Jungle Listening Student Pages Jan17
Jungle Listening Student Pages Jan17
Jungle Listening Student Pages Jan17
Set 1
Speech in Action
Birmingham UK
Acknowledgements
00 Introduction 3
05 Syllable murder 2 - 'What did you' can sound like 'Wha chew' 13
Topic Checking understanding Key Phrase What did you say?
THE PURPOSE
Purpose. Jungle Listening will teach you to understand fast speech, so that you can understand the everyday speech of expert
speakers of English from all over the world.
Learners find that they do not understand normal everyday speech. Although they can understand the English of their teachers
and their classroom materials, they have difficulties with real speech. A learner from Singapore, called Ying, described this
problem very well:
I believe I need to learn what the word sounds like when it is used in the sentence. Because
sometimes when a familiar word is used in a sentence, I couldn’t catch it. Maybe it changes
somewhere when it is used in a sentence. (Goh, 1997: 366)
If you have the same problem as Ying, then Jungle Listening is for you.
WHY JUNGLE?
Why Jungle Listening? To answer this question, we need to consider three types of speech: Greenhouse, Garden and Jungle.
Greenhouse Garden Jungle
Greenhouse
When you learn a new word in English, it is given on its own, with a pause before and after it. This new word is similar to a plant
in a pot in a greenhouse, where it is carefully kept separate from other plants.
Here is an example of eight ‘plant-pot’ words.
Extract 0.1
Notice that each word is spoken very carefully, and each sound is very clear. Say this line to yourself, paying attention to the
sounds at the beginning and the end of each word. Make sure there is a pause between each word.
Garden
But words rarely occur on their own, so we learn the rules of connected speech – how to say the words in a ‘joined up’ way.
Words touch each other gently, in a pleasing arrangement, like flowers carefully arranged in a garden. Extract 2 gives an
example.
Extract 0.2
With Extract 2, we are taking a step towards the naturalness of everyday speech. Unlike Extract 1, the words run smoothly into
each other, without a pause between them, and some words are now non-prominent – the upper case letters show prominent
syllables, the lower case letters show non-prominent syllables. Notice in particular that
• ‘then I’ sounds like ‘theh_nigh’ |ðe.naɪ|
• ‘could not play’ becomes ‘couldn’t play’ |kʊdn̩ tpleɪ|
But to keep the |t| in between |n| and |p| takes quite a bit of conscious effort, so very often the |t| is dropped (elided) in such
circumstances, as in Extract 003
Extract 0.3
This speech unit goes at a speed of 230 words per minute, 4.4 syllables per second.
Say this speech unit to yourself, paying attention to the rhythm and linking.
The Jungle
But in real life, everyday speech is like the messy, unruly, greenery of a Jungle. It is difficult to tell when one word ends, and
another begins. It is often difficult to tell whether a word has been said at all. Things happen which are not covered in any
textbooks. This is our eight-word sentence, spoken Jungle style.
Extract 0.5
This speech unit goes very fast, at a speed of over 450 words per minute, 8.8 syllables per second.
In Extract 0.5, three pairs of syllables are reduced one syllable each:
• the two words ‘so then’ become one syllable ‘sen’
• the two syllables of ‘couldn’t’ become one syllable ‘coum’
• the two syllables of ‘any’ become ‘ni’.
It is this type of speech that we need to be familiar and comfortable with in order to be good listeners. That is why this book is
called ‘Jungle Listening’.
The structure of each unit
In these materials there are ten units, each of which has ten parts. Each unit has a title, a topic, and a key phrase. The key phrase
is the group of words (e.g. 'where there were') which is the focus of attention in the unit.
Step Description
At the top of the page there is a title, plus a description of the topic of the recording, and the key
phrase which will be the focus of the vocal gymnastics exercises [5] and [6]
1 This is a simple description of the survival tip.
2 Listening – You read a question for you to consider while listening, then you listen several times
to a short recording (four to ten seconds long) and check your answers.
3 Explanation – This gives you a detailed description of the features of fast speech in the recording
4 Reading – You read the script taking it in turns to read each part, and trying to match both the
speed and the messy features of the recording
5 Vocal gymnastics 1 – Savouring sound shapes ('Savour'' means to 'taste and enjoy') – You read,
listen, and imitate the key phrase in Greenhouse, Garden, and Jungle styles.
6 Vocal gymnastics 2 – The round – You perform, in pairs or trios, a round of the key phrase. This
will help you remember the different ways of saying the key phrase.
