TS Eliot Themes As Thesis Statements
TS Eliot Themes As Thesis Statements
TS Eliot Themes As Thesis Statements
MODERNITY
- Eliot, like most modernists, expressed through his poetic form criticism of the modern
world’s rejection of traditional ways and its rapidly changing values, specifically
focusing criticism on the impact of these changes on the lives of working class people
and its implication for social behaviours and morality.
- the city becomes the locus where modern man is microscopically focused on and
dissected. In the final analysis, the city becomes a "cruel devourer", a cemetery for lost
souls.
- For Eliot, modern life is insecure, fragmented and illogical, characteristics which he
reflects in his poetic style.
- The stability and quietude of Victorian civilization were rapidly becoming a thing of the
past.
- The modernists concurred with Nietzsche that art had degenerated because it was too
concerned with the rules of form and not enough with the creative energies that lie
underneath the surface.
- The first characteristic associated with modernism is nihilism, the rejection of all religious
and moral principles as the only means of obtaining social progress - Eliot had an issue
with this.
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Preludes
- Modern life can be difficult, but if you live longer you get used to its difficulties; the joy of
life lost in the modern world;
- Eliot’s modernist worldview is revealed through his representation of the world as a
bleak and superficial place, devoid of culture and personal fulfilment
- the rottenness, the corruption and decadence of contemporary society is exposed with a
rare poignancy here; meaningless society; rootlessness of modern life
- Eliot portrays the metaphysical emptiness of men in modern metropolis. However he is
determined to redeem the soul like, though It looks like a vain attempt to do so.
- There is a fear that humanity has become as cold and empty as the concrete buildings
that surround it.
Preludes
- The suffering associated with a lack of identity and alienation
- Though they are silent and not complaining, the inhabitants of the poem are all suffering
- The decrepit state of the urban setting means lives and living situations are
impoverished; however, it is the soul of the human being which is truly impoverished
and suffering
- Material preoccupations overwhelm them, resulting in a sense of distance and
extrapolation from other people, preventing them from noticing each other's humanity
anymore - a truly profound form of suffering.
- Individual alienation from one’s Self and from human fellowship
- No one is able to change their alienation
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The Journey of the Magi
- Fragmentation (form and language) illustrate the helplessness and isolation experienced
by the voice of the poem, caught between two different worlds and belonging completely
to neither.
Preludes
- A bleak vision of a declining society, one in a state of decay
- In the ruins of culture and civilization which we find ourselves in (in c1920), we may as
well not bother to seek meaning, because there is none left; a ‘burnt out’ society
MELANCHOLIA/DEPRESSION
- Eliot’s work represents the The Damaged Psyche of Humanity
- Modernism coincided with the formation of psychiatry and psychoanalysis. These fields
explored how the individual’s psychological struggles with existence in the modern world
became even more fraught due to the trauma of the Great War.
- Eliot was concerned with the disintegration of life and mental stability caused by the
onset of the modern era.
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- The modernists encountered challenges of a new front; with the façades and pretenses
of the humanistic ideals of previous ages having fallen apart, there remained an anxiety
of facing the emptiness of the human “Being”.
Preludes
- The narrator mourns for his society - a lost and soulless urban society
RELATIONSHIPS
- Eliot’s poetry reveals how individuals struggle to form meaningful relationships with
themselves, their peers and their society
- The characters in Eliot’s poetry struggle with their relationships with others.
- They fail to connect properly, or have failed relationships because of their competing
expectations.
Preludes
- Lack of relationships with self, others and the world drives one to depression
GENDER
- Eliot’s canon represents a struggle to come to terms with changing societal values
concerning gender; his views are conflicting: on one hand he is fascinated by increasing
feminine sexual freedom, but repealed by it at the same time. Eliot explores how these
larger societal changes lead to his male characters wrestle with their masculinity.
- Eliot’s poetry depicts the changes in gender roles and gender hierarchy as worrisome
and reprehensible.
- Eliot finds it especially troublesome that women’s association with physicality has
increased. Modernity seems to worsen the link between women and their bodies due to
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the indulgence in materialistic pleasures, the fascination with physical appearance and
the revealing nature of women’s fashion.
