MANUAL

V 1.0.0
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Introduction ........................................................................ 4
What is Addictive Drums? ................................................................. 4
About this manual ............................................................................ 4
Abbreviations and technical terms ...................................................... 4
Key commands................................................................................ 4
General use and handling .................................................................. 5
Adjusting controls ............................................................................ 5
Use [Shift] to increase control resolution ............................................. 5
Mouse wheel support ....................................................................... 5
Instant On....................................................................................... 5
Edit Page shortcuts.......................................................................... 5
Copy & Paste settings ...................................................................... 5
Startup Preset ................................................................................ 5
Startup Midi File .............................................................................. 5
Drag’n’drop midi files ........................................................................ 6
Cymbal chokes ................................................................................ 6
[Alt] Editing ..................................................................................... 6
Reset a control to its default position .................................................. 7
Pans in AD ..................................................................................... 7
Mono pans...................................................................................................... 7
Stereo pans .................................................................................................... 7
“Centered” indication......................................................................................... 7

User Interface Sections ........................................................ 8

THE TOP SECTION ............................................................................ 8
A. Loading Indicator ......................................................................... 8
B. Preset Menu/Preset Display ......................................................... 8
C. Preset “Next/Previous” Buttons..................................................... 9
D. Logo (Show Program Information) .................................................. 9
E. Play Button ................................................................................. 9
F. Page Select Buttons ..................................................................... 9
G. Help Button ................................................................................ 9
THE MIXER SECTION ...................................................................... 10
Overview....................................................................................... 10
Mixer Section - Channel Settings ...................................................... 10
Using separate outputs in AD .......................................................... 11
AD Pages ......................................................................... 12
KIT PAGE ...................................................................................... 12
Overview....................................................................................... 12
Kitpiece Slots ................................................................................ 12
Kitpiece Slot functions .................................................................... 12
The Kitpiece List window ................................................................. 13
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EDIT PAGE – (Top) – Sampler ........................................................... 14

Introduction .................................................................................. 14
KP Selection.................................................................................................. 14
Basic Settings ............................................................................... 14
Mics control .................................................................................................. 14
Single Sample mode ....................................................................................... 14
Envelope / Filter Settings................................................................ 15
Pitch Section ................................................................................................. 15
Volume Envelope ............................................................................................ 15
Filter ............................................................................................................ 15
Copy/Paste .................................................................................. 15
EDIT PAGE – (Bottom) – Channel Inserts ........................................... 16
Introduction .................................................................................. 16
Microphones and channels.............................................................. 16
A. Snare Buzz................................................................................................ 16
B. Kick & Snare Close Mics Balance ................................................................. 16
Room Distance.............................................................................. 16
The Bus Channel ........................................................................... 17
Channel Insert Effects..................................................................... 18
Compressor .................................................................................................. 18
Distortion...................................................................................................... 18
EQ (3 band)................................................................................................... 18
Sat (Saturating Limiter) ................................................................................... 18
Output .......................................................................................................... 18
Channel Insert Effects - Bus and Master channels............................... 19
Tape (Analog Tape Saturation Emulation)............................................................ 19
Filter ............................................................................................................ 19
Copy/Paste .................................................................................. 19
Send FX section............................................................................. 19
Selecting a channel for editing ......................................................... 19
Turning on and off individual insert effects ......................................... 20
Turning on and off ALL inserts on a channel at once ........................... 20
Insert Effects and CPU usage .......................................................... 20
FX PAGE ....................................................................................... 21
Reverb Settings ............................................................................. 21
A. Algorithm.................................................................................................. 21
B. Decay/PreDelay/Damping .......................................................................... 21
C. EQ (2 band) ............................................................................................... 21
D. Output Section with Routing ......................................................................... 22
E. FX Sends .................................................................................. 22
Reverbs and CPU usage ................................................................. 22
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BEATS PAGE.................................................................................. 23
Overview....................................................................................... 23
The different sections ..................................................................... 23
A. Search ..................................................................................................... 23
B. File Browser .............................................................................................. 23
C. Player....................................................................................................... 24
D. Favourites List ........................................................................................... 24
E. Library Icons .............................................................................................. 24
Syncing AD to your host.................................................................. 24
Drag’n’drop midi files ...................................................................... 24
Beats Folder ................................................................................. 24
Refresh Library.............................................................................. 24
Midi file Categories ........................................................................ 25
Automation ....................................................................... 26
For every Kitpiece .......................................................................... 26
For every Mixer Channel ................................................................. 26
For the Bus and Master Channels .................................................... 26
For the Reverbs............................................................................. 26
Automation abbreviations (used in some hosts) .................................. 26
AD Key Map...................................................................... 26
Credits ............................................................................. 27
Created by..................................................................................... 27
Thanks .......................................................................................... 27
Trademarks ................................................................................... 27
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Introduction
Thank you for purchasing and using Addictive Drums!
We hope you have a great time using it, we sure had making it.
Please take the time to read this manual, some very nice tricks described here
will make your workflow even smoother!
Get addicted!
/The Addictive Drums Team

