ATS1345 Semester1 (S1-01) 2019

Unit Guide

ATS1345
Music and history
Semester 1, 2019

We acknowledge the Traditional Owners, and Elders past, present and emerging, of all the lands on which Monash
University operates.

Handbook link:
http://monash.edu.au/pubs/2019handbooks/units/ATS1345.html
The information contained in this unit guide is correct at time of publication. The University has the
right to change any of the elements contained in this document at any time.
Last updated: 01 Mar 2019
Table of contents 1
ATS1345 Music and history - Semester 1 (S1-01) - 2019
Table of contents
Unit handbook information 4
Synopsis 4
Mode of delivery 4
Workload requirements 4
Additional workload requirements 4
Unit relationships 4
Prerequisites 4
Prohibitions 4
Co-requisites 4
Chief Examiner(s) 4
Unit Coordinator(s) 4
Academic overview 6
Learning outcomes 6
Teaching and learning approach 6
Assessment summary 6
Hurdle requirements 6
Assessment, Exams and Results Policies and Procedures 7
Assessment requirements 7
Attendance and participation 7
Assessment tasks 8
Submission requirements 20
Coversheets 20
Assignment submission 20
How to submit assignments for this unit 20
Extensions and penalties 20
Resubmission of assignments 21
Returning assignments 21
Feedback to you 21
Unit schedule 22
Required readings 23
Resources 25
Learning resources 26
Required resources 26
Moodle 26
Other information 26
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Your feedback to us 26
Policies 26
Student Academic Integrity Policy 27
Graduate Attributes Policy 27
Student Charter 27
Student Services 27
Monash University Library 27
Disability Support Services 27
Faculty Support Programs 27
Special Consideration in the Faculty of Arts 27
Arts Academic and Professional Writing Unit 28
Peer Ambassador Leaders (PAL Program) 28
First in the Family 28
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Unit handbook information
Synopsis
Through the study of selected representative musical works from the Western art music canon,
this unit explores the historical conditions under which music was produced and the purposes it
served for composers, performers, patrons and the public. Musical works are studied in terms of
their historical, structural and stylistic characteristics.
Mode of delivery
Clayton (On-campus)
Workload requirements
Minimum total expected workload to achieve the learning outcomes for this unit is 144 hours per
semester typically comprising a mixture of scheduled learning activities and independent study. A
unit requires on average three/four hours of scheduled activities per week. Scheduled activities
may include a combination of teacher directed learning, peer directed learning and online
engagement.
Additional workload requirements

At least four hours per week are required for preparing for lectures and tutorials through reading
and listening.
Unit relationships

Prerequisites
None
Prohibitions
None
Co-requisites
None
Chief Examiner(s)
Associate Professor Paul Watt
Unit Coordinator(s) 4
Unit Coordinator(s)
Room 120
Sir Zelman Cowen School of Music
paul.watt@monash.edu
Phone 9905 3634.
Consultation hours are with Associate Professor Paul Watt on Monday 10.00–11.00am and 4.00–
5.00pm, or by appointment.
Brief Q&A (1-2 minutes) with the lecturers and tutors for this Unit are also available after each
class.
Lecturers in this Unit
Mr Aaron Wyatt
Mr Ian Parsons
Professor Cat Hope
Tutors in this Unit
Mr Aaron Wyatt
Mr Ian Parsons
Dr Gay Breyley
Ms Brigitta Scarfe
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If no tutors are listed please refer to this unit's Moodle site.
Academic overview
Learning outcomes
Upon successful completion of the unit, students will be able to:
(1) Recognise and articulate some of the historical forces that shaped the major strands of
Western art music through studying selected representative works;
(2) Critically read scholarly sources by undertaking a guided reading activity;
(3) Evaluate and analyse scholarly sources pertinent to Western art music research;
(4) Undertake a Western art music research project utilising academic research and writing
skills.
Teaching and learning approach

One hour lecture per week on Mondays from 11-12.
One tutorial per in weeks 2–11 on Tuesday or Wednesday.
Check ALLOCATE to elect a tutorial: https://my-timetable.monash.edu/odd/student_saml
Also check ALLOCATE for listings of lecture halls and tutorial rooms.
Assessment summary
Within semester assessment: 100%
Assessment Value Due date

task
Annotated 20% 28 March, 5.00pm. Submit a hard copy to the assignment box, first
Bibliography floor, Sir Zelman Cowen School of Music
Essay 40% 2 May, 5.00pm. Submit a hard copy to the assignment box, first floor,
Sir Zelman Cowen School of Music
Test 40% 27 May, 11–12
Hurdle requirements
Hurdle Requirements
● It is a hurdle requirement that you attend eight tutorials and remain for the duration of each
class. In addition, you must ensure that you sign the weekly register.
● You will be marked as ‘absent’ on the register if you are more than 15 minutes late to class.
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● You will be marked as ‘absent’ on the register if you are more than 15 minutes late to class.
● If you fail to fulfil the above requirements, the maximum possible mark you can achieve is 50
P for the unit.
Assessment, Exams and Results Policies and Procedures

