ORPHEUM THEATRE

MINNEAPOLIS, MINNESOTA

• •• •• • •• •

PLAYBILL.COM
 D o you hear the people sing? You will today, as our
special guest at the Orpheum for the 25th anniversary
production of Les Misérables, the world’s longest
running musical, with its timeless themes of grace, love and
sacrifice. This powerful epic, winner of eight 1987 Tony Awards
including Best Musical, keeps drawing people back. It was called
“an unquestionably spectacular production from start to
finish” by the New York Times and has been seen by nearly 60
million people worldwide in 42 countries and translated into 21
languages.
Since an extremely successful run at the Orpheum in December
2011 and the 2012 release of a lauded feature film starring Hugh
Jackman, Russell Crowe and Anne Hathaway, I’ve been asked
frequently about its return. On behalf of Hennepin Theatre
Trust, I am delighted to welcome this enduring musical back. You are some of the lucky few
to get the• chance
•• to••see this
• show
•• •
before before it re-opens on Broadway next spring!
In addition to bringing some of Broadway’s hottest shows to the Twin Cities, the Trust is also
encouraging a diverse group of young patrons to explore their potential through our
education and community engagement programs. Our Critical Review student reviewer
program gives metro area high school students the opportunity to attend Broadway
productions and write reviews to be posted on the Trust’s website and in community
newspapers like the Twin Cities Daily Planet. After seeing War Horse recently, Madeline
Bertch wrote, “It was unlike anything I’d ever seen before. Five Tony Awards form quite a
resume but War Horse speaks for itself.”
As part of the program, students receive the same professional press materials that are
distributed to the Twin Cities media, attend Broadway Confidential talks for background on
the shows and are offered behind-the-scenes historical theatre tours. They also participate in
workshops with local theatre professionals such as Jeffrey Hatcher, an award-winning
Broadway and Off-Broadway playwright and screenwriter, and Star Tribune theatre critic
Graydon Royce.
We extend a special thanks to long time Trust Donors Fred and Ann Moore for their ongoing
financial support of Critical Review. Any metro area high school student is eligible to apply
for this free program. Registration for the 2013-14 school year will begin in early September.
To read student reviews or learn more about how you can help ensure that these experiences
remain available for Twin Cities high school students, please visit our website at
www.hennepintheatretrust.org.
Thank you for being here to “dream the dream” with one of the greatest productions ever
created. Enjoy the show!
Yours truly,

Thomas L. Hoch
President/CEO, Hennepin Theatre Trust
Hennepin Theatre Trust, owner of the historic Orpheum, State, Pantages and New Century Theatres,
is an independent, non-profit organization dedicated to arts-inspired community cultural development.

2 PLAYBILL PLAYBILLVAULT.COM
The Board of Directors, staff and volunteers of Hennepin Theatre Trust would like to thank our donors for their contributions. Donations are used to
support our community engagement programs as well as our efforts to preserve and enhance these historic theatres. In addition to the following
major contributors, the Trust recognizes our entire donors base of nearly 3926, listed in the lobby of the theatre. For information on how you can
support theatre programs and our community, please call 612.455.9516 or visit HennepinTheatreTrust.org.
Corporate Contributors Theatre Supporters Priscilla Brewster Jane & Ogden Confer Daniel & Corina Loes Ralph Strangis
Community Leaders ($750-$2,499) Bud Rotter Family Foundation Jeff & Anita Donnelly Ann Lowry & John Overton Floyd & Barbara Swanson
($10,000+) Atypical Title Inc. Klerissa & John Church Linda Donaldson Phil & Nancy Ludemann Gary & Marsha Tankenoff
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S u p p o r t H e n n e p i n T h e a t r e Tr u s t : H e n n e p i n T h e a t r e Tr u s t . o r g
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 ORPHEUM THEATRE
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4 PLAYBILL
 CAST
In order of Appearance

Jean Valjean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PETER LOCKYER

Javert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW VARELA
Farmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON
Laborer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL
Innkeeper’s Wife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATALIE BECK
Innkeeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER
The Bishop of Digne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI
Constables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MCMAHAN, ALAN SHAW
Factory Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS
Fantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GENEVIEVE LECLERC
Factory Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JESSICA KEENAN WYNN
Old Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KATIE BEETHAM
Wigmaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CORNELIA LUNA
Bamatabois . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON
Fauchelevent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC VAN TIELEN
Champmathieu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE
Little Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA
Madame Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SHAWNA M. HAMIC
Young Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA
Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY GULAN
Young Whore• .••. . . . . . . .••. . . . .• . . . ••. . . . . .•. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRITTNEY JOHNSON
Crazy Whore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDRÉANE BOULADIER
Gavroche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GATEN MATARAZZO, JULIAN SILVA
Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIANA CARSON-GOODMAN
Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAUREN WILEY
Thénardier’s Gang
Montparnasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL
Babet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI
Brujon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE
Claquesous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON
Students
Enjolras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON FORBACH
Marius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEVIN ILAW
Combeferre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC VAN TIELEN
Feuilly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WESTON WELLS OLSON
Courfeyrac . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN BRINK
Joly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALAN SHAW
Grantaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER
Lesgles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS
Jean Prouvaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MCMAHAN
Loud Hailer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE
Major Domo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER
Ensemble . . . . . . . . . . . . . . . . . . . . . . NATALIE BECK, KATIE BEETHAM, ANDRÉANE BOULADIER,
ERIN CLEMONS, MIA SINCLAIR JENNESS, BRITTNEY JOHNSON,
CORNELIA LUNA, ALEXANDRA MELROSE, JESSICA KEENAN WYNN
Swings . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD BARTH, BEN GUNDERSON, JASON OSTROWSKI,
RACHEL RINCIONE, NATALIE WEISS
Dance & Fight Captain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BEN GUNDERSON
Assistant Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HEATHER CHOCKLEY

UNDERSTUDIES
For Jean Valjean - RICHARD TODD ADAMS, JOHN BRINK, AARON WALPOLE; for Javert - RICHARD
TODD ADAMS, JOSEPH SPIELDENNER; for Cosette - NATALIE BECK, ANDRÉANE BOULADIER; for
Fantine- CORNELIA LUNA, JESSICA KEENAN WYNN; for Thénardier - JOHN RAPSON, JAMES
ZANNELLI; for Madame Thénardier - KATIE BEETHAM, ALEXANDRA MELROSE; for Éponine – ERIN
CLEMONS, BRITTNEY JOHNSON; for Marius - MATT MCMAHAN, MATT ROSELL; for Enjolras - JOHN
BRINK, WESTON WELLS OLSON, ALAN SHAW; for Little Cosette/Young Éponine - MIA SINCLAIR
JENNESS; for the Bishop of Digne – JOHN RAPSON, JOSEPH SPIELDENNER; for the Factory Foreman -
JASON OSTROWSKI, JOSEPH SPIELDENNER; for the Factory Girl - ALEXANDRA MELROSE,
RACHEL RINCIONE; for Bamatabois - RICHARD BARTH, JOSEPH SPIELDENNER; for Grantaire - BEN
GUNDERSON, ERIC VAN TIELEN.

PLAYBILLVAULT.COM ORPHEUM THEATRE    5

 MUSICAL NUMBERS
PROLOGUE: 1815, DIGNE
PROLOGUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company
SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean
1823, MONTREUIL-SUR-MER
AT THE END OF THE DAY . . . . . . . . . . . . . . . . . . . . . . . . . .Unemployed and Factory Workers
I DREAMED A DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fantine
LOVELY LADIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Clients
WHO AM I? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean
FANTINE’S DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fantine and Valjean
CASTLE ON A CLOUD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette
1823, MONTFERMEIL
MASTER OF THE HOUSE . . . . . . . . . . . . . . . . . . . . . . . . .Thénardier, his Wife and Customers
THE BARGAIN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M and Mme Thénardier and Valjean
1832, PARIS
PARIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gavroche and the Beggars
STARS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Javert
ABC CAFÉ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Enjolras, Marius and the Students
THE PEOPLE’S SONG . . . . . . . . . . . . . . . . . . . . . . . . . . .Enjolras, the Students and the Citizens
IN MY LIFE • •• . . . . . . ••. . . . .• . . .••. . . . . •. . . . . . . . . . . . . . . . .Cosette, Valjean, Marius and Éponine
A HEART FULL OF LOVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Marius and Éponine
ONE DAY MORE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company
INTERMISSION
ON MY OWN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Éponine
A LITTLE FALL OF RAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Éponine and Marius
DRINK WITH ME TO DAYS GONE BY . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Feuilly, Grantaire,
Students and Women
BRING HIM HOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Valjean
DOG EATS DOG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Thénardier
SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Javert
TURNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Women
EMPTY CHAIRS AT EMPTY TABLES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Marius
WEDDING CHORALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Guests
BEGGARS AT THE FEAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M and Mme Thénardier
FINALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company
The Orchestra
Music Director/Conductor – LAWRENCE GOLDBERG;
Associate Conductor/Keyboards – TOM WHIDDON;
Assistant Conductor/Viola – WILL CURRY;
Concertmaster – MICHELLE MARUYAMA;
Keyboards – ADAM LAIRD;
Cello - IRA GLANSBEEK; Bass - BRAD LOVELACE;
Flute / Piccolo / Alto Flute / Recorder - RYU CIPRIS;
Oboe / Cor Anglais - DAVID GARCIA;
Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder - HOLLY KASSEL;
Horn 1 - RYAN STEWART; Horn 2 - SHARON JONES;
Trumpet in Bb / Flugel Horn / Piccolo Trumpet - KEN MULLIN;
Bass Trombone / Tenor Trombone / Tuba - JIM GRAY;
Percussion - ERIC BORGHI;
Music Coordinator - MICHAEL KELLER.

