Effect Types and Parameters (Ver.2) : © 2017 Zoom Corporation

Effect Types and Parameters (Ver.
2)
© 2017 ZOOM CORPORATION

Copying or reproduction of this document in whole or in part without permission is prohibited.
Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate
sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Effect Types and Parameters
Effect explanation overview
Additional effects Parameter Parameter range
Effect type Effect explanation
Flanger This is a jet sound like an ADA Flanger.

★ Knob1 Knob2 Knob3
Depth 0–100 Rate 0–50 Reso -10–10
Page01
Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the intensity of the modulation resonance.
PreD 0–50 Mix 0–100 Level 0–150
Page02 Adjusts the amount of effected sound
Sets pre-delay time of effect sound. Adjusts the output level.
that is mixed with the original sound.
Effect screen Parameter explanation Tempo synchronization possible icon

[CHORUS]
Tremolo This effect varies the volume at a regular rate.
Depth 0–100 Rate 0–50 Level 0–150
Page01
Adjust the depth of the modulation. Adjusts the rate of the modulation. Adjusts the output level.
UP 0–UP 9,
Wave DWN 0–DWN 9,
Page02 TRI 0–TRI 9
Sets the modulation waveform.
DuoTrem This effect combines two tremolos.

Knob1 Knob2 Knob3
RateA 0–50 RateB 0–50 Level 0–150
Page01
Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. Adjusts the output level.
DPT_A 0–100 DPT_B 0–100 Link Seri, Para, STR
Page02 Sets how the two tremolos are con-
Adjusts depth of LFO A modulation. Adjusts depth of LFO B modulation.
nected.
UP 0–UP 9 , UP 0–UP 9 ,
DWN 0– DWN 0–
WaveA WaveB
DWN 9 , DWN 9 ,
Page03 TRI 0–TRI 9 TRI 0–TRI 9
Sets the modulation waveform of Sets the modulation waveform of
LFO A. LFO B.
Slicer This effect creates a rhythmical sound by continuously slicing the input.
PTTRN 1–20 Speed 1–50 Bal 0–100
Page01 Adjusts the balance between original
Sets effect pattern. Sets modulation speed.
and effect sounds.
THRSH 0–50 Level 0–150
Page02
Adjusts effect threshold. Adjusts the output level.
Phaser This effect adds a phasing variation to the sound.

Knob1 Knob2 Knob3
4 STG, 8 STG,
Rate 1–50 Color Level 0–150
Page01 inv 4, inv 8
Sets the speed of the modulation. Sets the tone of the effect type. Adjusts the output level.
Page02
2
DuoPhase This effect combines 2 phasers.

1–50,
RateA 1–50 RateB Level 0–150
Page01 SyncA, RvrsA
Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. Adjusts the output level.
ResoA 0–10 ResoB 0–10 Link Seri, Para, STR
Page02
Adjusts resonance of LFO A modulation. Adjusts resonance of LFO B modulation. Sets how 2 phasers are connected.
DPT_A 1–100 DPT_B 1–100
Page03
Adjusts depth of LFO A modulation. Adjusts depth of LFO B modulation.
WarpPhase This phaser has a one way effect.

Speed 1–50 Reso 0–10 Level 0–150
Page01
Sets modulation speed. Sets effect resonance. Adjusts the output level.
DRCTN Go, Back
Page02
Sets direction of warping.
TheVibe This vibe sound features unique undulations.

Knob1 Knob2 Knob3
Speed 0–50 Depth 0–100 Bias 0–100
Page01
Sets modulation speed. Sets the depth of the modulation. Adjusts bias of waveform modulation.
Wave 0–100 Mode VIBRT, CHORS Level 0–150
Page02
Adjusts modulation waveform. Sets effect to vibrato or chorus. Adjusts the output level.
Chorus This effect mixes a shifted pitch with the original sound to add movement and thickness.
Knob1 Knob2 Knob3
Depth 0–100 Rate 1–50 Mix 0–100
Sets the depth of the modulation. Sets the speed of the modulation.
Tone 0–10 Level 0–150
Page02
Adjusts the tone. Adjusts the output level.
Ba Chorus You can cut the low frequencies of this bass chorus effect sound.
Knob1 Knob2 Knob3
Depth 0–100 Rate 1–50 Mix 0–100
LoCut OFF–800Hz Level 0–150 PreD OFF, ON
Page02 Specifies the low-range cutoff point
Adjusts the output level. Turns pre-delay OFF or ON.
for the effect sound.
By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect
Detune
type has a chorus effect without much sense of modulation.
Knob1 Knob2 Knob3
Cent -25–25 PreD 0–50 Mix 0–100
Page01 Adjusts the detuning in cents, which Sets the pre-delay time of the effect Adjusts the amount of effected sound
are fine increments of 1/100-semitone. sound. that is mixed with the original sound.
Page02
By mixing a small amount of the pitch-shifted effect sound with the original sound, a nat-
Ba Detune
ural bass chorus effect is achieved.
Knob1 Knob2 Knob3
Cent -50–50 PreD 0–50 Mix 0–100
Page01 Adjusts the detuning in cents, which Sets the pre-delay time of the effect Adjusts the amount of effected sound
are fine increments of 1/100-semitone. sound. that is mixed with the original sound.
Tone 0–10 Level 0–150 LoCut OFF–800Hz
Page02 Sets the cut frequency in the low
range of the effect sound.
3
VintageCE This is a simulation of the BOSS CE-1.

Knob1 Knob2 Knob3
Comp 0–9 Rate 1–50 Mix 0–100
Sets the sensitivity of the compressor. Sets the speed of the modulation.
Level 0–150
Page02
Adjusts the output level.
StereoCho This is a stereo chorus with a clear tone.

Knob1 Knob2 Knob3
Depth 0–100 Rate 1–50 Mix 0–100
Page02
Ensemble This is a chorus ensemble that features three-dimensional movement.

Knob1 Knob2 Knob3
Depth 0–100 Rate 1–50 Mix 0–100
Page02
Ba Ensmbl This bass chorus ensemble features a sense of three-dimensional movement.

Knob1 Knob2 Knob3
Depth 0–100 Rate 1–50 Mix 0–100
Page02
SuperCho This models the sound of a BOSS CH-1 SUPER CHORUS.

Knob1 Knob2 Knob3
E.LVL 0–120 Rate 0–100 Depth 0–100
Page01 Adjusts amount of effect sound
Sets the speed of the modulation. Adjust the depth of the modulation.
mixed with original sound.
EQ 0–100 Mode MONO, STR
Sets output to mono or stereo (STR).
Page02 When stereo, effect sound is output
Adjusts effect tone.
from L channel and unchanged input
sound is output from R channel.
VinFLNGR This analog flanger sound is similar to an MXR M-117R.

Depth 0–100 Rate 0–50 Reso -10–10
Page01
Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the intensity of the modulation resonance.
PreD 0–50 Mix 0–100 Level 0–150
Flanger This is a jet sound like an ADA Flanger.