The assessment detailed here expands on the broad outline provided in the Handbook and
students will be assessed according to the information in the Unit Guide for this semester and
year. Students who have concerns or questions about the assessment regime should contact the
Unit Coordinator. For all policies and procedures go to: http://artsonline.monash.edu/policy-bank/
Assessment requirements
Attendance and participation
The Faculty of Arts Teaching activity attendance procedures can be found at:
http://artsonline.monash.edu.au/policy-bank/teaching-activity-attendance/
Assessment tasks 7
Assessment tasks
Assessment task title: Annotated Bibliography
Due date: 28 March, 5.00pm. Submit a hard copy to the assignment box, first floor, Sir Zelman Cowen School of Music
Details of task: This assessment will help you to improve your reading and note-taking proficiency skills. The task is designed to help
you establish an efficient approach to academic reading and effective note taking as you gather knowledge from your readings to use in
assessments. Such skills are not only fundamental to university life, but also are applicable to myriad tasks that you will undertake
following the completion of your undergraduate degree.
Annotated Bibliography Assessment Guidelines:
Choose one of the following readings on which to base the guided reading activity assessment:
These readings can be found on the ATS1345 Reading list via the library site.
Langford, Jeffrey (1983) ‘The “dramatic symphonies” of Berlioz as an outgrowth of the French operatic tradition’, Musical Quarterly 69/1,
pp. 85–103.
OR
Barry Bergstein, 'Miles Davis and Karlheinz Stockhausen: A Reciprocal Arrangement', Music Quarterly, 76:4 (1992), 502-525.
OR
Kenneth Gloag, 'Russian rites: Petrushka, The Rite of Spring and Les Noces', in The Cambridge Companion to Stravinsky ed. Jonathan
Cross. Cambridge: Cambridge University Press, 2003, 79–97.
After you have selected your one reading complete the Assignment 01 Template, which is available via the ‘Assessment’ menu on
Moodle.
Release dates: NA
Word limit: 500 words
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Value: 20%
Presentation requirements: Assignments must include a cover sheet. See 'Submission requirements' in this Unit Guide.
Do not submit your assignment in a plastic folder or cover of any sort.
Please use 1.5 line spacings for your assignment.
Estimated return date: Approximately two weeks after due date
Hurdle requirements for assessment item: N/A
Individual assessment in group tasks: N/A
Criteria for marking: The following marking rubric will be used to assess the Annotated Bibliography:

