Model: Macro-Tech 5000VZ

Model: Macro-Tech 5000VZ
Some models may be exported under the name Amcron.®
©2003 by Crown Audio, Inc., P.O. Box 1000, Elkhart, IN 46515-1000 U.S.A. Telephone: 574-294-8000.
Fax: 574-294-8329. Trademark Notice: PIP, SmartAmp and Grounded Bridge are trademarks and
Amcron, Crown, Macro-Tech, IOC, ODEP, IQ System and P.I.P. are registered trademarks of Crown
International, Inc. Other trademarks are the property of their respective owners.
Approved for
THX Theatre
Systems
103169-2A
3/03
3
YEAR
THREE YEAR
FULL WARRANTY 3YEAR
WORLDWIDE NORTH AMERICA

SUMMARY OF WARRANTY SUMMARY OF WARRANTY
The Crown Audio Division of Crown International, Inc., 1718 West The Crown Audio Division of Crown International, Inc., 1718 West Mishawaka
Mishawaka Road, Elkhart, Indiana 46517-4095 U.S.A. warrants to you, Road, Elkhart, Indiana 46517-4095 U.S.A. warrants to you, the ORIGINAL
the ORIGINAL PURCHASER and ANY SUBSEQUENT OWNER of each PURCHASER and ANY SUBSEQUENT OWNER of each NEW Crown prod-
NEW Crown1 product, for a period of three (3) years from the date of uct, for a period of three (3) years from the date of purchase by the original
purchase by the original purchaser (the “warranty period”) that the new purchaser (the “warranty period”) that the new Crown product is free of defects
Crown product is free of defects in materials and workmanship, and we in materials and workmanship. We further warrant the new Crown product
further warrant the new Crown product regardless of the reason for regardless of the reason for failure, except as excluded in this Warranty.
failure, except as excluded in this Crown Warranty.
ITEMS EXCLUDED FROM THIS CROWN WARRANTY
1
Note: If your unit bears the name “Amcron,” please substitute it for the This Crown Warranty is in effect only for failure of a new Crown product which
name “Crown” in this warranty. occurred within the Warranty Period. It does not cover any product which has
been damaged because of any intentional misuse, accident, negligence, or
ITEMS EXCLUDED FROM THIS CROWN WARRANTY loss which is covered under any of your insurance contracts. This Crown
This Crown Warranty is in effect only for failure of a new Crown product Warranty also does not extend to the new Crown product if the serial number
which occurred within the Warranty Period. It does not cover any product has been defaced, altered, or removed.
which has been damaged because of any intentional misuse, accident,
negligence, or loss which is covered under any of your insurance WHAT THE WARRANTOR WILL DO
contracts. This Crown Warranty also does not extend to the new Crown We will remedy any defect, regardless of the reason for failure (except as
product if the serial number has been defaced, altered, or removed. excluded), by repair, replacement, or refund. We may not elect refund unless
you agree, or unless we are unable to provide replacement, and repair is not
WHAT THE WARRANTOR WILL DO practical or cannot be timely made. If a refund is elected, then you must make
We will remedy any defect, regardless of the reason for failure (except the defective or malfunctioning product available to us free and clear of all liens
as excluded), by repair, replacement, or refund. We may not elect refund or other encumbrances. The refund will be equal to the actual purchase price,
unless you agree, or unless we are unable to provide replacement, and not including interest, insurance, closing costs, and other finance charges less
repair is not practical or cannot be timely made. If a refund is elected, then a reasonable depreciation on the product from the date of original purchase.
you must make the defective or malfunctioning product available to us Warranty work can only be performed at our authorized service centers or at
free and clear of all liens or other encumbrances. The refund will be equal the factory. We will remedy the defect and ship the product from the service
to the actual purchase price, not including interest, insurance, closing center or our factory within a reasonable time after receipt of the defective
costs, and other finance charges less a reasonable depreciation on the product at our authorized service center or our factory. All expenses in
product from the date of original purchase. Warranty work can only be remedying the defect, including surface shipping costs in the United States,
performed at our authorized service centers. We will remedy the defect will be borne by us. (You must bear the expense of shipping the product
and ship the product from the service center within a reasonable time between any foreign country and the port of entry in the United States and all
after receipt of the defective product at our authorized service center. taxes, duties, and other customs fees for such foreign shipments.)
HOW TO OBTAIN WARRANTY SERVICE HOW TO OBTAIN WARRANTY SERVICE
You must notify us of your need for warranty service not later than ninety You must notify us of your need for warranty service not later than ninety (90)
(90) days after expiration of the warranty period. All components must be days after expiration of the warranty period. All components must be shipped
shipped in a factory pack. Corrective action will be taken within a in a factory pack, which, if needed, may be obtained from us free of charge.
reasonable time of the date of receipt of the defective product by our Corrective action will be taken within a reasonable time of the date of receipt
authorized service center. If the repairs made by our authorized service of the defective product by us or our authorized service center. If the repairs
center are not satisfactory, notify our authorized service center made by us or our authorized service center are not satisfactory, notify us or
immediately. our authorized service center immediately.
DISCLAIMER OF CONSEQUENTIAL AND INCIDENTAL DAMAGES DISCLAIMER OF CONSEQUENTIAL AND INCIDENTAL DAMAGES
YOU ARE NOT ENTITLED TO RECOVER FROM US ANY INCIDENTAL YOU ARE NOT ENTITLED TO RECOVER FROM US ANY INCIDENTAL
DAMAGES RESULTING FROM ANY DEFECT IN THE NEW CROWN DAMAGES RESULTING FROM ANY DEFECT IN THE NEW CROWN
PRODUCT. THIS INCLUDES ANY DAMAGE TO ANOTHER PRODUCT PRODUCT. THIS INCLUDES ANY DAMAGE TO ANOTHER PRODUCT OR
OR PRODUCTS RESULTING FROM SUCH A DEFECT. PRODUCTS RESULTING FROM SUCH A DEFECT. SOME STATES DO
NOT ALLOW THE EXCLUSION OR LIMITATIONS OF INCIDENTAL OR
WARRANTY ALTERATIONS CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR
No person has the authority to enlarge, amend, or modify this Crown EXCLUSION MAY NOT APPLY TO YOU.
Warranty. This Crown Warranty is not extended by the length of time
which you are deprived of the use of the new Crown product. Repairs and WARRANTY ALTERATIONS
No person has the authority to enlarge, amend, or modify this Crown Warranty.
replacement parts provided under the terms of this Crown Warranty shall
This Crown Warranty is not extended by the length of time which you are
carry only the unexpired portion of this Crown Warranty.
deprived of the use of the new Crown product. Repairs and replacement parts
DESIGN CHANGES provided under the terms of this Crown Warranty shall carry only the unexpired
We reserve the right to change the design of any product from time to time portion of this Crown Warranty.
without notice and with no obligation to make corresponding changes in DESIGN CHANGES
products previously manufactured. We reserve the right to change the design of any product from time to time
LEGAL REMEDIES OF PURCHASER without notice and with no obligation to make corresponding changes in
No action to enforce this Crown Warranty shall be commenced later than products previously manufactured.
ninety (90) days after expiration of the warranty period. LEGAL REMEDIES OF PURCHASER
THIS CROWN WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, YOU
THIS STATEMENT OF WARRANTY SUPERSEDES ANY OTHERS MAY ALSO HAVE OTHER RIGHTS WHICH VARY FROM STATE TO STATE.
CONTAINED IN THIS MANUAL FOR CROWN PRODUCTS.
No action to enforce this Crown Warranty shall be commenced later than
9/90 ninety (90) days after expiration of the warranty period.
THIS STATEMENT OF WARRANTY SUPERSEDES ANY OTHERS
CONTAINED IN THIS MANUAL FOR CROWN PRODUCTS.
Telephone: 219-294-8200. Facsimile: 219-294-8301 Telephone: 219-294-8200. Facsimile: 219-294-8301 9/90
Macro-Tech 5000VZ Power Amplifier
Important Safety Instructions
1) Read these instructions.

2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with a dry cloth.
7) Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves,
or other apparatus that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A
polarized plug has two blades with one wider than the other. A grounding-
type plug has two blades and a third grounding prong. The wide blade or the
third prong is provided for your safety. If the provided plug does not fit into
your outlet, consult an electrician for replacement of the obsolete outlet.
10) Protect the power cord from being walked on or pinched, particularly at
plugs, convenience receptacles, and the point where they exit from the ap-
paratus.
11) Only use attachments/accessories specified by the manufacturer.
12) Unplug this apparatus during lightning storms or when unused for long peri-
ods of time.
13) Refer all servicing to qualified service personnel. Servicing is required when
the apparatus has been damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects have fallen into the appa-
ratus, the apparatus has been exposed to rain or moisture, does not operate
normally, or has been dropped.
Reference Manual Page 3

The information furnished in this manual does not include all of the details of design, production, or variations of
the equipment. Nor does it cover every possible situation which may arise during installation, operation or mainte-
nance. If your unit bears the name “Amcron,” please substitute it for the name “Crown” in this manual. If you need
special assistance beyond the scope of this manual, please contact our Technical Support Group.
Crown Technical Support Group

1718 W. Mishawaka Rd., Elkhart, Indiana 46517 U.S.A.
Phone: 800-342-6939 (North America, Puerto Rico and Virgin Islands) or 574-294-8200
Fax: 574-294-8301 Fax Back (North America only): 800-294-4094 or 574-293-9200
Fax Back (International): 574-294-8100 Internet: http://www.crownaudio.com
DANGER: This amplifier can produce lethal levels of

output power! Be very careful when making connections. Do
The lightning bolt
triangle is used to
not attempt to change the output wiring unless AC power has
alert the user to the
risk of electric shock.
been removed from the amplifier for at least 10 seconds.
WARNING: This unit is capable of producing very high

sound pressure levels. Continuous exposure to high sound
The exclamation
point triangle is used
pressure levels can cause permanent hearing impairment or
to alert the user to
important operating
loss. Caution is advised and ear protection recommended
or maintenance
instructions.
when playing at high volumes.
CAUTION AVIS
RISK OF ELECTRIC SHOCK RISQUE DE CHOC ÉLECTRIQUE
DO NOT OPEN N’OUVREZ PAS
TO PREVENT ELECTRIC SHOCK DO À PRÉVENIR LE CHOC ÉLECTRIQUE

NOT REMOVE TOP OR BOTTOM N’ENLEVEZ PAS LES COUVERCLES.
COVERS. NO USER SERVICEABLE IL N’Y A PAS DES PARTIES
PARTS INSIDE. REFER SERVICING SERVICEABLE À L’INTÉRIEUR. TOUS
TO QUALIFIED SERVICE PERSON- REPARATIONS DOIT ETRE FAIRE PAR
NEL. DISCONNECT POWER CORD PERSONNEL QUALIFIÉ SEULMENT.
BEFORE REMOVING REAR INPUT DÉBRANCHER LA BORNE AVANT
MODULE TO ACCESS GAIN SWITCH. D’OUVRIR LA MODULE EN ARRIÈRE.
Magnetic Field
CAUTION! Do not locate sensitive high-gain equip-
ment such as preamplifiers or tape decks directly
above or below the unit. Because this amplifier has
a high power density, it has a strong magnetic field
WARNING which can induce hum into unshielded devices that

are located nearby. The field is strongest just above
and below the unit.
TO REDUCE THE RISK OF ELECTRIC If an equipment rack is used, we recommend locating
SHOCK, DO NOT EXPOSE THIS the amplifier(s) in the bottom of the rack and the
EQUIPMENT TO RAIN OR MOISTURE! preamplifier or other sensitive equipment at the top.
CONTENTS
1 Welcome ................................................................................. 8
1.1 Why So Much Power? ....................................................... 8
1.2 Unpacking ........................................................................ 8
1.3 Features ........................................................................... 9
2 Facilities ................................................................................ 10
3 Installation ............................................................................ 13
3.1 Mounting ........................................................................ 13
3.2 Cooling ........................................................................... 13
3.3 Wiring ............................................................................ 14
3.3.1 Stereo (Two-Channel) Operation .......................... 14
3.3.2 Bridge-Mono Operation ....................................... 15
3.3.3 Parallel-Mono Operation ...................................... 16
3.3.4 Input Connection ................................................. 17
3.3.5 Output Connection .............................................. 18
3.3.6 Additional Load Protection ................................... 20
3.4 AC Mains Power Requirements ...................................... 21
4 Operation .............................................................................. 22
4.1 Precautions ..................................................................... 22
4.2 Indicators ....................................................................... 22
4.3 Protection Systems ......................................................... 24
4.3.1 ODEP .................................................................. 24
4.3.2 Standby ............................................................... 24
4.3.3 Transformer Thermal Protection ........................... 25
4.3.4 Power Supply Fuses ............................................ 25
4.4 Controls .......................................................................... 26
4.5 Filter Cleaning ................................................................ 27
5 Technical Information ........................................................... 28
5.1 Overview ........................................................................ 28
5.2 VZ Power ........................................................................ 28
5.2.1 Background ......................................................... 28
5.2.2 The VZ Supply ..................................................... 29
5.3 Circuit Theory ................................................................. 29
5.3.1 Stereo Operation ................................................. 29
5.3.2 Bridge-Mono Operation ....................................... 32
5.3.3 Parallel-Mono Operation ...................................... 32
5.3.4 Terminator Module ............................................... 32
5.3.5. Display Module .................................................... 32
6 Specifications ....................................................................... 33
7 AC Power Draw and Thermal Dissipation ............................ 39
8 Accessories .......................................................................... 40
8.1 PIP Modules ................................................................... 40
8.2 Level Control Security Kit ................................................ 42
Page 6 Reference Manual