The use of any recording device, either

audio or video, and the taking of Please turn off your cell phones and
photographs, either with or without flash, pagers prior to the beginning of the
is strictly prohibited. performance.

6 PLAYBILL PLAYBILLVAULT.COM
 SYNOPSIS
ACT ONE The Thénardiers’ daughter Éponine, who is se-
cretly in love with the student Marius, reluctantly
PROLOGUE: 1815, DIGNE
agrees to help him find Cosette, with whom he
After 19 years on the chain gang, Jean Valjean
has fallen in love.
finds that the ticket-of-leave he must display con-
News of General Lamarque’s death circulates
demns him to be an outcast. Only the Bishop of
in the city and a group of politically-minded stu-
Digne treats him kindly and Valjean, embittered
dents stream out into the streets to whip up sup-
by years of hardship, repays him by stealing some
port for a revolution.
silver. Valjean is caught and brought back by the
Cosette is consumed by thoughts of Marius,
police and is astonished when the Bishop lies to
with whom she has fallen in love. Éponine brings
the police to save him. Valjean decides to start his
Marius to Cosette and then prevents an attempt by
life anew.
her father’s gang to rob Valjean’s house. Valjean,
1823, MONTREUIL-SUR-MER convinced it was Javert lurking outside his house,
Eight years have passed and Valjean, having bro- tells Cosette they must prepare to flee the country.
ken his parole and changed his name to Monsieur
ACT TWO
Madeleine, has become a factory owner and
• •• •• • •• • The students prepare to build the barricade. Mar-
Mayor. One of his workers, Fantine, has a secret
ius, noticing that Éponine has joined the insurrec-
illegitimate child. When the other women dis-
tion, sends her away with a letter to Cosette,
cover this, they demand her dismissal.
which is intercepted by Valjean. Éponine decides
Desperate for money to pay for medicines for
to rejoin her love at the barricade.
her daughter, Fantine sells her locket, her hair, and
The barricade is built and the revolutionaries
then joins the whores in selling herself. Utterly
defy an army warning to give up or die. Javert is
degraded, she gets into a fight with a prospective
exposed as a police spy. In trying to return to the
customer and is about to be taken to prison by
barricade, Éponine is killed.
Javert when the ‘Mayor’ arrives and demands she
Valjean arrives at the barricade in search of
be taken to the hospital instead.
Marius. He is given the chance to kill Javert but
The Mayor then rescues a man pinned beneath
instead lets him go. The students settle down for
a cart. Javert is reminded of the abnormal strength
a night on the barricade and, in the quiet of the
of convict 24601 Jean Valjean, who, he says, has
night, Valjean prays to God to save Marius. The
just been recaptured. Valjean, unable to see an in-
next day the rebels are all killed.
nocent man go to prison, confesses that he is pris-
Valjean escapes into the sewers with the un-
oner 24601. At the hospital, Valjean promises the
conscious Marius. After meeting Thénardier, who
dying Fantine to find and look after her daughter
is robbing the corpses of the rebels, he comes
Cosette. Javert arrives to arrest him, but Valjean
across Javert once more. He pleads for time to de-
escapes.
liver the young man to the hospital. Javert lets Val-
1823, MONTFERMEIL jean go and, his unbending principles of justice
Cosette has been lodged with the Thénardiers, having been shattered by Valjean’s own mercy, he
who horribly abuse her while indulging their own kills himself.
daughter, Éponine. Valjean pays the Thénardiers Unaware of the identity of his rescuer, Marius
to let him take her away to Paris. recovers in Cosette’s care. Valjean confesses the
truth of his past to Marius and insists he must go
1832, PARIS away.
Nine years later, there is unrest in the city because At Marius and Cosette’s wedding, the Thé-
of the likely demise of the popular leader General nardiers try to blackmail Marius. Thénardier says
Lamarque, the only man left in the government Cosette’s ‘father’ is a murderer and as proof pro-
who shows any feeling for the poor. A street gang duces a ring which he stole from the corpse the
led by Thénardier and his wife sets upon Jean Val- night the barricade fell. It is Marius’s own ring
jean and Cosette. They are rescued by Javert, who and he realizes it was Valjean who rescued him
does not recognise Valjean until he has gone. that night. He and Cosette go to Valjean where
Cosette learns for the first time of her own history
before the old man dies.

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 WHO’S WHO IN THE CAST
RICHARD TODD ADAMS (Factory ERIN CEARLOCK (Little Cosette/Young
Foreman, Lesgles, u/s Jean Valjean, u/s Javert). Éponine at some performances) age 9, is from
Broadway: The Woman in White, The Pirate Houston, TX. She is thrilled to be a part of Les
Queen. National tour: The Phantom of the Misérables. Her favorite credit is White Christ-
Opera (Phantom). 2008 Jeff Award winner for mas (Susan Waverly). Thanks to HSMC, Desti-
Javert in Les Misérables in Chicago. nation Broadway, HMTA, and everyone else
who made this opportunity possible.
RICHARD BARTH (Swing, u/s Bamatabois).
Off-Broadway: Beowulf (title role), Irish ERIN CLEMONS (Ensemble, u/s Éponine).
Repertory. National Tour: Miss Saigon. National Tour Debut! Regional: Music Theatre
Regional: Goodspeed, Signature, Old Globe, of Wichita, OKC Rep. Special thanks to
Harden-Curtis, Merri and Les Mis team. Love
Cincinnati Playhouse, St. Louis Rep & Arrow
to God, Dad, Mom, Collin, James, family and
Rock Lyceum. Training: Hartt School.
friends! For you Grandma!
NATALIE BECK (Innkeeper's Wife, Ensemble,
AVA DELLA PIETRA (Little Cosette/Young
u/s Cosette) is excited to be making her Éponine) age 8, from Long Island, NY. Ava is
professional debut in Les Misérables. She delighted to be in Les Mis. She has previously
• ••
recently received her ••B.M.• in ••Music• Theatre been seen in community productions. Special
from Westminster College of the Arts of Rider thanks to Nancy Carson, Michael Livering and
University after studying Vocal Performance at Kenneth Robersen. Love and thanks to her fam-
Lawrence University. ily, friends and teachers.
KATIE BEETHAM (Old Woman, Ensemble, JASON FORBACH (Enjolras) Previous credits:
u/s Madame Thénardier) is over the moon to be The Phantom Of The Opera. (Raoul u/s) Off
joining the incredible cast of Les Misérables! So Broadway: The Music Teacher, A.W.O.L., As You
much love to friends and family who have Like It. Regional: SMC, NSMT, Paper Mill Play-
supported and believed. Mom, Dad and BenZ, house, Kennedy Center, Carnegie Hall. Albums: A
this is going to be an awfully big adventure! New Leading Man, Remembering to Dream on
www.katiebeetham.com iTunes. jasonforbach.com. Twitter: @jtforbach.

