fans, for example during long rehearsals when heat is higher than during a
performance.

636
Auto-create Palette Wizard (6.0)
This wizard allows you to generate palettes for each range for selected parameters in the
currently selected devices. Ranges with the same name will be merged together in the same
palette. You can specify the starting number for newly generated palettes.

Open in the Browser from Browser >Devices >Settings and Tools >Auto-create Palette
Wizard.

For example, if you choose parameter 1 to be a gobo wheel, beam palettes will be created
for each gobo, with the name of the gobo starting at beam palette 101.

637
Jam Mode Wizard (6.0)

The Jam Mode Wizard helps you create some useful data from your patch and channel
database to save you some time, regardless which Jam Mode you are planning to use.

This wizard can be opened by pressing WIZARD in Jam mode. It is invoked automatically
the first time you enter Jam Mode for Device Masters. In the wizard, you can select which
types of data that you want to generate and the starting numbers.

Generate groups from Auto-groups

Select which channel database text column you wish to generate groups from.

Generate color palettes for basic colors

Ten color palettes are generated for CMY color mixing devices.

Generate focus palettes for default positions

Three focus palettes are generated:

Home
Tilt 25%
Tilt 75%

638
Generate effect playbacks
Four effect playbacks for content and dynamic effects are generated.

Generate master content

Masters are populated in groups of ten in Master Page 101 and 102. You can assign
whatever master content to these pages and it will be activated when you enter Jam mode.

Masters 01-10 = Groups

Masters 11-20 = Effect playbacks and effect parameters (size, rate, tap)
Masters 21-30 = Focus palettes
Masters 31-40 = Color palettes

Generate Direct Select content

Direct selects are populated in page 6, which can be edited, and are loaded automatically
when you activate Device Masters in Jam mode.

639
Effects
In Congo v6 there are four different kinds of effects:

Intensity Chase (step based)

Dynamic (relative waveforms)
Content (Absolute)
Image (mapped)

There are two older kinds of effects that are compatible with Congo
prior to v5, which are Sequences in Chase mode, and the old
Dynamics.

Effects Node

This chapter contains the following sections

Effects - Introduction
Channel Distribution Wizard
Live Effects
Effect Playbacks
Effect Overview
Chase Effects
Content Effects
Dynamic Effects
Image Effects
Channel Sets

640
Effects - Introduction (6.0)
The effects in Congo are powerful devices that allow you to create and play with effects in a
very intuitive and fast way, regardless the size or nature of your rig.

There are four types of effects

Chase Content Dynamic Image

Stepped Step based Dynamic An image

intensity effects effects with Templates (jpg/gif) or text is
with live control comprehensive (waveforms) are mapped to
of tap tempo. live control over applied to intensity or color
The effect is channel parameters to in a channel
edited into parts distributions, create movement layout with
with individual directions and effects relative to comprehensive
timing and hi/low timing. Apply to a base point, live control over
levels per part. groups or sets. such as circles, channel
rainbows, etc. distributions,
Apply to groups directions and
or sets. timing.
Control
To control an effect you create an Effect Playback from which you can control, record and
edit it like a moving device into presets and palettes.
When the intensity is over zero the effect will run.
Effect intensities are recorded, edited, copied and tracked like any other channel intensity.
Effect parameters are stored into palettes and presets just like any moving device
parameters.
There is a Live Effects tab, and you can open a dock area to show active effect playbacks.

641
NOTE
Effects are controlled, recorded and edited like any moving device
with an intensity. The only difference is that you select them with #
EFFECT.

LIMITATIONS
Current limitations are:

Number of effect channels: 100

Number of outputs used by effects: 2 x 512
Number of groups that can be used in effects: 256

642
Effects - Functions
These are the general effect functions.

This chapter contains the following sections

Effect - Views
Effects - Command syntax
Effects - Edit
Effects - Record
Effects - Channel Distribution Wizard

643
Effects - Views (6.0)
Effects can be viewed in three views

Effects dock area

Selected channels - Live dock area
Live Effects tab

There are two ways to display an effect

As a channel handle (in docks)

As a device (in Live Effects)

Channel handle
The effect handle in the Effects and Selected Channels - Live dock have four levels of detail.
Hold FORMAT and press up/down arrow to select them.

644
 Device
In the Live Effects tab all attributes are displayed just like a moving device. See Live Effects.

Effects in Dock Areas (6.0)

Effects are shown in two dock areas. See Dock Areas.

Effects

Selected channels - Live

Using a mouse or trackball

Click to select and use the mouse wheel, or hold the right key and move to set levels. Click
to add more, double-click to deselect all but the last clicked.

645
Effects - Command syntax
Effects are selected and adjusted one by one or in groups in the same way as moving
devices. Instead of using the CH key there is an EFFECT key.

As soon as an effect is selected you can control the intensity with all level functions, and
attributes with attribute controls and palettes.

Select and activate effects (6.1)

An effect is activated as soon as the level of the Effect Playback is over zero. Please note
that you must create an Effect Playback before you can control it. See Effect Playbacks.

Default Congo syntax (RPN)

Action Key Feedback

Select effect [#] [EFFECT] Effect # is selected and
can be controlled with
level wheel and attribute
controls
Add an effect [#] [+] Effect # is added to the
current selection
Subtract an effect [#] [-] Effect # is subtracted
from the current
selection
Add multiple effects [#] [THRU] Up to effect # is added to
the current selection
Add a channel [#] [CH] & [+] Channel # is added to
the current selection
Add a group [#] [GROUP] & [+] Group # is added to the
current selection
Add an effect to a [#] [EFFECT] & Effect # is added to the
channel selection [+] current selection

Subtract a channel [#] [CH] & [-] Channel # is subtracted

from the current
selection
Subtract a group [#] [GROUP] & [-] Group # is subtracted
from the current
selection
Subtract an effect [#] [EFFECT] & [- Effect # is subtracted
] from the current
selection

646
At mode syntax

If your Congo is set to use At Mode for channel commands, effects are selected in the
following ways. You can terminate a selection in At Mode pressing @Level or the decimal
point.

Action Key Feedback

Select effect [EFFECT] [#] Effect # is selected

Add an effect [+] [EFFECT] [#] Effect # is added to the

current selection
Subtract an effect [-] [EFFECT] [#] Effect # is subtracted
from the current
selection
Add multiple effects [THRU] [#] Up to effect # is added to
the current selection
Add a channel [+] [CH] [#] Channel # is added to
the current selection
Add a group [+] [GROUP] [#] Effect # is added to the
current selection
Subtract a channel [-] [CH] [#] Channel # is subtracted
from the current
selection
Subtract a group [-] [GROUP] [#] Effect # is subtracted
from the current
selection

647
Select channels from effect (6.1)

These functions make it possible to select channels involved in an effect.

Action Key Feedback

Select active channels [EFFECT] & [CH/ID] All channels involved in
effects that are active
are selected.
Select all in effect... [#] [EFFECT] & All channels involved in
[CH/ID] effect playback # are
selected.
Select active effects [EFFECT] & [ALL] All active effect
or playbacks are selected.
[ALL] & [EFFECT] Pressing ALL alone will
never select effect
playbacks.
Toggle between [Inv_Eff/Ch] The soft key Inv Eff/Ch in
selecting an effect and or the Effects soft key meny
the channels assigned to [C/ALT] & [INV allow you to toggle the
it. (6.1) channel selection
GROUP] between the selected
effect playback and the
channels assigned to it.

Home functions for effects

A very useful function for effects is Home. You can store a home position for all parameters.

Action Key Feedback

Record HOME [RECORD] & All current parameters of
[HOME_ATTRIB] the selected effect(s) are
recorded as a home
position.
HOME [HOME] & [EFFECT] All Effect Playbacks
move to their Home
position. By default, this
will stop all Content,
Dynamic and Image
effects but does not stop
Chases.

648
Load an effect to a master

A single effect playback can be loaded to a master. This allows you to control the effect
intensity with the master fader. If you press the master key you will select the effect.

Action Key Feedback

Load effect [#] [EFFECT] & Effect # is loaded to
[master_key] master #

Effect Soft Key Page

The Effect Soft Key Page is selected with the soft key EFFECT in the Main Display of the
console.

Congo

Congo Jr & Kid

649
These are the functions (jr has U1-U3 which are used to select effect parameters).

Function Softkey Feedback

Channel Set List [Channel_Set] Opens the Channel Set
List. See Channel Sets.
Series List [Series] Opens the Series List.
See Series List.
Effect Overvi [Effect_Overvi] Opens the Effect
Overview Tab. See
Effect Overview.
Chase [Chase] Opens the Chase Editor.
See Chase Editor.
Dynamics [Dynamics] Opens the Dynamics
Soft key menu. See
Dynamic Effects.

650
Effects - Edit (6.0)
Effects are edited in the same way as moving devices.

Attribute wheels
A soon as an effect is selected the effect parameters are available on live attribute controls
in parameter banks U1-U3. On Congo jr these can be found under the Device softkey or by
using [C] & [FOCUS], [COLOR], [BEAM] respectively.

Palettes
All effect attributes can be stored and played back from All Palettes.
Hold RECORD and press PALETTE.

Home
You can store a home position for every effect playback.
Hold RECORD and press HOME.

Fetch
You can fetch attribute values for any parameter from any preset.
Hold FETCH and press the parameter wheel key, or PALETTE.

Mask
You can mask attribute values for any parameter from any effect playback.
Hold MASK and press the parameter wheel key.

See Devices.

651
Effects - Record
Effects are stored in Presets in the same way devices are stored.

1. Select the effect

2. Set a level
3. Record

If you have the default device setting "store if active" all effect parameters are stored
automatically when the intensity is over zero%.

The level of the effect playback shown and edited in the same way as channel intensities.

652
Effects - Channel Distribution Wizard
The Channel Distribution Wizard is used for Sets and Chase effects. I allows you to
distribute a selection of channels into a number of parts (steps) in eight different ways.

There are two ways to open this wizard

Press MODIFY in the PARTS cell in a channel set list or chases list.
Create a Chase Object.

1. Select channels
2. Select number of parts
3. Select distribution method for the channels into the parts

653
These are the different distribution methods. Note that if the number of channels cannot be
divided by the number of parts, the results will be different when using inverted distribution,
since the odd channels will end up in the last part. Also, the order in which the channels are
selected is the order in which they are distributed.

654
Live Effects
Press EFFECT to open Live Effects. This is where you can view and edit the parameters of
all running effect playbacks in the screens. In the consoles you can control the same
parameters in the Main Display over the parameter wheels.

Things to think about in this view

Use arrow keys to navigate.

Press MODIFY to get a drop down choice for a cell.
Hold SELECT and use arrow keys to select several cells for data entry.
Select effect with # EFFECT and set levels in live (A) with level wheel & functions.
Depending on the Play Setting (Attributes) Attribute Editor Default - all entries
directly in cells with # MODIFY will be treated as Absolute OR Palettes. The same
goes for drop down choices (MODIFY). Hold C/ALT to get the alternate data when
pressing MODIFY. See Play Settings - Attribute.

655
Effect Playbacks
An effect playback is the control handle for an effect, similar to a channel controlling a
moving device.

All Effect Playbacks are listed and can be inserted/deleted from the Effect Playbacks list
Browser >Effects >Effect Playbacks.

656
Create an Effect Playback

Effects can be created from the Effect Playbacks list, or as a key command.

1. Create an Effect Playback

Press INSERT in the Effect Playback list

Hold INSERT & EFFECT

2. Select type of Playback (Cannot be changed once inserted, to change you need to delete
and reinsert the playback).

3. Done. You can now control the effect. See Select & Activate Effects.

657
Effect Overview
The effect overview tab lists all types of data objects that can be involved in creating and
editing effects. It's opened from the Browser >Effects >Effect Overview.

Groups
Series
Channel Sets
Playbacks
Chases
Dynamic templates

Press MODIFY in any cell to open the corresponding editor.

658
Chase Effects
This is a step based, defined intensity effect. A chase is what you use when you want lights
to chase on/off in a specific pattern.

Each step contains channels, step times and step levels.

You can define a high level for all channels in a step, and a low level which will be the
background level of these channels in all steps.

Components
To start a Chase effect you need

A Chase Object
A Chase Effect Playback

659
 Chase object

Contains the channel list and the high/low intensity levels and timing values.
It has a number of steps, with channels, up, dwell and down times.
Intensities per step have a Max (high) and Min (low) value.
Once a Chase object is programmed it will replay in the exact same way.

Playback

The effect will run as soon as the effect playback intensity is over zero.
The intensity level of the effect playback also masters the high level of the output of
the effect.
The intensities will contribute to the Live output on a HTP basis.

Live Parameters
A single Chase Effect Playback can be associated with any Chase object. To play back more
than one Chase object simultaneously you need to insert multiple Chase Effect Playbacks.

Change direction (Forward, Backward, Bounce, Random)

Change every step time and content
Change playback style (Positive, Negative, Build)

Create a Chase

Chases are created in the chase channel distribution wizard.

1. Open the Channel Distribution Wizard. This can be done in two ways.

# INSERT & EFFECT.

Press INSERT in the Chase List
In the Chase List, press MODIFY in the STEPS cell.

660
 2. Select channels, parts, name and distribution. See Channel Distribution Wizard.

3. You can now start the chase, by selecting it and setting a level over zero. See Select &
Activate Effects.

It will use the default times and values. These can be edited in the Chase Editor and the
Chase Step Editor.

Copy a chase effect (6.0)

You can use the COPY function to duplicate a chase effect.

1. Open the chase editor and select the chase you wish to copy

2. Press PASTE to create a copy at the end of the chase editor list.

661
Control a Chase Effect

As soon as a Chase Effect playback is selected, you can control it in two ways:

From the console parameter wheels using U1-U3. In Congo jr these can be found
under the Device softkey or by using [C] & [FOCUS], [COLOR], [BEAM] respectively.
From the Live Effects view.

Live Effects looks like this:

Press MODIFY to get a dropdown to change chase, or enter a number and press MODIFY.

NOTE
When you press MODIFY or enter a number it will be an absolute
value or a Palette value - depending on the setting in Attribute
Settings. See Play Settings - Attribute.

Chase Tap Tempo

When you select a Chase Playback, you will have two parameters, Chase # and Rate/Tap.

Press the Rate/Tap parameter key in the main display of the console to set a Rate/Tap. You
can also edit this parameter in the Live Effects view.

662
Chase Effect Parameters
A Chase object is never adjusted live - it is defined in two editors

The Chase Editor

The Chase Step Editor

CHASE EDITOR PARAMETERS

Its possible to edit a symmetrical Chase object from the Editor, without opening the Chase
Step editor. However, if you want to edit the steps, or the individual step timing, you need to
open the Chase Step Editor.

Direction
Sets the direction in which the steps are played back.

Forward
Backward
Bounce
Random

Style
The style decides the starting level.

Positive (channels go from Low int to High int)

Negative (channels go from High int to Low int)
Build (channels go from Low int to High int and stay at High int until all steps have
been executed)

Loop Time
This time will force a value to all Step Times = Loop Time/Steps. See Step Time further
down.

In, Dwell & Out times

These times will force a value to all individual In, Dwell & Out times of the Chase Steps. See
In, Dwell & Out times further down.

Rate Min & Rate Max

RateMin and RateMax work together to set the playback rate of the chase. When these
values are the same, the chase is adjusted evenly. When these rates differ, the chase will
play back randomly using rate values between the Min and Max value. This is a good way to
create more organic chases for things like lightning and water reflections.

CHASE STEP EDITOR PARAMETERS

If you need to edit individual step times, or channels, you do this in the Chase Step Editor.

663
Step Time
This is when this step will execute in relation to the previous Step.

In, Dwell & Out times

These are the times for each Step.

NOTE
If the Step time is shorter than the sum of In+Dwell+Out you will get a
"ripple" effect.

High & Low

Each Step has a High intensity and a Low intensity that is used by the Chase.

664
Chase Editor

The chase editor is a summary and editor of all chases. You can create (INSERT) and edit
chases here.

Press the soft key CHASE in the EFFECTS soft key menu
Press MODIFY in the Browser node Browser >Effects >Chase.

665
Chase Editor - Functions

The Chase can only be edited from the Chase Editor and the Chase Step Editor. This
ensures that a Chase will always play back in the way it is defined.
Column Action Feedback
Chase No Input The number of this chase, cannot be
edited.
Text [MODIFY] Enter a label.

Steps [MODIFY] Shows the number of steps, press

MODIFY to open the Channel
Distribution Wizard.
Direction [MODIFY] Choose between forward, backward,
bounce and random.
Style [MODIFY] Choose between positive, negative and
build.
Loop Time [#] [MODIFY] Sets a total Loop time *

In [#] [MODIFY] Sets an In time for all steps**

Dwell [#] [MODIFY] Sets a Dwell time for all steps**

Out [#] [MODIFY] Sets an Out time for all steps**

RateMin [#] [MODIFY] Defines a random minimum variation for

Step times***
RateMax [#] [MODIFY] Defines a random maximum variation
for Step times ***

*The Default times are applied until you define a different time in the Chase Steps Editor.
**Loop Time = the amount of time it takes to pass through all the steps of the chase once.
Edit the loop time and all step times will be adjusted to evenly fit within this time value..
***RateMin and RateMax work together to set the playback rate of the chase. When these
values are the same, the chase is adjusted evenly. When these rates differ, the chase will
play back randomly using rate values between the Min and Max value. This is a good way to
create more organic chases for things like lightning and water reflections.

666
Chase Step Editor

The Chase Step Editor allows you to edit channels, levels and times for each step
separately.

Press MODIFY in the STEPS cell of the Chase Editor.

667
Chase Step Editor - Functions

The Chase can only be edited from the Chase Editor and the Chase Step Editor. This
ensures that a Chase will always play back in the way it is defined. Timing information on a
step level overrides timing information on the Chase Editor top level.

Column Action Feedback

Step Shows the number of each steps.
Step time [#] [MODIFY] Sets a Step time.

In [#] [MODIFY] Sets an In time for all steps*

Dwell [#] [MODIFY] Sets a Dwell time for all steps*

Out [#] [MODIFY] Sets a Out time for all steps*

High [#] [MODIFY] Sets the High level for this step,
which is applied to all channels
when the step is active.
Low [#] [MODIFY] Sets the Low level for this step,
which is applied to all channels
when the step is active.
Channels Displays the channels in this step.

*Times set from the Chase Editor top level are edited per step here.

668
Content Effects (6.0)
Content effects are simply speaking simply a series of steps containing show content like
palettes and presets or even raw parameter levels that you can apply to any existing group
(or set) in your show.

The simplest form of content effect is the intensity series (on/off) that is created automatically
when you make a new play. By applying this to a group of channels you can create chase,
ripple and pulsating intensity effects on the fly. There is a default intensity content effect
when you create a new play from v6.0.

A more complex example of a content effect could be "set all devices in the target group that
have a color mix to blue, then pop to white two by two from sides to center" and it's easy to
add two lines of code to the series to make them "fly out when they pop to white".

General
The content effect separates the channel source (group or channel set) from the actions
within the effect (series). Actions are defined using steps that can contain palettes, presets
or parameters. Content effects can switch channel lists and/or series of steps independently
and can be run in three different modes to change how the channel lists and steps interact
with each other.

Content effects can be run in three different modes to change how the channel source and
Series interact with each other.

Break
Continuous
Build

See Content Effect Modes.

669
 Components
To start a Content effect you need

A channel source (a Group or Channel Set)

A Series
An Effect Playback

Playback

All parameters can be controlled live, similar to how a device is controlled

The effect is applied to any predefined set or group of channels.
The effect will run as soon as the effect playback intensity is over zero.
The intensities will contribute to the Live output on a HTP basis.
Attributes will replay on an LTP basis with the rest of the playbacks.

Live Parameters

Change channels (set/group)

Change distribution of groups (parts, symmetrical, interlaced, random)
Change Part direction (forward, reverse)
Change Play mode (Stop, Pause, Play forward, Random etc)
Change Mode (Continuous, Break, Build)
Change Rate plus times (attack, release, step, etc)
Change Rate with the wheel or with tap

Create a Content Effect Playback

1. Create a Content Effect Playback. This can be done in two ways.

# INSERT & EFFECT and select Content .

Press INSERT in the Effect Playbacks List, and select Content .

Now that the effect playback is created you can apply it to any channel group, or you can
create channel sets and select them. You have to have a Series defined, since it is the
engine of the content effects.

2. You can now start the effect, by selecting it and setting a level over zero. See Activate &
Control Effects.

NOTE
The Effect playback is controlled similar to how a moving device
channel is controlled. A level above 0 starts the non-intensity content
and the intensity level of the playback masters the intensity levels
within the effect.

670
Control Content Effects

As soon as a Content Effect playback is selected, you can control it in two ways:

From the console parameter wheels using U1-U3 (In Congo Jr these are found in the
Effect soft key page, or by using [C] & [FOCUS], [COLOR], [BEAM] respectively).

From the Live Effects view (if editing is enabled). <Press EFFECT.

Step around with arrow keys, press MODIFY to get a dropdown, or enter a number and
press MODIFY.

NOTE
When you press MODIFY or enter a number it will be an absolute
value or a Palette value - depending on the setting in Attribute
Settings. See Play Settings - Attribute.

Content Effect Parameters

Besides the necessary channel source (Group or Channel Set) and Series, a number of
parameters are combined to define the result of a Content effect. You can adjust all of them
live by selecting the Effect Playback.

The Parameters are divided into two main groups:

Content & Play Mode

Timing

CONTENT & PLAY MODE PARAMETERS

671
Channel Source
The Channel Source that the effect is applied to can be a Set or a Group. See Channel Sets
and Groups.

The advantage with a Set is that you can define any type of custom channel
distribution over the parts, and they will always replay in the same way.
The advantage with Groups is that you can reuse all Groups you have already
recorded, and create distribution and number of parts on the fly with the GrpParts
and GrpDistri parameters.

Set/Group
Select a Set or Group as the Channel Source.

NOTE: There is a special option named Groups (Auto) which will set the number of parts to a
selected group to the number of channels in this group - allowing for a single step chase
effect.

GrpParts
If you have selected a Group as the Channel Source, this parameter defines how many parts
the Group is divided into.

NOTE: There is a special option named Groups (Auto) which will set the number of parts to a
selected group to the number of channels in this group - allowing for a single step chase
effect.

GrpDistri
If you have selected Groups as the Channel Source, this parameter defines the channel
distribution over the Group Parts. The options are the same that are available in the Channel
Distribution Wizard used to create Sets. See Channel Distribution Wizard.

PartDirec
Allows you to run the Set or Group parts Forward or Backward.

Series
A list of steps that execute specific kinds of play content or parameter settings. Each step
may have 4 kinds of content - Intensity + three variable slots that can contain palettes,
presets or direct parameter data. Each of those four pieces of content may have their own
"Attack" (fade) time within the step.

Play Mode
There are a number of play modes:

Stop
Pause
Play Forward
Play Reverse
Bounce
Random

672
The Play mode generally refers to the way the Series gets played back, so between
PartDirec and PlayMode you can change the direction of the channel source but have the
steps play back as written, or vice versa.

Mode
Content Effect can play back it's Series in three modes, Continous, Break and Build. The
result differs quite a lot. Some Series are set to a default mode, because they are designed
to be played back this way.

In a Continuous mode content effect, parts are always executing a step. In a three
color Red-Green-Blue effect, all channels would be in one of those three colors all
the time the effect is running.
In a Build mode content effect, all parts execute step 1 before they execute step 2.
Using the same series as above, all parts would become red using the step and
attack times until all channels are red, then they would each step into green until all
are green, then they would start stepping into blue.
In a Break mode content effect, assuming you have more parts than steps, then
part 1 will execute the "active" portion of the series and when done it will fade into
the Background state (step 0) and wait there (take a "break") until all the other parts
have executed the active steps in the series. When using Break mode, the "sustain"
and "release" times on the active steps come into play - if you think about the
stadium "wave" phenomenon at football matches you'll know what I mean - the
active step is to "Stand up and raise your arms" and the background state is "sit
down". The attack time is how long it takes you to stand up, the sustain time is how
long you remain standing, and the release time is how long it takes you to sit back
down again. The background state has no timing of its own, as it is used when the
channel is not doing anything else.

As you see in the example, the step time will control if each step goes into the
background between steps.

673
TIMING PARAMETERS

Loop Time
This time equals how long it takes all the parts to run through the effect once. If you lengthen
this time, you will impose a gap before the next pass through the effect begins. If you shorten
this time, you will cause the next pass to start before the first pass is completed.

Rate/Tap
Use this value to scale the whole timing scheme faster or slower. Tapping the wheel key will
adjust the timing of the effect to match your tapped in rate. Fade times will scale
appropriately when you use tap.

Entry
The Entry mode decides how channels will enter into the effect.

Step Time
The tempo of the effect - this time determines when each step will be executed..

Attack Time
The fade time of the associated step or individual piece of content..

Sustain & Release times (Break mode only)

This time determines how long a step remains active before starting the release to the
background state. If a break mode effect has more than one active step, each step may
execute a sustain and release to the background only if the step time is greater than the
combined attack+sustain+decay times of the step, otherwise you will only see attack times
executed until the last active step.

674
Content Effect Modes
A Content Effect can play back its Series in three different modes:

Break
Continuous
Build

In the Series Editor you can define a default mode that is set every time the Series is
activated. It's possible to change this mode on the fly when you edit the Effect Playback
parameters. See Series List.

What mode do I use?

The modes allow you to get completely different results, using the same Series. The beauty
of the Content Effect is that it allows you to get very specific results with little programming
effort. We can provide some examples, but the whole idea is that you create your own
unique effects using this powerful tool.

EXAMPLES OF APPLICATIONS

"All in blue, then pop to white one by one"

This can be done with a Content Effect in Break mode, with just a Background state (blue)
and one step (white).

In this example absolute values for Cyan, Magenta and Yellow were
used. It could have been a single color palette just as well. Also, the
times are set to 100% of the default times.

"A fly out"

This can be done with a Content Effect in Break mode with a starting point (usually pointing
down with no intensity and two steps, 1) to turn the intensity on and move to the "away"
position and 2) to turn the channels off again before they return to the background state.

675
A fly out can be done with a Dynamic Effect, but you have no control
over the specific start and end points for each device. Here this is
easy to change at any time by re-recording either of the two focus
palettes used..

"An RGB chase"

This can be done with a Content Effect in Continuous mode with three steps, (color palettes
"red", "green", "blue").

In this example Color Palettes are used, although we could have used
absolute values for CMY just as well.

"An intensity ripple chase"

This can be done with a Content Effect in Break mode, with just a Background state
(intensity = 0) and one step (intensity = full).

It is the combination of the parts distribution and the step timing that
creates the overlapping ripple behavior. If the Attack+Sustain+Decay
time is greater than the step time, you get ripple (overlapping)
behavior. The number of Parts in the Channel Source will define how
"wide" the ripple is.

676
Content Effect Times

Timing information is set in two levels

In the Series List

In the Series Step Editor

In the Series list, the default times are

Default Step Time

Default Attack Time
Default Sustain Time (Break mode only)
Default Release Time (Break mode only)

See Series List.

In the Series Step editor, the times are

Step Time
Attack Time (separate for Intensity and each content 1-3 in each step)
Sustain Time (Break mode only) per step
Release Time (Break mode only) per step

See Series Step Editor.

677
Series List
The engine of a content effects is a Series. Browser >Effects >Content Effect >Series.

You can think of a series as a number of place holders for parameter and intensity
data.
Each place holder has timing data that applies when it is called upon.
There is a special place holder called background, that is used when effects are
played back in Break mode.
The place holders are general, and can be applied to any type of channel or moving
device with the same parameters.

This is the Series List, press INSERT to create a new one.

678
Series List - Functions

Column Action Feedback

Series No Input This item can not be
changed.
Text [MODIFY] Label for this Series.

Steps No Input Shows the number of

steps.
Def. Mode [MODIFY] Opens A dropdown
where you can choose
default mode
Continuous, Break or
Build*
Def. StepTime [#] [MODIFY] Sets a top level Step
Time for all Serie Steps**
Def. AttackTime [#] [MODIFY] Sets a top level Attack
Time for all Serie Steps**
Def. SustainTime [#] [MODIFY] Sets a top level Sustain
Time for all Serie Steps**
Def. ReleaseTime [#] [MODIFY] Sets a top level Release
Time for all Serie Steps**

*Often Series are written that will be used most often in a specific mode. The Default mode is
applied within the Content Effect Playback automatically when the series is selected. The
mode can be changed within the playback as needed.

**The Default times are applied until you define a different time in the Series Steps Editor.

679
Series Step Editor
The Series Step Editor is opened by pressing MODIFY in the Series or Steps cell of the
Series List (above).

NOTE
When Palettes/Presets are used as content, the values will reference
only to the numbers of these Palettes/Presets (not the names) - this
is so that you can reuse the same series in other plays easily.

If you are doing a lot of series creation, the Groups/Palettes Overview

tab is a good way to know what you have already recorded..

680
Series Step Editor - Functions

Column Action Feedback

Step No Input This item can not be changed.
Text [MODIFY] Enter a Step Text.

Step Time [#] [MODIFY] This is the Step Time*

Intensity [#] [MODIFY] Set an intensity level 0-100 or nothing. A

hard 0 is indicated with "M".
Attack [#] [MODIFY] Sets an Attack time for Intensity in this
Step*
1. Content [MODIFY] Opens a dropdown where you can
select the first content type for this step
Attack [#] [MODIFY] Sets an Attack time for this Content in
this Step*
2. Content [MODIFY] Opens a dropdown where you can
select the second content type for this
step**
Attack [#] [MODIFY] Sets an Attack time for this Content in
this Step*
3. Content [MODIFY] Opens a dropdown where you can
select the third content type for this
step**
Attack [#] [MODIFY] Sets an Attack time for this Content in
this Step*

*All Step timing is set to 100% of the Default times in the Series (one level up).

681
Dynamic Effect
A dynamic effect is a relative effect that uses a dynamic template which applies wave-forms
around a base point to create a movement, for example a circle or ballyhoo. In the same way
as the content effect, it is applied to any group or set.

Components
To start a Dynamic effect you need

A Group or a Channel Set

A Dynamic Template (many are supplied default)
An Effect Playback

Playback

All parameters can be controlled live, similar to how a device is controlled

Once programmed you can also change the Dynamic Template (circle, ballyhoo) or
create your own.
The effect is applied to any predefined set or group of channels.
The effect will run as soon as the effect playback intensity is over zero.
The intensities will contribute to the Live output on a HTP basis.
Attributes will replay on an LTP basis with the rest of the playbacks.

Live Parameters

Change channels (set/group)

Change distribution (offset, delay, distribution)
Change Rate & Size
Store and recall all settings into palettes and presets, similar to how any device is
controlled.

A number of common Dynamic Effect Templates are included in the Effect Library of the
Browser. It is possible to create new ones as well. If you are acquainted with SmartFade
effects, you will find that SFML style tables and effects have been added to the library.

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Waveforms - Dynamic Templates & Tables

Dynamics are a way of creating effects by assigning waveforms (sinus, saw etc) to intensity,
color, movement or any other parameter. you can define custom tables. See Dynamics -
Tables.

Examples:

The waveform will "run" the parameter it is assigned to, but you can still move the "base
value" of the parameter that the Dynamic is working with.

NOTE
To create a movement, like a "Circle" for a moving Device, two sinus
waves are applied to pan and tilt, and one of them is offset 25%.

Create a Dynamic Effect Playback

1. Create a Dynamic Effect Playback. This can be done in two ways.

# INSERT & EFFECT and select Dynamic.

Press INSERT in the Effect Playbacks List, and select Dynamic.

Now that the effect playback is created you can apply all existing Dynamic templates to any
channel group, or you can create channel sets and select them. The Effect playback is
controlled similar to how a moving device is controlled. Select the effect and use the
parameter wheels or the Live Effects editor.

2. Select the Effect, to start is set a level over zero. See Select & Activate Effects.

683
Control a Dynamic Effect

As soon as a Dynamic Effect playback is selected, you can control it in two ways:

From the console parameter wheels using U1-U3. On Congo jr these can be found
under the Device softkey or by using [C] & [FOCUS], [COLOR], [BEAM] respectively.
From the Live Effects view.

Live Effects looks like this:

Step around with arrow keys, press MODIFY to get a dropdown, or enter a number and
press MODIFY.

NOTE
When you press MODIFY or enter a number it will be an absolute
value or a Palette value - depending on the setting in Attribute
Settings. See Play Settings - Attribute.

Dynamic Effect Parameters

A number of parameters are combined to define the result of applying a Dynamic Template
to a channel Set or Group. You can trim all of them live by selecting the Effect Playback.

Channel Source
This can be a Set or a Group. See Channel Sets and Groups.

Set/Group
Select which Set or Group.

Dynamic Template
Templates are pre-defined in the Dynamic Templates editor. You can create your own as
well. See Dynamic Templates.

Size and Rate

The Size relates to how much the values will vary in relation to the base point. Rate defines
fast the result is. See Dynamics - Size & Rate.

684
Offset
The offset parameter distributes the channels along the waveform. See the example with 5
channels on a sine wave. See Dynamics - Relations & Distance.

Delay Relation & Distance

The Delay Relation defines when each channel starts in relation to the next. The Distance
defines how long each channel will travel before the next is started. These two work
together. If Delay Relation is set to ALL there will be no change, since distance needs at
least two parts. See Dynamics - Relations & Distance.

685
Dynamic Templates
Dynamic Templates are definitions of waveforms applied to parameters used for Dynamic
Effects.

Open by holding MODIFY pressing DYN EFFECT (or Browser >Effects >Dynamic Effect
> Dynamic Templates).

Dynamic Effect Library - Columns & Functions

Column Input Function

Effect [MODIFY] Starts the selected Effect for the currently
selected channel(s).
Text [MODIFY] Press MODIFY to activate and end text input.

Parameters [MODIFY] Opens the Dynamic Template editor. See

Dynamic Template Editor - Create.
OffsRel [MODIFY] See Relations & Distance

DelayRel [MODIFY] See Relations & Distance

Distance [#] See Relations & Distance

[MODIFY]

Dynamic Template Editor - Create

1. Open the Effect Library by holding MODIFY and pressing DYN EFFECT.

2. Go to the last step using the arrow keys.

3. Press INSERT to create a new Template.

686
 4. Go to TEXT and press MODIFY to enter a name. Press MODIFY again to confirm.

5. Go to Parameters and press MODIFY to open the Template Editor.

6. Press INSERT to create a step. Each step contains the settings for a single parameter -
for example, a pan/tilt effect would have two steps.

See Dynamic Template Editor - Functions.

Dynamic Template Editor - Functions

Column Input Function

Ch.Index [#] 0 means all selected channels are affected by this
[MODIFY] step. For numbers >0 only channels that match this
index number will be activated. For example "2"
means that only every second channel will be
affected (of the selected channels).
Parameter [MODIFY] Opens a dropdown. Select which parameter this
step shall affect.
Table [MODIFY] Opens a dropdown. Select which table this step
should apply. See Dynamics - Tables.
Delay [MODIFY] A delay in % before the step starts to move
Offset [MODIFY] An Offset in % where in the table this step starts
Size [#] See Size & Rate
[MODIFY]
Rate [#] See Size & Rate
[MODIFY]
Wait [#] A wait time, in percent (1- 1000%) for this step
[MODIFY] before it is repeated. The Wait time is relative to
all other steps.

687
Dynamic Tables
The basic element of a Dynamic effect is a wave-form, or "table", that is assigned to the
intensity or any other attribute parameter of a channel.

A Sine wave, for example, will fade a parameter up/down continuously over/under the
current Base Value.

By changing the Rate and Size of this Sine Wave, you will affect the speed and value range
of the result.

Although the idea of tables is very technical, it really requires little technical understanding:
most designers prefer to experiment with different tables and parameters to understand - the
effect of a Sine Wave is too different on a color parameter, compared to pan or intensity, to
explain in detail here.

These are the tables

Table Description
Stop A "Stop Dynamics" table
Sine A normal sinus wave
Step An "on-off" wave
Sawtooth A linear "fade up - fade down" wave
Ramp A "fade up-cut down" wave
RampInv A "cut up - fade down" wave
MarkOn "On-longer-than-off" used for fly-in or fly- outs
MarkOff "Off-longer-than-on" used for fly-in or fly- outs
Spiral A sinus wave with varying amplitude
Tangent A sinus wave with a "sharp top"
Random1 Random curve 1
Random2 Random curve 2
Random3 Random curve 3
NOTE
If you are used to working with for example WholeHog (tm) Tables, a
Sine + 90 degrees is a Sine with an offset of 25% here.

688
Table Editor

Press INSERT to create new tables at the end of the table list in the Browser, but not delete
existing ones since this would mess up the indexing of existing tables used by effects.

Browser >Effects >Dynamic Effects >Dynamic Table List

Pressing MODIFY on a table opens the Dynamic Table Editor where you can insert and
delete table values. You cannot have more than 64 points in a table.

This is the Dynamic Table editor with a Step table.

