Menagerie by Lee Richard Kirsten©

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‘95

r ie sten
e ir
n ag ard K
e ch
M e Ri
Le
Menagerie
Letchard Inc® *Revised Edition
2-

Lee Richard Kirst e n


Menagerie
Letchard Inc® *Revised Edition
3-

Limited First Edition Published in Cape Town, 1995 by


Mallard Publishers
Copyright © 1995 Mallard Publishers. All rights reserved.
Edited by Lee Richard Kirsten, P.J. and
C.A.L. Harpur.
ISBN 0-9583854-8-3

*Revised Edition Published in London, 2008 by


Letchard Inc creative rebellion since 1991®
Copyright © 2008 Lee Richard Kirsten. All rights reserved.
Edited by Lee Richard Kirsten.
Protected by UK Copyright Registration Service.
ISBN 0-9548420-8-1

Menagerie *Revised Edition


Front cover painting:
‘Menagerie’ by Lee Richard Kirsten.

Inside and back cover illustrations:


by Lee Richard Kirsten.

Lee Richard Kirst e n


Menagerie
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CONTENTS

Introduction 5

Part One 6
Part Two 20
Part Three 27
A Short Story: Every Day Particular 30
Part Four: Old Man Chameleon 35

Lee Richard Kirst e n


Menagerie
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INTRODUCTION (from First Edition)

I thought of giving an introduction as that of


the boring, autobiographical proud arrival of
memories, those memories that do trace the
growth of the poet as a person and as an artist,
but that wholly is not up to an introduction.

Introductions always to me, seem to reveal the


rational side of man, so I believe that hectically,
it is up to the poems, for them in solitude to
open the way to the poet’s journey, in disregard
of how they may be interpreted.

Lee Richard Kirsten (Old Man Chameleon)


Menagerie

Lee Richard Kirst e n


6
Menagerie 6-

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PART

g
ONE

Lee Richard Kirst e n


k
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-

.
We walked
and talked
and got lost in
our words,
at the end of our
conversation we found
ourselves in some
other vicinity.
Words have got us where
we are today -
let’s just hope they can get us
- back.

Lee Richard Kirst e n


Menagerie
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THE DEEP AFRICAN NIGHT

The deep African night,


set off by scariness
in the unknown of the known.

d
It comes
primitive
&
raw
out from
the moving darkness.

Soft velvet
creatures turn
wild in the night,
their eyes
swallowing the moon.

We all emerge,
at the first act
of darkness,
each more
lewd
&
testing
than the next

What we stay blind to


is,
who will devour first.

Lee Richard Kirst e n


Menagerie 9-

a
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SWAN

Break through the water that


Holds your struggle,
Paddle with spider woven
Webs and scratch open a
Sky beneath your
Sunken pillow bow.

For me, please don’t give up


Great furnished satin,
I want the sky with you -

This is no dance, our anthems


Desperate not to lose this one chance.

Lee Richard Kirst e n


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THE CAUSE THAT FORGES YOUTH

The cause that forges youth


Driving my flesh; into rank
Is my extreme.
And her thigh shall be full
And inside the monster will earth.

The cause that drove no end in my youth


Wearily growing; into age
Is my autumn.

k
And her thigh shall be green
And the monster my slowing.

The cause that steals my body


Deadly; into realm
Is my extremity.
And others shall wear her thigh
And the monster my skin.

And the larks & sky shall pass


And hunger shall cease in the belly of the dust,

And the cause that forged youth, shall


Be clinched, in the flesh of her.

Lee Richard Kirst e n


z
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It is the life of a poet,

f
Solemn and cold in the warmth
Of mystery.
No regrets to meet the eye of fate
the mouth of
beginning.
And in the birds that fly above,
Are the deaths we have passed,
Full of flight and direction.

Lee Richard Kirst e n


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Ghosts stalking within this settled soul


Make the heartbeat in my ears, sound footsteps
That keeps my breath slow and agonized
Like an anticipated nasty surprise.

My feet are cold,


And my heart plots mutiny ...

Far away my feet feel, the ground is a sponge of


Pins and needles.

I shrink dead.

I look for courage in nothingness,

God is a fantasy island ...

Now I worry I have gone mad, knowing I am


Finally
Wild.
t

Lee Richard Kirst e n


[
Menagerie
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,
We wrote our chapter of the world
In the dust that failed to settle.
We were old & young, dead & alive
We hated & loved;
But most of all we flew,
Constructing a headstone - eternity.

