Zero Latency Monitoring Hand Book V3.0.1

June 30, 2015 STUDIO ONE HANDBOOK
Zero Latency Monitoring Handbook

What is "Z" monitoring?
“Zero” Latency or Direct Monitoring via ASIO 2.0 is somewhere between 2-5ms. So is that good
enough when monitoring or overdubbing a live performs? Well it depends on the person. Vocals
and Drums typically would consider anything under 6 ms good enough. Because of the typical
distance an electric guitar player stands from their amp anything below 12 ms is good enough.
Most piano players would say 10 ms is good enough.
NOTE: Keyboard players playing a soft synth will hear a delay between their fingers on the key
and the sound in the speaker approximately , equal to the ASIO “Output” buffer size as seen in
Studio One.
To put things in perspective, the human performance of even a tight musician to the playback
will typically vary (plus or minus) a two digit number. Roughly speaking 1 ms = 1 foot. So for
example, musicians 20 feet from each other will be dealing with 20 ms delays. So depending on
the physical situation, the musician and instrument, "good enough latency" varies
“Z “Monitoring or Zero Latency is supported as of Studio One 2.6+ on the following interfaces:



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Basic Set Up Procedure:

Create cue mixes
Create cue mixes for monitoring any "Z" mix.
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Enable Z
Click the "Z" On, either on the channel for main outputs or on the cue mix. You will hear the "Z"
latency in your corresponding output when you do this.
"Z" Monitoring
The procedure is for recording or auto punch in recording mode:
1. Record-enable AND Monitor-enable the new track(s).
2. Verify the "Z" is set for you monitoring cue.
3. You will hear the source at a "Z" latency level. (You are hearing the monitoring from the hardware)
4. Record the track listening to the "Z" cue mix.
5. To hear the recorded track turn off "Z" or the Monitor button.
"Z" Monitoring with (Tape Style)

If you are using the Tape Style monitoring, use this procedure:
1. Turn Tape Style monitoring on in the Options/Advance/Console
2. Record-enable the new track (Disable the Monitor button if you want to use auto punch in)
3. Verify the "Z" is set for you monitoring cue.
4. Record the track listening to the "Z" cue mix.
5. In Tape Style, because the Monitor button is off you will hear the recorded track on playback.
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Tape Style Monitoring vs. Non Tape Style Monitoring

Before During playback During Punch Record from stop Comment
recording before/after in Recording (non-punch)
punch-in
Tape Style On Hear input Don’t hear track Hear input when Hear input when recording Don’t hear track
recording
See input on See input on channel See input on channel See input on channel
Mon = on channel See input on channel
Tape Style On Hear input Hear existing track Hear input when Hear input when recording Meant for auto punch
recording in recording, but works
See input on Do not see input on See input on channel for non-punch in as
Mon = off channel channel See input on channel well (Un-arm recording
to stop monitor)
Tape Style off Hear input N/A N/A Hear input when recording Meant for non punch in
recording. No need to
Mon = on See input on See input on channel hear previous recording
channel ( monitor=off to hear
track)
Tape Style off Don’t hear Hear track Don’t hear Recording Don’t hear Recording Playback mode
track
Mon = off
Monitoring with Effects (optional)
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Signal Flow Reference

“Z” Signal Paths
Z On
1) Make sure the input track(s) are set to monitor ( except with Tape Style Monitor enabled).
2) In the case of recording, the audio signal follows the normal signal flow through the mixer to the
hard disk.
3) In the case of monitoring, the audio follows the normal signal flow through the mixer however
the monitoring path is switch off on any “Z” enabled Audio Channel and instead sends a
fader level control signals to the hardware interface (via ASIO 2.0) to adjust the appropriate
Direct Monitor output level.
4) NOTE: The FX bus will send the FX signal also to the hardware interface but with a delay due
to the ASIO buffer size. If you are using delayed based effects such as Reverb or Delay, this
delay in the wet signal will probably not be noticed especially when mixed with the zero
latency signal.
“Z” Off
1) In the case of recording and or monitoring, all signal paths will follow normal routing
and be delayed in the monitoring by the size of the ASIO buffer.
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How The Delays are Handled by Studio One
There are many different kinds of delays in the recording overdubbing process.
Delays in playback or recording due to the ASIO buffer are handled by the Record/Play back
engine. So from the overdub musicians perspective the playback is always at Time Zero.
In the example above delays inherent to soft synths and or FX plugins and non delayed recorded
tracks are handled by Automatic Plugin Delay Compensation.
Real-world overdub delays are the relationship of the playback (which is at time zero) and your
recorded input between 3-5 ms (zero latency) to a number much larger depending on your ASIO
buffer size. For this reason, (if not using Zero latency), it is a good idea to keep your buffer sizes
as low as possible when recording live input. Tip: Many set their ASIO buffer size low for
recording and higher for mixing.
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Technical References
Reference
http://www.presonus.com/news/articles/The-Truth-About-Digital-Audio-Latency
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June 30, 2015 STUDIO ONE HANDBOOK

Zero Latency Monitoring Handbook

Basic Set Up Procedure:

"Z" Monitoring with (Tape Style)

Tape Style Monitoring vs. Non Tape Style Monitoring

Monitoring with Effects (optional)

Signal Flow Reference

How The Delays are Handled by Studio One

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