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    La Disfatta Di Dario: Sinfonia

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    Anonymous nMVDwDYLE
    The document contains musical notation for a sinfonia by composer T. Traetta. The notation includes rhythmic patterns represented by symbols and annotations. The sinfonia is in the key of Allegro and contains multiple sections marked by changing rhythmic patterns.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    La Disfatta Di Dario: Sinfonia

    Uploaded by

    Anonymous nMVDwDYLE
    19 views2 pages
    The document contains musical notation for a sinfonia by composer T. Traetta. The notation includes rhythmic patterns represented by symbols and annotations. The sinfonia is in the key of Allegro and contains multiple sections marked by changing rhythmic patterns.

    Original Description:

    A

    Original Title

    Violoncelli 1

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    © © All Rights Reserved

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    The document contains musical notation for a sinfonia by composer T. Traetta. The notation includes rhythmic patterns represented by symbols and annotations. The sinfonia is in the key of Allegro and contains multiple sections marked by changing rhythmic patterns.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    19 views2 pages

    La Disfatta Di Dario: Sinfonia

    Uploaded by

    Anonymous nMVDwDYLE
    The document contains musical notation for a sinfonia by composer T. Traetta. The notation includes rhythmic patterns represented by symbols and annotations. The sinfonia is in the key of Allegro and contains multiple sections marked by changing rhythmic patterns.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    LA DISFATTA DI DARIO

    VIOLONCELLI Sinfonia T. Traetta

    Allegro
                     
              

         
               
    7

               

        

      










       



    14

       

                     
    21

               
     


             
          
    28

             

                         
    41

                

                            
    48

                 

                   
    53

                 
     

        

      
          
     
          
    60

     

      
                      
    64

              

         
              
    71

                

      
                   
    78

        

      

          
            
    91

     

     
                                      
    97


       
                       
                    
    101

     

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