ANDRÉANE BOULADIER (Crazy Whore, TIMOTHY GULAN (Thénardier). Tours/

Ensemble, u/s Cosette) is so grateful to make her B’Way: South Pacific, Dirty Rotten Scoundrels,
American debut with Les Misérables! Credits: Some Like It Hot, Picasso at the Lapine Agile,
French premieres of Beauty and the Beast, Carousel, Les Misérables (19 years ago!),
Annie and Québec à la Carte, Johanna in Falsetto’s, The Lion King, Blood Brothers, Pas-
Sweeney Todd, RENT, Blood Brothers and sion, The Frogs. Premieres: For the Boys,
Amadeus. Merci à la vie! Emma, Houdini, Eliot Ness in Cleveland, the
King Stag, Just So. Movies/TV: South Pacific
JOHN BRINK (Courfeyrac, u/s Jean Valjean, u/s (Carnegie Hall), LCT’s Passion, Salt, MacGru-
Enjolras) Minnesota native, Hartt School graduate, ber, Ice Age, Boardwalk Empire, EL&IC, The
thrilled to join this epic production. Credits: TSO; Producers. timothygulan.com
Music Man (Ens.), West Side Story (Tony), Life On BEN GUNDERSON (Swing, Dance & Fight
The Mississippi (Henry). Thanks: God, Bobbie Captain, u/s Grantaire). Fiddler, Engeman;
Merritt (TEG), Hartt School, family and friends. Cabaret, Hilton Head; West Side Story, Ravinia;
Dream of the Burning Boy & House of Gold,
BRIANA CARLSON-GOODMAN (Éponine):
O'Neill. BFA: UNCSA.
Broadway: Tony Award Winning Revival of HAIR
(Sheila & Crissy u/s). Off-Broadway: Wanda’s SHAWNA M. HAMIC (Madame Thénardier).
World. Regional: Calvin Berger (Rosanna), NY Workshops: The Toymaker, Screams of Kitty
Fiddler on the Roof (Hodel), Company (Marta). Genovese, Glen or Glenda. Regional: Twist
TV: Person of Interest. For Justin. (Directed / Choreographed by Debbie Allen),
brianacarlsongoodman.com. Twitter: @BCeeGee. Les Misérables, Ragtime, Hello Dolly, The
8 PLAYBILL PLAYBILLVAULT.COM
 WHO’S WHO IN THE CAST
Molly Maguires, Genesis, My Fair Lady, Mame, Kim in Miss Saigon (Toronto); Tuptim in The King
Kismet, Once Upon…, H2$, Guys and Dolls (in and I (Broadway and West End); Les Misérables
Macao, China). “A&A, F&AD, TMF!” (US National Tour, Korea, and China Premiere);
ShawnaHamic.com Ellen in Miss Saigon (UK Tour), Principal vocalist
in Hey! Mr. Producer and Andrew Lloyd Webber’s
DEVIN ILAW (Marius) Favorites: Miss Saigon The Music of The Night (JAR/CML); Self-titled
(Thuy, Toronto revival), M. Butterfly (Song CD (BMG Records). Psalm 13:6.
Liling), Carousel (Billy Bigelow), The Rockae
(Dionysus), Wanda’s World (Jake). Owner, DCI GATEN MATARAZZO (Gavroche) is play-
Vocal Studio in NYC. Co-founder, GET U. IN, ing his dream role! Credits include: Broad-
a college coaching company. BFA Carnegie way-Priscilla Queen of the Desert, Godspell
Mellon. Love to Mom and Dad, TKO, and Les cast of 2032. Tour-Radio City Christmas Spec-
Mis team. Life is awesome. Mabuhay! tacular. Thanks to Carson Kolker, Parkside
Talent, Mom, Dad, Sabrina, Carmen, family
MIA SINCLAIR JENNESS (Little Girl, u/s and friends.
Little Cosette/Young Éponine) age 7, National
Tour debut! A NJ first grader, credits include MATT MCMAHAN (Constable, Jean
And A Child Shall Lead (Jana), Seussical (JoJo), Prouvaire, u/s Marius) is grateful to be joining
• •• •• • •• •
and Gypsy (Balloon Girl). Thanks to Mallory & the Les Mis Company. Regional: Lyric Theater
CESD, Adrienne McKeown, Grandma & Papa Oklahoma, Arts Center Coastal Carolina, and
Mike, Brady, & Mom! www.MiaSinclair.com Disney Cruise Lines. Graduate of Oklahoma
City University. Love to Mom and Pops, Jen
BRITTNEY JOHNSON (Young Whore, Waldman, IB, and DGRW.
Ensemble, u/s Éponine) is thrilled to be part of
this epic production! Regional: HAIR, Ragtime, ALEXANDRA MELROSE (Ensemble, u/s
South Pacific, Bye Bye Birdie. Cast Recording: Madame Thénardier, u/s Factory Girl). NYC:
Sympathy Jones. B.F.A. NYU Tisch School of Songs for a New World, Escape from Ptero-
the Arts. Greatest thanks to God, Mom, dactyl Island, Radio City Sinatra. Regional:
Grandma, Craig, family, and friends! Caraboo, Master Class, Oliver, …Forum.
Thanks to the Les Mis team, Merri, the extended
GENEVIEVE LECLERC (Fantine) Canada: Jersey Boys family, my family, and my wonder-
Les Enfants de Donquichote, Devant Les Maîtres, ful husband, Ron.
Bliss, Les Déesses, A Chorus Line, Side Show,
Guys & Dolls, Lies My Father Told Me (alongside WESTON WELLS OLSON (Feuilly, u/s
Theodore Bikel and Patsy Gallant.) NYC: A Cycle Enjolras). New York: Camelot (Lincoln Center),
of Love Songs at the Laurie Beechman Theatre. Where's Charley? (ENCORES!). Regional:
Special thanks to my family, friends and Sandie Sweeney Todd (Geva Theater), Les Mis (North
Newton for believing in me! genevieveleclerc.com Shore). Readings: Tuck Everlasting. BM
Chapman University, MM Boston Conservatory.
PETER LOCKYER (Jean Valjean) is honored Much love to friends and family.
to be back in Les Mis! Broadway: South Pacific;
The Phantom of the Opera; Baz Luhrmann’s La JASON OSTROWSKI (Swing, u/s Factory
Bohème (Rodolfo); Les Misérables (Marius, 10th Foreman). Broadway: Company (Tony Award®-
Anniversary Production and China Premiere); winner 2007 Best Revival). National tours:
Miss Saigon (Chris); Cyrano The Musical. Bar- Whistle Down the Wind, Forever Plaid. Re-
bra Streisand’s European Concert Tour (Special gional: Les Misérables (TOTS & TUTS), Hello
Guest Star). TV: Gypsy starring Bette Midler. Dolly, Oklahoma!, An O.Henry Christmas. Love
Symphony Concerts across the US including the to my family and Elizabeth. Jasono.net
Premiere of Boublil/ Schönberg’s Do You Hear
the People Sing! Heartfelt thanks to the Creative JOHN RAPSON (Farmer, Bamatabois,
Team. For Melanie. Twitter: @Peter_Lockyer. Claquesous, u/s Thénardier, u/s Bishop of Digne)
is thrilled to be back on the barricade! Tour: Disney
CORNELIA LUNA (Wigmaker, Ensemble, u/s On Classic (Tokyo Philharmonic). Regional:
Fantine) is honored to be back in Les Misérables! Sweeney Todd (Barrington Stage), Brigadoon
PLAYBILLVAULT.COM ORPHEUM THEATRE    9
 WHO’S WHO IN THE CAST
(Wagon Wheel Theatre). BFA- University of George (Jules). Other Broadway/National tours:
Michigan. So much love to my incredible family Little Women (Prof Bhaer), Les Misérables (Jean
and the remarkable Les Mis team! Valjean), The Phantom of the Opera (Phantom),
Cats (Gus/Growltiger), Evita, Disney’s King
RACHEL RINCIONE (Swing, u/s Factory David. Other roles: The Pirate King in Pirates!,
Girl). B.F.A-Acting, Chapman Univ, MM- Sky in Guys and Dolls, Jud in Oklahoma!, The
Voice, Univ. of Denver. Credits: NY Camelot Prince in The Student Prince. Follow me on
(Nimue) WPPAC, Suor Angelica (Cercatrice) Facebook and Twitter (@AndrewVarela525) and
Chelsea Opera, Regional: Camelot (Nimue u/s) check out AndrewVarela.com. For Susan.
Goodspeed Opera, Les Misérables (Mme. Thé-
nardier u/s) MGR. AARON WALPOLE (Champmathieu, Brujon,
Loud Hailer, u/s Jean Valjean) is happy to be
MATT ROSELL (Laborer, Montparnasse, joining Les Mis. Broadway: Jesus Christ
u/s Marius) is thrilled to join this amazing Superstar (Annas). Mirvish: Rock of Ages
show for his National Tour debut. Regional: (Lonny). Stratford Festival: Guys ‘N Dolls,
South Pacific, HAIR, Ragtime. Recent Anything Goes, Camelot, Jesus Christ Superstar
Graduate of CAP21. Many thanks to the Les and many regional theatrical, film, television and
Mis team, • Family,
••
Friends,
•• • ••
and Mallory!
• recording artist credits.
www.mattrosell.com
NATALIE WEISS (Swing). Broadway:
ALAN SHAW (Constable, Joly, u/s Enjolras) is Everyday Rapture (u/s for Menonettes). Tour:
honored to be a part of the Les Mis family. Wicked 2nd national (ensemble, u/s Elphaba).
Graduate of Interlochen Arts Academy and Regional: Pittsburgh CLO, North Shore Music
Circle In The Square. Love to Trinity and my Theatre. TV: American Idol season 4 semi-
amazing Family. finalist. natalieweiss.net.
JULIAN SILVA (Gavroche) makes his National LAUREN WILEY (Cosette). NYC: Title role in
tour debut with Les Misérables. His credits Madame Bovary (Theatre 5), Villa Diodati
include: Seussical (Jojo), Aladdin (Aladdin), (NYMF). Favorite Regional: Les Misérables at
Mulan (Mushu), and Alice in Wonderland (White NSMT (Head Whore) and Merry-Go-Round
Rabbit). Julian would like to thank God and his Playhouse (Cosette), Mrs. Lyons in Blood Broth-
parents for their love, support and encouragement. ers with Andrea McArdle (TheatreZone). Univer-
sity of Alabama Grad. Heartfelt thanks to the Les
JOSEPH SPIELDENNER (Innkeeper, Mis team, and my dear Clint. LaurenEWiley.com.
Grantaire, Major Domo, u/s Bishop, u/s Twitter: @LaureneWiley.
Bamatabois, u/s Javert) is from Maine. BFA-
Florida State. Tour: South Pacific (Cable). JESSICA KEENAN WYNN (Ensemble, Fac-
Regional: Miss Saigon (Chris), Seaside Music tory Girl, u/s Fantine) is thrilled to be making
Theatre; Children of Eden (Adam/Noah), Astoria her National Tour debut in Les Mis! Regional:
PAC. Dedicated to Grandma Margaret, Lauren, Hairspray at The Hollywood Bowl, Life Could
Gale, and, especially, Jason! Twitter: @joespiel. Be a Dream (Ovation-Nominated). BA from
UCLA. Love to KSR, my family, and Luke.
ERIC VAN TIELEN (Combeferre, Fauchelevent,
u/s Grantaire) is a Salt Lake City native. JAMES ZANNELLI (Bishop of Digne, Babet,
Broadway/Nat’l Tours: A Tale of Two Cities, u/s Thénardier) is thrilled to be on tour with Les
Fiddler on the Roof (Fyedka) Regional: Utah Mis. Regional credits: Les Misérables
Shakespeare Festival, HMS Pinafore (Ralph), The (Thenardier), Chess (Molokov), Jesus Christ
Matchmaker (Cornelius), Lend Me a Tenor, the Superstar (Caiaphas), Jekyll & Hyde (Simon
Musical (Rupp, World Premiere), Indiana Stride), Tommy (Uncle Ernie), Peter Pan
Repertory Theatre, The Fantasticks (Matt), Pioneer (Captain Hook). MM from Arizona State.
Theatre, Syracuse Stage. MFA, Indiana University. Dreams DO come true!!!!

