Pradhan Abhidharmakosabhasya of Vasubandhu 1975
Pradhan Abhidharmakosabhasya of Vasubandhu 1975
Pradhan Abhidharmakosabhasya of Vasubandhu 1975
R _
ABI-IIDHARMAKOSABHASYAM
OF
VASUBANDHU
General Editor
Prof. ANANTALAL THAKUR
Directory K. P. Jayaswal Research Institute& Patna
i· j' {
"Printed at
THE TARA PRINTING WORKS
, -
ABHIDHARMAKOSABHASYAM
OF
V ASUBANDHU .
Edited hy
Prof. P. PRADHAN
Prof & Head of the Pust~Graduate
Department oj Sanskrit,
Utkal University, Orissa
By
Dr. (Mrs,) ARUNA HALDAR, M.A.,Ph.D. (CalcuttaUniv.),
Readfr, Patna University,
Head of the Department oj Philosophy, Patna Women's College,
Formerlj, Visiting ProJesso'l of Indian Philosophy,
Sanskrit and Bengali Languages to the Oriental Faculty,
Leningrad University, U.S.SR.
~T~.fl~~:n~~H~~tlT~~31i~T~~ij~~I;i
~
L The Government of Bihar established the K. P.,
Jayaswal Research Institute at Patna in 1951 with the object
inter~alia, to promote historical research, archaeological
excavation and investigations and publication of works of
permanent value to scholars. This Institute was planned
by this Government as a token of their homage to the
tradition of learning and scholarship for which ancient
Bihar was noted. Apart from the Kashi Prasad Jayaswal
Research Institute, five others have been established
to give incentive to research and advancement of
knowledge-the Nalanda Intitute of Post-graduate Studies
and Research in PaH and Buddhist I~earning at Nalanda,
the Mithila Institute of Post-graduate Studies and Research
in Sanskrit Learning at Darbhanga, The Bihar Rashtra e
General'Editer's:Note\:;' , •. . --, ,;
" . . . w <t.. •
',.;://.~:,':':.. T:,~;;:5;J,}~
, . '" ~,. ~", .
Jal1ma~tami, 1975
PREFACE
AbhJ.dharmakosa
The introduction and other chapters of the present
edition form substantially a part of my studies in Buddhist
treatment of metaphysical phenomena as based on Abhi~
dharmakosa of Vasubandhu a waH~known scholar and
philosopher of 4th century A. D. After necessary adapta~
tion, that study is being offered in the present shape. In
my treatment of Buddhist Psychology; (some Psychological
aspects of early Buddhism as based on Abhidharmakosa of
Vasubandhu-in press at the moment--·which is being pub~
Hshed by the Asiatic Society, Calcutta), I discussed in
details the 4 Skandhas i.e, Vedana( feelings), Sarpjna(per..
ception), Vijnana (consciousness), SaI)skara (impressions)
and made a comparative analysis of Sarvastivada philoso-
phy and some aspects of modern realism, that I feel, need
not be repeated here. I present here Sarvastivada and
its history and development of Abhidharma literature
(Chapter I); full idea of Ruphskandha (Chapter II).; Coope~
ration of Rupa and Citt~ (Chapter HI) the Buddhist con m
or less the
After the
gradually
and
accepted sacred
commentaries (Vibha~a)
written on them. North India was completely
under the sway of Sarvastivada Buddhism (a kind of earlier
Buddhism maintaini.ng on €Sarvastivada
and modern realism' Asiatic
Society, the the
fourth Buddhist synod taken place in
Gandhara, later from the D. Saivism deve~
loped in Kashmere declined there.
Buddhism 3 however, about 100
B.G.) to Central Asian countries,
the 5th and 6th centuries, Chinese miSSIonaries
developed communication between India and China through
Central Asia and Mongolia. re .. discovered caves of
Tung Rnan (N.W. in the Central
Asian deserts
and wide into
still coming
Tashkent,
Plenty
Sanskrjt~
scholars
scholars like
Sal11krtyi1yana
Manuscripts were
available· from China, J apan@
Mongolia, Central Tibet and
Nepal, A careful the translations
xxii PEEFACE
Among
PREFACE Xxiii
contemporary scholars were Sylvian Levy, the great French '.
scholar, and Louis de La VaUt"e Poussin of Belgium.
Among the scholars who worked about the same in India
mostly hi Calcutta, were Hara Prasad Sastri, and Raja
Rajendra La! Mitra, his senior Sans Candra Vidyabhu~aQ.a of
'Bu'ddhistic Logic' fame and Sarat Oandra Das of Tibetan
fame were Sastri'scontemporaries. Das was the authority
on Tibetan Buddhism and had, at considerable risk, visited
the prohibited land of Lahsa, while VidyabhusalJa's name
as a master ofIogic is often mentioned iu Professor Steher.. ,
batskoy's writings. Another centre of Buddhistic studies was
developing simultaneously in Japan. Dr. Takakusu and Ane-
saki were the pioneer scholars and were later followed by
veteran scholars like Suzuki and N. Wogihara. Wogihara~n
collaboration with the Sanskrit scholars of Taisho college,
edited the masterly text of Sphutarthabhidharmkosavya~
khya" a commentary by YaSomitra on Vasubandhu's Abhi-
dharmakosabha~ya. {In India~ we should mention, we had
no access to Prof. Stcherbatskoy's translation of the Kosa-
bha~yabut Louis De La Vallee Poussin's. French translation
of the same was available}. From the first quarter of the
present century' scholars like Mahamahopadhyaya Vidhus.