Contents continued...
9 Service .................................................................................. 43
9.1 Worldwide Service .......................................................... 43
9.2 North American Service .................................................. 43
9.2.1 Service at a North American Service Center ........ 43
9.2.2 Factory Service .................................................... 43
ILLUSTRATIONS
1.1 Macro-Tech 5000VZ Amplifier ................................................... 8
2.1 Front Facilities ......................................................................... 10
2.2 Front Facilities behind the Filter Grille ...................................... 11
2.3 Rear Facilities .......................................................................... 12
2.4 International Output Binding Posts .......................................... 12
2.5 Output Cover .......................................................................... 12
3.1 Mounting Dimensions .............................................................. 13
3.2 Top View of a Rack-Mounted Unit ........................................... 13
3.3 Proper Air Flow in a Rack Cabinet ........................................... 13
3.4 Stereo Wiring ........................................................................... 14
3.5 Bridge-Mono Wiring ................................................................ 15
3.6 Parallel-Mono Wiring ............................................................... 16
3.7 Unbalanced Input Wiring ........................................................ 17
3.8 Balanced Input Wiring ............................................................. 17
3.9 Balanced and Unbalanced Phone Plug Wiring ....................... 17
3.10 Loudspeaker Offset Integration Switch ................................... 18
3.11 Input Ground Lift Switch .......................................................... 18
3.12 Wire Size Nomograph ............................................................. 19
3.13 Loudspeaker Fuse Nomograph .............................................. 20
4.1 Indicators ................................................................................ 22
4.2 Macro-Tech 5000VZ Indicator States ...................................... 23
4.3 Input Sensitivity, LOI and Compressor Switches ..................... 26
4.4 Channel 1 VZ Mode Switch (Behind Filter) .............................. 27
5.1 A Typical Power Supply ........................................................... 29
5.2 Music Waveforms .................................................................... 29
5.3 VZ High-Current Mode ............................................................ 29
5.4 VZ High-Voltage Mode ............................................................ 29
5.5 Circuit Block Diagram ............................................................. 30
6.1 Minimum Power Matrix ............................................................ 35
6.2 Maximum Power Matrix ........................................................... 36
6.3 Typical Frequency Response .................................................. 37
6.4 Typical Damping Factor .......................................................... 37
6.5 Typical Output Impedance ...................................................... 37
6.6 Typical Phase Response ......................................................... 38
6.7 Typical Crosstalk ..................................................................... 38
7.1 Power Draw, Current Draw and Thermal Dissipation ............... 39
8.1 Installing a PIP Module ............................................................ 40
8.2 Installing MA-LOCK Level Control Shaft Locks ........................ 42
Printed on
recycled paper.

Fig. 1.1 Macro-Tech 5000VZ Amplifier
1 Welcome
Congratulations on your purchase of a Macro-Tech® bridged into a single 4-ohm load.* That’s a lot of power
5000VZ.® You have selected one of the most reliable, for a unit that is only 5¼ inches (13.3 cm) tall and
powerful and cost-effective professional amplifiers ever weighs less than 80 pounds (36.3 kg).
made. From now on, you can enjoy the advantages of
There are many reasons to use amplifiers with an ex-
having the highest level of innovation available in any
tremely high power density. As more loudspeakers are
amplifier at any price.
driven with fewer amplifiers, audio systems become
The Macro-Tech 5000VZ is the most advanced ampli- more compact and efficient. If the system is used for
fier to offer Crown’s patented Variable Impedance (VZ) touring, this can reduce shipping costs and setup time.
power supply technology. New semiconductor technol- But concentrating so much power in one amplifier cre-
ogy is combined with superior VZ power supplies to ates potential hazards that can permanently ruin your
enable the Macro-Tech 5000VZ to pack unprec- day. Your amplifier is capable of delivering enough
edented power levels into 5¼ inches (13.3 cm) of verti- electrical power at the output terminals to produce a
cal rack space. And because it is a Macro-Tech, you lethal shock. If used improperly, it can also drive loud-
have the benefit of ODEP ® protection to keep the show speakers to levels that will cause permanent hearing
going long after other amplifiers have failed—even un- damage. For these reasons, we have included appro-
der the most severe conditions. In addition, your ampli- priate warnings and cautions in this manual.
fier provides enhanced PIP2 compatibility, which
makes it easy to customize with a variety of popular
input modules (see Section 8.1 for a list of available
PIPTM and PIP2 modules). 1.2 Unpacking
This manual will help you successfully install and use Please unpack and inspect your new amplifier for any
your new amplifier. Please read all instructions, warn- damage that may have occurred during transit. If dam-
ings and cautions. Be sure to read Sections 3.3.2 and age is found, notify the transportation company imme-
3.3.3 if you plan to use one of the amplifier’s two mono diately. Only you, the consignee, may initiate a claim
modes. Also for your protection, please send in your for shipping damage. Crown will be happy to cooper-
warranty registration card today and save your bill of ate fully as needed. Save the shipping carton as evi-
sale because it is your official proof of purchase. dence of damage for the shipper’s inspection.
Even if the unit arrived in perfect condition, as most
1.1 Why So Much Power? do, save all packing materials so you will have them
The Macro-Tech 5000VZ can deliver up to 2,500 watts if you ever need to transport the unit. NEVER SHIP
per channel into 2-ohm stereo loads or 5,000 watts THE UNIT WITHOUT THE FACTORY PACK.
*Minimum guaranteed standard 1 kHz power with 120 volt, 60 Hz AC mains. See Section 6 for other AC mains voltages and frequencies.
1.3 Features
The Macro-Tech 5000VZ uses the very latest technology Each channel has an independent, error-driven com-
and miniaturized design to provide the highest power and pressor that can be set for fast or slow attack and release
value for its size, weight and price. Its patented Grounded times.
Bridge™ circuitry offers many advantages over conven- Two custom toroidal power transformers (one per chan-
tional designs. In Stereo mode, the amplifier’s separate nel) provide maximum power transfer with minimum
high-voltage supplies and ultra-low crosstalk make it pos- electromagnetic fields.
sible to treat each channel as an independent amplifier.
Here are some more of its impressive features: The soft-start feature slowly brings the power supplies up
to full voltage to avoid tripping the breaker that protects
Patented Variable Impedance (VZ) power supplies for your AC wiring.
each channel provide the best power matching to your
Universal power supplies can be easily reconfigured for
load. Three special modes are provided to control how
different AC mains voltages, making the amplifier conve-
and when the supplies shift impedance modes.
nient for use around the world.
Crown’s Grounded Bridge design delivers extreme volt-
Low harmonic and intermodulation distortion give the
age swings without using easily stressed output transistor
best dynamic transfer function in the industry.
configurations like conventional amplifiers. The results
are lower distortion and superior reliability. Superior damping factor delivers maximum loudspeaker
motion control.
Patented ODEP (Output Device Emulation Protection)
circuitry detects and compensates for overheating and Balanced inputs for each channel have independent
overload to keep the amplifier working when others three-way input sensitivity switches.
would fail. In addition, ODEP can be used to control the
The factory-installed PIP2-FXQ includes a ground lift
VZ power supplies by shifting them into high-current
switch that can be used to isolate the AC (chassis)
mode based on the requirements of the immediate con-
ground from the XLR and phone jack input grounds.
ditions.
Internal test ports provide rapid manufacturing and ser-
IOC ® (Input/Output Comparator) circuitry immediately
vice diagnostics.
alerts you of any distortion that exceeds 0.05%, providing
dynamic proof of distortion-free performance. Internal diagnostics LEDs make it easy to identify internal
operating conditions in the field.
Enhanced PIP2 (Programmable Input Processor) design
accepts accessory modules that tailor the amplifier to suit Modular design makes service and maintenance much
individual applications, including wide-band load current more convenient.
monitoring.
The super-efficient cooling system features front-to-back
Convenient front panel indicators include an Enable indi- air flow with cutting edge heat sinks and proportional on-
cator for the low-voltage power supply, and an ODEP, demand forced-air cooling to prevent overheating and
Signal Presence/IOC and ILoad /ILimit indicator for each prolong component life.
channel.
New touring chassis is extremely rugged and has been
Full protection against overvoltage, shorted outputs, mis- torture-tested with over 100,000 miles of simulated road
matched loads, general overheating, DC and abuse—even passing mil. spec. shock and vibration
high-frequency/RF overloads. Full internal fault protec- testing.
tion.
Extruded aluminum front panel provides extra strength to
“Standby” mode protects loudspeakers from low- resist physical damage.
frequency/DC output, turn-on/turn-off transients and other
Rack mountable in a standard 19-inch (48.3-cm) equip-
transients that can occur during an AC brownout.
ment rack (the back of the amplifier should be supported)
Standby mode also provides overvoltage protection from
or units can be stacked directly on top of each other.
AC mains of more than 11% over the rated voltage.
Three year “No-Fault” full warranty completely protects your
Innovative Loudspeaker Offset Integration (LOI) circuitry
investment and guarantees its specifications.
prevents asymmetrical audio waveforms from causing
off-center woofer cone movement.

Fig. 2.1 Front Facilities

2 Facilities
A. Dust Filters
The dust filters remove large particles from air drawn in parator) indicators, they flash brightly with a 0.1 sec-
by the cooling fans. Check the filters regularly to pre- ond hold delay if there is a difference of 0.05% or more
vent clogging (see Sections 3.2 and 4.5). between the input and output audio waveforms. IOC
“errors” occur most commonly when a large input sig-
B. Level Controls nal causes an input overload or output clipping. The
The output level for each channel is set with these con- IOC function is also provided as proof of distortion-free
venient front panel level controls. Each control has performance (see Section 4.2).
31 detents for precise adjustment (see Section 4.4). A
security option is also available to prevent tampering E. ODEP Indicators
(see Section 8.2). During normal operation of the ODEP (Output Device
Emulation Protection) circuitry, these amber indicators
C. ILoad /ILimit Indicators glow brightly to show the presence of reserve thermal-
The flow of current to the loudspeakers (“load current”) dynamic energy. They dim proportionally as energy
and the maximum current limit of the amplifier (“limit reserves decrease. In the rare event that energy re-
current”) are monitored by these two-color front panel serves are depleted, the indicators turn off and ODEP
indicators. Normally, the ILoad / ILimit indicators glow proportionally limits output drive so the amplifier can
green to show that load current is flowing. They turn off safely continue operating even under severe condi-
when there is no significant load current. This happens tions. These indicators also help to identify more un-
when there is no input signal, the input signal is at an usual operating conditions (see Section 4.2).
extremely low level, or there are no loads connected to
the amplifier’s outputs. They turn red if the amplifier has F. Enable Indicator
reached its maximum output current capacity. This indicator lights when the amplifier has been turned
on (enabled) and has AC power (see Section 4.2).
The ILoad /ILimit indicators are very useful when loading
the amplifier for maximum output. Just continue to con- G. Enable Switch
nect additional loudspeakers in parallel with each output This push button is used to turn the amplifier on and
until the ILoad /ILimit indicator turns red under normal op- off. When turned on, the output is muted for about four
erating conditions. The optimum load is achieved just be- seconds to protect your system from start-up tran-
fore the indicator turns red (see Section 4.2). sients. This is why a power sequencer is rarely needed
for multiple units. (The length of the turn-on delay can
D. Signal/IOC Indicators be changed. Contact Crown’s Technical Support
These green multifunction indicators show both signal Group for details.)
presence and distortion for each channel. As signal
presence indicators, they flash synchronously with the H. VZ Mode Switches
amplifier’s audio output. As IOC (Input/Output Com- A four-position switch is used to control the switching

Fig. 2.2 Front Facilities behind the Filter Grille
mode for each power supply. The switches are located amplifier should be off for at least 10 seconds be-
behind the top dust filter about 1.75 inches (4.5 cm) fore changing this switch (see Section 3.3).
behind the front panel. Always turn off the power be-
fore changing either switch. To access the VZ mode J. Compressor Switches
switches, remove the top dust filter and reach upward A three-position back panel switch is provided to con-
through the grille opening with a long narrow noncon- trol each channel’s “error-driven” input compressor. At-
ductive object like a plastic pen. The switches are easy tack and release times can be set to either “fast” or
to locate with the aid of a flashlight. The switch for “slow,” or compression can be turned off for output clip-
Channel 1 is located to the left side of the amplifier, ping errors. The “fast” setting yields a 4-millisecond at-
while the switch for Channel 2 is located to the right. tack time and 300-millisecond release time. The “slow”
setting yields a 12-millisecond attack and 600-millisec-
From left to right, the four switch settings are VZ-ODEP,
ond release (see Section 4.4).
Lock Low, VZ and VZ (the third and fourth switch posi-
tions are identical). The first switch position sets the
power supply to the VZ-ODEP switching mode, which
K. Loudspeaker Offset Integration Switches
is the default setting from the factory. The VZ-ODEP Each channel has a two-position back panel on/off
mode automatically shifts between high-current and switch used to control the Loudspeaker Offset Integra-
high-voltage modes as needed, except when ODEP tion (LOI) circuitry. LOI compensates for asymmetrical
actively limits output drive, in which case the power audio waveforms that cause off-center woofer cone
supply is locked in its high-current mode. The second movement (see Sections 3.3.4, 3.3.5 and 4.4).
switch position is called “Lock Low.” It locks the power
supply in high-current mode so the amplifier will always L. Input Sensitivity Switches
be ready to deliver maximum current to low-impedance These three-position back panel switches are used to
loads. The third and fourth switch positions set the select the input sensitivity for each channel. Available
power supply to standard VZ mode. Standard VZ mode settings include 0.775 volts or 1.4 volts for standard
automatically switches between high-current and high- 1 kHz output power, or a 26 dB voltage gain (see Sec-
voltage modes as needed, but is not affected by ODEP tion 4.4).
(see Section 4.4).
M. Power Cord
I. Stereo/Mono Switch Units configured for 100 to 120 VAC have a 10-AWG,
This switch is used to select one of three output modes. 30-amp line cord, while units set up for 200 to 240 VAC
Stereo mode is used for normal two-channel operation, have a 12-AWG, 20-amp line cord. North American
Bridge-Mono mode is used to drive a single channel units configured for 120 VAC, 60 Hz power are shipped
with a load impedance of at least 4 ohms, and Parallel- with a grounded 125-volt, 30-amp NEMA TT30P plug;
Mono mode is used to drive a single channel with a units shipped outside North America are provided with-
load impedance less than 4 ohms. WARNING: The out a plug. See Sections 3.4 and 7 for AC requirements.