Knob1 Knob2 Knob3
Depth 0–100 Rate 0–50 Reso -10–10
Page01 Adjusts the intensity of the modulation reso-
nance.
PreD 0–50 Mix 0–100 Level 0–150
4
Modeled after the ADA Flanger, this effect has an added parameter that allows you to
BaFlanger
adjust the volume balance between the original and effected sounds.
Knob1 Knob2 Knob3
Depth 0–100 Rate 0–50 Reso -10–10
Page01 Adjusts the intensity of the modulation
resonance.
PreD 0–50 Mix 0–100 Level 0–150
LoCut OFF–800Hz
Page03 Sets the cut-off frequency in the low
range of the effect sound.
The volume of the effect sound changes according to the input signal level with this
DynaFLNGR
dynamic flanger.
Depth 0–100 Rate 0–50 Sense -10– -1, 1–10
Page01
Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the sensitivity of the effect.
Reso -10–10 Level 0–150
Page02
Adjusts the intensity of the modulation resonance. Adjusts the output level.
Vibrato This effect automatically adds vibrato.

Knob1 Knob2 Knob3
Depth 0–100 Rate 0–50 Bal 0–100
and effect sounds.
Page02
Octave This effect adds sound one octave and two octaves below the original sound.
Oct1 0–100 Oct2 0–100 Dry 0–100
Page01 Adjusts the level of the sound one Adjusts the level of the sound two Adjusts the volume of the unaffected
octave below the effect sound. octaves below the effect sound. sound.
Chara 0–100 Tone 0–10 Level 0–150
Page02
Adjusts effect character. Adjusts the tone. Adjusts the output level.
Ba Octave This effect adds sound one octave below the original sound.
Oct 0–100 Dry 0–100 Tone 0–10
Page01 Adjusts the level of the one-octave Adjusts the tonal quality of the one-
Adjusts the level of the original sound.
lower sound component. octave lower sound component.
Low 0–10 Mid 0–10 Level 0–150
Page02
Adjusts the low frequency level. Adjusts the middle frequency level. Adjusts the output level.
PitchSHFT This effect shifts the pitch up or down.

Knob1 Knob2 Knob3
Shift -12–12 , 24 Tone 0–10 Bal 0–100
Page01 Adjusts the pitch shift amount in semitones. Adjusts the balance between original
Adjusts the tone.
Selecting “0” gives a detuning effect. and effect sounds.
Fine -25–25 Level 0–150
Page02 Allows fine adjustment of pitch shift
amount in Cent (1/100 semitone) steps.
5
MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.
Shift -12 – 12 , 24 Tone 0–10 Bal 0–100
Page01 Adjusts the pitch shift amount in semitones. Adjusts the balance between original
Adjusts the tone.
Selecting “0” gives a detuning effect. and effect sounds.
Fine -25 – 25 Level 0–150
amount in Cent (1/100 semitone) steps.
This pitch shifter was designed specifically for playing single notes in the bass frequency
Ba Pitch
range.
Knob1 Knob2 Knob3
Shift -12–12, 24 Tone 0–10 Bal 0–100
Page01 Adjusts the pitch shift amount in semi- Adjusts the balance between original
Adjusts the tone.
tones. Selecting "0" gives a detuning effect. and effect sounds.
Fine -25–25 Level 0–150
amount in cent (1/100 semitone) steps.
This intelligent pitch shifter outputs the effect sound with the pitch shifted according to
HPS
scale and key settings.
Knob1 Knob2 Knob3
-6, -5, -4, -3, -m, m, C, C#, D, D#, E, F,
Scale 3, 4, 5, 6 Key F#, G, G#, A, A#, Mix 0–100
Page01 (See Table 1) B
Sets the pitch of the pitch-shifted Sets the tonic (root) of the scale used Adjusts the amount of effected sound
sound added to the original sound. for pitch shifting. that is mixed with the original sound.
Page02
BendCho This effect provides pitch bending that uses the input signal as trigger and processes each note separately.
Depth 0–100 Time 0–50 Bal 0–100
Adjusts the effect depth. Sets time before effect starts.
and effect sounds.
Mode Up, Down Tone 0–10 Level 0–150
Page02
Sets direction of pitch bend. Adjusts the tone. Adjusts the output level.
MojoRolle This effect modulates the pitch after picking.

Depth 0–100 Speed 0–100 Rise 0–100
Page01 Sets the time before the effect
begins to modulate the pitch.
Mode Up-Dn, Up, Down Level 0–150
Page02
Sets the direction of pitch modulation. Adjusts the output level.
This effect produces a metallic ringing sound. Adjusting the “Freq” parameter results in a
RingMod
drastic change of sound character.
Freq 1–50 Tone 0–10 Bal 0–100
Sets the frequency of the modulation. Adjusts the tone.
and effect sounds.
Level 0–150
Page02
CE-Cho5 This chorus is a model of the BOSS CE-5.

Knob1 Knob2 Knob3
E.LVL 0–120 RATE 0–100 DEPTH 0–100
Sets the speed of the modulation. Adjust the depth of the modulation.
LOW 0–100 HIGH 0–100 MODE MONO, STR
Adjusts volume of low frequencies. Adjusts volume of high frequencies.
6
CloneCho This analog chorus sound models the Electro-Harmonix SmallClone.

Knob1 Knob2 Knob3
DEPTH 1, 2 RATE 0–100
Page01
Page02
StonePha This phaser sound models the Electro-Harmonix SmallStone.

COLOR 1, 2 RATE 0–100
Page01
Page02
BF FLG 2 This models a BOSS BF-2 Flanger.

MNL 0–100 DEPTH 0–100 RATE 0–100
Page01
Sets the delay time. Sets the depth of the modulation. Sets the speed of the modulation.
RES 0–100
Page02
Adjusts the feedback amount.
SilkyCho This chorus effect combines 2 bands of detuning and chorus for precise control.
Knob1 Knob2 Knob3
LoMix 0–100 HiMix 0–100 ChMix 0–100
Page01 Adjusts the amount of low-frequency Adjusts the amount of high-frequen- Adjusts the amount of chorus in the
detuning in the mix. cy detuning in the mix. mix.
LoPit -25–25 HiPit -25–25 PreD 0–50
Page02 Adjusts the amount of pitch modula- Adjusts the amount of pitch modula-
Sets pre-delay time of effect sound.
tion for the low-frequency detuning. tion for the high-frequency detuning.
Rate 0–100 Depth 0–100 Tone 0–100
Page03
Sets the speed of the modulation. Sets the depth of the modulation. Adjusts the tone.
MirageCho This chorus shimmers like a mirage.

Knob1 Knob2 Knob3
Depth 0–100 Rate 0–100 Mix 0–100
PreD 1–20 Tone 0–100 Level 0–150
Page02
Sets pre-delay time of effect sound. Adjusts the tone. Adjusts the output level.
CoronaCho This is a model of tc electronic’s CORONA CHORUS.

Knob1 Knob2 Knob3
SPEED 0–100 DEPTH 0–100 FxLVL 0–100
Page01
Sets modulation speed. Sets the depth of the modulation. Adjusts the volume of the effect.
TONE 0–100 DRY OFF/ON
When ON, the original sound and the
Page02 effect sound are mixed and output
Adjusts the tone.
together. When OFF, only the effect
sound is output.
ANA234Cho This analog chorus sound models the MXR M234.

Knob1 Knob2 Knob3
LEVEL 0–100 RATE 0–100 DEPTH 0–100
Sets the speed of the modulation. Sets the depth of the modulation.
LOW 0–100 HIGH 0–100 Mode MONO, STR
Adjusts volume of low frequencies. Adjusts volume of high frequencies.
7
CoronaTri This is a model of tc electronic's CORONA Tri-Chorus.