689
Live Dynamics (old)
This tab is used with the old Dynamic Effects package prior to v5. See Dynamics (old).

All parameters of running Dynamic Effects can be edited in the Live Dynamic Effects tab.
Press DYN EFFECT to open it. This tab can be opened from the Browser as well (Browser
>Live Dynamic Effects).

The top right corner shows a pan/tilt monitor with a dot representing each channel. This is a
visualisation for the Offset Relation, Delay Relation and Distance values.

NOTE
If you start to select channels in Live Dynamics, you will get a popup
if you want the selection to affect the running effect or not. Once you
have said yes to this, all channel selection will update the running
effect until you close and reopen Live Dynamics.

RECORD and UPDATE cannot be used when this tab is focused.

Select LIVE to use them.

690
Live Dynamic Effects - Columns

Column Input Function

Library [MODIFY] Opens a dropdown to select a
Dynamic Effect from the Effect
Library.
Status No input Running status. Cannot be edited.
Channels No input The amount of channels assigned to
this Dynamic Effect.
Size [#] [MODIFY] Set the size from 1-1000%. See
Size & Rate
Size Channel [#] [MODIFY] Assign a size channel. See Size &
Rate
Rate [#] [MODIFY] Set the rate from 1-1000%. See
Size & Rate
Rate Channel [#] [MODIFY] Assign a rate channel. See Size &
Rate
Offset Relation [MODIFY] See Relations & Distance

Delay Relation [MODIFY] See Relations & Distance

Distance [MODIFY] See Relations & Distance

Text [MODIFY] Press MODIFY to activate and end

text input.
Fade [MODIFY] See Fade

Loop Count [#] [MODIFY] See Loop Count

Form [MODIFY] See Form

691
Old Dynamic Effects
The old Dynamic Effects prior to Congo v5 are still compatible and
work in the same way. They are much more limited, so we
recommend you to use the new ones unless you are importing an
older Play.

This chapter contains the following sections

Dynamics - Base Value

Dynamics - Start
Dynamics - Control
Dynamics - Stop
Dynamics - Record
Dynamics - Preset Dynamics
Dynamics - Size & Rate
Dynamics - Relations &Distance
Dynamics - Loop Count
Dynamics - Fade
Dynamics - Form
Dynamics - Fetch from A Preset
Dynamics - Playing Back
Dynamics - Store Running

692
Dynamics - Base Value
When a Dynamic Effect is activated, it will run with the current position of the corresponding
attribute or intensity as a Base Value.

If you change this Base Value, the Dynamic Effect will follow. If you run a Preset with a
Dynamic Effect and then run another Preset with a new base value, the default action is for
the Dynamic Effect to fade out. Use the Keep Dynamics setting to allow the Dynamic Effect
to play through Presets. See Record Keep Dynamics.

If a pan/tilt effect such as Circle is running for a moving Device, you can change the Base
Value by moving Pan and Tilt, or by selecting a Focus Palette.

NOTE
If the Base Value is too small, some effects will not be visible, for
example color mix and intensity effects. Set the Base Value to 50%
for maximum effect.

693
Dynamics - Start
Dynamics are activated for the currently selected channel(s). The current attribute and
intensity values are used as the Base Value for the Dynamic Effect.

A "D" will appear in the top right corner of the channel symbol.

NOTE
Activating a Dynamic Effect will "lock" the attributes and intensities
of the selected channels to the Dynamic Effect.
See Dynamics - Stop.

Start Dynamics By Number

Function Key Feedback

Start Dynamic Effect # [#] [DYN_EFFECT] Dynamic Effect # is
activated for the
currently selected
channel(s).

Start Dynamics From The Effect Library Tab

Action Key Feedback

1. Open Effect Library [MODIFY] & The Effect Library tab is
[DYN_EFFECT] opened.

2. Select Effect Arrow Keys Up/Down The selected Effect is

highlighted.
3. Start Effect [MODIFY] The selected Effect is
activated for the
currently selected
channel(s).
4. Exit Effect Library [ESC] The Effect Library tab is
closed.

694
Start Dynamics From The Effect Library Node

Action Key Feedback

1. Select the Browser [BROWSER] The Browser is selected
and highlighted. If it was
already selected it is
closed. Press again to
open.
2. Go to the Effect Arrow keys Up/Down The Effect Library node
Library node is highlighted.
3. Open the Effect Right arrow The Effect Library node
Library node is opened.
4. Select an Effect Down arrow The selected Effect is
highlighted
5. Start the Effect [LOAD] The selected Effect is
activated for the
currently selected
channel(s).

Start Dynamics From The Direct Selects

Action Key Feedback

1. Select Dynamics for a [TYPE] & When TYPE is held you
section [Dynamics] can select Dynamics for
a section. The first ten
dynamics are displayed
in the section
immediately.
2. Activate a Dynamic Section keys 1-10 The selected Effect is
activated for the
currently selected
channel(s).

See Direct Selects.

695
Start Dynamics With Direct Mode

1. Hold DYN EFFECT (don't let go until the Dynamics are started).

- When this is held, the first 40 Dynamic Effects in the Effect Library are displayed on the
Direct Select keys.

2. Activate a Dynamic by pressing the corresponding key

3. Let go of DYN EFFECT.

696
Dynamics - Control
The Dynamics Soft Key Page in the Main Display of the console facepanel is opened by
pressing DYNAMICS in the Effects soft key page.

Congo

Congo Jr & Kid

It has the following functions for controlling live Dynamics

Clear Dynamics Soft Keys

Dynamic Wheels
Delete Selected Dynamics in Display List (soft key)
Keep Dynamics in next Preset (soft key)
Set Distance in % (soft key)

Clear Dynamics Soft Keys

The Clear Dynamics soft keys (left column) are used to clear and/or stop running Dynamics.

Select All active Dynamics (SELECT ALL)

Clear all Selected Dynamics (CLEAR SELECT)
Delete All running Dynamics (DELETE ALL)

See Dynamics - Stop.

697
Dynamic Wheels - Size, Rate, Offset & Delay

Wheels 1 and 2 are used to set Size and Rate for Live Dynamics. See Dynamics - Size &
Rate.

Select channels and set values.

Set numerical values with # and Wheel Key.

Wheels 3 and 4 are used to set Offset and Delay relations. See Dynamics - Relations &
Distance.

Hold the key and use the wheel.

Live Dynamic Effects Display List

All live Dynamic Effects are shown in this list.

Use the Trackball in Display List mode to select (click) a running dynamic
Use DELETE DYNAM to delete the currently selected Dynamic from this list

Keep Dynamics In Next Preset

The KEEP DYNAM soft key is used to record a new base position for a running Dynamic
Effect. See Record Keep Dynamics (New Base Value).

Set Distance In %

The DISTANCE soft key is used to set the Distance % parameter for the selected running
Dynamics directly. See Dynamics - Relations & Distance.

698
Dynamics - Stop
Dynamic Effects can be stopped in the following ways.

Stop Dynamics manually

Activate A Dynamic Stop Table
Delete the Dynamic from Live Dynamic Effects
Delete the Dynamic using the Dynamics display
Fade in a Preset in the Main Playback
Load a new Sequence to the Main Playback*

*Providing the Auto-Stop parameter in the System Settings is set to ON. See System
Settings.

Moving Device attributes are stopped automatically when a new value is played back from
any Playback or Master. Intensity Dynamics can only be stopped with the Stop Dynamics
table of the manual stop functions.

NOTE
Dynamics act like Attributes - they are executed in A or B depending
on the GoOnGo or GoInB flag of the step.
See Device Play back - GoOnGo or GoInB.

There is also an option in Settings to have them always start on GO.

See Settings - Crossfade.

Stop Dynamics Manually

Action Key Feedback

1. Select channels Channel functions The selected channels
are highlighted in the
Channel View
2. Stop Dynamics [C/ALT] & All Dynamics are cleared
[DYN_EFFECT] for the selected
channel(s)

This is a shortcut to select all channels with Dynamics assigned to them.

Function Key Feedback

Select all channels with [CH] & All selected channels are
dynamics [DYN_EFFECT] highlighted in the
Channel View

699
Activate A Dynamic Stop Table

Intensity Dynamics can only be stopped by assigning a Stop Intensity Table. There is a
STOP I Dynamic in the Effect Library for this.

1. Select the channels

2. Assign the "STOP I" Effect (See Dynamics - Start)

You can record this to the Preset in the A field of the Main Playback.When the Preset with
this Stop Table is activated, the Intensities will fade the size of the Dynamic Effect using the
IN time of this Preset.

Delete A Dynamic From Running Dynamics

1. Open the Live Dynamic Effects Tab by pressing DYN EFFECT.

2. Select a Dynamic effect with the arrow keys

3. Press DELETE to stop (a popup will ask for confirmation)

4. Press MODIFY to confirm.

700
Delete A Dynamic Using The Dynamics Display

Dynamics can be cleared or deleted from the Display List or with the soft keys in the
Dynamics Display.

Activate the Dynamics Soft Key Page in the Main Display of the console facepanel by
pressing DYNAMICS in the top menu.

Congo

Congo Jr

Press SELECT ALL to select all channels running a Dynamic effect.

Press DELETE ALL to delete all running Dynamic Effects.
Press CLEAR SELECT to clear Dynamic Effects from the current channel selection.

It is also possible to work with the list

1. Activate Display list mode for the trackball (DISPLAY LIST). The Trackball will turn
green-yellow.
2. Select a Dynamic in the Live Dynamic Effects list using the trackball.
3. Press DELETE DYNAM to delete.

701
Fade In A Preset In The Main Playback

When a Preset with new attribute values is faded in the Main Playback, any active Dynamics
for those attributes will be stopped.

Load a new Sequence to the Main Playback

When a new Sequence is loaded to the Main Playback, all running Dynamics are stopped
the next time GO is pressed.

702
Dynamics - Record
Dynamic Effects are recorded in Presets for playback.

Only Dynamics that have changed or are started since you last pressed RECORD
will be stored.
Record Mode should be set to AUTOMATIC for attributes.
A "Keep Dynamic" flag can be set to a Preset. This will allow the Dynamic to move to
new base values without stopping the Dynamic.

Record Changed Dynamics

Function Key Feedback

Record* Dynamics to [#] [RECORD] All channels are
Preset # recorded including all
running Dynamics to
Preset #

*Record Mode has to be set to Automatic for Attributes - See Devices - Recording Modes.

Record Dynamics To Another Preset

Function Key Feedback

Record* Dynamics to [#] [RECORD] & All changed and/or
Preset # [DYN_EFFECT] selected channels are
recorded with running
Dynamics to Preset #

*Record Mode has to be set to Automatic for Attributes - See Devices - Recording Modes.

Record Dynamics To A Master

Function Key Feedback

Record* Dynamics to [RECORD] & Selected channels are
Master # [Master_Key] recorded including
running Dynamics
to Master # as the next
free Preset.

*Record Mode has to be set to Automatic for Attributes - See Devices - Recording Modes.

703
Record Keep Dynamics (New Base Value)

Keep Dynamics will set a Keep Dynamics flag to an existing Preset. When this Preset is
played back in a Sequence it will change the Base Values for a running Dynamic Effect
without stopping it.

There are two ways of setting this. From a checkbox in the Recording Popup, or from the
Dynamics Soft Key page (described below). See The Recording Popup.

1. Select the Dynamics Soft Key Page in the Main Display of the console facepanel by
pressing DYNAMICS in the top menu.

Congo

Congo Jr

2. Press KEEP DYNAM.

The Currently running dynamics are stored with a Keep Dynamics flag in the Preset active in
the A field of the Main Playback. Keep dynamics is shown with a waved line under the value
in the Preset Attribute Editor.

You can store to a different Preset by entering a number before Keep Dynam. The Preset
has to be recorded first.

NOTE
You can set a Keep Dynamics flag for a parameter group (Focus,
Color, Beam) by holding KEEP DYNAM and pressing either of these
keys.

704
Dynamics - Preset Dynamics Editor
The Preset Dynamics Editor is identical to the Live Dynamics Editor. All editing functions are
the same. See Dynamics - Edit Live Dynamic Effects .

Function Key Feedback

Open Preset Dynamics [#] [PRESET] & Dynamic Editor for
Editor for Preset # [DYN_EFFECT] Preset # is opened.

Open Preset Dynamics [PRESET] & Dynamic Editor for the

Editor for the Preset in A [DYN_EFFECT] Preset in A is opened

Open Preset Dynamics [DYN_EFFECT] & [A] Dynamic Editor for the
Editor for the Preset in A Preset in A is opened
Open Preset Dynamics [DYN_EFFECT] & [B] Dynamic Editor for the
Editor for the Preset in B Preset in B is
opened (4.2)
NOTE
You can open this editor in two more ways

Double-click on "Dyn:#" in the Sequence Playback View

Press MODIFY in the Dynamics Column of a Preset List

705
Dynamics - Size & Rate
Each Dynamic Effect has a Size (amplitude) and Rate (frequency) value. It is possible to
assign an intensity channel to each of them.

You can set Size and Rate for running Dynamic Effects with the wheels in the Dynamics Soft
Key Page. See Dynamics - Control.

NOTE
From 4.2 it is no longer possible to modulate the size or rate of a
dynamic effect using another intensity dynamic effect on the size/rate
channel. This may change the behaviour of existing plays if this rare
feature has been programmed.

Size

Sets the size (amplitude) of the waveforms in a Dynamic Effect. It is set from 0-1000%.

This can be set with the first parameter wheel in the Dynamics Soft Key Page of the Main
Display in the Congo facepanel. (DYNAMICS softkey)

It can also be set in the Preset- and Live Dynamic Effects tabs.
See Live Dynamic Effects and Preset Dynamic Effects

Size Channel

Any channel can be set to control the Size of a Dynamic Effect. At 50% it does not affect the
programmed Size at all. At 0% the Effect is stopped, and at 100% the Size is doubled.

The channel is marked with SIZE in the Channel Views.

706
Rate

Sets the rate (frequency) of the waveforms in a Dynamic Effect. It is set from 0-1000%.

You can also change this parameter with the second parameter wheel in the Dynamics Soft
Key Page (press DYNAMICS in the Index Page).

It can also be set in the Preset- and Live Dynamic Effects tabs.
See Live Dynamic Effects and Preset Dynamic Effects

Rate Channel

Any channel can be set to control the Rate of a Dynamic Effect. At 50% it does not affect the
Rate at all. At 0% the Effect is stopped, and at 100% the Rate is doubled.

The channel is marked with RATE in the Channel Views.

707
Dynamics - Relations & Distance
Offset Relation, Delay Relation and Distance set all channels to perform a Dynamic one after
the other, or overlapping.

These parameters can be set in the Live Attribute editor and from the Dynamic Display soft
key page.

Offset Relation

Specifies when channels start in relation to the table assigned to them

Offset is set in the Dynamic Effect views (Live and Preset). Press MODIFY in either for a
dropdown with the following options

Action Description
All All devices start at the same point in the table.
Evenly Spread The starting point (offset) is evenly spread.
1:2-1:9 The selected devices are divided in # groups
(1:#).

Offset Relation - Dynamics Display

In the Dynamics Display the Offset Relation for the selected Dynamic Effect is mapped to
wheel 3.

Activate the Dynamics Soft Key Page in the Main Display of the console facepanel by
pressing DYNAMICS in the top menu.

708
Congo

Congo Jr

1. Hold wheel key 3 to get a list of Offset Relations in the display.

2. Select a relation using the wheel.

3. Let go of the Key to activate the current selection.

709
Delay Relation & Distance

Specify when channels start in relation to each other.

Delay Relation and Distance are set in the Dynamic Effect views (Live and Preset). Press
MODIFY in Delay Relation for a dropdown with the following options

Action Description
All All devices start at the same time.
Evenly Spread The starting time is evenly delayed.
1:2-1:9 The selected devices are divided in # groups
(1:#).

Distance specifies the time (in percent) between the starting point of each channel when the
Delay Relation is used.

710
Delay Relation & Distance - Dynamics Display

In the Dynamics Display the Delay Relation is mapped to wheel 4. There is a soft key for
setting the Distance parameter directly with a numeric value.

Activate the Dynamics Soft Key Page in the Main Display of the console facepanel by
pressing DYNAMICS in the top menu.

Congo

Congo Jr

1. Hold wheel key 4 to get a list of Delay Relations in the display.

2. Select a relation using the wheel.

3. Let go of the key to activate the current selection.

Enter a number and press DISTANCE to set the Distance value 0-100%.

711
Dynamics - Loop Count
A Dynamic Effect can be set to run a specific number of loops and then stop automatically. If
set to 0 it will run forever.

This is done in the Loop Count column of the Dynamic Effects tabs.

See Dynamics - Live Dynamic Effects and Dynamics - Preset Dynamic Effects

712
Dynamics - Fade
A Dynamic Effect can fade in size, rate or both when played back in a Sequence. When
faded manually in a Master Playback, size will follow the fader (0-100%).

The Fade parameter is set in the Live and Preset Dynamic Effect tabs in the Fade column.

Action Key Feedback

Size (default) [MODIFY] Size will fade in (and out) on the
time for the corresponding
attribute.
Rate [MODIFY] Rate will fade in (and out) on the
time for the corresponding
attribute.
S&R [MODIFY] Size & Rate will fade in (and out)
on the time for the
corresponding attribute.
None [MODIFY] Size and Rate will snap directly
to the values of the dynamic
effect. Activating a new attribute
value will stop a corresponding
dynamic directly.

Intensity Dynamics

When a Stop Table is activated, the Dynamic Effect will fade out on the in time of the
corresponding sequence step. If the Stop Table is assigned manually, the effect will snap
out.

Attribute Dynamics

When new attribute values are played back from the Sequence, they will fade from the
Dynamic in the attribute time of that Sequence Step. When they reach zero the Dynamic is
deleted automatically.

See Dynamics - Live Dynamic Effects

See Dynamics - Preset Dynamic Effects

713
Dynamics - Form
Form specifies the relation between the size for the Pan and Tilt parameters. It is used to
control the behaviour of Pan/Tilt combinations like a Circle.

Normal value is 100 (displayed as "F:F") which means that both Pan and Tilt are equal in
size.

If you enter a value between 0 and 99, this will be used as the size for the Pan
parameter showed as "0:F" to "99:F".
If you enter a value between 101 and 200, this will be used as the size for the Tilt
parameter showed as "F:99" to "F:0".

Think of it as a continuous scale from a vertical movement through the full circle to a
horizontal movement.

This is done in the Form column of the Live- and Preset Dynamic Effects tab.

See Dynamics - Live Dynamic Effects

See Dynamics - Preset Dynamic Effects

714
Dynamics - Fetch From A Preset
Dynamics can be copied from any Preset. All channels with Dynamics in that Preset will be
copied.

Function Key Feedback

Fetch Dynamics from [#] [ON/FETCH] & Dynamics in Preset # are
Preset # [DYN_EFFECT] activated. A "D" will
appear next to the
involved channels in the
Channel View.

715
Dynamics - Playing Back
A Preset with Dynamic Effects can be played back in any of these ways:

The Preset is faded in on a Sequence Step

A Master with the Preset is faded up (size follows the Master fader).
A Master with the Preset is Flashed

General Facts

When activated, Dynamic Effects fade to the initial value including the Offset.
If the attributes are masked, the Dynamic will start anyhow.
Dynamics run until Deleted or Size is set to zero.
Device Dynamics will stop if new attributes are faded in a Sequence Step.
IMPORTANT SETTING: Always Start Dyn On Go (Crossfade Settings) => When
activated from a Sequence Step, dynamic effects are always started on Go
regardless of the GoOnGo setting for the sequence step.

See Dynamics - Stop.

716
Dynamics - Store Running To Library
Running Dynamics can be stored as a Dynamic Template in the Effect Library and be reused
with different channels.

1. Open the Dynamic Effect Library by holding MODIFY and pressing DYN EFFECT, or from
the Browser (Browser >Effect Library)

2. Go to the end of the list (arrow keys).

3. Press INSERT. You will get the question "Record running dynamics as a Dynamic
Template?".

If you answer OK, the dynamics for the currently selected channels (in the selection order)
will be used as a base for creating the new Dynamic Template.

If you answer CANCEL you will get an empty Dynamic Template.

4. Enter a name in the text column (press MODIFY to activate, enter text and press MODIFY
to confirm).

5. Exit by pressing ESC.

717
Image Effects (6.0)
Image effects allow you to map a text an image (jpg/gif) or an animation (supplied) to the
intensity or color of a predefined effect layout of channels. This can be used to create
abstract or absolute patterns.

The result of mapping an image, animation or text will depend on the resolution of your effect
layout.

Image mapped to intensity and then color in a 10x10 layout.

Text effect with the letter "E" mapped to intensity and then color in a 10x10 layout

There are controls for adjusting the playback of the image or text live. You can position,
scroll, rotate and change colors. You can map to intensity, color mix, iris or zoom.

Effect Layout
The effect layout is a "pixel map" of channels in your rig that the effect is applied to. You can
define it up to 128x128.

Effect Types
The effect types are image, animation (gif) or text. A library of animations are loaded when
you create a new play.

718
 Components
To start an image effect you need

An image or text
An effect layout
An Image effect playback

Create an image effect playback (6.0)

Creating an image effect playback can be done in two ways.

# INSERT & EFFECT and select Image.

Press INSERT in the Effect Playbacks List, and select Image.

Now that the effect playback is created you need an Effect Layout to apply it to.

Control image effects (6.0)

As soon as an Image effect is selected, you can control it in two ways:

From the console parameter wheels using U1-U3.

From the Live Effects view.

Image effects look like this in Live Effects

If you unlock the spreadsheet for screen editing (SETUP & TAB) you can step around with
arrow keys, press MODIFY to get a dropdown, or enter a number and press MODIFY.

NOTE
When you press MODIFY or enter a number it will be an absolute
value or a Palette value - depending on the setting in Attribute
Settings. See Play Settings - Attribute.

719
Image effect parameters (6.0)

These are the image effect parameters divided into Content, Position, Color & Effect.

CONTENT
The content can be image, animation or text. It needs a layout to be mapped to, and you
have to set if it is applied to intensity, color mix, iris or zoom.

Layout
Layouts are created in the Effect Layout editor. This is the "projection screen" of an image
effect.

Type
Choose between image, animation or text.

Index
This is the index number of the image, animation or text chosen.

MapTo
The image, animation or text can be mapped to intensity, color mix, iris or zoom of the
channels in the effect layout.

POSITION
The position of the content defines where it is placed and how in the effect layout.

X-pos & Y-pos

The default position is "middle" of the effect layout. You can offset this +/- 128 increments.

Scale
The size of the content can be scaled from 0-1000. 100 is "normal".

Aspect
The aspect will adjust the shape of the content by adjusting X size against Y size.

Rotation
Rotates the content.

Speed
Sets the speed of an animation.

720
 COLOR & EFFECT
Both color and effect are "filters" applied on top of the content and all previous parameters.

Red, green & Blue

Colorization.

Effect. size and speed

The effect parameter allows you to scroll, shake and scale the content. You can adjust size
and speed of the applied effect. Size and speed 50% is stopped and normal.

The effects are

None
Scroll X
Scroll X ><
Scroll Y
Scroll Y <>
Rotation
Scale
Aspect
Shake

Animation effects (6.0)

Animation effects are great for creating abstract intensity or color patterns, similar to old
school video effect generators. A number of digital animations are supplied with Congo.
These are a few.

721
Effect layouts (6.0)
An effect layout is the "projection screen" for an image effect. The effect layout is where you
create a positional relationship among channels. This in turn determines how pixels from the
source image will apply to channels. It is created in the Effect Layout editor, and the tools are
a simpler versions of the Channel Layout tools.

This is the effect layout editor with a simple ten by ten layout.

722
Create a new effect layout (6.0)

1. Open the effect layout editor (Browser >Effects >Image Effects >Effect Layouts...).

2. Press INSERT. You will get a popup where you can define the width and height in "pixels".
One pixel is the smallest possible resolution, and usually a single light source.

3. Press MODIFY in the Layout column of the new layout. This opens the layout editor tool.

723
Effect layout wizard (6.0)

Wizard

The wizard is the easiest way to create an array/matrix or circle of channels. It opens a
popup where you can choose either of these.

HINT: Use the Stretch H and V wheels to trim the insertion.

724
Effect Layout Editor wheels (6.0)

The wheels are used to spread the selected objects horizontally or vertically, and to change
size or rotation.

1. Select channels (Cursor mode).

2. Use wheel to edit.

Function Feedback
Stretch H Objects are spread horizontally
Stretch V Objects are spread vertically
Size Object size is changed
Rotate Object is rotated. Hold C to rotate
individual objects within selection.

Effect layout channel tools (6.0)

If the effect layout isn't symmetrical you can work with channels one by one with these tools.

Select/channel

The arrow tool is a select tool which you use to select channels for all other function.
The channel tool is used to place channels on screen. Enter the number first then
click.

Insert & Delete

These are the same as the keys on the console.

Insert selected channels.

Delete selected channels.

725
Copy & Paste

These are the same as the keys on the console.

Copy selected channels

Paste selected channels using the Paste Popup

Align

Align is the same as the ALIGN key on the console. It will open a popup with options for
aligning the selected channels.

726
Copy an effect layout (6.0)

You can copy effect layouts to make alternative versions.

1. Open the effect layout list (Browser >Effects >Image Effects >Effect Layouts...)

2. Select the layout you want to copy and press COPY/CUT.

3. Press PASTE.

727
Effect Images (6.0)
Effect images are jpg or gif images that you can create with the Image tool, or import from a
USB memory.

They are mapped pixel by pixel to the effect layout when selected. In other words, if the
effect layout consists of 100 light sources that are aligned 10x10 - you can create an image
that is 10x10 to fit exactly, or 128x128 if you want to be able to scale and zoom in the image.

Simple black & white image mapped to intensities, and color in a 10x10 effect layout

Create a new image (6.0)

1. Open the Effect Images tool (Browser >Effects >Image Effects >Effect Images...)

2. Press INSERT to create a new image. You will get a popup

3. Enter the size of the image. The size is relevant to the size of the effect layout it will be
applied to. We recommend 128x128 which you can scale to a lot of layouts.

4. Press MODIFY in the Image column of the new image. This opens the layout editor tool.

728
Edit an image (6.0)

The Effect Image Editor can be used to create new images and to edit imported images.
It offers some simple drawing tools. All of them are mouse operated.

Drawing tools

The drawing tools are the pen and the select tool. The pen will draw with the selected colors
and the select tool can be used to select an area and drag it to a different location.

Zoom tool

Click on the zoom tools to zoom in/out.

Color tools
There are two ways to select color:

Color picker (click on a color to select)

Color sampler (click in image to sample)

Kaleidoscope tool

Anything you draw is mirrored on the other side of the lines. Makes it easy to make
symmetrical patterns.

729
Copy an effect image (6.0)

You can copy effect images to make alternative versions.

1. Open the effect image list (Browser >Effects >Image Effects >Effect images...)

2. Select the image you want to copy and press COPY/CUT.

3. Press PASTE.

730
Effect Texts (6.0)
You can create a text and apply it to an effect layout with the image effect. The text can be
applied to intensity, color mix, iris or zoom.

This is an example of the letter "E" applied to intensity and then color mix in a 10x10 effect
layout.

Create an effect text (6.0)

1. Open the Effect Text tool (Browser >Effects >Image Effect >Effect Texts...)

2. Press INSERT to create a new text.

3. Press MODIFY in the Text column, write a text and press MODIFY to confirm.

731
Import Effect Images (6.0)
You can import images (jpg/bmp/gif) from a USB memory.

1. Connect the USB memory to Congo

2. Open the Import Effect Images function (Browser >Effects >Image Effects >Import Effect
Image). This will open the import image popup where you can select the image you want to
import.

3 Press MODIFY. You will get a popup

4. Enter the target size of the image. The size is relevant to the size of the effect layout it will
be applied to. We recommend 128x128 which you can scale to a lot of layouts.

5. Press MODIFY in the Image column of the new image. This opens the layout editor tool.

Once the image is imported you can access it from the Image Effect controls.

732
Channel Sets
A Channel Set is a defined set of channels distributed into a number of parts. Sets can be
used as an alternative to groups, in both content and dynamic effects. The advantage of a
Channel Set compared to a group is that you can create very specific distribution models.
See Channel Distribution Wizard.

The Channels Sets editor can be opened in two ways.

SET (soft key in the Effects Soft Key menu)

Browser >Effects > Channel Sets

Create a Set

Sets are created in the Channel Sets editor. You can use the Channel Distribution Wizard, or
create them one by one using all channel selection and Group features in Congo as a help.

1. Open the Channel Sets Editor. See above.

Column Action Feedback

Channel set No Input The number of this Set.
Can't be changed.
Text [MODIFY] Opens the text cell for
labeling.
Parts [MODIFY] Opens the Channel
Distribution Wizard.
733
 2. Press INSERT in the Channel Sets List, then press MODIFY in the Parts cell.

3. Select channels, parts and distribution. See Channel Distribution Wizard.

NOTE
Helpful hint: Groups can be used to enter channel selections within
parts, if desired. If you are making a very complicated Channel Set
distribution, it may be easier to first create a Group that corresponds
to the contents of each individual Part, and then use the Groups on
masters or Direct Selects to simplify the entry of the channels in each
part. .

You can now use this set in any Content or Dynamic Effect Playback.

Edit a Set

Select the set using arrow keys. The channels and parts are shown in the top of the editor.

Function Keys Feedback

Select a Part [NEXT] [LAST] The channels will be
selected and the number
of the part is indicated in
red over the channels.
Edit a Part [NEXT] [LAST] Select/deslect channels.
No save or record
required. To add a new
part select the last
EMPTY one and select
channels.
Delete a Part [DELETE] Press DELETE to delete
the selected part.

734
Main Playback
The Main Playback is a "theatre style" playback for sequences.

Main Playback Node

This chapter contains the following sections

Main Playback - Introduction

Main Playback - Functions
Playback View
Sequence Editor
Load Sequence

735
Main Playback - Introduction
The Main Playback can play back a Sequence in normal/chase mode, or random presets.

While a crossfade is being executed the "Playback" status at the lower right corner of all
screens will be red.

The main playback has the following controls.

Manual crossfaders.
Transport keys for timed fades with default or pre-programmed times.
Split speed controls for in and outgoing channels.
REFRESH to refresh values to those of the Playback.
PLAYBACK for assigning sequences and selecting the Main Playback Tab.

736
CONGO

CONGO JR
In Congo Jr there is only one playback, which serves both the main playback and any of the
Master playbacks.

The CONNECT key is used in combination with any Master key to control that playback.
Once a master is connected, it is sufficient to press CONNECT.

The PLAYBACK key is used to set the controls to the main playback.

737
The main difference for the main playback compared to the large Congo console is that there
is no split rate control for in/outgoing fades. Instead TAP is held together with the wheel to
control rates. In Jr, this playback is used also as the Master Playback.

738
Main Playback - Functions
These are the functions for the Main Playback.

This chapter contains the following sections

Main Playback - Manual Crossfade

Main Playback - Transport Keys
Main Playback - Edit Keys
Main Playback - Time Settings
Main Playback - Default Settings
Main Playback - Refresh Functions

739
Main Playback - Manual Crossfades
Move the crossfaders from the down position to the up position to perform a manual
crossfade. When both reach the top position the crossfade is terminated and the next
sequence step is advanced.

General Facts

Take over a timed fades manually.

Press GO during a manual fade.
Set the crossfaders to fade in both directions in the Settings for the Playback (Hold
SETUP and press PLAYBACK).
When you make a manual crossfade to a step with attributes, the attribute values
that are GoOnGo will follow the movement of the B-fader.
You can record the actual manual movement of the crossfaders using a Crossfade
Profile. See Sequences - Crossfade Profiles (6.0)

740
Main Playback - Transport Keys
These are the transport keys of the Main Playback.

Function Key
Start a crossfade* [GO]
Start a new crossfade during an ongoing crossfade [GO]
Pause a crossfade [PAUSE]
Crossfade to the previous step [GO_BACK]
Reverse an ongoing crossfade by making a [GO_BACK]
crossfade to the previous step
Step (without times) to the next step [SEQ+]
Step (without times) to the previous step [SEQ-]
Open the GOTO list** [GOTO]
Crossfade to any recorded preset on the stored or [#] [GOTO]
default times
Relocate the sequence from preset # in B (Next) [#] [JUMP_TO_B]

*When a crossfade is completed there is a beep.Turn this off in the System Settings -
System.
**See The GOTO List

NOTE
Device parameters are executed as LTP, independent of the playback
that once started them. This means that you cannot use (for example)
PAUSE to stop attributes.

741
The GOTO List (6.1)

The GOTO List is a list of all Presets in the Sequence of the Main Playback. Open by
pressing GOTO.

Select any preset with the arrow keys and press GOTO or MODIFY to fade to that preset.
The current preset in A is indicated with a gold background, and the preset in B with dark
background. Block cues are indicated with a slightly darker grey background.

742
Main Playback - Edit Keys
These are the editing and mode keys of the Main Playback.

Function Key
Connect the Active (A) field to the channel [A]
controls, and open the A Tab
Connect the Next (B) field to the channel [B]
controls, and open the B Tab
Load Preset # to A. [#] [PRESET] & [A]
Load Preset # to B. [#] [PRESET] & [B]
Load a sequence to the Main Playback [#] [SEQ] & [PLAYBACK]
Clear the Main Playback [C/Alt] & [PLAYBACK]
Activating the Playback Tab connects the A [PLAYBACK]
field to the channel controls and selects the
Playback tab.

743
Main Playback - Time Settings
Hold SETUP and press TIME to open the Settings.

Setting Feedback
Set times to Times are set to the step in B (default). You can
set them to the step in A as well.
Time: Use % as default Times for FCB will be set in % of the main fade
time.
Default Go time The default time is set to 5 seconds.
Default Go Back time The default time is set to 2 seconds.

744
Main Playback - Default Settings
Hold SETUP and press PLAYBACK to open these settings.

These are the default settings for the functions of the Main Playback.

Setting Feedback
Modify Sequence When active, this mode will suppress all wait
times and master links.
Build Sequence When active (default) all presets recorded in A
(Live) will be added to the sequence.
Followon Wait times will be treated as Followon times,
counting from GO instead of from the
completion of the last fade.
GOTO jumps to The default is PRESET, you can set it to STEP.
Crossfade both ways The default setting for a manual crossfade
is upwards. You can set it both ways.

745
Main Playback - Refresh Functions
The Refresh function can be used for any part of a channel and will refresh to the resulting
state of the current Sequence Step in the Main Playback.

Function Key
Everything [REFRESH]
Attributes of all device(s) [REFRESH] & [ATTRIB]
Levels of all device(s) and channel(s) [REFRESH] & [@LEVEL]
Focus parameters of the selected device(s) [REFRESH] & [FOCUS]
Color parameters of the selected device(s) [REFRESH] & [COLOR]
Beam parameters of the selected device(s) [REFRESH] & [BEAM]
Wheel parameters of the selected device(s) [REFRESH] & [Wheel_key]

U1-U3 of the selected device(s) [REFRESH] & [U1-U3]

Intensities AND attributes for the [REFRESH] & [CH]
selected device(s).
NOTE
The changed flags are cleared for what you refresh.

The Refresh function will take the currently focused channel into
account if you are using NEXT/LAST.

In early Consoles the REFRESH key was labelled UPDATE PB.

Contact your ETC representative for a new key cap if it's the old kind.

746
Playback View
The Playback views normally have a packed format like this. There is an unpacked format as
well (see below).

It provides highlighted information about the current step, and a graphical time
representation for the next step. Notes are shown with a yellow flag and displayed to the left
of the graphical view for the next step. There are progress bars for A/B at the top.

Standard Times are described like this

Out: #
In: #
Time (In=Out): #
Delay In: # (with a "d", for example d2 >3)
Delay Out: # (with a "d", for example d2 >3)
TimeCode: ##.##.##.##

Channel Times
- are summarised as ChT: #. The # indicates how many different time groups there are in a
step.

747
 Moving Devices
- are summarised as Dev: #. The # indicates how many moving devices are affected by the
step.

Master Links
- are indicated as ML: #. The # indicates how many Masters are linked to the step.

Master Pages
- are indicated as MP: #. The # indicates which Master Page is linked to the step.

NOTE
MOUSE FUNCTIONALITY: You can click on many objects in the
Playback View to open the corresponding editor directly. For
example PRESET or DEV or MASTER LINK.

Sequence Playback Views - The Graphical Representation

The graphical representation of the next crossfade is very simple.

It shows the in and outgoing fade times as arrows, and FCB times and channel times as
progress bars.

You can toggle this view on/off by holding FORMAT and pressing the UP or DOWN arrow.

748
Sequence Playback Views - Column Format

It is possible to show the information in the Playback view in a traditional columnised format,
instead of the packed default format.

You can toggle this view on/off by holding FORMAT and pressing the RIGHT or LEFT arrow.

Delay Times
An < or > character points to the time that will be delayed. If there are two delay times, the
out delay is shown and < > characters indicate that there are two delay times defined.