What is Addictive Drums?

Addictive Drums is a virtual instrument plug-in that takes drum production
within your computer to a new level. The main features are:
- All sampled drum/cymbal sounds are recorded with a multi channel mic
setup, just as you would record a real drum kit.
- Extensive layering, capturing every nuance from the softest to the hardest
stroke, combined with alternating samples through out, provides unparalleled
realism.
- 52 insert effects, 2 reverbs and pitch/volume envelopes for every part of the
kit gives Addictive Drums the power to emulate almost any drum sound you’ve
ever heard.
- The included presets make it easy to try out different styles for a track, and
lets you save and re-use complete drum productions in new songs.
- A vast library of midi files in different styles, all easily accessible from within
AD gives you the building blocks to create drum tracks quickly.
- Online community gives you access to even more content, created by XLN
Audio and our users worldwide.

About this manual

Abbreviations and technical terms
- ”Host” means host software (Like Cubase, Pro Tools, Logic)
- “AD” is short for Addictive Drums.
- “KP” is short for Kitpiece.

Key commands
When a word is between brackets, like this: [Alt], it means you should hold that
key on your keyboard while editing a control with the mouse.
 5

General use and handling

You don’t like reading manuals?
For many users AD is a pretty straight forward experience, and many will get
to work instantly without ever even looking in the manual.
Still, here are a couple of quick tips you don’t want to miss out on:

Adjusting controls
To adjust a parameter in AD, just click on the control (a knob, slider, value
readout) and move the mouse up/down (or sideways in some cases). The
Reverb and Bus Sends are exceptions, just click where you want the slider to
“jump”.

Use [Shift] to increase control resolution

If you hold [Shift] (sometimes just indicated by an arrow pointing upwards) while
editing a control, you get a much finer control resolution, so you can adjust
values with very high precision.

Mouse wheel support

AD supports mouse wheel for all controls, and there is no need to click the
control first to “select” it. Just place the mouse pointer over the control and
use the mouse wheel to adjust it.

Instant On
To activate a “darkened” (=turned off) section, just adjust any of the controls
within it directly. You don’t need to first enable it with the enable button!

Edit Page shortcuts

Clicking the channel labels from any page in AD, or the “E” button in the corner
of each Kitpiece Slot on the Kit Page, takes you to the Edit Page with the
correct KP and Channel selected for editing.

Copy & Paste settings

The Copy and Paste buttons on the Edit Page works not only within AD but also
within all loaded AD:s in your song. You can for example copy settings from one
preset to another using this method.

Startup Preset
By saving a preset of your choice as “Startup.ADPreset”, it will be automatically
loaded when you load AD!

Startup Midi File

By saving a midi file of your choice (in the User Midi Files folder) as
“Startup.mid”, it will be automatically loaded when you load AD!
 6

Drag’n’drop midi files

Any midi file on the Beats Page can be drag’n’dropped straight into your host
software.

Cymbal chokes
The cymbal chokes (when the drummer grabs the cymbal firmly and silences it)
in AD are quite unique.
For every cymbal recorded, we also recorded cymbal chokes of different
strengths. We then designed a special algorithm that actually measures the
strength of the cymbal being played, so that when it is “choked”, AD
automatically selects a choke sample of the correct strength!
Play a cymbal, then play the black key above it to choke it. You can choke it
very quickly or after several seconds, and AD will select a choke sample that
fits. (This also means that the choke keys are silent if you haven’t first played a
cymbal).