Sastri and Dr. B. Barua in India later and Prof. Tucci in
Italy furthered the cause of the Buddhistic studies a good
deal. Among the contemporary scholars of Buddhism the
two names which appear very prominent are that of Prof.
Waldschmidt of Gottingen University and Prof. Dr. N.
Dutta of the University of Calcutta. The latter, Dr., N.
Dutta,belonged to the glorious tradition of Louis De La
Vallee Poussin and was (passed away* at the age of 80)
associated with the e'ditingof the famous GiJgit manuscripts
as also various other Buddhist texts of immense value. In
India it should also be mentioned, Buddhistic studies deve-
loped significantly under the influence of the poet Rabindra
*On 27.11.73.
PREFACE
A~~:;f)Wl84gmpnii
'>-;',','p :';',~,' /
"
'.' ;"':llthank;th"e;s6li~lats.i·~ria;~~a.~hers
"'.'," , ' " ...•. ' ", ' . , . ' ' . < :.;" , '
Late Miihapandi.ta
R:aI1\llcr;Sam:krtya~anaj:;.~h'el.t.at~'iProfessor· .Atlanta Kumar
,Bb~ttacharyya;::'F~~k;ati#1i:~'~a:strrbr;the N'yaya Department
5~i·~Cal~uttaIS'abg;:writ
; '.' .'; '" " "', , ; . : '''I; ; " ; ',;.
<~oiteg~·;Calcutta"t Professor' Satkari,< ' " .,,', .
happen without a cause (ex nihilo nihil fit). The third deals
.with the eradication of the cause of suffering (Nirodha).
The fourth enunciates the way of liberation from suffering
or the way Jeading to cessation of suffering (Marga).
These four truths have been compared with (a) Disease,
(b) Diagnostic cause of the disease, (c) Removal of the
disease by eradicating the causes, (d) and Cure of the
disease by medical treatment. 1
Buddha wanted to establish a correct path which
would do away with suffering. He pointed out for the
purpose the evanascentcharacter of both suffering and
pleasure, and suggested a rebuilding process of human
nature through what may be caUed, psychological analysis
and ethical purgation. The same attitude is shared by
Yoga philosophy,but, the ideas anitya (Evanascent, Transi ..
tory) and Sunya (NonQexistent) are typical of Buddhism.
j, All~tldaa:hdup~rj.' · . Atdiongh'~the,~e:jexf~;,wer~generaH Y
•. '~gt~cduI>()n &ythea;ssemhIe4jfl1on¥§,1i~e'S'~~ds::bfidi~s~h§ion,
"however, .cOuld b~;tra;ce<rev~r{ "tptreJ: ZSo'rnemonks'haq
.;:in;a:~gesag~inst·; ~~a'l1<:la;s'st~ ~~s'ag:'lniA6aik$a (com pJetely
.; 'libexitedone supe'rii>ror'Arb.at}' ;'tnis '.' dispute was' settled
.•'> " ......,;.;.:' .• " :;:,., .. ' .............. , ....,:;. :..... .. ~...':: . . J....:';.;. .. : ." '. . . . . . '.:.
;inj~dtie 'c{)lltse... .Two' "~oll1er(enowned"di$~rples' . GaV'ampati
,a~a'·llri~n.a .• ifulicated th~i~;~l~~greem~~t' ,t~ 'whath~d .b:e'en·
_ INTRODUCTION
rdhana•
.•.• ,1:' ..AbhidharmakosavrUZMarmajJrar,!ipa ~byDignaga.
'. ;8.' 'AltbidMrcrft'akosatika rif,ultdyi/fj, .~By:Satitisthiradeya~ •
, ' '\9~ Sdfa~a1rlliccdYi1;Jv:a1lta'Aohid1t~rama~dtara~ By llhka
IdioWh"iiuthor.'lt's . Tibetoih:' ttarisl aHOri 'was .' ma(h~ by'
Jinamitra,ancl DanaSiIa. . . . . ;
. 10., ·.i1bhidbarm~vatiira fr.akarM4.JVlifna;--hy Sugarldhara .
.ll ..'A~hidh~'(m:amt(iJrasaS'd::itra~By
'.' .' ", " ' : , ' : ..r ..... ' ,
Gh9~a.
.e·.
;,'. ,', ,.;:
:12. ;.Aq.hidh,qma~rd.qia:. $ll$.tta~J3Y. Dparm;r Jin~, (or by
, .,'Dharmottara). ; .... . ' , . '.
, " ......: <., ...••... , ..... I .. " . . ." .' .' :.
'. ,,la.:, , 4l?!da.4af,mq~rtlay/l Sqftr4:ByUpii1s~n~~.·, .' :
:':~4: '. ,;$rt~iuktalfhrdh,amtakrtfaJasU:8tra~I t is ·~ttdhuted. to
Dharmatrat.Cl.,.:his.aG9Il111lent~ryon . • Ab,hidhapll~hrdaya-
,:-, " "', " '," v',,' " , ' <, .. . ",' , •. ;- , . "... , . , ;, ;"
sastra. .
'v",,'" (;~, , , ' ,'.".,,'. ".: " . <. ,",. " '".: '; ,". -'
but does not place him definitely at· any particular. time:,g
Talcakusu 'considering all the possible .sources from. India
and China conclusively places Vasubandhu between 420
and 500 A.D., . which for aU practicaL purposes seems. to
be most rational (Takakusu J. R. A. S., 1905, p. 33-.35).
In his learned article on 'Parama;rtha'slife of Vasuhandhu
'and the date of Vasubandhu',,' he has eXhaustively dealt
· with aU the· references with regard to . the problem. ·of
Vasubandhu's Hfe and date.