Knob1 Knob2 Knob3
SPEED 0–100 DEPTH 0–100 FxLVL 0–100
Page01
Sets modulation speed. Sets the depth of the modulation. Adjusts the volume of the effect.
TONE 0–100 DRY OFF/ON
Adjusts the tone.
sound is output.
BitCrush This effect creates a lo-fi sound.

Bit 4–16 SMPL 0–50 Bal 0–100
Sets bit depth. Sets sampling rate.
and effect sounds.
Page02
Bomber This effect produces an explosive sound when picking.

HndGn, Arm,
PTTRN Decay 1–100 Bal 0–100
Bomb, Thndr
Page01
Adjusts the balance between original
Sets type of effect sound. Sets length of reverberations.
and effect sounds.
THRSH 0–50 Power 0–30 Tone 0–10
Page02
Adjusts effect threshold. Adjusts strength of explosive sound. Adjusts the tone.
Level 0–150
Page03
This effect produces the sound of a monophonic (single-note playing) guitar synthesizer
MonoSynth
that detects the pitch of the input signal.
Synth 0–100 Dry 0–100 Level 0–150
Page01
Adjusts synthesizer sound level. Adjusts level of original sound. Adjusts the output level.
Sine, Tri, SawUp,
Wave Tone 0–10 Speed 0–100
Page02 SawDn
Sets waveform. Adjusts the tone. Adjusts smoothness of pitch change.
Z-Organ This effect simulates an organ sound.

Upper 0–100 Lower 0–100 Dry 0–100
Page01
Adjusts volume of high frequencies. Adjusts volume of low frequencies. Adjusts level of original sound.
HPF 0–10 LPF 0–10 Level 0–150
Page02
Adjusts high-pass filter cutoff frequency. Adjusts low-pass filter cutoff frequency. Adjusts the output level.
AutoPan This effect cyclically moves the panning position of the sound.
Knob1 Knob2 Knob3
Rate 0–50 Width L50–R50 Level 0–150
Page01
Sets the speed of the modulation. Sets the width of the panning. Adjusts the output level.
Depth 0–10 Clip 0–10
Page02 Adjusts the amount of waveform
Sets the depth of the modulation. clipping. Higher values emphasize
the auto-panning effect more.
Rt Closet Simulates a rotary speaker.

Knob1 Knob2 Knob3
Bal 0–100 Mode Slow,Fast Level 0–150
Page01 Adjusts the balance between the
horn (high frequencies) and the drum Sets the rotary mode. Adjusts the output level.
(low frequencies).
Drive 0–100
Page02 Adjusts the amount of amplification
from the preamp.
8
[DELAY]
Delay This long delay has a maximum length of 4000 ms.
Knob1 Knob2 Knob3
Time 1–4000 F.B 0–100 Mix 0–100
Sets the delay time. Adjusts the feedback amount.
HiDMP 0–10 P-P MONO, P-P Level 0–150
Page02 Adjusts the treble attenuation of the Sets delay output to mono or ping-
delay sound. pong.
Tail OFF/ON
When ON, effect sound continues
Page03 even after effect is turned off. When
OFF, effect sound stops right when
effect is turned off.
This effect simulates a tape echo. Changing the “Time” parameter changes the pitch of
TapeEcho
the echoes.
Knob1 Knob2 Knob3
Time 1–2000 F.B 0–100 Mix 0–100
HiDMP 0–10 Level 0–150 Tail OFF/ON
Page02 Adjusts the treble attenuation of the even after effect is turned off. When
delay sound. OFF, effect sound stops right when
ModDelay This delay effect allows the use of modulation.

Knob1 Knob2 Knob3
Time 1–2000 F.B 0–100 Mix 0–100
Rate 1–50 Level 0–150 Tail OFF/ON
Sets the speed of the modulation. Adjusts the output level.
ModDelay2 You can adjust the depth of this modulation delay effect.
Knob1 Knob2 Knob3
Time 1–2000 F.B 0–100 Mix 0–100
Rate 1–50 Level 0–150 Depth 0–100
Page02
Sets the speed of the modulation. Adjusts the output level. Adjust the depth of the modulation.
Tail OFF/ON
AnalogDly This analog delay simulation has a long delay with a maximum length of 4000 ms.
Knob1 Knob2 Knob3
Time 1–4000 F.B 0–100 Mix 0–100
HiDMP 0–10 P-P MONO, P-P Level 0–150
Page02 Adjusts the treble attenuation of the Sets delay output to mono or ping-
delay sound. pong.
Tail OFF/ON
9
ReverseDL This reverse delay is a long delay with a maximum length of 2000 ms.
Knob1 Knob2 Knob3
Time 10–2000 F.B 0–100 Bal 0–100
and effect sounds.
HiDMP 0–10 Level 0–150 Tail OFF/ON
Page02 Adjusts the treble attenuation of the even after effect is turned off. When
delay sound. OFF, effect sound stops right when
MultiTapD This effect produces several delay sounds with different delay times.
Knob1 Knob2 Knob3
Time 1–3000 PTTRN 1–8 Mix 0–100
Page01 Sets the tap pattern, which varies from Adjusts the amount of effected sound
Sets the delay time.
rhythmical to random patterns. that is mixed with the original sound.
Tone 0–10 Level 0–150 Tail OFF/ON
DynaDelay This dynamic delay adjusts the volume of the effect sound according to the input signal level.
Knob1 Knob2 Knob3
Time 1–2000 Sense -10– -1, 1–10 Mix 0–100
Sets the delay time. Adjusts the effect sensitivity.
F.B 0–100 Level 0–150 Tail OFF/ON
Adjusts the feedback amount. Adjusts the output level.
FilterDly This effect filters a delayed sound.

Knob1 Knob2 Knob3
Time 1–2000 F.B 0–100 Mix 0–100
Rate 1–50 Depth 0–100 Reso 0–10
Sets the speed of the modulation. Sets the depth of the modulation.
resonance.
Level 0–150 Tail OFF/ON
PitchDly This effect applies pitch shift to a delayed sound.

Knob1 Knob2 Knob3
Time 1–2000 Pitch -12–12 Mix 0–100
Page01 Sets volume of pitch shift applied to Adjusts the amount of effected sound
delayed sound. that is mixed with the original sound.
F.B 0–100 Tone 0–10 Level 0–150
Page02
Adjusts the feedback amount. Adjusts the tone. Adjusts the output level.
Tail OFF/ON
10
StereoDly This stereo delay allows the left and right delay times to be set separately.
Knob1 Knob2 Knob3
TimeL 1–2000 TimeR 1–2000 Mix 0–100
Page01 Adjusts delay time of left channel Adjusts delay time of right channel Adjusts the amount of effected sound
delay. delay. that is mixed with the original sound.
LchFB 0–100 RchFB 0–100 Level 0–150
Page02
Adjusts delay feedback of left channel. Adjusts delay feedback of right channel. Adjusts the output level.
LchLv 0–100 RchLv 0–100 Tail OFF/ON
Adjusts delay output of left channel. Adjusts delay output of right channel.
PhaseDly This effect applies a phaser to a delayed sound.