749
Sequence Editor
This node opens the Sequence Editor for the sequence in the Main Playback. See
Sequences - Sequence List.

750
Load Sequence
This node opens a dialogue that allows you to load any recorded Sequence to the Main
Playback. Press MODIFY to activate.

751
Independents
The independents are potentiometers and keys that can be set up to
control lights that you want to separate from the main controls - such
as houselights, work lights etc.

Independents Node

This chapter contains the following sections

Independents - Introduction
Using the Independents
Independent Modes

752
Independents - Introduction
The Independents offer a control surface for potentiometers and keys to which you can
assign channels that can be excluded from normal control and recording.

In Congo there are six independent potentiometers.

In Congo Jr there are three independent potentiometers.

These can be used for

Adding light (inclusive mode)

Removing light (inhibit mode)
Independent lights (Exclusive mode)

Both consoles have three independent keys.

These can be used as toggle or flash for

Houselights
Smoke machines
Relays

Congo

753
 Congo Jr

Independent Dock Areas

The content of Independents can be assigned to a dock area. See Dock Areas - Configure.

754
Using the Independents
Action Console Feedback
1. Open the Setup* Hold Setup and A popup will appear with
move the a channel view***
potentiometer or
press a key**
2. Set channels, levels
and attributes
3. Select Mode [MODIFY] See Independent Modes

4. Select Execute Arrow key Execute is highlighted

5. Store [MODIFY] The popup is closed

*The Setup can be opened from the Browser as well (Browser >Independents)
**Keys have the option to be toggling on/off.
***The Independent popup

755
Independent Modes
Mode Screen Feedback
Exclusive Blue level Blackout,
GrandMaster, Capture or
any other channel
function will not affect
this channel(s).
Inclusive No indication Works as an additional
Master Playback
Inhibit Red level Is an Inhibit Master -
works as a Grand Master
for the selected
channel(s).*

*If you have several Independent Functions set to Inhibit and they have overlapping
channels, the highest Special Function will be in control. The result on stage can be
recorded.

NOTE
Only Intensities can be Exclusive. Attributes remain LTP, and thus
may be 'stolen' back by the rest of the console.

756
Independent Dock Area
Dock areas are configured by holding SETUP and pressing BROWSER.

Once set up the dock area will appear on the screen

It is possible to select Independents and set levels from the dock with the MASTER key.

Function Keys Feedback

Select an Independent [#] [MASTER] Independent # is
selected and highlighted.
Add [#] [+] Independent # is added.

Add a range [#] [THRU] Up to Independent # are

added.
Subtract [#] [-] Independent # is
subtracted.
Set a level [#] [@LEVEL] The Independent levels
are set to #.
Set a level [Wheel] The Independent levels
are set to #.
Step to next/previous [+] [-] Steps to next/previous

757
Using a mouse or trackball
Click to select and hold right key and move to set levels. Click to add more, double-click to
deselect all but the last clicked.

758
Masters
There are 80 Master Playbacks that can be used to playback any type
of content such as channels, groups, effects, presets, sequences or
console keys, macros and moving device parameters.

Masters Node

This chapter contains the following sections

Masters - Introduction
Masters - Functions
Master View
Master List
Master Pages

759
Masters - Introduction (6.0)
The masters are incredibly flexible and powerful. You can set them up individually in a
number of different modes and play back virtually any type of content that can be
programmed in Congo.

All of the 80 master playbacks can be controlled virtually by number. Physically you can
access them depending on your choice of hardware.

A master will always have a Master key to load content and select channels.
Depending on hardware, some masters have a second Flash/Option key.
Depending on hardware, master content and modes are shown in displays between
the master rows, and in the master view on the screens.

Important master control keys (6.0)

There are three categories of keys that apply to master playbacks.

Fader keys
The two master keys belonging to each fader can be set up to control playback functions
related to the type of content loaded to the master.

760
 Master Playback
You can connect any master to the Master Playback controls. This gives you functions like
GO, GO BACK, STEP and TAP.

In the Congo console this is done with the Master Playback

In the Congo Jr console, this is done with the Main Playback

Additional keys
Other keys that control important functions for the masters are:

MASTER = Opens the master view and selects masters

PAGE, PAGE+, PAGE- = Control Master pages
FLASH MODE = Configurates master buttons
START = Can be used to start fades
SETUP = Used in combination with the Master key to open individual settings
MODIFY = Used in combination with the Master key to open the Master Editor
CLEAR = Used in combination to clear content.

Master Fader Mode Switch (6.0)

The Switch with three positions next to the masters sets the 80 Master playbacks into one of
three modes.

Position Function
Channels Only Masters 1-80 will control the first 80 intensities in
the system. Select range of channels with the Direct
Selects.
Masters The normal position. Masters 1-80 are Masters 1-
80.
Jam A special mode for busking shows with different
functions. See Jam Mode.

761
Masters - Functions (6.0)
These are the master functions.

This chapter contains the following sections

Masters - Settings
Masters - Commands
Masters - Clear
Masters - Times
Masters - Channels
Masters - Presets
Masters - Groups
Masters - Effects
Masters - Palettes
Masters - Sequences
Masters - Chase mode sequence
Masters - Dynamics
Masters - Channel Layouts
Masters - Attribute parameters
Masters - Console keys
Masters - Macros
Masters - Playback Keys
Masters - Drag and Drop

762
Masters - Settings (6.1)
All settings for masters are individual per master. You can define master settings from the
Master Settings popup or directly from the console if you have the full wing or big Congo.
See Master Settings from the console.

You can define a lot of behaviours for the

Fader
Flash key
Master key
Contribution to the Live output
Contribution to recording functions
Priorities against other playbacks

Master settings are described per content type in this chapter.

Reset Master Settings

To reset Master settings to default hold C and press the Master key twice.

763
Open Master Settings
Hold SETUP and press Master.

To open settings for several masters select the first master (# MASTER) and add master
with + and THRU, then hold SETUP & press MASTER.

To open settings for a specific master enter the master number, then hold SETUP and press
MASTER.

764
Master Mode

These are the main modes that define the basic behaviour of a master playback.
Mode Screen Feedback
Exclusive Blue level Blackout,
GrandMaster, Capture or
any other channel function
will not affect this channel(s).
Inclusive No indication Works as an additional
Master Playback
Inhibit Red level Is an Inhibit Master - works
as a Grand Master for the
selected channel(s).*

*If you have several Independent Functions set to Inhibit and they have overlapping
channels, the highest Special Function will be in control. The result on stage can be
recorded.

NOTE
When you are in "exclusive" mode, the attributes will still be "stolen"
back by any function calling them from the rest of the console, even
if the intensity is "exclusive". If you wish to stop this from happening
enable Active Parameter Lock. See Master fader settings.

Exclude Record

This setting excludes the contribution of this master to the live output, from recording
functions. This is useful for worklights and effects that are on, but you don't want to include in
new presets.

765
Master button (6.3)

The master button is the single key in all master modules that is used to assign content to
the master. The different modes apply to specific content types - which is described closer in
the sections of these contents.

Mode Applies to Feedback

Select Channels All content Selects the channels in this
master as a group
GO Chase, sequence Start the next crossfade
GO/PAUSE Chase, sequence Start/pause
Start Ch, group, preset, Sets fader to full or a level
effect, palette, chase,
Sequence
Tap Chase Sets tap tempo
Execute Preset, effect, palette Sets if attributes are executed by
Attributes the button
Flash Ch, group, preset, Sets to function like a
effect, chase, momentary flash key
Sequence
Seq + Sequence Sets to function like Seq +
Seq - Sequence Sets to function like Seq -
Go Back Sequence Sets to function like GoBACK
Master Editor Ch, group, preset, Opens the corresponding editor
(6.3) effect, chase, for the master content
Sequence

766
Master fader settings (6.1)

The fader settings define the behaviour of intensities and attributes for the fader. The
different modes apply to specific content types - which is described closer in the sections of
these contents.

Mode Applies to Feedback

Fader type Ch, group, preset, Add = Intensities are piled (HTP)
effect on top of the output. Attributes
are LTP.

Solo = The content of this fader

replaces all other master faders,
but does not affect levels coming
from the Main Playback.
Fader intensity Ch, group, preset, Disabled = intensity is not
(6.1) effect, chase, affected by moving the fader
Sequence
Follow manual fader =
Intensities will follow the fader

Follow master time = follows

master times
Fader Attributes Preset, effect, palette Disabled = attributes are not
(6.1) affected by moving the fader

Follow manual fader = Attributes

will follow the fader

Execute at #% = attributes are

executed when the fader passes
#%.
Fader: Use time Ch, group, preset, The fader will never fade faster
effect, palette chase, than the in time
Sequence
Return to (FCB) Preset, effect Defines what attributes will
return to at fade down.

None
Previous = last LTP values
Preset = a specified preset
Main Pb = sequence step in A
Preset Preset, effect Return to preset (see above)
Active parameter Preset, effect Attributes cannot be stolen by
lock another master or the Main
Playback. Manual control is still
possible.
NOTE

767
 If several masters have Fade type = Solo, the last Solo master that
leaves its 0% position will have priority over the other Solo masters.
To take control with another Solo master, move it down to 0% and up
again.

Flash settings (6.1)

The flash button is the lower key in all master modules. Some modules and the large Congo
only have flash keys for the lower row of faders. The different modes apply to specific
content types - which is described in greater detail in the tables below.

Flash Button

Mode Applies to Feedback

Off - Flash button is disabled
Momentary Ch, group, preset, Sets the fader to full or the
effect, chase, defined flash level when pressed
Sequence and returns the fader to zero
when the key is released.
Latching Ch, group, preset, Toggles the fader to full or the
effect, chase, defined flash level when
Sequence pressed, leaving the fader at that
level until the flash key is
pressed again
GoBack Chase, Sequence GoBack to previous step
Tap Chase Sets tap tempo

Flash type

Mode Applies to Feedback

Add Ch, group, preset, Intensities are piled (HTP) on
effect top of the output. Attributes are
LTP.
Solo Ch, group, preset, The content of this fader
effect replaces all other master faders
and returns other faders based
on the Momentary/Latching
mode setting.

768
 Flash mode

Mode Applies to Feedback

All Preset, effect, chase, Flash executes intensity and
Sequence attributes
Intensity Ch, group, preset, Flash executes intensities only
effect, chase,
Sequence
Attributes Preset, effect, palette Flash executes attributes only

Flash time and level

Mode Applies to Feedback

Flash: Use time Ch, group, preset, Flash functions will use in-wait-
effect, chase, out times
Sequence
Flash level Ch, group, preset, Target level for flash functions
effect, palette, chase,
Sequence

Disable Flash Keys (6.3)

The top area of all screens will indicate that flash is disabled by showing the Flash disabled
indicator pictured below.

Hold C/ALT and press FLASH MODE. Repeat to toggle on/off.

The top of the monitor screens will indicate the Flash is Disabled like this

769
Master Settings From the Console

You can check and set master settings directly from the Congo console or Congo Jr Master
Playback Wing. Universal Fader Wings and Congo Kid do not support this feature.

Hold FLASH MODE and use the page keys to step through the settings per master.
Use the Master key to toggle the settings per master.

770
Masters - Commands
You can select masters and set levels pretty similar to how channels, effects and groups can
be selected. The MASTER key is used for this.

Select masters and set levels

It is possible to select masters and set levels with the MASTER key PROVIDING a Master
View is open and selected.

Keyboard shortcut = F8.

Function Keys Feedback

Open the Master view [MASTER] The Master View is
opened.
Select a Master [#] [MASTER] Master # is selected and
highlighted in the Master
View.
Add [#] [+] Master # is added to the
selection.
Add a range [#] [THRU] Up to Master # are
added to the selection.
Subtract [#] [-] Master # is subtracted.

Set a level [#] [@LEVEL] The levels are set to #.

Set a level [Wheel] The levels are set to #.

Deselect all [0] [MASTER] All are deselected.

771
Master single field editor (6.1)

You can open a single field master editor for channel intensities by holding MODIFY and
pressing the Master key. All channel functions plus UPDATE are available.

NOTE
Adjustments made in this field are live if the master's fader is above
zero. When there is an unsaved change the grey title bar will be
purple and you will get an option of saving before closing or leaving
this tab (6.1)

To edit attributes in this tab, press ATTRIB. Editing Attributes opens the Preset Attribute
Editor tab. Edits to attributes are blind, and the fader must be brought to zero before those
changes will appear on the master.

Select channels in a master

Press a Master key to select all channels in the Ch, Preset, Effect or Group of that Master.

Function Keys Feedback

Select channels [Master_Key] All channels in Master #
are selected in the
Channel Control.
Select channels in with a [ALL] & All channels in Master #
level [Master_Key] with a level in the
Channel Control are
selected.
Add channels [+] & [Master_Key] All channels in Master #
are added to the
selection in the Channel
Control.
Subtract channels [-] & [Master_Key] All channels in Master #
are subtracted from the
selection in the Channel
Control.

772
Mask in masters (6.1)

Every master has a mask that you can define per parameter. The mask will inhibit the
playback of those parameters from that master. The same content on a different unmasked
master will play back all of its content. You can use playback masks to reuse content for
different purposes, or to keep parameters from playing back, without having to edit those
parameters out of the content.

The mask is either set up from the Master List in the Mask column, or by copying the global
Mask to a master by holding MASK and pressing the Master key.

You can also assign any user mask from the Mask list by entering # holding MASK and
pressing the Master Key. See Device Control - Mask.

The mask is indicated in the display, the Masters tab and Masters dock.

Masters - Clear

These are the general functions you use to clear content and fader levels in master
playbacks.

Function Keys Feedback

Clear [C] & [Master_Key] The content of the
Master Playback is
cleared.
Clear all [C] & [PAGE] The Master Playbacks
are cleared.
Set all to zero [C] & [MASTER] All Master Playbacks are
OR set to zero, no content is
[C] & [LIVE] cleared.
[LIVE]
Clear settings [C] & [Master_key] Master conent is cleared
[Master_key] AND settings are reset to
default.

773
Masters - Times
Masters can have In, wait and out times. These times can be used by

Flash on time
Master Links
The START function
Manual fades

Set In-Wait-Out times for a Master

In times can be set with a key shortcut. Wait and out times are set from the master editor.

In Time

Function Keys Feedback

Set In time [#] [TIME] & The time # is assigned to
[Master_Key] the Master as an In time.

In, Wait and Out time

These times can only be assigned from the Master List.

1. Open the master list using [MODIFY] & [MASTER] or from the Browser >Masters
>MasterList.

2. Set In, Wait and Out times.

Master settings for times

These are the settings you can set individually for master times.

Hold SETUP and press the Master key to open the settings. See Masters - Settings.

These are the settings that affect times, and only for content where times apply.

Function Function
Fader Intensity With "Follow Master Time" Fader will never fade
faster than the fade time
Flash: Use time Flash will use master time

774
Flash On Time

When Flash On Time is activated, the Master Playbacks will flash on the time assigned to
each playback. See Master Playbacks - Times.

Function Keys Feedback

1. Open the Master [SETUP] & The Master Settings are
Setup [Master_Key] opened

2. Select Flash On Time Arrow keys Flash On Time box is

highlighted
3. Activate [MODIFY] Flash On Time box is
checked
4. Exit Settings [MODIFY] Settings are closed

775
Masters - Channels (6.0)
You can load and play back single channels (Ch#), or a group of channels (Chs) with set
levels from master playbacks. These are stored in the current Master Page.

Once a channel is loaded to a master you can

Use the master fader to set the level

Use the flash key to flash the channel
Use the master key to select the channel

Load channels to masters (6.1)

These functions are used to load channels (with levels) to masters.

Function Keys Feedback

Channels [GROUP] & The selected channel(s)
[Master_Key] are loaded with current
level to the Master,
which is set to full to
avoid a Black Out of
these channels on
stage.The channel levels
are also cleared from A.
Single channels [CH] & [Master_Key] The selected channel(s)
are loaded at 100% to
the Master Playbacks,
starting at the one
pressed. The master
level will be set to the
level from stage and this
level will be cleared
from the A field.
Ch # at 100% [#] [CH] & Channel # is loaded at
[Master_Key] 100% to the Master.

776
Master Settings for channels (6.0)

These are the settings you can change for masters with channel content.

Hold SETUP and press the Master key to open the settings.

777
Please note that some settings will make other settings invalid - for example, if you set a
master to Inhibit, the main function will be inhibit.

Function Function
Mode Inclusive = playback interacts with other
playbacks
Inhibit = fader limits the output of the ch's
Exclusive = fader "owns" channel intensities
Exclude Int From Excludes intensity from recording.
Record
Master button Default = Select channels in master as group
Start = Toggles fader to full/zero
Flash = Flashes the content
Include intensity Playback will control intensities
Attributes follow fader Not used
Fader type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Fader: Use time Fader will never fade faster than the fade time
Return to (FCB) Not used
Preset Not used
Active Parameter Lock Not used
Flash button Off = No function
Momentary = Flash when pressed
Latching = Toggles flash off/on
Flash type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Flash mode Intensity = Intensities only
Flash: Use time Flash will use master time
Flash Level Sets the target level for flash

778
Masters - Presets (6.0)
You can record, load and play back presets from master playbacks. Since these are the
most common type of content they are displayed only with the number in the master
displays.

Once a preset is loaded to a master you can

Use the master fader to set the level

Use the flash key to flash the preset
Use the master key to select the channels in the preset

A preset can contain device and effect attributes. These can be set to

Follow the fader up

Follow the fader down (rubberband)
Have a defined return status (previous, main pb, preset #)
Not follow the fader at all
Be activated on flash

See Master settings for presets.

NOTE
If a change is made to a Preset or Group that is loaded to a Master
which is active - the change will be pending until the Master is
brought to zero and back up. Pending content indicated with inverted
colors on the master LCD.

779
Load a preset to a master (6.0)

These functions are used to load presets to masters.

Function Keys Feedback

Load a preset [#] [PRESET] & Preset # is loaded. The
[Master_Key] number and name is
shown in the master
display
Load several presets [#] [PRESET] & Hold Preset and keep
[Master_Keys] pressing new Master
keys to load the next
stored Preset

Record a preset to a master (6.0)

Recording a preset to a master you will be able to choose to record the current channel
selection or all channels on stage (if no channel is selected).

There are a three options when you record a preset.

Record as a preset
Record as a return to preset
Record as a preset in a sequence

Record a preset to a master

1. Select channels (selection) or select none (all) to record.

OPTION: Enter a preset number. If you don't the next free last used for masters will be
suggested.

2. Hold RECORD & Master key.

780
3. Enter a preset text (optional) and press RECORD again. The return to preset is shown in
the master display and master view.

Record a return preset to a master

1. Select channels (selection) or select none (all) to record.

OPTION: Enter a preset number. If you don't the next free last used for masters will be
suggested.

2. Hold RECORD & Master key. Use the right arrow to select Return To.

3. Enter a preset text (optional) and press RECORD again.

781
Record a preset to a sequence in a master

1. Select channels (selection) or select none (all) to record.

OPTION: Enter a preset number. If you don't the next free last used for masters will be
suggested.

2. Hold RECORD & Master key. Use the right arrow to select Sequence.

3. Enter a preset text, Sequence name, and step text (optional) and press RECORD again.

782
Master settings for presets (6.0)

These are the settings you can change for masters with preset content.

Hold SETUP and press the Master key to open the settings.

783
Please note that some settings will make other settings invalid - for example, if you set a
master to Inhibit, the main function will be inhibit.

Function Function
Mode Inclusive = playback interacts with other
playbacks
Inhibit = fader limits the output of the preset ch's
Exclusive = fader "owns" preset intensities
Exclude Int from Excludes intensity from this master from recording
Record
Master button Default = Select channels in preset as group
Start = Toggles fader to full/zero
Execute Attributes = Only executes attributes
Flash = Flashes the content
Include intensity Playback will control intensities
Attributes follow fader Playback fader will control attributes
Fader type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Fader: Use time Fader will never fade faster than the fade time
Return to (FCB) Specifies where attributes return to when the fader
is faded down

Off = No return target

Previous = Status before the fade
Preset = To a specified preset
MainPB = To the preset in A of the main playback
Preset Return to preset, if selected in previous choice
Active Parameter Lock Attributes can not be stolen by any other
playback. Manual override is possible.
Flash button Off = No function
Momentary = Flash when pressed
Latching = Toggles flash off/on
Flash type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Flash mode All = Intensities and attributes
Intensity = Intensities only
Attributes = Attributes only
Flash: Use time Flash will use master time
Flash Level Sets the target level for flash

784
Masters - Groups (6.0)
You can load and play back groups from master playbacks. They are displayed with a "Gr"
before the number in the master displays.

Once a group is loaded to a master you can

Use the master fader to set the level

Use the flash key to flash the group (if it has levels)
Use the master key to select the channels in the group

NOTE
If a change is made to a Preset or Group that is loaded to a Master
which is active - the change will be pending until the Master is
brought to zero and back up. Pending content indicated with inverted
colors on the master LCD.

Load a group to a master (6.0)

These functions are used to load groups to masters.

Function Keys Feedback

Load a group [#] [GROUP] & Group # is loaded. The
[Master_Key] number and name are
shown in the master
display
Load several groups [#] [GROUP] & Hold Group and keep
[Master_Keys] pressing Master keys to
load the next stored
Groups

Master settings for groups (6.0)

These are the settings you can change for masters with group content.

Hold SETUP and press the Master key to open the settings.

785
786
Please note that some settings will make other settings invalid - for example, if you set a
master to Inhibit, the main function will be inhibit.

Function Function
Mode Inclusive = playback interacts with other
playbacks
Inhibit = fader limits the output of the group
Exclusive = fader "owns" group intensities
Exclude Int. from Excludes intensity from this master from recording
Record
Master button Default = Select channels in master as group
Start = Toggles fader to full/zero
Flash = Flashes the content
Include intensity Playback will control intensities
Attributes follow fader Not used
Fader type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Fader: Use time Fader will never fade faster than the fade time
Return to (FCB) Not used
Preset Not used
Active Parameter Lock Not used
Flash button Off = No function
Momentary = Flash when pressed
Latching = Toggles flash off/on
Flash type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Flash mode Intensity = Intensities only
Flash: Use time Flash will use master time
Flash Level Sets the target level for flash

787
Masters - Effects (6.0)
You can load and play back effects from master playbacks. They are displayed with a "E"
before the number in the master displays.

Once an effect is loaded to a master you can

Use the master fader to set the level

Use the flash key to flash the group (if it has levels)
Use the master key to select the effect

An effect contains effect attributes. These will always be dependent upon the last played
back settings for that Effect Playback, or manual control.

The Effect Playback on the Master does not contain any recorded settings at all but If the
effect is stored to a preset that is assigned to a master, the effect attributes can be set to

Follow the fader up

Follow the fader down (rubberband)
Have a defined return status (previous, main pb, preset #)
Not follow the fader at all
Be activated on flash

See Master settings for effects.

Load an effect to a master (6.0)

These functions are used to load effects to masters.

Function Keys Feedback

Load an effect [#] [EFFECT] & Effect # is loaded. The
[Master_Key] number and name are
shown in the master
display
Load several effects [CH] & This loads the selected
[Master_Keys] effects into Masters one-
by-one at current
intensities.

788
Master settings for effects (6.0)

These are the settings you can change for masters with effect content.

Hold SETUP and press the Master key to open the settings.

789
Please note that some settings will make other settings invalid - for example, if you set a
master to Inhibit, the main function will be inhibit.

Function Function
Mode Inclusive = playback interacts with other
playbacks
Inhibit = fader limits the output of the preset ch's
Exclusive = fader "owns" preset intensities
Exclude Int from Excludes intensity from this master from
Record recording.
Master button Default = Select effect channel as a group
Start = Toggles fader to full/zero
Execute Attributes = Only executes attributes
Flash = Flashes the content
Include intensity Playback will control intensity
Attributes follow fader Not used
Fader type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Fader: Use time Fader will never fade faster than the fade time
Return to (FCB) Not used
Preset Not used
Active Parameter Lock Not used
Flash button Off = No function
Momentary = Flash when pressed
Latching = Toggles flash off/on
Flash type Add = Adds intensities HTP
Solo = Replaces the content of all other masters
Flash mode All = Intensities and attributes
Intensity = Intensities only
Attributes = Attributes only
Tap = Tap tempo for the effect
Flash: Use time Flash will use master time
Flash Level Sets the target level for flash

790
Masters - Palettes (6.1)
You can load and activate palettes from master playbacks. They are displayed with a
"Fo,Co, Be, Pa" before the number in the master displays.

Once a palette is loaded onto a master you can use the master to activate the palette for
selected channels:

Use the master fader to fade manually to the palettes levels

Use the master key to snap to the palettes levels
Use #, then press the Master Key to fade to the palette's levels in # seconds
Hold MODIFY and press the master key to open the Palette Editor (6.1)

NOTE
The fader will fade the attributes of the selected channels to the
palette values when moved up. What happens when you move the
fader down depends on the setting of Return To in the Master
Settings.

791
Load palettes to masters

This are the functions for loading palettes to masters.

Function Keys Feedback

Load Palette [#] [FOCUS] & Focus Palette # is
[Master_Key] loaded with name and
number. You can do the
same with COLOR,
BEAM and ALL
PALETTE's.
Load several Palettes [#] [FOCUS] & Hold FOCUS and keep
[Master_Keys] pressing master keys to
load all existing of the
same type. You can do
the same with COLOR,
BEAM and ALL
PALETTE's.

Play back palettes from a master

Palettes are activated with the master key or the fader, for the currently selected channel(s).

Function Keys Feedback

Fade into palette Fader Selected channel(s) are
faded into the palette
Activate Palette [Master_Key] The Palette is activated for
the selected channel(s)
Activate Palette on time [#] [Master_Key] The Palette is activated for
the selected channel(s) in #
seconds

792
Masters - Sequences (6.1)
You can record, load and play back sequences from master playbacks. They are displayed
with an "S" before the number in the master displays.

Once a sequence is loaded to a master you can

Use the master fader to control the output level

Use the flash key to flash the sequence
Use the master key as a GO or Go/Pause key
Use the flash key as a GoBack key
Hold MODIFY and press the master key to open the sequence editor (6.1)

Attributes are executed only when the fader is over zero.

Load a sequence to a master

These functions are used to load sequences to masters..

Function Keys Feedback

Load a sequence [#] [SEQ] & Sequence # is loaded.
[Master_Key] The number and name is
shown in the master
display. If the sequence
doesn't exist it is created.
Load several sequences [#] [SEQ] & Hold SEQ and keep
[Master_Keys] pressing new Master
keys to load the next
stored Sequences.
NOTE
You can load a Sequence directly from the Sequences List as well.
See Sequences List - Insert/Delete/Load.

793
Record a sequence to a master (6.1)

When you record a second preset to a master, or if a sequence is loaded to a master - you
will get the option to continue to record to that sequence using the same recording logic as
when you record to the sequence in the Main Playback (6.1).

Record a preset to a sequence in a master

1. Select channels (selection) or select none (all) to record.

OPTION: Enter a preset number. If you don't the next free last used for masters will be
suggested.

2. Hold RECORD & Master key. Use the right arrow to select Sequence.

3. Enter a preset text, Sequence name, and step text (optional) and press RECORD again.

Master settings for sequences

These are the settings you can change for masters with sequence content.

794
Hold SETUP and press the Master key to open the settings.

795
Please note that some settings will make other settings invalid - for example, if you set a
master to Inhibit, the main function will be inhibit.

Function Function
Mode Inclusive = playback interacts with other
playbacks
Inhibit = fader limits the output of the group
Exclusive = fader "owns" intensities
Exclude Int from Excludes Intensity from this master from recording
Record
Master button Default = Select channels in current step as group
GO = Same as GO in the main playback
GO/Pause = Go and Pause
Start = Toggles fader to full/zero
Flash = Flashes the content
Include intensity Playback will control intensities
Attributes follow fader Not used
Fader type Add = Adds intensities HTP
Solo = Not used
Fader: Use time Fader will never fade faster than the fade time
Return to (FCB) Not used
Preset Not used
Active Parameter Lock Not used
Flash button Off = No function
Momentary = Flash when pressed
Latching = Toggles flash off/on
GoBack = Same as Go Back in the main playback
Flash type Add = Adds intensities HTP
Solo = Not used
Flash mode Intensity = Intensities only
Flash: Use time Flash will use master time
Flash Level Sets the target level for flash

796
Dual Fader mode for Sequences (6.1)

When this mode is active, there are two modes involving two masters for controlling the
sequence loaded to the first master, and there are more configurable buttons for controlling
the sequence.

Setting a master pair to A/B mode

To be able to access these settings a sequence has to be loaded to the master. Hold
SETUP and press the Master Key. This will open Master Settings with this option:

You can select the following options

A+B
The sequence master and the next higher master will control the sequence as an A/B
playback providing a crossfader pair, just like when a sequence is controlled from the Main
Playback.

Int + A/B
The first master controls the intensity of the sequence, and the second is a combined A/B
crossfader.

The default button settings (press MODIFY on "Button settings for dual fader mode) are:

The Master View will change to show these button settings and some more information for
the A/B pair like this:

Simpler master wing displays: The linked A/B master shows the sequence number in
parenthesis to indicate that the master is occupied.

797
NOTE
The Dual Fader mode setting can be selected also in the Master List
(Browser >Masters >Master List).

798
Masters - Chase mode sequences (6.0)
You can load and play back sequences in "chase" mode from master playbacks. They are
displayed with a "C" before the number in the master displays.

Once a chase is loaded to a master you can

Use the master fader to control the output level

Use the flash key to flash the chase
Use the master key as a GO or Go/Pause key
Use the flash key as a GoBack key

Attributes are executed only when the fader is over zero. The Chase will start from the first
step every time the fader is brought over 0%.

Time Master
A special feature available for sequences in chase mode is a Time Master. By creating a
time master you can control the speed of a chase.

A Time Master can only be assigned from the Master List.

1. Open the master list using [MODIFY] & [MASTER] or from the Browser >Masters
>MasterList.

2. Set "Content Type" to "Time Master"

3. Set "Content" to the number of the chase you wish to control.

799
Load a chase sequence to a master (6.0)

These functions are used to load chase mode sequences to masters.

Function Keys Feedback
Load a chase [#] [SEQ] & Chase # is loaded to the
[Master_Key] Master Playback. The
number and name are
shown in the master
display.
[#] [SEQ] & Hold SEQ and keep
[Master_Keys] pressing new Master
Load several chases keys to load the next
stored
Sequence/Chase.
NOTE
You can load a Chase directly from the Sequences List as well. See
Sequences List - Insert/Delete/Load.
NOTE
Connect a Master to the Master Playback controls to get more control
over the Chase. See Master Playback.

Master settings for chase mode sequences (6.0)

These are the settings you can change for masters with sequence content.

800
Hold SETUP and press the Master key to open the settings.

801
Please note that some settings will make other settings invalid - for example, if you set a
master to Inhibit, the main function will be inhibit.

Function Function
Mode Inclusive = playback interacts with other
playbacks
Inhibit = fader limits the output of the group
Exclusive = fader "owns" intensities
Exclude Int. from Excludes intensity from this master from recording
Record
Master button Default = Select channels in current step as group
GO = Same as GO in the main playback
GO/Pause = Go and Pause
Start = Toggles fader to full/zero
Flash = Flashes the content
Include intensity Playback will control intensities
Attributes follow fader Not used
Fader type Add = Adds intensities HTP
Solo = Not used
Fader: Use time Fader will never fade faster than the fade time
Return to (FCB) Not used
Preset Not used
Active Parameter Lock Not used
Flash button Off = No function
Momentary = Flash when pressed
Latching = Toggles flash off/on
GoBack = Same as Go Back in the main playback
Tap = Tap mode for the chase Bpm
Flash type Add = Adds intensities HTP
Solo = Not used
Flash mode Intensity = Intensities only
Flash: Use time Flash will use master time
Flash Level Sets the target level for flash

802
Masters - Dynamics
You can load and activate dynamic templates direct from master playbacks. These are
temporary data stored in the current Master Page. They are displayed with an "Dy" before
the number in the master displays.

Once a dynamic template is loaded to a master you can

Use the master key to activate the dynamic effect for the currently selected
channel(s).

NOTE
This is an old version of dynamic effects in Congo. We recommend
you to use the new Dynamic Effect playback instead, since it offers
much more control.

Load a dynamic template to a master (6.0)

These functions are used to load dynamic effect templates to masters.

Function Keys Feedback

Load a dynamic [#] [DYN_EFFECT] & The number and name
[Master_Key] are shown in the master
display
[#] [DYN_EFFECT] & Hold DYN EFFECT and
[Master_Keys] keep pressing new
Load several dynamics Master keys to load the
next dynamic template.

803
Masters - Channel Layouts
You can load and activate channel layouts direct from master playbacks. These are
temporary data stored in the current Master Page. They are displayed with an "La" before
the number in the master displays.

Once a channel layout is loaded to a master you can

Use the master key to activate it for the currently selected channel view.

Load a channel layout to a master (6.0)

Channel Layouts can only be assigned from the Master List.

1. Open the master list (Browser >Masters >MasterList).

2. Set "Content Type" to "Layout"

3. Set "Content" to the number of the layout you wish to assign.

804
Masters - Attribute parameters (6.1)
You can load and activate attribute parameters from master playbacks. This is very useful for
parameters that map well to faders, like iris, focus, shutters and color mixing. They are
displayed with a "Pm" before the number in the master displays.

Once an attribute parameter is loaded to a master, and depending on the nature of the
parameter, you can

Use the master fader as the "parameter wheel"

Use the master key as the "parameter wheel key"
Hold the Master key and use the level wheel to change the value relatively (6.1)

The result is applied to the selected channel(s).

Load a parameter to a master (6.0)

To load a parameter to master select a device with that parameter, hold the parameter wheel
key and press a master key.

805
Masters - Console keys
You can assign any console key to a master playback. This is useful if there is a soft key you
are using a lot like "select 2nd" or "DATA", so you have fast access to it. Console keys are
displayed with a "Ke" and the key function, in the master displays.

Once a console key is loaded to a master you can

Use the master key as the console key

NOTE
You cannot clear a console key from a master by holding C and
pressing the master key - since C is used in combination with
console keys. To clear, go to the Master List.

Assign a console key to a master (6.0)

Console keys can only be assigned from the Master List.

1.Open the master list using [MODIFY] & [MASTER] or from the Browser >Masters
>MasterList.

2. Set "Content Type" to "key"

3. Set "Content" to the key of your choice.

806
Masters - Macros
You can assign a macro key to a master playback so you have fast access to it. Macro keys
are displayed with a "Ma" and its text, in the master displays.

Once a macro key is loaded to a master you can

Use the master key as the macro key

Assign a macro to a master (6.0)

Console keys can only be assigned from the Master List.

1. Open the master list (Browser >Masters >MasterList).

2. Set "Content Type" to "Macro"

3. Set "Content" to the macro number of your choice.

807
Master Playback - Functions

Function Key Feedback

Start a chase (or [GO] Starts a stopped Chase
crossfade) or a Crossfade for a
Sequence
Start a crossfade from [#] [GO] Starts a Crossfade to
step # step #
Pause a chase (or [PAUSE] Pauses a running Chase
crossfade) or Crossfade
Reverse a fade [STOP] This key is the
equivalent of GO BACK
to the previous step of
the Main Playback
Step without times << or >> These keys are the
equivalent of SEQ+ and
SEQ- in the Main
Playback.
Change Chase direction << or >> The currently connected
Chase will change
direction
Connect a Master [CONNECT] & The Chase or Sequence
Playback [Master_Key] in this Master is
conencted to the
Playback keys. Also, the
Master Playback tab is
focused.
Set a tap tempo to a [TAP] & Hold TAP and press at
Master Playback or [Master_Key] least twice on a Master
Page. or Page key to set a
BPM tempo.

808
Masters - Drag and Drop Data (6.3)

There are many ways of moving around data between masters. Drag and drop is one of
them. It can be useful if you want to reorganize the content of your masters.

You can drag a channel selection from any channel view to a master:

You can drag any type of object that can be loaded to a master from the Browser:

809
You can move content between masters. Note that all master settings will be moved along
with the content.

810
 If there is content in a master field, you will get a dialogue for overwriting:

Drag and Drop Master Links (6.3)

You can create a master link in a sequence by dragging the master from the master view to
the sequence step.

The master will be linked with a target level or 100% if it is over 50% when linked, and a
target level of 0% if it is under 50% when linked. You can double-click the master link in the
Playback view to edit it.

See Sequence Step Links - Master Playbacks.

811
Master View
The master view is a graphical view of the content in the master playbacks. It has several
formats and is zoomable.

It can be opened by pressing MASTER or from Browser >Masters >Master View.

NOTE
Master Views can be assigned to a dock area. See Dock Areas -
Configure.

Using a mouse or trackball

Function Keys Feedback

Using a mouse click Click to select and hold
right key and move to set
levels. Click to add more,
double-click to deselect
all but the last clicked.
Open the Master Editor [MODIFY] & click The Master Editor is
opened.