Two distinct Vasubandhu.s-The problem of the Vasu-
, bandhus has been recently discussed by FrauwaUner in his
booklet, tiThe date of Vasubandhu the Buddhist law Master". He
however is not the pioneer to this idea. According to Winter~
nitz· (Indian Literature, p. 356). the Japanese Scholar·T.
Kimura put forward thi~ hypothesis of two. distinct Vasu-
bandhus; theearlkr of the two' was suggested to be a Maha-
yanascholar and the later Vasuhandhu, the author of the
Kosa. Winternitz however did ,not accept this theory.
Frauwallner actually anaiyses aU the possible data obtai-
nable about Vasubandhu and is of :thede·fioite opinion that
two distinct Vasubandhu~ lived in two different periods.
The margin between the two periods is.of some eighty
years, a period, ,which. h inconsequential for any pJausible
conclusion in Indian ;chronology. FrauwaJIner' however,
,states. that the earlier Vasubandhu was Asanga>s brot~er,a
resident of Gandhara and a Mahayani; existing between 280
and 360 A.D.' The later Vasubandhu was the teacher of
Manoratha,a contemporary of Nara~hphaguptaBaladitya,
· Saqlghabhadra and Vindhyavasl or Vindhyvasa (indentified
by Takakusl,l.' with iSvarkr~J:.la--
. j.R;A.S., P. 49.) and the
grammarian Vasurata, brother~inwlaw of· Narasirphag'upta
Baladitya. M 'He was a residen( of Ayodhya and the author
ofthekosa.He was a Hlnayani scholar withlea~ings towards
· Sautrantika doctrine. Frauwallner also states that these
two distinct persons were 'amalgamated into onc,as:ifina
J6 INTRODUCTION
Abhldhal"makosaof Vasubandhu :
Ahlzidharmakosa, a masterly work by V'asuhAn:dhu~ was
written as a synthetic compilation of the different Abhi·
dharma
, texts of Kashmere Vibhasa
' . " School
. of Sarvastivada.
. .
2. ,Kosasthana ]1"';'"
3. 'Kosasthami III-
'Ka1"ma;Nir,ilesal?'~<i1ta.ls',with;th~
nature"~f ,.~~;d&:afJ~:'th~i;t,ft,uit~),'
"." ,.,' '." , . //
20 INTRODUCTION
(Metaphy~i~.~J
." .".
'rl'qperti~
"., " ,,'
qnq
-.
Compounqs)
. '"
Meaning of Dharma
According to the Vaibha~ika thinkers 'Dharma'
means the 'Elements' Or the 'Reals'.·These,IReafs'exiSt onW,
for the flHu,re wb.ich i~ ,;:!,gain the.,meetingplaceof the past
ancl present· Th,es~ f.lemeFts.~oP$titut~ aU the objects a~d th~
who]ewqrld. .TlJey cQmbin~ iqto,;:various modes of 'Matter',
and'Mind,-.Theyare r~sponsible for building up aU the
sensat~ons~ perceptions, and p~ycho~physiological andexteH~al
complexities of theJQ:cal,led p;~r~onaIity,and phenQmena~
Then~ a're 15 :Oharm~s . All of t4es~, are impermanep,t.OJ (a.).
i", -",' "", , ' . " " ,','
Class II
7. Caks.u indriy.aAyatana, IIi, H . ,,', f'lculty of vision (eye)
3.
~ .....
34 INTRODUCTION
Cla.sses of Dha tu :
L. R(lpa Dhatu or Visual object element
2. ~abda Dhatuor Auditory ooject element.
3. G~ridha Dhatu or olfactory objectelement Sensuous
.. 4. Rac;aDhfituor Gastatory object' element.
5. Spra~tavya:Dhatu or Tactile object element
6.. Dharma Dhatu or Non"-sensuous object' element.
(These six Dhatus are objective and external or Bahya)
'7: Cak~u Dhatu or the Eye f~cuIty element;
B. Srotra Dhatu ~or the Ear faculty element.
, '9. Nasika Dhatil or the Nose faculty element
10. : JihvaDhatuot the Tongue facultyelement
'1 L " Kaya Dhatu or the Skin/Body tacUltyelemerit
12. Manadhatuor the Mind'facultyelement.
(These ~x Dhatus are subjective and internal or"
Adhyatmlka)
13. Cak~uvijnana Dhatu or VisuaJ consciQusness c;Iement. ,
14. Srotra Vijnana Dhatu or Auditory' c()DsdousneSs'
, 'efement :. '., '; i . ' " . ; ,
ever, need not require this direct contact with the object
(apraptavi~ayaka). The mind(mana} has got its objects
which are the past objects (atita aSraya). Thus,Mind-consd~
ousness elements (manovijfianadhatu) are found together with
each of the five consciousness elements. It is said that the
consciousness in each Case (Eye consciousness, Ear conscious m
Remarks:
(a)' The Kosa's view about the "DhattiasG.oir'k
" ",., ~l ~, ", ::,
. Sabda (the,Audible): ,
Sabda includessQnnd and intentionally pronounced
, s@un,<:l; '. Thus, the two~ ~lasses of the Audibles are there,
viz;SativasarP.khy~ta . or' Vagvijfiapti (i.e.· Sabda or
sound ,pronounced by the'hu~an· beings ,and reported
spe~chrespe~tively) a.nd Asattvasaqxkhyata (i.e. the
. so6i1d,made/Qt.lH!rwiseJ~,'Thesound also may again be
as lJpathul;1ahabhutaheiul~a (otartificially produced by the
fOlirultirn~tepropei'ties'puttogether and Anupattamaha-
bhtita;hetuka (orproduce& dtherwise). The former, sattvas-
'. aqJ.k~yata,~may: be und~fst()bdasHastavakSabda (gesture &
.1!tt.e!,'e~ sounds) MId the Asa ttvasaqxkhyata may be understood
as the natural sounds Hke 'rustling of the leaves of
trees or murmuring of the river and so on. Each of
these classes may be subdivided ioto two more subclasses,
viz. Manojna and. Amanojna (harmonic and dishar
monic respectively), Thus, altogether there are eight kinds
of Sabda or audibles. It i; said, that theparamaQ.us
or the ultimate properties of sound stick together like those
orthe visual nature of the other paramaQ.usor the ultimate
properties.