Task Fail Pass Credit Distinction High Distinction
Identify bibliographic Inaccurate citation Citation attempted but Some errors in citation Mostly accurate citation Accurate citation
details and the aim Inaccurate identification may be faulty may persist Clear description of the Clear and concise
/purpose/scope of the of aim/purpose/scope Aim/purpose/scope of Aim/purpose/scope of aim/purpose/scope of explanation of aim
article of the article the article stated the article defined but the article /purpose/scope of the
without clarification or may be ambiguous article
description
Total: 15 marks 0–7 marks 8 marks 9–10 marks 11 marks 12–15 marks
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Identify and summarise Little or no recognition Evidence of basic Evaluates previous Consistent evaluation of Skillful evaluation of
previous research of previous research evaluation of previous research referred to in previous research previous research
referred to in the article; referred to in the article research referred to in the article to reveal a referred to in the article referred to in the article
identify the location of Little or no recognition the article variety of opinions reveals the relevance of reveals the significance
this work in the context of the location of this Engages with ideas Engages with ideas and the work to the field and relevance of this
of previous research work in the context of and arguments of arguments of previous Situates this work in the work to the field
previous research previous research to a research to establish a wider context of the field Evaluates the
limited extent context for this work contribution of this work
and situates it in the
wider context of the field
Total Marks: 30 0–14 marks 15–17 marks 18–20 marks 21–23 marks 24–30 marks
Evaluate the author’s Inconsistent Identifies arguments in Generally clear and Clear evaluation of the Critical evaluation of the
arguments and identification of the article but this may appropriate discussion arguments and strategies used in the
conclusions, focusing arguments in the article be inconsistent of arguments in the conclusions to reveal article to build argument
on how the Inconsistent attempts to There is a limited article theme/s and relate ideas
organisation of the evaluate the discussion attempt at evaluation of Evaluates the Logical interpretation Insightful interpretation
material supports the the discussion arguments adequately and evaluation of the and evaluation of the
discussion throughout the discussion leading to a arguments,
discussion clear judgement demonstrating a high
There is some room for degree of critical
development judgement
Reflect on learning Does not adequately Identifies purpose for Demonstrates Articulates interpretive Provides evidence of
identify purpose for reading by locating purposeful reading by strategies for gaining engagement with
reading meaning in the text discussing features of meaning from reading reading to construct new
according to the task the text that contribute meaning
to meaning
Total Marks: 10 0–4 marks 5 marks 6 marks 7 marks 8–10 marks
Write with balance, There are numerous Written expression may Written expression Written expression Written expression
clarity and cohesion; errors and inaccuracies be inconsistent and generally conveys generally conveys skillfully communicates
demonstrate formal in written expression inaccurate in parts, meaning to readers, meaning to readers meaning to readers with
written expression Student’s voice is impeding meaning although may contain Elaborates on author’s clarity and fluency
absent Comments on article in some errors ideas in a way that Discusses article with
Response may be a way that preserves Discusses article in a enhances the broader an independent
significantly under or the author’s meanings way that contributes to a discussion intellectual voice
over prescribed word Within word limit basic understanding of
limit the author’s ideas
Total: 15 marks 0–7 marks 8 marks 9–10 marks 11 marks 12–15 marks
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Referencing requirements: Refer to the School of Music’s Essay Writing Guide and Referencing Guide.
To build your skills in citing and referencing, and using different referencing styles, see the online tutorial Academic Integrity:
Demystifying Citing and Referencing at http://www.lib.monash.edu/tutorials/citing/
Additional information: Word Limit
Students are permitted to submit an assessment item 10% above or below the stated word limit (excludes tables, appendices and
references). The assessor will not read the content that exceeds 10% of the word limit for an assessment item.
Assessment task title: Essay
Due date: 2 May, 5.00pm. Submit a hard copy to the assignment box, first floor, Sir Zelman Cowen School of Music
Details of task:
Write a 1500-word essay in formal English in response to one of the topics listed below. The essay must show evidence of reading and
/or listening/viewing by the inclusion of footnote references and a list of works cited. In the assessment, you must cite a minimum of five
sources chosen from the sources for each essay title below. You may choose to cite additional sources from other quality sources:
academic book chapters and academic journal articles.
OPTION 1
What makes Berlioz's Symphonie fantastique unique? Provide at least two answers to this question. Your answers may refer to musical,
historical, literary and/or biographical factors.
OPTION 2
In what ways was Stravinsky’s Rite of Spring a departure from Romanticism?
OPTION 3
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In musical indeterminacy the same piece can sound entirely different from one performance to the next. Explain the reasons for these
differences by giving at least two contrasting examples from the music of John Cage or Cornelius Cardew or another composer. Your
examples should show how some aspects of the pieces are determined, and some are indeterminate.
OPTION 4
Did Miles Davis betray jazz when he released On the Corner? Why?
OPTION 5
Devise your own essay topic but contact Associate Professor Paul Watt to discuss.
RESOURCES
The essay must not reference websites, newspaper articles, or encyclopaedias.
Instead, use the library catalogue to find journal articles and book chapters. The JSTOR database is a repository of journal articles. Your
tutors will demonstrate JSTOR in the second tutorial.
The following journals are representative of where good scholarship can be found for this unit:
Acta Musicologica
Contemporary Music Review
Jazz Forschung
Jazz Perspectives
Jazz Research Journal