ANDREW VARELA (Javert) was last seen on ALAIN BOUBLIL (Author/Dramatist) wrote
Broadway in Sondheim’s Sunday in the Park with librettos and original lyrics for La Révolution
10 PLAYBILL PLAYBILLVAULT.COM
 WHO’S WHO IN THE CAST
Française, Les Misérables, Miss Saigon, Martin immigrant parents from Lithuania. He now lives
Guerre and The Pirate Queen, in collaboration in London with his (American) wife Sybil.”
with Claude-Michel Schönberg, and Marguerite
with Claude-Michel Schönberg and Michel TREVOR NUNN AND JOHN CAIRD
Legrand. He received two Tonys® (Best Score, (Adaptors). Trevor Nunn started directing in 1962
Best Book), two Grammys®, two Victoire de la when he won an ABC Director’s scholarship to
Musique Awards, a Molière Award (Les become the resident director of the Belgrade
Misérables), an Evening Standard Award (Miss Theatre, Coventry. In 1964 he joined the RSC
Saigon) and an Olivier Award (Martin Guerre). He and in 1968 was made the company’s youngest
is author/librettist of Abbacadabra with songs by ever artistic director. Trevor was responsible for
Abba, the play The Diary of Adam and Eve, and running the RSC until he retired from the post in
prize-winning novel Les Dessous de Soi. 1986. From 1997 – 2003 Trevor was director of
the National Theatre. Trevor has worked
CLAUDE-MICHEL SCHÖNBERG (Book and extensively in theatre, opera and musical theatre.
Music). Born in 1944 of Hungarian parents, John Caird is a freelance director and writer
Claude-Michel Schönberg began his career in working worldwide in theatre, opera and musical
France as a singer, writer and producer of pop theatre. He has worked at the National Theatre
songs. In collaboration with and is an honourary associate director of the RSC
• •• •• Alain
• ••Boublil• he is the
book co-writer and the composer of La Révolution where he has directed over 20 plays. John has
Française, Les Misérables, Miss Saigon, Martin published several works as a librettist and lyricist.
Guerre and The Pirate Queen. In 2008 his new Together John and Trevor have directed Nicholas
®