Fig. 2.3 Rear Facilities
N. Output Connectors P. Balanced Phone Jack Inputs

This high-current output block is provided for output A balanced ¼-inch (6.35-mm) phone jack for each
connection. Its connectors accept banana plugs, channel is provided on the PIP2-FXQ. These phone
spade lugs or bare wire. The detachable output cover jacks can be used for signal input, or for “daisy-
(S) shown in Figure 2.5 is used to protect against acci- chained” output to other amplifiers. The phone jacks
dental short circuits and dangerous electrical shock. may be used with either balanced (tip, ring and sleeve)
DANGER: The outputs can produce lethal energy or unbalanced (tip and sleeve) wiring (see Section 3.3).
levels! Do not change the output wiring unless the Note: The Channel 2 input is bypassed in either mono
amplifier has been off for at least 10 seconds. mode.
Some international models include high-current bind-
Q. Balanced XLR Inputs
ing posts for output connection rather than the output
A balanced 3-pin female XLR connector is provided on
block shown in Figure 2.3. The international binding
the PIP2-FXQ for input to each channel, or for “daisy-
posts are shown below in Figure 2.4:
chained” output to other amplifiers. Note: The Chan-
nel 2 input is bypassed in either mono mode.
R. Input Ground Lift Switch

This ground lift switch is located on the PIP2-FXQ. It is
used to isolate the input signal grounds from the AC
(chassis) ground to help prevent ground loops that can
result in unwanted hum and noise.
Fig. 2.4 International Output Binding Posts
O. PIP Module S. Output Cover

The standard PIP2-FXQ is included with your amplifier. This protective cover is provided to prevent an electri-
It provides female XLR and ¼-inch (6.35-mm) phone cal shock or short circuit at the output terminals.
jack input connectors. Each pair of XLR and phone jack
connectors is wired in parallel, so the unused connec-
tor can be used as a “daisy chain” output to connect a
source to multiple amplifiers. Other PIP and PIP2 mod-
ules can be used in place of the PIP2-FXQ to provide
additional features that customize the amplifier for dif-
ferent applications. Your amplifier is a PIP2 amplifier,
which means it can take advantage of the many ad-
vanced features found in PIP2 modules. In addition,
your amp can also use standard PIP modules (without Fig. 2.5 Output Cover
the PIP2 logo). See Section 8.1 for available PIP and
PIP2 modules.
3 Installation per unit. Additional air flow may be required when driv-
ing low-impedance loads at consistently high output
3.1 Mounting levels. Refer to Section 7 for detailed information on
The Macro-Tech 5000VZ is designed for standard thermal dissipation.
19 inch (48.3 cm) rack mounting and “stack” mounting
without a cabinet. For optimum cooling and rack sup- When mounting the amplifier in a rack cabinet, the back
port, multiple units should be stacked directly on top of wall of the rack should be at least 3 inches (7.6 cm)
each other. away from the back of the amplifier chassis as shown
in Figure 3.2.
Important: Always support the back of the unit. Pro-
vide extra support if the unit will be transported. Tip: An easy way to verify adequate cooling is to ob-
serve the ODEP indicators while the amplifier is operat-
ing under worst-case conditions. If the indicators dim,
additional cooling is recommended.
If your rack has a door that could block air flow to the
amplifier’s air intakes, you must provide adequate air
flow by installing a grille in the door or by pressurizing
the air behind the door. Wire grilles are recommended
over perforated panels because they tend to cause
less air restriction. A good choice for pressurizing the
air behind the rack cabinet door is to mount a “squirrel
cage” blower inside the rack (Option 1 below). At the
bottom of the rack, mount the blower so it blows out-
side air into the space between the door and front of
the amplifiers, pressurizing the “chimney” behind the
door. This blower should not blow air into or take air out
Fig. 3.1 Mounting Dimensions of the space behind the amplifiers. For racks without a
door, you can evacuate the rack by mounting the
3.2 Cooling blower at the top of the rack so that air inside the cabi-
NEVER block the air vents in the front or back of the
net is drawn out the back (Option 2 below).
amplifier. Macro-Tech amplifiers do not need to be
mounted with space between them. If you must leave FRONT
WARM BLOWER OF
open spaces in a rack for any reason, close them with EXHAUST (OPTION 2) RACK
blank panels or recirculation will result. Allow for air flow

of at least 75 cubic feet (2.1 cubic meters) per minute DOOR
EQUIPMENT
RACK
(SIDE VIEW)
COOL AIR BLOWER

INLET (OPTION 1)
Fig. 3.3 Proper Air Flow in a Rack Cabinet
If the air supply is unusually dusty, you might want to

pre-filter it using commercial furnace filters to prevent
rapid loading of the unit’s own air filters. When needed,
the unit’s filters can be cleaned with mild dish deter-
Fig. 3.2 Top View of a Rack-Mounted Unit gent and water (see Section 4.5).

3.3 Wiring reo/mono switch. Turn off the amplifier and wait at
The following instructions describe the most common least 10 seconds before changing this switch or in-
ways to install your amplifier in a sound system. The ternal damage to the circuitry may result. There are
input and output terminals are located on the back VERY IMPORTANT wiring differences among the three
panel. Please use care when making connections, se- operating modes that will be discussed next.
lecting signal sources and controlling the output level.
The load you save may be your own! Crown assumes 3.3.1 Stereo (Two-Channel) Operation
no liability for personal injury or damaged loads from In Stereo mode, installation is intuitive: input Channel 1
careless amplifier use or deliberate overpowering. All feeds output Channel 1, and input Channel 2 feeds out-
units include an output cover to prevent accidental put Channel 2. To activate Stereo mode, first turn off
electrical shock and short circuits. We strongly recom- the amplifier and wait 10 seconds for the power supply
mend that you use this safety feature. to discharge. Then, slide the stereo/mono switch to the
center position, and connect the output wiring as
DANGER: The outputs can produce lethal energy shown in Figure 3.4.
levels. Do not change the output wiring unless the
amplifier has been off for at least 10 seconds. Turn- CAUTION: In Stereo mode, never parallel the two
ing off the amplifier also reduces the chance of blasts outputs by directly tying them together, and never
that can damage your hearing or loudspeakers. parallel them with the output of another amplifier.
Such a connection does not result in increased power
Your amplifier can be operated in Stereo, Bridge-Mono, output, but may result in overheating and premature
or Parallel-Mono mode by switching the back panel ste- activation of the protection circuitry.
Fig. 3.4 Stereo Wiring

Note: A method for paralleling multiple amplifiers for Note: The Channel 2 input jack and level control are
fail-safe redundancy is available from Crown’s Techni- disconnected in Bridge-Mono mode. A signal feeding
cal Support Group. Channel 2 will have no effect on the output.
Connect the load across the Channel 1 and 2 positive
3.3.2 Bridge-Mono Operation
(+) terminals attaching the positive lead from the load
Bridge-Mono mode is intended for driving loads with a
to Channel 1 and the negative lead from the load to
total impedance of 4 ohms or more (see Section 3.3.3 if
Channel 2 as shown in Figure 3.5. The negative (–) ter-
the load is less than 4 ohms). Installing the amplifier in
minals are not used and should not be shorted. In ad-
Bridge-Mono mode is different from the other modes
dition, the connected load must be balanced (neither
and requires special attention.
side connected to ground).
To activate Bridge-Mono mode, turn the amplifier off,
CAUTION: Be certain that every device connected
wait at least 10 seconds, and then slide the stereo/
to the Bridge-Mono output is balanced (not ground
mono switch to the BRIDGE MONO position. Both out-
referenced). If the input signal ground is not fully
puts receive the signal from the Channel 1 input, with
isolated, connecting an output lead to ground may
output Channel 2 inverted so it can be bridged with the
cause oscillations.
Channel 1 output.
Fig. 3.5 Bridge-Mono Wiring

3.3.3 Parallel-Mono Operation 2 input. Both outputs will now receive the signal from
Parallel-Mono mode is intended for driving loads with a the Channel 1 input.
total impedance of less than 4 ohms (see Section 3.3.2
Note: The Channel 2 input jack and level control are
if the load is 4 ohms or greater). Installing the amplifier
disconnected in Parallel-Mono mode. A signal feeding
in Parallel-Mono mode is different from the other modes
Channel 2 will have no effect on the output.
and requires special attention.
Install a jumper wire between the positive (+) outputs
CAUTION: Do NOT operate the amplifier in Stereo of Channel 1 and 2 that is at least 14 gauge in size.
or Bridge-Mono mode until the Parallel-Mono Then, connect the load to the output of Channel 1 as
jumper is removed. Failure to do so will result in shown in Figure 3.6. The positive (+) lead from the load
high distortion and excessive heating. connects to the positive (+) Channel 1 terminal, and
To activate Parallel-Mono mode, turn off the amplifier, the negative (–) lead from the load connects to the
wait at least 10 seconds, and slide the stereo/mono negative (–) Channel 1 terminal.
switch to the PARALLEL MONO position. Connect the CAUTION: Remove the jumper wire before chang-
input signal to Channel 1, and do not use the Channel ing to Stereo or Bridge-Mono mode.
Fig. 3.6 Parallel-Mono Wiring

3.3.4 Input Connection

Both the XLR and ¼-inch phone jack inputs are bal-
anced. They have a minimum impedance of 10 K ohms
(5 K ohms with unbalanced wiring) and will accept the
line-level output of most devices. The XLR connectors
and phone jacks are provided on the standard
PIP2-FXQ input module (other PIP and PIP2 modules
are described in Section 8.1). Correct input wiring will
depend on two factors: (1) whether the input signals
are balanced or unbalanced, and (2) whether the sig-
nal source floats or has a ground reference. Figures
3.7 and 3.8 show the recommended XLR connection
techniques for each type of signal source.
Fig. 3.8 Balanced Input Wiring
The phone jack input connectors can be wired simi-

larly for balanced or unbalanced, ground-referenced
or floating sources. They have a standard tip-ring-
sleeve (TRS) configuration: the tip is positive (+), the
ring is negative (–) and the sleeve is ground (see Fig-
ure 3.9). Wiring for various sources follows the XLR wir-
ing guidelines shown in Figures 3.7 and 3.8.
The XLR and ¼-inch phone jacks provided on the
PIP2-FXQ are wired in parallel. This makes it possible
to use one set for input to the amplifier and the other
set for “daisy-chained” output to other amplifiers.
Please follow the instructions in Section 3.3.2 and 3.3.3
if the amplifier will be used in either Bridge-Mono or
Parallel-Mono mode. Remember, the Channel 2 input
and level control are disconnected in both mono
modes.
Fig. 3.9 Balanced and Unbalanced

Fig. 3.7 Unbalanced Input Wiring Phone Plug Wiring

SOLVING INPUT PROBLEMS recorders. The LOI circuitry will also help to avoid this
Sometimes large infrasonic (subaudible) frequencies potential problem. It includes a second-order Bessel
are present in the input signal. This can cause output low-pass filter with a –3 dB frequency of 50 kHz.
clipping and off-center woofer cone movement. As a
A third problem to avoid is hum. The two most com-
result, the loudspeakers may handle less power and
mon sources of hum in an audio system are inductive
could be damaged by overload or excess heat. To re-
coupling and ground loops.
duce the risk of such problems, turn on the Loud-
speaker Offset Integration (LOI) for each channel. The Inductive coupling can occur when input cables are
LOI switches are located on the back panel of the am- subjected to a magnetic field from a power cord or
plifier. This circuitry includes a third-order high-pass power transformer. One way to prevent inductive cou-
Butterworth filter with a –3 dB frequency of 35 Hz. pling is to lace the input cables together along their
length and route them as far away as possible from
power transformers and power cords. The use of
shielded pair cable is another effective way to reduce
or eliminate hum resulting from inductive coupling.
Ground loops often result when two or more devices
are improperly grounded. This causes undesirable
stray currents that may produce hum in the output. The
Fig. 3.10 Loudspeaker Offset Integration Switch
best way to avoid ground loops is to ensure that all
Another problem to avoid is the presence of large lev- system devices are plugged into the same power strip.
els of radio frequencies (RF) in the input signal. Al- In addition, make sure that all cable shields are
though high RF levels may not pose a threat to the grounded at one end only.
amplifier, they can burn out tweeters or other loads that Input and output grounds are sometimes tied together
are sensitive to high frequencies. Extremely high RF for testing or metering. This can cause feedback os-
levels can also cause the amplifier to prematurely acti- cillation from load current in the test loop. In some sys-
vate its protection circuitry, resulting in inefficient op- tems, even the AC power line may provide this
eration. RF can be introduced into the signal by local feedback path. To avoid this problem, use proper
radio stations and from the bias signal of many tape grounding, isolate the inputs and other common AC
devices. If needed, the input signal ground can be iso-
Input Wiring Tips lated from the AC mains ground with the ground lift
switch located on the PIP2–FXQ (see Figure 3.11 and
1. Use only shielded cable. Cables with
higher density shields are better. Spiral Section 4.4).
wrapped shield is not recommended.
2. When using unbalanced lines, keep the

cables as short as possible. Avoid cable
lengths greater than 10 feet (3 meters).
3. Do not run signal cables together with

high-level wiring such as loudspeaker wires
or AC cords. This reduces the chance of hum
or noise being induced into the input cables. Fig. 3.11 Input Ground Lift Switch
4. The amplifier should be off for at least 3.3.5 Output Connection