Lee Richard Kirst e n


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j
In my pleasure of nature’s art
Pressing the idle mouth; do I seem
An anti-star of the gritty art house film reel.

Her vine strong in keeping, lays voluntary


Arrested, where restless words
Moan and ripple my reflection in her fresh face.

u
Black betroth, in the velvet of winter,
Sends my maiden calvary into a dizzy little
death.

My girl is insane in her beauty,


turned over in her silence.

Lee Richard Kirst e n


q
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Please woman, don’t turn on


The light before my slumber is set.
Rest easy, my hand in yours.
My head atop your shoulder.
Pull up the covers and let them
Settle, our feet to dream and
Minds to warm.

0
Turn off the light, let darkness take
Over - I am ready
Don’t let go.

Lee Richard Kirst e n


l
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An endless roll of applause augment


The season of the storm.

The persons we sleep with, within our minds


Are the special secrets we keep
For when we feel alone.

And the mid-night-man, with eyes like dilated

1
Mouthfuls of wonder, he sees death, real in
Blood.

From the Forever Hill the


Sun rises, rising cooly to its warm soap box,
Where birds in V-shaped flocks, arrow the stars.

What could be said of night and


What is concealed,
That light has not already broken.

Lee Richard Kirst e n


]
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Sing to the fire not


When in the eye of maddening
Its heat laps the heel of
Your ground,
And mightily your good favour.

Let it not force your


Steely shape, before with
Ice you’ve murdered it’s

=
Heart into a shade,
Smouldering symbolic.

Kindle the oven, when your


Voice is in love and soul in
Outlay. All she can with weakness
Do, is turn to herself and herd
The fire of your broken seams
Into the heart of her gallery.
She is a prowel - a grasping finger
In my windpipe, a sonorous
Purr in my ear.

Lee Richard Kirst e n


Menagerie 18
-

d
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Power of promise.
Make one, and then
Give flight to it,
To rise with buttefly

w
Wings frail into the sun,
So it may bum like a
Japanese kite from a
Dragon’s tongue, beholding
Conscience as the power and
Promise as the enemy.

Lee Richard Kirst e n


2
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When that time chooses me to die


In valley, meadow, field - may

i
There, only there this old corpse rely,
On the parading dandelion in the wind,
The bursting flower in the minute
&
The crisp clover studied beneath the dew
To guide my birth shiver through this earth.

Lee Richard Kirst e n


U
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F
PART
TWO

Lee Richard Kirst e n


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D
KILL ME ... to the side of the maggots -

(snakes in my hair, worms out of my eyes,


bugs from my
ears, dust & stone in my mouth ) -

and

LIFE - (seeds in my chest,


pushing the rust
in my veins)

I wonder if the little brook still sounds


like a poem,
its water droplets on succulents likening
the lips of a poet:

O
(dripping in hunger for words;
bitten from time unsprinkled;
dry from repeated sounds;
smooth from kisses to the lip of a bottle;
sealed like a door to a house of secrets)

behind a single lock.

Lee Richard Kirst e n


Q
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LOVE

I am alive to be dead with you,


So preserved in that photograph.
Eyes of deathless stone, a woman, I love,
Into a period passed off into inscription.

N
A face black & white, more aloof
Than colour, more outstanding than
Beauty, so young and kept by suicide
A woman, a lover, my self-abuse.

And as the mere action of romance


Lets flood my open wish, the blood
That runs is amused at the head
It once dwelled in,
As it covers now around its cheek.

We can walk in the circus of your


Burial; when I arrive, and stroll into
The cemetery of love, my body steel against
Your corpse, fitting inside you like a shoe,
lowering my spiritual height.

Now let us both behave like dandelions


And hide from the gusts in our oak caskets, for
I am alive to be dead with you.

Lee Richard Kirst e n


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I’ve seen the traffic of a murderer’s heart


Dreaming of a kill, and all along could not stop
My hands from wringing in the arouse of it:

T
Lithe, pale instruments, each with nicety like
The tidy pedipalpi of an untidy-minded spider.
Suave accurate gesture I filled the evening with:

I had begun the killing, within my subdued


wooing.

His mind bore a lonely toneless stare, as


He touched on the length of her hair, into

R
The curve of her neck, then as into her eyes
He searched, his fingertips edged the lush
Rim of her mouth - her breath drew in difficult.
- he kisses her.

Tiny, soft woman’s hand, fitted like an innocent


Insect under the belly of my five-legged animal:

She was hooked.