musical, Marguerite, in collaboration with Alain Nickleby (winner of five Tony Awards ), JM
Boublil, Herbert Kretzmer and Michel Legrand Barrie’s Peter Pan and the original production of
opened at the Haymarket Theatre in London. Les Misérables (winner of eight Tony Awards®).
Claude-Michel has supervised overseas produc- LAURENCE CONNOR (Director) has worked
tions and co-produced several international cast al- as a resident and associate director on several
bums of his shows. In 2001 he composed his first shows in London including The King & I,
ballet score, Wuthering Heights, which was cre- Phantom of the Opera and Oliver! In 2005,
ated by the Northern Ballet in 2002. His new bal- Laurence directed a new touring production of
let, Cleopatra, which opened in early 2011, is his Miss Saigon, which has been recreated in Korea
second collaboration with David Nixon and his and Australia winning major awards including
seventh complete score. Claude-Michel co-wrote The Manchester Evening News award for best
the screenplay and reconceived the music for the touring musical and Green Room award for best
musical movie version of Les Misérables (release director, co-director of the 25th Anniversary tour
2012). In 2003 Claude-Michel married the English of Les Misérables on which this production is
ballerina, Charlotte Talbot. He is the father of one based and the 25th Anniversary concert of Les
son and two daughters. Misérables at the O2. Laurence recently directed
The Phantom if the Opera at the Royal Albert
CAMERON MACKINTOSH (Producer) Hall, Oliver! National UK tour, The Phantom of
produces musicals. the Opera 25th anniversary production and an
Arena tour of Jesus Christ Superstar, which is
HERBERT KRETZMER (Lyricist) was a due for a world tour later this year.
London journalist when Cameron Mackintosh
invited him to write the English lyrics for Les JAMES POWELL (Director) was appearing in
Misérables epochal West End production in Les Misérables at London’s Palace Theatre when
1985. A part-time songwriter, he contributed he was offered the position of resident director in
regular lyrics for the BBC’s famous satire series 1996. London: Singin’ in the Rain (staff director).
“That Was the Week That Was” and had also For Cameron Mackintosh: The Witches of
written lyrics for the French singer Charles Eastwick (resident director), Les Misérables
Aznavour (“Yesterday When I Was Young,” (associate director, also Scandinavia, Berlin),
“She,” etc.). It was Kretzmer’s work with Mary Poppins (London, Broadway, UK tour,
Aznavour which led to Cameron’s invitation. Holland, Australia). For Jacobsen Entertainments:
Herbert Kretzmer was born in South Africa to The Witches of Eastwick (Director; Melbourne,
PLAYBILLVAULT.COM ORPHEUM THEATRE    11
 WHO’S WHO IN THE CAST
Australia) and Dirty Dancing (Director; London’s includes: the Royal Ballet, Ballet Boyz and New
West End, Toronto, Utrecht, Chicago, US tour, Adventures for Matthew Bourne. Paule is an
Berlin) James is honored to work on Cameron’s associate of the National Theatre.
new production of Les Misérables, and has just
recovered from directing the 25th anniversary MICK POTTER (Sound Designer) Saturday
concert at London’s O2 arena. Night Fever (London, New York and a further 10
productions worldwide), Starlight Express (Las
MATT KINLEY (Scenic and Image Designer) Vegas, US/UK/Scandinavian-Tour), Tell Me On
worked as freelance costume and prop-maker for a Sunday (London/UK-Tour), Scrooge The
stage, film and video with Robert Allsopp Musical (London, US/ UK-Tour), Jesus Christ
Associates. A graduate of the Motley Theatre Superstar (UK Tour), Bombay Dreams (London,
design course, he enjoyed a long relationship New York), The Woman in White (London, New
with the National Theatre as designer, design York, 2005 Laurence Olivier Award for best
associate and draughtsman on over 40 Sound Design), Hair (London), Whistle Down
productions, including Jerry Springer: the Opera, the Wind (London), Revival of Evita (London),
The Coast of Utopia and My Fair Lady. Most The Sound of Music (London/Toronto/UK-Tour),
recently he worked as associate designer on Joseph ... Dreamcoat (London), Phantom – The
shows including: The Woman in White, My Fair Las Vegas Spectacular (Las Vegas, 2006 Parnelli
• •• •• • •• •
Lady (UK/US tours), Chitty Chitty Bang Bang Award best Sound Design), Ich war noch niemals
(UK tour), Les Misérables (Broadway & in New York (Hamburg, Stuttgart), Der Schuh des
Holland), Equus (West End), Mary Poppins Manitu (Berlin), Zorro (London/Paris/ Japan),
(UK/US/AUS/Holland tours), Les Misérables Sister Act (London, Hamburg), Les Misérables -
25th Anniversary Concert (O2 Arena). 25th Anniversary production (O2 Arena,
ANDREANE NEOFITOU (Costume Designer). UK/Spain/tour), Love Never Dies (London).
Les Misérables (Tony® nomination) and Miss
CHRISTINE ROWLAND (Additional
Saigon London, Broadway and worldwide.
Costumes) has worked in both subsidized and
London credits: Grease, Gone With The Wind, The
commercial theatre. She was resident costume
Far Pavilions, The Baker’s Wife, Timon Of Athens,
supervisor at the National Theatre for several years
Peter Pan (National Theatre) Carmen (Royal
Albert Hall). Royal Shakespeare Company: The and was head of costume at the Royal Shakespeare
Changeling, The Merchant Of Venice, Fair Maid Company. Work for Cameron Mackintosh
Of The West, Hedda Gabler, (also Canada/USA), includes: Carousel (London, New York, Japan);
Once In A Lifetime, Peter Pan and Nicholas Oliver! (London, Toronto, Sydney); The Witches
Nickleby (Outer Critics Circle nomination of Eastwick (London, Melbourne); My Fair Lady
Outstanding Achievement). Additionally: Nabucco (London, USA tour) and Mary Poppins (London,
(Metropolitan Opera), Miss Julie (Athens), Jane New York). Other musicals include: The Secret
Eyre the musical (Broadway - nomination Outer Garden (RSC, London); Chitty Chitty Bang Bang
Critics Circle), Cameron Mackintosh’s revised (London, New York) and Gypsy (New York).
version of Martin Guerre (USA). Films:
MICHAEL ASHCROFT (Musical Staging). As
Rosencrantz And Guildenstern Are Dead, Still Life.
a performer includes: DV8’s Enter Achilles,
PAULE CONSTABLE (Lighting Designer) has ManActs’s The Sweatlodge, Kosh’s Dinner and
designed extensively at the National Theatre his own solo shows The Crooner, Ropeman, Le
(including Warhorse, Phaedre, St. Joan), the Baton. Credits as movement director include: The
RSC, the Donmar Warehouse (Othello, Chalk Power of Yes (National Theatre), Life is a Dream
Garden, Ivanov), the Royal Court (Clybourne (Donmar Warehouse), Resurrection Blues (The
Park, The Weir) and in the West End (Evita, Don Old Vic), Cosi Fan Tutti (English National
Carlos, Oliver, Love Never Dies). She is a three Opera), Romans in Britain, (Sheffield Crucible),
times Olivier Award winner. Opera includes The Lost Child Project (David Glass Ensemble,
productions for: the Royal Opera House, Cambodia). For the Royal Shakespeare
Glyndebourne, ENO, Opera North, Salzburg Company: Richard III, Measure For Measure,
Festival and in the major houses of Europe, North Othello, A Midsummer Night’s Dream, Julius
America, Australia and New Zealand. Dance Caesar, The Tempest, Antony and Cleopatra,
12 PLAYBILL PLAYBILLVAULT.COM
 WHO’S WHO
Macbeth, Merry Wives of Windsor, A Comedy of Man of No Importance, Dessa Rose, Tom Jones
Errors, Love’s Labours Lost and Hamlet. (George Stiles/Paul Leigh), Just So (George
Stiles/Anthony Drewe), Chasing Nicolette,
LAWRENCE GOLDBERG (Musical Rufus Wainwright at Carnegie Hall and the new
Director/Conductor): Broadway: How to orchestrations for the 2006 Broadway revival of
Succeed in Business…, The Drowsy Chaperone, Les Misérables. As a Dance Music Arranger:
Thoroughly Modern Millie, The Phantom of the The Witches of Eastwick (London/West End).
Opera, Carousel. Tours: South Pacific, The Music Supervisor for Bon Jovi keyboardist
Producers, Les Misérables, Sunset Blvd., Cats, David Bryan: Memphis and The Toxic Avenger
Chess. Regional: Next to Normal, My Fair Lady Musical. Conductor: Aida (Broadway). Assistant
(Pioneer Theatre); My One and Only (St. Louis to Tony Award®-winning Orchestrator William
MUNY); Pal Joey (Prince Music Theatre), to David Brohn: Wicked, Ragtime, Sweet Smell of
name a few. Arranger/vocal coach/pianist with Success, The Three Musketeers, Mary Poppins.
Boston Pops. Composer/lyricist of the shows
Big Bad Wolf and the Endangered Forest and STEPHEN METCALFE (Additional
Grounded For Life, and the Pittsburgh TV show Orchestrations) is an arranger and orchestrator for
“Let’s Read a Story”. film and theatre. For the past ten years he worked
as Head of Musical Development at Cameron
• ••
DAVID CADDICK ••(Music
• Supervisor)
•• • has Mackintosh Ltd., where he has developed, edited
been the Music Director for: Evita, Cats, Song and contributed orchestrations to the scores of all
& Dance, Starlight Express, The Phantom of the Cameron Mackintosh’s productions in the UK
Opera, Miss Saigon, Sunset Boulevard and and worldwide, most recently providing
Mary Poppins. He was Music Director for the orchestrations for the current UK tour of Les
world premiere of Stephen Sondheim’s Bounce Misérables and the 25th birthday celebrations at
and Music Director for the film of Evita starring London’s O2 Arena. Stephen has produced the
Madonna. He’s won two Grammy Awards for 2008 London cast album of Oliver!, the new UK
producing the cast album recordings of Les Mis- Tour cast album of Les Misérables and the DVD
érables and West Side Story and a further three release of the Les Misérables concert at the O2.
Grammy nominations for producing the record-
ings of A Chorus Line, South Pacific and Prom- STEPHEN BROOKER (Additional
ises, Promises. He’s a member of t he Tony Orchestrations). Theatre includes: Betty Blue
Nominating Committee for the current Broad- Eyes, Oliver! My Fair Lady, The Woman In
way season. White, Les Misérables, The Phantom Of The
Opera, Miss Saigon, South Pacific, The Secret
JOHN CAMERON (Original Orchestrations) Garden, Lautrec, Cats, Saturday Night Fever,
arranged the Orchestral Score for all the original Grease, Fame. Conductor includes: Atlanta
productions of Les Misérables, Paris, London, Symphony, West Australian Symphony, Royal
Broadway, the Symphonic recordings, the Philharmonic, London Mozart Players, Haifa
Concert, 10th Anniversary and 2006 Queen’s Symphony, Hamburg Sinfonia, Royal
Theatre versions. As a composer his extensive Liverpool, Royal Scottish National. Corporate
film and television film score credits include the Composer: Coca Cola, BMW Cars, Ford
Academy Nominated A Touch of Class and the Motors, British Airways, Toyota Cars and Walt
Emmy nominated Path to 9-11. John co- Disney. Producer: Oliver! - Live starring Rowan
composed Zorro the Musical, nominated for an Atkinson, Les Misérables 25th Anniversary Tour,
Olivier Award for Best New Musical 2009, Mary Poppins (Holland). Stephen recently
which is currently playing in Tokyo and Moscow supervised the Les Misérables 25th Anniversary
followed by Amsterdam, Rio, Shanghai, Seoul Concert at the O2 Arena. stephenbrooker.co.uk
& Berlin. Other arranging credits include Joseph
& the Amazing Technicolor Dreamcoat. JEAN-MARC NATEL (Original French Text)
was born in 1942. He studied art at the Beaux
CHRISTOPHER JAHNKE (New Arts in Toulon before turning to poetry and has
Orchestrations). Orchestrations: Legally Blonde published two volumes of his poems. In 1968
(Broadway), Grease (You’re the One That I he moved to Paris where he met Alain Boublil,
Want - 2007 Broadway Revival), Cry Baby, A who introduced him to songwriting with the
PLAYBILLVAULT.COM ORPHEUM THEATRE    13
 WHO’S WHO
daunting task of co-writing the lyrics for Les casting); The Farnsworth Invention; Young
Misérables. Since then, he has written songs for Frankenstein; Little Mermaid; Mary Poppins;
a variety of artists and, recently, some of his My Fair Lady; Pirate Queen; Les Misérables;
poetry has been set to music by Franck Pourcel. History Boys (US casting); Spamalot; Jersey
Boys; …Spelling Bee; Producers; Mamma
JAMES FENTON (Additional Material) was Mia!; The Phantom of the Opera; Good
born in 1949. He was educated at the Durham
Vibrations; Bombay Dreams; Oklahoma!;
Choristers’ School, Repton and Magdalen
Happiness; Flower Drum Song; Imaginary
College, Oxford, where he won the Newdigate
Prize for Poetry. He has worked as a political Friends; Frogs; Contact; Metamorphoses; Thou
and literary journalist, drama critic, book Shall Not; Man of No Importance.
reviewer, war correspondent and columnist.
JOEL T. HERBST (Company Manager) is a
James Fenton was made Fellow of the Royal
proud NETworks company manager from
Society of Literature in 1983 and he was
Professor of Poetry at Oxford from 1994 to Wisconsin. Go Goslings!
1999. James was awarded the Queen’s Medal MICHAEL O’DONNELL (Resident Director)
for Poetry in 2007.
comes to Les Misérables after restaging Sam
ANTHONY• ••LYN (Associate
•• • Director).
•• • From Mendes and Rob Marshall’s Cabaret in Paris.
South Wales, trained at RWCMD and Associate director of the national tour of Monty
University of London. London theatre: Anything Python’s Spamalot. Observing Director on Weeds
Goes, Les Misérables, Joseph …, Miss Saigon, and Brothers and Sisters. Writer/Director of the
Oklahoma!, Damn Yankees (with Jerry Lewis). feature comedy Moving Mike. Mr. O’Donnell has
TV: “Tony Awards,” “The Tonight Show,” also performed in six Broadway musicals
“Regis and Kelly,” “An American Celebration” including Cabaret, Spamalot and Victor/Victoria.
(for the President and First Lady) and 5 Royal
Command performances in England. Taught at TRINITY WHEELER (Production Stage Man-
the Royal Academy. Founding member, West ager) is thrilled to be part of this legendary musi-
End Cares. Associate Director: The Lion King cal. In addition to Les Misérables, he is currently
(worldwide), Mary Poppins (Broadway, the Production Supervisor for the first Spanish-lan-
directed current US tour). Anthony is delighted guage production of Mary Poppins in Mexico City.
to be Associate of this brand new production of Other credits include Rent - The Broadway Tour
Les Misérables. For C.C. (Adam Pascal and Anthony Rapp), Mel Brooks’
Young Frankenstein (Roger Bart), Trevor Nunn’s
CHRISTOPHER KEY (UK Associate Oklahoma! and The Producers. Love to Alan, Big
Director) trained at Guildford School of Acting
Mac and Ricky. trinitywheeleronline.com
graduating with a first class BA (Hons). He is
currently Resident Director on the London HEATHER CHOCKLEY (Stage Manager) is a
production of Les Misérables and Associate proud member of AEA and IATSE. She has toured
Director of the 25th Anniversary Production in extensively, nationally and internationally, with
the UK and Spain. Christopher was also
The Sound of Music, Joseph… Dreamcoat, Cats,
Resident Director on Avenue Q, London. Acting
Sweet Charity, The King and I and Fiddler on the
credits include Les Misérables, Chucky in Jerry
Springer The Opera, Alice in Wonderland for Roof to name a few. Thank you to her husband,
The Royal Shakespeare Company and The family and friends.
Beautiful Game. Concerts include Les
MITCHELL B. HODGES (Assistant Stage
Misérables 25th Anniversary at The O2, Sweeney
Manager) Les Misérables 25th Anniversary Tour,
Todd at The Royal Festival Hall and Sondheim
Tonight at The Barbican. West Side Story National tour, The Phantom of the
Opera National tour, Music Theatre of Wichita,
TARA RUBIN CASTING (Casting). Fort Worth Opera, Glimmerglass Opera and Motor
Broadway/tours: Promises, Promises; A Little City Lyric Opera. Thanks to Nancy and his parents
Night Music; Guys and Dolls; Billy Elliot; for their love and support! Go Blue! Proud
Shrek; The Country Girl; Rock ‘n’ Roll (US member of Actors’ Equity. mbhodges.com
14 PLAYBILL PLAYBILLVAULT.COM
 WHO’S WHO
BROADWAY BOOKING OFFICE NYC (Tour FIA, an international organization of performing
Booking, Engagement Management, Press & arts unions. The Equity emblem is our mark of
Marketing) is a leading theatrical tour booking, excellence. actorsequity.org
marketing and press company, representing musi-
cals, plays and theatrical productions. Currently:
Jersey Boys, War Horse, Matilda, The New 25th STAFF FOR Les Misérables
Anniversary Production of Les Misérables,
Cameron Mackintosh’s spectacular new produc- EXECUTIVE PRODUCER
tion of Andrew Lloyd Webber’s The Phantom of Seth Wenig
the Opera, Mary Poppins, NETworks presents
Disney’s Beauty and the Beast, Hair, Do You Hear GENERAL MANAGEMENT
the People Sing, Holland Taylor in Ann, Backbeat, Gentry & Associates, Inc.
50 Shades! The Musical, The Rat Pack is Back!, Scott W. Jackson, Gregory Vander Ploeg
MJ Live, Scooby Doo Live! Musical Mysteries,
and Magic Tree House® The Musical. COMPANY MANAGER
www.bbonyc.com Joel T. Herbst