Knob1 Knob2 Knob3
Time 1–2000 F.B 0–100 Mix 0–100
4 STG, 8 STG,
Rate 1–50 Color Level 0–150
Page02 inv 4, inv 8
Sets the speed of the modulation. Sets the tone of the effect type. Adjusts the output level.
Tail OFF/ON
TrgHldDly This delay samples and holds using picking as the trigger.
Knob1 Knob2 Knob3
Time 10–1000 Duty 25–100 Mix 0–100
Page01 Sets the time that the sample-and- Adjusts the amount of effected sound
hold sound is produced. that is mixed with the original sound.
THRSH 0–30 Level 0–150 Tail OFF/ON
Adjusts effect threshold. Adjusts the output level.
StompDly By turning the feedback up on this stomp-style delay, you can make it self-oscillate.
Knob1 Knob2 Knob3
E.LVL 0–120 F.B 0–100 Time 1–600
Adjusts the feedback amount. Sets the delay time.
Sync OFF, – x8 Mode MONO, STR Tail OFF/ON
Sets output to mono or stereo (STR). When ON, effect sound continues
Page02 When stereo, effect sound is output even after effect is turned off. When
Activates tempo sync.
from L channel and unchanged input OFF, effect sound stops right when
sound is output from R channel. effect is turned off.
HiDMP 0–10
Page03 Adjusts the treble attenuation of the
delay sound.
TapeEcho3 This tape echo effect models the MAESTRO ECHOPLEX EP-3.
Knob1 Knob2 Knob3
F.B 0–100 MIX 0–100 TIME 10–1000
Page01 Adjusts the amount of effected
Adjusts the feedback amount. sound that is mixed with the original Sets the delay time.
sound.
RecLv 0–100 SYNC OFF, – x8 P-Amp OFF, ON
Sets whether the TapeEcho3 preamp
Page02 affects the tone when the echo effect
Adjusts the volume recorded to the
Activates tempo sync. is off. When OFF, the input sound is
tape.
output without being changed. When
ON, the preamp affects the tone.
11
DualDigiD This effect combines 2 delays and is based on the Eventide TimeFactor DigitalDelay.
Knob1 Knob2 Knob3
TimeA 0–1990 TimeB 0–1990 FdbkA 0–110
Page01 Ad j u s t s t h e D e l ay A fe e d b a ck
Adjusts the delay time of Delay A. Adjusts the delay time of Delay B.
amount.
M-0–50,
FdbkB 0–110 Depth Speed 0–50
S-0–50
Page02 Adjusts the modulation depth. Also
Ad j u s t s t h e D e l ay B fe e d b a ck
sets the output to mono (M0–M50) Sets modulation speed.
amount.
or stereo (S0–S50).
FLTR -100–100 DlyMx 0–100 Mix 0–100
Adjust the mix of the Delay A and B
Adjusts the tone. sound that is mixed with the original
effect sounds.
sound.
CarbonDly This analog delay sound is a model of the MXR Carbon Copy.
Knob1 Knob2 Knob3
DELAY 19–581 REGEN 0–100 MIX 0–100
Sets the delay time. Adjusts the feedback amount. sound that is mixed with the original
sound.
MOD OFF/ON WIDTH 0–50 SPEED 0–50
Page02
Turns modulation ON or OFF. Adjusts the width of the modulation. Sets modulation speed.
Tail OFF/ON Sync OFF, – x8
Activates tempo sync.
DriveEcho This echo effect that can be driven is modeled on the LINE6 M9 TubeEcho.
Knob1 Knob2 Knob3
DRIVE 0–100 MIX 0–100 TIME 20–1990
Adjusts the amount of distortion. sound that is mixed with the original Sets the delay time.
sound.
F.B 0–100 WOW 0–100 DRY DRIV/THRU
Sets whether the DriveEcho DRIVE
parameter affects the tone of the
Page02 dry signal. Set to DRIVE, the DRIVE
Adjusts the feedback amount. Adjusts the wow and flutter effect.
setting affects the "dry" sound. Set
to THRU, the dry sound is output
without being changed.
Tail OFF/ON Mode MONO, STR
even after effect is turned off. The dry
Page03 sound also continues to have the same
tone as when the effect was on.
When OFF, effect sound stops right
when effect is turned off.
This delay, which features a short delay time that is good for muted rhythm playing and
SlapBackD
rockabilly, is modeled on a tc electronic FLASHBACK set for SLAP delay.
Knob1 Knob2 Knob3
, ,
TIME 1–300 SubDv F.B 0–100
ping-pong panning
Page01
Set the note length of the delay
sound.
FxLVL 0–100 DRY OFF/ON Tail OFF/ON
When ON, the original sound and the When ON, effect sound continues
Page02 effect sound are mixed and output even after effect is turned off. When
Adjusts the volume of the effect.
together. When OFF, only the effect OFF, effect sound stops right when
sound is output. effect is turned off.
Mode MONO, STR
Page03 Sets output to mono or stereo
(STR).
12
SmoothDly This wide delay is modeled on the BOSS DD-20 in SMOOTH mode.
Knob1 Knob2 Knob3
TIME 1–3000 F.B 0–100 E.LVL 0–100
TONE 0–100 Tail OFF/ON
Adjusts the tone.
This delay, which is based on the LO-FI mode of the strymon TIMELINE, allows you to
LO-FI Dly
degrade the sound quality using the bit rate and sampling rate parameters.
Knob1 Knob2 Knob3
TIME 2–1900 F.B 0–100 MIX 0–100
sound.
SMPL 1/128–1/1 BITS 4–32 BLEND 0–100
Page02 Adjusts the balance between the
Sets sampling rate. Sets bit depth.
original sound and the lo-fi sound.
OFF, D:1–D:9,
DAMP 0–10 FLT OFF, 1–8 VINYL
S:1–S:9
Page03 Adds noise that occurs randomly.
Adjusts how the feedback sound Sets the character of the filter
With D:1-D:9, the noise occurs in
decays. applied to the effect sound.
time with the delay output.
SlwAtkDly This effect, which gently brings on the delay, is modeled on the LINE6 M9 Auto-Volume Echo.
Knob1 Knob2 Knob3
TIME 1–1900 F.B 0–100 MIX 0–100
sound.
DEPTH 0–100 SWELL 1–50 Mode MONO/STR
Page02 Sets how the effect is applied. Set to
Sets the depth of the modulation. Adjusts the attack time. MONO for a mono chorus effect. Set
to STR for a stereo vibrato effect.
Tail OFF/ON
This effect, which is based on the strymon TIMELINE TREM mode, adds a tremolo to the de-
TremDelay
lay sound.
Knob1 Knob2 Knob3
TIME 60–1900 F.B 0–100 MIX 0–100
sound.
TRI, SQR, SIN,
LFO DEPTH 0–100 SPEED 1/32–32/1
RAMP, SAW
Page02
Selects the tremolo modulation
Sets the depth of the modulation. Sets modulation speed.
waveform.
DAMP 0–10 HPF OFF, 20–900 GRIT 0–10
Page03 Adjusts how the feedback sound Adjusts the maximum range of the Adjusts the distortion of the effect
decays. frequencies in the effect sound. sound.
13
FLTR PPD Based on the Eventide TimeFactor FilterPong, this effect combines filter and delay effects.
Knob1 Knob2 Knob3
TimeA 0–1900 TimeB 0–1900 Mix 0–100
Sets the delay time for Delay A. Adjusts the delay time of Delay B. sound that is mixed with the original
sound.
DlyMx 0–100 Fdbk 0–110 Slur 0–10
Page02 Adjusts the mix of Delay A and Delay Softens the attack of the feedback
Adjusts the feedback amount.
B effect sounds. sound.
Sn1–16,
M-0–10,
FLTR 0–100 Depth Wave Tr1–16,
S-0–10
Sq1–16
Page03
Adjusts the modulation depth. Also
Adjusts the amount the filter is Sets the modulation wave type and
sets the output to mono (M-0–10) or
applied. speed of modulation.
stereo (S-0–10).
A-Pan DLY This combines auto pan and delay to create the effect of the stereo image moving cyclically.
Knob1 Knob2 Knob3
Time 1–2000 F.B 0–100 Mix 0–100
sound.
1/4, 1/2, 3/4,
Rate Width L50–R50 Depth 0–10
1–50
Page02
Sets the speed of the sound Sets the width of the sound Sets the depth of the sound
movement. movement. movement.
Clip 0–10 Link P-D, D-P Level 0–200
Page03 Adjusts the amount of waveform Sets the order that the auto pan and
clipping. delay are connected.
ICE Delay Based on the strymon TIMELINE ICE mode, this effect combines pitch shifting and delay.
Knob1 Knob2 Knob3
TIME 60–1300 F.B 0–100 MIX 0–100
sound.
INTVL -Oct–2Oct SLICE SHORT, LONG BLEND 0–20
Page02 Sets the pitch modulation amount for Adjusts the balance between the dry
Adjusts the length of the slices.
the audio slices. and ICE signals.
SMEAR OFF, 1–20 DAMP 0–10 HPF OFF, 20–900
Page03 Adjusts the amount that the attack of Adjusts how the feedback sound Adjusts the maximum range of the
the feedback sound is softened. decays. frequencies in the effect sound.
[REVERB]
HD Hall This is a dense hall reverb.
Knob1 Knob2 Knob3
PreD 1–200 Decay 0–100 Mix 0–100
Page01 Adjusts the delay between input of
Adjusts the amount of effected sound
the original sound and start of the Sets the duration of the reverberations.
reverb sound.
LoDMP 0–100 HiDMP 0–100 Tail OFF/ON
Page02 Adjusts low frequency damping in Adjusts high frequency damping in even after effect is turned off. When
reverb sound. reverb sound. OFF, effect sound stops right when
14
HD Reverb This is a high-definition reverb.