10 seconds before changing any connec- Consider the power-handling capacity of your load be-
tions. This amplifier can produce lethal output
fore connecting it to the amplifier. Crown is not liable for
energy and can drive loudspeakers to levels
that can cause permanent hearing damage. damage incurred at any time due to overpowering.
Turn down level controls completely before Fusing loudspeaker lines is highly recommended (see
powering the system back up. Crown is not Section 3.3.6). Also, please pay close attention to the
liable for personal injury or damage that can precautions provided in Section 4.1.
result when a system component is
overdriven. DANGER: The outputs can produce lethal energy
levels! Do not change the output wiring unless the
amplifier has been off for at least 10 seconds.
.0002 RS
.0002 Source
Resistance
(Ohms)
Use Good Connectors .0004
.0006
1. To prevent possible short circuits, do not

.001
expose the loudspeaker cable connectors.
RL
RS
2. Do not use connectors that might acciden- Damping
.002
Factor
tally tie two channels together when making
20,000 .004
or breaking connections (for example, a stan-
.006
dard three-wire stereo phone plug). 10,000
.01
3. Connectors that can be plugged into AC RL

5,000
power receptacles should never be used. Load

Resistance 2,000
.02
Copper
(Ohms) Wire
4. Connectors with low current-carrying 40 1,000 .04
8000
capacity should not be used. .06

5000
Ohms/1000 Feet AWG (American
500
(305 Meters) Wire Gauge)
5. Connectors with any tendency to short 30
.1
1000
Two
should never be used. 200
Conductor 500
Cable
.2
100 1 0.3
20 2 0.6 #28
100
50 5 1.5 #26
.4
10 3.1 50 #24
.6 #22
20 6.1
15 20 #20
50 15.3
HOW TO DETERMINE 1 100 30.5 10
#18
10 #16
APPROPRIATE WIRE GAUGE 200
500
61.0
152.5
5 #14
2 #12
5 1000 305.0
It is important to use loudspeaker cables with sufficient 10
2000 610.0
#10
#8
9 1
gauge (thickness) for the length being used. The resis- 2 4 5000 1525
.5
#6
#4
8 Feet Meters
tance introduced by inadequate cables reduces both 7 1
6 #2
#0
the output power and the motion control of the loud- 6

10
.1
#00
#0000
speakers. The latter occurs because the damping fac- .05

5 20
tor decreases as the cable resistance increases. This
is very important because the amplifier’s excellent 4 40
.01
damping factor can easily be negated by insufficient

loudspeaker cables. 3
Example Shown:
Use the nomograph in Figure 3.12 and the procedure Load Resistance = 8 ohms
that follows to find the recommended wire gauge (AWG 2

Desired Damping Factor = 500
Source Resistance = 0.016 ohms
or American Wire Gauge) for your system. Cable Length = 10 feet (3.1 meters)
Recommended Wire: #8 AWG or equivalent
1.5 wire with 1.75 ohms or less resistance per
1. Note the load resistance of the loudspeakers con- 1000 feet (305 meters).
nected to each channel of the amplifier. Mark this value
on the Load Resistance line of the nomograph.
1
2. Select an acceptable damping factor and mark it on 0.9
the Damping Factor line. Your amplifier can provide 0.8
an excellent damping factor of 1,000 from 10 to 400 Hz 0.7
in Stereo mode with an 8-ohm load. In contrast, typical 0.6
damping factors are 50 or lower. Higher damping fac-

0.5
tors yield lower distortion and greater motion control
over the loudspeakers. A common damping factor for Fig. 3.12 Wire Size Nomograph
commercial applications is between 50 and 100.
Higher damping factors may be desirable for live
sound, but long cable lengths often limit the highest 4. On the 2-Cond. Cable line, mark the length of the
damping factor that can be achieved practically. (Un- cable run.
der these circumstances, Crown’s IQ System is often 5. Draw a pencil line from the mark on the Source Resis-
used so amplifiers can be easily monitored and con- tance line through the mark on the 2-Cond. Cable line,
trolled when they are located very near the loudspeak- and on to intersect the Annealed Copper Wire line.
ers.) In recording studios and home hi-fi, a damping 6. The required wire gauge for the selected wire length
factor of 500 or more is very desirable. and damping factor is the value on the Annealed Cop-
3. Draw a line through the two points with a pencil, and per Wire line. Note: Wire size increases as the AWG
continue until it intersects the Source Resistance line. gets smaller.

7. If the size of the cable exceeds what you want to use, 3.3.6 Additional Load Protection
(1) find a way to use shorter cables, like using an IQ Your amplifier can generate high power levels. If your
System, (2) settle for a lower damping factor, or (3) use loudspeakers do not have built-in protection from ex-
more than one cable for each line. Options 1 and 2 will
cessive power, it’s a good idea to protect them. Loud-
require the substitution of new values for cable length
or damping factor in the nomograph. For option 3, esti- speakers are subject to thermal damage from
mate the effective wire gauge by subtracting 3 from the sustained overpowering and mechanical damage from
apparent wire gauge every time the number of con- large transient voltages. Special fuses can be used to
ductors of equal gauge is doubled. So, if #10 wire is protect your loudspeakers in both cases.
too large, two #13 wires or four #16 wires can be used
for the same effect. Different types of fuses are required for thermal protec-
tion and voltage protection. Slow-blow fuses are usu-
SOLVING OUTPUT PROBLEMS ally selected to protect loudspeakers from thermal
damage because they are similar to loudspeakers in
Sometimes high-frequency oscillations occur which
the way they respond to thermal conditions over time.
can cause your amplifier to prematurely activate its pro-
In contrast, high-speed instrument fuses like the
tection circuitry and result in inefficient operation. The
Littlefuse 361000 series are used to protect loudspeak-
effects of this problem are similar to the effects of the
ers from large transient voltages. The nomograph in
RF problem described in Section 3.3.4. To prevent
Figure 3.13 can be used to select the properly rated
high-frequency oscillations:
fuse for either type of loudspeaker protection.
1. Turn on Loudspeaker Offset Integration for each
There are basically two approaches that can be taken
channel. It includes a low-pass filter to prevent
when installing fuses for loudspeaker protection. A
RF problems (see Section 3.3.4).
common approach is to put a single fuse in series with
2. Lace together the loudspeaker conductors for
each channel (do not lace together the conduc-
tors from different channels). This minimizes the 1.0
chance that cables will act like antennas and 1.2
transmit or receive high frequencies that can 1.4

1.6
cause oscillation. 20
2
3. Avoid using shielded loudspeaker cable. 3000
15
2.5 2000
4. Avoid long cable runs where the loudspeaker 10
1500
cables from different amplifiers share a common
(Typically 4 times the continuous average power)

3 8 1000
800
cable tray or cable jacket. 6
600
4 5
5. Never connect the amplifier’s input and output 4 400
5
grounds together. Example:
3
300
6 200
Impedance = 8 ohms.
6. Keep loudspeaker cables well separated from Peak Power = 200 W 2 150
input cables. 7
100
80
1.5
7. Install the input wiring according to the instruc- 8 Answer:
60
Fuse = 2 A 1
tions in Section 3.3.4. 9
.8
40
10 30
Another problem to avoid is the presence of large in- 12 .6
20
frasonic currents when primarily inductive loads are
SPEAKER POWER RATING
.5
14 15
SPEAKER IMPEDANCE
PEAK MUSIC POWER
.4
used. Such loads include 70 volt step-up transformers 16 10
8
.3
and electrostatic loudspeakers. 6
(watts)
(ohms)
(amps)
FUSE
20
.2 4
Inductive loads may appear as a short circuit at low 25 3
frequencies. This can cause the amplifier to produce .15
2
30
large low-frequency currents and activate its protec- .1 1.5
tion circuitry. Always turn on the LOI circuitry when a .08 1

40
primarily inductive load is used. The LOI circuitry pro-
vides protection from most low-frequency input and
Fig. 3.13 Loudspeaker Fuse Nomograph
output problems.

the output of each channel. This makes installation con- than 11% above the amplifier’s rated line voltage will
venient because there is only one fuse protecting the activate the overvoltage protection circuitry (refer to
loads on each output. The main disadvantage of this Section 4.3.2). For example, do not exceed a line volt-
approach becomes apparent if the fuse blows, be- age of 133 VAC for units configured for 120 VAC opera-
cause none of the loads will receive any power. tion.
A better approach is to fuse each driver independently. All specifications in this manual were measured using
This allows you to apply the most appropriate protec- 120 VAC, 60 Hz power mains unless otherwise noted.
tion for the type of driver being used. In general, low- Specifications are derived using a mains voltage that
frequency drivers (woofers) are most susceptible to is accurate to within 0.5% and with THD less than 1.0%
thermal damage and high-frequency drivers (tweeters) under all testing conditions. Performance variations
are usually damaged by large transient voltages. This can occur at other AC mains voltages and line frequen-
means that your loudspeakers will tend to have better cies. In addition, line regulation problems will directly
protection when the woofers are protected by slow- affect the output power available from the amplifier.
blow fuses and high-frequency drivers are protected
by high-speed instrument fuses. A qualified technician can reconfigure your amplifier
for different AC voltages and frequencies by changing
the power supply connections on the control board in-
3.4 AC Mains Power Requirements side the amplifier. The proper procedures are outlined
Each Macro-Tech 5000VZ is supplied from the factory inside the top cover of the amplifier. Contact Crown’s
with an appropriate AC cord. Units configured for 100 Technical Support Group for more information.
to 120 VAC operation are shipped with 10 AWG,
30 amp line cords. Units configured for 200 to 240 VAC WARNING: Risk of severe electric shock. Only a
operation are shipped with 12 AWG, 20 amp line cords. qualified technician should attempt to alter the line
North American units configured for 120 VAC, 60 Hz voltage configuration.
operation are provided with a 125 volt, 30 amp NEMA Although this amplifier is rated for operation at 100 and
TT30P plug. Units destined for other parts of the world 120 VAC, it is more efficient at 200, 208, 230 or
are provided without a plug. Whenever possible, con- 240 VAC. At these higher voltages, less power is con-
nect the power cord to an isolated power circuit with verted to thermal energy in the AC cord and slightly
adequate current (see Section 7 for detailed informa- more power is available at low frequencies.
tion on current draw). Excessive line voltages of more

4 Operation 4.2 Indicators

The Macro-Tech 5000VZ has several internal indica-
4.1 Precautions tors that can be used to help to identify a problem that
The Macro-Tech 5000VZ is protected from internal and causes a power supply to be put in “standby.” These
external faults, but you should still take the following indicators are described in Section 4.3.2.
precautions for optimum performance and safety:
1. DANGER: The outputs can produce lethal en-
ergy levels! Do not change the output wiring
unless the amplifier has been off for at least
10 seconds.
2. DANGER: Improper use of this amplifier may
result in permanent hearing damage. Be very
careful when working near the loudspeakers Fig. 4.1 Indicators
that are connected to this amplifier.
3. Improper wiring for Stereo, Bridge-Mono and The amber Enable indicator is provided to show that
Parallel-Mono modes can result in serious oper- the amplifier has been turned on (or enabled), and that
ating difficulties. Refer to Section 3.3 for details. its low-voltage power supply is working. It does not in-
dicate the status of the high-voltage power supplies.
4. WARNING: After the amplifier has been The Enable indicator will stay on during unusual condi-
turned off, wait at least 10 seconds before tions that cause the amplifier’s protection systems to
changing the position of the stereo/mono put a channel in “standby” (see Section 4.3).
switch.
5. CAUTION: In Parallel-Mono mode, a jumper is The amber ODEP indicators confirm the normal op-
used between the positive (+) Channel 1 and eration of Crown’s patented Output Device Emulation
2 output terminals. Be sure to remove this Protection circuitry. During normal operation, they glow
jumper for Stereo or Bridge-Mono mode, oth- brightly to show the presence of reserve thermal-
erwise high distortion and excessive heating dynamic energy. An indicator will dim proportionally as
will occur. Check the stereo/mono switch on the the energy reserve for its channel decreases. In the
back panel for proper position. rare event that a channel has no reserve energy, the
indicator turns off and ODEP proportionally limits the
6. Turn off the amplifier and unplug it from the channel’s output drive level so the amplifier can con-
AC power before removing the PIP card. tinue safe operation even when conditions are severe.
7. Use care when making connections, selecting (See Section 4.3.1 for a detailed description of ODEP.)
signal sources and controlling the output level.
The load you save may be your own. The ODEP indicator for the affected channel will turn
off if a high-voltage power supply is put in “standby”
8. Do not short the ground lead of an output cable mode, a high-voltage power supply fuse blows, or a
to the input signal ground. This may form a transformer activates its thermal protection circuitry
ground loop and cause oscillations. (see Section 4.3). Both ODEP indicators turn off if the
9. Operate the amplifier only at its rated AC power amplifier loses AC power, the power switch is turned
voltage ±10% and the specified line frequency. off or the low-voltage power supply fuse blows.
10. Never connect the output to a power supply The green Signal/IOC indicators show signal pres-
output, battery or power main. Such connec- ence, distortion and input overload. As signal presence
tions may result in electrical shock. indicators, they flash with normal intensity in sync with
11. Tampering with the circuitry or making unau- the audio output. As IOC (Input/Output Comparator)
thorized modifications can cause severe indicators, they flash brightly if there is any difference
electric shock and may invalidate the war- between the input and output signal waveforms greater
ranty. than 0.05%. Because transient distortion happens
Remember: Crown is not liable for damage or personal quickly, a 0.1 second “hold delay” keeps the indicators
injury that results from overdriving system components. on long enough to be easily noticed. The IOC function
essentially provides proof of distortion-free perfor-
mance. As input overload indicators, they flash brightly