[Alt] Editing
If you hold [Alt] while moving a control, the control position will be copied to all
channels/KP:s, example:
Hold [Alt] and adjust the Attack of the Kick to 20 ms.
Result: All Kitpieces get the same Attack value, 20 ms.
Exceptions:
The Channel Settings are divided into three groups when [Alt]-Editing.
Group 1: Channels 1-8
Group 2: Overhead+Room
Group 3: Bus+Master
So [Alt]-adjusting something on Channel 1 (Kick) will be copied to Channels 2-8, but
not to Overhead, Room, Bus or Master.
Some controls are changed “relatively” to their original position when [Alt]-Edited.
Example: The Volume Faders (in the mixer and in each KPSlot) are relative. If you
hold [Alt] and lower one fader 6 dB, all faders will be lowered 6 dB from their original
position.
The following controls are [Alt]-Edit-relative:
- Volume Faders (in the mixer and in each KPSlot)
- Pans and Pan Widths
- Reverb & Bus Sends
- Pitch Main and Overhead/Room offset
 7

Reset a control to its default position

To reset a control to its default value, use [Ctrl]+click (PC) or
[Cmd]+click (Mac)

Pans in AD
There are Pan Controls in the Mixer Channels, the sampler on the Edit Page,
and on the Reverbs on the FX Page. They all behave the same:

Mono pans
To edit the pans, you don’t have to “hit” the tiny mono pan handle with the
mouse, just click anywhere inside the pan area and move the mouse. (Same
goes for volume faders btw).

Stereo pans
Stereo pans work like mono pans, but you can also control Pan Width on by
moving the mouse up/down. You can also reverse the pan by moving upwards,
beyond mono. The pan handle turns blue to indicate reversed stereo image.

“Centered” indication
When a pan handle is centred, the graphics indicate this:

A. Mono pan, centered

B. Mono pan, not centered
C. Stereo pan, reduced width, centered
D. Stereo pan, reduced width, not centered
E. Stereo pan, reduced width, reversed stereo image, centered
F. Stereo pan, reduced width to mono, centered

To quickly centre a Pan:

[Ctrl]+click (PC)
[Cmd]+click (Mac)
 8

User Interface Sections

The AD user interface is divided into 3 main sections: The “Top”, “Page” and
“Mixer” sections.

The Top and Mixer Sections are static and never change, while the Page
Section changes depending on which Page is selected for editing.

THE TOP SECTION

A. Loading Indicator
The top section starts off with the Loading Indicator, which shows you when AD
is loading stuff from disk. Although you can play AD while it keeps loading in the
background, there may initially be silence or audible glitches until the Loading
Indicator finishes and goes “off”.

B. Preset Menu/Preset Display

Here the name of the currently loaded Preset is displayed. Clicking in this area
brings up a Preset menu, where you can load and save Presets.
 9

C. Preset “Next/Previous” Buttons

The 2 up/down buttons selects the next or previous preset in the “current”
Preset folder.

D. Logo (Show Program Information)

Clicking the nice shiny Addictive Drums logo takes you to a special Program
Information page. Here you’ll find program version information (which is good in
support matters) and also credits, special thanks & acknowledgements from
the AD team.

E. Play Button
This is a double of the Play button on the Beats Page. Starts and stops the
currently selected midi file.

F. Page Select Buttons

AD’s Page Section has four different pages:
KIT: Shows you an overview of which sounds you have selected
EDIT: Lots of controls for shaping your drum sound
FX: The controls for the two built in reverbs
BEATS: Midi file library with beats and fills in various styles and tempos

G. Help Button
This button brings up a menu with these selections:
- Manual (opens this document)
- Show Key map (opens a PDF with the AD key map)
- Open the AD User Folder (PC: Opens explorer and points it to “My
Documents/Addictive Drums”. Mac: /Users/*username*/Library/
Application Support/Addictive Drums/)
- XLN Audio Website (opens your internet browser and goes to
www.xlnaudio.com)
- About AD (same as clicking the logo, (C) above)
 10

THE MIXER SECTION

Overview
AD’s Mixer Section has 12 audio mixer channels.