812
Master View - Formats

You can toggle between viewing formats by pressing FORMAT

All Masters
Selected Masters
Active Masters
Masters with content

You can toggle what is shown for a sequence or chase by holding FORMAT and pressing
right/left arrows

Preset/text
Preset/time
Text

You can zoom the level of detail by holding FORMAT and pressing the up/down arrows.

You can zoom the size of the masters by holding FORMAT and using the level wheel.

The currently selected format is indicated in the top right corner of each Master View.

NOTE
In the All format there is a header bar visible for each row of masters
that shows information about the currently selected master page.

813
Master List
The Master List is a spreadsheet editor for all master fields where you can change settings
and assign content to several fields at the same time.

It is opened from the console with MODIFY & MASTER or from Browser >Masters >Master
List.

814
Master list - Columns & Functions

All of these are explained per content type in Masters - Functions.

Column Input Function

Master The number of this Master, cannot
be edited.
Content Type [MODIFY] Press MODIFY to open a dropdown
with choices of content.
See Masters - Content
Content [#] [MODIFY] Sets the number # for the content
type.
In [#] [MODIFY] Used by START, Flash on time, Use
Master Times and Master links. If
only an In time is set, it will function
as an Out time as well.
Wait [#] [MODIFY] Used by START and Master links. It
is how long the master will stay up
before the Out time fades out.
Out [#] [MODIFY] Used by START and Master links. It
is how fast the master fade out after
a Wait time.
Flash mode [MODIFY] Toggles Flash mode on/off.

Flash level [#] [MODIFY] Sets flash level #

Solo Fade [MODIFY] Toggles Solo mode on/off. See Solo

Mode.
Page Time Shows the Master Page time that
affects all In-Wait-Out times set in
%. See Master Page Times - Page
Time.
Mode (5.0) [MODIFY] Set Master Mode Inclusive, Inhibit or
Exclusive. See Masters - Modes.

NOTE
Times can be set in % or in seconds. This is selected in the Settings
Attributes - you can always toggle this by holding C before pressing
MODIFY in the In/Wait/Out columns.

815
Masters - Content

You can play back almost any kind of content from a Master Playback. The content can be
loaded directly or from the Master Editor. See Load/Clear & Master Editor.

Content Function
Prs Play back Preset from fader, select channels with
Master key. Flash with Flash key.
Chs Single channels or several channels as a temporary
selection (previously called Grp).
Seq Play back Sequences. The Master key is Go. The
fader is a Grand Master for that Sequence. Connect
to the Master Playback for more functions.
Chases (old) Play back Sequences in Chase mode. The Master
key is Go. The fader is a Grand Master for that
Sequence. Connect to the Master Playback for
more functions.
Focus, Color, Beam, Activate any kind of Palette (F, C, B, All) for the
Pal. selected channels.
Macro Assign a Macro to activate with the master key.
Dynamic Activate a Dynamic Effect for the selected
channels.
Mask Assign a Mask to activate with the master key.
Key (5.0) A master can be set as any console key. The
master key will function as this key.
Group Play back Groups from fader, select channels with
Master key. Flash with Flash key.
Layout Any Channel Layout can be assigned to a Master
Playback
Parameter Any parameter of a moving device can be assigned
to a Master Playback*
Time Master Any Master can be assigned as a Time Master for a
Sequence in Chase mode. See Chases (old).

*Can be assigned by holding a Parameter key and pressing the Master key, or from the
Master List.

816
Master Pages
Master Pages store all content for 20 masters and can be used used
in any row of 20 Master Playback Faders, eg the upper (21-40) or
lower (1-20) rows.

This chapter contains the following sections

Master Pages - Introduction

Master Pages - Record
Master Pages - Functions
Master Pages - List
Master Pages - Editor
Master Pages - Times
Master Pages - Auto-update Mode
Master Pages - Display List

817
Master Pages - Introduction
You can store all content of 20 Master Playbacks into a Master Page. Master Pages can be
stepped through, or loaded.

General Functionality

Master Pages are stored for 20 Master Playbacks.

Page 1 & 2 are automatically loaded when creating a new Play.
You can store up to 999 Master Pages.
Each Page can have a text label.
A Page can be Transparent - meaning empty Master Playbacks are not cleared
when this page is loaded.
Each Page can have a Time and BPM affecting all chasers, presets and palettes.

NOTE
Loading a new Master Page puts the new content in a pending state
if the master is above 0%. When the Master is faded to 0% the new
information is loaded.

818
Master Pages - Record (6.2)
All content changes in the affected Master Range (1-20 or 21-40) are automatically recorded
when Auto-Update is On (default). They can be recorded manually to the same Page or to
another Page as well.

Function Key Feedback

Record to the currently [RECORD] & [PAGE] You will get a
loaded Master Page confirmation in the
message window at the
bottom of the screens.
Record to Master Page # [#] [RECORD] & You will get a
[PAGE] confirmation in the
message bar at the
bottom of the screens.
NOTE (6.2)
In Congo Jr and Kid you can record to a Master Page using the Page
#-# buttons in the Soft Key Displays.

819
Master Pages - Functions (6.1)
It is possible to load and change Master Pages separately to any row (1-20, 21-40, 41-60,
61-80) of Master Playbacks. When a new play is created Page 1-4 are automatically loaded.

Function Key Feedback

Load Master Page # [#] [PAGE] Master Page # is loaded*

Step to next Master [+] Loads the next Master

Page Page.
Step to previous Master [-] Loads the previous
Page Master Page.
Step to next Master [C/ALT] & [+] If C/ALT is held the page
Page for block 3/4 key for block 1 (1-
20)loads block 3 and the
page key for block 2
controlt block 4.
Step to previous Master [C/ALT] & [-] If C/ALT is held the page
Page for block 3/4 key for block 1 (1-
20)loads block 3 and the
page key for block 2
controlt block 4.

*The corresponding Masters are cleared. If the Page does not exist it will be created

NOTE
PENDING - If a master fader is over 0% when new content is loaded -
it will load the new content after fading to 0%.

820
Master Soft Key page for Jr & Kid (6.2)

Since Congo jr and Congo Kid support masters without dedicated paging controls,
there is a Masters soft key page with master functions. The Masters soft key page is
selected with the soft key MASTERS in the Main Display of the Congo jr and Congo
Kid.

Display

Page keys (PAGE 1-20, PAGE 21-41, PAGE 41-60, PAGE 61-80)
These keys are the PAGE key for each master section. Master pages may be assigned to
banks of masters even when no wings are attached to Congo jr. Congo Kid has physical
faders for masters 1-20 and 21-40, and masters 41-60 and 61-80 may still be used with the
Masters tab or dock and the keypad for selection and control.

Enter a number and press a Page #-# key to select a page for masters #-#
Hold a Page #-# key and press PAGE- or PAGE+ to change page last/next
Hold C and press a Page #-# key to clear this section.
Hold RECORD and press a Page #-# to record to this section (6.2)

Channels Only mode keys

These two keys are used to operate Channels Only mode for Congo jr when used with
Universal Fader Wings and Congo Kid.

CHAN. ONLY MODE: Toggles Channels Only mode on/off

CHAN. RANGE: Steps through all possible channel ranges for the faders.

821
Master Pages - List
You can view, edit and create Master Pages directly in the Master Page List (BROWSER
>Master Pages).

NOTE
The system always creates 10 empty Master Pages when a new Play
is opened.

Master Pages List - Columns

Column Input Function

Page No input The number of this Page
- cannot be edited.
Text ABCDE... Press MODIFY to
activate and end text
input.
Transparent [MODIFY] When ON this Master
Page will only load the
stored masters.
Time [MODIFY] This time can be set to
affect all percent times in
this Master Page. See
Master Page Times.
BPM [MODIFY] This value can be set to
affect all chase rates in
this Master Page. See
Master Page Times.

822
Master Pages List - Functions

These are the functions in the Master Pages List

Function Key Feedback

Insert a Master Page [INSERT] Inserts a new Master
Page with the next free
number
Insert Master Page # [#] [INSERT] Inserts a new Master
Page #
Delete the selected [DELETE] Deletes the selected
Master Page Master Page. Cannot be
undone.

823
Master Pages - Editor
In the Master Page Editor you can view and edit the content and times of Master Pages.
Open in Browser> Masters >Master Pages> Master Page #.

You can use copy and paste to make a copy of an existing master page.

824
Master Page - Columns

Column Input Function

Master No input The number of this
Master - cannot be
edited.
Content Type* [MODIFY] Opens a dropdown
where you can choose
content.
Content [MODIFY] Sets the number ID of
the content in the
previous column.
In [#] [MODIFY] Sets an In time. If there
is no other time it is also
an out time.
Wait [#] [MODIFY] Sets a wait time

Out [#] [MODIFY] Sets an out time

Flash Mode [MODIFY] Toggles Flash Mode

on/off
Flash Level [#] [MODIFY] Sets # as the Flash level
of a Master Playback.

*Content dropdown

825
Master Pages - Times
Master Playback times can be stored in Master Pages. Times are set from 0.1seconds to
49.59 minutes (0.1- 4959).

General Facts

A Master Playback can have an in/wait/out time.

A Master Page can have a general time used for all Palettes and Presets.
A Master Page can have a BPM time for all Chases.

Master Page Times - In, Out, Wait

Fade times for a Master Playback can be stored in a Master Page.

The times are activated in the following situations

When the master is linked from a Sequence Step.

When you hold START and press the Master Key.
When Flash On Time is active (SETUP & Master Key).

Function Keys Feedback

1. Activate the Master Browser >Master The Master Pages List is
Pages List Pages opened.
2. Activate a Master Arrow keys The Master Page List is
Page List opened.
3. Go to In-Wait-Out Arrow keys Each selected cell is
Times highlighted
4. Set a time* [#] [MODIFY] A time of # is set.

Master Page Times - Page Time

The Master Page Time is used for Palettes (content= palette) and Presets with In times set
in %.

Function Keys Feedback

Set Master Page Time* [#] [TIME] & A Master Page Time # is
[PAGE] set to the currently
loaded Master Page.

*The Master Page Time can be set from the Master Page List as well.

826
Master Page Times - BPM

The Master Page BPM will affect all chasers running in that Master Page.

Function Keys Feedback

Set Master Page BPM* [TAP] & [PAGE] Tap at least two times to
set a BPM. You can edit
it in the Master Page
List.

*If chases have a rate, it will be scaled by the BPM.

827
Master Pages - Auto-update Mode
This is the default mode for Master Pages - in which all changes automatically are stored to
the current Master Page.

Function Keys Feedback

1. Open the Master Page [SETUP] & [PAGE] The Master Page
Settings Settings popup is
opened.
2. Toggle Auto-update [MODIFY] MODIFY will toggle this
parameter on/off.
NOTE
Without this mode, Master Pages have to be recorded manually. See
Record Master Pages.

828
Master Pages - Display List
The Display lists are shown in the main display of the console. The trackball has to be in
DISP LIST mode.

Function Keys Feedback

1. Open the Master Page [DISP] & [PAGE] The Master Page
Display List Display List for a Master
Row (1-20, 21-40) is
opened.
2. Select a Master Page Trackball The selected item is
highlighted with
>arrows<.
3. Load the selected Right (or left) click The Master Page is
Master Page and press PAGE loaded to Masters.

829
Remote Controls
There are different remote control systems for Congo. Each one has
it's own working field. This is where you can set/edit and clear these
fields, and rename the remotes.

Remote Controls node

This chapter contains the following sections

Clear Remotes
Remote Control List

All different types of remote controls are described in Accessories - Remote Control.

Clear Remotes

Select this node and press MODIFY to clear all intensities set in remote fields.

This function is available in Congo Jr in the Misc soft key menu as well.

Remote Control List

This editor shows all active remote controls. BROWSER >Remote Controls >Remotes List.

You have the possibility to give names to each Remote control (currently only possible on
Net3 RFR devices) and disable the contribution from specific remotes. In Settings: System,
you can set all remote input to off. See Play Settings - System.

If you press MODIFY in the Clear Levels column, you can quickly clear all levels
from that remote.
The channels and levels in each remote field can be edited directly in the channel
view in the top of the editor.
The Online column is just an indicator for network RFR's.
To set this remote to work in A instead of it's unique remote field activate this cell.
(6.1)

830
831
Media
The Media node contains tutorial movies, images of your choice,
software documentation and Training Projects.

Media Node

This chapter contains the following sections

Media - Introduction
Movies
Images
Training Projects

832
Media - Introduction
The Media node of the Browser has four nodes. Each of them represent a folder with the
same name in the CONGO folder at the root of the system. Information dropped in these
folders can be viewed in the Tabs of Congo.

Function File Types Explanation

Movies wmw These are tutorials. The movies are
played when a movie node is selected.
Images jpg Images are loaded in a Tab when an
image node is selected.
Training Projects c2p Training projects created in Capture and
supplied with the software can be
opened here.
NOTE
If you insert a USB device which contains Image or Movie files, you
can import them from the Browser.

833
Movies
In the movies folder there are tutorials for learning Congo. Mostly, they are around five
minutes and in English. You start them by selecting them and pressing MODIFY or ENTER.

NOTE
Do not watch movies in the console during playback.

You can import movies from a USB memory stick or a digital camera by connecting it to
Congo and selecting "Import Images.." from the Browser >Media >Import Images node.

834
Images
You can import images from a USB memory stick or a digital camera by connecting it to
Congo and selecting "Import Images.." from the Browser >Media >Import Images node.

NOTE
This works for cameras that show up as a new Drive in Windows (not
as a camera device).

Media Images - Delete

You can delete images directly from the Browser by pressing DELETE.

835
Training Projects
This is visualisation plug-in for training purposes. The projects are created in a third-party
software called Capture and supplied by ETC. The idea is not to run large shows with
processor-heavy visualisation inside Congo. It is meant as a training tool that allows you to
understand functions like Dynamic Effects without having a rig.

Training Projects - Open Project

Opening a Training Project

1. Go to the Browser (BROWSER)

2. Navigate with the arrow keys to the File >Open > Play Archive > Demo Plays node
3. Open the file A demo play (this will close the online help - open again and continue)
4. Navigate with arrow keys to the MEDIA node.
5. Open the sub-node Training Projects
6. Open the file A demo play.c2p.
7. You will get a visualisation tab like this

The play loaded will correspond to this training project.

Training Projects - The Camera

There is a camera (viewing angle) that allows you to zoom, pan and rotate the "stage". There
are some default functions connected to the FORMAT key of Congo, and some functions are
accessible by patching the camera as a Device to a channel.

836
Default functions
Camera does not have to be patched as a DMX device.

Function Key Feedback

Zoom [FORMAT] & Wheel The view is
zoomed in/out
from the camera.
Pan stage right Right Arrow & Wheel Stage is panned
to the right
around the
camera
Pan stage left Left Arrow & Wheel Stage is panned
to the left around
the camera
Tilt stage up Up Arrow & Wheel Stage is tilted up
around the
camera
Tilt stage down Down Arrow & Wheel Stage is tilted
down around the
camera

DMX functions
Camera is patched as a device to channel 22 in the project A Demo Play. When the channel
controlling the camera is selected all functions are mapped to the device controls around the
Main Display.

FOCUS functions

Pan = Pan stage

Tilt = Tilt stage
Pitch = Pitch the angle of the stage

Beam functions page 1

Zoom = Zoom
X <> = Move stage right/left along the X axis
Y <> = Move stage up/down along the Y axis
Z <> = Move stage in/out along the Z axis

Beam functions page 2

Ambient L = Houselights
Fixture L = Fixture lights
Atmospher = Atmosphere/smoke

837
Training Projects - Hints

The Training Project is a simple way of getting to know some of the moving light functionality
of Congo, and to understand Dynamics.

In the corresponding Congo Play (A Demo Play) there is a sample of a Channel Layout that
can be used together with the Plug-in. If you are running one monitor and split the screens
you will have a view like this.

838
CONSOLE KEYS
This Chapter is about the console key functions, keyboard
equivalents and shortcuts. Its a very useful chapter.

This chapter contains the following sections

Console Key Quick Help

Console Key Shortcuts

839
Console Key Quick Help
These are all console keys with a short explanation and a summary
of functions, in alphabetical order.

This text is linked to each key in the console and opens if you hold [?] and press a
key.
There are links to the corresponding chapters of the manual.
The keyboard equivalent in an alphanumeric keyboard is listed.

Console Key - ?

This is the HELP function. It activates the online help system, which is a complete electronic
copy of the user manual.

[HELP] - Activates Help.

[HELP] & [KEY] - Activates help for that key.
[HELP] - after opening an editor or list opens help for that editor.

For more information see This Manual.

Keyboard equivalent: [F1]

Console Key - <-- (Disp Mode)

Press this key to move one level up in the main display soft key menus of the console.

For more information see Main Playback - Edit Keys.

No keyboard equivalent

840
Console Key - @LEVEL

This key is used to set levels to channels. It can also be used in combination with other keys
for specific level functions.

[#] [@LEVEL] - Set level # to the currently selected channels.

[@LEVEL] = 70%
[@LEVEL] [@LEVEL] = 100%
[@LEVEL] [@LEVEL] [@LEVEL] = 0%
[CH] & [@LEVEL] - Sets a temporary ID level 0-100% to the currently selected
channels.
[SETUP] & [@LEVEL] - Opens the level settings.
[ON/FETCH]&[@LEVEL] - Revert (undo) changes to channel level.

NOTE
If the console is set to operate in At Mode this key has a slightly different syntax. See
Channels - Command Syntax .

For more information see Set Channel levels.

Keyboard equivalent: [+]

Console Key - A

Opens the channel view for the A field of the Main Playback. The channel control will be
connected to the A field.

[A] - Opens and selects the A tab.

[TIME] & [A] - Forces the setting "Times to A"

For more information see Main Playback - Edit Keys.

Keyboard equivalent: [A]

Console Key - ALIGN

This key is used to align device parameters to the one currently selected with NEXT/LAST.

[ALIGN] & [parameter key] (CYAN, or FOCUS for example) - Aligns these
parameters.

For more information see Device Control - Align.

Keyboard equivalent: [Alt] & [A]

841
Console Key - ALL

The ALL key is used for selecting channels with levels over 0% in different targets.

[ALL] - Selects all channels with a level over 0% in any channel view.
[ALL] [ALL] - In the Live view the first press will select all channels over 0% in A, the
second press will select channels in all Master Playbacks as well.
[ALL] & [PALETTE KEY] - Hold ALL and press a Direct Select key for a palette to
select all channels with an intensity over 0% using that palette.

For more information see Select Channels.

Keyboard equivalent: [SHIFT] & [-]

Console Key - Arrow Keys

The arrow keys are a vital part of all navigating functions, and are used a lot in combination
with the silver colored navigating keys, and the level wheel.

[Arrow keys] - Move in the direct of that key in the Browser, or a spreadsheet view.
In dialogue boxes the side arrows will move between tabs, and up and down will
select input areas. In the Browser the right arrow will open the current node, and the
left arrow will close and jump to the top of any list.
[Arrow key] & [level wheel] - Speed scroll in any list view.
[TAB] & [side arrows] - Moves the current tab to the next screen.
[TAB] & [down arrow] - Splits the screens, the same command with the up arrow will
undo the current split.
[FORMAT] & [down arrow] - Opens more detailed information when available.
[FORMAT] & [up arrow] - Selects less detailed information when available.

For more information see Navigating - The Arrow Keys.

Keyboard equivalent: [Arrow keys]

Left Arrow

Scroll to top of this page.

Right Arrow

Scroll to top of this page.

842
Up Arrow

Scroll to top of this page.

Console Key - ATTRIB

The ATTRIB key is used to record, edit and view attributes for moving devices.

[ATTRIB] - Opens the Live Attribute view.

[#] [RECORD] & [ATTRIB] - Record all attributes for the currently selected channels
to preset #.
[#] [PRESET] & [ATTRIB] - Opens the attribute editor for that preset.
[SETUP] & [ATTRIB] - Opens the attribute settings.

For more information see Device Views - Live, Device Views - Presets, Record All Attributes
For Selected Channels

Keyboard equivalent: [I]

Console Key - B

This key opens the channel view for the B field of the Main Playback. The channel control
will be connected to the B field.

[B] - Opens and selects the B tab.

[TIME] & [B] - Forces the setting "Times to B"

For more information see Main Playback - Edit Keys.

Keyboard equivalent: [B]

Console Key - BALANCE

The BALANCE key is a soft key in the CHANNELS menu of the console main display. It is
used to mute all channel intensities except the current selection, temporarily.

[BALANCE] - Temporarily mutes all channel intensities except the current selection.
Press again to return.
[SETUP] & [REM DIM] - Opens the dialogue to set this key as BALANCE.

For more information see Channels - Balance Mode.

There is no keyboard equivalent.

843
Console Key - BANK

The BANK key is used to change bank of data in the Direct Select key sections.

Hold [BANK] - When this key is held, you can use the direct select keys to select a bank (1-
10, 11-20 etc) for each section of direct select keys.

For more information see Direct Select - Content.

There is no keyboard equivalent.

Console Key - BEAM

This key is used to record and recall Beam palettes for moving devices.

[RECORD] & [BEAM] - Record the next free palette for the currently selected
devices.
[#] [RECORD] & [BEAM] - Record a new palette for the currently selected devices.
[#] [BEAM] - Recall a recorded palette for the currently selected devices.
[MODIFY] & [BEAM] - Open the Beam palette list.
Hold [BEAM] - When BEAM is held, all existing palettes 1-40 can be accessed from
the direct select keys.

For more information see Devices - Palettes, Record A Beam Palette, Device Palettes -
Direct Mode.

Keyboard equivalent: [ALT] & [B]

Console Key - BLIND

The BLIND key is used to edit and load content to the blind editing field. You can edit and
record channels in BLIND independently from all other fields.

[BLIND] - Open the Blind view, and set channel control to this field.
[LIVE] & [BLIND] - Move the values of the current channels over 0% into BLIND.
[BLIND] & [A] or a [master key] - Move the values of the currently selected channels
from BLIND to that field.
[BLIND] & [level wheel] - Fade the content of BLIND into the output of the console.

For more information see Blind - Blind Tab.

Keyboard equivalent: [F3]

844
Console Key - BROWSER

The Browser is a fundamental part of the Congo system. This is where all functions are
located, all data can be viewed, and where you can access settings, files and the Help
system.

[BROWSER] - Select the Browser. If it is already selected, it will be closed. Press

again to open.
- Use the [up/down arrows] to navigate, and in combination with the level wheel to
speed scroll.
- Use the [right arrow] to open an item.
- Use the [left arrow] to jump to the top of the current item and close it.
- Press [MODIFY] to open the editor for an item.
- Press [LOAD] to activate items like Groups, Palettes etc.
- Hold [SETUP] and press [BROWSER] to activate more Dock Areas.

For more information see Navigating - Browser, Dock Areas.

Keyboard equivalent: [F10]

Console Key - C/ALT (6.3)

This key is used to clear numeric entries. When it is held it can be combined with other keys
for clearing information, and for Macro style functions like channel check mode.

[C/ALT] - Clear the last numeric entry.

[C/ALT] [C/ALT] - Deselect all channels.
[C/ALT] & [CH] - Clear the current channel selection and levels in the selected
channel view.
[C/ALT] & [master key] - Clear that field.
[C/ALT] & [PLAYBACK] - Clear the A field.
[C/ALT] & [PAGE] - Clear the current master page.
[C/ALT] & [+%] - Set 100%.
[C/ALT] & [-%] - Set 0%.
[C/ALT] & [+] or [-] - Activate channel check mode with the current level.
[ESC] & [C/ALT] - Lock/Unlock the console (6.3).

For more information see Channels - Clear Functions, Master Playbacks -

Load/Clear/Modify.

Keyboard equivalent: [Backspace]

845
Console Key - CAPTURE

This key is used to activate Capture mode, in which any channel that is manually altered will
be Captured, and cannot be controlled from any other function until it is released from
Capture mode. Captured channels are indicated with a red background in the channel views.
When you record a captured channel, the captured levels are stored.

[CAPTURE] [CAPTURE] - Activate and deactivate Capture mode.

[#] [CAPTURE] & [CH] - Capture that channel without activating Capture mode.
[CAPTURE] & [ATTRIB] - Capture all attributes for the selected channel(s).
[CAPTURE] & [parameter key] - Capture that attribute for the selected channel(s).

For more information see Channels - Capture Mode.

Keyboard equivalent: [C]

Console Key - CH/ID

The CH key is used to select channels, and in combination with other keys for additional
channel functions.

[#] [CH] - Select that channel (if you are operating in At Mode, this key is not used in
the same way).
[C/ALT] & [CH] - Clear levels and channel selection in the selected channel view.
[CH] & [up/down arrow] - Scroll in the selected channel view.
[CH] & [@LEVEL] - Toggle the levels of the selected channel(s) 100-0% for
identifying.
[#] [CH] & [TIME] - Record a channel time for the selected channel(s).
[#] [CH] & [DELAY] - Record a channel Delay for the selected channel(s).
[ON/FETCH]&[CH] - Revert (undo) level changes back to value at initial selection.

For more information see Select Channels.

Keyboard equivalent: [-]

Console Key - CHANNEL SET

The CHANNEL SET soft key in the EFFECTS soft key menu, is used to open the Channel
Set editor for effects.

[CHANNEL SET] - Opens the Channel Set editor.

For more information see Channel Sets

There is no keyboard equivalent

846
Console Key - CHASE

The CHASE soft key in the EFFECTS soft key menu, is used to open the editor for chase
effects.

[CHASE] - Opens the CHASE editor.

[#] [CHASE] - Opens the CHASE editor focused at chase #.

For more information see Chase Effects

There is no keyboard equivalent

Console Key - CH TIME

CH TIME is a soft key in the TIME menu of the console main display. It is used to record
individual channel times. Times are recorded to the Sequence Step in A or B depending on
the setting of Times.

[#] [CH TIME] - Record that time to the currently selected channel(s).

For more information see Sequence Times - Channel Times.

There is no keyboard equivalent.

Console Key - CH DELAY

CH DELAYT is a soft key in the TIME menu of the console main display. It is used to record
individual channel delay times. Times are recorded to the Sequence Step in A or B
depending on the setting of Times.

[#] [CH DELAY] - Record that time to the currently selected channel(s).

For more information see Sequence Times - Channel Times.

There is no keyboard equivalent.

847
Console Key - CLEAR CHANGED

CLEAR CHANGED is a soft key in the DEVICE menu of the console main display. It is used
together with the attribute record setting "Changed" to clear the Set Changed flag on
parameters that have been changed, so they will not be recorded.

[SET CHANGED] & [PALETTE] - Set all parameters for the selected channels to not
changed.
[SET CHANGED] & [FOCUS] - Set Focus parameters for the selected channels to
not changed.
[SET CHANGED] & [COLOR] - Set Colorparameters for the selected channels to not
changed.
[SET CHANGED] & [BEAM] - Set Beam parameters for the selected channels to not
changed.
[SET CHANGED] & [wheel parameter key] - Set this parameter for the selected
channels to changed.

For more information see Devices - Recording.

There is no keyboard equivalent.

Console Key - CLIENT

The CLIENT key is used to activate and deactivate external access from network clients, and
to set permissions.

[CLIENT] - Activate or deactivate.

Hold [CLIENT] - Set permissions from the Direct Select keys.

For more information see Network - Client.

There is no keyboard equivalent.

848
Console Key - COLOR

This key is used to record and recall Color palettes for moving devices.

[RECORD] & [COLOR] - Record the next free palette for the currently selected
devices.
[#] [RECORD] & [COLOR] - Record a new palette for the currently selected devices.
[#] [COLOR] - Recall a recorded palette for the currently selected devices.
[MODIFY] & [COLOR] - Open the Color palette list.
Hold [COLOR] - When COLOR is held, all existing palettes 1-40 can be accessed
from the direct select keys.

For more information see Devices - Palettes, Record A Color Palette, Device Palettes -
Direct Mode.

Keyboard equivalent: [ALT] & [C]

Console Key - COLUMN

The COLUMN key is used for various functions in spreadsheet views.

[COLUMN] - Select all cells downward in the current column.

[COLUMN] & [level wheel] - Resize a column.
[COLUMN] & [up/down arrows] - Sort the spreadsheet by the content of this column.
[COLUMN] & [right/left arrows] - Move a column.

For more information see Navigating - Lists, Change The List View, Sort By Column.

Keyboard equivalent: [F9]

Console key - CONNECT

The CONNECT key is used to connect a Master with a Sequence to the Master Playback
controls of the console frontpanel. A Playback tab will be opened for this master.

[CONNECT] & [master key] - Connect.

Close the Playback view with ESC to disconnect.

For more information see Master Playback - Playback Keys.

There is no keyboard equivalent

849
Console Key - COMPARE

COMPARE is a soft key in the CHANNELS menu of the console main display. It is used to
compare the intensities in a channel view with any other Preset. It is a mode that has to be
exited before returning to normal operation.

[COMPARE] - Load the last recorded preset that was loaded to this channel view.
Press again to return.
[#] [COMPARE] - Load that preset to this channel view. Press again to return.

For more information see Presets - Compare Mode.

There is no keyboard equivalent.

Console Key - COPY/CUT

The COPY/CUT key is used to copy and cut information for pasting. Information that can be
copied, cut and pasted is Text, Sequence Steps (Sequence List), Groups (Group List),
Presets (Preset List), Device Templates (Device Template List) and Attributes in the Preset
List.

[COPY/CUT] - Copy the selected object.

[COPY/CUT] [COPY/CUT] - Cut the selected object.

For more information see Copy, Cut & Paste.

Keyboard equivalent: [CTRL] & [C]

Console Key - CURSOR

The CURSOR key is only available in the big Congo console to set the built in trackball to
mouse mode.

[CURSOR] - Set the trackball to mouse mode. Trackball will be red.

For more information see Facepanel - Trackball.

There is no keyboard equivalent

850
Console Key - DATA (6.0)

The DATA key is a soft key in the CHANNELS menu of the console main display. It is used
to set toggle how attribute data is displayed in the channel views and the console displays.

When DATA is active absolute data is shown, for example Pan 50%.
When DATA is off, referenced data is shown, for example F1 (focus palette 1)

[DATA] - Toggle Data on/off..

Keyboard equivalent: none

Console Key - DELAY

The DELAY key is used to set delay times to the sequence step in the A or B field of the
Main Playback (depending on the Time Settings).

[DELAY] & [IN] - Set a Delay In time.

[#] [DELAY] & [OUT] - Set a Delay out time.
[#] [CH] & [DELAY] - Set a channel delay time to the selected channel(s).
[#] [DELAY] & [FOCUS] - Set an attribute delay time for the selected channel(s).
[#] [DELAY] & [COLOR] - Set an attribute delay time for the selected channel(s).
[#] [DELAY] & [BEAM] - Set an attribute delay time for the selected channel(s).

For more information see Sequences - Times, Sequence Times - Set To A or B.

Keyboard equivalent: [CTRL] & [D]

Console Key - DELETE

The DELETE key is used to delete data permanently in lists.

[DELETE] - Delete the selected object in any list.

For more information see Editing In Lists.

Keyboard equivalent: [DEL]

851
Console key - DEVICE

The DEVICE key is used to open the Device List, where you can edit the settings for all
moving devices.

[MODIFY] & [DEVICE] - Open the device settings.

For more information see Patch - Device List.

Keyboard equivalent: [D]

Console Key - Direct Select Pages

The five Direct Select Page keys will activate a user setup that is auto-stored for the Direct
Selects.

Press any of the five keys to access that page.

For more information see Direct Select - User Setups.

There is no keyboard equivalent

Console Key - DISPLAY LIST

The DISPLAY LIST key is only available in the big Congo console to open Display Lists in
the main display.

[DISPLAY LIST] - Activate display lists and set the trackball to this mode (green).
Use the trackball and LEFT/RIGHT to select items in the lists.
Hold [DISPLAY LIST] - Show all display list options in the Direct Selects.

For more information see Facepanel - Trackball.

Keyboard equivalent: [J]

852
Console Key - EFFECT

The EFFECT key is used to operate the effect playbacks for chase, content, image and
dynamic effects.
NOTE that the command syntax for effects is different when operating in At Mode. See
Effects - Command Syntax.

[EFFECT] - Open the Live Effects tab.

[#] [EFFECT] - Select effect playback #.
[INSERT] & [EFFECT] - Insert a new effect playback.
[#] [EFFECT] & [CH] - Select all channels in effect #.
[EFFECT] & [ALL] - Select all effects over zero %.

For more information see Effects.

Keyboard equivalent: [E]

Console Key - EFFECT OVERVI

The EFFECT OVERVI soft key in the EFFECTS soft key menu, is used to open the Effects
Overview tab with a summary of all data available to use for effects.

[EFFECT OVERVI] - Opens the Effects Overview tab.

For more information see Effect Overview

There is no keyboard equivalent

Console Key - ESC (6.3)

The ESC key is used to close and exit all tabs and dialogues.

[ESC] - Exit the current dialogue.

[ESC] - Close the currently selected tab.
[ESC] & [C/ALT] - Lock/Unlock the console (6.3).

For more information see Navigating The Tabs.

Keyboard equivalent: [ESC]

853
Console Key - FAN

The FAN key is used to fan (distribute around a centre point) attributes and times. The
distribution can be set to U, V and S shape in the Fan Settings.

[FAN] & [level wheel] - Select devices, use NEXT/LAST to set the centre point. Then
hold FAN and move the wheel of the parameter you wish to fan. Attribute times are
fanned with a wizard that opens when you select an attribute time or delay in an
attribute view and press WIZARD.

For more information see Device Control - Fan, Device Times - Fan Times.

Keyboard equivalent: [CTRL] & [F]

Console Key - FCB DELAY

The FCB DELAYsoft key in the Times soft key page, is used to set a delay time to FCB for
the moving device channels.

[#] [FCB_Delay] - Sets the FCB times to # for the moving device channels, in the A
or B field of the main playback depending on the settings for times.

For more information see Sequence Times - FCB Times.

There is no keyboard equivalent

Console Key - FCB TIME

The FCB TIME soft key in the Times soft key page, is used to set a time to FCB for the
moving device channels.

[#] [FCB_Time] - Sets the FCB times to # for the moving device channels, in the A or
B field of the main playback depending on the settings for times.

For more information see Sequence Times - FCB Times.

There is no keyboard equivalent

854
Console Key - FLASH

The lower row of masters in the Congo console and the large fader wing of the Congo Jr are
equipped with two keys per master. The top key is the master key used to load content, and
the lower key is a flash key. The flash key can be set to different modes and levels.

[Flash key] - Flash the content of a master.

[SETUP] & [flash key] - Open settings for a master.
[#] [FLASH MODE] & [flash key] - Set a flash level for a master.

For more information see Master Playbacks - Flash Keys.

There is no keyboard equivalent

Console Key - FLASH MODE (6.2)

The lower row of masters in the Congo console and the Congo Jr Master Playback Wing, the
Universal wings and Congo Kid masters are equipped with two keys per master. The top key
is the master key used to load content, and the lower key is a flash key. The flash key can be
set to different modes and levels.

[FLASH MODE] (held) - Shows master settings in console display, use page +/-
to step through and press the Master Key to toggle settings.
[#] [FLASH MODE] & [flash key] - Set a flash level for a master.
[C/ALT] & [FLASH MODE] - Disable flash mode (toggles)

For more information see Master Playbacks - Flash Keys.

Keyboard equivalent: [F]

Console Key - FLIP

The FLIP key will flip the pan and tilt values of the selected moving devices.

[FLIP] - Flips pan and tilt.

For more information see Device Control - Flip.

Keyboard equivalent: None

855
Console Key - FOCUS

This key is used to record and recall Focus palettes for moving devices.

[RECORD] & [FOCUS] - Record the next free palette for the currently selected
devices.
[#] [RECORD] & [FOCUS] - Record a new palette for the currently selected devices.
[#] [FOCUS] - Recall a recorded palette for the currently selected devices.
[MODIFY] & [FOCUS] - Open the Focus palette list.
Hold [FOCUS] - When FOCUS is held, all existing palettes 1-40 can be accessed
from the direct select keys.

For more information see Devices - Palettes, See Record A Focus Palette, Device Palettes -
Direct Mode.

Keyboard equivalent: [ALT] & [F]

Console Key - FOCUS MODE

The Focus Mode soft key in the Device Soft key page is used activate a specific focus mode
for quickly adjusting palettes.

[FOCUS_MODE] - Enters Focus mode.

For more information see Device Palettes - Focusing Mode.

There is no keyboard equivalent.

Console Key - FORMAT

The FORMAT key is a vital part of controlling what is shown in all views except spreadsheets
(lists). It is used a lot in combination with the arrow keys, and the level wheel.

[FORMAT] - Change channel sorting (all channels, non-zero channels etc) for the
current channel view.
[FORMAT] & [level wheel] - Zoom in channel and attribute views.
[FORMAT] & [up/down arrows] - Compress/expand information in a view.

For more information see Navigating - Channel Views.

Keyboard equivalent: [F4]

856
Console Key - GO

The GO key starts the next crossfade in the Main Playback.

