Japanese Architecture (Nihon Kenchiku) : Posts Lintels Load-Bearing
Japanese Architecture (Nihon Kenchiku) : Posts Lintels Load-Bearing
Japanese Architecture (Nihon Kenchiku) : Posts Lintels Load-Bearing
- has traditionally been typified by wooden structures, elevated slightly off the
ground, with tiled or thatched roofs.
-Sliding doors (fusuma) were used in place of walls, allowing the internal
configuration of a space to be customized for different occasions. People usually
sat on cushions or otherwise on the floor, traditionally; chairs and high tables
were not widely used until the 20th century. Since the 19th century, however,
Japan has incorporated much of Western, modern, and post-modern architecture
into construction and design, and is today a leader in cutting-edge architectural
design and technology.
The n earliest Japanese architecture was seen in prehistoric times in simple pit-
houses and stores adapted to the needs of a hunter-gatherer population.
Influence from Han Dynasty China via Korea saw the introduction of more
complex grain stores and ceremonial burial chambers.
-The general structure is almost always the same: posts and lintels support a large
and gently curved roof, while the walls are paper-thin, often movable and never
load-bearing. Arches and barrel roofs are completely absent.
-Prehistoric period
-The prehistoric period includes the Jōmon, Yayoi and Kofun periods stretching
from approximately 5000 BCE to the beginning of the eighth century CE.
Asuka and Nara architecture
The most significant contributor to architectural changes during the Asuka period
was the introduction of Buddhism. New temples became centers of worship with
tomb burial practices quickly became outlawed.[3] Also, Buddhism brought to
Japan and kami worship the idea of permanent shrines and gave to Shinto
architecture much of its present vocabulary.
Heian period
Although the network of Buddhist temples across the country acted as a catalyst
for an exploration of architecture and culture, this also led to the clergy gaining
increased power and influence. Emperor Kanmu decided to escape this influence
by moving his capital first to Nagaoka-kyō and then to Heian-kyō, known today as
Kyōto.
During the Kamakura period (1185–1333) and the following Muromachi period
(1336–1573), Japanese architecture made technological advances that made it
somewhat diverge from its Chinese counterpart.
Azuchi-Momoyama period
Edo period
The Tokugawa shogunate took the city of Edo (later to become part of modern-
day Tōkyō) as their capital. They built an imposing fortress around which buildings
of the state administration and residences for the provincial daimyōs were
constructed. The city grew around these buildings connected by a network of
roads and canals.
Colonial architecture
The colonial authorities constructed a large number of public buildings, many of
which have survived.
After the war and under the influence of the Supreme Commander of the Allied
Powers, General Douglas MacArthur, Japanese political and religious life was
reformed to produce a demilitarised and democratic country.
The Heisei period began with the collapse of the so-called "bubble economy" that
had previously boosted Japan's economy. Commissions for commercial works of
architecture virtually dried up and architects relied upon government and
prefectural organisations to provide projects
Western influence
After the Meiji Restoration of 1868, Japan's relations to Euro-American powers
became more prominent and involved.
Influence on the West
Some of the earliest influence on the west came in the form of Japanese art,
which gained popularity in Europe in particular, in the latter part of the
nineteenth century.