A. 8 mono channels, handling the Close mics of Kick, Snare, Hihat, Cowbell
and the 4 Toms.
B. 2 stereo channels, handling the Overhead (OH) and Room mics.
C. Stereo Bus, which can be used for special effects (the previously mentioned
channels can send a submix to the Bus, which can for example be distorted
and sent into the Master channel).
D. Stereo Master Channel.

Mixer Section - Channel Settings

All channels have:
- A Volume Fader
- Pan (Including stereo width control for stereo channels by moving mouse
up/down, stereo image can also be reversed)
- Solo and Mute buttons
- Phase Reverse button
- Routing button (You can choose to route each channel to the Master or to a
separate output)
- INS/FX buttons (turns on/off each channel’s Inserts or FX Sends)

(Exceptions: The Master Channel has no Solo and Routing buttons)

 11

Using separate outputs in AD

AD is by default a multi-out instrument. There are no separate “Stereo” and
“Multi-Out” versions.

Every channel in the AD mixer can be routed to a separate output, which

appears in your host.
Press the ”Out” button (has an arrow pointing downwards, located below the
solo/mute buttons on every channel). Now the sound will appear in its own
dedicated output, and no longer be sent to the internal Master Channel.

Each channel is pre-assigned to a certain output:

----------------------------------
1+2 = Master
----------------------------------
3 = Kick
4 = Snare
5 = Hihat
6 = Cowbell
7 = Tom 1
8 = Tom 2
9 = Tom 3
10 = Tom 4
----------------------------------
11+12 = OH
13+14 = Room
15+16 = BUS
----------------------------------

The method of accessing these separate output channels inside your host
differs from host to host.
Here are some examples:
- In Cubase SX/Nuendo, all outputs appear automatically as channels in the
Cubase Mixer.
- In Cubase 4 multi-out instruments appear by default as stereo instruments in
the mixer, and you have to click a button in the VST Instruments window to
activate the other outputs. Doing this automatically creates new Cubase mixer
channels for you.
- In Logic you must create an aux object, and select the appropriate AD output
as an Input for the Aux Object.
- In Pro Tools you must create an Aux Track and select the appropriate AD
output as an Input for the Aux Track. (Create a mono Aux track to access the
AD mono channels, and a stereo Aux track to access the AD stereo channels).

Please check www.xlnaudio.com for the latest information on how to set this up in
various environments.
 12

AD Pages
KIT PAGE

Overview
The AD “kit” has 12 ”Kitpieces” (sometimes referred to as KP:s). They are:
Kick, Snare, Hihat, Cowbell, Toms 1-4, Cymbals 1-3, and a Ride.

Kitpiece Slots
On the Kit Page you can see a “Kitpiece Slot” for each Kitpiece. The Kitpiece
Slot shows you an image of the selected Kitpiece. Click the image to audition
the sound. The “pad” is velocity sensitive, the higher up you play the louder the
volume.

Kitpiece Slot functions

A. Kitpiece Slot Name
B. Load List button (opens a bigger window
with an overview of the available Kitpieces)
C. Up/Down buttons for Kitpiece selection
D. Midi Activity Indicator
E. KP Mute & Solo
F. Currently loaded Kitpiece name (click it to
get a popup list of all available Kitpieces)
G. Edit Button (takes you to the Edit Page
with this Kitpiece selected)
H. KP Volume (for quickly adjusting Close, Overhead and Room levels
simultaneously for a KP)
 13

The Kitpiece List window

Clicking the “L” button in the top right corner of the Kitpiece Slot brings up a
new window, the Kitpiece List window.
Here you get a list overview of all the available Kitpieces for a given Kitpiece
Slot. Just click on any of the images (A) to load that Kitpiece, and then play it
by clicking the image just as in the Kitpiece Slot. You can of course also play it
with your midi keyboard/controller, or by playing a midi file from the AD Beats
Page or your host.

The Kitpiece List window explained:

A. List of available Kitpieces
B. Sound Library icon
C. Close up of the selected Kitpiece (click to play)
D. Kitpiece Info (Studio details, if the KP is played with sticks or brushes etc)
E. OK and Cancel buttons (confirms or cancels KP selection and closes the
window)
 14

EDIT PAGE – (Top) – Sampler

Introduction
The Sampler provides lots of control over the raw sounds. You can adjust the
Overhead and Room levels and panning individually for each KP. There is also
extensive sound shaping possibilities using Pitch and Volume Envelopes. A
HP/LP filter is also provided (handy for removing bottom from cymbals for
example).