[GO] - Start a crossfade in the Main Playback. Press GO during an ongoing

crossfade in the Main Playback to start the next one.
[SETUP] & [GO] -Change default times and crossfade settings.

For more information see Main Playback - Transport Keys.

Keyboard equivalent: [CTRL] & [G]

Console Key - GO (Master Playback)

This GO key in the Master Playback starts the next crossfade in the master/sequence
connected to the Master Playback.

[GO] - Start a crossfade in the connected master. Press GO during an ongoing

crossfade in the connected master to start the next one.

For more information see Master Playback - Playback Keys.

There is no keyboard equivalent

Console Key - GO BACK

The GO BACK key starts a crossfade to the previous sequence step in the Main Playback.

[GO BACK] - Start a crossfade to the previous sequence step in the Main Playback.
Press GO BACK during an ongoing crossfade to reverse it.
[SETUP] & [GO BACK] - Change default times.

For more information see Main Playback - Transport Keys.

Keyboard equivalent: [CTRL] & [B]

857
Console Key - GO BACK (Master Playback)

The GO BACK key starts a crossfade to the previous sequence step in the master/sequence
connected to the Master Playback.

[GO BACK] - Start a crossfade to the previous sequence step in the connected
master. Press GO BACK during an ongoing crossfade to reverse it.

For more information see Master Playback - Playback Keys.

No keyboard equivalent

Console Key - GOTO

The GOTO key is used to crossfade into any existing preset in the Main Playback.

[#] [GOTO] - Start a crossfade to that preset. If the preset exists in the current
sequence, the step times will be used.
[SETUP] & [GOTO] - Change settings.

For more information see Main Playback - Transport Keys and The GOTO List.

Keyboard equivalent: [CTRL] & [G]

Console Key - GROUP

The GROUP key is used to store and recall channel selections stored into Groups.
NOTE that the command syntax for selecting groups is different when operating in At Mode.
See Groups - Select channels.

[RECORD] & [GROUP] - Record the currently selected channels and levels into the
next free group.
[#] [RECORD] & [GROUP] - Record the currently selected channels and levels to
that group.
[#] [GROUP] - Select the channels of that group.
[#] [GROUP] & [level wheel] - Fade the channels of that group in proportionally.
[GROUP], or [MODIFY] & [GROUP] - Open the Group List.

For more information see Groups - Select Channels.

Keyboard equivalent: [ALT] & [G]

858
Console Key - GROUP WHEEL MODE

GROUP WHEEL MODE is a soft key in the Channels menu of the console main display. In
Group Wheel Mode you can assign a channel group to each wheel under the Main Display

[GROUP WHEEL MODE] - Activate Group Wheel Mode.

For more information see Channels - Group Wheel Mode.

There is no keyboard equivalent

Console Key - HIGHLIGHT

The HIGHLIGHT key will activate highlight mode for the currently selected devices.

[HIGHLIGHT] - Toggles Highlight mode.

For more information see Device Control - Highlight Mode.

Keyboard equivalent: [CTRL] & [H]

Console Key - HOME ATTRIB

The HOME ATTRIB key will set all or some parameters for the currently selected devices to
their default home position. The home position can be re-recorded at any time.

[HOME ATTRIB] [HOME ATTRIB] - Home all parameters for the selected devices.
[HOME ATTRIB] & [FOCUS, COLOR, BEAM] - Home these parameters.
[HOME ATTRIB] & [wheel parameter key] - Home only this parameter.
[RECORD] & [HOME ATTRIB] - Record the current values as the new HOME
position for the selected devices.
[C/ALT] & [HOME ATTRIB] - Home all parameters for all devices.
[C/ALT] & [HOME ATTRIB] [HOME ATTRIB] - Home all parameters for all devices
and set intensities to zero.

For more information see Device Control - Home positioning.

Keyboard equivalent: [F5]

859
Console Key - IN

The IN key is used to set In times to the sequence step in the A or B field of the Main
Playback (depending on the Time Settings).

[#] [IN] - Set an in time.

[#] [DELAY ] & [IN] - Set a Delay In time.

For more information see Sequences - Times, Sequence Times - Set To A or B

Keyboard equivalent: [CTRL] & [I]

Console Key - INDEPENDENTS 7,8,9

The three keys and potentiometers in the Independents area of the consoles are used to
control lights outside the main functionality of the console - for example houselights or
worklights. They can operate in three modes: Inclusive, Inhibit and Exclusive.

[SETUP] & [independent key] - Open the settings.

[SETUP] & [independent pot] - Hold SETUP, then move and let go of an
independent potentiometer to open the settings.

For more information see Independents.

There is no keyboard equivalent

Console Key - INSERT

The INSERT key is used to insert new data in a list. In some lists a number is required, in
some not. A new item is usually inserted after the current item.

[INSERT] - Insert a new item in a list.

[#] [INSERT] - Insert a new item with this number in a list.

For more information see Editing In Lists.

Keyboard equivalent: [INS]

860
Console Key - INV GROUP

The INV GROUP key is used to invert the current channel selection and select all other
channels with a level over 0% in a channel view.

[INV GROUP] - Invert the current channel selection.

For more information see Select Channels.

Keyboard equivalent: [SHIFT] & [/]

Console Key - JUMP TO B

The JUMP TO B key is used to reposition the sequence in the main playback blindly to
continue from a different sequence step.

[#] [JUMP TO B] - Enter the number of a preset or sequence step (depending on the
settings for this function) and press JUMP TO B to move that item to the B field of
the Main Playback.

For more information see Main Playback - Transport Keys, Crossfade Settings.

Keyboard equivalent: [SHIFT] & [/]

Console Key - LAST

The LAST key is used to select the previous channel within the current channel selection.
This is useful for adjusting single moving devices within a selection, and also for selecting a
specific device as reference point for the Fan and Align functions.

[LAST] - Press LAST with more than one channel selected to activate Next/Last
mode. Press SELECT ALL to exit.

For more information see Device Control - Next & Last Mode.

Keyboard equivalent: [L]

861
Console Key - LEARN ALERT

LEARN ALERT is a soft key in the TIMES >LEARN soft key menu of the console main
display. It is used to activate Learn Alert mode in which alert times are auto-stored when a
sequence is played back.

[LEARN ALERT] - toggles learn alert mode.

For more information see Sequence Times - WFA Alert Times.

There is no keyboard equivalent.

Console Key - LEARN MACRO

The LEARN MACRO soft key in the Misc soft key page, is used to record Macros.

[#] [Learn_Macro] - Starts recording a new macro, click with mouse in top right
corner of the screen on "Recording Macro" to stop.

For more information see Macros - Record & Playback.

There is no keyboard equivalent

Console Key - LEARN PROFILE (6.0)

LEARN PROFILE is a soft key in the TIMES soft key menu of the console main display. It is
used to activate Learn Profile mode in which the actual fader movement is stored during a
manual crossfade in the main playback.

[LEARN PROFILE] - activates learn profile mode.

For more information see Sequences - Crossfade Profiles (6.0)

There is no keyboard equivalent.

Console Key - LEFT

The Left key, in the big Congo only, is the left mouse key of the trackball.

[LEFT] - Activate a mouse click in cursor mode (red).

For more information see Facepanel - Trackball.

Keyboard equivalent: [Mouse left key]

862
Console Key - LIVE

The LIVE key is fundamental. It selects the Live tab and sets the channel control to the live
output, through the A field of the Main Playback.

[LIVE] - Select the Live tab.

[LIVE] & [BLIND] - Move the channel levels from LIVE to BLIND.
[C/ALT] & [LIVE] - Bring all channel levels from Live (A) to zero.
[C/ALT] & [LIVE] [LIVE] - First press of LIVE takes out A, second press takes out
Masters.

For more information see Live.

Keyboard equivalent: [F2]

Console Key - LOAD (6.3)

The LOAD key activates items in the Browser, like Groups, Palettes & Effects.

[LOAD] - Select an object in the Browser and press LOAD to activate.

[LOAD] - Select an object in a list and open in the Organizer (6.3)
[LOAD] & [SEQ] - Open Sequences in Organizer (6.3)
[LOAD] & [PRESET] - Open Presets in Organizer (6.3)
[LOAD] & [GROUP] - Open Groups in Organizer (6.3)
[LOAD] & [FOCUS] - Open Focus Palettes in Organizer (6.3)
[LOAD] & [COLOR] - Open Color Palettes in Organizer (6.3)
[LOAD] & [BEAM] - Open Beam Palettes in Organizer (6.3)
[LOAD] & [PALETTE] - Open All Palettes in Organizer (6.3)

For more information see Browser Functions and Organizer.

Keyboard equivalent: [F6]

Console Key - MACRO

The MACRO key in the MISC soft key page is used to activate macros.

[#] [MACRO] - Enter the number of a macro and press MACRO to activate.

For more information see Macro List.

There is no keyboard equivalent.

863
Console Key - MARK

MARK is a soft key in the CHANNELS menu of the console main display. It is used to set a
"mark" level (less than 1%) to the selected device(s) to enforce a move command without
having intensities.

[MARK] - Sets a mark intensity level to the selected device(s).

For more information see Active Mode & Mark.

There is no keyboard equivalent.

Console Key - MASK

The MASK key is used in combination with other keys to toggle the mask functions that
mask device parameters from recording.

[MASK] - Activate the mask.

[MASK] & [FOCUS, COLOR, BEAM] - Toggle these parameter groups on/off.
[MASK] & [wheel parameter key] - Toggle this specific parameter on/off.
[MODIFY] & [MASK] - Open the Mask editor.
[RECORD] & [MASK] - Records the next free user mask
[#] [RECORD] & [MASK] - Records user mask #
[#] & [MASK] - Recalls the settings of Mask # to the global mask
[MASK] & [Master_key] - Assign global mask to a master.

For more information see Device Control - Mask.

Keyboard equivalent: [K]

864
Console Key - MASTER KEYS

Every master has a master key that is used to load content to the master, and for some
settings.

[#] [PRESET] & [master key] - Load this content to master #.

[#] [GROUP] & [master key] - Load this content to master #.
[#] [CH] & [master key] - Load this content to master #.
[#] [SEQ] & [master key] - Load this content to master #.
[#] [FOCUS] & [master key] - Load this content to master #.
[#] [COLOR] & [master key] - Load this content to master #.
[#] [BEAM] & [master key] - Load this content to master #.
[#] [PALETTE] & [master key] - Load this content to master #.
[C/ALT] & [master key] - Clear the contents of that master (with the exception of
console key functions).
[MODIFY] & [master key] - Open the master editor.
[SETUP] & [master key] - Opens the master settings.
[master key] - Select the channels in the group or preset loaded to that master.

For more information see Master Playbacks - Load/Clear/Modify.

Keyboard equivalent: [1]-[9] and [0] over the letter keys correspond to master keys 1-10

Console Key - MASTER

The MASTER key is used to open the Master List editor where you can see and control the
master fields.

[MASTER] - Open the Master view. When the Master view is open, you can enter a
number and press MASTER to control that master with the level wheel.
[SETUP] & [MASTER] - Opens settings for this key.
[MODIFY] & [MASTER] - Opens the master list.

For more information see Master View - Select And Set Levels.

Keyboard equivalent: [ALT] & [M]

865
Console Key - MINUS

The MINUS key (-) is part of the channel select keys. It is used to subtract a channel from
the current selection. It is also used for the Channel Check function.

[#] [-] - Deselect the channel,(if the console is set to operate in At Mode press
MINUS and then enter the number).
[C/ALT] & [-] - Make a channel check to the previous channel with the current level.
Hold [-] & [master key] - Subtract the channels in that master from the current
selection.
[#] [GROUP] & [-] - Subtract the channels in that Group from the current selection
[#] [PRESET] & [-] - Subtract the channels in that Preset from the current selection

For more information see Select Channels.

Keyboard equivalent: [CTRL] & [<]

Console Key - MINUS PERCENT (-%)

The MINUS PERCENT key (-%) is part of the channel level keys. It is used to subtract 5%
(default) from the current selection. It is also used for setting a selection to zero in
combination with the C/ALT key.

[-%] - Subtract 5% from the current channel selection..

[#] [-%] - Select a channel and subtract 5%.
[C/ALT] & [-%] - Flash the current selection to 0% (master content will not be
affected).
[#] [.] & [-%] - Subtract that level from the current channel selection.
[SETUP] & [-%] - Change the default level.

For more information see Set Channel levels.

Keyboard equivalent: [CTRL] & [MINUS]

866
Console Key - MODIFY

The MODIFY key is central for a lot of functions. It is both the equivalent of an ENTER key
and part of a syntax in combination with other keys.

[MODIFY] - Answer dialogues, activate choices, enter numbers, open lists, activate
text input in text cells.
[MODIFY] & [PRESET] - Opens the Preset List.
[MODIFY] & [GROUP] - Opens the Group List.
[MODIFY] & [SEQ] - Opens the Sequences List.
[MODIFY] & [DYN EFFECT] - Opens the Effect List.
[MODIFY] & [FOCUS] - Opens the Focus Palette List.
[MODIFY] & [COLOR] - Opens the Color Palette List.
[MODIFY] & [BEAM] - Opens the Beam Palette List.
[MODIFY] & [PALETTE] - Opens the All Palette List.
[MODIFY] & [U1-U3] - Opens the Wheel Parameter Lists.
[MODIFY] & [PARK] - Opens the Park List.
[MODIFY] & [NOTE] - Opens the Notes List.
[MODIFY] & [master key] - Opens the Master Editor.

This key is so fundamental it is described everywhere in this manual.

Keyboard equivalent: [ENTER]

Console Key - MODIFY SEQ

The MODIFY SEQ key is a soft key in the MISC menu of the main display. It is used to
toggle the Modify Sequence mode on or off (default). When Modify Sequence is on, you can
advance the sequence in the main playback without triggering auto times or wait times and
master links.

[MODIFY SEQ] - Toggle this mode on/off.

For more information see Sequences - Build & Modify Modes.

There is no keyboard equivalent

Console Key - MUTE

The MUTE key is used to inhibit the output of a Master Playback.

[MUTE] & [master key] - Temporarily mutes the output of that master playback.

For more information see Mute & Solo - Mute.

Keyboard equivalent: None

867
Console Key - NEXT

The NEXT key is used to select the next channel within the current channel selection. This is
useful for adjusting single moving devices within a selection, and also for selecting a specific
device as reference point for the Fan and Align functions.

[NEXT] - Press NEXT with more than one channel selected to activate Next/Last
mode. Press SELECT ALL to exit.

For more information see Device Control - Next & Last Mode.

Keyboard equivalent: [N]

Console Key - NOTE

The NOTE key is used to set a note for the selected item in some lists and the Playback
view. It can also be used to store favorites for the HELP system.

[NOTE] - Press NOTE in a list or the playback view to set a note to the selected
item.
[NOTE] - Press NOTE in the help system to create a favorite.
[MODIFY] & [NOTE] - Opens the Notes list.

For more information see Notes Editor.

Keyboard equivalent: none

Console Key - Numerical Keypad

The numerical keypad is where numbers are input. This is also where you have the decimal
point, and the C/ALT key (clear numerical entry). The C/ALT key is also a prefix key
for clearing Playbacks, and for some console Macros.

NOTE that in an alphanumerical keyboard, the number keys 1-9 and 0 over the keys are
master keys, and cannot be used to enter numbers. In a notebook computer the numerical
keypad is integrated into the alphanumerical keyboard, and you have to activate the NUM
LOCK function to access it.

Keyboard equivalent: [Numerical keypad]

868
Console Key - ON/FETCH

The ON/FETCH key is used to set channels on at the last used level, and to fetch levels for
intensities or attributes for the selected channels from any presets.

[ON/FETCH] - Set the last recorded level to the current channel selection.
[ON/FETCH]&[@LEVEL] - Revert (undo) changes to channel level.
[#] [ON/FETCH] - Fetch the level from Preset # to the current channel selection.
[#] [ON/FETCH] & [ATTRIB] - fetch attribute information from Preset # to the current
channel selection.
[#] [ON/FETCH] & [parameter key] - fetch attribute information from Preset # to the
current channel selection.

For more information see Presets - Fetch Intensities, Device Control - Fetch/Copy.

Keyboard equivalent: [CTRL] & [+]

Console Key - OUT

The OUT key is used to set Out times to the sequence step in the A or B field of the Main
Playback (depending on the Time Settings).

[#] [OUT] - Set an in time.

[#] [DELAY ] & [OUT] - Set a Delay Out time.

For more information see Sequences - Times, Sequence Times - Set To A or B.

Keyboard equivalent: [CTRL] & [U]

Console Key - OUTPUT

The OUTPUT key is used to select outputs directly, regardless if they are patched or not. It
will open the Output editor where it is possible to patch by channel or output.

[#] [OUTPUT] - Open the Output editor, and select that output. Use the level wheel
to set a level.
[MODIFY] & [OUTPUT] - Open the Output editor with no output selected.

For more information see Patch - Output Editor.

Keyboard equivalent: [O]

869
Console Key - PAGE

The PAGE key is used to load a page of 20 masters to a master row.

[#] [PAGE ] - Load this page.

[C/ALT] & [PAGE] - Clear the masters.

For more information see Master Pages.

Keyboard equivalent: [M] (upper row) [CTRL] & [M] (lower row)

Console Key - Page+

The PAGE+ key is used to load the next page of 20 masters to a master row.

[PAGE+] - Load the next page.

For more information see Master Pages.

There is no keyboard equivalent.

Console Key - Page-

The PAGE- key is used to load the previous page of 20 masters to a master row.

[PAGE-] - Load the previous page.

For more information see Master Pages.

There is no keyboard equivalent.

Console Key - PAUSE

The PAUSE key is used to pause an ongoing crossfade in the Main Playback.

[PAUSE] - Pauses the ongoing crossfade (intensities and attributes) in the main
playback.

For more information see Main Playback - Transport Keys.

Keyboard equivalent: [CTRL] & [P]

870
Console Key - PAUSE (in Master Playback)

The PAUSE key is used to pause an ongoing crossfade in the Master Playback.

[PAUSE] - Pauses the ongoing crossfade in the connected master playback.

For more information see Master Playback - Playback Keys.

There is no keyboard equivalent

Console Key - PALETTE (Alt P)

The PALETTE key is used for recording and recalling All Palettes, containing information
from all parameters in a device.

[RECORD] & [PALETTE] - Record the next free palette for the currently selected
devices.
[#] [RECORD] & [PALETTE] - Record a new palette for the currently selected
devices.
[#] [PALETTE] - Recall a recorded palette for the currently selected devices.
[MODIFY] & [PALETTE] - Open the All palette list.
Hold [PALETTE] - When PALETTE is held, all existing palettes 1-40 can be
accessed from the direct select keys.

For more information see Devices - Palettes, Record An All Palette, Device Palettes - Direct
Mode.

Keyboard equivalent: [ALT] & [P]

Console Key - PARAMETER

The PARAMETER key in the big Congo console is used to set the trackball to Parameter
mode, controlling pan & tilt.

[PARAMETER] - Set the trackball to parameter mode. Trackball will be blue.

For more information see Facepanel - Trackball.

There is no keyboard equivalent

871
Console Key - PARK

The PARK key is used to park a channel or part of a channel.

[PARK] & [CH] - Parks intensity and attributes of the selected channel(s).
[PARK] & [@LEVEL] - Parks intensity of the selected channel(s).
[PARK] & [ATTRIB] - Parks attributes of the selected channel(s).
[PARK] & [FOCUS] - Parks focus attributes of the selected channel(s).
[PARK] & [COLOR] - Parks color attributes of the selected channel(s).
[PARK] & [BEAM] - Parks beam attributes of the selected channel(s).
[PARK] & [Wheel_Key] - Parks the attribute of the selected channel(s).
[MODIFY] & [PARK] - Opens the Park list

For more information see Park - Parked values.

Keyboard equivalent: None

Console Key - PASTE

The PASTE key is used to paste information that has been copied or cut. Information that
can be copied, cut and pasted is Text, Sequence Steps (Sequence List), Groups (Group
List), Presets (Preset List), Device Templates (Device Template List) and Attributes in the
Preset List.

[PASTE] - Paste the last copied or cut object. In the Preset List a numerical
argument is needed first.

For more information see Copy, Cut & Paste.

Keyboard equivalent: [CTRL] & [V]

Console Key - PLAYBACK

The PLAYBACK key selects the Playback tab and sets the channel control to the live output,
through the A field of the Main Playback.

[PLAYBACK] - Select the Playback tab.

[#] [SEQ ] & [PLAYBACK ] - Load a sequence to the Main Playback.
[C/ALT] & [PLAYBACK ] - Bring all channel levels from the Playback (A and B) to
zero.

For more information see Live.

Keyboard equivalent: [X]

872
Console Key - PLAYLIST

The PLAYLIST key is used to activate the Playlist for the Main Playback.

[PLAYLIST] - toggles the Playlist on/off.

For more information see Playlist.

Keyboard equivalent: None

Console Key - PLUS

The PLUS key (+) is part of the channel select keys. It is used to add a channel to the
current selection. It is also used for the Channel Check function.

[#] [+] - Add the channel to the current selection, (if the console is set to operate in At
Mode press MINUS and then enter the number).
[C/ALT] & [+] - Make a channel check to the next channel with the current level.
Hold [+] & [master key] - Add the channels in that master from the current selection.
[#] [GROUP] & [+] - Add the channels in that Group from the current selection
[#] [PRESET] & [+] - Add the channels in that Preset from the current selection

For more information see Select Channels.

Keyboard equivalent: [CTRL] & [>]

Console Key - PLUS PERCENT (+%)

The PLUS PERCENT key (+%) is part of the channel level keys. It is used to add 5%
(default) from the current selection. It is also used for setting a selection to full in combination
with the C/ALT key.

[+%] - Add 5% from the current channel selection..

[#] [+%] - Select a channel and add 5%.
[C/ALT] & [+%] - Flash the current selection to 100% (master content will not be
affected).
[#] [.] & [+%] - Add that level from the current channel selection.
[SETUP] & [+%] - Change the default level.

For more information see Set Channel levels.

Keyboard equivalent: [CTRL] & [UP]

873
Console Key - PRESET

The PRESET key is used to store and recall channel levels and moving device attributes.
Presets are fundamental building blocks and can be played back in masters, in sequences
and randomly in the main playback using GOTO. Every Sequence Step uses a Preset to
hold the level and attribute information for that step. The same Preset can be repeated any
number of times in any playback or sequence.

IMPORTANT: For moving devices there are different recording modes. All, Active
or Changed. This will decide what is stored in a preset. Also, there is a difference between
recording to the main playback and to a master.

[PRESET] - Open the Preset list.

[#] [PRESET] - Select the channels in Preset #.
[#] [PRESET] & [CH/ID] - Select the channels and levels in Preset #.
[#] [PRESET] & [master key] - Load preset # to that master.

For more information see Presets - Load To Playbacks.

Keyboard equivalent: [P]

Console Key - PRINT SCREEN

The PRINT SCREEN key is used to Print the selected Tab.

[PRINT SCREEN] - Prints the selected tab to a jpg file in the Printout node of the Browser
>Files >Print... >Printouts.

For more information see Print.

Keyboard equivalent: None

Console Key - RANDOM

The RANDOM key in the Selects Soft key page allows you to randomize the order of the
channels within the current selection.

[RANDOM] & [SELECT_2nd] - Selects every 2nd random channel

[RANDOM] & [SELECT_3rd] - Selects every 3rd random channel
[RANDOM] & [SELECT_Nth - Selects every Nth random channel

For more information see Channels - Random Select.

There is no keyboard equivalent.

874
Console Key - REM DIM

The REM DIM key is part of the channel select and level keys. It is used to set all channels
in the A field to zero except the current selection. It can be set to perform the BALANCE
function as well which holds the cleared levels in a temporary memory bank.

[REM DIM] - Set all channels except the current selection to zero.
[SETUP] & [REM DIM] - Opens settings for this key.

If set to Balance Mode:

Press REM DIM to activate Balance mode and set all channels except the current selection
to zero. Press REM DIM again to bring them back at their previous levels.

For more information see Channels - Rem Dim, Channels - Balance Mode.

There is no keyboard equivalent

Console Key - RECORD

The RECORD key is fundamental in that it is used for recording all types of data
into Presets, Groups and Palettes.What is recorded depends on your Settings, where you
are recording, and what your record target is.

In Live:

[RECORD] - Opens the recording dialogue to record the current look on stage into
the next free Preset.
[#] [RECORD] - Opens the recording dialogue to record the current look on
stage into that Preset..
[RECORD] [ATTRIB] - Record all attributes for the currently selected channels to the
Preset in the A field of the main playback.
[#] [RECORD] & [ATTRIB] - Record all attributes for the currently selected channels
to Preset #.
[RECORD] & [FOCUS, COLOR, BEAM or PALETTE] - Record the next free palette
for the currently selected channels.
[#] [RECORD] & [FOCUS, COLOR, BEAM or PALETTE] - Record palette # for the
currently selected channels.
[RECORD] & [CH] - Record all attributes and levels for the currently selected
channels.
[#] [RECORD] & [CH] - Record all attributes and levels for the currently selected
channels to Preset #.

875
 Anywhere:

[RECORD] & [master key] - Record all data for the currently selected channels to
that master as the next free 800-Preset.
[#] [RECORD] & [master key] - Record all data for the currently selected channels to
that master as Preset #.
[RECORD] & [GROUP] - Record the currently selected channels as the next free
Group.
[#] [RECORD] & [GROUP] - Record the currently selected channels as Group #.

For more information see Presets - Record, Device - Recording, Groups - Record, Device
Palettes - Record.

Keyboard equivalent: [R]

Console Key - REFRESH

The REFRESH key is used to refresh channels that have been manually adjusted since the
last crossfade in the main playback back to the intensity and parameter values of the
previous crossfade.

[REFRESH] - Refresh the content in A to the last crossfaded levels.

[REFRESH] & [@LEVEL] - Refresh intensities only.
[REFRESH] & [FOCUS, COLOR, BEAM] - Refresh these values only.
[REFRESH] & [ATTRIB] - Refresh all parameter values.
[REFRESH] & [CH] - Refresh all intensities and parameter values

For more information see Main Playback - Refresh Functions.

Keyboard equivalent: [CTRL] & [Y]

Console Key - RELEASE

The RELEASE key is used to release channels that have been Captured. Captured channels
are indicated with a red background in the channel views..

[RELEASE] - Release the currently selected channels.

[RELEASE] [RELEASE] - Release all captured channels.

For more information see Channels - Capture Mode.

Keyboard equivalent: [CTRL] & [R]

876
Console Key - RIGHT (DispSel)

The Right key, in the big Congo only, is the right mouse key of the trackball.

[RIGHT] - Activate a mouse right click in cursor mode (red).

For more information see Facepanel - Trackball.

Keyboard equivalent: [Mouse right key]

Console Key - SCALE (6.0)

SCALE is a soft key in the CHANNELS menu of the console main display. It is used to scale
the output level of the selected channel(s)

[SCALE] (held) - activates temporary scale mode.

[MODIFY] & [SCALE] - activates scale mode.

For more information see Channels - Scale channel levels (6.0).

There is no keyboard equivalent.

Console Key - SELECT

The SELECT key is used to select more than one cell for editing in spreadsheet views.

[SELECT] & [down/right arrow keys] - Select multiple cells.

For more information see Navigating - Lists.

Keyboard equivalent: [SHIFT]

Console Key - SELECT 2ND

The SELECT 2ND key in the Selects Soft key page allows you select every 2nd
channel within the current selection.

[SELECT_2nd] - Selects every 2nd channel

[RANDOM] & [SELECT_2nd] - Selects every 2nd random channel

For more information see Shortcuts - Select Nth Functions.

There is no keyboard equivalent.

877
Console Key - SELECT 3RD

The SELECT 3RD key in the Selects Soft key page allows you select every 3rd
channel within the current selection.

[SELECT_3rd] - Selects every 3rd random channel

For more information see Shortcuts - Select Nth Functions.

There is no keyboard equivalent.

Console Key - SELECT ALL

The SELECT ALL key is used to return to the current channel selection after using NEXT or
LAST.

[SELECT ALL] - Reselects all channels after using NEXT or LAST.

For more information see Device Control - Next & Last Mode.

Keyboard equivalent: [F7], [CTRL] & [N] or [CTRL] & [L]

Console Key - SELECT CHANGE

The SELECT CHANGE key in the Select soft key page is used to select all device channels
that have manually changed attributes other than intensity since the current Preset was
loaded to the A field..

[Select_Change] - Selects all changed device channels.

For more information see Select - Change (softkey).

Keyboard equivalent: None

Console Key - SELECT NTH

The SELECT NTH key in the Selects Soft key page allows you select every Nth
channel within the current selection.

[#] [SELECT_NTH] - Selects every NTH random channel

For more information see Shortcuts - Select Nth Functions.

There is no keyboard equivalent.

878
Console Key - SERIES

The SERIES soft key in the EFFECTS soft key menu, is used to open the Series editor for
Content effects.

[SERIES] - Opens the SERIES editor.

For more information see Content Effects

There is no keyboard equivalent

Console Key - SETUP

The SETUP key is used to open the system settings summary tab, or in combination with
keys to open the settings for that key.

[SETUP] - Open system settings.

Hold [SETUP] and press a key to open the settings for that key (RECORD, GO, CH
etc).

For more information see System Settings.

Keyboard equivalent: [F11]

Console Key - SET CHANGED

SET CHANGED is a soft key in the DEVICE menu of the console main display. It is used
together with the attribute record setting "Changed" to force the Set Changed flag on
parameters that have not been changed, so they will be recorded.

[SET CHANGED] & [PALETTE] - Set all parameters for the selected channels to
changed.
[SET CHANGED] & [FOCUS] - Set Focus parameters for the selected channels to
changed.
[SET CHANGED] & [COLOR] - Set Colorparameters for the selected channels to
changed.
[SET CHANGED] & [BEAM] - Set Beam parameters for the selected channels to
changed.
[SET CHANGED] & [wheel parameter key] - Set this parameter for the selected
channels to changed.

For more information see Devices - Recording.

There is no keyboard equivalent.

879
Console Key - SEQ

The SEQ key is used to load and administrate Sequences and Chases.

[SEQ] - Open the Sequences list.

[#] [SEQ] - Open that Sequence editor.
[#] [MODIFY] [SEQ] - Open that Sequence editor.
[#] [SEQ] [PLAYBACK] - Load Sequence # to the main playback.
[#] [SEQ] [master key] - Load Sequence # to the master.

For more information see Sequences - List, Sequences - Sequence List, Sequences - Load.

Keyboard equivalent: [S]

Console Key - SEQ +

The SEQ + key is used to step to the next step in the sequence of the main playback,
without using times.

[SEQ +] - Step to the next step.

For more information see Main Playback - Transport Keys.

Keyboard equivalent: [X] & [down arrow]

Console Key - >> (Master Playback)

The >> key in the master playback is used to step to the next step in the connected
sequence, without using times.

[>>] - Step to the next step.

For more information see Main Playback - Transport Keys.

There is no keyboard equivalent

880
Console Key - SEQ -

The SEQ - key is used to step to the previous step in the sequence of the main playback,
without using times.

[SEQ -] - Step to the previous step.

For more information see Main Playback - Transport Keys.

Keyboard equivalent: [X] & [up arrow]

Console Key - << (Master Playback)

The << key in the master playback is used to step to the previous step in the connected
sequence, without using times.

[<<] - Step to the previous step.

For more information see Main Playback - Transport Keys.

There is no keyboard equivalent

Console Key - SOLO

The SOLO key is used to solo the output of a playback, temporarily muting the rest.

[SOLO] & [PLAYBACK] - Toggles solo mode for the main playback.
[SOLO] & [MasterKey] - Toggles solo mode for a master playback.

For more information see Mute & Solo - Solo.

Keyboard equivalent: None

Console Key - START

The START key is used to start fades in any master playback.

[#] [START] - Fade master # to full.

[#] [START] & [master key] - Fade to this level.
[START] & [master key] - Fade this master to full or zero.

For more information see Master Playbacks - Start Fades.

There is no keyboard equivalent

881
Console Key - TAB

The TAB key is a fundamental part of the Congo navigation. All views are opened in tabs,
and the tab key is used to select, move, organize and record these.

[TAB] - Step between all open tabs.

[#] [TAB] - Select this tab.
[TAB] & [down arrow] - Split the screen vertically, press again to split horizontally.
Hold TAB and press the up arrow to exit the split.
[TAB] & [right/left arrow] - Move the selected tab to the next screen.
[TAB] & [level wheel] - Resize the lower part of a spreadsheet view.
[SETUP] & [TAB] - Open a dialogue to park a tab so it can't be closed with ESC.
[C/ALT] & [TAB] - Reset all Tabs to default (Live and Playback).

For more information see Navigating - Tabs.

Keyboard equivalent: [TAB]

Console Key - TAP

The TAP key is used to set a tempo to an effect.

[TAP] & [master key] [master key] - Hold [TAP] and press a [master key] twice to set
a tempo to a chase in that master.

For more information see Master Playback - Playback Keys.

There is no keyboard equivalent

Console Key - TEXT

The TEXT key is used to set text labels to items.

[TEXT] - Open the text input for the sequence step in the A field of the main
playback.
[TEXT] & [master key] - Activate text input for the content for that master playback.
[TEXT] & [direct select key] - Activate text input for the content for that direct select
key.

For more information see Entering Texts.

Keyboard equivalent: [ALT] & [T]

882
Console Key - THRU

The THRU key is used to select a range of channels, and in combination with other keys for
additional channel functions.

[#] [CH] [#] [THRU] - Select all channels between # and #.

NOTE
If you are operating in At Mode the syntax is "ch number - THRU - ch number".

For more information see Select Channels.

Keyboard equivalent: [/]

Console Key - TIME

The TIME key is used to set In/Out times to the sequence step in the A or B field of the Main
Playback (depending on the Time Settings).

[#] [TIME] - Set an In/Out time to the next fade in the main playback.
[#] [CH] & [TIME] - Set a channel time to the selected channel(s).
[#] [TIME] & [FOCUS] - Set a parameter time.
[#] [TIME] & [COLOR] - Set a parameter time.
[#] [TIME] & [BEAM] - Set a parameter time.
[#] [TIME] & [wheel parameter key] - Set a parameter time.
[MODIFY] & [TIME] - Open the Time Editor for the step in A or B of the main
playback. Enter a number to open for a specific sequence step.
[TIME] & [A] - Forces the setting "Times to A"
[TIME] & [B] - Forces the setting "Times to B"

For more information see Sequences - Times, Sequence Times - Set To A or B, Master
Playbacks - Times, The Time Editor Popup.

Keyboard equivalent: [T]

883
Console Key - TRACK

The TRACK key is used to open the Track list for the selected channel(s). It is used in
combination with RECORD and UPDATE for track recording.

[TRACK] - Open the Track list for the selected channels. You can change the
channel selection. Use FORMAT & FOCUS, COLOR, BEAM to open parameter
columns.
[TRACK] & [GROUP] - Track the current selection in all Groups.
[TRACK] & [PRESET] - Track the current selection in all Presets.
[TRACK] & [SEQ] - Track the current selection in all Sequences.
[TRACK] & [PALETTE, FOCUS, COLOR, BEAM] - Track the current selection in all
corresponding palettes.
TRACK] & [CH] - Track the current selection in the whole show.

For more information see Track List .

In the Browser and Organizer:

[TRACK] - Tracks the selected preset or palette in the Sequence loaded to the Main
Playback..

For more information see Navigate - Browser and Organizer.

Keyboard equivalent: [F12]

Console Key - TYPE

The TYPE key is used to change type of data in the Direct Select key sections.

Hold [TYPE] - When this key is held, you can use the direct select keys to select a
type (Group, Focus, Color, Beam, Auto Group, Screens, etc) for each section of
direct select keys.

For more information see Direct Select - Content.

There is no keyboard equivalent.

884
Console Key - U1-U3

The U1-U3 soft keys in the EFFECTS soft key menu, and in the frontpanel of Congo, are
used to select user parameters for the selected channels or effects.

[U1-U3] - Selects this parameter set.

[MODIFY] & [U1-U3] - Opens the parameter editor for U1-U3.
[C/ALT] & [FOCUS - COLOR - BEAM] - selects U1-U3 in Congo Jr.

For more information see Device Control - U1-U2-U3

There is no keyboard equivalent

Console Key - UNPARK

UNPARK is a soft key under the MISC soft key menu of the main display. It is used to unpark
a channel or part of a channel.

[UNPARK] & [CH] - Unparks intensity and attributes of the selected channel(s).
[UNPARK] & [@LEVEL] - Unparks intensity of the selected channel(s).
[UNPARK] & [ATTRIB] - Unparks attributes of the selected channel(s).
[UNPARK] & [FOCUS] - Unparks focus attributes of the selected channel(s).
[UNPARK] & [COLOR] - Unparks color attributes of the selected channel(s).
[UNPARK] & [BEAM] - Unparks beam attributes of the selected channel(s).
[UNPARK] & [Wheel_Key] - Unparks the attribute of the selected channel(s).

For more information see Park- Un-parking values.