7 Extension – You personalize the dialogue and perform it for other students in Greenhouse,
Garden and Jungle styles.
NB Sections 8-10 below are only available in the AudioNotetaker version.
8 Compare accents – You listen to Microsoft text to speech voices, and compare British and
American English versions of the script.
9 Record – You record both Garden and Jungle forms of the script.
10 Explore – You do listening tasks using extracts from different TED talks and YouTube videos. You
will hear the key phrase spoken in a range of accents.
Topic: Arranging to meet Key phrase: ‘So you won’t be here then’
1.1 Tip
In the Jungle, people speak very fast, and squeeze words out of shape. This unit shows how words are squeezed when they
come in front of a prominent syllable.
1.2 Listening:
Allan and Beth are trying to fix a time for a meeting the following day. Do they succeed? Yes, or No? Listen to Extract 1.1 three
times (it lasts four seconds) and decide on your answer. (Answer Key).
1.3 Explanation: Window on speech – three-part pattern
The table below shows speech unit 04 from Extract 1.1. This speech unit has a very common rhythmic shape: the three-part
pattern. Words are squeezed together in column 3, the syllable in column 2 is loud and clear, and the syllable in column 1 is
reasonably clear (more clear than in column 3) because the speaker is slowing down before a pause. The 'ba bam' row in the
table shows the rhythm of the speech unit, and the last row gives a summary of this explanation.
3 2 1
ba ba ba ba BAM bam
1.4 Reading
In pairs read the dialogue several times. Change roles each time. Start slowly, then speed up. Enjoy making a mess of the
syllables at the start of speech unit 04.
Extract 1.1
1 2 3 4
Greenhouse SO YOU WON’T BE
Garden SO you WONE be HERE THEN
Jungle syu.wo.be HERE then syu.wo.be HERE then syu.wo.be HERE then syu.wo.be HERE then
1.7 Extension
Re-write the dialogue replacing the word ‘dentist’ with other words which fit the sentence (e.g. doctor, sea-side, pop concert),
and act out the new dialogue for other people in the class.
Listening task 1.10.2
The speaker is Cary Fowler, and this is an extract from his talk ‘One seed at a time, protecting the future of food’. Cary was
born in Memphis Tennessee, and is an agriculturalist. Some of the words in the transcript are wrong. Listen to the
recording, and correct the transcript.
And now a pair of security doors to stop you seeing it quite like this again. When
you get to the end you get into an area that's really a scary place. I think of it as a
large cathedral.
Listening task 1.10.3
The speaker is Robert Fischell, and this is an extract from his talk 'My wish: Three unusual medical inventions'. Robert
Fischell is a physicist, and inventor. The transcript has a choice of words at certain points. Listen to the extract and select
the choice you hear.
And there/then ... you will be/you're going to be with your doctor and you'll
be/you're going to be taken care of in order not to/so you won’t die of a heart
attack so that's the third/first invention that I wanted to describe.
5 4 3 2 1
2.4 Read
In pairs read the dialogue several times. Change roles each time. Start slowly, then speed up. Enjoy making a mess of the
syllables 'all the way to the' in unit 01.
Extract 2.2
1 2 3 4 5
ALL THE WAY TO THE
ALL the WAIter the ALL the WAIter the WAIter the
or the wetter the or the wetter the or the wetter the or the wetter the or the wetter the
2.7 Extension
Re-write the dialogue changing ‘ran’ to other verbs of motion (e.g. ‘swam’ ‘drove’ ‘flew’) and replace 'station' with another
appropriate noun.
© Richard Cauldwell, Speech in Action Birmingham 2016 7
NB This page is for Enhanced, AudioNotetaker mode only.
2.8 Compare accents
Look at the transcript and listen to two 'computer voices' reading the dialogue. One, Hazel, speaks British English, the other
speaks American English. What differences do you notice? Circle the words and syllables that sound different.
01 A:i mean he RAN all the way to the STAtion
02 B: ALL the WAY
03 B: UP THERE
04 A: all the WAY up THERE
05 B: IN CREDible
2.9 Record
With another student, record the dialogue in both Garden and Jungle forms, and send them to other students and ask them
what they think
2.10 Explore - Listening tasks
These listening tasks are contained in a separate AudioNotetaker file, in the folder 'Jungle Listening Supplementary'
2.10.1 Listening task
This speaker is Eddy Cartaya, and the extract is from his talk 'My glacier cave discoveries'. Eddy is a Forest Ranger from
Oregon. Listen to Eddy talking about walking on a glacier. He uses forms of the verbs 'creep' and 'hike'. Complete the
missing words from the transcript
The next morning xx xxxxx xxx xx xxx xxxx xxx xxxxx xxx xxx xxx xx xxx xxx xx
the glacier.