KP Selection
Each of the 12 KP:s can be selected and edited by clicking the corresponding
button under the KPSlot:

You can also activate “Select by midi” by clicking on the midi symbol on
the left. (Below the word “Sampler”)
Now you can select the KP you want to edit by playing it from your keyboard!

Basic Settings
For each KP you can set the following:

Mics control
- Overhead Mics Level, Pan and Width
- Room Mics Level, Pan and Width

Single Sample mode

Makes AD play only one single sample across the entire velocity range, and
uses no alternating samples. Gives you that ”old-skool kool” drum machine feel!
 15

Envelope / Filter Settings

This section provides further sound shaping possibilities. If you want a clean,
“un-processed” sound you can turn off the entire section with the button above
the words “Envelope / Filter”. You will notice that the whole section will be
covered by a hatch. This means that all pitch/envelope/filter processing is
turned off. You can also turn on/off each of the following sections individually.

Pitch Section
- Main Pitch (controls the pitch of the entire KP +/-12 semitones)
- OH/Room Offset (offsets the OH and Room channels +/-12 semitones)

...with Pitch Envelope:

- Pitch Offset (+/- 24 semitones)
- Hold Time (0 - 500 ms)
- Release Time (0 - 5000 ms)
Edit the settings either directly in the graph or by clicking the values below the graph
and moving the mouse up/down.
- Vel.Sens. (Lets velocity control the amount of Pitch Envelope applied)

Volume Envelope
- Attack (0 - 250 ms)
- Decay Time (0 - 1000 ms)
- Sustain Level (0 - inf dB)
- Sustain Hold Time (0 - 5000 ms)
- Release Time (0 - 5000 ms)
Edit the settings either directly in the graph or by clicking the values below the graph
and moving the mouse up/down.

Filter
- Range (20 – 20000 Hz)
A handy HP/LP filter for removing the bottom from hihats or cymbals for example.
You can adjust either end of the spectrum by moving the small handles up or down.
You can also click on the selected (brighter) frequency area and move the whole
area up or down.

Copy/Paste
Tip: The copy/paste buttons allow you to quickly copy all settings from
one KP to another! Or from one instance of AD to another!
 16

EDIT PAGE – (Bottom) – Channel Inserts

Introduction
In our effort to replicate the recording and mixing of a real drum kit, we have
recorded the kit traditionally using close, overhead and room mics.

Microphones and channels

All KP:s include overhead and room recordings, and these are all routed to the
stereo channels Overhead and Room.
Kick, Snare, Hihat, Cowbell and Toms were recorded with close mics as well.
Hihat, Cowbell and Toms have one close mic channel each.
Kick and Snare have 2 channels of close mics:
- “Top”/”Bottom” for Snare
- “Beater”/”Front” for Kick

A. Snare Buzz
To further enhance the realism we have recorded the
buzzy sound the snare makes whenever the kick or
toms are played. The volume of the Snare Buzz can be
adjusted with the “Buzz” slider above the image.

B. Kick & Snare Close Mics Balance

The balance of the 2 close mics on Kick and Snare can
be adjusted with the horizontal slider under the image.

Room Distance
All Overhead and Room samples have been edited so they are in phase with the
close mics. This is another classic trick which gives a much punchier end
result. However, to provide more flexibility, the Room Channel has a Distance
control that lets you delay the Room recordings up to 50 ms (around 56 ft).
 17

The Bus Channel

A commonly used “trick” in drum mixing is to create a submix of chosen kit
elements (kick+snare+hihat for example), distort or heavily compress this
submix, and then introduce this back into the main mix at a lower level.
The result is that you get the dynamics and punch of the “normal” cleaner main
mix, but at the same time a nice “crunchy” quality and sustain from the
compressed submix.
This effect can be easily achieved in AD. Just click the Bus Channel Label to
select the Bus channel, and you will notice that a Bus send panel appears on
top of the mixer:

Now you can easily create a submix and process it using the Bus Channel’s
Insert Effects.
 18

Channel Insert Effects

Each channel in AD has a selection of insert effects:

Compressor
- Threshold (0 - -48 dB)
- Ratio (1:1 to 8:1)
- Attack (0.1 – 100 ms)
- Release (10 – 400 ms)
The AD compressor has a quite advanced AutoGain algorithm that keeps levels in
check.