Fig. 4.2 Macro-Tech 5000VZ Indicator States

with a 0.1 second hold delay to show that an input sig- 4.3 Protection Systems
nal is too large and must be compressed at the input. The Macro-Tech 5000VZ provides extensive protection
The indicators will also stay on brightly for a channel and diagnostics capabilities. Protection systems in-
that is put in standby mode (see Section 4.3.2). Under clude ODEP, “standby” mode, power supply fuses and
abnormal operating conditions, a high-voltage power special thermal protection for the unit’s transformers.
supply may be put in standby mode to prevent ampli-
fier damage. If this happens, the channel’s Signal/IOC 4.3.1 ODEP
indicator will stay on with full brightness. Crown invented ODEP to prevent amplifier shutdown
during demanding operation and to increase the effi-
The two-color ILoad / ILimit indicators show current ciency of the output circuitry. To do this, Crown estab-
flow to the loudspeakers (“load current”) and the maxi- lished a rigorous program to measure the safe
mum current available from the amplifier (“limit cur- operating area (SOA) of each output transistor before
rent”). As load current indicators, they glow green to installing it in an amplifier. Next, Crown designed intel-
show that current is flowing to the loads connected to ligent circuitry to simulate the instantaneous operating
the amplifier outputs. As current limit indicators, they conditions of those output transistors. Its name de-
turn red to show that the amplifier is delivering its maxi- scribes what it does: Output Device Emulation Protec-
mum output current. The indicators turn off when there tion or ODEP. In addition to simulating the operating
is no significant load current flowing. This can happen conditions of the output transistors, it also compares
when a channel has no input signal, the input signal is their operation to their known SOA. If it sees that more
at a very low level, there is no load connected to the power is about to be asked of them than they are ca-
output, or the output cable is damaged. pable of delivering under the present conditions, ODEP
immediately limits the drive level until it falls within the
The amount of current an amplifier can produce deter-
SOA. Limiting is proportional and kept to an absolute
mines the lowest impedance it can drive. Parallel-Mono
minimum—only what is required to prevent output tran-
mode can deliver the most current, so it can drive the
sistor damage.
most loudspeakers wired in parallel with the lowest to-
tal impedance. For maximum performance, loads This level of protection enables Crown to increase out-
should be matched to the amplifier. If load impedance put efficiency to never-before-achieved levels while
is too low, the amplifier’s protection systems will limit greatly increasing amplifier reliability.
output. If load impedance is too high, some of the
amplifier’s output power capability will go unused. The on-board intelligence is monitored in two ways.
First, the front panel ODEP indicators show whether the
The ILimit feature is designed to help you get the maxi- amplifier is functioning correctly or if ODEP is limiting
mum power out of your amplifier. In the real world, loud- the drive level. Second, ODEP data is fed to the PIP
speaker impedance varies with frequency, and connector so advanced PIP modules like the IQ-PIP-
loudspeaker impedance ratings are only approxima- USP2 can monitor and control the amplifier.
tions. Without ILimit, you have to do some lengthy cal-
culations to approximate the maximum number of With ODEP, the show keeps going because you get the
loudspeakers you can drive with the amplifier—and this maximum power with the maximum protection.
does not allow for a 4 ohm loudspeaker whose imped-
ance drops below 2 ohms at 80 Hz. 4.3.2 Standby
At the heart of the protection systems is standby mode
This is why your amplifier has ILimit. The ILimit function which temporarily removes power from the high-volt-
turns a channel’s ILoad / ILimit indicator red when it age supplies to protect the amplifier and connected
reaches maximum current output. This makes it pos- loads. Several conditions can put a channel into
sible to connect real loudspeakers and conduct realis- standby mode. Use the indicator table in Figure 4.2 to
tic tests to find the maximum number of loudspeakers identify an amplifier channel in standby mode.
that should be connected. To do a test like this, you
can operate under worst-case conditions and continue The overvoltage protection circuitry puts both chan-
to connect additional loudspeakers in parallel with nels in standby if the AC line voltage increases to more
each output until the ILoad / ILimit indicator turns red. than 11% of the amplifier’s rated AC configuration. This
The optimum load is achieved before the ILoad / ILimit circuitry prevents power supply damage that can re-
indicator turns red, so disconnecting the last added sult from excessive AC line voltage, voltage spikes, and
loudspeaker gives you an optimized load. other unusual conditions.

The undervoltage protection circuitry can also acti- The unit resumes normal operation as soon as the am-
vate the standby mode. If the AC line voltage drops to plifier no longer detects dangerous low frequency or
about 20% or more below the unit’s rated voltage, both DC output. Although it is extremely unlikely that you will
channels will go into standby to prevent loudspeaker ever activate the amplifier’s DC/low-frequency protec-
damage that can result from brownouts and blackouts. tion system, improper source materials like subsonic
square waves can activate this system.
If dangerous subsonic frequencies or direct current
(DC) is detected in the amplifier’s output, the DC/low- The amplifier’s fault protection system will put a chan-
frequency protection circuitry will put the channel in nel in standby mode in rare situations where heavy
standby to protect the loads and prevent oscillations. common-mode current is detected in the channel’s
output. The amplifier should never output common-
mode current unless its circuitry is damaged in some
Internal Standby Indicators way, and putting a channel in standby mode helps to
(For Qualified Technicians Only) prevent further damage.
Although it is very unlikely that you will ever see an The amplifier’s transformer thermal protection cir-
amplifier channel unintentionally put in standby,
eight internal indicators (four per channel) are pro-
cuitry is activated if the unit’s transformer temperature
vided to help troubleshoot such a situation. They rises to unsafe levels. Under these abnormal condi-
are located inside the top cover of the amplifier. tions, the amplifier will put the affected channel’s trans-
DANGER: Electrical shock from this amplifier former in standby mode. The amplifier will return to
can be lethal. The top cover should only be re- normal operation after the transformer cools to a safe
moved by a qualified technician.
temperature. (For more information, refer to Section
Four indicators are provided per channel, with six 4.3.3.)
on the main board and two on the control board.
Main board indicators include the following:
(1) DC/low-frequency protection, labeled “DC/LF,”
4.3.3 Transformer Thermal Protection
(2) fault, labeled “OUTPUT MOD FAULT,” and (3) All Macro-Tech amplifiers have transformer thermal
standby, labeled “STBY.” The control board indi- protection. It protects the power supplies from damage
cators help identify overvoltage conditions or under conditions where transformer temperatures rise
transformer thermal protection. These indicators too high. A thermal switch embedded in each trans-
are labeled “OVER-VOLT/THERM.”
former removes power to the channel if there is exces-
If the DC/LF indicator is lit, see what the indicator sive heat. The switch automatically resets when the
does when you remove the input signal. If it turns transformer cools to a safe temperature.
off, the problem is DC or subsonic material in the
input signal and you should refer to Section 3.3.4; As long as it is operated within rated conditions (see
if it stays on, refer the amplifier to a qualified tech- Section 6), it is extremely unlikely that your amplifier will
nician for service.
ever activate transformer thermal protection. One rea-
If the OUTPUT MOD FAULT indicator is lit, turn the son is that ODEP keeps the amplifier working under
amplifier off, wait ten seconds and then turn it very severe conditions. Even so, higher than rated out-
back on. If the indicator stays off, try using the put levels and loads with excessively low impedances
amplifier for normal operation; if the indicator turns
on again, refer the amplifier to a qualified techni-
can generate more heat in the transformer than in the
cian for service. output devices. These conditions can overheat the
transformers and activate the protection system.
If the STBY indicator is lit, the installed PIP module
has put the channel in standby. For example, PIPs Macro-Tech amplifiers are designed to keep working
controlled by the IQ System can be used to put when other amplifiers would fail. But even when the lim-
each channel in standby to conserve energy.
its of a Macro-Tech amplifier are exceeded, it will still
If the OVER-VOLT/THERM indicator is lit for one protect itself—and your investment—from damage.
channel, transformer thermal protection has been
activated. An overvoltage condition always
4.3.4 Power Supply Fuses
causes both indicators to light. If both indicators
are lit, test your AC mains voltage. If it is within An internal fuse protects the Macro-Tech 5000VZ’s low-
tolerance, you have somehow managed to acti- voltage power supply. The low-voltage power supply
vate thermal protection for both transformers (a fuse will not blow unless something is wrong with the
feat that is virtually impossible). amplifier. If the low-voltage power supply fuse blows,
refer the unit to a qualified technician for service.

The high-voltage power supplies are also protected by The three-position input sensitivity switches are lo-
internal fuses. With rated loads and output levels, a fuse cated on the back panel and are factory set to
should only shut down its channel in the rare instance 0.775 volts for standard 1 kHz power. They may be set
of a catastrophic amplifier failure. Other protection sys- to 1.4 volts for standard 1 kHz power, or a voltage gain
tems like ODEP keep the amplifier operational under of 26 dB. When set to 26 dB gain, the input sensitivity is
most other severe conditions. A fuse can also shut 5.1 volts for full output.
down its channel if an extremely low-impedance load
and high output level result in current draw that ex- The Loudspeaker Offset Integration (LOI) switches
ceeds the fuse rating. Again, this should only be pos- are located on the back panel of the amplifier and are
sible when operating outside rated conditions, like factory set to the “on” position. The LOI circuits use
when the amplifier is used to drive a 1 ohm load in Ste- double integrating filters in the amplifier’s feedback cir-
reo mode, or when the amplifier is driven with subsonic cuitry to protect loudspeakers in several different ways.
square waves. If a high-voltage power supply fuse First, they center asymmetrical audio waveforms that
blows, please refer the unit to a qualified technician. cause off-center woofer cone movement. Off-center
cone movement increases loudspeaker heating and
distortion while reducing the loudspeaker’s power han-
4.4 Controls dling ability. Second, LOI filters unwanted DC and sub-
The Enable switch is located on the front panel so you sonic frequencies using a third-order Butterworth filter
can easily turn the amplifier on and off. If you ever need with a 35 Hz corner frequency. Third, LOI filters un-
to make any wiring or installation changes, don’t forget wanted ultrasonic frequencies (RF) that can cause
to disconnect the power cord first. Please follow these tweeter burnout using a second-order Bessel filter with
steps when first turning on your amplifier: a 50 kHz corner frequency.
1. Turn down the level of your audio source. For ex- IMPORTANT: The Loudspeaker Offset Integration
ample, set your mixer’s master volume to – ∞. circuitry does NOT protect loudspeakers from large
2. Turn down the Level controls of the amplifier (if transient voltages or excessive power levels for pro-
they are not already down). longed periods of time. Crown cannot be held liable
3. Turn on the Enable switch. The Enable indicator for damage or personal injury that results from over-
beside the switch should glow. During the four driving loudspeakers or other system components. See
second turn-on delay which immediately fol- Section 3.3.6 for information on using fuses to protect
lows, the Signal/IOC indicators will light brightly, loudspeakers.
the ODEP indicators will stay off, and the ILoad / The compressor switches are located on the back
ILimit indicators usually stay off but may flash panel of the amplifier and are factory set to the “fast”
immediately after the switch is turned on. After setting. If desired, they can be switched to “slow” or
the turn-on delay, all lights should indicate nor- “off.” Because the compressors are ahead of all other
mal operation. input circuitry, they compress the input signals before
4. After the turn-on delay, turn up the level of your clipping or other types of distortion can be generated.
audio source to the maximum desired level.
Each compressor is driven by the channel’s input over-
5. Turn up the level controls of the amplifier until load and IOC error signals. If the IOC circuit senses
the maximum desired sound level is achieved. that distortion in the output of the amplifier is equal to or
DANGER: This amplifier produces enough greater than 0.05%, it generates an “error signal” that
power to drive loudspeakers to levels that causes the IOC indicator on the front panel to flash
can cause permanent hearing damage. Be brightly, and the compressor to compress the input sig-
careful when setting the maximum level.
6. Turn down the level of your audio source to its
normal range.
Each of the front panel Level controls has 31 detents
for accurately repeatable settings. To prevent tamper-
ing, the Level Control Security Kit is available (see Sec-
tion 8.2). In Bridge-Mono and Parallel-Mono modes, the
Channel 2 level control is bypassed. Fig. 4.3 Input Sensitivity, LOI and Compressor Switches

nal (if it is turned on). If an input signal has too much light. The switch for Channel 1 is located on the left
voltage, the input overload circuitry will light the IOC side, and the switch for Channel 2 is on the right.
indicator brightly, and the compressor will compress
the input signal regardless of the COMPRESSOR The VZ (Variable Impedance) mode causes the power
switch position. The OFF setting bypasses all drive supplies to automatically shift between high-current
sources for the compressors except for input overload. and low-current modes of operation as operating con-
ditions change. Normally, the power supplies operate
When the COMPRESSOR switch is set to FAST, the in the high-current (low-impedance) mode for maxi-
compressors have an attack time of 4 milliseconds and mum thermal efficiency. When voltage demand
a release time of 300 milliseconds. When set to SLOW, reaches highs levels, the supplies quickly shift into
they have an attack time of 12 milliseconds and a re- high-voltage (high-impedance) mode. Because volt-
lease time of 600 milliseconds. When set to OFF, an age and current requirements vary with the output level
input overload will still drive the compressor which uses and frequency content of the source signals, the power
the “fast” attack and release times to protect the input supplies are designed to be able to continually switch
circuitry. between the two modes as needed with no degrada-
tion to the audio signal.
The back panel input ground lift switch is located on
the PIP2-FXQ (see Figure 3.11). It reduces the chance The VZ-ODEP mode is very similar to VZ mode. The
of ground loops by isolating the input signal grounds only difference is that the power supplies are forced
from the AC ground (see Section 3.3.4). Slide the switch into high-current mode when ODEP is close to activat-
to the right to isolate or “lift” the grounds. ing its limiting circuitry. This reduces excessive stress
on the output transistors, and effectively increases the
The VZ mode switches are located inside the amplifier thermal performance of the amplifier.
behind the top dust filter on the front panel. To access
these switches, remove the top filter element (see Fig- Note: When ODEP limiting begins, the IOC circuitry will
ures 2.2 and 4.4). Always turn the power off before see that the input waveform does not match the output
changing one of these switches. Each switch has waveform, and an error signal is generated. If the com-
four settings (from left to right): VZ-ODEP, Lock Low, VZ pressors are on, they will see the error signal and com-
and VZ. Note: The third and fourth positions are identi- press the input signal to correct the problem. When this
cal. The amplifier is shipped from the factory with the happens, there is no audible signal degradation. Com-
switches set to “VZ-ODEP.” Once the top filter element pression is subtle, and not noticeable unless the sys-
is removed, the switch position label should become tem is driven to extremely high levels.
visible on the grille below each switch. To access the
switches, reach through the grille opening with a long The Lock Low mode locks the power supplies into the
narrow nonconductive object like a plastic pen. The high-current mode for low-impedance loads. This may
switches are about 1.75 inches (4.5 cm) behind the be desirable when driving high-frequency transducers
grille. They are easy to locate with the aid of a flash- that must be protected from too much voltage, or when
driving loads with very low impedances.
4.5 Filter Cleaning

Dust filters are provided on the air intakes to the cool-
ing system (see Figure 2.1). If these filters become
clogged, the unit will not cool as efficiently as it should
and may produce output levels that are lower than nor-
mal due to high heat sink temperature.
To clean, remove each of the five filter elements by gen-
tly pulling them away from the front panel. Clean with
mild dishwashing detergent and warm water. Replace-
ment filters may be ordered from the factory.
Dust filters are not 100% efficient—long term this may
require internal heat sink cleaning by a qualified tech-
nician. Internal cleaning information is available from
Fig. 4.4 Channel 1 VZ Mode Switch (Behind Filter)
our Technical Support Group.