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Jazz Research Journal
Journal of Musicological Research
Journal of Musicology
Journal of the American Musicological Society
Journal of the Royal Musical Association
Music Analysis
Musical Quarterly
Music and Letters
Musicology Australia
Nineteenth-Century Music
Nineteenth-Century Music Review
Perfect Beat
Popular Music
Popular Music and Society
Tempo
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Tempo
Twentieth-Century Music.
Good starting points for books related to your essays are:
The Cambridge Companion to Berlioz
The Cambridge Companion to Stravinsky
The Cambridge Companion to Schoenberg
The Cambridge Introduction to Serialism
The Cambridge Companion to Jazz
The Cambridge History of Nineteenth-Century Music
The Cambridge History of Twentieth-Century Music.
Use these books for background but also consult their extensive references and bibliographies for even more sources!
It is important you use resources written by scholars. If in doubt—or you need more assistance—please contact Associate Professor
Paul Watt.
The essay should contain:
● A brief introduction that outlines the aim of the essay and the structure of the assessment (approximately 150 words);
● The body of the essay should provide coherent analysis and discussion of at least five sources, arranged in logical sequence with
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● The body of the essay should provide coherent analysis and discussion of at least five sources, arranged in logical sequence with
sub-headings with clear and well-developed paragraphing (approximately 1200 words).
● You may choose to include additional sources, as well as other quality sources , hat is, academic books, academic book chapters,
and academic journal articles.
● A conclusion with a succinct summary of the main points discussed in the body of the coursework essay (approximately 150
words).
● A word count cited after the conclusion but before the list of works cited. Note: Include subheadings, quoted material and footnote
citations in the word count. However, do not include the list of works cited or any brief explanatory footnotes in the word count.
● Following the final word count, and on a separate page, provide a list of works cited containing appropriate citations pertaining to
the required number of sources referenced in the body of the text. In addition, ensure to list sources alphabetically by author
surnames.
Release dates: N/A
Value: 40%
Presentation requirements: Assignments must include a cover sheet. See 'Submission requirements' in this Unit Guide.
Do not submit your assignment in a plastic folder or cover of any sort.
Please use 1.5 line spacings for your assignment.
Estimated return date: Within three weeks
Criteria for marking: The following marking rubric will be used to assess the coursework essay:
Task Fail Pass Credit Distinction High Distinction
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Demonstrate awareness Little or no evidence of Demonstrates minimal Awareness of purpose, Demonstrates A sophisticated
of purpose, scope and awareness of purpose, attention to purpose, scope and audience adequate consideration awareness of purpose,
audience; identify the scope or audience scope and audience are generally clear and of purpose, scope and scope and audience
issue; identify the and the assigned task appropriate audience and a clear that is responsive to the
approach for addressing Issue is stated focus on the task task
the issue inaccurately Issue is stated without Issue is defined but
clarification or may be ambiguous Clear description of the Clear, comprehensive
Position is unclear description issue and concise
Identification of a explanation of the issue
Position is stated but is specific position that Identification of a
oversimplified acknowledges different specific position that Identification of a
sides of the issue acknowledges different specific position that
sides of the issue considers the
There is room for complexities of the issue
development
Interpret and evaluate Includes fewer than 5 Includes five Mostly appropriate Consistent Includes several quality
sources; use sources to recommended sources recommended sources attempt to interpret and interpretation and sources not included in
enrich discussion; cite and evaluate the evidence evaluation of the the recommended list
reference using Little or no evidence of Evidence of basic evidence
appropriate referencing interpretation or interpretation and Appropriate use of Insightful interpretation
system as articulated in evaluation of sources evaluation theories and concepts Clear engagement with and evaluation of the
the unit guide from sources to support key arguments in the evidence
Poor use and Integration of sources discussion readings that are well-
acknowledgement of is attempted to support utilised to support Skillful engagement
sources the writing Some errors in citing discussion with and integration of
and referencing may sources to support
Referencing may be Citing and referencing persist Citing and referencing position and enrich
uniformly poor is attempted, but may is generally appropriate discussion and
be faulty and accurate evaluation

Accurate citing and
referencing
Analyse and synthesise Poor synthesis and There is a limited Generally clear and Clear organisation and Essay demonstrates a
evidence; progress analysis of research attempt at synthesis appropriate synthesis synthesis of evidence high degree of insight,
argument to a logical material and analysis of and analysis of to reveal theme/s depth and critical
conclusion evidence evidence judgement
Position not developed Logical progression
adequately Evidence of The argument is from a clear position to A clear critical narrative
progression in the developed adequately a logical, well- from a specific position
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argument through the throughout the supported argument to an engaging
discussion discussion and convincing discussion and
conclusion persuasive conclusion
There is some room for
development
Write with balance, clarity Sections of the essay There is an attempt at There is adequate The essay is generally The essay is well-linked
and cohesion; are missing and/or linking and balance linking of ideas in the well-linked and and balanced leading to
demonstrate formal written poorly executed and within and between essay balanced a cohesive piece of
expression; use academic organised sections but this may writing
language and tone be inconsistent Written expression Written expression
appropriately There are numerous generally conveys generally conveys Written expression
errors and Written expression may meaning to reader, meaning to readers skillfully communicates
inaccuracies in written be inconsistent and although may contain meaning to readers
expression inaccurate in parts, some errors Academic language with clarity and fluency
impeding meaning and tone is well-
Poor use of academic Academic language controlled for accuracy Academic language
language and tone Use of academic and tone is generally and concision with only and tone are used with
language and tone may consistent and occasional error precision
Essay may be be inconsistent appropriate although
significantly under or may contain some
over prescribed word Within word limit errors
limit
Referencing requirements: Refer to the School of Music’s Essay Writing Guide and Referencing Guide.
Assessment task title: Test
Due date: 27 May, 11–12

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Due date: 27 May, 11–12
Details of task: A short-answer test will be given in class in week 12.
Students will be able to choose from a variety of options derived from the prescribed weekly readings.
This is an open book test but laptops and phones cannot be used.
Exam scripts wil be provided.
Pens or pencils may be used.
Students arriving late may forfeit the right to re-sit the exam at a later date.
Release dates: N/A
Value: 40%
Presentation requirements: Legible hand-writing is required.
Estimated return date: N/A
Criteria for marking: N/A
Referencing requirements: Referencing is not required in this test.