I
Remarks about Sabda
The Kosa's cIassifkation of the audi'bles or Sabda,
however, seems to be overlapping; for, some Sabda which
is Asattvasa:rp.khyata (sounds other than reported gesture
, I
Ren:lark
The above scheme of six taste objects may be compar~
ed with the different gastatory sensations as modern psycho~
logy would have it. These are:
(1) Bitter : It is felt at the back of the tongue,
(2) Sweet: It is felt at the tip of the tongue.
(3) Sour: It is felt at both sides of the tongue.
(4) Salt; It is feIt all over the surface of the tongue.
(5) MetaHic
(6) Astringent or acid taste.
I t is said that taste sensation is vague and cannot be
imaged when withdrawn from the percept. Taste sensation
often blends with olfactory sensation and organic sensation
of the alimentary canal. Taste of something hot produces a
temperature sensation. Incidentally it may be stated that:
according to Kosa, Rasa objects are produced by direct con~
tact of the tongue with the food or any other object. The
tongue cannot have the taste of a remote object. Again; the
tongue can have only a present sensation; past perception
images or future images of taste are not possible with regard
to taste objects.
Ga:ndha, (smell objects)
Gandha, smeH or olfactory objects according to Kosa.
are of four kinds, viz. Sugandha, durgandha (or good odour
and bad odour) and samagandha, vi~amagandha (mild and
strong smeH respectively), According to Bhawa, there are
only three kinds of smeH, viz., good-odour, bad odour and
mild odour,
Remark
According to the view~point of modern psychology six
kinds of smell are obtainable. These are (after Herring) :
(1) Fruity, (2) Flowery, (3) Ethereal .. (4) Spicy~ (5)
Putrid, (6) Burnt. It is said that the olfactory receiving
cells are easily fatigued. Often one type of smell blends into
another if the stimulus is prolonged; e.g. sensation of jasmine
smell after along time would stimulate the sensation of
putrid. 'Flavour' is a unique blend of olfactory and
gastatory sensations. Like gastatory sensation, olfactory
senstion is equally vague and gets mixed up easily with the
organic sensation, Although it is one of the more original
senses of animals, it requires a direct contact with the
percept. Incidentally, it may be stated that, gastatory and
olfactory senses remain a problem even to aU the exponents
of modern physics, physiology and psychology. The smeH
sensations are highly suggestible in nature.
The above ideas are raised in order to understand the views
of the Kosa on olfactory sensation in a better way. Thus,
according to Kosa also, olfactory objects require a direct con~
tact with the organ. This means that a smeH sensation occurs
only when the percept is present (upatta vi~aya). There is no
olfactory image possible; so, there cannot be any olfactory
sensation of a very distant object. In case, one has gotto decide
from the blending of two Idnds of sensations one of t he olfac~
tory andgastatory, the nature of the sensation win be decided
by the relatively stronger intensity of one over the other;
IN1'RODUCTION
References
:10 (a) Anityl vata Saipsk~rlih; Ko~a I I-Kii 41 Sphutlirtna p. 106.
(b) Vijnaptirnagatirn~s~tSarp.skrtarp. K~aQikarp. Yatab.
Kosa 4 ka 2. . ' ,r
~t. (a) Ndtmlsti Skandhamlitrarp. tu KarmaklesadisatMkrtarp.. A. K:
Klirikil) 'Kosa HI KilNo. 18.
(I» Sa pra~ityasamutplda 'dvlldaslingastriklioc;1akah. A; K. Karikli
Ko~a IU,· ~a ZOo '
.I
5
CHAPTER HI
(A) LOKA
€U'.
i+;~;!t4~~~~:itg~c1,a;nj ,; "'?~~:;:!:va
',. (p) 'J:'l~~lJ~(irl~:r.prv. ... . . . . 'Bffiatphala
'. (~)' "I'"." '",';" . . . '~Mpa
'(e)
. . . ..';Abr ha
. ,,+1")" ';FiVeTSttdd1rava;sas,;J5uOrSa
. (g}.i ff':'.t! ii',:!,.,:!, !;'~i ·..·~.;·!;.:.·~".!'•. ,A~~~i~tha
(Ill> . . , . ' '. ..., ,; ' . 'Sudarsana
-' . '' ' .. -,-;+. ':>-(/;:f~,:-/~:0/;~' )L~;<~/<;'1, '
':0:;'," ;};r#§~tta,~P~ct!l.({-?f;t~~Mfji~titive stages is determined
.RY:th,e:~ela?tl\#~,:,. S~P~R.iiy"'J~r:fJ!~;individual who may be of
.~t~~$~~;t*~il~:~~,:n!tT~:'::t~;~::~
. ;J;jJ';K;~)y,r~~tt~~9n,({i!tiQi1f4g~~1~~t~i~ment of a stage) .of a state
'jtl~pen.<f~;j.g,~ j~.~I~ti~,.;jj9't;~~s~~~';9f ~I)::~salamnla' .(or rootmerit).