Keyboard equivalent: None

Console Key - UPDATE

The UPDATE key is used to quickly update Presets, Groups and Palettes without a numeric
entry.

[UPDATE to open the update dialogue for the Preset loaded to the A field of the
main playback.
[UPDATE] & [direct select key] - Update a Palette or Group.
[UPDATE] & [@LEVEL] - Open the intensity tracking dialogue.
[UPDATE] & [ATTRIB] - Open the attributes tracking dialogue.

For more information see Presets - Update, Track - Track Editing.

Keyboard equivalent: [U]

885
Console Key - UPDATE PALETTE

The UPDATE PALETTE key is used to quickly update all currently active palettes for the
selected channel(s).

[UPDATE_PALETTE] - Updates all active palettes for the selected channel(s).

For more information see Device Palettes - Update.

Keyboard equivalent: None

Console Key - WAIT

The WAIT soft key in the Times soft key menu, is used to set Wait times to the sequence
step in the A or B field of the Main Playback (depending on the Time Settings).

[#] [WAIT] - Set a Wait time.

For more information see Sequences - Times, Sequence Times - Set To A or B, The Time
Editor Popup.

There is no keyboard equivalent

Console Key - WIZARD

The WIZARD key is used to activate the Wizard function (if appropriate) for the current
editor.

See Channel Editor Wizard.

See Import Wizard.
See Patch Wizard.
See Scroller Item Wizard.
See Text Wizard.
See Track To Wizard.
See Template Range Wizard.

Keyboard equivalent: [W]

886
Soft Key Menu - Channels

The CHANNELS soft key, is used to open the Channels soft key page with channel tools.

[Channels] - Opens the Channels soft key page.

For more information see Channels - Soft key page .

There is no keyboard equivalent

Soft Key Menu - Device

The DEVICE soft key, is used to open the Device soft key page with device tools for control
and editing.

[Device] - Opens the Device soft key page.

For more information see Devices - Functions.

There is no keyboard equivalent

Soft Key Menu - Effect

The EFFECT soft key, is used to open the Effect soft key page with tools for editing effects.

[Effect] - Opens the Effect soft key page.

For more information see Effect Soft Key Page .

There is no keyboard equivalent

Soft Key Menu - Learn

The LEARN soft key, is used to open the Learn soft key page with tools for learning times
and fade profiles.

[Learn] - Opens the Learn soft key page.

For more information see The Times Soft Key Page.

There is no keyboard equivalent

887
Soft Key Menu - Misc

The Misc soft key, is used to open the Miscellaneous soft key page.

[Misc] - Opens the Miscellaneous soft key page.

For more information see Misc Soft Key Page.

There is no keyboard equivalent

Soft Key Menu - Select

The SELECT soft key, is used to open the Select soft key page with tools for selecting a sub-
set of channels from the current selection.

[Select] - Opens the Select soft key page.

For more information see Select - Sub-selection Functions.

There is no keyboard equivalent

Soft Key Menu - Times

The Times soft key, is used to open the Times soft key page.

[Times] - Opens the Times soft key page.

For more information see Sequences - Times.

There is no keyboard equivalent

Soft Key Menu - Wheel Keys

The wheel keys are used together with parameter control on the wheels.

[Wheel_Key] - toggles the parameter value 0/100%

[#] [Wheel_Key] - sets a value to the parameter
[Wheel_Key] & [Master_key] - assigns the parameter to the master key

For more information see Moving Device Controls - Explanation.

There is no keyboard equivalent

888
Console Key Shortcuts
This is a summary of all keys and shortcuts, organised by the type of
function.

This chapter contains the following sections

Shortcuts - Select Channels

Shortcuts - Channel Levels
Shortcuts - Channel Modes
Shortcuts - Select Nth Functions
Shortcuts - Channel Views
Shortcuts - Dynamics
Shortcuts - HELP
Shortcuts - Channels Only Mode
Shortcuts - General Editing Keys
Shortcuts - Navigation Keys
Shortcuts - Master Playbacks
Shortcuts - Masters & Channels
Shortcuts - Master Pages
Shortcuts - Devices To Home Position
Shortcuts - Device Attribute Editors
Shortcuts - Device Masking
Shortcuts - Device Palette Recording
Shortcuts - Device Palette Activating
Shortcuts - Device Palette Specials
Shortcuts - Device Palette Views
Shortcuts - Device Palettes In Masters
Shortcuts - Device Align & Fetch
Shortcuts - Patch & Outputs
Shortcuts - Main Display, General
Shortcuts - Times
Shortcuts - Track
Shortcuts - Presets
Shortcuts - Groups
Shortcuts - Live & blind
Shortcuts - Record Functions
Shortcuts - Update Functions
Shortcuts - Channel Text Wizard
Shortcuts - Main Playback
Shortcuts - Sequence Editor
Shortcuts - Direct Selects
Shortcuts - Notes

889
Shortcuts - Select Channels

These are the keys and shortcuts for selecting channels. Some of them assume the
Command Syntax is set to RPN - see Channels - Command Syntax.

DESCRIPTION SYNTAX
Select a channel [#] [CH]
Add channel to the channel selection [#] [+]
Subtract channel from the channel selection [#] [-]
Select a range of channels [#] [THRU]
Step to the next channel [+]
Step to the previous channel [-]
Select all channels with a level in the Main [ALL]
Playback.
Select all channels with a level in any Playback. [ALL] [ALL]
Deselect all channels [C/ALT] [C/ALT]
Invert the channel selection [INV_GROUP]
Invert the channel selection [C/ALT] & [THRU]
Enter Next/Last mode for the next channel within [NEXT]
the channel selection
Enter Next/Last mode for the previous channel [LAST]
within the channel selection
Leaves Next/Last mode and focuses all selected [ALL_CHANNELS]
channels
Open the Channel Select wizard [WIZARD] & [CH]
Set all channels in all playbacks to zero [C/ALT] & [LIVE]
[LIVE]

890
Shortcuts - Channel Levels

These are keys and shortcuts for setting levels to the currently selected channels. Some of
them assume the Command Syntax is set to RPN - see Channels - Command Syntax.

DESCRIPTION SYNTAX
Set the selected channels to 70%, second press [@LEVEL]
sets 100%
Set a level to the selected channels [#] [@LEVEL]
Clear and deselect the selected channels [C/ALT] &
[@LEVEL]
Set 100% [C/ALT] & [+%]
Set 0% [C/ALT] & [-%]
Increase the level of selected channels 5% [+%]
Decrease the level of selected channels 5% [-%]
Increase the level of channel # with 5% [#] [+%]
Decrease the level of channel # with 5% [#] [-%]
Increase the level of selected channels #% [#] [.] [+%]
Decrease the level of selected channels #% [#] [.] [-%]
Set level in internal resolution (0-255) [#] [.] &
[@LEVEL]
Fetch values to the selected channels from a preset [#] [ON/FETCH]
Increase level in 1 bit steps [.] & [+%]
Decrease level in 1 bit steps [.] & [-%]
Set the last recorded level for the selected [ON/FETCH]
channel(s).

891
Shortcuts - Channel Modes

Functions for checking, balancing & comparing channels.

DESCRIPTION SYNTAX
Compare* the light in the Channel Control with its [COMPARE]
recorded version
Compare* the light in the Channel Control with preset # [#]
[COMPARE]
Toggle Balance* mode on/off [BALANCE]
Step with Check mode to the next channel [C/ALT] & [+]
Step with Check mode to the previous channel [C/ALT] & [-]

*COMPARE and BALANCE are soft keys in the Channels Soft Key Page of the Main Display
of the console. BALANCE can be set instead of REM DIM in the console settings. See
Channels - Compare Mode and Channels - Balance Mode.

Shortcuts - Select Nth Functions

Functions for selecting every Nth channels from the current channel selection. All these
functions are Soft Keys in the Channels - Random Select Soft Key Page of the Main Display
in the console.

DESCRIPTION SYNTAX
Select the SELECT Soft Key Page in the Main [SELECT]
Display
Select every # nth channel [#] [Select_Nth]
Select every 2nd channel [Select_2nd]
Select every 3rd channel [Select_3rd]
Select every 2nd channel randomly [RANDOM] &
[Select_2nd]
Select every 3rd channel randomly [RANDOM] &
[Select_3rd]
Select every Nth channel randomly [RANDOM] &
[Select_Nth]
Select devices that have changed. [SELECT_CHANGE]

892
Shortcuts - Channel Views

These shortcuts control the channel views.

DESCRIPTION SYNTAX
Scroll in the active channel view [CH] & [Arrow_Keys]
Scroll in the active channel view [CH] & Wheel
Toggles Channel View formats. [FORMAT]
Selects Channel Layout #. [#] [FORMAT]
Zooms the Channel View. [FORMAT] & Wheel
Toggle channel symbols in Channel Layout. [FORMAT] & [Arrow_Keys]
Show temporary Captured format. [FORMAT] & [CAPTURE]
Show temporary Parked format. [FORMAT] & [PARK]
Select All Channels format. [FORMAT] & [ALL]
Select non-zero channel format [FORMAT] & [CH/ID]

Shortcuts - HELP

These are the keys and shortcuts used for the online HELP function.

DESCRIPTION SYNTAX
Open the help index. If a menu or editor is open it will [?]
open help for that.
Opens help for that key [?] & [Any_Key]
Scroll the Help content Down arrow &
Wheel
Open the free text Search Function [TEXT]

Navigating in the help pages

DESCRIPTION SYNTAX
Next page [Down_Arrow]
Page before this page [Up_Arrow]
Last visited page [Left_Arrow]
Previously visited page [Right_Arrow]

893
 Navigating the Hyperlinks

DESCRIPTION SYNTAX
Next hyperlink [C/ALT] & [Down_Arrow]
Previous hyperlink [C/ALT] & [Up_Arrow]
First hyperlink on page [C/ALT] & [Left_Arrow]
Last hyperlink on page [C/ALT] & [Right_Arrow]
Follow focused hyperlink [MODIFY]

Creating a Favourite

DESCRIPTION SYNTAX
Create a Favourite from a HELP tab [NOTE]
Delete a Favourite from the Browser [DELETE]

Shortcuts - Channels Only Mode

Channels Only Mode is activated by the three position Fader Mode switch in the top middle
of the console. It turns the console into a single field manual desk.

DESCRIPTION SYNTAX
Switch Direct Ch mode on/off. Fader Mode Switch
Select a channel range for the manual faders Direct Select keys

Shortcuts - General Editing Keys

These keys are central in the general editing functions of the console. They are mostly used
in combination with the navigation keys.

DESCRIPTION SYNTAX
Closes popups and tabs without executing. [ESC]
Clears numerical input, and is used in combination with other [C/ALT]
keys as an ALT key.
Works as an ENTER key for popups and in spreadsheet cells. [MODIFY]
Is used in combination with a lot of keys to open editors.

894
Shortcuts - Spreadsheet Editing

These functions are for editing in Spreadsheets.

DESCRIPTION SYNTAX
The arrow keys are used to navigate in a Arrow Keys
spreadsheet or list, but also in combination with all
the other navigation keys for different functions.
Will insert a new entry in most spreadsheet lists [INSERT]
Will insert the entry # in most spreadsheet lists [#] [INSERT]
Will delete the focused entry in most window lists [DELETE]
Selects all items (down) in the column of a [COLUMN]
spreadsheet.
Scrolls the size of a column. [COLUMN] & Wheel
Sorts by the content of a column. [COLUMN] &
[Up/Down_Arrow]
Moves a column. [COLUMN] &
[Left/Right_Arrow]
Select cells to the right of the current cell [SELECT] &
[Right__Arrow]
Select cells below the current cell(s) [SELECT] &
[Down_Arrow]

895
Shortcuts - Navigation Keys

The top four Navigation keys are central in the Navigating functions of the console. They are
mostly used in combination with the General Editing keys.

DESCRIPTION SYNTAX
Focuses the Browser. If the Browser is already [BROWSER]
focused, it will be closed.
Scrolls the size of the Browser. [BROWSER] &
Wheel
Toggles through all open tabs. [TAB]
Focuses Tab #. [#] [TAB]
Scrolls the divider in a spreadsheet tab. [TAB] & Wheel
Splits the tab view in horizontal or vertical. [TAB] &
[Down_Arrow]
Removes a split tab view. [TAB] &
[Up_Arrow]
Moves the focused tab to the next/last screen or split [TAB] &
area. [Right_Arrow]
Moves the focused tab to the next/last screen or split [TAB] &
area. [Left_Arrow]

896
Shortcuts - Master Playbacks

These are the main keys and shortcuts for managing content in the Master Playbacks. See
also Shortcuts - Recording Functions.

Basic loading and clearing of content

DESCRIPTION SYNTAX

Load Preset # to a master [#] [PRESET] & [Master_Key]

Load Sequence # to a master [#] [SEQ] & [Master_Key]
Load Group # to a master [#] [GROUP] & [Master_Key]
Load Focus Palette # to a master [#] [FOCUS] & [Master_Key]
Load Color Palette # to a master [#] [COLOR] & [Master_Key]
Load Beam Palette # to a master [#] [BEAM] & [Master_Key]
Load All Palette # to a master [#] [PALETTE] & [Master_Key]
Load Dynamic Effect # to a master [#] [DYN_EFFECT] &
[Master_Key]
Load a Parameter to a master [Wheel_Key] & [Master_Key]
Clear a master [C/ALT] & [Master_Key]
Clear all Master Levels [C/ALT] & [LIVE] [LIVE]
Set text to preset or group in a master [TEXT] & [Master_Key]
field
Set a Time # to a Master with a Preset [#] [TIME] & [Master_Key]

897
Master control functions

DESCRIPTION SYNTAX
Activate the Master View* [MASTER]
Open the Master Editor. [MODIFY] &
[Master_Key]
Set an individual flash level (in flash mode) [#] [FLASH_MODE] &
[Master_Key]
Toggle a master on/off [START] &
[Master_Key]
Toggle master # on/off [#] [START]
Fade a master to a specific level [#] [START] &
[Master_Key]
Hold FLASH MODE and press master keys to [FLASH_MODE] &
toggle modes. Use PAGE +/- to select functions. [Master_Key]
Connect a master playback to the Master [CONNECT] &
playback [Master_Key]
Tap tempo for sequence on a master (hold tap [TAP] & [Master_Key]
and tap Master key).

*You can also click on the Master View node in the Browser.

898
Shortcuts - Masters & Channels

Functions for selecting channels to and from Master Playbacks.

DESCRIPTION SYNTAX
Select the channels of a Preset/Group in a Master [Master_Key]
Playback.
Add channels of a Preset/Group in a Master Playback [+] &
to the channel selection [Master_Key]
Subtract channels of a Preset/Group in a Master [-] &
Playback from the channel selection [Master_Key]
Select channels of a Preset/Group in a Master [ALL] &
Playback which are active on stage [Master_Key]
Load the selected channels and levels one by one to [CH] &
Master Playbacks. [Master_Key]
Load the selected channels and levels as a group to a [GROUP] &
Master Playback. [Master_Key]

899
Shortcuts - Master Pages

Main keys and shortcuts for handling Master Pages. Master pages are recorded/loaded
separately for masters in banks of 20.

DESCRIPTION SYNTAX
Load a Master Page # [#] [PAGE]
Clear masters [C/ALT] & [PAGE]
Record changes to current Master Page* [RECORD] & [PAGE]
Record master content to Master Page # [#] [RECORD] &
[PAGE]
Load next Master Page [PAGE] & [+]
Load previous Master Page [PAGE] & [-]
Tap tempo for a Master Page [TAP] & [PAGE]
Set a Master Page time [#] [TIME] & [PAGE]
Activate the Master Page List in the Main [DISPLAY_LIST] &
Display** [PAGE]
Next Page [PAGE_+]
Previous Page [PAGE_-]

*Depends on the Master Page Settings. See System Settings - Master.

**It is also possible to hold DISPLAY LIST and press the Direct Select key Mast Page.

900
Shortcuts - Devices To Home Position

Functions for recording & setting Home positions to the selected Devices.

DESCRIPTION SYNTAX
Set Home All [HOME_ATTRIB]
[HOME_ATTRIB]
Set Home All (shortcut) [C/ALT] &
[ATTRIBUTE]
Set Home Focus [HOME_ATTRIB] &
[FOCUS]
Set Home Color [HOME_ATTRIB] &
[COLOR]
Set Home Beam [HOME_ATTRIB] &
[BEAM]
Set Home Focus [0] [FOCUS]
Set Home Color [0] [COLOR]
Set Home Beam [0] [BEAM]
Set Home All [0] [PALETTE]
Set Home to a Parameter [HOME_ATTRIB] &
[Wheel_Key]
Record current attribute values as the home [RECORD] &
position for the selected channels [HOME_ATTRIB]

Shortcuts - Device Attribute Editors

Keys and shortcuts for opening Attribute Editors for Devices.

DESCRIPTION SYNTAX
Open Live Attribute Editor for the selected tab [ATTRIB]

Open Attribute Editor for the Preset in field A [ATTRIB] & [A]
Open Attribute Editor for the Preset in field A [PRESET] & [ATTRIB]
Open Attribute Editor for the Preset in field B [ATTRIB] & [B]
Open Attribute Editor for a Preset on a Master [ATTRIB] & [Master_Key]

Open Attribute Editor for Preset # [#] [PRESET] & [ATTRIB]

901
 Formats
Keys and shortcuts for toggling information on/off in the Attribute Editors

DESCRIPTION SYNTAX
Toggle Focus information [FORMAT] & [FOCUS]
Toggle Color information [FORMAT] & [COLOR]
Toggle Beam information [FORMAT] & [BEAM]
Toggle Time information [FORMAT] & up/down_arrows
Toggle Single Parameter [FORMAT] & wheel_key
Zoom [FORMAT] & wheel

Shortcuts - Device Masking

Keys and shortcuts for masking Device Attributes from recording.

DESCRIPTION SYNTAX
Clear global Mask [C/ALT] & [MASK]
Toggle global Mask on/off [MASK]
Toggle Focus parameters in global Mask [MASK] & [FOCUS]
Toggle Color parameters in global Mask [MASK] & [COLOR]
Toggle Beam parameters in global Mask [MASK] & [BEAM]
Toggle single parameter in global Mask [MASK] & [Wheel_Key]
Open the Mask Editor tab [MODIFY] & [MASK]
Save the current mask to a Direct Select (6.1) [RECORD] & [Direct_Sel]
Recall a mask setting from a Direct Select (6.1) [Direct_Sel]
Record the current mask to a master (6.1) [MASK] & [Master_Key]

902
Shortcuts - Device Palette Recording

Keys and shortcuts for handling Device Palettes.

DESCRIPTION SYNTAX
Record selected Devices to the first free Focus [RECORD] & [FOCUS]
Palette
Record selected Devices to the first free Color [RECORD] & [COLOR]
Palette
Record selected Devices to the first free Beam [RECORD] & [BEAM]
Palette
Record selected Devices to the first free All [RECORD] & [PALETTE]
Palette
Record selected Devices to Focus Palette # [#] [RECORD] &
[FOCUS]
Record selected Devices to Color Palette # [#] [RECORD] &
[COLOR]
Record selected Devices to Beam Palette # [#] [RECORD] & [BEAM]
Record selected Devices to All Palette # [#] [RECORD] &
[PALETTE]
Record Palette # from the Direct Selects [RECORD] &
[direct_select]

903
Shortcuts - Device Palette Activating

Keys and shortcuts for activating values in Device Palettes for the currently selected
device(s).

DESCRIPTION SYNTAX
Activate values from a Focus palette [#] [FOCUS]
Activate values from a Color palette [#] [COLOR]
Activate values from a Beam palette [#] [BEAM]
Activate values from an All palette [#] [PALETTE]
Activate a single parameter from a Focus [#] [FOCUS] & [Wheel_Key]
palette
Activate a single parameter from a Color [#] [COLOR] &
palette [Wheel_Key]
Activate a single parameter from a Beam [#] [BEAM] & [Wheel_Key]
palette
Activate a single parameter from an All [#] [PALETTE] &
palette [Wheel_Key]
Activate a Palette from a Direct select [Direct_Select_Key]
Activate a Palette from a Direct select on [#] [Direct_Select_Key]
time #
Activate a Palette from a Master [Master_Key]
Activate a Palette from a Master on time # [#] [Master_Key]

Shortcuts - Device Palette Updating

Keys and shortcuts for updating Device Palettes. Some of these keys are softkeys in the
Device soft key page of the Main Display.

DESCRIPTION SYNTAX
Toggle Focusing mode on/off (soft key) [FOCUSING_MODE]
Select Palette in Display List [Right__Click]
Step to the next channel in palette selection [NEXT]
Step to the previous channel in palette selection [LAST]
Update the current palettes for the selected channel(s) [UPDATE_PAL]
(soft key)
Toggle Highlight mode on/off [HIGHLIGHT]
904
Shortcuts - Device Palette Specials

Keys and shortcuts for special Device Palette functions.

DESCRIPTION SYNTAX
Select channels recorded in a Focus palette [#] [CH] & [FOCUS]
Select channels recorded in a Color palette [#] [CH] & [COLOR]
Select channels recorded in a Beam palette [#] [CH] & [BEAM]
Select channels recorded in an All palette [#] [CH] & [PALETTE]
Direct Select mode for Focus Palettes [FOCUS]
(as long as the key is held)
Direct Select mode for Color Palettes [COLOR]
(as long as the key is held)
Direct Select mode for Beam Palettes [BEAM]
(as long as the key is held)
Direct Select mode for All Palettes [PALETTE]
(as long as the key is held)

Shortcuts - Device Palette Views

Keys and shortcuts for Device Palettes views and lists.

DESCRIPTION SYNTAX
Open the Focus Palette Editor [MODIFY] & [FOCUS]
Open the Color Palette Editor [MODIFY] & [COLOR]
Open the Beam Palette Editor [MODIFY] & [BEAM]
Open the All Palette Editor [MODIFY] & [PALETTE]
Activate the Focus Palette Display List [DISPLAY_LIST] & [FOCUS]
(console main display)
Activate the Color Palette Display List [DISPLAY_LIST] & [COLOR]
(console main display)
Activate the Beam Palette Display List [DISPLAY_LIST] & [BEAM]
(console main display)
Activate the All Palette Display List [DISPLAY_LIST] & [PALETTE]
(console main display)

905
Shortcuts - Device Palettes In Masters

Keys and shortcuts for handling Device Palettes in Master Playbacks.

DESCRIPTION SYNTAX
Load a Focus palette to a master* [#] [FOCUS] & [Master_Key]
Load a Color palette to a master* [#] [COLOR] & [Master_Key]
Load a Beam palette to a master* [#] [BEAM] & [Master_Key]
Load an All palette to a master* [#] [PALETTE] & [Master_Key]

*If you keep the Palette key pressed and continue pressing Master keys, you will continue
loading the next recorded Palette of each kind to the following Masters.

Shortcuts - Device Align & Fetch

Functions for aligning & fetching values for the selected Devices. Align uses the first selected
Device, or the Device focused with NEXT/LAST as the argument.

DESCRIPTION SYNTAX
Align parameters for Focus [ALIGN] & [FOCUS]
Align parameters for Color [ALIGN] & [COLOR]
Align parameters for Beam [ALIGN] & [BEAM]
Align a single Parameter [ALIGN] & [Wheel_Key]
Fetch Focus values from a preset [#] [ON/FETCH] & [FOCUS]
Fetch Color values from a preset [#] [ON/FETCH] & [COLOR]
Fetch Beam values from a preset [#] [ON/FETCH] & [BEAM]
Fetch Parameter values from a preset [#] [ON/FETCH] & [Wheel_Key]
Fetch all attributes from a preset [#] [ON/FETCH] & [ATTRIB]

906
Shortcuts - Patch & Outputs

Keys and shortcuts for patch and output functions.

Select outputs and open Patch lists

DESCRIPTION SYNTAX
Select an output for temporary direct control - [#] [OUTPUT]
opening the Output Editor.
Add an output to the current selection [#] [OUTPUT] [+]
Subtract an output from the current selection [#] [OUTPUT] [-]
Add an Output range to the current selection [#] [OUTPUT]
[THRU]
Open the Channel List [MODIFY] & [CH]
Open the Device List [MODIFY] &
[DEVICE]
Open the Output Editor [MODIFY] &
[OUTPUT]
Toggle level information the Output Editor [FORMAT] & Up-Down
arrows

Patching in the Output Editor

It is possible to patch multiple outputs and channels directly in the Output Editor (only in
default Congo Commans syntax, RPN, mode).

DESCRIPTION SYNTAX
Patch output # to channel # [#] [OUTPUT] [#] [MODIFY]
Patch outputs # - # to, or from, [#] [OUTPUT] [#] [THRU] [#]
channel # (popup) [MODIFY]
Patch outputs consecutively to [#] [CH/ID] [#] [THRU] [#]
channels # - # from output # [MODIFY]
(popup)

907
Shortcuts - Main Display, General

These are the keys and shorcuts used to operate the functionality of the Main Display in the
console.

DESCRIPTION SYNTAX
Go back to the previous soft key page, then <--
top.
Clear the LCD-display List [C/ALT] &
[DISPLAY_LIST]

Shortcuts - Track

Track is applied to the current channel selection. See Select Channels.

DESCRIPTION SYNTAX
Track in the Sequence of the Main Playback. [TRACK]
Track in all Sequences [TRACK] & [SEQ]
Track in the Sequence of a Master Playback. [TRACK] & [Master_Key]
Track in Presets. [TRACK] & [PRESET]
Track in Groups. [TRACK] & [GROUP]
Track in Focus Palettes. [TRACK] & [FOCUS]
Track in Color Palettes. [TRACK] & [COLOR]
Track in Beam Palettes. [TRACK] & [BEAM]
Track in All Palettes. [TRACK] & [PALETTE]
Track in All Play Data. [TRACK] & [CH/ID]

Track Preset and Palette in Main Playback

In the Browser and Organizer you can track the selected preset or palette in the sequence
loaded to the Main Playback.

DESCRIPTION SYNTAX
Track selected preset or palette [TRACK]

908
 Formats
Keys and shortcuts for toggling information on/off in the Track lists with attributes.

DESCRIPTION SYNTAX
Toggle Focus information [FORMAT] & [FOCUS]
Toggle Color information [FORMAT] & [COLOR]
Toggle Beam information [FORMAT] & [BEAM]
Toggle Parameter information [FORMAT] & [Wheel_Key]
Toggle Intensity information [FORMAT] & [@LEVEL]

Shortcuts - Presets

Presets can be loaded and recorded in many ways. There are shortcuts also for selecting all
channels in a Preset, or fetching the levels.

DESCRIPTION SYNTAX
Record a Preset in a Channel View [RECORD]
Record a Preset directly to a Master Playback [RECORD] & [Master_Key]

Select all channels in Preset # [#] [PRESET]

Fetch levels from a Preset # for the selected [#] [ON/FETCH]
channels
Add channels from Preset # [#] [PRESET] & [+]
Subtract channels from Preset # [#] [PRESET] & [-]
Add a range of Presets until Preset # [#] [PRESET] & [THRU]
Levels from Preset # are fetched [#] [PRESET] &
[@LEVEL]
Bring Preset in proportionately on the wheel [#] [PRESET] & Wheel
Load Preset # to LIVE, clearing all previous [#] [PRESET] & [LIVE]
light
Add Preset # to BLIND [#] [PRESET] & [BLIND]
Load Preset # to a Master Playback [#] [PRESET] &
[Master_Key]
Open the Preset List [PRESET]
Open Preset List focused at Preset # [#] [MODIFY] &
[PRESET]

909
Shortcuts - Groups

Groups can be loaded and recorded in many ways. There are shortcuts also for selecting all
channels in a Group, or fetching the levels. See also Shortcuts - Recording Functions.

DESCRIPTION SYNTAX
Record a Group in a Channel View [#] [GROUP] & [RECORD]
Select all channels in a Group [#] [GROUP]
Fetch levels from a Group [#] [ON/FETCH] & [GROUP]
Add channels from Group [#] [GROUP] & [+]
Subtract channels from Group [#] [GROUP] & [-]
Add a range of Groups [#] [GROUP] & [THRU]
Levels from Group are fetched [#] [GROUP] & [@LEVEL]
Load selection to master [GROUP] & [Master_Key]
Bring Group in proportionately on the [#] [GROUP] & Wheel
wheel
Add Group # to LIVE [#] [GROUP] & [LIVE]
Add Group # to BLIND [#] [GROUP] & [BLIND]
Load Group # to a Master Playback [#] [GROUP] &
[Master_Key]
Open the Group List [GROUP]
Temporary Direct Select mode [GROUP] held down
Open Group List focused at Group # [#] [MODIFY] & [GROUP]

910
Shortcuts - Live & Blind

These are keys and shortcuts for loading and clearing the content of Live and Blind.

DESCRIPTION SYNTAX
Sets the Channel Control to the A field of the Main [LIVE]
Playback, and focuses the Live tab.
Sets the Channel Control to the Blind field and focuses [BLIND]
the Blind Tab.
Clear all channels and levels in Live [C/ALT] & [CH/ID]
Clear all channels and levels in Live [C/ALT] & [LIVE]
Clear all channels and levels in Blind [C/ALT] &
[BLIND]
Copy Live to Blind [LIVE] & [BLIND]
Copy Blind to Live [BLIND] & [LIVE]
Load Preset # in Live [#] [PRESET] &
[LIVE]
Add Preset # to Blind [#] [PRESET] &
[BLIND]
Add Group # to Live [#] [GROUP] &
[LIVE]
Add Group # to Blind [#] [GROUP] &
[BLIND]
Adds the content of the Blind field to the total output. [BLIND] & Wheel

911
Shortcuts - Record Functions

These are shortcuts for recording Presets, Groups and master pages.

DESCRIPTION SYNTAX
Record the next free preset in a Channel View [RECORD]
Record the preset # in a Channel View [#] [RECORD]
Record current channel selection to a Master [RECORD] &
[Master_Key]
Record current Master Page content to a [#] [RECORD] &
different Master Page [PAGE]
Record all attributes in this Preset for the [RECORD] & [ATTRIB]
selected channel(s)
Record attributes for selected channels to Preset [#] [RECORD] &
# [ATTRIB]
Record current channel selection as the next [RECORD] & [GROUP]
free Group
Record current channel selection as Group # [#] [RECORD] &
[GROUP]
Record only Captured channels to Preset # [#] [RECORD] &
[CAPTURE]

Shortcuts - Update Functions

These are shortcuts for updating Presets.

DESCRIPTION SYNTAX
Update changes in the Preset loaded to this [UPDATE]
Channel View
Update Palette # in a Direct Select [UPDATE] &
[Direct_Select__Key]
Update level changes tracking [UPDATE] & [@LEVEL]
Update attributes at source [UPDATE] & [ATTRIB]

912
Shortcuts - Channel Text Wizard

This is the shortcut for opening the Channel Text Wizard that sets texts to the Channel
Database directly from a Channel View.

DESCRIPTION SYNTAX
Open the Channel Text Wizard for the current channel [CH/ID] &
selection. [TEXT]

Shortcuts - Main Playback

These are shortcuts for the Sequence in the Main Playback.

DESCRIPTION SYNTAX
Load/Create Sequence # [#] [SEQ] &
[PLAYBACK]
Load Preset # to A [#] [PRESET] & [A]
Load Preset # to B [#] [PRESET] & [B]
Focus the Main Playback TAB and connect the [PLAYBACK]
Channel Control to Live
Goto Preset # [#] [GOTO]
Goto Preset # in B [#] [JUMP_TO_B]
Step to the next Preset in Sequence [SEQ+]
Step to the previous Preset in Sequence [SEQ-]
Start the next crossfade [GO]
Start the next crossfade during an ongoing fade [GO]
Insert a Master Link to the current Step [INSERT] &
[Master_Key]
Insert a Master Link with Target # to the current [#] [INSERT] &
Step [Master_Key]
Open the Sequence List at the current step [MODIFY] [PLAYBACK]
Open the Sequence List at step # [#] [MODIFY]
[PLAYBACK]

913
 Refresh functions
The Refresh Functions are used to reset any intensity or attribute that has been altered since
the last crossfade in the Main Playback - back to where it would have been if the sequence
had been run from the start.

DESCRIPTION SYNTAX
Refresh all channels [REFRESH]
Refresh the intensity of selected channel(s) [REFRESH] & [@LEVEL]
Refresh the attributes of all or selected [REFRESH] & [ATTRIB]
channel(s)
Refresh a parameter of all or selected [REFRESH] &
channel(s) [Wheel_key]
Refresh Focus Parameters of selected [REFRESH] & [FOCUS]
channel(s)
Refresh Color Parameters of selected [REFRESH] & [COLOR]
channel(s)
Refresh Beam Parameters of selected [REFRESH] & [BEAM]
channel(s)

Shortcuts - Sequence Editor

These are shortcut in the Sequence List that will set times directly to the focused step

DESCRIPTION SYNTAX
Set an In/Out Time [#] [TIME]
Set an In Time [#] [IN]
Set an Out Time [#] [OUT]

914
Shortcuts - Direct Selects

DESCRIPTION SYNTAX
Select Type of content (hold key) [TYPE] &
[Direct_Key]
Select Bank of content (hold key) [BANK] &
[Direct_Key]
Record a Palette directly [RECORD] &
[Direct_Key]
Update a Palette directly [UPDATE] &
[Direct_Key]
Change User Setup User Setup key 1-5
Record a Screen Setting [TAB] &
[Direct_Key]
Activate a Palette in time # [#] [Direct_Key]
Select all channels in a Palette [CH/ID] &
[Direct_Key]
Select all channels with an intensity over zero, that [ALL] &
are set to a Palette [Direct_Key]

Shortcuts - Notes

You can set a Note directly to the current Sequence Step or the focused step in a
spreadsheet.

DESCRIPTION SYNTAX
Create a Note for the current sequence step when in the [NOTE]
Main Playback or Live tab
Create a Note for a focused item in a spreadsheet [NOTE]
Open the NOTE Editor directly [MODIFY] &
[NOTE]

915
Shortcuts - Capture & Release

Functions for capturing & releasing channels.

Capture functions

DESCRIPTION SYNTAX
Activate permanent Capture mode [CAPTURE]
Capture intensity and attributes for the selected Wheel
channel in Capture mode
Capture intensity and attributes for the selected [CAPTURE] &
channel(s) [CH/ID]
Capture the intensity of selected channel(s) [CAPTURE] &
[@LEVEL]
Capture the attributes of selected channel(s) [CAPTURE] &
[ATTRIB]
Capture a parameter of selected channel(s) [CAPTURE] &
[Wheel_key]
Capture Focus Parameters of selected channel(s) [CAPTURE] &
[FOCUS]
Capture Color Parameters of selected channel(s) [CAPTURE] &
[COLOR]
Capture Beam Parameters of selected channel(s) [CAPTURE] &
[BEAM]

916
Release functions

DESCRIPTION SYNTAX
Releases the selected ch from Capture Mode [RELEASE]
Release all Captured channels [RELEASE] [RELEASE]
Release all Captured in # seconds [#] [RELEASE]
Release intensity and attributes for the selected [RELEASE] & [CH/ID]
channel(s)
Release the intensity of selected channel(s) [RELEASE] &
[@LEVEL]
Release the attributes of selected channel(s) [RELEASE] & [ATTRIB]
Capture a parameter of selected channel(s) [RELEASE] &
[Wheel_key]
Release Focus Parameters of selected [RELEASE] & [FOCUS]
channel(s)
Release Color Parameters of selected channel(s) [RELEASE] & [COLOR]

Release Beam Parameters of selected channel(s) [RELEASE] & [BEAM]

917
Shortcuts - Dynamics (old)

These Dynamics functions can be used to start/stop and control older Dynamic Effects.
Many of them are soft keys in the Dynamics Soft Key Page. See Dynamics - Control.

Start and stop Dynamics

DESCRIPTION SYNTAX
Activate an Dynamic Template for the selected [#] [DYN_EFFECT]
channels
Open the Live Dynamics List [DYN_EFFECT]
Select the DYNAMICS Soft Key Page in [DYNAMICS]
the Main Display (softkey)
Activate the Dynamic Template or Dynamic [DISPLAY_LIST] &
Table list. [DYN_EFFECT]
Select all channels with a running dynamic [SELECT_ALL]
(softkey)
Select all channels with a running dynamic [CH] & [DYN_EFFECT]
Clear running dynamics for the selected [CLEAR_SELECTED]
channels (softkey)
Clear running dynamics for the selected [C/ALT] & [DYN_EFFECT]
channels
Load a Dynamic Template to a master [#] [DYN_EFFECT] &
[Master_key]
Delete the selected Dynamic from the Live [DELETE_DYNAM]
Dynamic Effect Display List (softkey)
Delete all running Dynamics (softkey) [DELETE_ALL]
Delete all running Dynamics (softkey) [ALL] & [DELETE_DYNAM]
Activate Direct Select for Dynamics (hold key [DYN_EFFECT]
for 2secs to get display)
Open the Dynamic Effect List [MODIFY] &
[DYN_EFFECT]

918
Record and edit Dynamic Effects

DESCRIPTION SYNTAX
Record running Dynamics to the current [RECORD] &
Preset in A [DYN_EFFECT]
Record running Dynamics for the selected [#] [RECORD] &
channels to Preset # [DYN_EFFECT]
Fetch dynamics for the selected channels [#] [ON/FETCH] &
from a preset* [DYN_EFFECT]
Open the Dynamics Editor for the current [PRESET] &
preset [DYN_EFFECT]
Keep the Dynamics in the next Preset [KEEP_DYNAM]
(softkey)

*Dynamics are always fetched for all channels in the target Preset, even if only one is
selected.

