The document describes a method for a mentalist performance involving three envelopes containing drawings. The mentalist gives a spectator drawings to seal in envelopes before the show. Using subtle cues, the mentalist is able to accurately describe the contents of each envelope, impressing the audience with apparent psychic abilities.
The document describes a method for a mentalist performance involving three envelopes containing drawings. The mentalist gives a spectator drawings to seal in envelopes before the show. Using subtle cues, the mentalist is able to accurately describe the contents of each envelope, impressing the audience with apparent psychic abilities.
The document describes a method for a mentalist performance involving three envelopes containing drawings. The mentalist gives a spectator drawings to seal in envelopes before the show. Using subtle cues, the mentalist is able to accurately describe the contents of each envelope, impressing the audience with apparent psychic abilities.
The document describes a method for a mentalist performance involving three envelopes containing drawings. The mentalist gives a spectator drawings to seal in envelopes before the show. Using subtle cues, the mentalist is able to accurately describe the contents of each envelope, impressing the audience with apparent psychic abilities.
husband format, but it is my the drawing IS a circle with an X through
guess that it would play very nicely in it! this context. Surely the patter oppor- The mentalist picks up the other two tunities are rampant. envelopes, one in each hand. He concen- One might want to alter the wording trates and says, "In my right hand I get involved in having the name chosen so the impression of a drawing of a boat that the audience wouldn't suspect that and in my left hand, I believe, is the the wife guessed the name based on number 69!" The envelopes are opened previous conversations with her husband and both impressions are 100% accurate. (ala "The Newlywed Game"). A brave performer might ask the husband to Method: Actually, this item has TWO think of an old girlfriend that his wife effects — one good and one spectacular! does not know about, then proceed to Before the show, find an early arrival let the wife divine the name through and ask him to help you with an experi- "woman's intuition." I refuse to be held ment for later. Give him three pieces of responsible for any onstage alercations paper and tell him to draw a circle with as a result of such a presentation ... in an X through it on one piece. Turn your such a case, hold PRW responsible! back as he draws, then hand him an envelope in which he is to seal the draw- Comment: No, you won't, if you can't sweet talk yourself out of trouble in such an instance, you ing without your ever having seen it. shouldn't be doing mentalism! Next, ask him to draw a simple figure I think this effect is WONDERFUL, and the of a boat on one of the remaining pieces method is both easy AND demanding enough to and to seal that in the envelope you hand make ME want to perform it. Sandwiched berween him, and to write the number " 6 9 " on other powerful mental effects, this should be stun- ning in its impact on an audience. And, the pat- the other piece and seal that up also. ter potentials ARE rampant! Keep your back turned so that you "can't If you are nervous about the spectator handling see the order you stack the envelopes in.'' the portfolio, why not hold it for her yourself so Instruct him to shuffle the order of the as to make it easier for her to write? Then you could envelopes and to hide them in his jacket subtly point to the name with an out-of-sight finger. You could have her tear out the sheet and pocket until you call him up later. put away the portfolio (and the evidence) before the climax. You could even go so far as to routine When you call him up, state, "Earlier your show to use a duplicate but ungimmicked tonight I asked this man to draw a portfolio earlier and/or later as a further throw-off. geometric figure, a number, and a draw- However you plan to do it, YOU'LL not know how ing, to seal each in an envelope, and to strong this is unless YOU try it, too. —PRW * * * mix them up while my back was turned so I couldn't see them. Is that correct, SINS OF OMISSION sir?" Of course, he will assure the au- Effect: A spectator brings three enve- dience that this is so. However, the au- lopes on stage which the mentalist had dience will assume that you have no idea given him prior to the performance. The what the drawings and the number were. spectator states that the mentalist had By the wording "mix them while my asked him to make three simple geo- back was turned so I couldn't see them,'' metric drawings and seal each one in a they'll assume that since you had your separate envelope. The spectator has back turned, you couldn't see what he thoroughly mixed the envelopes and lays was drawing. They will never dream that them out on the table before him. you told him exactly what to draw. The The performer holds an envelope to assistant will understand the effect as a his forehead. "Although I haven't seen good demonstration of knowing which this drawing, I get the impression that drawing was in each envelope even it is round ... like a circle. Yes, that's it though he mixed them up. The audience ... this drawing is a circle with an " X " will perceive the effect as a spectacular through it!" The envelope is opened and demonstration of clairvoyance in which November, 1987 81 you divine not only what was where, but a small hole through the back of the vase what each drawing/number was out of at the bottom. a virtually limitless range of possibilities! The gimmick which causes the vase to The envelopes, of course, are subtly shatter is hidden inside the vase. This is marked by bending a corner or nail nick- made by tying a heavy lead fishing sinker ing or both. Literature abounds on to the bar of a mousetrap with a three methods for marking envelopes. Since inch length of fishing line. A long length you hand the envelopes to the spectator of thread leads from the "bait lever" of one at a time after each drawing is com- the trap to the medium. (See Fig. 1.) The pleted, you know exactly which envelope gimmick is placed inside the vase, the contains which drawing. trap set, and the remote control thread This would be an excellent effect for (I read too many Johnson Smith catalogs a newspaper reporter doing a story on as a boy, they always called threads tied you ... the next day he would write in to anything "remote control.") is run the paper something like, "I drew three through the hole in the vase to where the different drawings, he held them up to medium will be sitting. A slight tug on his head, one at a time, and was able to the thread causes the trap to go off which tell me what they were!" This could easi- slams the lead sinker against the inside ly be interpreted as a miracle. of the base and shatters it. Figure 2 Even better, do this stunt on a radio should make everything clear. program for the interviewer. The draw- Naturally, this sort of gimmick will on- ing is done "off mike," and the listen- ly lend itself to performances in your ing audience would think you were get- home or on stage. However, because of ting impressions of the drawings, never this, you can devise intricate rigging suspecting that before air time you systems for the thread (i.e., behind fur- TOLD him specifically what to draw or niture, under rugs, etc.). write. Play this for all it is worth. This gimmick can also be taped to the Comment: This is professional mentalism at its backs of mirrors or picture frames. Of highest level. The opportunities for customizing course, the mirror must be positioned in this effect to be topical are many and the such a way that there is room for the lead methodology is diabolical. Even if the spectator "tells all he knows," you are not hurt, for he should weight to swing around and smack the still be puzzled as to how you knew the locations back of the glass. The mirror, if a large of the various items and so should the rest of your one, could cover a small alcove in the wall audience. Thanks, Dan, for sharing this.—PRW or be propped up elsewhere. A table-top type picture frame would SHATTERDAY NIGHT lend itself rather well to this. Jut be sure Effect: During a sceance, the medium to secure the frame so it doesn't tip over has trouble controlling the forces he has during the shattering and give away the invoked. As a result of this lack of con- modus operandi. (See Fig. 3 ) trol, a large vase across the room sudden- Several of these gimmicks could be ly shatters into many fragments! They're fastened under a table or behind doors hereeeeee!!!!" and walls to produce some exceptional- Method: This is a utility gimmick that ly loud "spirit raps." I must point out can be used in many ways to cause dam- the obvious fact that since a tiny tug on age during a seance. To begin, buy a the thread will set off the trap, the cheap opaque vase, as large a vase as medium can easily work the effect by possible. Garage sales and flea markets tugging the thread with his/her knees or are usually overrun with such junk, so feet, enabling manifestations of spirit you shouldn't have much trouble locat- activities to occur when the medium is ing one for less than a couple of bucks. holding hands with the others. Once the vase has been obtained, drill I'm sure with a little thought you can 82 The Linking Ring