His sweat seeped under her skin. As he spoke


His conscience slowly drew back, his words
Became daring and sultry,
His smile gradually slipped.

We strolled off into the web of the night & she


Wished upon a star.

Lee Richard Kirst e n


X
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The many delusions and chemical thoughts


All have tried to kill away memory.
Some days when the seconds are lived
And the hours seem like days,
Then I am the minute I was born:
A new name, a first world -
“Something must be out there.”
Slowly as I cure myself, to resurrect
My phoenix, I think of ways
Of blood & steel, but live and die

U
Each day out.
The things that I’ve known have misled me,
And the things that I have grown toward
Have guided me, into the maze of excess.

Lee Richard Kirst e n


h
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MY JOURNEY ALIVE

My journey alive to loose the gesture of toil,


Is at the incest of play, fused with nature
And the menagerie that roars within the dance
of joy
& struggle, which has bound me like a pulsing
snake.

In tragedy my latitude displayed, clothes me


like a
Dream blanket and when I swim and dissemble
with the white
Crests, it will be the last time for everything,
until
My earth quakes again, out from its dull
melancholy.

As the blanket wraps, I am in truth, not naked,


But primitive, as everything is apart of me, as
what
I see I create and what I don’t,
Is desolation, the world yet of my creation.

The eel and the land melancholic cannot be, so


death
By water to change this amphibiousness can I
see.
One death have I chosen already, but the other
Will not see me, to the ends of the river’s
mouth. (continued ...)

Lee Richard Kirst e n


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What venture can I face, when the man who


fears
The unseen eyes of the forest, fears only his
sight.

Who are they that make us fear, where are the


fears that give us power?

The sun & night over my travel both kissed


A sky of deceit, for it was not my sleep
That divided, but the anger of strangers,
To sell my garnets to their shallow comedy.
Homeward I board sleep before waking - In
walls
Of rose and window morning, blossoming full
in
Bottle colour. I see the Forever Hill and the
Old Stuck Tree, both with ageless hold over

D
me.

When I wake and dissolve the sleep, it will not


be
Home, for now I have assembled into a huge
awake.

Lee Richard Kirst e n


A
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PART

T
THREE

Lee Richard Kirst e n


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The red light has been turned out


And all that I see before
Is its remains - I am caught and
Living the red glow of lonely
Occupied beds.
Red thorns are all, red fever is
What stills a sky: The blue, blue
Side that I know I can & can’t reach.
Red lights are long dark corridors,
A head full of men crazy and deeds
They dream of doing.
Red lights stay long to comfort
Only the tormented, whose pains stay
The redness thru, thru redness they
Are in torment.
Black and happiness are one to create
The dead, whose visions have now

C
Released the red, into comfort
As we sink.

Lee Richard Kirst e n


Menagerie
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DITHYRAMB

Dear earnest beguile of unconscious peril,


Rhythmic sentence deep; glitter on your
Modest murder, we learn from what we seek:

Standing do cliffs the flocks of suicide, to


Below the reborn hill of those, broken
With clear fissure and drinks of young wrought
blood.

Power over earth in blood & rule over poor, poor


Classical self in wine, are not the red flights
Of fancy, but mother and her nipples in bed:

Unforceful you let us find the pause between

F
The end and the return, beginning
In greater sacrifice, as when we started out be-
fore.

Mortal stranger, immortally ensued,


Teacher of a few outstanding individuals
You are the lost parent
My primitive counterpart
Reviving space with rage & fire,

The people uplift, dancing; singing; clapping;


dying; recurring.

These are the steps to the palace. Wisdom is at


our feet.

Lee Richard Kirst e n


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A
SHORT
STORY

Lee Richard Kirst e n


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EVERY DAY PARTICULAR

Upon a forever hill, as it seemed to him, the


morning stood on its toes, pulling itself upon on
branches and roof-tops.

The ground and trees broke free from the early


orange and spoke in greens and browns and
corrugated reflections. As the cuddle of the sun
grew, so did the cool, sluggish shadows, which
crawled from damp corners to the warming
ground.

In the window pane of his room, brimful into the


coloured bottles on the sill and onto his belly, the
sun rested unlike any hot water bottle he had ever
kept, under sheet.

Breaking the eye of sleep, the late cock crew,


with a lazed exerted “Dooo.”