919
Shortcuts - Times

Keys and shortcuts for setting times. Times are set to the Active Sequence Step (in A) or the
Next Sequence Step (in B) depending on the Time Settings. See System Settings -
Crossfade.

DESCRIPTION SYNTAX
Set an In/Out time [#] [TIME]
Set an In time [#] [IN]
Set an Out time [#] [OUT]
Set a Delay In time [#] [DELAY] & [IN]
Set a Delay Out time [#] [DELAY] & [OUT]
Set a Channel time [#] [CH/ID] & [TIME]
(to the selected channels)
Set a Parameter time [#] [TIME] & [Wheel_key]
Set a Channel Delay time [#] [CH/ID] & [DELAY]
(to the selected channels)
Set a FOCUS time [#] [TIME] & [FOCUS]
Set a COLOR time [#] [TIME] & [COLOR]
Set a BEAM time [#] [TIME] & [BEAM]
Set a FOCUS Delay time [#] [DELAY] & [FOCUS]
Set a COLOR Delay time [#] [DELAY] & [COLOR]
Set a BEAM Delay time [#] [DELAY] & [BEAM]
Set a Parameter delay time [#] [DELAY] & [Wheel_key]
Set an FCB time [#] [TIME] & [ATTRIB]
Set an FCB Delay time [#] [DELAY] & [ATTRIB]

920
ACCESSORIES
This Chapter is about accessories and options, such as remote
control, networking, printer, fader wing panel, keyboard etc.

This chapter contains the following sections

Accessories - Ext. Keyboard

Accessories - Ext. Mouse Or Trackball
Accessories - Printer
Accessories - Lynx Fader Wing
Accessories - Remote Control
Accessories - Visualisation Software

921
Accessories - Ext. Keyboard
An external keyboard will simulate most keys of the console. See the
Console Functions Table below.

This is simple to work with, since the keyboard works exactly like the console. For example
pressing R is the same as pressing RECORD, and pressing 1 is the same as pressing
Master key 1.

WARNING
Multi-media keyboards may have special keys, for example SLEEP -
which puts CONGO - to sleep. Avoid using these keyboards, they will
trigger functions that you most probably do NOT want.

Keyboard - Numerical Input on a Notebook

If you are running the offline editor in a notebook without a numerical keypad, you can
access numbers and basic channel and level functions using ALT.

CTRL & 1-9 = Numerical input

CTRL & F1 = CH
CTRL & F2 = CH+
CTRL & F2 = CH-
CTRL & F4 = THRU
CTRL & F5 = LEVEL
CTRL & F6 = ALL

Keyboard - Standard Functions

Standard keyboard functions available in all situations are:

ESC = Escape, closes open tabs and exits dialogs.

INSERT = Inserts data in all lists (in Mac computers use COMMAND & DELETE)
DELETE = Deletes data in all lists.
NUMBERS (in the numeric keypad) = Numeric entries.
HOME = Jumps to the first line of the list or editor.
END = Jumps to the last line of the list or editor.
ARROW KEYS = Arrow keys.

Console Keys in a Keyboard

These are the keyboard equivalents of the console keys. If you are using an offline editor
they allow you to access most of the functionality directly, as if you had a console.

922
Console Key Keyboard Key
- Keypad Ctrl *
- Ctrl Left Arrow
+ Keypad *
+ Ctrl Right Arrow
A A
ALIGN Ctrl A
ALL Keypad Ctrl -
AT LEVEL Keypad +
ATTRIBUTE I
B B
BEAM (B) Alt B
BLIND F3
BROWSER F10
C/ALT Backspace
CAPTURE C
CH Keypad -
COLOR (C) Alt C
COLUMN F9
COPY Ctrl C
CUT Ctrl X
DELAY Ctrl D
DELETE DELETE
DEVICE D
DISPLAY LIST J
DYNAMICS E
ESC ESC
FAN Ctrl F
FOCUS (F) Alt F
FETCH/ON Keypad Ctrl +
FLASH MODE F
FORMAT F4
GO Ctrl G
GO BACK Ctrl B

923
Console Key Keyboard Key
GOTO G
GROUP Alt G
HELP (?) F1
HIGHLIGHT Alt-H
HOME ATTR F5
IN Ctrl I
IND 7 Ctrl F7
IND 8 Ctrl F8
IND 9 Ctrl F9
INSERT INSERT
JUMP TO B N/A
LAST L
LIVE F2
LOAD F6
MACRO Q
MASK K
Master Keys 1- 10 1-0
MODIFY Enter
NEXT N
OUT Ctrl O
OUTPUT O
PAGE (lower) M
PAGE (upper) Ctrl M
PALETTE Alt P
PASTE Ctrl V
PAUSE Ctrl P
PLAYBACK X
PRESET P
RECORD R
RELEASE Ctrl R
SELECT Shift
SELECT ALL F7, Ctrl N or Ctrl L
SEQ S

924
 Console Key Keyboard Key
SEQ - X & Up
SEQ + X & Down
SETUP F11
START N/A
TAB TAB
TEXT Alt T
THRU Keypad /
TIME T
TRACK F12
U1 N/A
U2 N/A
U3 N/A
UPDATE U
REFRESH V
UPDATE PALETTE (softkey) N/A
WIZARD W

Keyboard - Level Wheel

You can use a mouse wheel (or right click held) to emulate the level wheel for setting levels
and navigating. See Ext. Mouse Or Trackball.

Keyboard - CH Step

You can hold CTRL and use the left/right arrows to emulate CH+ and CH-.

925
Accessories - Ext. Mouse or Trackball (6.3)
You can use an external USB mouse or trackball in the same way as
the built in trackball. Connect it to the USB port.

Congo is designed to be used without a mouse as button pressing is faster and does not
force you to look at the screen cursor. However, there are a lot of useful mouse functions for
situations where you find it practical. For example, working in a workstation without a
console facepanel, or while using an offline editor.

Here is some of the mouse functionality:

Function Key Feedback

All Views: Right click Opens the context menu
Context Menu (6.3)
All Views: Left click, hold and Drags and drops content
Drag and drop (6.3) drag
Channel Views: Left click Selects and deselects
Select channels channels
Channel Views: Mouse wheel Same as the Level wheel
Set channel levels of Congo
Channel Views: Right click and Same as the Level wheel
Set channel levels mouse of Congo
Browser: Left doubleclick Opens the
Open Browser objects corresponding editor tab
Spreadsheet Lists: Left click Selects the cell for
Select a cell in a list for editing
editing
Spreadsheet Lists: Left click on column Selects the whole
Select a column (6.3) header column
Spreadsheet Lists: Double-click on Toggles sort order for
Toggle sort order (6.3) column header the column
Spreadsheet Lists: Left click, hold and Resizes column
Resize column (6.3) drag column header
Playback views: Right click or double Opens the context menu
Open editors. click to open the editor. Try
doing this on a step,
time, device link etc.

926
Accessories - Fader Wings
A Congo system supports up to 80 Master Playbacks. These can be
accessed physically by connecting fader wings . In Congo Kid you
can access all 80 numerically but you cannot connect a wing for
physical control of the last 40.

There are two kinds of fader wings.

Congo Master Wing

Universal fader wings (additional faders for any Congo system)

Any combination wings may be attached to a system, for a total of up to 80 master playback
faders. An external power supply, provided, is required when used stand-alone.

See Facepanel - Congo Jr.

Master Playback Wing

The Congo Master Playback Wing provides physical access to 40 Congo Master Playbacks,
including the LCD displays for labelling and all master, flash and paging keys. Additionally,
the Wing can be switched into Direct Select Mode, providing access to the 40 direct selects.
It also features the Channels-Only/Masters/Jam switch, giving the Congo Jr all the flexibility
of the Congo console in a significantly smaller footprint.

The Master Playback Wing is a modular accessory for the Congo jr lighting control console.
It may be connected physically to either side of the Congo jr, or it may be used as a stand-
alone wing connected to the console with a provided USB cable. An external power supply,
provided, is required when used stand-alone.

927
Universal Fader Wings (6.0)

Besides the Congo Master Wing, there are three Universal fader wings. They can be
connected with a USB cable, and with Congo Jr they can be mounted on the sides or top of
the console. An external power supply, provided, is required when used stand-alone.

Lynx Fader Wing

The Lynx is an older, compatible Master fader wing with 24 extra faders and a crossfade
playback. It is connected to the APN port in the back of the console and can be used to get a
remote control for Masters 1-24, the A/B Crossfade Playback, and five keys (from left to
right).

Key Function Feedback

Key 1 Flash Mode Toggles Flash modes for
the Masters
Key 2 Start Starts a Master fade
Key 3 Not implemented -
Key 4 Seq - Steps to the previous
Sequence step
Key 5 Seq + Steps to the next
Sequence step

928
Accessories - Remote Control
This system can connect optional remote controls for controlling
channels and levels. Note that each remote control has its own
working field. Also see Remote Controls.

This chapter contains the following sections

Remote Control - Introduction

Remote Control - RFR Radio Remote
Remote Control - Phone Remote
Remote Control - iRFR
Remote Control - cRRFU Radio Remote
Remote Control - TT Radio Remote

929
Remote Control - Introduction (6.0)
There are a number of options for remote controlling a Congo system.

There are three main kinds of wireless remote controls.

RFR Phone Remote iRFR

The RFR Radio/USB A wireless phone can iRFR is a software for

Remote is equipped be connected to the iPhone and iPod that
with a display and bi- RJ11 connector in the provides bi-directional
directional back and be used for communication over a
communication. basic remote functions. wireless LAN.

NOTE
To clear input from the Remote Fields go to the Clear Remote Fields
node in the Remote Controls Node.
See Remote Controls.

Remote Control are enabled in the System Settings for remotes to

work. There is a specific setting to enable recording from the
Remotes. Both are ON by default.
See System Settings - System.

930
 There are two older remotes that are compatible with some functionality. Talk to your dealer.

RRFU Transtechnik Radio Remote

ETC RRFU is an older ETC remote Transtechnik Radio Remote. The

with fewer functions than the RFR. functions supported in this remote
are the same as in the Avab Pronto.

Remote Controls and at mode

If your console is set to operate channels in at mode, the remote will also function in at
mode. See System Settings - General and Channels - Command Syntax.

HINTS

100%/0%/+%/-% will now complete pending at mode operations.

C will abort pending two-digit level entries.
Decimal point will complete pending at mode operations without pressing @.

931
Remote Control - RFR Radio Remote
The RFR Radio Remote provides bi-directional remote control with a
hardware designed for stage environment. All of the RFR functions
are the same for iRFR.

The RFR works within its own field and this field can be cleared from the console. All
channel intensity levels generated by the remote can only be recorded into targets from the
remote control itself.

Connecting the RFR

It's possible to connect the RFR in the following ways to a Congo.

Directly with USB

To a base station connected with USB
To a base station connected with Net3, which requires ACN protocol to be turned on.

Hold the decimal point when starting the RFR to get a choice of connection methods.

Group and frequency can be changed if necessary or if you have multiple units. The HF
(frequency) and Network ID (group) are changed in the remote from the remote menu, and in
the base station from the system settings. See System Settings - RFR.

932
RFR - General Functionality

The upper display line shows information about the selected channel(s). The labels for the
soft buttons are on the two lower rows of the display. In all displays the wheel controls the
level of selected channels - except in the parameter controls display where the two encoders
control the displayed two parameters (like pan/tilt, etc...)

Top Level
Soft1-6 give direct access to basic channel functionality. Pressing MORE SK will always
return to this level. Pressing MORE SK from the Top Level will show the other menus.

All 100% Check+

Group 0% Check-

In all displays, the wheel controls the level of the selected channel(s).

RFR Channel functionality

The most common channel functions can be used to select channels and set levels (At Mode
Command Syntax is supported from v5.1). This includes the console shortcut C & CH to
clear all channels in A.

CH
+
-
THRU
@LEVEL

933
RFR Group List

Press MORE SK and then GROUP to get a list of recorded Groups to select from. Use the
wheel(s) to focus the item you want and click the wheel button to activate it. # GROUP
selects the item directly without showing the list.

Normally the wheel scrolls one step per click. If you hold the wheel button and scroll, it will
step in complete pages instead for faster navigation.

Pressing MORE SK will display the other available display pages.

Device Playback Patch

Palette Focusing CalibScr

RFR Devices

Press MORE SK and then DEVICE to enter the Device sub menu. When you have selected
the Device sub menu, pressing ParamF/ParamC/ParamB will select the parameter pages for
the selected devices. Two parameters at a time will be displayed in the middle of the display
and controlled by the two wheels. Press a wheel to toggle between coarse and fine for
parameters.

Last SelAll Next

ParamF ParamC ParamB

Next, Last and Select All functions are used to step within the current selection, Select All
will return to the original selection.

ParamF, ParamC and ParamB keys are used like Focus, Color and Beam keys on the
console. These will cycle thru the available parameter pages for the selected device(s). Use
the wheels to adjust parameter values. Clicking the wheel will toggle coarse/fine mode on
the wheels. Fine mode is indicated with a "-" symbol before the parameter value.

934
RFR Playback (6.1)

Playback
Press MORE SK and then PLAYBACK to enter the Playback sub menu. The Playback
functions are

Go Goto Record
GoBack Preset Update
Function Key Feedback
GO [Go] Next crossfade is started

GO Back [GoBack] Crossfades back to the

previous step
Goto preset/step [#] [Goto] Crossfades to preset #
or step # (depending on
the GOTO jumps to
setting in Setup)
Record preset [#] [Record] Records Preset # into
the Preset List. Only the
levels set from the
remote are recorded
Update preset [Update] The selected preset
(indicated as "Prs:#" on
the display) is updated
with levels from the
remote field
Select Preset and levels [#] [Preset] Levels from Preset # are
loaded into the remote
field and channels of
Preset # are selected
(6.1)
Select Preset and levels [Preset] Shows a list of Presets.
Use encoder to focus a
Preset and click the
encoder to select Preset
and load levels into the
remote field.

When recording or updating a preset a confirmation message is shown on the RFR display.

To enable recording/updating from remote, check the setup option "Allow recording from
remote"

RFR Patch (6.0)

Press MORE SK and then PATCH to enter the Patch sub menu.
935
 Output Goto Patch
Universe Preset DvAddr

The Patch functions are

Function Key Feedback

Select channel [#] [Chan] Channel # is selected

Select output [#] [Output] Output # is selected

Select output universe [#] [Univ.] Universe # is selected

Patch channel to output [#] [Chan] [#] Channel # is patched to

[Patch] output #

Patch output to channel [#] [Output] [#] Output # is patched to

[Patch] channel #

Re-patch a device [#] [Chan] [#] Device on channel # is

[DvAddr] patched to output #

Note: Existing devices

may be repatched. No
new devices may be
patched from the RFR.

Outputs can be selected in address.universe format. For example [10.3] [Output] will
select output 10 on universe 3.
Use the left wheel to jump to next output and the right wheel to set a level to the
selected output.
Use a number and the @ button to set a channel or output level directly (instead of
the right wheel).
Use +/- to step outputs as well as channels.

RFR Palettes (6.1)

Press MORE SK and then PALETTE to enter the Palette sub menu.

Focus Color Beam

The FCB buttons can be pressed without a number to present a palette list or with a
number to select a palette directly.
In the palette list, use one of the wheels to scroll and press the wheel to select the
focused palette.
Entering 0 and selecting a palette type will home the values of this palette type (6.1).

936
RFR Focus Mode

Focus mode is intended for updating palettes, mainly Focus palettes.

See Device Palettes - Focusing mode.

Press MORE SK and then FOCUSING to enter focusing mode.

Focus Color Beam

Update

1. Select a palette from the FCB list buttons. This will enter channel/parameter mode.
2. Use Next/Last/SelAll buttons to select channels. Use ParamFCB buttons to select
the parameter. Use wheels to change.
3. Press the Mode button to go back to palette select/update screen.
4. Use Update to update the palette or select a new palette with the FCB palette list
buttons.
5. Press MORE SK will leave focusing mode.

RFR Scroller Calibration

Press MORE SK and then CALIBSCR to enter Scroller calibration mode. In Scroller
Calibration you can calibrate each scroller roll individually, like on the console. Also see
Scroller rolls.

1. First, turn on the channels for which you wish to calibrate the scrollers, so you can
see when the scroller is in full frame.
2. When pressing CALIBSCR a list of channels with scrollers is shown. Select a
channel to calibrate it's scroller.
3. A list of the colors in the scroller is shown on the display. Use the left wheel to focus
a color and use the right wheel to adjust the value so that the whole frame is shown.
Changes are updated automatically (values are kept within the current frame (6.1)).
4. Use the MORE SK button to exit Scroller Calibration.

937
Remote Control - Phone Remote
The Phone Remote option allows you to use a standard phone -
without a phone line - to remote control channels and levels.

Connect the base station of a standard wireless phone directly to get a low-level remote
control solution. Activate the handset for an internal call (depends on the system how this is
done) and use the numeric keypad to control channels and levels directly.

Phone Remote - Functions

The handset has two available commands for each key on the unit. Numbers are accessed
directly. The *-key is used as Shift to access the functions. Press the *-key first (do not press
and hold) and then press the function. The #-key when pressed once is decimal point and
when pressed twice clears the number input.

These are the basic functions you can access from the phone remote.

In the table below # means a numbers input, while [#] equals the key # on the handset.
938
Key Function Feedback
Select a channel # [SHIFT] [CH] Channel is selected

Add channels # [SHIFT] [THRU] Channels are added to

selection
Select a group # [#] [SHIFT] [CH] Channels in Group # are
selected
Select All [SHIFT] [ALL] Selects all channels with
a level that were set from
the remote
Set to Full [SHIFT] [100%] Levels for the selected
channels are set to full
Set to 0% [SHIFT] [0%] Levels for the selected
channels are set to zero
Set to level # # [SHIFT] [@LEVEL] Level # is set for
selected channels
Check mode [SHIFT] [CHECK+] Steps to the Next/Last
[SHIFT] [CHECK-] channel using level.

Load levels from Preset # [SHIFT] [PRESET] Levels from Preset # are
# loaded
Clear number input [#] [#] Clears number input

Decimal point [#] Decimal point

GO [SHIFT] [Goto/Go] Next crossfade is started

Goto preset/step # [SHIFT] [Goto/Go] Crossfades to preset #

or step # (depending on
the GOTO jumps to
setting in Setup)
Record preset # [SHIFT] [Record] Records Preset # into
the Preset List. Only the
levels set from the
remote are recorded

Examples

Turn on channels 2 thru 5 at Full.

[2] [SHIFT] [CH] [5] [SHIFT] [THRU] [SHIFT] [100%]

Using the decimal point it is also possible to select and turn on channels recorded in groups.

To set Group 1 at Full

[1] [#] [SHIFT] [CH] [SHIFT] [100%]

939
If a console is set to work in At Mode, channel selection functions on the remote behave
differently. For example:

Set channels 1 thru 5 to 55%

[1] [SHIFT] [THRU] [5] [SHIFT] [@Level] [5] [5]

Set channels 1 thru 6 at full

[1] [SHIFT] [THRU] [6] [SHIFT] [100%]

Note: When recording from the remote, only levels set from the remote are recorded, not the
whole stage output.

Note: To enable recording from remote, check the setup option "Allow recording from
remote"

940
Remote Control - iRFR (6.0)
The iRFR Remote option allows you to use an iPhone or an iPod
Touch with a wireless network as a remote for Congo.

The iRFR works within its own field and this field can be cleared from the console. All
channel intensity levels generated by the remote can only be recorded into targets from the
remote control itself.

Requirements: iPhone or iPod touch and a wireless network.

More information online:
http://www.etcconnect.com/product.overview.aspx?ID=22011

Using the iRFR (6.0)

This is how you launch the application. How to set up and configure the network is described
below.

At the Welcome screen, select Virtual RFR.

941
The functionality of iRFR is the same as RFR. See Remote Control RFR Radio Remote.

Tip 1
To turn the encoder wheels, simply drag with your finger. To press the encoder wheels, one
quick tap will do the trick.

Tip 2
Tap the Virtual RFR screen to cycle through different interface layouts. (You can also lock
the layout in the Settings screen)

942
iRFR Color Picker (6.0)

With the iRFR Color Picker you can select colors for your color mixing devices. Select the
Color Picker button at the top of the Virtual RFR screen to open the Color Picker screen.
You can return to the Virtual RFR anytime by pressing the Virtual RFR button in the top left
corner.

The current color for the first selected channel is displayed by a small rotating indicator.
Press anywhere on the color wheel to change the color, and the indicator will then move to
the new color.

iRFR Settings (6.0)

These are the settings you can define in the iRFR.

Settings

Quick Start: when this is turned ON, the iRFR skips past the splash screens and
attempts to connect to the console automatically. If a connection is made, it goes
straight into the Virtual RFR screen.
Sounds: when this is turned ON, you will hear various sound effects (button
presses, wheel turns, encoder ticks, etc...)
Lock RFR Layout: when this is turned ON, you cannot cycle through the RFR
interface layouts. Instead it remains locked on the chosen layout, and you will see a
small padlock icon indicating that the lock is enabled.
Sleep Disabled: when this is turned ON, your iPhone/iPod will not automatically go
to sleep after a period of inactivity. (This may decrease battery life)

Flashlight
At the Welcome screen, select the Flashlight for some quick light. Tap the screen to reveal 2
sliders which control the hue & brightness of the screen.

943
 About
Here you will find a link to the charity's website, a link to the iRFR Wiki, and the version of
your iRFR app.

Network configuration for iRFR (6.0)

The iRFR requires that your console be on a wireless network. Below are a couple
examples of how you may choose to configure your wireless network. If you are using a
wireless router, make sure you connect to the WAN port.

Default Static IP Addresses

Congo Congo Jr Congo Light Server

IP Address IP Address IP Address
10.101.80.101 10.101.81.101 10.101.82.101
Subnet Mask Subnet Mask Subnet Mask
255.255.0.0 255.255.0.0 255.255.0.0
IP Gateway IP Gateway IP Gateway
10.101.80.101 10.101.81.101 10.101.82.101
RVI Wireless Router/AP iPhone/iPod
IP Address IP Address IP Address
10.101.85.101 10.101.124.101 10.101.125.101
Subnet Mask Subnet Mask Subnet Mask
255.255.0.0 255.255.0.0 255.255.0.0
IP Gateway IP Gateway IP Gateway
10.101.85.101 10.101.124.101 10.101.125.101

944
iPhone and iPod Configuration (6.0)

Once your wireless network is setup, you must configure your iPhone/iPod to connect to it:

1. On your iPhone/iPod press the Settings icon.

2. At the Settings screen, select Wi-Fi.

3. At the Wi-Fi Networks screen, find the wireless network your console is on and select it.
Once connected, you will see a check mark to the left of the network name. Now press the
round blue arrow button to configure your network settings.

945
 4. Now you must configure your iPhone/iPod's network settings so that it can connect to the
console. The reccomended IP address is as follows for a standard static network
configuration.

Testing iRFR network connectivity (6.0)

Once your iPhone/iPod is configured to be on the same wireless network as your console,
here's a quick test to make sure the iRFR and your console can talk.

1. Launch the iRFR app on your iPhone/iPod.

946
2. At the Welcome screen, click Settings.

3. Fill in the Host field with the IP address of your console (see the tip below if you don't
know how to locate your console's IP address).

4. Now, press the magnifying glass to test communication between your iPhone/iPod and the
console. You will see either a green checkmark for YES or a red circle with a line through it
for NO.

5. If the communication test FAILS, double-check that you have entered the correct IP
address of your console in the Host field at the Settings screen. If the test still fails, exit the
iPhone/iPod home screen and verify that you are still connected to your console's WiFi
network.

947
 You can find the IP address of your console in Browser >About >About Congo and in
System Settings >Network.

Connecting iRFR to your console (6.0)

If you have tested your network you are ready to connect to Congo.

1. You need to have Remote Controls and ACN enabled in your Congo. No other settings or
protocols need to be turned on for the iRFR to work.

948
2. Launch the iRFR app on your iPhone/iPod. At the Welcome screen, select Settings.

3. At the Settings screen, enter your console's IP address in the Host field (this is different for
Congo, Jr and Light Server, see above). If you do not see a green checkmark after entering
the IP, you won't be able to connect. That means you have either entered the wrong IP
address or there is a problem with your wireless network configuration. The Password is not
used with Congo and CongoJr consoles. Only with Eos/Ion/Element. Leave the Password
field blank.

949
4. Press the Welcome button at the top left to return to the Welcome screen, and then press
Connect.

5. Once connected, you will see a that you are connected to a Congo, and the version of
software it is running. The Virtual RFR menu item will also become available.

950
Remote Control - cRRFU Radio Remote
All instructions for connecting and operating the older, compatible ETC CRRFU Radio
Remote control are packaged and delivered with this unit.

Crrfu Remote Functions

The transmitter has two available commands for each key on the unit.

Direct commands are displayed above each key. To access the commands that are
displayed vertically to the left of each key, press the [FUNC] key first (do not press and hold
[FUNC]).

An example of mixing direct and [FUNC] commands to record channels 1-5 at 75% into
Preset 5 follows:

[1] [CHAN] [5] [THRU] [7][5] [@ LEVEL] [5] [FUNC] [RECORD]

951
Function Key Feedback
Select a channel [#] [CH] Channel is selected

Add channels [#] [THRU] Channels are added to

[#] [FUNC] [+] selection

Subtract channels [#] [FUNC] [-] Channels are subtracted

from selection
Select Group [#] [FUNC] [Group] Channels in Group # are
selected
Select All [FUNC] [All] Selects all channels with a
level that were set from
the remote
Set to Full [FUNC] [100%] Levels for the selected
channels are set to full
Set to 0% [FUNC] [0%] Levels for the selected
channels are set to zero
Set to level [#] [@Level] Level # is set for selected
channels
Increase/decrease [FUNC] [+%] Levels for the selected
levels [FUNC] [-%] channels are changed
up/down. Hold the [+%] or
[-%] keys to have the
channel fade up/down.
Check mode [FUNC] [Check+] Steps to the next/last
[FUNC] [Check-] channel using the level

See Check mode (add link

to "Channels - Check
Mode" chapter)
GO [FUNC] [Go/Goto] Next crossfade is started

GO Back [FUNC] [Go Back] Crossfades to the previous

step
GOTO a [#] [FUNC] [Go/Goto] Crossfades to preset # or
preset/step step # (depending on the
GOTO jumps to setting in
Setup)
Record preset [#] [FUNC] [Record] Records Preset # into the
Preset List. Only the levels
set from the remote are
recorded
Update [Update] Updates the preset that
was last activated from the
remote
Load levels from [#] [FUNC] [Preset] Levels from Preset # are

952
 Function Key Feedback
Preset loaded into A
Clear number [C] Clears numbers input
input
Clear remote field [FUNC] [All] [FUNC] Clears all channels turned
[0%] on from remote

Using Check mode from channel 1 onward:

[1] [FUNC] [100%] then [FUNC] [Check+] then [FUNC] [Check+]

At Mode
If a console is set to work in At Mode, channel selection functions on the remote behave
differently. For example:

Set channels 1 thru 5 to 55%: [1] [THRU] [5] [@Level] [5] [5]
Set channels 11 thru 14 at full: [11] [THRU] [14] [FUNC] [100%]

Number entry after [@Level] is a two digit entry. If you only enter one number, you can press
[C] to end level entry.

NOTE
When RECORDING only levels from the remote are recorded, not the
whole stage output.

Transmitter Setup

The transmitter unit has a slide switch (on/off) and 16 keys for console commands. The unit
has a sleep feature that helps to conserve battery life when the switch is left in the on
position. Set the switch to the off position to guard against accidental key presses.

The keys of the transmitter unit are illuminated. The keys are brightly lit while keys are
pressed and the unit is transmitting. After the key is released, the keys remain dimly lit for a
period of time before the unit sleeps. The sleep delay can be programmed at the transmitter
unit as described below.

Set the transmitter unit sleep delay

Step 1: Move the slide switch to the off position.

Step 2: Press and hold

[FUNC] for a 5 second sleep delay.

[THRU] for a 12 second sleep delay.
[Ch] for a 25 second sleep delay.
[@ Level] for no sleep delay (the unit does not turn off).

953
 Step 3: While pressing one of the keys above, slide the switch to the on position and wait
until the keys are blinking (about 5 seconds).

Step 4: Release the key you are pressing. The sleep delay time is now programmed to the
setting you selected above.

Replacing the transmitter battery

The transmitter unit requires a single 9V alkaline battery (provided) for power. This battery
should provide approximately one year of normal usage before requiring replacement. To
replace the battery, remove the two M3x4mm screws at the bottom of the unit to access the
battery compartment and replace with a 9V alkaline battery. Replace the lid and secure it
with the same two screws. Dispose of the old battery as is appropriate in your local area.

954
Remote Control - TT Radio Remote
The TT Radio Remote control from Transtechnik is an old remote to which Congo is
backwards compatible using the serial COM port. The COM port needs to be set up to listen
to this remote. See System Settings - COM.

TT Radio Remote Functions

Functions with white text are pressed directly

Functions with yellow text - hold the red SHIFT key down while pressing

NOTE
The Radio Remote ignores the transmitter ID and receives data from
any transmitter. There are some functions screened on the Remote
that do not apply to this console, since the same Remote is used for
a whole range of products.
Function Key Feedback
Record current light [#] [REC] Preset stored.

Load a preset [#] [PRS] Preset is loaded to A

GOTO a preset [#] [GOTO] Preset is faded in A

GO [GO] Next crossfade is started

Select channels [#] [@_LEVEL] Channels are selected *

Add channels [#] [CH] Channels are selected

[#] [+]
[#] [THRU]
Fetch levels [#] [FTCH] Levels for the selected
channels are fetched
from Preset #
955
Select Palette [#] [FOCUS] Palette # is set to the
[#] [COLOR] selected channel(s)
[#] [BEAM]
Fetch levels [#] [FTCH] Levels for the selected
channels are fetched
from Preset #
Pan/Tilt Arrow keys Selected devices are
moved.
Set to Full [#] [ON] Levels for the selected
channels are set to full
Set to Zero [#] [OFF] Levels for the selected
channels are set to zero
Increase/decrease levels [#] [+%] Levels for the selected
[#] [-%] channels are changed

Check mode [CHECK+] Levels for the selected

[CHECK-] channels are fetched
from Preset #
Clear levels and [CLEAR] Clears channels and
channels levels in the working field
Select channels in [#] [ADDP] Channels in Preset # are
Preset selected

* You are able to select Groups by entering a decimal point

after the Group number, and using the Channel functions as normal.

956
Accessories - Visualisation Software
It is possible to connect a separate computer running a visualisation software such as
WYSIWYG or CAPTURE directly to Congo with Ethernet.

In Congo there are two important settings. IPX and WYSIWYG/Sandnet/Capture Link.

IPX is a protocol being used for communicating light information over Ethernet
The WYSIWY/Sandnet/Capture Link enables these softwares to communicate
specific features back to Congo - such as focusing lights.

Preparations in Congo

1. Set "Avab IPX" to "ON" in the Login Settings.

2. Set the WYSIWY/Sandnet/Capture Link to "ON" in the System Settings.
See System Settings - Output.

Preparations in the Computer running Visualisation Software

In Windows XP make sure IPX drivers are installed under Windows (normally, only TCP/IP is
installed by default). Under Windows Vista and newer, CITP must be used instead.

1. Go to Network Properties in your PC (right click and select properties on the Network
symbol in the Control Panel)
2. If the IPX/SPX protocol isn't installed, click on Install, select Protocol and find the
IPX/SPX protocol in the list.
3. When the IPX/SPX protocol is installed, select Properties and verify that frame type
is set to 802.3. Otherwise the utility will not be able to find your console on the
network.

Visualisation - WYSIWYG

In the computer hosting WYSIWYG There is an Avab Driver for WYSIWYG that needs to be
installed. Also, you need to make sure IPX is active and that the frame type is set to 802.3.

1. Make sure that you have WYSIWYG Rel. 7 or later installed on your PC (Avab Vista
dongles need the Console Edition (CE) version).

2. Download the setup.exe file from www.etcconnect.com. Execute setup.exe to start the
installation. Follow the instructions on screen.

3. Open a show in Wysiwyg and follow the instruction manual to connect an external
console.

WYWISYG Link: You can send the patch in WYSIWYT to Congo. Make sure you have
imported the templates involved first. Clear patch clears the dimmer patch as well as the
device patch.

957
Visualisation - Capture

In the computer hosting Capture you need to make sure IPX is active and that the frame type
is set to 802.3. Capture will recognize Congo on the network and patch it automatically
providing Congo is set up with IPX and LINK on as described in the beginning of this
chapter. Accessories - Visualisation Software.

Example - getting started

1. Start Capture and open the demo play Sketching.

2. Open the demo play Sketching in Congo.

NOTE
There is a plug-in for Training Projects powered by Capture. See
Media - Training Projects.

Capture can be downloaded from www.capturesweden.com

Visualisation - Blind output (6.0)

This is not available in v6 because it conflicted with the new Blind attribute handling. In
addition, it only worked on IPX protocol.

958
Accessories - Client
Using the same graphic displays as the Congo console, the Congo Client software provides
an operating environment identical to the console itself. With a complete set of
alphanumeric-keyboard shortcuts for commonly used commands, Congo Client can be used
to view console data or to interact with your Congo console.
See Network - Client.

Congo Client software can be run on a PC with the Windows XP operating system. A
dongle is required to connect the Client PC to the Congo console over an Ethernet network.
When not connected to the network, or without the dongle attached, the Client PC can be
used as a Congo Offline Editor workstation.

We recommend the use of X-keys. See X-keys.

959
Accessories - Net3 Remote Video Interface
The Remote Video Interface a 2U 19 rack mount device - provides remote video and local
programming functions for Congo and Congo jr. control systems.

Controls on the front of the unit include the power switch, USB port and 20 buttons for
commonly used functions. These buttons have default mapping specific to the Congo
product line, reflecting commonly used features for the designer or assistant designer.

The RVI also supports a dual video output for two DVI/SVGA high-resolution monitors.

An alpha-numeric keyboard and/or pointing devices can be connected to the RVI to provide
remote programming capability using the Congo keyboard shortcuts. X-Keys can also be
attached via USB.

See X-Keys.

960
X-keys
ETC recommends the use of PI Engineering's X-Keys panel with Congo Client software. X-
Keys is a panel of user-definable keys.

We have provided a file that defines the X-Keys Professional 58-key panel with the Congo
hotkey shortcuts most used in offline programming and editing. The X-Keys Professional 58-
key panel is very similar to the layout of the Congo keypad, so frequently used functions
appear in relative positions between the actual console and the offline editor.

See www.etcconnect.com/Congo for more details.

961
APPENDIX
The Appendix contains information about control interfaces, fuses,
key shortcuts etc.

This chapter contains the following sections

Connectors
MIDI
The Congo Story

962
Connectors
These are the connectors in the back of the console.

This chapter contains the following sections

Connector - DMX512
Connector - VGA Monitor
Connector - Phone remote
Connector - Remote Radio
Connector - MIDI
Connector - APN
Connector - External 1-9
Connector - Ethernet
Connector - Keyboard, Printer & Mouse
Connector - Desk Light
Connector - Congo Jr Backpanel
Connector - Congo Kid Backpanel

Connector - DMX512

Pin 1 Gnd
Pin 2 Data-
Pin 3 Data+

963
Connector - VGA Monitor

Pin 1 Red
Pin 2 Green
Pin 3 Blue
Pin 5 Gnd
Pin 6 Red Gnd
Pin 7 Green Gnd
Pin 8 Blue Gnd
Pin 10 Sync Gnd
Pin 13 Horizontal
Pin 14 Vertical

Connector - Phone Remote

Pin 4 Data+
Pin 5 Data -

The Remote Control Setting must be turned on for the remote to work. See Settings -
System.

964
Connector - Remote Radio

RFU is a 6-pin XLR with the same pinout as on all ETC consoles

The Remote Control Setting must be turned on for the remote to work. See Settings -
System.

Connector - MIDI

MIDI In

Pin 4 Data +
Pin 5 Data -

MIDI Out, Thru

Pin 2 Gnd
Pin 4 Data +
Pin 5 Data -

Connector - APN

Pin 4 Data+
Pin 5 Data -

(Not in Congo Jr)

965
Connector - External Trig 1-9

The external trig can be used for any console function by assigning appropriate Triggers in
Event Lists.

The external trig also allows the following functions directly.

1: Go
2: Pause
3: Go Back
4: Toggles Master 40 On/Off.