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Submission requirements

Coversheets
It is a University requirement (http://www.policy.monash.edu/policy-bank/academic/education
/conduct/student-academic-integrity-managing-plagiarism-collusion-procedures.html) for students
to submit an assignment coversheet for each assessment item.
● Online assignment submissions: Logon to Moodle, navigate to the relevant activity and tick
the checkbox on the Moodle submission statement page to signal that you have read and
agreed with the statement. If you also need to submit a hardcopy for marking and feedback
purposes, you will need to print a coversheet from the Moodle assignment activity page and
attach it to your assignment. If the coversheet generator button is not available, contact your
Unit coordinator. For privacy reasons do not insert coversheets into any files submitted via
Turnitin.
● For hardcopy submission: Your coversheet can be printed from the corresponding Moodle
assignment activity page. Print, complete all the details, sign and staple the coversheet to
the front of the assignment. If the coversheet generator button is not available in Moodle for
any hardcopy submissions, contact your Unit coordinator.
● For Honours thesis submission: Download and complete the thesis assessment coversheet
from the Arts Policy Bank - Honours procedures page at http://artsonline.monash.edu.au
/policy-bank/honours-procedures/. Lodge this with your thesis as per the instructions below.
Note: do not bind it into your thesis.
● For Graduate Coursework research thesis and research project submission: Download and
complete the thesis assessment coversheet from the Arts Policy Bank – Graduate
coursework degrees procedures page at http://artsonline.monash.edu.au/policy-bank
/research-in-graduate-coursework-degrees-procedures/. Lodge this with your thesis as per
the instructions below. Note: do not bind it into your thesis.
Assignment submission

How to submit assignments for this unit
Hardcopy submission
All assignments must be placed in the assignment box of the School of Music by 5.00 pm on the
due date.
Extensions and penalties

It is important to note that an assessment item, other than time-sensitive assessment, that is
submitted after the due date and without an agreed extension, will attract a penalty of 5 per cent of
the maximum possible mark for the assessment item, per calendar day overdue. No assessment
item can be accepted if it is more than ten calendar days overdue, except in exceptional
circumstances and in consultation with the unit coordinator.

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circumstances and in consultation with the unit coordinator.
To understand what constitutes a time-sensitive assessment and see further information about this
procedure, please review the Faculty of Arts Assessment extension and late assessment
submission procedures at: http://artsonline.monash.edu.au/policy-bank/extension-and-late-
assessment-submission-procedures/
Resubmission of assignments
The Faculty of Arts policy governing review and remarking of assessment can be found at
http://artsonline.monash.edu.au/policy-bank/assessment-review-and-remarking-procedures/.
Please note that as per that policy, certain assessment items, including honours and graduate
coursework theses and projects are not eligible for review or remark.
Resubmitting assignments is not normally permitted and is at the sole discretion of Associate
Professor Paul Watt.
The Faculty of Arts Review and Remarking Policy can be found at:
http://www.arts.monash.edu.au/policy-bank/policies/review-remarking-policy.php
Returning assignments
Assignments returned in class
Teaching staff will be handing back assignments in class.
Feedback to you
● Graded assignments with comments
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Unit schedule
For units with on-campus classes, teaching activities are normally scheduled to start on the hour
(teaching will commence on the hour and conclude 10 minutes prior to the scheduled end time).
Week Lectures (L) and Tutorials (T) Assessment
1 L: Introduction | Assoc. Professor Paul Watt

T: No tutorial this week
2 L: Plainsong | Assoc. Professor Paul Watt

T: Using the Library; Note-taking
3 L: Polyphony | Assoc. Professor Paul Watt

T: Essay-writing and annotating bibliographies
4 L: Opera | Assoc. Professor Paul Watt Annotated bibliography

T: Gluck, Orfeo due at 5.00pm in the
assignment box, first
floor, Sir Zelman Cowen
School of Music
5 L: Symphony | Assoc. Professor Paul Watt

T: Berlioz, Symphonie fantastique
6 L: Romanticism vs Modernism | Mr Aaron Wyatt

T: Works by Stravinsky and Schoenberg
7 L:
Serialism | Mr Ian Parsons
T:
Stockhausen, Gesang der Jüngline; Boulez, Le Marteau
sans maître
8 L: Indeterminacy | Mr Ian Parsons Essay due at 5.00pm in

T: Cardew, Treatise the assignment box, first
floor, Sir Zelman Cowen
School of Music
9 L: Jazz | Mr Ian Parsons

