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    Fabri (Fabbri), Stefano (Ii)

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    Stefano Fabri (ii) was an Italian composer born in 1606 in Rome who held several prestigious positions as maestro di cappella in Rome until his death in 1658. He was a pupil of G.B. Nanino and presided over music for seven choirs of voices and instruments at celebrations for the Jesuit order. In 1644 he became maestro di cappella of San Luigi dei Francesi, despite another composer seeking the position, and he held that role until 1656. Fabri was then appointed maestro of Santa Maria Maggiore but passed away 18 months later. He published a volume of psalms posthumously and is represented in anthologies of

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    Fabri (Fabbri), Stefano (Ii)

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    Stefano Fabri (ii) was an Italian composer born in 1606 in Rome who held several prestigious positions as maestro di cappella in Rome until his death in 1658. He was a pupil of G.B. Nanino and presided over music for seven choirs of voices and instruments at celebrations for the Jesuit order. In 1644 he became maestro di cappella of San Luigi dei Francesi, despite another composer seeking the position, and he held that role until 1656. Fabri was then appointed maestro of Santa Maria Maggiore but passed away 18 months later. He published a volume of psalms posthumously and is represented in anthologies of

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    Stefano Fabri (ii) was an Italian composer born in 1606 in Rome who held several prestigious positions as maestro di cappella in Rome until his death in 1658. He was a pupil of G.B. Nanino and presided over music for seven choirs of voices and instruments at celebrations for the Jesuit order. In 1644 he became maestro di cappella of San Luigi dei Francesi, despite another composer seeking the position, and he held that role until 1656. Fabri was then appointed maestro of Santa Maria Maggiore but passed away 18 months later. He published a volume of psalms posthumously and is represented in anthologies of

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    46 views1 page

    Fabri (Fabbri), Stefano (Ii)

    Uploaded by

    ROIeDRO
    Stefano Fabri (ii) was an Italian composer born in 1606 in Rome who held several prestigious positions as maestro di cappella in Rome until his death in 1658. He was a pupil of G.B. Nanino and presided over music for seven choirs of voices and instruments at celebrations for the Jesuit order. In 1644 he became maestro di cappella of San Luigi dei Francesi, despite another composer seeking the position, and he held that role until 1656. Fabri was then appointed maestro of Santa Maria Maggiore but passed away 18 months later. He published a volume of psalms posthumously and is represented in anthologies of

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    Fabri [Fabbri], Stefano (ii)


    (b Rome, c1606; d Rome, 27 Aug 1658). Italian composer, son of stefano
    Fabri (i). A pupil of G.B. Nanino, he was maestro di cappella of the Seminario
    Romano, 1638–9, and of S Giovanni dei Fiorentini until 1644. While at the
    Seminario Romano he presided over music for seven choirs of voices and
    instruments at the centenary celebrations of the founding of the Jesuit order at
    the church of the Gesù in 1639, organized by Cardinal Antonio Barberini. On 7
    October 1644 he became maestro di cappella of S Luigi dei Francesi. This
    position, to which Romano Micheli hoped to be appointed, should have been
    assigned by competition, but the papal singers, who had already refused to
    sing under Micheli because of his hostile attitude to the papal chapel, sought
    and obtained the abolition of the competition and the appointment of Fabri,
    who held the post until December 1656. On 25 February 1657 he was
    appointed maestro of S Maria Maggiore but died 18 months later. Like his
    father he seems to have published no collection of his music, though a volume
    of psalms in the concertato style appeared posthumously, and he is well
    represented in anthologies of the time devoted to sacred music, again by
    pieces for small forces.
    WORKS
    [14] Salmi concertati, 5vv (Rome, 1660)
    Motets in 16421, 16431, 16432, 16452, 16462, 16471, 16472, 16481, 16501, 16521,
    16542, 16551, 16562

    2 Mag settings, 8vv, 16vv, org, I-Bc, Rc, Rvat, S-Uu


    Ps Confitebor tibi, 9vv, I-Rvat
    14 motets, 2–5vv, Bc, Rvat, S-Uu
    BIBLIOGRAPHY
    R. Casimiri: ‘Romano Micheli (1575–1659) e la Cappella Sistina del suo
    tempo’, NA, iii (1926), 233–45, esp. 238
    R. Casimiri: ‘“Disciplina musicae” e “mastri di cappella” dopo il Concilio di
    Trento nei maggiori istituti ecclesiastici di Roma: Seminario romano –
    Collegio germanico – Collegio inglese (sec. XVI–XVII)’, NA, xv (1938),
    49–64, esp. 59
    H. Wessely-Kropik: ‘Mitteilungen aus dem Archiv der Arciconfraternità di San
    Giovanni dei Fiorentini, detta della Pietà in Rom’, SMw, xxiv (1960), 44–
    60, esp. 49
    G. Dixon: ‘Musical Activity in the Church of the Gesù in Rome during the Early
    Baroque’, Archivum historicum societatis Jesu, xlix (1980), 323–37
    J. Burke: Musicians of S. Maria Maggiore Rome, 1600–1700, NA, new ser., ii
    (1984), suppl., p.18
    J. Lionnet: La musique à Saint-Louis des Français de Rome au XVIIe siècle,
    NA, new ser., iii (1985), suppl., pp.74–5, 80–83, 90, 95, 146
    ARGIA BERTINI/NOEL O'REGAN

    mk:@MSITStore:D:\Bittorrent\TheNewGroveDictionaryOfMusicMusicians\The%20... 24/09/2018

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