The Remote Control Setting must be turned on for the remote to work. See Settings -
System.

966
Connector - Ethernet

Pin 1 TX+
Pin 2 TX-
Pin 3 RX+
Pin 4 NC
Pin 5 NC
Pin 6 RX-
Pin 7 NC
Pin 8 NC

Connector - Keyboard and Mouse

Keyboard and mouse are connected to the USB ports in the back of the console.

Connector - Desk Light

You can connect a standard desk light to the connectors in the top corners of Congo, and
the rear left-hand side of Congo Jr.

Connector - Congo Jr Backpanel

967
Connector - Congo Kid Backpanel

Observe that the Kid has monitor outputs to either 2xDVI or 1xDVI and 1xVGA.

968
MIDI
MIDI allows you to interface with Time Code and other MIDI
equipment.

This chapter contains the following sections

MIDI - Introduction
MIDI - Standard MIDI
MIDI - MIDI Show Control
MIDI - Time Code
MIDI - Implementation Chart

969
MIDI - Introduction
MIDI stands for Musical Instrument Digital Interface. The reason you can find it in a lighting
console is that MIDI today is being used for a lot more than having synthesizers to speak to
each other as was intended originally.

Basically MIDI is a standard for transmitting notes 0127 (on/off) with velocity (how hard
they are played) and continuous controllers such as faders (volume for example). There are
more parameters but these are the basic ones. In Congo all keys correspond to a note and
all faders to a controller.

MIDI is transmitted serially in up to 16 individual MIDI channels in one three-lead cable. The
communication is unidirectional, which means there is no feedback or intelligent bi-
directional contact between MIDI units (DMX512 is also unidirectional, while a pair of walkie
talkies (for example) are bi- directional, allowing communication both ways).

There is support for three sorts of MIDI.

Standard MIDI
Send and receive Notes,Controllers and Program Change.

MIDI Show Control

A standard set of commands is supported.

MIDI Time Code

Trig Sequence Steps by time code. There is a Learn Mode.

Once you have connected a MIDI Device to the Congo with the MIDI connectors in the back
of the console, you have to set up the console to receive and/or transmit MIDI, and define
which MIDI commands it will recognize.

There is a MIDI Setup where you can configure how the console will function with MIDI. See
System Settings - MIDI.

970
MIDI - Standard MIDI
All MIDI functions need to be activated in the MIDI Setup. See System Settings - MIDI.

MIDI NOTES & CONTROLLERS

All keys and faders can send notes and controllers when this is activated in the MIDI
Settings.You can use MIDI notes and controllers to remote control any key or fader of the
Console. If you connect a MIDI Sequencer you can record all key presses and fader
movements in real time and play back in real time.

PROGRAM CHANGE
The Congo can be set to activate a specific crossfade when receiving a Program Change
command through MIDI. When the Program Change parameter (in MIDI Settings)is set to
"On" the board will activate a crossfade to step 0-127 when receiving Program Change 0-
127.

NOTE
You have to have a Sequence Step recorded in the board to be able
to jump to it.

You have to send both ON and OFF for notes.

971
MIDI - MIDI Show Control
Congo supports sending and receiving of MIDI Show Control (MSC) commands. GO
and Pause/Resume are commands that Congo sends when MIDI Show Control is enabled in
the setup. GO, Stop, Resume and Set commands can be sent to Congo from other devices
to control playback actions.

Enable MSC and Device ID settings

In the Show Control setup there are parameters for turning MSC on/off and setting the
device ID. See Play Settings - Show Control.
When MSC is enabled Congo both sends and can receive MSC commands. Device IDs 00-
7E (0-126 in decimal) are for individual receivers and Device ID 7F (127 in decimal) is meant
for all recievers. The default setting for Device ID is 1 (01 in hexadecimal).

Congo supports reception of the following MSC commands. All example command
strings are shown in hexadecimal values.

GO
Executes the next crossfade in the same way as pressing GO in the console. If GO is
pressed in the console, the number of the Preset is automatically transmitted as well. This is
sent automatically when GO is pressed and MSC is active.

Preset numbers in the GO command are encoded using ASCII and 2E is the decimal point.
For example preset 10 equals 31 30.

GO (Main Playback):
F0 7F 01 02 01 01 F7

GOTO preset 105:

F0 7F 01 02 01 01 31 30 35 F7

GOTO preset 86.4:

F0 7F 01 02 01 01 38 36 2E 34 F7

NOTE
MSC GO commands in Congo support only one decimal number.
Presets with more then one decimal number will not send an MSC GO
command and these presets cannot be triggered with MSC from
other sources.

STOP
Pauses the current crossfade. This is sent automatically when PAUSE is pressed and MSC
is active.

Stop/Pause (Main Playback):

F0 7F 01 02 01 02 F7

972
RESUME
Resumes the current crossfade. This is sent automatically when PAUSE is pressed after
PAUSE and MSC is active.

Resume (Main Playback):

F0 7F 01 02 01 03 F7

SET
The SET command allows setting Congo's faders to specific levels. An MSC SET command
packet looks like this:

Where <cc> <cc> defines the Controller number and <vv> <vv> defines the level. These are
both 14-bit values, a combination of two 7-bit values. Both in <cc> <cc> and <vv> <vv> the
first value is the LSB and the second value is the MSB. For <vv> <vv> fader values Congo
uses the most significant 8-bits of the 14-bit value for the level, giving a resolution of 256
steps.

Some examples of how percent value convert to <vv> <vv> values in Congo:

Percent Level <vv> <vv> Value

0% 00 00
10% 00 0D
20% 7F 19
30% 7F 26
40% 00 33
50% 00 40
60% 7F 4C
70% 7F 59
80% 00 66
90% 00 73
100% 7F 7F

973
The <cc> <cc> Controller numbers used in Congo are:

Fader <cc> <cc> Value

Master 1 00 00
Master 2 01 00
Master 3 02 00
...
Master 39 26 00
Master 40 27 00
Grandmaster 7E 03

Examples

Master 1 at 100%
F0 7F 01 02 01 06 00 00 7F 7F F7

Master 20 at 50%
F0 7F 01 02 01 06 13 00 00 40 F7

Master 33 at 0%
F0 7F 01 02 01 06 20 00 00 00 F7

Grandmaster at 20%
F0 7F 01 02 01 06 7E 03 7F 19 F7

NOTE
For more info about MIDI, MSC and other Show Control commands a
good book to have is Control Systems for Live Entertainment by
John Huntington (ISBN: 978-0-240-80937-3)

974
MIDI - Time Code
Every sequence step can be triggered both manually, and by a specific MIDI Time Code time
on the MIDI port.

In the Sequence Editor, this time can be set or edited in a column to the far right. It is
possible to enter a time code timestamp for each sequence step. When the specific time
code position is reached, the sequence step will be executed providing Time Code is set to
on. See System Settings - MIDI.

Time Code is edited from the keyboard (display or external) in all Congo consoles. In
the bigger Congo it can be edited from the numerical console keypad as well.
If there is MIDI Time Code coming into the system, the running time will be shown on
top of the monitor instead of the normal date and time.

Manual and Time Code trig

You can combine sequence steps with Time Code times with normal manual or automatic
crossfade. The Time Code time is just an additional trigger that can activate a sequence
step. If there is a problem with the MIDI Time Code input, you can always start the crossfade
by pressing GO.

Time Code On/Off

There is an overall parameter "Read MIDI Time Code" that switches on or off time code in
general. See System Settings - MIDI.

Time Code Format

Time code must be entered in this format: hh.mm.ss.ff.

Time code is shown in the Playback view like this

Learn mode
Each time GO is pressed, the current time code timestamp will be recorded in the current
sequence step. See System Settings - MIDI.

Trig in B or Auto Mode

Normally, only Sequence steps that are in the B field will be triggered by incoming MIDI Time
Code. Other Steps will not be trigged, even if the times match.

It is also possible to run the system so that any Sequence Step matching a specific Time
Code time is run automatically regardless if it is in the B field or not.If the "Auto- locate step"
parameter is set to "On", any step that is matching the incoming MIDI Time Code will be
executed. See System Settings - MIDI.

975
Edit time code in the sequence list (6.0)

When you press MODIFY in the Time Code column, you will be presented with a Time Code
Editor. In this editor you can Set, Add and Subtract time code values. All sequence steps
that are selected before you open the Time Code Editor will be affected by the change. Also
see Sequences - Sequence List.

It is possible to enter timecode in a short form format. Entered digits will be assigned from
right-to-left to frames, seconds, minutes and hours. Leading 0s can be omitted. Example:
123 would be 00.00.01.23.

976
MIDI - Implementation Chart
All MIDI messages described below can be sent or received on any
MIDI Channel between 1 and 16.

The values shown in parenthesis (like this = 144) all refer to MIDI
channel 1. To be able to use other MIDI channels, you have to add
the channel number and subtract 1.

Example
NOTE ON on channel 4 = 144 + 4 1 = 147.

Keys
All keys are transmitted as Note On and Note Off messages.

When a key is pressed, the following MIDI Message will be transmitted:

NOTE ON (=144), Key number, 64

When a key is released, the following MIDI Message will be transmitted:

NOTE OFF (=128), Key number, 64

By sending the corresponding command to the MIDI In port, the Congo will execute the key.

Since standard MIDI Notes only can accept a maximum of 127 individual notes and the
Congo uses far more buttons than that, a special coding had to be introduced for the buttons
above 127.

In the table below, these are shown as x, y. The first value is used as the note number and
the second value is used for the velocity.

Example
Sending the Align key would look like this:
144, 125, 98 (key pressed) followed by 128, 125, 98 (key released).

977
Console Keys - MIDI Chart

Key MIDI Code (Hex) MIDI Code (Dec)

-% 3C 60
[] 75 117
|| 79 121
+% 3D 61
<------ 7D, 21 125, 33
<< 7E, 5C 126, 92
> 73 115
>> 7E, 5D 126, 93
0 01 1
1 02 2
2 03 3
3 04 4
4 05 5
5 06 6
6 07 7
7 08 8
8 09 9
9 0A 10
A 0B 11
Align 7D, 62 125, 98
All 0C 12
AtLevel 22 34
Attrib 7D, 27 125, 39
B 23 35
Bank 7E, 41 126, 65
Beam 7D, 1C 125, 28
Blind 7E, 62 126, 98
Browser 7E, 71 126, 113
C 24 36
Capture 7D, 65 125, 101
Ch 25 37

978
Key MIDI Code (Hex) MIDI Code (Dec)
Ch 26 38
Ch+ 27 39
Color 7D, 1B 125, 27
Column 7E, 53 126, 83
Connect 7E, 55 126, 85
Copy/Cut 7D, 5A 125, 90
DecimalPoint 3E 62
Delay 7D, 22 125, 34
Delete 51 81
Device 7D, 26 125, 38
Direct Select 1 7D, 6D 125, 109
Direct Select 40 7E, 1C 126, 28
Direct Select page 1 7E, 6B 126, 107
Direct Select page 5 7E, 6F 126, 111
Down 4D 77
Esc 2C 44
Fan 7D, 0A 125, 10
Fetch 2F 47
Flash 1 7E, 2D 126, 45
Flash 20 7E, 40 126, 64
FlashMode 30 48
Focus 7D, 1A 125, 26
Format 7E, 61 126, 97
GO 31 49
GoBack 32 50
Goto 33 51
Group 7E, 56 126, 86
Help 34 52
Highlight 7D, 34 125, 52
In 7D, 46 125, 70
Independent 1 7E, 63 126, 99
Independent 2 7E, 64 126, 100
Independent 3 7E, 65 126, 101

979
Key MIDI Code (Hex) MIDI Code (Dec)
Insert 50 80
Inv Group 7D, 66 125, 102
Last 7D, 2A 125, 42
Left 4E 78
Live 7E, 5E 126, 94
Load 7E, 74 126, 116
Macro 35 53
Mask 7D, 28 125, 40
Master 7D, 2B 125, 43
Master Page- (lower) 7D, 5D 125, 93
Master Page (upper) 7E, 1D 126, 29
Master Page- (upper) 7D, 5F 125, 95
Master Page+ (lower) 7D, 5C 125, 92
Master Page+ (upper) 7D, 5E 125, 94
MasterKey1 0E 14
MasterKey20 21 33
MasterKey21 56 86
MasterKey40 69 105
MasterPage 36 54
Modify 37 55
Mute 7E, 47 126, 71
Next 7D, 29 125, 41
Note 7E, 45 126, 69
Out 7D, 45 125, 69
Output 38 56
Palette 7D, 23 125, 35
Park 7E, 46 126, 70
Paste 7D, 5B 125, 91
Pause 3B 59
Playback 6D 109
Preset 3F 63
Record 40 64
Refresh 7D, 33 125, 51

980
Key MIDI Code (Hex) MIDI Code (Dec)
Release 7E, 70 126, 112
Rem Dim 7E, 52 126, 82
Right 4F 79
Select 7E, 58 126, 88
Select All 7D, 30 125, 48
Seq 44 68
Seq- 6B 107
Seq+ 6C 108
Setup 46 70
Solo 7E, 48 126, 72
Start 45 69
Tab 7E, 5F 126, 95
Tap 7E, 54 126, 84
Text 7D, 64 125, 100
Thru 47 71
Time 48 72
Track 7D, 63 125, 99
Type 7E, 42 126, 66
U1 7D, 1D 125, 29
U2 7D, 1E 125, 30
U3 7D, 1F 125, 31
Up 4C 76
Update 7E, 4F 126, 79
Wizard 7D, 32 125, 50

981
Console Faders - MIDI Chart

Fader MIDI Code (Hex) MIDI Code (Dec)

Lower_1 41 65
Lower_2 42 66
Lower_3 43 67
Lower_4 44 68
Lower_5 45 69
Lower_6 46 70
Lower_7 47 71
Lower_8 48 72
Lower_9 49 73
Lower_10 4A 74
Lower_11 4B 75
Lower_12 4C 76
Lower_13 4D 77
Lower_14 4E 78
Lower_15 4F 79
Lower_16 50 80
Lower_17 51 81
Lower_18 52 82
Lower_19 53 83
Lower_20 54 84
Upper_1 55 85
Upper_2 56 86
Upper_3 57 87
Upper_4 58 88
Upper_5 59 89
Upper_6 5A 90
Upper_7 5B 91
Upper_8 5C 92
Upper_9 5D 93
Upper_10 5E 94
Upper_11 5F 95

982
Fader MIDI Code (Hex) MIDI Code (Dec)
Upper_12 60 96
Upper_13 61 97
Upper_14 62 98
Upper_15 63 99
Upper_16 64 100
Upper_17 65 101
Upper_18 66 102
Upper_19 67 103
Upper_20 68 104
AFader 69 105
BFader 6A 106
GrandMaster 6C 108

983
The Congo Story
Congo is the result of ETC and AVAB efforts combining over 30 years
of experience in lighting control. Here is some of the story.

When Fred Foster of ETC acquired the Avab brand his aim was to maintain it and continue
development. The Avab core team were given the possibility of a lifetime to hand pick people
in the industry with the experience they wanted, and work together with the resources of
ETC to create Congo.

If there is a better crossover between dedicated moving light console and a true traditional
theatre or television console in this price range - please let us know!

Best regards, from the Congo Development Team

Anders Ekvall - Concept & Software

Ulf Sandstrm - Concept & Help System
Bullen Lagerbielke - Concept & Field Testing
Lars Wernlund - Graphical Interface Programming
Peppe Tannemyr - Graphical Interface Design
Magnus Anuell - Mechanical Design
Michael Lichter - Electronics and Firmware
Tony Kvoch - Electronics
Nikolaus Frank - Industrial Design
Cecilia Frank - Graphical Console Design
Sarah Clausen - Team Support & Ideas
David Lincecum - Team Support & Ideas
Ingo Bernert - Team Support & Ideas
Oskar Krogell - Testing & Ideas

Outside this core team there are layers of collegues, power users and beta testers that have
contributed immensely to this project. It would be impossible to remember all but here are
some: Oskar Krogell (FI), Jussi Kaatrasalo (FI), Jeremy Roberts (UK), David Gray (IT), David
Smith (US) - the list grows...

984
Congo - The Avab Heritage

Back in the seventies Avab was a leading Scandinavian lighting console manufacturer that
held one of the world's two existing 999 channel consoles, the Viking. The other one was
Strands Galaxy. Both were state of the art in their own way. Viking could talk (speech
module) and had very exclusive thumbwheels with tactile feedback.

Most of the functions for conventional lighting existed at this point in either or both of these
systems. If you want to sum up what has happened since the answer would be

Moving Lights
Media Servers
Networking
System prices have gone down 1000%

Congo - Creating the specification

During the years before Congo the development team made an extensive survey to lighting
control operators and lighting designers in all paths and backgrounds of the industry. Over
200 people were interviewed.

What is your favourite hardware?

What are your favourite functions?
What is vital to you with a lighting control hardware?
Which is your favourite console?
Why is it your favourite console?
Etc...

There were over 100 questions. And the most important feedback for the Congo Team was
this

"We want to be able to operate the console, with our concentration

focused on the performance"

This may seem simple, but it implicated a lot of things we had to take in consideration.

Vital functions should have direct keys

Navigation should be possible without looking at the screens
The user interface should be tactile (physical keys)

985
Congo - Designing The Screens

Moving to a graphical interface opened a lot of possibilities. Color, graphics, local menus,
toolbars...

Interviews led us quickly in a different direction. The main input we got from all roads of
experience was

"Don't clutter the screens. We want only the necessary information at

a glance, and only colors for important stuff."

True enough. Local menus, toolbars and colors were skipped for the simple concept of the
Browser. We took aboard graphical designer wiz Peppe Tannemyr from Beacon to create an
environment that used color only when necessary, that had nothing to do with office
computer environments, and everything to do with lighting.

986
Congo - Designing The Hardware

We knew we wanted the following

Our navigation solution made physical

High quality faders and keys
Graphical displays next to the Playbacks
Simple access for service
Ergonomical key layout
Screen holders for standard screens, that allow free view over the console

We also wanted someone with a lot of experience of the lighting industry to put it together,
so we took aboard Magnus Anuell, the engineer behind the successful Rainbow Color
Scrollers.

987
Congo - The Eurovision

The very first show run on the Congo was the Eurovision Song Contest final. The most
prestigious annual live broadcast in Europe with over 250 million viewers.

"It was a fantastic experience to see how four operators with

completely different backgrounds handled the system, and how well
it responded. It worked past our initial expectations." (Ulf Sandstrm)

Four Congo operators controlled 37 universes of lighting including

Over 300 moving lights

A large amount of conventional lights
16 Catalyst media servers

The systems were networked, and all shows saved on a mutual File Server. Every system
had a synchronised backup.

Let's put it this way. Congo is capable.

988
Congo - The arrival of Jr!

2006 at PLASA the ultra-compact and modular smaller version of the Congo Console is
presented - Congo JR.

Packing every ounce of power from the larger console - this little beast is a dream come true
for touring theatre operators, moving light operators and smaller-but-complex venue
operators and designers.

"The Congo Jr is a dream come true for any moving light operator,
designer or tech wanting a full system in a very small package."
(Bullen Lagerbielke)

989
V5 - a new approach to effects!

Along with cleanups, a lot of new functionality and several new related products like the rrfu
remote and the Net3 Remote Video Interface the family is growing fast. Most interesing of all
is the new approach to effects in v5.

By introducing the Effect Playbacks together with three types of effects, very complex effects
are made possible and accessible at the same simple level of control as a single intensity
channel with some extra attributes.

It doesn't look very advanced, right? It isn't, but what you can do with them is!

V6 - Time to Play!

The best way to sum up all the improvements in V6 of Congo is - Time to Play!

Why?
Well, this is what lighting should be all about isn't it? Not having to spend time on tedious
programming routines. With all the improvements of speed and graphics backed up by the
completely new and exciting Two Scene Masters mode for the Jam switch it becomes quite
amazing what you can do in very little time with Congo V6.

Our advice? Get a good rig and play!

990
RDM Functionality (6.3)
The idea of RDM (Remote Device Management) is to make it possible for devices in a
control network to communicate with the lighting control system. It can be used to simplify
patching, addressing, and controlling modes of a device or supervising temperature via
embedded sensors (when provided).

There is a setting in Console Settings where you can disable "RDM Discovery" - Browser
>General Settings >Console Settings (6.3).

Congo is one of the world's most advanced RDM controllers of today.

ABOUT RDM
DMX communicates levels to devices. RDM adds communication back from the devices to
allow us to remotely observe (sensors) control (setups) and configure (modes) these
devices. The level of RDM functionality depends on the features of the controller and on the
features of the device. It is possible that some devices do not support all the features
available in Congo, or that Congo does not yet support all the RDM features of a device.
RDM data is sent back over the DMX line.

"It's not in the right mode, it doesn't have the right address, and you don't have to bring out
the ladder."

PINS USED
The DMX512 specification requires DMX connectors to be a 5-pin XLR type, with only the
first 3 pins being used (pins 4 and 5 were reserved for "future use"). RDM uses the same
pins as DMX (pins 2 and 3) to make it possible for all manufacturers to implement it.

NOTE
Be aware that for RDM to work every DMX buffer/splitter has to be
RDM compatible.

RDM Patching (6.2)

These are the basics of working with RDM and Congo. These steps assume you have RDM
functioning, you have hung and cabled all of your devices, and that this is the first time you
are working with the system:

1. The outputs of the Net3 ACN DMX/RDM Gateway must have RDM Discovery enabled to
allow Congo to communicate with connected RDM devices. Please consult the Net3 ACN
991
DMX/RDM Gateway User Manual for directions on enabling and disabling RDM Discovery.
Remember that only equipment with RDM will talk back to Congo.

2. As soon as an RDM device is discovered on the network this will be indicated at the top of
the monitors, with a red "RDM:" and a number. The number indicates the quantity of
discovered new devices on the network. A new device is one that has not yet been patched
in the current show file. (Note: if you have already patched all of your RDM devices, you will
not see the number again (when restarting or reopening this show file). Only unpatched
devices are indicated here.

3. SEE LIST: Open the RDM Device List (Browser>Patching>RDM Device List), where you
can see all discovered devices and their current addresses and settings. They are still not
patched to congo - only discovered. You now have to actively make some desicions about to
which Congo channel you want to patch them, and with which template. See the RDM
Device List section below.

4. IDENTIFY: Press MODIFY in the Identify cell to tell the light to "identify itself". Depending
on the type of device, this may mean the light flashes on and off, or the LCD display may
flash its backlight. Consult the user manual of the device to see how the device will identify
itself using RDM.

5. PATCH: In the "Patched to channel" column, enter a channel number of Congo and press
MODIFY. You will get a dialogue that will show if the device is known and will match a
template in Congo, or if you wish to force a basic template from the data the device can
provide over RDM. At most times you will find that the template is known and matched in the
extended library of Congo. The advantage of using the known template is that it (usually)
contains additional information, like text names for ranges and color calibration data for use
with the Color Picker and Gel Picker. If it doesn't work the way you want you always have the
option of creating a template manually.

992
RDM Indicators (6.2)

RDM information about mismatches, communication, discovered devices and feedback is

shown at the top of all screens. It will blink during RDM communication.

Shows unpatched devices on top "RDM: #"

Error messages will show as a triangle with a number

Mismatch errors will show as "MISMATCH". Mismatch errors include patched settings not
matching device settings, patch overlaps, and so on.

993
RDM Device List (6.2)

The RDM Device List is the main RDM Window. This is a standard list of purely standard
RDM information. It is the same for all devices.

This list allows you to identify devices, change basic settings of the device (like start
address, personality or mode) patch to Congo channels and access deeper settings of
devices, if that functionality is supported by those devices.

This list also shows conflict or mismatch states in red. In the case of overlapping device
addresses, you must solve these overlaps manually by choosing and entering new starting
addresses for those fixtures. RDM will send the new address setting to the fixture for you.

Note that in the Browser there is a command to "Clear offline RDM", use this command to
clean up the list if you have removed devices, or moved devices from port to port on the
Gateway.

The information displayed is the standard information within the RDM Specification:

MANUFACTURER:
MODEL:
LABEL:
DMX PERSONALITY: This displays the actual device setting and will match to a template in
Congo)
DMX FOOTPRINT: The number of outputs needed

PARAMETERS: This is the number of settings within the device that can be displayed or
edited using RDM. This is not the same as the DMX controllable parameters (attributes) of
the device.

SENSORS: Device Sensors

994
 SUB DEVICES: If the device has more devices associated with it, for example, you have one
RDM-capable dimmer rack that contains 6 individual dimmers, the rack settings would be
found under Parameters and individual dimmer settings would be seen in the Sub Devices
tab.

SOFTWARE LABEL: Text from the device manufacturer

RDM Device List Cache (6.3)

Normally RDM cache is something you don't have to worry about. In some rare situations
you may want to force a re-query.

There is a column that shows cache status. The Cache contains stored information
discovered about a device over RDM and this indicator shows if Congo has cached data
about a fixture so Congo no longer needs to query about the device structure.

Press MODIFY in this cell to re-query or store the cache (see options below)

Options (press MODIFY to activate)

"Querying device structure..."

- This is a status that a query is going on

"Device structure available. Save to cache?"

- There is a structure, you can save it to cache manually (it is done at shutdown
automatically). It will be loaded at the next restart of Congo.

"Using cached device structure. Delete cache?"

- Will delete the cached structure, and allow a re-query. It will be done at the next restart of
Congo.

"Restart to use cache"

- The cache is now stored and att the next restart Congo will start using it automatically.

"Restart to re-query"
- At the next restart of Congo, a new query will be performed.

995
RDM Device Parameter List (6.2)

The Device Parameter List provides access to the settings of each device that can be seen
and controlled over RDM. This list is only available when there are discovered RDM devices.
It is opened from the RDM Device List by pressing MODIFY in the Parameter cell of the
device you wish to adjust. Note that regardless of which device you use to open this tab, it
will show all devices of that model in the same table.

All data in this tab is generated by the RDM device and is then displayed by Congo.
Parameters you can edit are shown in white text. Changes you make in this tab are sent
directly to the device and are not stored in any way by Congo. The valid data for a parameter
is wholly dependent on the way the device manufacturer has developed their RDM
functionality. Valid input may be numerical (type the new value and press MODIFY) or may
be entered using a drop down menu (usually shown in text). Consult the user manual for the
device to understand the impact of changing parameters in this tab.

RDM Device Sensor List (6.2)

The Device Sensor List provides access to the sensor information an RDM Device transmits
(read-only). This list is only available when there are discovered RDM devices. It is opened
from the RDM Device List by pressing MODIFY in the Sensors cell of the device whose
sensor data you wish to view. Regardless of which device you use to open this tab, it will
show all devices of that model in the same table.

996
OSC Functionality (6.3)
Open Sound Control (OSC) is a content format for messaging among computers, sound
synthesizers, and other multimedia devices. You can remotely control Congo using OSC.
You can remotely control OSC devices using Congo.

OSC is often used as an alternative to MIDI, when higher performance, higher resolution and
a richer parameter space is desired. OSC messages are commonly transported across
networks using (UDP/IP, Ethernet). OSC messages between gestural controllers such as the
Wii Remote are usually transmitted over serial endpoints of USB by being wrapped in the
SLIP protocol. OSC gives developers more flexibility in the kinds of data they can send over
the wire, enabling new applications that can communicate with each other at a high level
(Source Wikipedia).

To explore more about OSC on the www see http://opensoundcontrol.org/introduction-osc.

EXAMPLE

Use OSC to create a remote interface for Congo, for example in an iPad, using a
standard third party OSC software such as TouchOSC.
Use third party developer software such as Max or Isadora to integrate Congo with
other OSC devices.

NOTE
Be aware that for OSC to work you need to activate OSC control and
relevant settings in the Play Settings.
See Play Settings - Show Control.

NOTE
OSC is not intended to be used as remote control for Congo over any
open Internet connection. ETC recommends strongly that lighting
networks remain separate from the Internet.

997
Receive - OSC Input (6.3)

To receive OSC commands you have to activate reception of OSC and select the
appropriate Port number (default 7000) in Play Settings - Show Control.
The device transmitting OSC needs both this port number and the IP address of your Congo
system. You can check your IP address in Browser >About >About Congo.

About OSC commands

An OSC command consists of an address, sometimes followed by a value and/or an

argument, eg "/masters/page/X"
Buttons may be momentary. eg "/mainplayback/go".
Buttons may be On/Off, use 0.0 for Off, 1.0 for On. eg "/masters/flash/X 0.0"
Fader and Attribute values are 0.0 to 1.0 (float) for minimum and maximum. eg
"/masters/fader/1 0.5" to set Master 1 to 50%"

The following commands are supported:

Refresh
/refreshstatus = Command to force an update of all labels and fader values

Masters
/masters/fader/X <0.0-1.0>
/masters/key/X <0.0-1.0>
/masters/flash/X <0.0-1.0>
/masters/pagePlus/X = Page+ for master block X (1-4)
/masters/pageMinus/X = Page- for master block X (1-4)
/masters/page/X = Master page (1-999)

Transmit:
/masters/fader/X <0.0-1.0> = transmission when a fader value changes
/masters/label/X <string> = Sends master label changes
/masters/page/label/X <string> =Sends master page label changes

Main Playback
/mainplayback/go
/mainplayback/pause
/mainplayback/goback
/mainplayback/seq+
/mainplayback/seq-
/mainplayback/refresh

Effects
/effects/bpm/X
/effects/tap/X

Direct parameter control

/parameter/pan <0.0-1.0>
/parameter/tilt <0.0-1.0>
/parameter/hue <0.0-1.0>
/parameter/saturation <0.0-1.0>
/parameter/intensity <0.0-1.0>
998
 /parameter/pantilt <float> <float>
/parameter/huesaturation <float> <float>

Independents
/independents/fader/X <0.0-1.0> X= 1-6
/independents/key/X <0.0-1.0> X = 7-9

Direct Selects
/directselects/page/X, X = 1-5
/directselects/key/X, X = 1-40

Transmit:
Congo will send bank labels and direct select labels when they change:
/directselects/page/label/x
/directselects/label/x

Action Macro
/actionmacro <string>

Executes the Action Macro in <string>

For example:

/actionmacro GO PB
If you are sending from Max, make sure that the whole command is sent as one string
parameter, using around it when necessary.

Transmit - OSC Output (6.3)

OSC output can be transmitted from an Action Macro, or from a template. In addition,
sequence texts and master levels are transmitted to remote devices - see Receive - OSC
Input.

To transmit OSC commands you have to activate transmittion of OSC and select a port
(default 8000) and IP address(es) of the devices to send to in Play Settings - Show Control.

Action Macro OSC

The parameter names need to have this format:

OSC /oscaddress %x min max.

oscaddress is the address used on OSC, like /masters/fader/1

x is either i" to send as an integer parameter or f to send as a float parameter

See Congo Action Macros.

Template OSC
It is possible to define any parameter in a template to send optional OSC data. In the
Template editor, there is now a new column called OSC. It will open a dialog where OSC
parameters can be defined. Scaling through Max value is supported.
999
Press MODIFY or double-click on OSC

Opens

1000
 INDEX
8 ConsoleMimic,273 FadeWithIntensity,333
ConsoleSettings,241 FetchPlay,254,258
ContentEffects,669 Files,171
8bit256StepLevels,459 ContextMenus,157 FocusPalettes,626
ControlHierarchy,71 FreezeMode,135
A ConvertToServer,259
CopyLogfilestoUSB,195
Copy,Cut&Paste,126 G
About,165 Crashes,88
AboutCongo,166 Crossfade,398 GelPicker,624
AboutPlay,168 CrossfadeProfiles,408 GENERALFUNCTIONS,107
ActionMacros,284 GeneralSettings,220
AllPalettes,625 GETTINGSTARTED,62
D GrandMaster,134
B GroupWheelMode,473
DefaultPlaywizard,192 Groups,345
DeleteWizard,448
Backup,205 DesignerSummary,274
BackupCommands,258 DeviceControl,555 H
BackupSync,256 DeviceList,305
BalanceMode,466 DevicePalettes,589 Helpsystem,40
BeamPalettes,628 DevicePlayBack,618
Blind,493 DeviceTimes,609
BlockValues,418 DeviceViews,572 I
Browser,111 Devices,550
Bugs,88 DimmerCurve,336 Importfrom,182
Build&ModifyModes,416 Dimmer/DeviceFeedbackLog,169 ImportTemplateWizard,300
BypassStartupScreen,85 DirectModeMIDI,237 Independents,752
DirectSelects,136 Installationguidelines,67
C Disclaimer,44
DisplayLists,129
DockAreas,266 K
CaptureMode,460 DragandDrop,160
CEM+,261 DynamicEffect,682 KeySyntaxes,68
ChOnlyMode,458 Keyboard,922
ChangeUser,280
ChannelDatabase,520 E
ChannelLayouts,527 L
ChannelList,310 EffectImages,728
ChannelPartitions,544 Effectlayouts,722 Live,481
ChannelViews,117 EffectPlaybacks,656 LiveEffects,655
Channels,452 EffectTexts,731 Lockfade,398
ChannelsUsed&Unused,472 Effects,640 LTPorHTP,324
ChaseBPM&TapTempo,425 EventListActionMacros,283
ChaseEffects,659 EventListEvents,288
CheckMode,465 ExittoSystemSettings,196 M
Client,959 ExittoWelcomeScreen,217
ColorPalettes,627 Ext.MouseorTrackball,926 MacroList,290
ComPort,199 MainPlayback,735
CompareMode,380 MainShowData,338
CongoTerminology,69 F Mask,629
Connectors,963 MasterPages,817
CONSOLEKEYS,839 Facepanels,94 MasterView,812

1001
Masters,759 Presets,356 SystemSettings,197
MastersSettings,763 PresetsList,366
MIDI,969 PresetsUpdate,365
MIDIImplementationChart,977 Print,193 T
MIDIStandardMIDI,971 Protocols,200
MIDITimeCode,975 Tabs,114
MIDIData,285 Templates,318
MIDIShowControl,972 R TemplatesRanges,328
Monitor,210 TemplatesSnaporFade,327
Movefade,398 RandomSelect,468 TemplatesType8/16bitcontrol,
Movies,834 RDM,991 325
Mute&Solo,131 RemoteControl,929 Texts,127
RemoteControlcRRFURadio ThisManual,43
Remote,951 TimeCodedock,276
N RemoteControliRFR,941 TrackEditing,510
RemoteControlPhoneRemote, TrackList,497
Navigating,108 938 TrainingProjects,836
Net3RemoteVideoInterface,960 RemoteControlRFRRadio TriggersforEvents,288
Net3/ACNDeviceList,262 Remote,932 Troubleshooting,86,91
Network,206,243 RemoteControlTTRadioRemote, TwoSceneMasters,146
NetworkClient,249 955
NetworkMultipleUsers,251 RenameChannels,313
Networknodes,260 ResetTheSystem,82 U
New,174
U1U2U3,562
S UDPdata,286
O UniversalFaderWings,928
Save,179 UniverseMap,202
Organizer,339 Saveas,179 Update,212
OSC,997 SaveCopytoUSB,181 UpdateSoftware,213
Output,204 Scalechannellevels,470 USB,195
OutputModeSwitch,133 Screens,263
ScrollerRolls,633
SelectedLive,275 V
P SendPlay,254
Sequences,387 Visualisation,958
ParameterDefinitions,334 SequencesChaseMode,420
Parked,513 SequencesInsertStep,409
PatchbyChannel/Dimmer,294 SequencesLinks,412 W
PatchWizard,302 SerialCOMdata,285
Patching,292 ServerCommands,254 WorkflowinCongo,74
PlaySettings,221 Server/Backup,246
Playlist,439 Shortcuts,889
PowerLoss,219 Software&Update,73 X
PowerOff(Quit),219 SystemInfo,92
PowerupProcedure,81 SystemOverview,64 Xkeys,961

1002
Corporate Headquarters 3031 Pleasant View Road, P.O. Box 620979, Middleton, Wisconsin 53562-0979 USA Tel +608 831 4116 Fax +608 836 1736
London, UK Unit 26-28, Victoria Industrial Estate, Victoria Road, London W3 6UU, UK Tel +44 (0)20 8896 1000 Fax +44 (0)20 8896 2000
Rome, IT Via Pieve Torina, 48, 00156 Rome, Italy Tel +39 (06) 32 111 683 Fax +44 (0) 20 8752 8486
Holzkirchen, DE Ohmstrasse 3, 83607 Holzkirchen, Germany Tel +49 (80 24) 47 00-0 Fax +49 (80 24) 47 00-3 00
Hong Kong Rm 1801, 18/F, Tower 1 Phase 1, Enterprise Square, 9 Sheung Yuet Road, Kowloon Bay, Kowloon, Hong Kong Tel +852 2799 1220 Fax +852 2799 9325
Service: (Americas) service@etcconnect.com (UK) service@etceurope.com (DE) techserv-hoki@etcconnect.com (Asia) service@etcasia.com
Web: www.etcconnect.com Copyright 2013 ETC. All Rights Reserved. Product information and specifications subject to change.
7310M1200-6.4.0 Rev A Released 2013-04