T: Miles Davis, On the Corner
10 L: Women in Music | Professor Cat Hope

T: Hope, 'After Julia'
11 L: Revision | Assoc. Professor Paul Watt

T: No tutorial this week
12 In-class test In-class test

| Assoc. Professor Paul Watt

SWOT VAC
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Examination period LINK to Assessment
Policy:http://policy.
monash.edu.au/policy-
bank/
academic/education
/assessment/
assessment-in-
coursework-policy.html
Required readings
Monash Library Unit Reading List (if applicable to the unit): http://monash.rl.talis.com/index.html
Research and Learning Online: www.monash.edu/rlo
The Required Weekly Readings are listed below and they are also digitised and are available here:
https://www.monash.edu/rlo/quick-study-guides
General References
Gordon Taylor, A Student’s Writing Guide: How to Plan and Write Successful Essays, Cambridge,
Cambridge University Press, 2009.
Richard Wignell, Writing about Music: An Introductory Guide, 4th edn., Upper Saddle River, NJ:
Pearson, 2009.
Trevor Herbert, Music in Words: A Guide to Researching and Writing about Music, London:
ABRSM, 2001.
WEEK 1. Introduction
For the tutorial in week 2, students are required to read numbers 1–9 'Guides to University Study
and Research' in the 'Resources' section of this unit's Moodle site:
For the tutorial in week 3, students are required to read numbers 10–16 'Guides to University

Study and Research' in the 'Resources' section of this unit's Moodle site:
1. New Study Patterns

2. Managing Your time
3. Tutorial Participation
4. Listening and Note-Taking
5. Study Strategies
6. Scholarly Sources
7. Research
8. Reading Strategies
9. Planning Your Assignment
10. Writing a Critical Review / Annotated Bibliography: see also https://www.monash.edu/rlo
/assignment-samples/arts/writing-an-annotated-bibliography
11. Writing Essays
12. Referencing
13. Checking Your Grammar
14. Editing and Proofreading Your Work
15. Preparing for an Exam
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15. Preparing for an Exam
16. Sample Essay.
Also check out this amazingly comprehensive resource: Music Subject Guide Website at:
https://guides.lib.monash.edu/music
WEEK 2. Plainsong
Required reading—David Hiley, Gregorian Chant, Cambridge: Cambridge University Press, 2009,

pp. 1–7.
Supplementary reading—Susan Boynton, ‘Plainsong’, in The Cambridge Companion to Medieval

Music ed. Mark Everist. Cambridge: Cambridge University Press, 2011, pp. 9–25.
WEEK 3. Polyphony
Required reading—Wendy Heller, Music in the Baroque. New York: Norton, 2015, pp. 14–16:
‘Baroque music and style’
WEEK 4. Opera
Required reading—Jeremy Hayes, ‘Orfeo and Euridice’, Grove Music Online http://www.

oxfordmusiconline.com.ezproxy.lib.monash.edu.au/subscriber/article/grove/music/O008226?
q=Orfeo+ed+Euridice&search=quick&pos=4&_start=1#firsthit
WEEK 5. Symphony
Required reading—Jeffrey Langford, ‘The symphonies’, in Peter Bloom (ed.), The Cambridge

Companion to Berlioz. Cambridge: Cambridge University Press, 2000, pp. 53–57.
Required listening—Symphonie fantastique, First movement
http://monash.naxosmusiclibrary.com.ezproxy.lib.monash.edu.au/catalogue/item.asp?
cid=LSO0007
WEEK 6. Romanticism to Modernism
Required listening
Stravinsky, Rite of Spring: https://www.youtube.com/watch?v=EkwqPJZe8ms
Schoenberg, Pierrot lunaire: https://www.youtube.com/watch?v=bd2cBUJmDr8
Required reading
Kenneth Gloag, ‘Russian rites: Petrushka, The Rite of Spring and Les Noces’, in The Cambridge
Companion to Stravinsky ed. Jonathan Cross. Cambridge: Cambridge University Press, 2003, pp.
79–97.
Richard Kurth, ‘Pierrot Lunaire: persona, voice, and the fabric of illusion’, in The Cambridge
Companion to Schoenberg ed. Jennifer Shaw and Joseph Auner. Cambridge: Cambridge
University Press, 2010, pp. 120–134.
Supplementary reading
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George Benjamin, ‘How Stravinsky’s Rite of Spring shaped 100 years of music’, Guardian (UK), 29
May 2013, https://www.theguardian.com/music/2013/may/29/stravinsky-rite-of-spring
John Winiarz, ‘Schoenberg’s Pierrot Lunaire: An Atoanl landmark’, La Scena Musicale 1 April,

2000, http://www.scena.org/lsm/sm5-7/schoenberg-en.htm
WEEK 7. Serialism
Required reading—James Stiles, ‘The decline of serialism and the new romanticism: Control and
chance in the new music’, College Music Symposium, 19:1 (1979), 94–102
Required listening: An interview with Stockhausen, https://www.youtube.com/watch?

v=JsghxCTWr2E
Supplementary Reading—Alcedo Coenen, ‘Stockhausen's paradigm: A survey of his theories’,