Distortion
- 4 algorithms (Crunch, Heavy, Zap, BitCrush)
- Dist Amount
- Mix (mixes between the clean and the distorted sound)
- Range (lets you set the frequency range you want to distort, 20 – 20000 Hz)
Select algorithm by clicking on the arrow keys, or click the algorithm name to get a
popup.

EQ (3 band)
- Centre Frequency (20 - 20000 Hz)
- Gain (+/-24 dB per band)
- Q (0.1 - 10.0)
Edit the settings either directly in the graph (mouse wheel controls Q value) or by
clicking the values below the graph and moving the mouse up/down.

Sat (Saturating Limiter)

- Threshold: -10 to 10 dB
This is used to make sure no short peaks slip through. It is a soft clipping
(“saturating”) brick-wall limiter, and the GR (Gain Reduction) indicator lights up to
indicate how much the signal is affected.

Output
- Volume (+/-12 dB)
Adjusts the level of the processed signal.
Tip: Adjust this so that the processed and unprocessed levels are about the same.
Makes it is easier to compare them, and also maintains a nice even gain structure in
the signal chain.
 19

Channel Insert Effects - Bus and Master channels

These channels include two more inserts:

Tape (Analog Tape Saturation Emulation)

- Drive (amount of Tape saturation applied)
- Bottom (amount of low end enhancement)
This effect emulates the kind of warm distortion and nice bass enhancement you get
when recording drums onto analog tape.

Filter
- Range (20 – 20000 Hz)
This HP/LP filter lets you filter the whole mix for example, can be automatable.

Copy/Paste
Tip: The copy/paste buttons allow you to quickly copy Insert Effect settings
from one Channel to another! Or from one instance of AD to another!

Send FX section
Each channel in AD has 2 Send FX sliders, located in the bottom right corner
of the Channel Inserts panel. You can edit the Send amounts directly, or click
the “Edit” button, which takes you to the FX page where you can edit the
settings of the 2 Reverb units. You can also turn on/off the Send FX section.

Selecting a channel for editing

Select the channel you want to edit by clicking the corresponding Mixer Section
label. You can do this from any page in AD.
Selecting a Mixer channel also selects the correct KP in the Sampler (well, if
applicable: the Mixer Section stereo channels (Overhead/Room/Bus/Master)
have no particular KP relation, so no KP will be selected for you in that case).
There is a shortcut from the Kit Page: Click the little ‘E’ in the corner of a
KPSlot and it will bring you to the Edit Page with the correct KP and Channel
selected.
You can also select channels via midi, just click the little midi icon close to the
Copy/Paste buttons.
 20

Turning on and off individual insert effects

By clicking the button in the top left corner of each insert you can turn on or off
the insert. You will notice that the panel goes dark when the insert is turned
off.
To turn on an insert you don’t have to click the “on” button, you can just adjust
any of its controls and it will immediately light up and turn on!

Turning on and off ALL inserts on a channel at once

Each channel has a “master” switch to turn on/off all insert effects at once.
This button is blue and is located above the word “Channel Inserts”. It is also
doubled on the Mixer Section, the button that reads “INS” on each channel.
Turning off all inserts like this brings up a hatch that covers all inserts. When
this hatch is visible, you can be sure that the sound is clean and unaffected.

Insert Effects and CPU usage

Turning off Insert Effects can save CPU, so if this is an issue you may want to
turn off any sections you are not using. Please note that AD already saves CPU
by turning off inserts that are not processing anything so you may not notice a
difference.
 21

FX PAGE
AD includes two reverbs, found on this page. Each channel in the AD Mixer
Section can send to these effects. The reverb output then goes into the Master
channel and is mixed with everything else.
You can choose if you would like to route the reverb output before (pre) or after
(post) the Master Insert Effects.

Reverb Settings
The two reverb units are identical, each unit has the following controls:

A. Algorithm
Each unit has 4 algorithms with different characteristics and decay times:
- Ambience (0 - 1 s)
- Room (0 - 3 s)
- Hall (0 - 10 s)
- Plate (0 - 10 s)
Select algorithm by clicking on the arrow keys, or click the algorithm name to get a
popup.