TOUR BOOKING,
SETH WENIG (Executive Producer) has been
• •• •• • •• • ENGAGEMENT MANAGEMENT
with NETworks since its inception in 1995. He
PRESS AND MARKETING
spearheaded the international tours of Fosse
Broadway Booking Office NYC
starring Ben Vereen/Ruthie Henshall as well as
Steven Schnepp, Temah Higgins
the U.K. regional tour of Rodgers &
Kent McIngvale, Jenny Bates, David Freeland
Hammerstein’s The King and I. Together with
Judith Hoenig Adelson, Zach Stevenson,
Cameron Mackintosh, Seth served as executive
producer of a 40 week UK regional tour of the Julia D’Angelo, Scott Praefke, Jim Lanahan
National Theatre’s My Fair Lady, which also ran BBONYC.com
in the United States. He is currently serving as CASTING
Executive Producer on The New Mel Brooks Tara Rubin Casting
Musical Young Frankenstein, Disney’s Beauty Tara Rubin, CSA, Merri Sugarman, CSA
and the Beast and Rodgers & Hammerstein’s Eric Woodall, CSA, Laura Schutzel, CSA,
South Pacific. He is most proud of his greatest Paige Blansfield, Dale Brown, Kaitlin Shaw
productions, Marlo and Camden.
US ASSOC. DIRECTOR ..........................ANTHONY LYN
NETworks PRESENTATIONS, LLC UK ASSOC. DIRECTOR..................CHRISTOPHER KEY
(Producer). Since 1995, NETworks has produced FIGHT DIRECTOR................................RICK SORDELET
and managed over 70 touring productions in the Resident Director ....................................Michael O’Donnell
US, UK and internationally. Current productions Ass’t. to the Director ........................................Trey Gerrald
Production Stage Manger ............................Trinity Wheeler
include Disney’s Beauty and the Beast, Young
Stage Manager ..........................................Heather Chockley
Frankenstein, and the Lincoln Center’s production Ass’t. Stage Manager..............................Mitchell B. Hodges
of Rodgers and Hammerstein’s South Pacific, Ass’t. Company Manager..............................Justin Sweeney
Handel’s Messiah Rocks, Spring Awakening, A Ass’t. to the General Manager....................Kristin Netzband
Chorus Line, Blue Man Group National tour and Dance Captain ..............................................Ben Gunderson
The New 25th Anniversary Production of Les Fight Captain ................................................Ben Gunderson
Misérables touring the U.S. Ass’t. Fight Captain ..................................Heather Chockley
Assoc. Scenic Designer ................................Christine Peters
ACTORS’ EQUITY ASSOCIATION (AEA), U.S. Costume Assistant ..................................Jimm Halliday
founded in 1913, represents more than 48,000 Costume Assistants ..................David Kaley, John Saunders
actors and stage managers in the United States. Assoc. Lighting Designer/Programmer ..............Jane Dutton
Ass't. Lighting Designer....................................Karen Spahn
Equity seeks to advance, promote and foster the
Assoc. Sound Designer ................................Paul Gatehouse
art of live theatre as an essential component of our
Ass’t. Sound Designer ........................................Garth Helm
society. Equity negotiates wages and working Music Preparation ....................David Hague, Dakota Music
conditions, providing a wide range of benefits, Emily Grishman
including health and pension plans. AEA is a Keyboard Programming ................................Stuart Andrews
member of the AFL-CIO, and is affiliated with Head Carpenter ....................................................John Ward