Perspectives of New Music32:2 (1994): 200–25
WEEK 8. Indeterminacy
Required Reading—Virginia Anderson, ‘ “Well, It's a Vertebrate …”: Performer choice in Cardew’s
Treatise’, Journal of Musicological Research25/3–4 (2006): 291–317.
WEEK 9. Jazz
Required Reading—Barry Bergstein, ‘Miles Davis and Karlheinz Stockhausen: A reciprocal

arrangement', Music Quarterly76:4 (1992): 502–25
Supplementary reading—Theodor Adorno, 'On Jazz', (trans Jamie Owen Daniel), Discourse12/1

(1989–90): 45–69
WEEK 10. Women in Music
Required Reading—Sally Macarthur et al. ‘The rise and fall, and the rise (again) of feminist
research in music: “What goes around comes around”,’ Musicology Australia 39/2 (2017): 73–95.
Supplementary reading
Susan McClary, ‘Reshaping a discipline: Musicology and feminism in the 1990s’, Feminist Studies
19/2 (1993): 399–423.
Cat Hope, ‘After Julia: Music programming as cultural reflection?’, ABC Classic FM Blog, 3
November 2014.
‘After Julia’, http://www.decibelnewmusic.com/after-julia.html
Required Listening
Cat Hope, ‘After Julia’, https://vimeo.com/album/3346549 Password = JulesAgoGo
Resources
25
Learning resources
Refer to the list of weekly readings (above).
Required resources
Students generally must be able to complete the requirements of their course without the
imposition of fees that are additional to the student contribution amount or tuition fees. However,
students may be charged certain incidental fees or be expected to make certain purchases to
support their study. For more information about this, refer to the Higher Education Administrative
Information for Providers, Chapter 18, Incidental Fees at http://education.gov.au/help-resources-
providers
Moodle
All unit and lecture materials, plus other information of importance to students, are available
through the Moodle site. You can access Moodle via the My.Monash Portal: http://my.monash.edu
Information on how to use Moodle can be obtained from the following site http://guides.lib.monash.
edu/moodle
For assistance, you can contact the eSolutions Desk by:
Service Desk Online: http://servicedeskonline.monash.edu
Phone: (+61 3) 990 32777
Other information
Your feedback to us
One of the formal ways students have to provide feedback on teaching and their learning
experience is through the Student Evaluation of Teaching and Units (SETU) survey. The feedback
is anonymous and provides the Faculty with evidence of aspects that students are satisfied with
and areas for improvement.
Previous student evaluations of this unit

In response to previous SETU results of this unit, the following changes have been made:
Learning resources will be listed in the Unit Guide.
If you wish to view how previous students rated this unit, please go to:
https://www.monash.edu/ups/setu/about/setu-results/unit-evaluation-reports
Policies
26
Monash has educational policies, procedures and guidelines, which are designed to ensure that
staff and students are aware of the University’s academic standards, and to provide advice on how
they might uphold them. You can find Monash’s Education Policies at:
http://www.policy.monash.edu/policy-bank/academic/education/index.html
Student Academic Integrity Policy

www.monash.edu/__data/assets/pdf_file/0004/801841/Student-Academic-Integrity-Policy.pdf
Graduate Attributes Policy

http://www.monash.edu/policy-bank/academic/education/course-governance-and-design/course-
design-policy
Student Charter
http://www.monash.edu/students/policies/student-charter.html
Student Services
The University provides many different kinds of services to help you gain the most from your
studies.Contact your tutor if you need advice and see the range of services available at:
http://www.monash.edu/students
Monash University Library

The Monash University Library provides a range of services, resources and programs that enable
you to save time and be more effective in your learning and research.
Go to http://www.monash.edu/library or the library tab in http://my.monash.edu portal for more

information.
Disability Support Services

Students who have a disability, ongoing medical or mental health condition are welcome to contact
Disability Support Services.
Disability Support Services also support students who are carers of a person who is aged and frail
or has a disability, medical condition or mental health condition.
Disability Advisers visit all Victorian campuses on a regular basis.
● Website: http://monash.edu/disability
● Telephone: 03 9905 5704 to book an appointment with an Adviser;
● Email: disabilitysupportservices@monash.edu
● Drop In: Level 1, Western Annexe, 21 Chancellors Walk (Campus Centre) Clayton Campus
Faculty Support Programs

Special Consideration in the Faculty of Arts 27

Special Consideration in the Faculty of Arts
If your work during the teaching period has been affected or you are unable to complete your
examination due to acute illness or other exceptional causes beyond your control, you may be
eligible to apply for Special Consideration. If approved, Special Consideration allows you to
receive an extension on your assignment, waive attendance or the rescheduling of a test/exam.
To apply for Special Consideration,
● For assignments or class tests - submit the application and supporting documentation online
at https://connect-forms.apps.monash.edu/students/special-consideration/
● For examinations - submit the application and supporting documentation online via WES
Applications must be submitted within 2 working days of the due date/scheduled date of the
assessment/test/examination, or of the missed class, and must be accompanied by supporting
documentation.
For further information about Special Consideration, visit:

http://www.monash.edu/exams/changes/special-consideration
Arts Academic and Professional Writing Unit

