Piano

Draft

Neil Hefti Li'l Darlin Count Basie

q=76 Smoothly
Watch Staccato marks
          
Piano intro
3 3 3
            

      
mp
   


       


   


   




5 Cue on bass  A
    
3
         
                


    
   
 
     

      


 

   
          
     


        

  
           
3

    
    
   3


     
13

                      


                  
   

         
             
   

18 
       
    
             


         
      
     
3

            


V.S.
3
2 Piano


22

                     
   


             
 
   

          3 
   
   
 
    
   
27

              
 


             
              
               

32 Alto Solo

                     


                   

                    

37
B
    
                
    


                  
   

             
       

43

               

        


   
                  
            
            
       

  
49

                     


               
            

      
    
 Piano 3
54
C
                       


               
    
mp
      
                        
    

       
60

          
  


       
  
  
     
               
     

65

      
3
               


              
    
         
       
3

     

70

                  
    


      
        
3

      

3

        

3



74

                    


   
     
   

    
                  
      
  
p