PLAYBILLVAULT.COM ORPHEUM THEATRE    15

 WHO’S WHO
Automation Carpenter ............................................Greg Pott General Managers......................Dawn Kusinski, Kim Reiter
Carpenter..........................................................George Munz Associate General Manager................................Curt Owens
Flyman ..................................................Timothy P. Callahan Assistant General Managers........................Penelope Lopez,
Production Electricians ..................Barb Bartel, Ian Moulds Bobby Maglaughlin
Head Electrician..........................................Leslie Bindeman Production Manager ........................................Jason Juenker
Ass’t. Electricians................................R. Warren Bishop, Mark Leslie Associate Production Managers ....................Hector Guivas,
Head Audio ......................................................Chris Walters Ben Neafus
Ass’t. Audio ......................................................Shelly Franz Assistant Production Manager..........................Evan Rooney
Props Supervisor ..............................................Lisa Buckley Warehouse Manager ............................................Brad Korff
Head Props................................................Andrew Crawford Marketing/PR ..................................................Heather Hess
Ass't. Props....................................................David Summey Music Coordinator ............................................John Mezzio
Head Wardrobe ..............................................Sally M. Howe Assistant Controller......................................Jennifer Gifford
Ass't. Wardrobe ..............................................Emily Staloch Accounts Payables ............................................Laura Carey
Hair Designer ....................................................Bernie Ardia Accountant............................................................Lisa Blank
Head Wigs......................................................Rudy Guerrero Office Manager ..........................................Buddy Piccolino
Ass't. Wigs ................................................Bryon McDonald Office Assistant ..................................................Carol Jewell
Dialect Coach ..........................................Shane-Ann Younts
Tutor ..................................................................Leah Osborn Credits
Print/Advertising Design..................................................aka Lighting Equipment supplied by Epic; Sound Equipment
Radio and Television supplied by Sound Associates; Set by F&D Scene Changes;
• •• Spot Production •• • ..................Steam
•• • UK
Website ................................................................Dewynters Show control and scenic motion control featuring stage
Social Media ............................................Pit Bull Interactive command systems® by PRG-Scenic Technologies, a division
Production Photography................................Deen Van Meer of Production Resource Group, L.L.C., New Windsor, NY;
Merchandising ............................Platypus Productions, LLC Video Projection System Provided by Scharff Weisberg, Inc.;
Accounting ..........................NETworks Presentations, LLC Costumes constructed by Scafati, John Schneeman Studio,
Legal ................................................F. Richard Pappas, Esq. Sara Timberlake Studio, Claire Johanson and Dale
Payroll Services ............................................................ADP DiBernardo and Jennifer Love.
Insurance................................................DeWitt Stern Group Rehearsed at New 42nd Street Studios
Travel Agency ............................................Carlson Wagonlit Special Thanks to
Tax Consultant ................Brent A. Turner, One Source PSG Paper Mill Playhouse and Mark Hoebee
IT Services ..................George W. Wilson, One Source PSG Todd Schmidt, Mimi Intagliata, Rick Reiser.
Trucking..........................................................Clark Transfer The producers wish to thank Fred Hanson for his
contribution to the development of this
For Cameron Mackintosh LTD new 25th anniversary production.
Financial Services and banking arrangements by
Directors ..........................Cameron Mackintosh (Chairman) M&T Bank
Nicholas Allott (Chief Executive) Visit the Les Misérables website at
Richard Johnston www.lesmis.com
Deputy Managing Director ..............................Robert Noble Own Les Misérables, the 25th Anniversary Concert, featuring
Financial Controller........................................Richard Knibb Tony® Award-winner Lea Salonga and Nick Jonas on Blu-ray
Executive Producer ........................................Trevor Jackson and DVD!
Associate Producer..................................Thomas Schönberg
Production Manager ....................................Jerry Donaldson
Music Supervisor ..........................................David Caddick
Head of Marketing..........................................David Dolman
Ass’t. to Cameron Mackintosh ............................Jane Austin The Actors and Stage Managers employed in this production
are members of Actors’ Equity Association, the union of pro-
Ass’t. to Nicholas Allott ..................................Claire Mistry fessional actors and stage managers in the United States.
Ass’t. to Robert Noble ....................................Rachel Atkins All stage work performed by employees represented by IATSE.
For NETworks Presentations
UNITED SCENIC ARTISTS represents the designers and scenic
painters for the American Theatre.
Chief Executive Officer ......................................Ken Gentry
Chief Operating Officer ..............................Scott W. Jackson The Musicians employed in this production are members of the Amer-
ican Federation of Musicians of the United States and Canada.
Director of Finance..............................................John Kinna
Executive Producers ..........................................Seth Wenig, The Director and Choreographer are members of the Stage Directors
and Choreographers Society, an independent national labor union.
Kary M. Walker, Dani Davis
Associate Producer ........................................Angela Rowles The Press Agents, Company and House Managers employed in this
production are represented by the Association of Theatrical Press
Assistant Producers ............................Charmaine McVicker, Agents & Managers.
Mary Witte
This production is produced by a member of The
Assistant to the CEO ..........................................Curt Owens Broadway League in collaboration with our
Senior General Manager ....................Gregory Vander Ploeg professional union-represented employees.

16 PLAYBILL PLAYBILLVAULT.COM
 THANK YOU TO OUR CORPORATE,
FOUNDATION AND GOVERNMENT PARTNERS

PRINCIPAL PARTNERS $100,000+

This activity is made
possible by the
voters of Minnesota
through a Minnesota
State Arts Board
Operating Support
grant, thanks
to a legislative
This project is supported in part appropriation from
by an award from the National the arts and cultural
Endowment for the Arts. heritage fund.

MAJOR PARTNERS $30,000 - $99,999

SUPPORTING PARTNERS $15,000 - $29,999

MEDIA SPONSORS

DOWNTOWN BUSINESS PARTNERSHIPS

HennepinTheatreTrust.org
BOARD OF DIRECTORS Education and Community Head Carpenter
Dan Cramer, Chairperson Engagement Coordinator Levi Houkom
Thomas L. Hoch, President/CEO Olivia Plaine STATE THEATRE
Scott Benson Critical Review Program Operations Coordinator
Daniel Pierce Bergin Manager Mark Kroening
John Blackshaw Dudley Voigt Head Properties Master
Ralph W. Burnet Vincent Fish
Sonia Cairns MARKETING Head Electrician
Wendy Dayton Director of Marketing and Amy Nguyen
Julie Idelkope Theatrical Programming Head Sound Engineer
Linda C. Ireland Carl Lee Jay Perlman
Jeannie Joas Director of Marketing Head Carpenter
Barbara Klaas Lisa Krohn Frank Drown
Jim Linnett Marketing Manager PANTAGES THEATRE
Mark Marjala Anna Pitera Operations Coordinator
Annette Thompson Meeks Interactive Marketing Steve Olson
Jann L. Olsten Coordinator
Brian J. Pietsch Sam Anderson 7+($75(6(59,&(6
Edward Pisarski Marketing Associate House Services Manager
Thomas J. Rosen Nick Vanderheyden Jerry Knock
Doug Ruth • •• •• • •• NCT• Marketing & Group Sales Maintenance Technicians
T. Jay Salmen Associate Ernest Hansen, James Breiter,
Ann Simonds Jessica Brooks Tyler Fiala
Julie Beth Vipperman Event Managers
Tom Vitt COMMUNICATIONS Cheryl Hanson, Carrie Meyer,
Director of Communications Patrick Braucher, Julie
ADMINISTRATION Karen R. Nelson Montgomery, John Santelmann
President/CEO Communications Manager Food and Beverage Director
Thomas L. Hoch Sarah Johnson Brian Strom
&KLHI)LQDQFLDO2I¿FHU
Kjirsten Johnson 7,&.(76$/(6
Accounting Associate Director of Ticket Operations
Debbie Hunt HISTORIC THEATRE Nichole Cassavant
Executive Assistant *5283//& Group Sales Manager
Kelly Armenta The State, Orpheum and Pantages Theatres Kelli Hoskins
are managed on behalf of Hennepin Theatre
New Century Theatre Manager Trust by Historic Theatre Group, LLC. Group Sales Associate
Jason Capra Debra Detloff-Johnson
%R[2I¿FH9ROXQWHHU ADMINISTRATION Performance Managers
Coordinator President Kristy Reid, Anneliese Stuht
Robie Hayek Jim Sheeley %R[2I¿FH$VVLVWDQW0DQDJHU
&KLHI2SHUDWLQJ2I¿FHU Jenni Amis
'(9(/230(17 Gail Nelson %R[2I¿FH$VVRFLDWHV
Director of Resource Senior Director of Booking Alec Barniskis, Joe Heiland
Development LeeAnn Weimar
Lisa Lane Business Manager for
Individual Giving Manager Event Operations
Kathryn Tjaden Scott Rahja
Donor Relations Coordinator Administrative Assistant
Helen Kouba Katrina Baxter
Development Associate BROADWAY ACROSS
Jesse Daniels THEATRE OPERATIONS $0(5,&$0,11($32/,6
is presented by Hennepin Theatre Trust in
Event Coordinator ORPHEUM THEATRE
consultation with Broadway Across America.
Julie Gotlieb Operations Coordinator
David Marietta Senior Regional Sales
EDUCATION Head Properties Master Operations Manager
Director of Education and Robert C. Miller Eric-Michael Bauer
Community Engagement Head Electrician Operations Manager
Melissa Koch Bill Devins Paula Schuebel
6SRW/LJKW0DQDJHU Head Sound Engineer Ticketing Manager
Whitney Rhodes Spencer Wasilowski 0HJKDQ'DQJHU¿HOG