Knob1 Knob2 Knob3
Decay 0–100 Tone 0–10 Mix 0–100
Sets the duration of the reverberations. Adjusts the tone.
PreD 1–200 HPF 0–10 Level 0–150
the original sound and start of the Adjusts high-pass filter cutoff frequency. Adjusts the output level.
reverb sound.
Tail OFF/ON
Hall This reverb effect simulates the acoustics of a concert hall.

Knob1 Knob2 Knob3
Decay 1–30 Tone 0–10 Mix 0–100
PreD 1–100 Level 0–150 Tail OFF/ON
even after effect is turned off. When
the original sound and start of the Adjusts the output level.
reverb sound.
Room This reverb effect simulates the acoustics of a room.

Knob1 Knob2 Knob3
reverb sound.
TiledRoom This reverb effect simulates the acoustics of a tiled room.

Knob1 Knob2 Knob3
reverb sound.
Spring This reverb effect simulates a spring reverb.

Knob1 Knob2 Knob3
reverb sound.
15
Arena This reverb effect simulates the acoustics of a large enclosure such as a sports arena.
Knob1 Knob2 Knob3
reverb sound.
EarlyRef This effect reproduces only the early reflections of reverb.

Knob1 Knob2 Knob3
Decay 1–30 Shape -10–10 Mix 0–100
Adjusts the duration of the reverb. Adjusts the effect envelope.
Tone 0–10 Level 0–150 Tail OFF/ON
Air This effect reproduces the ambience of a room, to create spatial depth.
Knob1 Knob2 Knob3
Size 1–100 Tone 0–10 Mix 0–100
Sets the size of the space. Adjusts the tone.
Ref 0–10 Level 0–150 Tail OFF/ON
Page02 Adjusts the amount of reflection even after effect is turned off. When
from the wall. OFF, effect sound stops right when
Plate This simulates a plate reverb.

Knob1 Knob2 Knob3
PreD 1–200 Decay 0–100 Mix 0–100
Adjusts the amount of effected sound
the original sound and start of the Sets the duration of the reverberations.
reverb sound.
Color 0–100 LoDMP 0–100 HiDMP 0–100
Page02 Adjusts the reverb time of the low Adjusts low frequency damping in Adjusts high frequency damping in
frequencies. reverb sound. reverb sound.
Tail OFF/ON Level 0–150
ModReverb This reverb generates fluctuating echoes.

Knob1 Knob2 Knob3
Depth 0–100 Decay 1–30 Mix 0–100
Sets the depth of the modulation. Adjusts the duration of the reverb.
Rate 1–50 Tone 0–10 PreD 1–100
Page02 Adjusts the delay between input of the origi-
Sets the speed of the modulation. Adjusts the tone.
nal sound and start of the reverb sound.
16
SlapBack This reverb creates a repeating echo effect.

Knob1 Knob2 Knob3
Time 1–1000 Decay 1–30 Mix 0–100
Sets the delay time. Sets the duration of the reverberations.
F.B 0–100 Tone 0–10 DRBal 0–100
Page02
Adjusts the feedback amount. Adjusts the tone. Sets the ratio of delay and reverb.
Spring63 This spring reverb sound is modeled on a '63 Fender Reverb.

Knob1 Knob2 Knob3
DWELL 0–100 MIXER 0–100 TONE 0–100
Page01 Adjusts the amount of level that input Adjusts the mix of volume the effect
Adjusts the tone.
to reverb. sound.
Level 0–150
Page02
Chamber This effect simulates the reverberations of a chamber-sized room.

Knob1 Knob2 Knob3
Decay 0–100 Tone 0–100 Mix 0–100
Sets the duration of the reverberations. Adjusts the tone. sound that is mixed with the original
sound.
PreD 0–200 Tail OFF/ON
the original sound and start of the
reverb sound.
This rough in-your-face reverb is modeled on the LOFI setting of the tc electronic HALL
LOFI Rev
OF FAME.
Knob1 Knob2 Knob3
DECAY 0–100 TONE 0–100 FxLVL 0–100
Page01
Sets the duration of the reverberations. Adjusts the tone. Adjusts the volume of the effect.
PreD SHORT/LONG Tail OFF/ON Dry OFF/ON
even after effect is turned off. The dry When ON, the original sound and the
sound also continues to have the same effect sound are mixed and output
tone as when the effect was on. together. When OFF, only the effect
reverb sound.
When OFF, effect sound stops right sound is output.
Church This effect simulates the reverberations of a church.

Knob1 Knob2 Knob3
DECAY 0–100 PreD 0–200 MIX 0–100
Page01 Adjusts the delay between input of Adjusts the amount of effected
Sets the duration of the reverberations. the original sound and start of the sound that is mixed with the original
reverb sound. sound.
TONE 0–100 HiDMP 0–100 Tail OFF/ON
Page02 Adjusts high frequency damping in sound also continues to have the same
Adjusts the tone.
reverb sound. tone as when the effect was on.
Dry OFF/ON
sound is output.
17
Cave This effect simulates the reverberations of a cave.

Knob1 Knob2 Knob3
Decay 0–100 Tone 0–100 Mix 0–100
sound.
PreD 0–200 Tail OFF/ON
reverb sound.
Ambience This effect adds a natural ambience (air) to the sound.

