RICARDO BOFILL

•Kisembo Emmanuel
•Mwesigwa Allan
•Musiimenta Ian
•Owor Derrick
 Short
RICARDO BOFILL Biography

•Born 1939 in Barcelona •Bofill protests about social

concerns in Architecture i.e.
•He is an honorary AIA including wishes and involvement
member, and has won of its users.
numerous awards throughout
the world for architecture. •Formed an Architectural
workshop Taller de Arquitectura in
•Further, he is a published 1963.
author, co-writing Espaces
d’une vie and L’Architecture •CITY PLANNING
des Villes. •LEISURE
•TRANSPORT
•HOUSING
•OFFICES
•RICARDO BOFILL’s work STYLE &
draws upon the past, THEORIES

referencing local histories,

classical compositions, and/
or traditional building
methods, while imagining
and innovating stylistically
and programmatically to
meet the needs and desires
of the community that is yet
to inhabit these spaces.

•The present, the designing

of these spaces, lies
between retrospect and
prospect=Memory -Future
•The use of a historical perspective in his
design approach allowed for continual •Such model is defined by a
analysis and interpretation of a given network of public space that
culture and its architectural heritage. connects proportionally scaled
streets and squares.
•Defying Socialist and Corbusian urban
planning models, which generated ill- •In his book ”Espaces d'une vie”
used and vacant spaces by creating Ricardo Bofill states, ”it is essential
isolated and repetitive city blocks, to recover the discipline developed
Ricardo Bofill Taller de Arquitectura during the Renaissance—city
proposes a sustainable, Mediterranean design. Personally.
city model.

Bofill Expresses his aims in urban design :

“a concern of the firm has always been the

common public space…..the goal has been
the development of a new typology of urban
tissue based on the ambiance of the
Medieval. Renaissance and Baroque
examples of street, square and open space”
 PROJECTS

AGRICULTURAL VILLAGE HOUARI BOUMEDIENNE, Abadla, Algeria.

Completed in 1980.

PORT OF KOBE, Japan. Project 1991

LA FABRICA , Barcelona 1973

VILLAREAL DE SANTO ANTONIO, Portugal. Project 2011

MANZANARES PARK. Madrid, Spain. Completed in 2003

AGRICULTURAL VILLAGE HOUARI BOUMEDIENNE,
Abadla, Algeria. PROJECTS

“
A large central square,
Client : Ministry of Housing, such as found in all
Arab towns, serves as
Government of Algeria marketplace, meeting
Total area: 36,000 sqm place, setting for

”
festivities and
spectacles and vital
He was interested in the
axis articulating the
urban planning problems of the town
developing countries and the
experience they had gained in
the construction of housing
developments by the Algerian
government, through the
agency of France, to be
applied to the construction of
new centers of population in
semi-desert areas where
agriculture was to be
promoted.
 The composition of the urban
nucleus on the basis of the PROJECTS
combination of single-family
dwellings offered infinite
possibilities, which had to be
limited and serialized in order to
keep the cost of the operation as
low as possible.

The geometrical forms chosen,

drawn from Arabic and
Mediterranean traditions, made
for a first grouping of two or three
dwellings laid out around a
courtyard to compose a block.

A grouping of several blocks

composed a neighborhood, and
several neighborhoods, a town,
with the proportion of built space
to open public space being kept
constant.
 PROJECTS

A grouping of several
blocks composed a
neighborhood, and
several neighborhoods,
a town, with the
proportion of built space
to open public space
being kept constant.
 LA FABRICA , Barcelona 1973 PROJECTS

Client : Ricardo Bofill

A brutalist former cement factory

on the outskirts of Barcelona,
“
Spain.

Ricardo saw the potential to

convert this site into what would
become a landmark architectural
feat of “adaptive reuse of industrial
space” that ultimately translated into
a remarkable live/work commercial
property development.

The conversion of the abandoned

cement factory from the late 19th
century into RBTA’s studios and
Ricardo Bofill’s personal residence,
began with a process of destruction,
demolishing pieces of the structures
to reveal hidden forms.
The renovation project, which
began in 1973, incorporates PROJECTS
various architectural languages;

“
Catalan Civic Gothic style
and Surrealist elements and is an
early example of European Post
Modernism.

The remaining eight silos were

transformed into offices, a model
making laboratory, archives, a
library, a gigantic space known as
"The Cathedral", used for
meetings, exhibitions, concerts,
and professional activities of the
architect.

Above the Cathedral lies

Ricardo’s residence, green roofs
and terraces. The entire complex
was planted with lush gardens to
create the effect of an oasis within
the industrial area.
But it is Bofill’s monolithic
conversion showcased here that is PROJECTS
undoubtedly his most personal work

“
a successful, and beautiful
experiment in repurposing space,
which has become a landmark of
alternative living.

Another striking feature of the build

are the lush gardens that surround
the building;
these gardens have been brought to
life with a variety of trees such as
eucalyptuses, palms, olive trees and
cypresses.

“The factory is a magic place with a strange atmosphere that is

difficult to be perceived by a profane eye. I like life to be perfectly
programmed here, ritualized; in total contrast with my turbulent
nomad life. ”
So, have you spotted a disused factory in your area lately? Might you look
with new eyes on that space after this?
•PORT OF KOBE, Japan 1991 PROJECTS

Client: Kobe Steel Industries /

Mitsubishi Research Institute
Inc.
Total area: 84 ha
“
The city of Kobe located in a beautiful
natural setting between the Rokko
Mountains and Osaka bay, experienced
an important growth on a thirty five
kilometre long strip along the sea.