Th~'fise~ridfCl.l1fromon~,;1,#dtlteQther state of existence is
determined by the Karma (or the act~vity)of the individual
dying ataparticular stage which ha$ already been achieved
by him. Thu~, some individual dying, say, after o.btaining
the seco.nd dhyana will be reborn there in.o.rderto. resume
his wo.rk fro.m that very stage. This state m;;ty be co.mpared
with so.me ideas expressed in the Hindu text of 'Srimadbha-
gvadgita'. It is said that the existents of Brhatphala level
or.the fourth dhyana o.btain cAsarp.jfii. Samapatti' (a
dynamic stage of no.n-conscious trance) spontaneously as an
achievement meant fo.r t11em without effort.
Description of Dhyana l II. III & IV.
The adept develops the first dhyana which in nature is
CSavitarka (i~vestigating), 'Savicara' (discerning) J 'Vivekaja'
(originated in solitude) and cPritisukha' (resulting in jo.y).
The adept develo.Ps the second dhyana which is devo.id o.f
Savitarka (investigating) and Savicara (discerning)' attitude;
he enjo.ys a kind o.f spiritual enjo.yment; he experiences
serenity bo.rn o.f co.ncentratio.n o.f thought due to. Samadhi
(co.ncentratio.n). The adept develo.Ps the third dhyana where
joyful feeling is absent and Upek~a·o.r neutraHty prevails.
So. this stage is Niwritikarp (o.r devo.id o.f jo.y). But the
adept enjoys an o.rganic state o.f caJm."Ka-yena Pratisarp.ve-
dayati" expresses a state experienced by the entire o.rganism.
Remark about the 3rd Dhyana.
This experience is no.t mainly a subjectivestate,-fo.r
the reaHsatio.n as such is experienced by the o.rganism as a
who.le(Kayena Upasarpvedayati o.r co.mmunicated by the
body).- This state may be co.mpared with a state orSu~upti
(o.r deep sleep) which has been described in Vedanta
philosophy· ·o.f Sarp.kara as Turiya state o.ra final stage
parallel to the experience o.f Brahma (the infinite). The
state also. may be co.mpar~d with' Niruddha( with':'
drawn) stage mentioned in Yo.ga philo.sophy. Dr. N.
Duha has elaborately discussed this experience in his
INTRObUCTION
J
riutral Avyakr!a). Allthe hUIi.1~nbeingarethusc1assifie
under 'two main classes viz., PrthagJana (or ordinary ~being
and Arya(the adept on the way to liberation} according
inclinations and actions.I2a ' (Based bnKosa III) ",
Comments
Buddhist .approach to psychology ismostIy introsp
I ctive and philosophical, psychology is here: a study incident
Meaning of Indriya
The meaning of the term indriya is faculty or a special
c()ntrol over a special field. Each faculty e.g. indicates an
entry into a special field constituted by various forces. Thus, •
each indriya is a faculty or a special power by which a
particular field of conditions may. be mastered.! There are
22 Indriyas or the faculties mentioned in theKosa; out of
these 22 only five are Rupa or external. These are Cak~u (Eye),
Srotra (Ear) J Ghra va (Olfactory), Jihva (Gastatory), Kaya
(Tactile). -It is further said, that the stri (female) and purp.
(male) indriyas are to be placed in some part of the Kaya
Indriya (Body). Thus, by an implication of the Kayendriya
these two also are to be placed in the Rupa Skandha or
mafterformatlon. The Jivitendriya (vitality) has been des-
cribed as Bhautika or constituted by the Bhutas or ultimate
properties; The Jlvitendriya or vitality is supposed to be.
existing in all the three spheres (The Kama or sensuous,
the Rflpa or material or corporeal and Arupya or non-corpo-
rcalV a It is also said to be the Vikara or resultant of the
enjoyments and focus of the evil impurities. Thus it may
be said that by logical implication, the Jivitendriya may be
placed in the Rupa·Skandha or matter-formation. b For, unless
there is some substrate of Rupa or matter, the question of
vijfiana (consciousness) and Klda (suffering or evil) can
never arise.o It may be said that the remaining 12 indriyas or
faculties (or special capacities ) will be also discussed in the
section of vijfiana skandha vide intra citta-p. 119-20 and
citta (or mind formation) which is internaI.Ba (Adhyatmika)
The seven Indriyas or faculties (viz. the eye, the ear, the
INTRODUCTION
nose, the tongue and the body the male organ and the female
organ) are supposed to be the external or Bahya or the
Rupi Indriyas. The Jivitendriya is also constituted by
the five skandhas.
Analysis of the five faculti es or special senses
The five faculties viz. the eye (eak§u) ear (Srotra),
olfactory (GhraI.la) gastatory (Jihv~) and Tactile (Kaya)
are said to have special characterisation in four different
fields. These four fields are I viz. Atmabhavasobha or·
(beauty of the person), Parirak§ana (Protection) Vijiiana
(consciousness) and AsiidharaQ.a karaQ.a tva. (mode of
special activity). In a sense each of these five faculties
enjoys these four' characters. The pair of eyes~ for example
are there both for clear vision and beauty. The individual
con protect one self by properly seeing with both eyes and·
may take steps against a danger. The individual may obtain
visual sensation (or cak§uviji'iana) by means of eyes alone.