5 Technical Information
5.1 Overview
Your Macro-Tech VZ amplifier incorporates several new to ground are referred to as “low-side NPN and PNP.”
technological advancements including low-stress out- Positive current is delivered to the load by increasing
put stages, real-time simulation of output transistor con- conductance simultaneously in the high-side NPN and
ditions, advanced thermal management, a modular low-side PNP stage, while decreasing conductance of
system for signal input and processing, multispeed the high-side PNP and low-side NPN synchronously.
compressors, Loudspeaker Offset Integration, split
feedback paths, modular internal construction and ar- The two channels may be used together to double the
ticulated VZ power supplies. voltage (Bridge-Mono) or the current (Parallel-Mono)
presented to the load. This feature gives the user flex-
Custom protection circuitry limits temperature and cur- ibility in maximizing the power available to the load.
rent to safe levels while making the amplifier highly re-
liable and tolerant of faults. Unlike many lesser A wide-bandwidth multiloop design is used for state-
amplifiers, it can operate at its voltage and current lim- of-the-art compensation. This produces ideal behavior
its without self-destructing. and results in ultra-low distortion values.
Real-time computer simulation is used to create an Aluminum extrusions have been widely used for heat
analogue of the junction temperature of the output tran- sinks in power amplifiers due to their low cost and rea-
sistors (hereafter referred to as the “output devices”). sonable performance. However, measured on a watts
Current is limited only when the device temperature per pound or watts per volume basis, the extrusion
becomes excessive—and just by the minimum amount technology doesn’t perform nearly as well as the heat
necessary. This patented approach is called ODEP or sink technology developed for Macro-Tech amplifiers.
Output Device Emulation Protection. It maximizes the The heat sinks for the Macro-Tech 5000VZ are fabri-
available output power and eliminates overheating, the cated from custom milled fin stock that provides an ex-
major cause of output device failure. ceptionally high ratio of area to volume, or area to
The amplifier is protected from all common hazards that weight. All power devices are mounted directly to mas-
plague high-power amplifiers including shorted, open, sive heat spreaders that are electrically at the Vcc po-
or mismatched loads; overloaded power supplies, ex- tential. Electrifying the heat spreaders improves
cessive temperature, chain-destruction phenomena, thermal performance by eliminating the insulating in-
input-overload damage and high-frequency blowups. terface underneath the power devices. The chassis it-
The unit protects loudspeakers from DC in the input self is even used as part of the thermal circuit to
signal, output DC in the output, and turn-on/turn-off maximize utilization of the available resources.
transients. The amplifier is also protected from internal
faults. 5.2 VZ Power
VZ means Variable Impedance. It is the name of
The four-quadrant topology used in the grounded out-
Crown’s patented articulated power supply technology.
put stages is called the Grounded Bridge . The
This technology is what makes it possible to pack such
Grounded Bridge topology takes full advantage of the tremendous power into Crown’s VZ amplifiers.
power supplies delivering peak-to-peak voltages to the
load that are twice the voltage seen by the output de-
5.2.1 Background
vices and twice the voltage generated by the power
A power supply must be large enough to handle the
supplies.
maximum voltage and current necessary for the ampli-
The Grounded Bridge topology is ground-referenced. fier to drive its rated power into a specified load. In the
Because the required current exceeds the limits of process of fulfilling this requirement, conventional
presently available components, composite output de- power supply designs produce lots of heat, are heavy,
vices are constructed to function as gigantic NPN and and take up precious real estate. And it’s no secret that
PNP devices. Each output stage has two composite heat is one of a power amplifiers worst enemies. Con-
NPN devices and two composite PNP devices. sider the circuit in Figure 5.1.
The devices connected to the load are referred to as According to Ohm’s Law, the higher the power supply
“high-side NPN and PNP” and the devices connected voltage, the more heat the power transistors must dis-

VZ POWER SUPPLY
sipate. Also, the lower + The power transis-

POWER the resistance of the POWER tors stay cooler and
TRANSISTOR
+ power transistors, the TRANSISTOR VZ are not forced to
STAGE
more voltage you can needlessly dissipate
deliver to the load. But at – heat. This is the nor-
SPEAKER POWER
SUPPLY SPEAKER
LOAD the same time that you LOAD mal operating mode
+
lower the resistance of of the VZ power sup-
–
the transistors, you in- VZ ply.
POWER STAGE
TRANSISTOR crease the current pass- POWER
ing through them, and
TRANSISTOR When the voltage re-
–
again increase the quirements are high,
Fig. 5.1 A Typical amount of heat they a VZ supply switches
Power Supply must dissipate. Fig. 5.4 VZ High-Voltage Mode into to a high-voltage
mode to produce
higher voltage and less current. The amplified output
5.2.2 The VZ Supply
signal never misses a beat and gets full voltage when it
An articulated power supply like Crown’s VZ design
needs it—not when it doesn’t need it.
can circumvent much of this problem by reducing the
voltage applied to the transistors when less voltage is Sensing circuitry monitors the voltage and current de-
required. Reducing the voltage reduces the heat which mands of the signal and load to determine when to
makes the amplifier runs cooler. This makes it possible switch VZ modes. The switching circuitry controls the
to safely pack more power into the chassis. power supplies (not the output devices) which yields
the highest dynamic transfer function with no audible
The VZ supply is divided into segments to better match
switching distortion—you hear only the music, not the
the voltage and current requirements of the power tran-
amplifier. The VZ design gives you maximum power,
sistors. Remember that audio signals like music are
maximum safety, and power optimized for your load.
complex waveforms.
5.3 Circuit Theory

Each channel is powered by its own transformer, T100
or T200. The secondary of T100 is full wave rectified by
DB100 and DB101 and filtered by large computer
grade capacitors (C810 and C812 for Channel 1). The
transformers are protected against catastrophic failure
Fig. 5.2 Music Waveforms by fuses F700 and F701 and thermally protected by
internal self-resetting switches.
For music the average level is always much less than
the peak level. This means a power supply does not Both channels share T1, a low-voltage transformer. The
need to produce full voltage all the time. output of T1 is rectified by diodes D709 through D714
providing an unregulated 24 volts. Monolithic regula-
VZ POWER SUPPLY
tors U715 and U716 provide the regulated ±15 volts.
T1 is protected by fuse F702.
The VZ supply is
POWER divided into two 5.3.1 Stereo Operation
TRANSISTOR parts. When the For simplicity, the discussion of stereo operation will
+ + voltage require- refer to one channel only. Mono operation will be dis-
SPEAKER VZ VZ ments are not cussed later.
LOAD STAGE STAGE high, it operates
– – in high-current Please refer to the block diagram in Figure 5.5 and the
mode to produce schematics provided at the back of this manual.
POWER less voltage and
TRANSISTOR The input signal at the XLR and phone jack input con-
more current.
nectors passes directly into the balanced input stage
(U100A). When the compressor is enabled, the com-
Fig. 5.3 VZ High-Current Mode pressor control circuit (U101, U102 and U103) causes

Fig. 5.5 Circuit Block Diagram

a reduction in gain of the balanced input stage at the The protection mechanisms that affect the signal path
onset of clipping in the output stage. The compressor are implemented to protect the amplifier under real-
is also activated any time the first stage is about to be world conditions. These conditions are high instanta-
overdriven. The compressor control circuit also sends neous current, excessive temperature, and operation
signals to the display module to indicate IOC or input of the output devices outside safe conditions.
overload.
The instantaneous current limiter (Q534, Q535, Q540
The variable gain stage (U100B) sets the input sensi- and Q541) has two distinct limiting points. The current
tivity. Switch S100 is used to select 26 dB gain, 1.4 volts limit is nominally set to 55 amps and will switch to 32
or 0.775 volts sensitivity for standard 1 kHz power. From amps when the VCE voltage exceeds a predetermined
there, variable resistor (R120) controls the gain. level. When the output current exceeds the set limit,
drive is removed from the LVA stage, thus limiting the
The “error” amplifier (U105) is the heart of the unit. It is output current to a safe level.
located in the main feedback loop and controls the per-
formance of the amplifier. The error amp amplifies the To further protect the output stages, a specially devel-
difference (“error”) between the output signal and the oped ODEP circuit is used (U112, U113, U114, U116
input signal, and drives the voltage translator stage to and U117). It produces an analog output proportional
compensate for these differences. to the always changing safe operating area of the out-
put transistors. This output controls the translator stage
The output of the error amplifier is then sent to the sig- and the low-side predriver stage, removing any further
nal translators (U106, U107, Q101, Q102, Q113 and drive that may exceed the safe operating area of the
Q114). This stage translates the ground-referenced output stages.
output of the error amplifier to a VCC-referenced signal
to drive the last voltage amplifiers. The translators out- Thermal sensors U500 and U501 give the ODEP cir-
put drive is controlled by the ODEP circuit via Q101, cuits vital information on the operating temperature of
Q102, Q113 and Q114. the heat sink on which the output devices are mounted.
The output of the signal translators next goes to the Should the amplifier fail in such a way that would result
Last Voltage Amplifiers or LVAs (Q501, Q502, Q503, in DC (caused by excessive current or voltage) across
Q507, Q508 and Q509) located on the output module. the output terminals, the DC/low-frequency protection
The output of the LVA stage is limited by D514 through circuit (U109C and U109D) senses this on the nega-
D517 so that there is maximum current to feed the tive feedback loop and shuts down the power supply
predriver transistors and the slew limit capacitors and all drive to the output stage until the DC is removed.
(C506 and C507) yielding a constant slew rate. If an output device fails, the fault circuit (U115, Q105,
Q106, Q108 and Q109) detects the common-mode
The output stage consists of the predrivers (Q504 and current in the output devices and removes power from
Q510), the drivers (Q511 and Q512), and the outputs the channel until it can be repaired.
(Q513 through Q518, Q536 and Q537). These devices
are configured as emitter-follower stages to supply cur- The Loudspeaker Offset Integration or LOI circuit
rent gain to the output of the amplifier. (U104) senses the output signal and does a double
integration, feeding the resultant “error” signal to the
The bias servos (Q533 and Q505) are thermally error amplifier to correct for any net DC in the output.
coupled to the heat sinks and set the quiescent current
point for the output stage to lower the distortion in the Additional protection is provided by the overvoltage
crossover region of the output signal. protection circuit (U707D) which monitors the incom-
ing line voltage and shuts down both power supplies in
The bridge-balance circuit (U503) receives a signal the case of excessive line voltage.
from the output of the amplifier and differences it with
the signal at the VCC supplies. The bridge-balance cir- The VZ control circuit (U110) monitors both the VCC and
cuit then develops a voltage to drive the bridge-bal- the output signal. When the output signal comes to
anced output stage. This results in the VCC supply within a ∆V of the VCC (as determined by the output
having exactly one half of the output voltage added to voltage and current demands), the control circuit tells
their quiescent voltage. Q529 and Q530 along with the supply to switch into high-voltage mode. The sup-
R556 set the quiescent current point for the bridge-bal- ply is then latched in this mode for a minimum of 50
ance output stage. microseconds by U703. U711 provides protection for
the FETs. The FETs (Q810, Q811 and Q812) and the

steering diodes (D810 and D811) provide the two 5.3.3 Parallel-Mono Operation
modes of the power supply. With the stereo/mono switch set to PARALLEL MONO,
the output of Channel 2 is paralleled with that of Chan-
The VZ mode switch (S700) has four positions which nel 1. A suitable jumper capable of handling high cur-
control how the articulated supply functions. (Two of rent must be installed to gain the benefits of this
the four switch positions are identical because there operating mode. The jumper should be connected
are only three VZ modes.) In the VZ position, the sup- across a positive output terminal from each channel.
ply will automatically change as needed depending on
the signal demands. In the Lock Low position, the sup- The signal path for Channel 1 is the same as for stereo
ply stays in high-current mode and cannot switch into operation. The signal for Channel 2 is fed from the same
high-voltage mode. In the “VZ-ODEP” position, the sup- source as for Channel 1 and is paralleled at the input to
ply operates as it would in the VZ position unless the the error amplifier (U105 and U205). A signal from the
ODEP limit is reached. If the ODEP limit is reached, the current sense circuit is also sent to the Channel 2 error
supply will be locked into high-current mode to lower amplifier giving Channel 2 an electronic ballasting re-
the thermal dissipation of the output devices until it is sistor to better match the two outputs. In Parallel-Mono
cools enough to return to normal VZ operation. mode, twice the current of one channel alone can be
obtained. Each of the channel’s protection mechanisms
The fan control circuit (U713, U707B, U712 and Q706) work independently if a fault occurs and both IOC indi-
uses the ODEP thermal information to control the speed cators are operational.
of the fan. The summation of the ODEP signal and the
heat sink temperature is used to determine its speed.
5.3.4 Terminator Module
In order to reduce the turn-on current needed by the The terminator module provides a high-frequency load
power transformers, a “soft start” circuit is provided to the amplifier in order to maintain stability. It includes
(U701B, U701A, U111, U700 and Q701) which limits a current sense circuit (U750) which is used for the
the maximum start-up current to less than 22 peak ILoad / ILimit display and in the Parallel-Mono mode.
amps per channel with 120 VAC mains. The primary
voltage is ramped up to the full voltage, then relay K700 5.3.5 Display Module
closes across triac Q701 for normal operation. On the display module there are seven indicators. The
amber Enable LED shows that the low-voltage supply
5.3.2 Bridge-Mono Operation is enabled. The green SPI/IOC LED is driven by Q502
By setting the back panel stereo/mono switch to from the output signal and flashes with the output sig-
BRIDGE MONO, the user can convert the Macro-Tech nal at normal brilliance. When the amplifier reaches
5000VZ into a bridged mono amplifier. With a signal early clipping, the LED driven by Q504 will flash
applied to the Channel 1 input and the load connected brighter indicating an IOC event. The amber ODEP LED
between the positive output terminals of Channel 1 and driven by Q500 normally lights at full brilliance and di-
Channel 2, twice the voltage output of a single channel minishes when thermal-dynamic power reserve drops.
is achieved. This LED will stay off if the channel is put in standby.
The two-color ILoad / ILimit LED flashes green when
The Channel 1 output feeds the Channel 2 error amp U500, U501 and Q505 see output current. It turns red
(U205). Because there is a net inversion, the Channel 2 when the amplifier’s maximum current output is
output is out of polarity with Channel 1. This produces achieved.
twice as much voltage across the load. Each of the
channel's protection mechanisms work independently
and both IOC indicators are operational.