- As depicted in Eliot’s poetry, modern urban life takes its toll on masculinity. As the
female body becomes a symbol of the modern, men complain of the influence of
feminine culture over their lives.
TIME
- Modernists were obsessed with time
- Time is experienced subjectively; it seems to pass at different speeds at different times.
- Individuals feel they have all the time in the world only to discover that time has passed
too quickly.
- Eliot’s work explores the implications of the march of time and unavoidable nature of
death and how one’s impending mortality affects one’s sense of self and worldview.
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- Time moves on relentlessly
- What we identify as the present is formed by sensations deriving from the past and
actions directed towards the future.
Preludes
- Jumps from night to morning to midday and then it makes an even bigger jump: back in
time.
- No matter when the poem settles, the conclusion is the same: life has always been
rough. You could set this poem forward or backwards 100 years, implies the speaker,
and it wouldn't change much.
- Humanity will always face bleak times. It's just that some of them have more distractions
than others.
CYCLES
- Like many Modernists, Eliot perceived, and represented, history as being prone to the
repetition of the same mistakes.
- He also observed modernity’s rejection of the natural life cycle of the body and its
emphasis on youthful and changeless bodies
Preludes
- Things don’t change, the world keeps turning, things largely remain constant.
- There seems to be little escape from the everyday urban life of drudgery: you get up,
you go to work, you come home, you sleep (or try to), you do it all again the next day.
SELF-DOUBT
Eliot observed isolation and alienation within the rapidly modernising urban society of the early
20th Century. Eliot sought to demonstrate how, in a world brutalised by conflict and cut adrift
from its previously certain foundations, an individual becomes prone to angst and a rising sense
of self-doubt in their quest for direction and meaning.
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RELIGION
- A close examination of Eliot’s poetic achievements would shed light on Eliot’s gradual
absorption of spiritual faith.
- Eliot was lost because the world was ‘desacralised’ and had lost the spiritual dimension
of the human experience, with life and humanity only seen in scientific or rational terms.
- After a long process of contemplation, Eliot’s quest ends with a recognition that faith is
Man’s only way out, but it is lost and should be regained, and this is the ultimate goal of
the religious odyssey that Eliot’s poetry aims at pursuing.
- Eliot's personal relationship with religion heavily influences the text
- Eliot maintained a tumultuous relationship with faith
- It had become difficult to maintaining faith in modern society.
- Eliot’s poetry delineates a mental process that takes the reader from the inferno of
contemporary life to the purgatory of religious faith which is potentially capable of lifting
Man before falling into the abyss of loss.
- Implied that modern civilization is nothing but soulless materialism which offers no
anchor, no crutch and that it betrays those who rely on its efficacy and, most likely, they
will shrivel to nothing but a dreary realm of paralysis and formlessness
- Represents stages of spiritual awareness which start with a decaying, ‘modern’ world
and develops into an unavoidable acknowledgement of uprootedness and spiritual
metamorphosis of a civilization reduced into brokenness
Preludes
- Blackness = Sin
- Human Suffering is evident and could be a reminder of the suffering of Christ to redeem
the sins of humanity.
- There is a not of compassion and a tentative movement towards religious belief.
- Religious vision is mockingly brushed aside but is not entirely obliterated
- Cynicism towards religion suggests nostalgia for an absent ideal
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- All religion have lost their meaning; aridity of life without faith, an aridity that finally
echoes with sickening horror and despair in" The Hollow Men" ;
- The intertextual reference to Conrad’s novel highlights a resonance between the texts:
like Kurtz, the hollow men are the embodiment of a society which has significantly
reduced the status of religion, and by doing so, it has lost its bearings
- Society has left men in a state of ‘limbo’ or purgatory
- These men live in both this life and life in the hereafter at one and the same time
- Implied that modern civilisation is nothing but soulless materialism which offers no
anchor, no crutch and that it betrays those who rely on its efficacy and, most likely, they
will shrivel to nothing but a dreary realm of paralysis and formlessness