The Arts Academic and Professional Writing Unit coordinates and teaches a number of elective
units designed to develop students’ academic and professional capacities in English, writing and
independent learning. These units include first year level units, as well as second and third year
units (all 6 points) and are open to any student who can take an Arts elective. We also offer
information about other support for your development of Academic Writing, English and study.
See our website for full details and contacts: http://artsonline.monash.edu.au/apw/
Peer Ambassador Leaders (PAL Program)

The PAL program is a three-tiered program which offers students the chance to engage with the
University community, support fellow students, and develop teamwork and leadership skills. First
year arts students are automatically enrolled into the program as peers.
The three levels of the program are :
● Peers are provided with invitations to social and academic support session, sent a regular
newsletter and provided with access to special publications to help with their transition into
university life. Peers can opt-in to be mentored by a more senior student while transitioning
into arts.
● Ambassadors are students who are in at least the second year of their degree. They share
their knowledge by mentoring peers and representing the faculty at key events such as open
day and orientation.
● Leaders are senior students who have completed one year of the ambassador
program. They help run organise and run the programs’ events, as well as continuing to
mentor and represent the faculty at open day and orientation.
The program is designed for undergraduate students studying for a degree or double degree
through the Faculty of Arts at Caulfield and Clayton. Visit the Arts Transition website for full details
and contacts.
28
First in the Family
Being the first in your family to attend university is something to be truly proud of. The Arts First in
the Family program is for Arts students who are in the first generation of their family to attend
university, and is designed to provide support, help make new friends and assist with a smooth
transition into university life.
Who is eligible for the first in the family program?
● students with parents or guardians who did not complete university education (even if they
have a sibling at University)
Contact: arts-transition@monash.edu or visit the faculty's Arts Transition website

Copyright © Monash University 2019. All rights reserved. Except as provided in the Copyright Act 1968, this work may
not be reproduced in any form without the written permission of the host Faculty and School/Department.
29

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Additional workload requirements

Sir Zelman Cowen School of Music

Phone 9905 3634.

Lecturers in this Unit

Associate Professor Paul Watt

Professor Cat Hope

Tutors in this Unit

Teaching and learning approach

One tutorial per in weeks 2–11 on Tuesday or Wednesday.

​Check ALLOCATE to elect a tutorial: https://my-timetable.monash.edu/odd/student_saml

Assessment Value Due date

Test 40% 27 May, 11–12

Assessment, Exams and Results Policies and Procedures

Assessment task title: Annotated Bibliography

Annotated Bibliography Assessment Guidelines:

Word limit: 500 words

​Please use 1.5 line spacings for your assignment.

Estimated return date: Approximately two weeks after due date

Hurdle requirements for assessment item: N/A

Individual assessment in group tasks: N/A

Task Fail Pass Credit Distinction High Distinction

Total Marks: 10 0–4 marks 5 marks 6 marks 7 marks 8–10 marks

Additional information: Word Limit

Assessment task title: Essay

In what ways was Stravinsky’s Rite of Spring a departure from Romanticism?

The essay must not reference websites, newspaper articles, or encyclopaedias.

Contemporary Music Review

Jazz Research Journal

Journal of Musicological Research

Journal of the American Musicological Society

Journal of the Royal Musical Association

Music and Letters

Nineteenth-Century Music Review

Popular Music and Society

Good starting points for books related to your essays are:

The Cambridge Companion to Berlioz

The Cambridge Companion to Stravinsky

The Cambridge Companion to Schoenberg

The Cambridge Introduction to Serialism

The Cambridge Companion to Jazz

The Cambridge History of Nineteenth-Century Music

The Cambridge History of Twentieth-Century Music.

The essay should contain:

Word limit: 1500 words

Do not submit your assignment in a plastic folder or cover of any sort.

​Please use 1.5 line spacings for your assignment.

Estimated return date: Within three weeks

Hurdle requirements for assessment item: N/A

Individual assessment in group tasks: N/A

Task Fail Pass Credit Distinction High Distinction

Additional information: Word Limit

Assessment task title: Test

Due date: 27 May, 11–12

Details of task: A short-answer test will be given in class in week 12.

Exam scripts wil be provided.

Pens or pencils may be used.

Word limit: 500 words

Presentation requirements: Legible hand-writing is required.

Check ALLOCATE to elect a tutorial: https://my-timetable.monash.edu/odd/student_saml

Please use 1.5 line spacings for your assignment.

Please use 1.5 line spacings for your assignment.