6 Specifications
The following applies to units in Stereo mode with 8 ohm loads energy—they must have the required voltage and cur-
and an input sensitivity of 26 dB gain unless otherwise speci- rent to deliver the rated power you expect.
fied. All units have multitap transformers and can be config-
ured for any AC line voltage.
Controls
Standard 1 kHz Power: refers to maximum average power
Compressor: A three-position back panel switch is used
in watts at 1 kHz with 0.1% THD.
to control each channel’s input compressor. The “fast”
Full Bandwidth Power: refers to maximum average power setting provides an attack time of 4 milliseconds and a
in watts from 20 Hz to 20 kHz with 0.1% THD.
release time of 300 milliseconds; the “slow” setting pro-
vides an attack time of 12 milliseconds and a release
Performance time of 600 milliseconds; the “off” setting defeats out-
Frequency Response: ±0.1 dB from 20 Hz to 20 kHz put-driven compression.
at 1 watt (see Figure 6.3).
Enable: A front panel push button used to turn the am-
Phase Response: ±20° from 10 Hz to 20 kHz at 1 watt plifier on and off.
(see Figure 6.6).
Input Ground Lift: A two-position back panel switch
Signal-to-Noise Ratio: 20 Hz to 20 kHz: Better than 100 located on the PIP2-FXQ used to isolate the input au-
dB below full bandwidth power. A-weighted: Better than dio signal grounds from the AC (chassis) ground.
105 dB below full bandwidth power.
Level: A front panel rotary potentiometer for each chan-
Total Harmonic Distortion (THD): Less than 0.05% at nel with 31 detents used to control the output level.
full bandwidth power from 20 Hz to 1 kHz increasing
linearly to less than 0.1% at 20 kHz. Loudspeaker Offset Integration: A two-position back
panel switch for each channel used to turn the loud-
Intermodulation Distortion (IMD): (60 Hz and 7 kHz speaker protection circuitry on and off. The circuitry
4:1) Less than 0.05% from 411 milliwatts to full band- protects against DC, off-center woofer cone movement,
width power. and unwanted subsonic and ultrasonic frequencies.
Damping Factor: Greater than 1,000 from 10 Hz to Sensitivity: A three-position back panel switch for
400 Hz (see Figure 6.4). each channel used to select input sensitivity:
Crosstalk: See Figure 6.7. 0.775 volts or 1.4 volts for standard 1 kHz power, or a
26 dB voltage gain.
Slew Rate: Greater than 30 volts per microsecond.
Stereo/Mono: A three-position back panel switch used
Voltage Gain: 20:1 ±3% or 26 dB ±0.25 dB at the maxi- to select Stereo, Bridge-Mono or Parallel-Mono mode.
mum level setting. 132:1 ±12% or 42 dB ±1 dB at
0.775 volt sensitivity. 71:1 ±12% or 37 dB ±1 dB at VZ Mode: A four-position switch for each channel in-
1.4 volt sensitivity. Also see Section 4.4. side the front panel used to control the switching mode
of the VZ power supplies.
Power
Output Power: See the Minimum Guaranteed Power Indicators
table in Figure 6.1 for the output power specifications Enable: This amber front panel indicator shows the on/
under a variety of conditions. off status of the low-voltage power supply.
Load Impedance: Safe with all types of loads. Rated Signal/IOC: Each channel has a green front panel in-
for 2 to 8 ohms in Stereo, 4 to 16 ohms in Bridge-Mono dicator that flashes to show amplifier output. If a
and 1 to 4 ohms in Parallel-mono mode. channel’s output waveform differs from its input by
0.05% or more, the indicator flashes brightly to show
Required AC Mains: 50 or 60 Hz, 100, 120, 200, 208, distortion. This function provides proof of distortion-free
230, 240 VAC (±10%). Draws 90 watts or less at idle. performance.
See Section 7 for additional information.
ODEP: Each channel has an amber front panel indica-
It is extremely important to have adequate AC power tor that shows thermal-dynamic energy reserve. Nor-
available to the amplifier. Power amplifiers cannot create mally, each ODEP indicator is lit to show available

reserve energy. In the rare event that a channel has no Protection

reserve, its indicator will dim in proportion to ODEP lim- Macro-Tech amplifiers are protected against shorted,
iting. An ODEP indicator may also turn off under other open or mismatched loads; overloaded power sup-
conditions (see Section 4.2). plies; excessive temperature, chain destruction phe-
ILoad /ILimit: Each channel has a two-color (green/red) nomena, input overload damage and high-frequency
indicator that shows load current and limit current. They blowups. They also protect loudspeakers from input/
glow green to indicate load current flowing out the am- output DC and turn-on/turn-off transients.
plifier, and they turn red when maximum current is be- If unreasonable operating conditions occur, the pat-
ing delivered to the load. ented ODEP circuitry will proportionally limit the drive
level to protect the output transistor stages, particularly
Input/Output in the case of elevated temperature. Transformer over-
Input Connectors: Balanced three-pin XLR connec- heating will result in a temporary shutdown of the af-
tors and balanced phone jacks are provided on the fected channel; when it has cooled to a safe temperature,
factory-installed PIP2-FXQ (see Section 8.1 for op- the transformer will automatically reset itself. Controlled
tional PIP modules). slew rate voltage amplifiers protect against RF burnouts.
And input overload protection is provided by the input
Input Impedance: Greater than 10 K ohms, balanced. compressors and current-limiting resistance at the in-
Greater than 5 K ohms, unbalanced. put.
Input Sensitivity: Settings include 0.775 volts or Turn On: The four second turn-on delay prevents dan-
1.4 volts for standard 1 kHz power, or a 26 dB voltage gerous turn-on transients. (Contact Crown’s Technical
gain (see Section 4.4 for more information). Support Group to change the delay time.) It also has
Output Connectors: A multifunction, high-current “soft start” to avoid tripping the AC circuit breaker by
output block is provided. Crown output blocks include gradually bringing the supplies up to full voltage.
three pairs of connectors for each channel (a total of
12 connectors). This allows multiple loudspeakers to Construction
be easily connected to each channel. High current Steel chassis with durable black finish, aluminum front
screw terminals and banana jacks are provided which panel with Lexan overlay, and specially designed flow-
accept spade lugs, banana plugs or bare wire. through ventilation from front to back panels.
Output Impedance: Less than 10 milliohms in series Cooling: Internal heat sinks with on-demand, propor-
with less than 2.5 microhenries (see Figure 6.5). tional forced-air cooling controlled by ODEP. Includes
custom heat diffusers and patented circuitry to promote
DC Output Offset: ±10 millivolts. uniform dissipation.
Output Signal Dimensions: 19 inch (48.3 cm) standard rack mount

Stereo: Unbalanced, two-channel. width (EIA RS-310-B), 5.25 inch (13.3 cm) height,
15.875 inch (40.3 cm) depth behind mounting surface,
Bridge-Mono: Balanced, single-channel. Channel 1 and 2.875 inches (7.3 cm) in front of mounting surface.
controls are active; Channel 2 controls are removed Allow 3 inches (7.6 cm) behind the back panel for ad-
from operation. equate air flow (see Figures 3.1 and 3.2).
Parallel-Mono: Unbalanced, single-channel. Channel Approximate Weight: 77 pounds, 9 ounces (35.2 kg)
1 controls are active; Channel 2 controls are removed net; 88 pounds, 10 ounces (40.2 kg) shipping weight.
from operation.

Crown specifications are guaranteed for three years.

In an effort to provide you with as much information as possible about the high power-producing capabilities of your amplifier, we have
created the following power matrices.
Minimum Guaranteed Power Specifications

Crown’s minimum power specifications represent the absolute smallest amount of output power you can expect from your amplifier
when it is driven to full output under the given conditions. Some spaces in each matrix may be left blank because the same guarantee
is not provided for those conditions—however, your amplifier will perform well under all conditions listed in each matrix.
When measuring power, 0.1% THD appears to be the industry standard for distortion. Two of the maximum average power
specifications shown in each minimum power matrix are measured at 0.1% THD so you can easily compare Crown specifications to
those of other manufacturers. But this high level of distortion actually allows for some clipping which is undesirable. Because of this,
a maximum average power specification at 0.05% THD is included in each minimum power matrix which represents non-clipped
conditions. Although most manufacturers do not give you power specifications at 0.05% THD, we encourage them to provide these
specifications so you will have a more realistic representation of the way amplifiers should be used in the real world—without a clipped
output signal.
Many manufacturers publish power specs with a

tolerance of ±1 dB or worse. This means their ampli-
fier can deviate more than 20% in output! A 100 watt
amplifier would meet their specification if it only pro-
duced 79.4 watts. Other manufacturers qualify their
specs by saying they are “typical,” “subject to manu-
facturing tolerances,” “single channel driven” or that
they are specified with “fuses bypassed.” Each of
these statements effectively removes any perfor-
mance guarantee. In fact, some manufacturers use
these tactics to generate large power numbers, and
they don’t even print a disclaimer. We take a differ-
ent approach at Crown—our amplifiers are guaran-
teed to meet or exceed their specifications for three
years. Further, because our published specs are
set below our “in-house” measurements, you can
expect every Crown amplifier to exceed its pub-
lished minimum power specs. We believe you
should get what you pay for.
Minimum Power Notes:
All minimum power specifications are based on 0.1%
regulated AC mains and an ambient room tempera-
ture of 70° F (21° C). Standard EIA power (RS-490) is
not identified here because it is identical to FTC Con-
tinuous Average Power.
1. A 1 kHz sine wave is presented to the amplifier and
the output monitored for nonlinear distortion. The
level is increased until THD reaches 0.1%. At this
point, average power per channel is reported.
2. A sine wave is presented to the amplifier over the
range from 20 Hz to 20 kHz and the output moni-
tored for nonlinear distortion. The level at each fre-
quency is increased until THD reaches 0.1%. At
this point, average power per channel is reported.
3. A 1 kHz sine wave is presented to the amplifier and
the output monitored for nonlinear distortion. The
level is increased until THD reaches 0.05%. At this
point, average power per channel is reported.
4. Continuous power in the context of Federal Trade
Commission testing is understood to be a minimum
of five minutes of operation. Harmonic distortion is
measured as the RMS sum total and given as a
percentage of the fundamental output voltage. This
applies for all wattages greater than 0.25 watts.
Fig. 6.1 Minimum Power Matrix

Maximum Power Specifications

Crown’s maximum power specifications represent the largest amount of output power you can expect from your amplifier
when it is driven to full output under the given conditions. These specifications can be used to prevent loudspeaker and
hearing damage.
The maximum power matrices include specifications for single cycle and 40 millisecond burst sine waves. Burst signals
act like large transient peaks that are present in common source signals. Loudspeakers can respond to a single cycle
burst, so the single cycle burst specifications should be used to help you protect your loudspeakers. In contrast, a
40 millisecond burst represents the typical response time of the human ear. Your ear will not respond to the entire
dynamic change of a burst that lasts less than 40 milliseconds.
The burst power specifications are provided at 0.05% THD which is a practical low distortion condition. Operating the
amplifier at levels higher than 0.05% THD can result in output power levels that are higher than those listed in the
maximum power matrices.
Maximum Power Notes:

All maximum power specifica-
tions are based on 0.1% regu-
lated AC mains and an ambi-
ent room temperature of 70°
F (21° C). Although it is an
unusual condition, your ampli-
fier can function well with AC
mains voltages up to 10%
over the specified line volt-
age. With overvoltage condi-
tions, your amplifier may be
capable of delivering instan-
taneous power levels up to
20% greater than the specifi-
cations in the matrix.
1. A single cycle sine wave
is presented to the ampli-
fier and monitored for non-
linear distortion. The aver-
age power during the
burst is reported. Loud-
speakers must be able to
withstand this level if they
are to be safely used with
this amplifier.
2. A 40 millisecond sine wave
burst (10 percent duty
cycle) is presented to the
amplifier and monitored for
nonlinear distortion. The
average power during the
burst is reported. This
power level is a measure-
ment of the amplifier’s
maximum transient power
that can be perceived by
the human ear.
Fig. 6.2 Maximum Power Matrix