B. Decay/PreDelay/Damping
Each unit has controls for
- PreDelay (0 - 100 ms)
- Reverb Time (see algorithms above)
- Damping (for managing the high end reflections)

C. EQ (2 band)
- Centre Frequency (20 - 20000 Hz)
- Gain (+/-24 dB per band)
- Q (0.1 - 10.0)
Edit the settings either directly in the graph (mouse wheel controls Q value) or by
clicking the values below the graph and moving the mouse up/down.
 22

D. Output Section with Routing

- Output Level
- Pan / Width

In the Output section you also have the option to route the output from each
reverb:
Pre Master Inserts (example of usage: you want to compress and filter the
whole mix including reverb)
Post Master Inserts (example of usage: you want to compress the complete kit
mix heavily on the master bus, but keep the reverb uncompressed and natural)

E. FX Sends
Here you get a good overview of the Send amounts from the different Mixer
Channels.

Reverbs and CPU usage

Turning off the Reverbs can save CPU, so if this is an issue you may want to
turn off a Reverb you are not using. Please note that AD already saves CPU by
invisibly turning off a Reverb if is not processing anything, so you may not notice
a difference.
 23

BEATS PAGE
Overview
Here you can access the vast midi file library included in AD, and also your own
files if you like. You can listen to the files in their original tempo or lock the
tempo to the song you’re working on. You can have AD play along in perfect
sync to the song in your host, and change beat on the fly. When you find
something you like you just drag’n’drop the file directly into your arrangement!

The different sections

The Beats Page is divided into 5 sections:

A. Search
Here you can type in a text search, like “hard rock” and any file that has those
words in its name will show up in the File browser below.
There are dropdowns for Category and Time Signature, so you can for
example choose to show only PopRock beats in ¾ time.
There are also Filter Buttons:
User/Factory - The beats and fills shipped with AD are called “Factory” files. If
you create your own midi files they will be considered “User” files. Using the tick
boxes you can choose which files you want to see.
Beats/Fills – The files with a grey dot are Beats, the ones with an orange dot
are Fills. Using the tick boxes you can choose which files you want to see.
If you create your own midi files you just have to add “_F_” to the file name and
it will appear as a Fill in the AD browser! (All other files are considered
“Beats”.)

B. File Browser
This is the main display of available midi files. This list updates immediately if
you apply any of the search functions described in the previous section. You
can sort the files by Name, Category, BPM (tempo), or number of Bars just by
clicking on the words in the top of the Beats Browser.
 24

C. Player
Here you can audition all the midi files directly. Just select a file in the list and
click the Play button. The two small up/down buttons select the previous/next
file in the list. The Play Position handle lets you move to anywhere in the file.

D. Favourites List
While you’re listening through midi files, just drag’n’drop any files you think
might be suitable for the project you’re working on to this list. Use the button
“Remove from list” to remove a file from the list. The Favourites List is saved
along with all AD settings when you save your song in your host.

E. Library Icons
This shows you which additional Midi Libraries you have installed. Additional
Midi Libraries are part of AdPaks (sold separately) that contain new sounds,
presets and beats.

Syncing AD to your host

Host - Sync button
When this is enabled, AD will stop and start playing along
with your host.
Host -Tempo button
When this is enabled all files will play in the same tempo
as your host. When it is disabled, all files will play in the
tempo in which they were recorded.

Drag’n’drop midi files

Files can be drag’n’dropped to the favourites list for quick access, and/or
directly into your host software (if supported by host).

Beats Folder
Click this to open the AD User Midi Files folder. Any midi files place here will
appear in the AD File List after a library refresh.

Refresh Library
Whenever you have added or removed midi files in the library, click “Refresh
Library” to refresh the file list.
 25

Grouped Midi files

Most files have a small white triangle next to their name. This means that they
are part of a group of files. Clicking the triangle reveals the other members of
the group. You can add this functionality to your own files easily, by adding
special “tags” to your midi file names.

Example:
Let’s say you have 3 files with a similar beat, and you want to group them
inside AD. Adding the tag “_V_” tells AD that these are variations and that they
should be grouped:

MyBeat _V_Verse.mid
MyBeat _V_Chorus.mid
MyBeat _V_Bridge.mid

The part of the file name before _V_ (“MyBeat”) must be the same for all 3
files. The part after _V_ is the name of the variation.
But which file is the “group daddy” and gets the white triangle?
Well you decide that, by putting the tag “_G_” in the name of that file.