The ideas for this site are based on a

clear urban scheme, made of streets
and plazas connected to its
surroundings, which foresees the
possibility of extension on the adjacent
sites. The identity and the centrality of
the project is obtained by the clarity of
this relationship to Kobe East, the train
station, Oji Park, and by its general
skyline, so that it stands out as a major
landmark for the area.
 PROJECTS

“
One of the architectural
challenges of the scheme was
the combination of two
different scales; the village
scale (Italian village, New York Village,
Kyoto traditional districts) which
consists of buildings two to
three storeys high, and the
tower scale, (like in San Geminiano
or New York).

This contrasts of scales and life

styles between the atmosphere of
the village, directly linked to the
human scale and the very urban,
modern way of life that one can
experiment in high buildings, was
the adequate response to the new
demands of current and future
generations.
 PROJECTS

The district includes residential

areas, office towers, business
centers, a museum, a concert
“
hall, an educational centre, a
scientific research institute, the
headquarters of the World
Health Organization, hotels
and a marina.

The streets and the roads of

the scheme follow a rigid
pattern at the large scale
planning to allow for clarity and
functionality of the design.
•VILLAREAL DE SANTO ANTONIO, PROJECTS
Portugal. Project 2011

Client: Municipality of Vila

Real de Santo Antonio
Total area: 100 ha
“
The water frontage of Vila Real
is an underused wasteland
with a great urban potential.
The unifying master plan aims
to reinforce the presence of the
river façade and enhance the
public space to create a vibrant
mixed-use area. Integrating the
natural reserve between Vila
Real de Santo Antonio and
Monte Gordo, the scheme
promotes a sustainable
environment.
 PROJECTS

Inspired by Vila Real’s rich architectural

heritage, and particularly by Marques de
Pombal modern urban design, the plan is
based on a geometrical grid offering
“
generous green areas and encouraging
pedestrian circulation.

The area around “Doca Pesca” starting at

“Punta da Areia” and following the
coastline to Monte Gordo, provides 150
residential units (hotel and apartments), a
retail area, conventions centre, leisure
and cultural facilities, parking facilities
and a yacht marina. “Punta de Areia”
area offers 600 (residential units (hotels
and apartments), amenities and parking
infrastructure.
•THE MANZANARES PARK , 2003, Madrid, Spain PROJECTS

Client: Municipality of Madrid

Total area: 600 ha

The ambition of the project

“
was to transform an area
containing the Spanish
capital’s sanitation and
electricity supply
infrastructures into a major
park, which will also meet the
recreational and sporting
needs of the surrounding
districts. The previous studies
on the treatment of the river
that begun as part of Madrid’s
sanitation plan.
•THE MANZANARES PARK , 2003, Madrid, Spain PROJECTS

The environmentally sensitive

scheme for the Manzanares Park
represents not only the creation of a
great natural space but also the
recuperation of the Manzanares
“
River for the citizens and visitors.
Both elements, nature and river, are
the ideal components with which to
produce synergy between the site
and its vocation as a metropolitan
park.

The project foresees covering the

sewer exits at the northern end of
the park and isolating the water
purifiers and electricity plant to hide
the installations from view and mask
possible emanating smells.
 Lessons for ugandan towns

In Uganda today, the norm is to demolish all existing structures considered

dilapidated not taking into account the aspects of a timeless city. To create
timeless cities, we ought to take into account the history of buildings and
their heritage in contemporary society just like Bofill does in his projects.

In Bofill’s urban planning projects, the design respects and adheres,

whenever possible, to its contextual setting, creating a smooth and
continuous flow of architectural ideas envisioned through time. It is therefore
imperative that we compose and develop related typologies that
systematically give a feel of time in our cities.

It is normal and not uncommon in Uganda today to plan for new urban areas
only and mostly in the horizontal sense taking up large areas of a non-
renewable and non-expansible, highly valuable resource of land. Bofill
introduces new ideas into the realm of the vertical neighborhood, village and
city, giving rise to higher densities and lower plot coverage.
 Lessons for ugandan towns

In all Bofill’s designs, he draws from the meaningful and practically sound
pool of cultural heritage of the people among whom he designs giving rise to
generally acceptable typologies and neighborhoods at the local scale.
Uganda being rich in cultural diversity should utilise and maximise their
potential in the development of a multiplicity of design languages, creating
regional architecture that is specific to time and place.

Many a time, African traditional architecture and planning is not considered

during extensive urban planning projects in Uganda. Unlike our planning
practices, Bofill draws from ancient and traditional architectural styles such
as the Catalan Civic Gothic, Medieval, the Renaissance and Baroque styles
to create architecturally rich and habitable neighborhoods.

Bofill’s concern has always been about the common public space composed
of street, square and open spaces creating a new typology of urban tissue
that is both livable and workable. This calls for more usable public open
spaces that create connections and links within the cities of Uganda, and
less of the inaccessible open areas like city square.
 Lessons for ugandan towns

From Bofill’s projects like La Fabrica, we are called to a new mindset of

adaptive reuse and repurposing of spaces through conversion other than
demolition. This calls for a new set of eyes to look upon our existing
industrial and warehousing spaces for reuse and purposeful conversion
such as the Coffee Marketing Board in Bugolobi.

Ricardo Bofill always considers the possibility of future extension of urban

centers thereby utilising space efficiently. He also inculcates the ideas of
Pedestrian and Transit Oriented Development into his designs, incorporating
different scales into the neighborhood for both identity and habitability.
Ugandan cities should emulate this model.

From the Manzanares Park, we learn the concept of efficient natural

resource utilization incorporating ideals of sustainable development and
vibrant mixed use areas into the city. Uganda needs to borrow from this
concept for more vibrant cities and towns.
END