Fig. 6.3 Typical Frequency Response
Fig. 6.4 Typical Damping Factor
Fig. 6.5 Typical Output Impedance

TEF ®
Measurement
+45˚
0˚
–45˚
TEF ®
100 1K 10 K 20 K
FREQUENCY (Hz)
Fig. 6.6 Typical Phase Response
–60
TEF ®
Measurement
–66
–72
–78
dB
–84
–90
–96
100 TEF ® 1K 10 K 20 K
FREQUENCY (Hz)
Fig. 6.7 Typical Crosstalk

7 AC Power Draw and Here are the equations used to calculate the data pre-
sented in Figure 7.1:
Thermal Dissipation Total output power with all x Duty
channels driven (watts) Cycle
AC Mains Power = + Quiescent Power
This section provides detailed information about the Draw (watts) Amplifier Efficiency Draw (watts)
amount of power and current drawn from the AC power
line by the Macro-Tech 5000VZ, and the amount of heat The quiescent power draw of 90 watts is typical, and
produced under various conditions. The calculations assumes the cooling fans are not running.
presented here are intended to provide a realistic and Thermal
reliable depiction of the amplifier. The following as- Dissipation =
(btu/hr)
[ ( 1 – Power to Load ) + Quiescent Power
Draw (watts) ] x 3.415
sumptions were made: or

• The amplifier’s available channels are loaded, and full,
( )
Thermal Total output power with all x Duty x Amplifier
channels driven (watts) Cycle Inefficiency Quiescent Power
Dissipation = x 3.415
standard 1 kHz power is being delivered. (btu/hr) Amplifier Efficiency
+ Draw (watts)
• Quiescent power draw is 90 watts (an almost

negligible amount for full-power calculations). The constant 3.415 converts watts to btu/hr. Thermal
dissipation in btu is divided by the constant 3.968 to
• Quiescent heat dissipation equals 105 btu/hr at
90 watts. get kcal.
• Duty cycle of pink noise is 50%. To convert the power draw in watts to current draw in
amperes, use the following equation:
• Duty cycle of highly compressed rock ‘n’ roll midrange
is 40%. AC Mains Power
Draw (watts)
Current Draw =
(amperes) AC Mains x Power
• Duty cycle of rock ‘n’ roll is 30%. Voltage Factor (.83)
• Duty cycle of background music is 20%.

The current draw values shown in Figure 7.1 depend
• Duty cycle of continuous speech is 10%.
on the AC mains voltage (power draw and thermal dis-
• Duty cycle of infrequent, short-duration paging is 1%. sipation are typical for any AC power voltage).
Fig. 7.1 Power Draw, Current Draw and Thermal Dissipation at Various Duty Cycles

8 Accessories
8.1 PIP Modules
One advantage of Macro-Tech amplifiers is the ability
to customize them using PIP (Programmable Input Pro-
cessor) and PIP2 modules. The MA-5000VZ amplifier
is equipped with ribbon cables that will connect either
directly, or via the PIP2 adapter to a PIP module. The
modules install easily.
P.I.P.–EDCb combines a sophisticated error-driven compres-
sor and smooth limiter with a maximum level setting and a
subsonic filter for each channel. The compressors have ad-
justable attack and release times, and can be set to track
each other. The compressors activate when a signal would
otherwise clip the input, an IOC error occurs, or the output
exceeds the selected threshold. The subsonic filters have
corner frequencies of 24, 28, 32 and 36 Hz.
Fig. 8.1 Installing a PIP or PIP2 Module
WARNING: Disconnect power to the amplifier when

installing or removing a PIP module.
PIPs carrying the PIP2 logo are configured to use one
or more of the PIP2 enhanced features. These features P.I.P.–FTE uses balanced 1:1 transformers to isolate the
are only available in a PIP2-compatible amplifier. Of amplifier from the input signal. It also includes 12 dB/octave
course, the exact features used will depend upon the RFI filters, 18 dB/octave high pass filters, and 6 dB/octave 3
function of the PIP2 module. Here are some of the avail- kHz shelving networks for “constant-directivity” horn equal-
able PIP and PIP2 modules: ization. Screw terminal plugs are provided for input.
P.I.P.–AMCb unites many features of the P.I.P.-XOV and P.I.P.–

P.I.P.–CLP detects and prevents overload. Its compressor is
CLP. It offers a variable 4th-order Linkwitz-Riley crossover and
driven by the amplifier’s built-in IOC error detection circuitry.
an IOC-driven, variable threshold compressor. In addition, it
Unlike typical signal-driven compressors, it only compresses
provides “constant-directivity” horn equalization and filter-as-
the signal to prevent overload. It can deliver up to 13 dB of
sisted B6 vented box equalization. Biamping and triamping
additional headroom without being noticeable.
capabilities are provided via XLR connectors.

P.I.P.–ISO is designed especially for 25 to 140 volt distrib- P.I.P.–FMX facilitates “daisy-chaining” balanced amplifier in-
uted systems where UL®-listed isolation is required. Installa- puts. Female to male three-pin XLR connectors are used to
tion requires minor amplifier modifications. With the P.I.P.–ISO passively bridge the inputs.
installed, the amplifier outputs are safely isolated from the
input terminals and the chassis.
P.I.P.–PA adds a switchable balanced low-impedance mic

input, a balanced line-level input and a compressor to each
P.I.P.–ATNB uses balanced 1:1 transformers to isolate the channel. Remote switching circuitry provides quick and quiet
amplifier from the input signal. It also includes 12 dB/octave fades from mic to line and back.
RFI filters, variable 18 dB/octave high-pass filters, and 6 dB/
octave 3 kHz shelving networks for “constant-directivity” horn
equalization. The module also includes a calibrated 21-step
precision attenuator for each channel. Screw terminal plugs
are provided for input.
P.I.P.–BEQ is a two-channel module providing equalization

for BOSE® loudspeakers. For example, the P.I.P.–BEQ can
be used in place of a BOSE 102 controller. Screw terminal
plugs provide balanced connections. Each input channel
has an output from the PIP that can be independently config-
P.I.P.–XOV is a versatile 18 dB/octave mono crossover/filter ured for output with no processing, loudspeaker equalization
with biamping and triamping capabilities or loudspeaker equalization with bass-cut.
IQ-PIP-USP2 is an IQ2-series component. This means it sup- P.I.P.–RPA adds the features of a 4x2 mixer to your amplifier.
ports Crown’s UCODE protocol and requires an IQ System with Its four inputs accept mic- or line-level input. It offers priority
an IQ2-compatible IQ interface. UCODE (universal code) en-
switching (“voice-over”) of each input and remote level con-
ables users and third parties to develop custom software
objects to control and monitor IQ2-compatible components trol with the RPA–RMT. Other features include bus inputs and
like the IQ-PIP-USP2. outputs, adjustable input sensitivity, phantom power and RFI
suppression. Input isolation transformers are optional.
For more information on these or other PIPs under development, contact your local dealer or Crown’s Technical
Support Group.

8.2 Level Control Shaft Lock

A security accessory, the shaft lock can be used to through the Crown Service/Parts Department. For more
secure your amplifier’s level controls in situations where information, contact the Crown Service Department.
the front panel controls are subject to tampering. One
is needed for each channel. They can be ordered
Fig. 8.2 Installing a Level Control Shaft Lock

9 Service
This unit has very sophisticated circuitry which should Factory Service Shipping Instructions:
only be serviced by a fully trained technician. This is
one reason why each unit bears the following label: 1. When sending a Crown product to the factory
for service, be sure to fill out the service informa-
CAUTION: To prevent electric shock, do not remove tion form that follows and enclose it inside your
covers. No user serviceable parts inside. Refer ser- unit’s shipping pack. Do not send the service in-
vicing to a qualified technician. formation form separately.
9.1 Worldwide Service Always use the

original factory pack
Service may be obtained from an authorized service to transport the unit.
center. (Contact your local Crown/Amcron representa-
tive or our office for a list of authorized service centers.)
To obtain service, simply present the bill of sale as proof 2. To ensure the safe transportation of your unit to
of purchase along with the defective unit to an autho- the factory, ship it in an original factory packing
rized service center. They will handle the necessary container. If you don’t have one, call or write
paperwork and repair. Crown’s Parts Department. With the exception
of polyurethane or wooden crates, any other
Remember to transport your unit in the original factory packing material will not be sufficient to with-
pack. stand the stress of shipping. Do not use loose,
small size packing materials.
9.2 North American Service 3. Do not ship the unit in any kind of cabinet (wood
Service may be obtained in one of two ways: from an or metal). Ignoring this warning may result in ex-
authorized service center or from the factory. You may tensive damage to the unit and the cabinet. Ac-
choose either. It is important that you have your copy of cessories are not needed—do not send the
the bill of sale as your proof of purchase. instruction manual, cables and other hardware.
9.2.1 Service at a North American Service Center If you have any questions, please call or write the
This method usually saves the most time and effort. Crown Technical Support Group.
Simply present your bill of sale along with the defective
unit to an authorized service center to obtain service.
They will handle the necessary paperwork and repair.
Remember to transport the unit in the original factory Crown International
pack. A list of authorized service centers in your area Technical Support / Factory Service
can be obtained from our Technical Support Group. 1718 W. Mishawaka Rd., Elkhart, Indiana 46517
U.S.A.
9.2.2 Factory Service
Telephone: 574-294-8200
To obtain factory service, fill out the service informa-
800-342-6939 (North America,
tion page found in the back of this manual and send it
Puerto Rico, and Virgin Islands only)
along with your proof of purchase and the defective
unit to the Crown factory. Facsimile: 574-294-8301 (Technical Support)
574-294-8124 (Factory Service)
For warranty service, we will pay for ground shipping
Fax Back: 574-293-9200 (North America only)
both ways in the United States. Contact Crown Factory
800-294-4094 (North America only)
Service or Technical Support to obtain prepaid ship-
574-294-8100 (International)
ping labels prior to sending the unit. Or, if you prefer,
Internet: http://www.crownaudio.com
you may prepay the cost of shipping, and Crown will
reimburse you. Send copies of the shipping receipts to
Crown to receive reimbursement.
Your repaired unit will be returned via UPS ground.
Please contact us if other arrangements are required.

Crown Factory Service Information
Shipping Address: Crown Factory Service, 1718 W. Mishawaka Rd., Elkhart, IN 46517
Phone: 1-800-342-6939 or 1-574-294-8200 Fax: 1-574-294-8301
Owner’s Name: _________________________________________________________________________

Shipping Address: ______________________________________________________________________
Phone Number: ______________________________ Fax Number: _____________________________
Model: _________________________ Serial Number: ______________ Purchase Date: ____________
NATURE OF PROBLEM
(Be sure to describe the conditions that existed when the problem occurred and what attempts were made to correct it.)
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
Detach and send with unit.
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
Other equipment in your system: __________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
______________________________________________________________________________
If warranty has expired, payment will be: Cash/Check VISA MasterCard C.O.D.
Card Number:___________________________ Exp. Date:_______

Signature:____________________________
ENCLOSE THIS PORTION WITH THE UNIT. DO NOT MAIL SEPARATELY.

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WORLDWIDE NORTH AMERICA

Important Safety Instructions

1) Read these instructions.

Reference Manual Page 3

Crown Technical Support Group

DANGER: This amplifier can produce lethal levels of

WARNING: This unit is capable of producing very high

TO PREVENT ELECTRIC SHOCK DO À PRÉVENIR LE CHOC ÉLECTRIQUE

WARNING which can induce hum into unshielded devices that

Page 6 Reference Manual

Reference Manual Page 7

Fig. 1.1 Macro-Tech 5000VZ Amplifier

Page 8 Reference Manual

Reference Manual Page 9

Fig. 2.1 Front Facilities

Page 10 Reference Manual

Fig. 2.2 Front Facilities behind the Filter Grille

Reference Manual Page 11

Fig. 2.3 Rear Facilities

N. Output Connectors P. Balanced Phone Jack Inputs

R. Input Ground Lift Switch

O. PIP Module S. Output Cover

blank panels or recirculation will result. Allow for air flow

COOL AIR BLOWER

Fig. 3.3 Proper Air Flow in a Rack Cabinet

If the air supply is unusually dusty, you might want to

Reference Manual Page 13

Fig. 3.4 Stereo Wiring

Page 14 Reference Manual

Fig. 3.5 Bridge-Mono Wiring

Reference Manual Page 15

Fig. 3.6 Parallel-Mono Wiring

Page 16 Reference Manual

3.3.4 Input Connection

Fig. 3.8 Balanced Input Wiring

The phone jack input connectors can be wired simi-

Fig. 3.9 Balanced and Unbalanced

Reference Manual Page 17

2. When using unbalanced lines, keep the

3. Do not run signal cables together with

4. The amplifier should be off for at least 3.3.5 Output Connection

Use Good Connectors .0004

1. To prevent possible short circuits, do not

3. Connectors that can be plugged into AC RL

power receptacles should never be used. Load

capacity should not be used. .06

the output power and the motion control of the loud- 6

speakers. The latter occurs because the damping fac- .05

damping factor can easily be negated by insufficient

that follows to find the recommended wire gauge (AWG 2

2. Select an acceptable damping factor and mark it on 0.9

the Damping Factor line. Your amplifier can provide 0.8

an excellent damping factor of 1,000 from 10 to 400 Hz 0.7

in Stereo mode with an 8-ohm load. In contrast, typical 0.6

damping factors are 50 or lower. Higher damping fac-

Reference Manual Page 19

chance that cables will act like antennas and 1.2

transmit or receive high frequencies that can 1.4

Model: ___________ Serial Number: Purchase Date:

Card Number:_____________________ Exp. Date:_