2.10.2 Listening task
This speaker is Freeman Hrabowski, and this is an extract from his talk '4 pillars of college success in science'. He is an
educator, and President of the University of Maryland. Read the transcript. Some of the words are wrong. Listen to the
recording and correct them.
... we produced a lot of people in law and humanities, we produced great artists
1 2 3 4
Greenhouse YES YES YES YEAH
Garden Yeah yeah Yeah yeah Yeah yeah YAH
Jungle NYEP yep yep NYEP yep yep NYEP yep yep NYEP yep yep
3.7 Extension
Re-write, and perform, the same dialogue with a different 'ed' form (or other verb or adjective) instead of 'interested', with as
many versions of 'No' as you can manage, for example ‘nope' and 'nah’ try to make 'nope' as close as possible to 'yep', and 'nah'
as close as possible to 'yeah' or 'yah'.
Note: Special Symbols
In phonetic symbols, the version of ‘Yes’ that is represented as ‘NNYEP’ is |njep| where the little superscript angle at the end
̚
means ‘no audible release’.
See also Tip 05.
3.10.3 Listening task
This speaker is Seema Anand, and she is talking about her education in India - in particular about the syllabus of her
degree in English. Read the transcript. Some of the words are wrong. Listen to the recording and correct the transcript.
We did not have a single Indian lecturer on our course, a single Indian author I
mean to say on our course so I read everything from the Bible.
3.10.4 Listening task
This is a short extract from a discussion on Health. Australian (or New Zealand)speakers. It features overlapping speech,
and an extremely reduced form of 'I beg your pardon'. In the text pane, all the script is given - except for 'I beg your
pardon' - where does 'I beg your pardon' occur?
...want to go back on the field. She's not going to want to go back on the field. No
no you're limited in that she's trying to get pregnant.
1 2 3 4 5
HAVE YOU GOT ANy CHANGE
haffew gotenny haffew gotenny CHANGE
hah few gonny hah few gonny hah few gonny hah few gonny CHANGE
4.7 Extension
With another student, change the dialogue so that it refers to another currency (e.g. Dollars, Pesos). Replace the word ‘fifty’ and
‘ten’ other numbers. Practice it, and prepare a performance in both Garden and Jungle styles.
Note
th
Allan Cruttenden's Gimson Pronunciation of English. 8 Edition. p. 273 mentions ‘any’/’ni'. Future units will cover ‘got’ with a
glottal stop, a flap, and ‘r’.
1 2 3 4
WHAT DID YOU SAY
what di chew say what di chew say
wha chew seh wha chew seh wha chew seh wha chew seh
5.7 Extension
With one or two other student(s), make rounds from the other rows shown in the table in [5] above.
Note: See also Tip 03.
5 4 3 2 1
6.4 Read
In pairs read the dialogue several times. Change roles each time. Start slowly, then speed up. Enjoy making a mess of 'probably'
in speech unit 01.
Extract 6.1
1 2 3 4
ITS VEry PRObably RIGHT
very probly very probly very probly RIGHT
it’s very prolly right it’s very prolly right it’s very prolly right it’s very prolly right
6.7 Extension
Change the dialogue so that in speech unit 02, you replace 'rain' with one of 'be sunny' 'be foggy' 'be windy'. Practice it, and
prepare a performance in both Garden and Jungle styles.
Note See Tip 07 ‘absolutely’
5 4 3 2 1
02 yeah AB so LUTE ly
7.4 Read
In pairs read the dialogue several times. Change roles each time. Start slowly, then speed up. Enjoy making a mess of 'absolutely'
in speech unit 05.
Extract 7.1
01 A: DID you enJOY it
02 B: yeah ABsoLUTEly
03 A: REally
04 A: I didn’t enjoy it at ALL
05 B: but the CAKE was absolutely FABulous
06 A: ABsolutely FABulous?
07 A: I thought it was AWful.
7.5 Vocal gymnastics 1 – Savouring sound shapes
So that you can hear words in fast speech, you must practice saying them at different speeds. Listen to Extract 7.2 and repeat
the three versions that you hear. Try to match the speed exactly.