Example:
MyBeat _V_Verse.mid
MyBeat _V_Chorus _G_.mid
MyBeat _V_Bridge.mid

Now the file “MyBeat _V_Chorus _G_.mid” will be the only one shown in AD, and
it will have a white triangle that lets you unfold the other 2 files.
(The tags “_V_” and “_G_” are never shown in the file list in AD, they are just
there to tell AD how to display grouped files)

Midi file Categories

There is also another tag, “_C_”, for category.
Add “_C_MushroomMetal” to the midi file name and it will show up as
“MushroomMetal” in the Category column in AD, and also in the “Categories”
dropdown thing.
If you do not add a category tag, AD will display “n/a” (not available) in the
Category column.
 26

Automation
The following parameters are automatable:

For every Kitpiece

Solo, Mute, Level, Pan
OH Level, OH Pan, OH Width
Room Level, Room Pan, Room Width
Pitch Main, Pitch OH/Room
Filter Bottom, Filter Top

For every Mixer Channel

Solo, Mute, Level, Pan, Width (Width on stereo channels only)

For the Bus and Master Channels

Solo, Mute, Level, Pan, Width
Dist Bottom, Dist Top, Dist Amount, Dist Mix
EQ Freq 1, EQ Gain 1, EQ Q 1
EQ Freq 2, EQ Gain 2, EQ Q 2
EQ Freq 3, EQ Gain 3, EQ Q 3
Comp Thresh, Comp Ratio, Comp Attack, Comp Release
Filter Bottom, Filter Top
Tape Amount, Tape Bottom
Limit Thresh
Inserts Vol
Rev 1 Send
Rev 2 Send

For the Reverbs

R1 Vol, R1 Pan, R1 Width
R2 Vol, R2 Pan, R2 Width

Automation abbreviations (used in some hosts)

KK = Kick, SN = Snare, HH = HiHat, CB = Cowbell
T1-T4 = Tom1-Tom4, C1-C3 = Cym1-Cym3, RD = Ride
OH = Overhead, RM = Room, BU = bus, MA = Master
R1-R2 = Reverb 1-2

AD Key Map
See Top Section – Help Button
 27

Credits
Created by
Addictive Drums was created by Lars Erlandsson, Niklas Möller, Magnus
Lidström and Martin Eklund. Rhythm content by Jakob Möller.
GUI graphics by Bitplant, Germany.
Additional DSP Effects by PSPaudioware.com.
Drums and cymbals recorded at Decibel Studios, Stockholm, Sweden.
Mixed at Maratone Studios, Stockholm, Sweden.
AudioUnit version implemented using Symbiosis from NuEdge Development.

Thanks
To our families and friends for all your support. Martin & Tom for believing.
Johan Lenander for all the advice.
The manufacturers of fine drums and cymbals around the world who gave us
permission to record their products. MMS, Backline Sthlm, Slagverket and
Urban Näsvall for providing all the great drums and cymbals. Dagge & Decibel
Studios for the great sounding room and preamps.
The Merkles for teaching bad pixels how to behave properly. Nice work guys :)
Fredrik Lidström at Elysian for the tech support.
To all our beta testers around the world.
And a big yeehaa to everyone who contributed with cool presets!

Trademarks
VST is a trademark of Steinberg Media Technologies GmbH.
AGG LITE (Anti-Grain Geometry - Version 2.1 Lite)
Copyright © 2002-2003 Maxim Shemanarev (McSeem).
RTAS is a registered trademark of Digidesign, a division of Avid Technology,
Inc.
DW is a registered trademark of Drum Workshop, Inc.
Latin Percussion or LP is a registered trademark and a division of Kaman -
Music Corporation, USA.
Paiste is a registered trademark of Paiste AG, and is used pursuant to a
license from Paiste AG.
Pearl is a registered trademark of Pearl Music.
Sabian is a registered trademark of Sabian.
Sonor Drums is a registered trademark of Sonor GmbH & Co.KG
Tama is a registered trademark of Tama Drums and Hoshino USA, Inc.