Knob1 Knob2 Knob3
DECAY 0–100 TONE 0–100 MIX 0–100
sound.
PreD 0–200 Tail OFF/ON Dry OFF/ON
even after effect is turned off. The dry When ON, the original sound and the
sound also continues to have the same effect sound are mixed and output
tone as when the effect was on. together. When OFF, only the effect
reverb sound.
When OFF, effect sound stops right sound is output.
This gate reverb, which is suited to percussive playing, is modeled on the DigiTech RV-7
GateRev
(Lexicon) Gated setting.
Knob1 Knob2 Knob3
Level 0–100 Tone 0–100 Decay 0–100
Adjusts the tone. Sets the duration of the reverberations.
Tail OFF/ON Dry OFF/ON
When ON, effect sound continues When ON, the original sound and the
Page02 even after effect is turned off. When effect sound are mixed and output
OFF, effect sound stops right when together. When OFF, only the effect
effect is turned off. sound is output.
This effect, which is modeled on the DigiTech RV-7 (Lexicon) Reverse setting, sounds like
ReverseRv
reverb in reverse.
Knob1 Knob2 Knob3
Level 0–100 Tone 0–100 Decay 0–100
Adjusts the tone. Sets the duration of the reverberations.
Tail OFF/ON Dry OFF/ON
When ON, effect sound continues When ON, the original sound and the
Page02 even after effect is turned off. When effect sound are mixed and output
OFF, effect sound stops right when together. When OFF, only the effect
effect is turned off. sound is output.
Echo This effect can generate gorgeous echoes.

Knob1 Knob2 Knob3
DECAY 0–100 TIME 0–200 TONE 0–100
Sets the duration of the reverberations. the original sound and start of the Adjusts the tone.
reverb sound.
MIX 0–100 Tail OFF/ON Mode MONO, STR
sound also continues to have the same Sets output to mono or stereo
sound that is mixed with the original
tone as when the effect was on. (STR).
sound.
18
This effect adds tremolo to reverb and is based on the TREMOLO VERB setting of an
TremoloRv
Eventide SPACE.
Knob1 Knob2 Knob3
Decay 0–100 PDLY 0–500 Mix 0–100
SINE, TRI, PEAK,
MN0–MN99,
Speed 1.0–20.0 Shape RNDM, RAMP, Depth
ST0–ST99
SQR
Page02
Sets the depth of modulation. Also
Sets modulation speed. Sets the modulation waveform. sets whether the modulation is mono
(MN0–99) or stereo (ST0–99) .
Size 0–100 Low -100–100 High -100–100
Page03
Adjusts the size of the reverb space. Adjusts volume of low frequencies. Adjusts volume of high frequencies.
This effect combines reverb and flanger in a model of an Electro-Harmonix Holy Grail set
HolyFLERB
to FLERB.
Knob1 Knob2 Knob3
RVRB 0–100 Tail OFF/ON
sound that is mixed with the original
sound.
Page02
This reverb, which is modeled on the tc electronic NOVA REVERB, changes volume ac-
DynaRev
cording to the dynamics of the input sound.
Knob1 Knob2 Knob3
Decay 0–100 PreD 0–100 Color 0–100
Sets the duration of the reverberations. the original sound and start of the Adjusts the tone.
reverb sound.
-100– -1, OFF,
Sense Mix 0–100 Tail OFF/ON
1–100
Page02 When ON, effect sound continues
Adjusts the amount of effected
Adjusts the sensitivity of the effect. sound that is mixed with the original
sound.
Modeling the strymon blueSky in Shimmer mode, this effect adds pitch-shifting and de-
ShimmerRv
lay to reverb.
Knob1 Knob2 Knob3
PreD 1–100 DECAY 0–100 MIX 0–100
the original sound and start of the Sets the duration of the reverberations. sound that is mixed with the original
LoDMP 0–100 HiDMP 0–100 Tail OFF/ON
Page02 Adjusts the amount that the low Adjusts the amount that the high
frequencies of the reverb sound are frequencies of the reverb sound are
reduced. reduced.
ParticleR This unique complex reverb effect models the LINE6 M9 Particle Verb.
Knob1 Knob2 Knob3
STBL, CRTCL,
DWELL 0–100 GAIN 0–100 MODE
HZD
Page01
Adjusts the output gain of the reverb
Sets the duration of the reverberations. Sets how the reverb sound changes.
sound.
MIX 0–100 MONO OFF/ON Tail OFF/ON
Page02 Adjusts the amount of effected When OFF, the effect sound is output
sound that is mixed with the original in stereo. When ON, the effect
sound. sound is output as a mono mix.
19
This effect, which is based on the Eventide SPACE BlackHole algorithm, combines delay
SpaceHole
and reverb.
Knob1 Knob2 Knob3
Decay -100–100 PDLY 0–1000 Mix 0–100
F.B 0–100 Depth 0–100 Speed 0–100
Page02
Adjusts the feedback amount. Sets the depth of the modulation. Sets modulation speed.
Size 0–100 Low -100–100 High -100–100
Page03
Adjusts the size of the reverb space. Adjusts volume of low frequencies. Adjusts volume of high frequencies.
MangledSp Based on the Eventide SPACE MangledVerb algorithm, this reverb produces wild echoes.
Knob1 Knob2 Knob3
PDLY 0–500 Clip 0–100 Mix 0–100
the original sound and start of the Adjusts the amount of distortion. sound that is mixed with the original
Decay 0–100 Mod 0–100 Size 0–100
Page02
Sets the duration of the reverberations. Sets the depth of the modulation. Adjusts the size of the reverb space.
Low -100–100 High -100–100 Level 0–200
Page03
Adjusts volume of low frequencies. Adjusts volume of high frequencies. Adjusts the output level.
DualRev Based on the Eventide SPACE DualVerb algorithm, this effect combines 2 reverbs.
Knob1 Knob2 Knob3
PDlyA 0–750 PDlyB 0–750 Mix 0–100
Sets the pre-delay time of Reverb A. Sets the pre-delay time of Reverb B. sound that is mixed with the original
sound.
ABMix A9 B0–A0 B9 DCY A 0–100 DCY B 0–100
Page02 Adjust the mix of the Reverb A and B Sets the reverberation length for Sets the reverberation length for
effect sounds. Reverb A. Reverb B.
Size A1 B1–A9 B9 ToneA -100–100 ToneB -100–100
Page03
Adjusts the size of the reverb. Adjusts the tone of Reverb A. Adjusts the tone of Reverb B.
[DYN/FLTR]
Comp This compressor in the style of the MXR Dyna Comp.
Sense 0–10 Tone 0–10 Level 0–150
Page01
Adjusts the compressor sensitivity. Adjusts the tone. Adjusts the output level.
ATTCK Slow, Fast
Page02 Sets compressor attack speed to
Fast or Slow.
RackComp This compressor allows more detailed adjustment than Comp.

THRSH 0–50 Ratio 1–10 Level 0–150
Page01 Sets the level that activates the
Adjusts the compression ratio. Adjusts the output level.
compressor.
ATTCK 1–10
Page02
Adjusts the compressor attack rate.
M Comp This compressor provides a more natural sound.

Page01 Sets the level that activates the
Adjusts the compression ratio. Adjusts the output level.
compressor.
ATTCK 1–10
Page02
Adjusts the compressor attack rate.
20
OptComp This compressor is in the style of an APHEX Punch FACTORY.

Drive 0–10 Tone 0–100 Level 0–150
Page01
Adjusts the depth of the compression. Adjusts the tone. Adjusts the output level.
Page02
160 Comp This compressor is in the style of the dbx 160A.