Visual sensation which is unique and different from other sen-
sations can be produced by the medium of the eye faculties.
The auditory faculty or ear also can be similarly under-
stood, together the eye and ear often may work simultane-
ously, although in two different fields. In case of olfactory,
gastatory and tactile faculties, beauty or iitmabhava sobha,
remains same as in the case of eye and ear, but, the factor
of protection (Parirak§aI.la) is helped by them, more than
the others for, taking of solid food is performed by them.
The consciousness produced by them is often mixed up.
The above ideas are psychologically significant. It is a
fact that visual sensation and auditory sensation work often
together. The olfactory sensation and gastatory sensation
often get mixed up with the organic sensation. In case a con-
fusion occures about their respective predominance the one
with stronger intensity remains the decisive factor according
to the Kosa .. The categories mentioned above ofcourse do not
90 tNtRODUC noN'
and,soon.
Thus, it may be implied, that all these Indriyas or sense
organs are all constituted by components. The paramal},u
or the atoms cluster together into the specific patterns of
the Bhautikas or matter composites. The eye, ear, olfactory
'organ and the gastatory organ are supposed to be constituted
by ten matter composites (Dravya) or objects. These are
fou~Bhiitas (ultimate properties) four Bhautikas (constitued
objects) and the Kayendriya (Tactile organ) and proper-
INTRODUC rION 97
ties of each of the four organs. The Kayendriya itselfis
constituted by the previously mentioned 8 objects and the
specific properties of the Kayendriya. (or Tactile organ).
These constituted indriyas are found in the Kamadhatu (or
the sphere of the sensuous nature). In the Rupadhatu, the
two Bhautikas i. e. the Gandha or Rasa (constituted objects
of smell and taste respectively) are absent. 58
Description of the Atoms of the eye organs
The paramaI).us or the atoms of the eye (cak~urndriya)
are arranged against the iris or pupil (cak~u Hiraka); these
look like the small jar flowing; these are kept in place with
the help of a transparent membrane. These. according to
some other view, remain in clusters; these are themselves
transparent; so that no one obstructs the other. An object"
too distant or too near cannot be seen by the eye. b
The above description may be compared with modern
view about the structure of the eye. The eye is a· complex
and photo cameral structure. It consists of many layers;
the tenth layer or retina actually can be called the centre
of vision. The rod cells for brightness vision and cone cells
for colour vision are arranged against the retina. The
transparent membrane is known as the cornea which when
injured may be replaced by another cornea by means of ex·
ternal surgical help. The eye ball is kept in its place by some
musceles viz., the recti and obliqui. The iris however is an
opening or passage for light into the lense. Although there
is not much similarity between the two views, ancient and
modern, both are just mentioned here for comparison. The
cells and the Paramal).us although looking similar, function
differently.
The atoms of the Ear
The atoms of the ear are arranged inside the concha
or the outer ear. Such description above may be only
7 .
INTRODUCTION
compared with the hair cells within the inner ear which
are arranged on the transparent membarne. Hearing is
produced by the vibration of these hair cells. But it should
be)saidthat the structure and function of the ear are comp~
lex in nature; ancient thinkers tried to grasp the
problem, rather in a crude and incomplete manner and
cannot be expected to explain hearing satisfactorily.
(2) Personality
It may be pointed out here that the Pudgala or perso-
nality which may be a Prthagjana or an Aryais constituted
by the appearance, disappearance and the reappearance of
the different Indriyas. A study as such mftY be found useful -
and interesting from Buddhist point of view. A comparison
with modern concept of personality is also being given here.
The Buddhist conception of personality or Pudgala h.as
been used in a limited and technical sense. The Pali text
of Puggala-Paiinatti suggests an elaborate process of cla'>si·
fying the Pudgala. The Abhidharmakosa and the Bhaiya of
Vasubandhu and the Tfka of Yasomitra present us with
some explanations of the various aspects of the personality.
It is proposed to pursue Buddhist conception of per-
sonality after them, of course, within the background of the
fundanlental doctrines of Buddhism. Examined in the
light of modern psychology and biology, this Buddhist con-
ception may reveal some interesting data even to a modern
student of the problems of personality.
The Buddhists, we know, first, do not believe in the
theory of soul or Atman although they recognise the pheno-
menon of rebirth. The Buddhists, secondly, maintain a
theory of Anirya or impermanence and hold that everything
is in a state of permanent flux or change. They under--
stand this eternal state of flux as Bhava or existence. They
maintain that, this Bhava or existence is Anadi or beginning-
less and Ananta or endless and can be eliminated only
when Nirva1J.a or the cessation of existence (Bhava-viccheda)
is achieved. Thirdly, the Buddhists do not believe in any
active agency of god; but they believe in the possibility of
gradual purification of the Pudgala or the individual perso-
nality by dint of his own merit and effort. The Buddhist
conception of the Pudgala or individual personality, when
examined, is to be done so in accordance with the
three tenets, viz, Anatmatvarp. Anityatvarp. and Anlswara-
·'104 INTRODUCTION
,C6nclusioD' ,',
Thus; we arrive at certain findingsil about the Buddhist
conception of individual personality or Pudgald,viz. :
1. The' Pudgala or the individual persomiHty is 'an
emergent pIcture against the background of Bhava or cycles
·of-;existeifce::" The ':Co'nstitU'ent factors f6t boiI1are Nrimd'..
rflpaskandha or the composition' of the rudiments" both
external and interna1.