His sheets were wet again and he still had not


kissed her, but this time there was a difference,
for it was her, it really was her; not his friend’s
mother’s face, or the next-door neighbour’s body,
it was her: the perfect cupped breasts - the skin
smooth, fur fluent limbs - the tiny feet - the naive
movements - the feline features - the content eyes
and the far away lips. She had arrived unto his
dream, as he had be-cum.

Soggy as a snotty nozzled kid, he, out of bed, into

Lee Richard Kirst e n


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his denims, stepped in front of his window, which


was but all was a longing urge of his minds eye.
Below at the friendly sea, he saw waves and gulls
racing each other to the cobbled shore. He saw
his friend’s father Mr Bird, post a huge envelope
with many stamps attached into a yellow and
black post box. A school yard with kid’s skipping
rope, swapping stickers he saw, some like shrews
hid behind the big Bougainvillea, with tales of
their mischieviousness and lizards with broken
tails and he saw a kid that he thought he knew,
lost and lonely in a forever world - even more
daring than the hill.

He could see everything from his window,


including the lies he made into monsters and
contradictions he lived.
Under the scurrying day he left from home, to
the daunting out-world that shook the safe slow
beginning, which from the bottles spilled, sipped
into the dull carnivorous land, gnawing at his
heels, as into the bright blue bother he slunk.

Along the dusty road to the tar street he waded,


glancing to his left, to make certain no one was at
adventure, in his bottled ash-dump aftermath.

“Where are the summons of mist.” He wondered


to himself, “Where can I get me some mist?”

Down the street that led into a tiny town of a


town, he carried an aloof swagger: chest out,

Lee Richard Kirst e n


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shoulders back, head high, his walk delicate


with a stiff awareness, but lazing concern, while
slowly his head turned to the right, eyes grabbing
past the last tastes, ponderings, memories from
his “Chemist”, where she was, a secret lover of
his mind, a fine mellowed woman, aged in prime
oak, to come out strong, lingering and smooth -
she blew his mind.

Down, down, down through the minature town


he went, over the new, safe, Wood-Bridge
(concrete bridge), where below he watched the
lagoon creatures: cormorants; gulls; learning fish;
canoes; splashing children; baited hooks and men
with their mussel pumps, who gazed up with
expressions mewing, “Look, look, our mussel
bags are full, though poor our arms.” Playing a
guessing game with himself, he would triflingly
gauge the size of the swell and shape, by the
wind and climate and telling noises the shores
back broke.

The wind slight in the leaves of Palms, passed


him by, off into the waters, eaten by throwing
mouths that crashed and swallowed. Up in the
arrogant sky burnt the light he feared, it glared
and bursted and reflected, pointing tiny fingers
and eyes at him.

Again he whispered, “Where are the mists, the


ranking cloaks, the mice of sound?”

Lee Richard Kirst e n


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Ruffian and rabid the disordered sea spilled,


greeting him on the shore, as he descended to its
reach.

The mountain in the distance, the crazy island,


the bobbing seals, his sturdy feet; made by and
borne for the sea, shall rest as one.

Sunken into his boots, the salt encased round


his feet, the cold water wept up, wavering at his
waist, pleased in nervousness to be the urn, of
such vehement weight. Pulling at his hands the
water beckoned, blasting spray into his chest
and face; on his toes he walked, until no more,
allowing the currents to draw him into the bent
sky, blue in his flesh.

Dark. The water kept him. Dark. His chest


released gurgles. Dark. To the numb sky mercury
bubbles rolled. Dark. Ahoy. Dark. Alas, where is
the mist he longed. Dark. The west aflare. Dark.
He returned. Dark. To the shore. Darkness, unto
his mist.

THE END

Lee Richard Kirst e n


c
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PART
FOUR
s
Lee Richard Kirst e n
Menagerie
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OLD MAN CHAMELEON:

“Outside these walls are the Lessons of a


Quickening Wake for those who do not die, out
there are kaleidoscopes & visions.”

Tearing open his shirt, off onto the floor, Old


Man Chameleon reveals his chest saying,

“This beat has blended with the coordinates. I


have flown with feathers in my arm and have
swooped beside to lap with the river calm. In my
fists have I held seasons and have put them to my
eyes to observe the fascination through a lens of

\
detail. In there are talking trees, not only have I
smelt the flowers ...”

Old Man bringing to his nose cupped hands, then


throwing out his arms in embrace,

“But have spoken to them, all lesson &


providence needed is in nature, we and her are
the only reality; the residue bubbles a sober
evaluation, are a power committed in destroying
our only intoxication: beauty.”

Lee Richard Kirst e n

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