THRSH -60–0 Ratio 1.0–10.0 Gain 0–20
Page01 Adjusts the threshold that determines
Adjusts the compression ratio. Adjusts the gain after compression.
when the effect is activated.
Knee Hard, Soft Level 0–150
Page02
Sets the type of knee. Adjusts the output level.
Limiter This is a limiter that suppresses signal peaks above a certain reference level.
Page01 Adjusts the reference signal level for Adjusts the compression ratio of the
the limiter action. limiter.
REL 1–10
Page02 Adjusts the delay between the point
where the signal level falls below the
threshold level and the limiter release.
SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
Time 1–50 Curve 0–10 Level 0–150
Page01 Set the curve of volume change during
Adjusts the attack time. Adjusts the output level.
attack.
Page02
ZNR ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.
Knob1 Knob2 Knob3
THRSH 1–25 DETCT GtrIn, EfxIn Level 0–150
Page01
Adjusts the effect sensitivity. Sets control signal detection level. Adjusts the output level.
Page02
NoiseGate This is a noise gate that cuts the sound during playing pauses.
Page01
Adjusts the effect sensitivity. Adjusts the output level.
Page02
DirtyGate This vintage style gate features a characteristic way of closing.

Page01
Adjusts the effect sensitivity. Adjusts the output level.
Page02
OrangeLim This models an ORANGE SQUEEZER.

Page01
Page02
21
GrayComp This models a ROSS Compressor.

SUSTN 0–100 OUT 0–100
Page01
Adjusts the sustain. Adjusts the output level.
Page02
This is a compressor which allows separate settings for the low frequency and high
DualComp
frequency range.
Hi 0–50 Lo 0–50 Freq 300Hz–1.5kHz
Page01 Adjusts the compression depth in Adjusts the compression depth in Adjusts the crossover point between the
the high frequency range. the low frequency range. high frequency and low frequency range.
Level 0–150 Tone 0–10
Page02 Adjusts the tonal quality of the
sound.
Sound input into the LineSel effect is sent directly to the OUTPUT jacks when OFF and to the next
LineSel
effect in order when ON.
Knob1 Knob2 Knob3
EFX_L 0–150 OUT_L 0–150
Page01 Adjusts level sent directly to the
Adjusts level sent to next effect.
outputs.
Page02
GraphicEQ This unit has a 6-band equalizer.

160Hz -12–12 400Hz -12–12 800Hz -12–12
Page01 Boosts or cuts the low (160 Hz) frequency Boosts or cuts the low-middle (400 Boosts or cuts the middle (800 Hz)
band. Hz) frequency band. frequency band.
3.2kHz -12–12 6.4kHz -12–12 12kHz -12–12
Page02 Boosts or cuts the high (3.2 kHz) Boosts or cuts the extremely high Boosts or cuts the harmonics (12
frequency band. (6.4 kHz) frequency band. kHz) frequency band.
Level 0–150
Page03
Ba GEQ This 7-band graphic equalizer is suitable for the bass frequency range.
50Hz -12–12 120Hz -12–12 400Hz -12–12
Page01 Adjusts the amount of boost/cut at 50 Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at
Hz. 120 Hz. 400 Hz.
500Hz -12–12 800Hz -12–12 4.5kHz -12–12
Page02 Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at
500 Hz. 800 Hz. 4.5 kHz.
10kHz -12–12 Level 0–150
Page03 Adjusts the amount of boost/cut at
10 kHz.
ParaEQ This is a 2-band parametric equalizer.

Freq1 20Hz–20kHz Q1 0.5, 1, 2, 4, 8, 16 Gain1 -12–12
Page01
Adjusts center frequency of EQ1. Adjusts EQ1 Q. Adjusts EQ1 gain.
Freq2 20Hz–20kHz Q2 0.5, 1, 2, 4, 8, 16 Gain2 -12–12
Page02
Level 0–150
Page03
22
Ba PEQ This 2-band parametric equalizer is suitable for the bass frequency range.
Freq1 20Hz–20kHz Q1 0.5, 1, 2, 4, 8, 16 Gain1 -20–20
Page01
Freq2 20Hz–20kHz Q2 0.5, 1, 2, 4, 8, 16 Gain2 -20–20
Page02
Level 0–150
Page03
This effect divides the signal into two bands (high/low) and lets you freely adjust the mix
Splitter
ratio of the two bands.
Hi 0–100 Lo 0–100 Freq 80Hz–2.5kHz
Page01 Adjusts the mix ratio of the high Adjusts the mix ratio of the low Adjusts the crossover point between the
frequency band. frequency band. high frequency and low frequency band.
Level 0–150
Page02
Bottom B Emphasizes the low and high frequencies.

Bass 0–10 Trebl 0–10 Level 0–150
Page01 Adjusts the amount of low-frequency Adjusts the amount of high-frequency
boost. boost.
Page02
Exciter This exciter is in the style of the BBE Sonic Maximizer.

Bass 0–100 Trebl 0–100 Level 0–150
Page01 Adjusts the amount of low-frequency Adjusts the amount of high-frequency Adjusts the level of the signal after it
phase correction. phase correction. has passed through the module.
Page02
This effect uses the comb filter that results from fixing the modulation of the flanger like
CombFLTR
an equalizer.
Freq 1–50 Reso -10–10 Mix 0–100
Page01 Adjusts the intensity of the resonance Adjusts the amount of effected sound
This sets the emphasized frequency.
sound of the effect. that is mixed with the original sound.
HiDMP 0–10 Level 0–150
Page02 Adjusts the treble attenuation of the
effect sound.
AutoWah This effect varies wah in accordance with picking intensity.

Sense -10– -1, 1–10 Reso 0–10 Level 0–150
Page01 Adjusts the intensity of the resonance
Adjusts the sensitivity of the effect. Adjusts the output level.
sound.
Page02
BaAutoWah You can adjust the mix of this bass guitar auto-wah with the original signal.
Sense -10– -1, 1–10 Reso 0–10 Dry 0–100
Adjusts the sensitivity of the effect. Adjusts level of original sound.
sound.
Level 0–150
Page02
23
Resonance This effect varies the resonance filter frequency according to picking intensity.
Sense -10– -1, 1–10 Reso 0–10 Level 0–150
Adjusts the sensitivity of the effect. Adjusts the output level.
sound.
Page02
Cry This effect varies the sound like a talking modulator.

Range 1–10 Reso 0–10 Sense -10– -1, 1–10
Page01 Adjusts the frequency range processed Adjusts the intensity of the modulation
Adjusts the sensitivity of the effect.
by the effect. resonance sound.
Bal 0–100 Level 0–150
and effect sounds.
SlowFLTR The frequency of this filter effect changes, triggered by picking.

Time 1–50 Curve 0–10 Level 0–150
Page01 Sets the time taken to change the Adjusts the curve of the sound
sound. change.
Reso 0–10 Chara 2Pole, 4Pole DRCTN Open, Close
Page02 Adjusts the intensity of the
Adjusts amount of filter applied. Sets the direction of the change.
modulation.
Z Tron This is like a Q-Tron Envelope Filter in LP mode.