18 PLAYBILL PLAYBILLVAULT.COM
 THE STATE, ORPHEUM & PANTAGES THEATRES
The following information is provided to help you familiarize yourself with our facilities and services. Our goal is to provide you with personalized service to ensure
that your theatre experience exceeds your expectations. In order to serve you most effectively, please do not hesitate to address questions, comments, or requests
for specific assistance to any of the ushering staff.

CAMERAS • The use of cameras or other types of recording equipment HENNEPIN THEATRE TRUST • Hennepin Theatre Trust, non-profit
is strictly prohibited. owner of the historic Orpheum, State, Pantages and the newly developed
New Century Theatres, is dedicated to enriching the vibrant cultural at-
CANCELLATIONS • For one night events, please check the event de- mosphere of the Twin Cities. We present a rich array of live performances,
scription for postponements or cancellations. create inspiring arts education experiences and advance a thriving cul-
CELLULAR PHONES AND PAGERS • The ringing of cellular phones tural destination in downtown Minneapolis. Our programs include Broad-
or pagers can be highly disruptive during a performance. These devices way touring productions, the Broadway Confidential series, our SpotLight
should be turned off or turned to vibrate mode while at the theatre. If nec- Musical Theatre Program for high schools, the Critical View student re-
essary, a cellular phone or pager can be monitored by the Event Manager. viewer program, our free ticket Access Program and Kids’ Night and
leading the planning for the cultural corridor that will extend from the
CHILDREN • Children under the age of six are encouraged to attend Walker Art Center to the Mississippi Riverfront.
the theatres only for special children’s events. Everyone entering the the-
atre must have a ticket. For the comfort and enjoyment of all guests, chil- LOBBIES • Lobbies are open to the public approximately one hour prior to
showtime. Theatre seating traditionally begins 30 minutes prior to showtime.
dren who are disruptive to other guests will be asked to leave the seating
area. Infants will not be allowed admission to Broadway performances. LOST AND FOUND • Please notify any usher immediately upon dis-
covery of lost or found articles. After a performance, you may call the
DONOR PROGRAM • Hennepin Theatre Trust Donors experience spe- Box Office at 612. 339.7007.
cial benefits and have access to exclusive events while also supporting
the Trust’s education programming and the preservation of the State, Or- RE-ENTRY INTO THE THEATRE • Please see an usher if you would
pheum and Pantages • ••Theatres. Visit
•• our website
• ••to learn more
• about be- like to exit and re-enter the theatre.
coming a Donor. RESTROOM LOCATIONS • Restrooms are located inside the ticketed area
DRESS CODE • While our theatres have no specific dress code, we of each theatre, please see an usher for direction to the nearest restroom.
find that many of our patrons like to dress up to celebrate attending SEASON TICKETS • Season Tickets and flexible Pick Your Package
a special event. The most important thing is to dress appropriately for options are available for Hennepin Theatre Trust’s Broadway series. Visit
a special occasion. our website to learn more.
EDUCATION • Hennepin Theatre Trust’s education department strives to SECONDARY TICKET MARKET • Consumer Warning - the State,
engage audiences of all ages through a variety of educational and outreach Orpheum and Pantages Theatres use bar code scanning for ticket ad-
programs. Visit our website to learn more. missions. As a result, patrons should be careful when purchasing tickets
and should make sure the seller is a State, Orpheum or Pantages The-
EMERGENCIES • The telephone number for emergency messages is: atre licensed contractor, otherwise, you may be purchasing a ticket that
(612) 339-7007, ext 450. Emergency messages are delivered immedi- is invalid and will be denied admission.
ately during performances when seat locations are known. Persons ex- Ticketmaster is the ONLY authorized ticketing agent outside of the State The-
pecting emergency messages are asked to leave their seat locations in atre Box Office. If you purchase tickets from an unauthorized agent in the
advance with the calling party and with the Box Office upon arrival. secondary market (Scalper, Ticket Broker, eBay, Craigslist, etc.), you risk
purchasing counterfeit or invalid tickets. If you wish to purchase tickets from
EXCHANGES • Tickets may be exchanged to another performance of
the secondary market, we encourage the use of TicketExchange.
the same show in person at the box office at least 24 hours prior to the TicketExchange is Ticketmaster’s online service that enables pre-
currently scheduled performance. Exchanges are subject to availability, mium and fan-to-fan transactions. Only Ticketmaster can guarantee
and are assessed a $5.00 per ticket exchange fee. If the patron ex- 100% legitimate secondary market tickets, because the tickets sold
changes into a more expensive performance, they must pay the differ- through TicketExchange are linked to Ticketmaster’s barcoded tick-
ence in ticket price. There is no refund for exchanging into a less eting systems. Visit our website for more information on TicketEx-
expensive performance. There are NO exchanges on Group Sales or change.
Comp tickets.
SEATING • Guests arriving after the start of the performance will be
FIRST AID • First aid supplies are available at all theatres. Ask any seated at the discretion of management, in accordance to the wishes of
usher for assistance. There is a security officer trained in CPR and First the performing company. These times vary with each production. Please
Aid on duty at every performance from the time the lobbies open until plan to allow plenty of time for parking.
all guests have exited. SMOKING • The State, Orpheum & Pantages Theatres & their lobbies
FOOD AND BEVERAGES • A variety of beverages including wine, are entirely smoke-free.
beer and soft drinks and light snacks including mints and cookies are TICKETS • Tickets can be purchased in person at the State Theatre Box
available for purchase in the theatre. No outside food or beverages are Office, by phone through the Ticketmaster Artsline, online through Tick-
allowed in the theatre. etmaster.com or through Ticketmaster outlets.
GROUP SALES • Bringing your group to the Hennepin Theatre District WEATHER • In cases of inclement weather, most shows will go on as
is easy! Our standard group minimum is 15 people, but may vary with scheduled. Visit our website for the show you are scheduled to attend or
each performance. call the box office at 612.339.7007 for the latest updates.
For complete information on our services for Accessible Seating, ASL Interpreted Performances, Assisted Listening and Audio Described
performances and Open Captioning, please visit our website at www.HennepinTheatreTrust.org or call us at 612.339.7007.

PLAYBILLVAULT.COM ORPHEUM THEATRE    19

 CREATE YOUR OWN
BROADWAY FLEX PACKAGE*
YOU PICK THE SHOWS. YOU PICK THE DATES.

SEPT. 18 – OCT. 27, 2013 OCT. 22–26, 2013 NOV. 19–24, 2013 DEC. 13, 2013 – JAN. 5, 2014

BROADWAY
RE-IMAGINED

JAN. 15 – FEB. 9, 2014 JAN. 28 – FEB. 2, 2014 FEB. 18–23, 2014 MAR. 11–16, 2014

APR. 1–6, 2014 MAY 27 – JUNE 1, 2014 JUNE 18–23, 2014

FLEX PACKAGES ON SALE NOW!

1.800.859.SHOW (7469) HENNEPINTHEATRETRUST.ORG
MONDAY–FRIDAY 10AM–5PM CST GROUPS SAVE! CALL 612.373.5665

SEASON
SPONSORS:

*Must purchase a minimum of three shows. Package price and seating location vary by performance. Subject to availability. Dates, times, artists and prices
are subject to change without notice. Additional handling fees apply. If you have already purchased Les Misérables, Wicked, Billy Crystal’s 700 Sundays or
The Phantom of the OperaSOHDVHFDOO6+2:RUYLVLWWKHER[RIŵFHWRDGGWZRPRUHVKRZVWRFUHDWH\RXUŶH[SDFNDJH