Extract 7.2
Greenhouse Garden Jungle
ABsoLUTEly FABulous ABsolutely FABulous apsli FABulous
æb.sə.luːt.li fæbjuːləs æb.sə.luːt.li fæbjuːləs æps.li fæbjuːləs
7.6 Vocal gymnastics 2 – The Round
With one or two other students, chant the lines of the table below. Perform it as a ‘round’ as demonstrated in Extract 7.3 (your
teacher will help you).
Extract 7.3
1 2 3 4
AB so LUTEly FABulous AB so LUTEly FABulous
ABsolutely FAB ABsolutely FAB ABsolutely FAB ABsolutely FAB
apsli FABulous apsli FABulous apsli FABulous apsli FABulous
7.7 Extension
Change the noun and adjectives in 05-07 and practice and perform your version for the class.
NOTE cf also Tip 06.
Topic: Talking about value for money Key Phrase: 'It was kind of expensive'
8.1 Tip
In the Jungle, speakers do not like to be precise, so they use ‘kind of’ in front of adjectives to avoid being precise. In doing so,
they often murder consonants such as the |d| at the end of 'kind', even before a vowel.
8.2 Listening question
Angelo is telling Bethan about the meal that he had in a restaurant the previous evening. Was the meal worth the money? Did
he enjoy it? Listen to Extract 8.1 three times (it lasts seven seconds). Then decide on your answers.
8.3 Explanation
Speakers often use expressions such as ‘kind of’ or ‘sort of’ in order to avoid being precise about amounts of money. In its
Garden forms, the ‘d’ at the end of ‘kind’ joins with the vowel of ‘of’ to sound like ‘kine duv’; its other Garden form is when the
‘d’ is dropped, ‘kine.uv’. However its Jungle form, ‘kind’ can drop both the ‘n’ and the ‘d’ and sound like ‘kye.uv’ or even ‘kye’.
8.4 Read
In pairs read the dialogue several times. Change roles each time. Start slowly, then speed up. Enjoy making a mess of 'kind of' in
speech unit 05.
Extract 8.1
1 2 3 4 5
IT WAS KIND OF exPENsive
it was kine.duv it was kinduv exPENsive
it was kye.uv it was kye.uv it was kye.uv it was kye.uv exPENsive
8.7 Extension
Change the context of the dialogue (e.g. talk about a car, or a holiday) and then change the adjectives as needed, then perform
your version to the class in both Garden and Jungle forms.
Note: See also Tip 09, ‘sort of’
© Richard Cauldwell, Speech in Action Birmingham 2016 20
Survival Tip 09 Consonant murder 2 - 'Because' can sound like 'bz'
Topic: Preparing to travel Key Phrase: 'Because everything’s been moved around'
9.1 Tip
'Because' is an extremely common word, it has a number of different sound shapes*. Perhaps the most familiar reduced form is
‘cos’ but there is at least one more ...
9.2 Listening Question
Andrew and Belinda (husband and wife, long married) are preparing to leave on holiday. Andrew can’t find passport. Why?
Listen to Extract three times. It lasts eight seconds. Then decide on your answer.
9.3 Explanation
The word ‘because’ is very common, therefore it gets squeezed in many different ways. Cruttenden/Gimson (2014) includes
‘because’ in the list of weak forms and they list three weak forms, | bɪkəz, bəkəz, kəz | as well as the accented form | bɪkɒz |. In
the Jungle, however, we may well hear another form: | bz |.
9.4 Read
In pairs read the dialogue several times. Change roles each time. Start slowly, then speed up. Enjoy making a mess of 'because'
in speech unit 02.
Extract 9.1
1 2 3 4
because everything’s been moved
cos everything’s bimmoved cos everything’s bimmoved
bzeverythingzbimoved bzeverythingzbimoved bzeverythingzbimoved bzeverythingzbimoved
9.7 Extension
Change the wording of the dialogue so that Andrew is angry about something else, not because things have been tidied away,
but 'messed up'.
Note
Cruttenden/Gimson (2014: 273) lists three weak forms for 'because': |bɪkəz| bəkəz | kəz |. Wells's LPD (3rd Edition, 2008) lists
other Greenhouse/Garden versions including |bikɒz|bikɔːz|bikaːz|, and |bikɒs|bikɔːs|bikaːs|
1 2 3
WHERE THERE WERE MOUNtains
where there were MOUNtains where there were MOUNtains
wehthuhwuh MOUNtains wehthuhwuh MOUNtains wehthuhwuh MOUNtains wehthuhwuh MOUNtains
10.7 Extension
With another student, write another dialogue, with vocabulary describing your own favourite holiday destination. Prepare to
perform it in both Garden and Jungle modes.