2. The- Pudagla or, the individual 'personality is. a
pheno~e~on' whi~h ~ppears together with . the' a,bstract
phenomena ,li.ke." Sabhagata or homogeneity and Sattv,a-
satv,khyata"or continuo'us'bei'ng.' None of them is reaL'"
, .3. The terminating points of one individ~al p,ersona-
lity ~re, 'the'l/fJapatti-bhava-cz'tta and the" Marar/abhava-citta.
The link between the two births is supplied by theAntara~
bhava-citta Or P r a t i s a n d h i c i t t a . ' t.
4, In spite of the re~peated mentioning of the psycho-
p~ysicaI - composition of the individual personality there
is a clear tendency -towards idealistic interpretation of
the same.
5. The different aspects and' stages of the individual
personality are' e'xpla:ined by the asse'mblage Of the rudi-
ments or Namarupaskandha, determined by the catalytic
agents or thelndriJas. 13 • : ,"
6. The study of the individual personality, after the
Buddhists, leads to the finding of a supposed plan for the
dynamic development of the individual personality which
H6
- - >
(0) 1. CiTtA .2. COOPERATION OF
CITTA AND RUPA
CiUa is the name in general for all the functionings of
the mind. But it is used to signify a special ethical function
of mind which discriminates between moral and non-moral
states (Cinond cittarp) •. Manas or the mind stands for the
reasoning, and Vijfiana is the name for comprehending
consciousness. 1 They are all flexible states and not perma~
nent .or Nitya, as the Naiyayikas would have them. Their
functions also <lIe k~aQika or momentary and the names
Citta, Manas alld Vijnana would flow as succeeding streams
from the moment of birth (Upapattibhavacitta) upto death
(MaraJ;labhavachta). Even in the intermediary state there
is the rise or formation of Mana Indriya which lies in a
potential. state,2& between the two states of life and death.
The Sthavirabadi Buddhists assume a Pratisandhi Skandha
(Citta) which functions as a link. In Abhidharmakosa,
however, there is no men.tionohhis Pratisandhi Skandha or
Pratisandhicitta,2b We just arrive at this hypothesis mostly
from the view point of Pali literature.
It has been mentioned before that aU the different
states of mind are the results of citra (citta parivara). Thus,
citta.is like the king of all or is like the fundamental note
which lies behind every overtone or aU the other shades
of a functioning . mind while undergoing the composite
processes of modaHsation like Karma (action), Jnana
(Realisation) and Dhyana (spiritnal state}.2(l Again, the
simpieraspectsof mind are the Sarpskaras or the unlearned
propensities or the root associations and impressions.
There . are 4.4 Caittasor the. mind derivatives which are
responsibl~ for aU the different states of mental make up
.including Kusalaor morally wholesome and Akusala
orthemoraUyunwholesome states as the indication would
be. We get a complete Jist of them all in the first and the
l~O
(.1.)." .
(~)
AkMS,alaox: Kti.S,·~.;.la
OF. •. M.'
Mo~~nY,':UD:wholes0!lle~l
o. r.'. . . IY w.'..... n
. '.,.0. , lesorne Mind.
Mmd'.'j<.de.,.scrm6d
~e.fore .
(3) Avy;1krtaJ:>r I.ndetermmate Mmd IbId P. 120)
(4)' Lokottara or Suprarh~ndane Min,d of BuddUa.
that~ind.·~icitt~,is t.Hya Citta wllic1})s not ethically
'determined and is free of an the rQot evils (Ak1J~alaMula) a.nd
il\nq~Ao/a o~·~vndisposi~ion~.ln. ~~ddha's cas~i it is saidJhat
.thismind d(!velops an, ,aestJ:.tetic fac::ulty ~IsoJffasituppa.da).
It is ~lso lielp that qp~alityof P!lrity of mind to ,a gteat ~x·
t~nt is determined by quality 9f food~ •' Thena,tur~or.f!x..
perience varies from individual ,to indivi~uat
T~~;'Good'~r sublime (Subha) is ordimtrily recognis ..
eEr as beautiful (Sobhana) . Evil (or Papa) is fopposed to
that. The object whichi$ deSIrableiS' !recognised as r~ta;
tuHUmeJiJ~;ofJ~ta',ordesired qbject may be agreeable or
disagreeable. It may be under~toodt'hat from Buddhist
paint ofJvj~wp extcss or any. pleasure is painful. Thus, in
Buddhaghd~a's Sammoh~vinodinl ;commentaryon Vibhanga,
~h~ id~~ ,~pout mi<;ldlepa~h (or c'M ad&}?am a pn\tlpat) may
'beunde'rslQod asfquitesignific~nt ide~' in this connection.
The desirability 61' I~ta is '" ded~ed by either common sense
C
[";
Body-mind"l'®iatiolmship
'!. "(1') 'Mind is related'to the mind. This relation may
occur in 6 different ways. Consciousness (citta) and the mind
derivatiVe-s(caiHai) are 'related to one another by means of
conlintiity,)' lriunediatecohtinuity, absence, abeyance,
succession, coexistence of associations and association. (2)
Mind may be related to mind and body in 5 ways viz. Hetu
i(ca:usal), Dhyana{meditatiorial} and Path (way or means of
wIsdom). 'These are related to coexistent picture of mind and
body states. These may also be related to Karma or actl m
"j ,
.~ .
" I".
... ~'15lithaDdb.
J'" .' ." " •..• ~. ... "F, : : {,'. ::. .... '. \'.
·Clmpnssiollll..i'orma'C:ion/composition)
'-t. ite~ ";:" .-.,~
?\~.