Sense -10– -1, 1–10 Reso 0–10 Dry 0–100
Adjusts the sensitivity of the effect. Adjusts level of original sound.
sound.
Level 0–150
Page02
M-Filter This envelope filter with Moog MF-101 Low Pass Filter favor can be set in a wide range.
Freq 0–100 Sense 0–10 Reso 0–10
Page01 Sets minimum frequency of envelope
Sets effect sensitivity. Sets effect resonance.
filter.
Type HPF, BPF, LPF Chara 2Pole, 4Pole VLCTY Fast, Slow
Page02
Sets filter type. Adjusts amount of filter applied. Sets speed of filter action.
Bal 0–100 Level 0–150
and effect sounds.
A-Filter This is a resonance filter with a sharp envelope.

Sense 1–10 Peak 0–10 Mode Up, Down
Page01 Selects whether the direction of
Adjusts the effect sensitivity. Adjusts the Q value of the filter.
filter change is up or down.
Dry 0–100 Level 0–150
Page02
Adjusts level of original sound. Adjusts the output level.
Ba Cry This talking modulator is suitable for the bass frequency range.
Range 1–10 Reso 0–10 Sense -10– -1, 1–10
Page01 Adjusts the frequency range processed Adjusts the intensity of the modulation
Adjusts the sensitivity of the effect.
by the effect. resonance sound.
Bal 0–100 Level 0–150
and effect sounds.
24
Step This special effect gives the sound a stepped quality.

Depth 0–100 Rate 0–50 Reso 0–10
resonance sound.
Shape 0–10 Level 0–150
Page02
Adjusts the effect envelope. Adjusts the output level.
SeqFLTR The sequence filter has the flavor of a Z.Vex Seek-Wah.

Step 2–8 PTTRN 1–8 Speed 1–50
Page01
Adjusts number of sequence steps. Sets effect pattern. Sets modulation speed.
Shape 0–10 Reso 0–10 Level 0–150
Page02
Sets effect sound envelope. Sets effect resonance. Adjusts the output level.
RndmFLTR This filter effect changes character randomly.

Speed 1–50 Range 0–100 Reso 0–10
Sets modulation speed. Adjusts frequency range affected.
resonance sound.
Type HPF, BPF, LPF Chara 2Pole, 4Pole Bal 0–100
Sets filter type. Adjusts amount of filter applied.
and effect sounds.
Level 0–150
Page03
fCycle This filter effect changes tone characteristics cyclically.

Sine, Tri, SawUp,
Rate 1–50 Wave Level 0 – 150
Page01 SawDn
Sets the speed of the modulation. Sets the modulation waveform. Adjusts the output level.
Depth 0 – 100 Reso 0 – 10
Sets the depth of the modulation.
resonance sound.
St Gt GEQ This stereo graphic equalizer has 6 bands that suit guitar frequencies.
Knob1 Knob2 Knob3
160Hz -12–12 400Hz -12–12 800Hz -12–12
Page01 Boosts or cuts the low (160 Hz) Boosts or cuts the low-middle (400 Boosts or cuts the middle (800 Hz)
frequency band. Hz) frequency band. frequency band.
3.2kHz -12–12 6.4kHz -12–12 12kHz -12–12
Page02 Boosts or cuts the high (3.2 kHz) Boosts or cuts the extremely high Boosts or cuts the harmonics (12
frequency band. (6.4 kHz) frequency band. kHz) frequency band.
Level 0–150
Page03
St Bs GEQ This stereo graphic equalizer has 7 bands that suit bass guitar frequencies.
Knob1 Knob2 Knob3
50Hz -12–12 120Hz -12–12 400Hz -12–12
50 Hz. 120 Hz. 400 Hz.
500Hz -12–12 800Hz -12–12 4.5kHz -12–12
500 Hz. 800 Hz. 4.5 kHz.
10kHz -12–12 Level 0–150
Page03 Adjusts the amount of boost/cut at
10 kHz.
25
Table 1 Scale Parameter

Setting Scale used Interval
−6 6th down
−5 5th down
Major
−4 4th down
−3 3rd down
−m 3rd down
Minor
m 3rd up
3 3rd up
4 4th up
Major
5 5th up
6 6th up
26 Z2I-1713-02

Effect Types and Parameters (Ver.2) : © 2017 Zoom Corporation

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Effect Types and Parameters (Ver.2) : © 2017 Zoom Corporation

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Effect Types and Parameters (Ver.

© 2017 ZOOM CORPORATION

Effect type Effect explanation

Flanger This is a jet sound like an ADA Flanger.

Effect screen Parameter explanation Tempo synchronization possible icon

Effect Types and Parameters

DuoTrem This effect combines two tremolos.

Phaser This effect adds a phasing variation to the sound.

DuoPhase This effect combines 2 phasers.

WarpPhase This phaser has a one way effect.

TheVibe This vibe sound features unique undulations.

VintageCE This is a simulation of the BOSS CE-1.

StereoCho This is a stereo chorus with a clear tone.

Ensemble This is a chorus ensemble that features three-dimensional movement.

Ba Ensmbl This bass chorus ensemble features a sense of three-dimensional movement.

SuperCho This models the sound of a BOSS CH-1 SUPER CHORUS.

VinFLNGR This analog flanger sound is similar to an MXR M-117R.

Flanger This is a jet sound like an ADA Flanger.

Vibrato This effect automatically adds vibrato.

PitchSHFT This effect shifts the pitch up or down.

MojoRolle This effect modulates the pitch after picking.

CE-Cho5 This chorus is a model of the BOSS CE-5.

CloneCho This analog chorus sound models the Electro-Harmonix SmallClone.

StonePha This phaser sound models the Electro-Harmonix SmallStone.

BF FLG 2 This models a BOSS BF-2 Flanger.

MirageCho This chorus shimmers like a mirage.

CoronaCho This is a model of tc electronic’s CORONA CHORUS.

ANA234Cho This analog chorus sound models the MXR M234.

CoronaTri This is a model of tc electronic's CORONA Tri-Chorus.

BitCrush This effect creates a lo-fi sound.

Bomber This effect produces an explosive sound when picking.

Z-Organ This effect simulates an organ sound.

Rt Closet Simulates a rotary speaker.

ModDelay This delay effect allows the use of modulation.

FilterDly This effect filters a delayed sound.

PitchDly This effect applies pitch shift to a delayed sound.

PhaseDly This effect applies a phaser to a delayed sound.

HD Reverb This is a high-definition reverb.

Hall This reverb effect simulates the acoustics of a concert hall.

Room This reverb effect simulates the acoustics of a room.

TiledRoom This reverb effect simulates the acoustics of a tiled room.

Spring This reverb effect simulates a spring reverb.

EarlyRef This effect reproduces only the early reflections of reverb.

Plate This simulates a plate reverb.

ModReverb This reverb generates fluctuating echoes.

SlapBack This reverb creates a repeating echo effect.

Spring63 This spring reverb sound is modeled on a '63 Fender Reverb.

Chamber This effect simulates the reverberations of a chamber-sized room.

Church This effect simulates the reverberations of a church.

Cave This effect simulates the reverberations of a cave.

Ambience This effect adds a natural ambience (air) to the sound.

Echo This effect can generate gorgeous echoes.

RackComp This compressor allows more detailed adjustment than Comp.

M Comp This compressor provides a more natural sound.

OptComp This compressor is in the style of an APHEX Punch FACTORY.

160 Comp This compressor is in the style of the dbx 160A.

DirtyGate This vintage style gate features a characteristic way of closing.

OrangeLim This models an ORANGE SQUEEZER.

GrayComp This models a ROSS Compressor.