:!l'''' ,:,1: -~,
__"" ama·
. ,) t:. t::' -~".
;\;
:t ;;;5 E~ t,~,~
~. ~.''- .
(~:~£~:~eJ~::~ . '
..... .
-,
k,. ~f ~, 't
.;;'\.;
:(",' Zi,~ >,
~"
~:, 'Si.tt3· ;-: '
~ ,-"
\.,& '._..t
••. p" ,", 'jJ "j"
,.
~TJ ",if'''''_,
. \.{I
Lf1Cf4s.1iz ;~; ~'Av.lakrta ....~
,:"'} w
~ (;~~ ". (Morally ullwhoJ~omi) tMoi~IIYIl:utnl}'''; ,
,,'
, ..; :'0...
r" - Citta'tip~y1ilkta,
<" l~:
r"4y..... ~-.... """UV<O""Y ... ..,. '" lOy ..... U~'liUt'tJ '1 "{Non ~i~~.,dwivativt: or Biogenic)
:.".':
MaM' . - , . . ' i ". '~),' ~r~ti': . }'~S~i'miatiO~'& conditioning .
,Bhnmika:;
c' .. ,~pT.lp~~ :'f)i&~i~llatio~'& deconditioning ~
(BasiJlll~"
Ci~t~; r; C
;8abbligatl ;'H,cmogenous Continnum ~
".1'-.,
Ethicald~s~ifi~at;ion or Avijfllapd
These two classes of Avijnapti (non=information) Yak.
avijuapd and Kaya avijnapti (non-informative speech and
non-informative tactile experiences respectively) may be
further subdivided into three more classes. Thisprocess of
further classification may be recognised as mostly ethical in
nature. These three classes of Avijfiapti, are~ viz.?
(1) Sarp,vara, (Restraint or control)
(2) Asarp,vara (no-restraint or absence of control)
(3) Naivasal1lvara-nasal1lvara (Absence of both restraint
and negation of absence of control)
(1)A.bi,jflOptz' known as sarlwara resqIts from a 'p:rdcesllfQf
restraint from evil disposition (Daul)SiIya). These i. evil dli2
position maybeunderstooq as Akusala (normaUy unwhoIe-
EN TRODUCTION HI
Remarks
Vijilapti evidently indicates consciousness or aware-
ness; Avijnapti or non-information is a state when Vijilapt'i
state is no .more. Now this state if compared with the
modern idea of unconscious or subconscious state of mind
yields some interesting observations. Avijiiapti occurs when
conscious effort is not present any more; Avijfiapti may be
compared with marginal consciousness which falls at the
fringe of consciousness e.g.; a person is seldom con~dous of
the daylight while reading; Avijfiapti may be found in the
mental state of strongly established habit or conditioned
actions; one, e.g., may do something good or bad while
remaining uncognisant about the effort. Avijfiapti is ethi-
cal in nature in the sense that the judgement good or evil,
is later attached to it. Avijfiapti as a state or reflexion is
originated from outside material conditions and continues
most spontaneously, may be without being anymore con-
cerned with such conditions of origination. These ideas
may be compared with Freud's idea of the uqconscious and
subconscious states of mind. 8
Unconscious and Avijilapti
According to Freud, 'Unconscious' has been used in
. two different senses; one of them which never allows it~elf
to see the light of consciousness, is primary state of organic
unconscious; this may be understood to be similar to
Bhavanga citta or the basic mind recognised by the
Buddhists. The term 'unconscious' aJsohas been used in
a partial1y different sense. This occurs to our day to day
experiences which are forgotten and get lapsed and merged
into the basic unconscious. This according to Freud, that
forgetting is even a conscious and intentional process at the
beginning. Later on forgetting becomes a natural process
and forgotten materials are apparently wiped out of the
conscious level of the mind, This is a secondary 'uncons-
144 iNTRODUCTION
(7) Dhyan:aht~~arp.
'(8)" S~~~t~kaIP
(9) Maulaw
(10) Asphara1J.akasamadhi
(II) PratisaIP,laya1J.a'
;,(12)·Samahita
ell) Satata~amita 8amahita, citta.
'll.Samapattis.:
" ; ,.,. (I)' '!Sa Sarva.~o RiipajfianlU, SaiIiatikrarilat Pratigba Sarp.j-
, iis:nanam· "Asta:qigamat Nanlltv«s~mjri!nat .:; Ar'n,anasikllrat
Anahta:rp.,~kl!i~aIJl Hi. Aka~inantllyatanahaIJl';tipasampa.
dya"klhat!lti:' .
iNtRODUCTION 171
(2) 'Sa Sarvaso Akasanantayatanarp.Sam'atikramyaoantaJp
Vijiianamiti vijnanantyayatanaIJl upasaIJlpadya viharati.
(3) Sa Sarvaso vijii~nai).t,ayatanaql. Samatikramya Nasti
kirp.cid ityakiIJlcanyanantliyatanarp. upsarp.padya viharati.
(4) Sa Sarvasa Akitpcanyanatatanarp. SamatikramyaNaiva-
Sarp.jfH\.nlsaqijiiariantayatanarp. upasarp.padya· vihar,a.ti. ,;
(5) (a) Vyutkrantasamapahi; (b) Vyatikrantasamripatti:.
,,(6) Vyasaka:Q.Q.aka (vyatyastha) ~amapatti.
,,(7) Navanupo.rvavihara samapatti.
, (8) Samapatti skandha.
,
(9) Nirodha ,samaptti.
,
.~' \ .'
i"
~ .. '
., '
~\ .
-.J
';. !
,
. ;
RESUME