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    Artwork Plan Worksheet 1

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    Jessamyn Dimalibot
    The document provides details about an assemblage artwork created by group 8. The artwork is inspired by Carlos "Botong" V. Francisco's "Cry of Pugadlawin" but depicts rape in today's society rather than the Katipuneros fighting colonization. The assemblage will use unconventional materials like plastic bottles and magazines to represent each element with complexity. It will occupy space and allow sensory interaction. A video may be used to set a darker mood. The artwork makes appropriation and hybridity principles contemporary by modernizing the traditional work and using mixed materials. It aims to raise awareness of human rights issues and teach lessons from history to build a culture of peace.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Artwork Plan Worksheet 1

    Uploaded by

    Jessamyn Dimalibot
    51 views4 pages
    The document provides details about an assemblage artwork created by group 8. The artwork is inspired by Carlos "Botong" V. Francisco's "Cry of Pugadlawin" but depicts rape in today's society rather than the Katipuneros fighting colonization. The assemblage will use unconventional materials like plastic bottles and magazines to represent each element with complexity. It will occupy space and allow sensory interaction. A video may be used to set a darker mood. The artwork makes appropriation and hybridity principles contemporary by modernizing the traditional work and using mixed materials. It aims to raise awareness of human rights issues and teach lessons from history to build a culture of peace.

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    The document provides details about an assemblage artwork created by group 8. The artwork is inspired by Carlos "Botong" V. Francisco's "Cry of Pugadlawin" but depicts rape in today's society rather than the Katipuneros fighting colonization. The assemblage will use unconventional materials like plastic bottles and magazines to represent each element with complexity. It will occupy space and allow sensory interaction. A video may be used to set a darker mood. The artwork makes appropriation and hybridity principles contemporary by modernizing the traditional work and using mixed materials. It aims to raise awareness of human rights issues and teach lessons from history to build a culture of peace.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    51 views4 pages

    Artwork Plan Worksheet 1

    Uploaded by

    Jessamyn Dimalibot
    The document provides details about an assemblage artwork created by group 8. The artwork is inspired by Carlos "Botong" V. Francisco's "Cry of Pugadlawin" but depicts rape in today's society rather than the Katipuneros fighting colonization. The assemblage will use unconventional materials like plastic bottles and magazines to represent each element with complexity. It will occupy space and allow sensory interaction. A video may be used to set a darker mood. The artwork makes appropriation and hybridity principles contemporary by modernizing the traditional work and using mixed materials. It aims to raise awareness of human rights issues and teach lessons from history to build a culture of peace.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4

    February 11, 2020 [​ARTWORK PLAN WORKSHEET 1​]

    Lesson:
    Traditional / Contemporary Art Elements/Principles of Art

    Group #: ​8
    Section: ​S12-07

    Artists’ name Role


    (LAST NAME, FIRST NAME, MI)
    1. Agasino, Patricia Laiza Innovator
    2. Arcega, Rehlan Jacob Runner
    3. Baja, Neilah Beatriz Recorder
    4. Dimalibot, Glyn Daniel Harmonizer
    5. Escal, Eloisa Marie Prioritizer
    6. Silva, Lorenz Jerome Facilitator

    ABOUT THE ARTWORK

    Art Form Assemblage


    Subject Cry of Pugadlawin
    Theme Building a Culture of Peace, Humanity and Stewardship
    February 11, 2020 [​ARTWORK PLAN WORKSHEET 1​]

    TRADITIONAL FILIPINO ARTWORK CONTEMPORARY ARTWORK

    Integration of Elements/Principles of Art

    ● Appropriation

    Since the activity directs the student to create a contemporary art inspired by a traditional
    art, the Principle of Appropriation will be very evident in the created art. The chosen traditional
    art is entitled ​Cry of Pugadlawin by Carlos “Botong” V. Francisco which mainly depicts the
    historical event of Filipinos taking arms against the Spanish colonization. In this painting, it
    glorifies the ​Katipuneros a​ s they rip their ​cedulas as the initiation of fighting for the country’s
    freedom. However, in contemporary artwork, it is the exact opposite because it will visualize the
    misogynistic nature of men as they rip their ​cedulas, ​which are represented by the uterus, to
    glorify themselves as “men”. The ripping uterus is depicted to be in the form of rape as they
    forcefully tear a women’s womanhood. In today’s society, there is a massive number of rape cases
    in the Philippines which is why the group chose to represent the issue.
    February 11, 2020 [​ARTWORK PLAN WORKSHEET 1​]

    ● Space

    Since it is in the form of assemblage which consists of three-dimensional elements, it will


    occupy space and can establish an engagement to the audience. The arrangement of materials and
    space will allow the audience to interact with the artwork’s elements using the senses of touch and
    vision. As different elements will be used, the multi-textural characteristic of the art will appeal to
    the senses of touch of the audience. This three-dimensional art allows the audience to walk freely
    around it in order to get a clearer view of the art.

    ● Hybridity

    The artwork is in the form of an assemblage which is why the Principle of Hybridity will be
    evidently applied. Since the topic is sensitive, the tone of creep and horror will be the main
    depiction and representation of the artwork. To achieve this, the group will be using
    unconventional materials such as; plastic bottles, used crayons, old magazines and many more.
    With this kind of materials, the group will be able to represent each element with much
    complexity since the shapes and color combinations formed will establish its own uniqueness from
    other artworks. The group will be able to create an assemblage which is not totally appealing in
    the first look, but exhibits its beauty of complexity as the viewer studies the artwork.

    ● Technology

    The use of technology will not be fully evident in the artwork itself. Instead, the use of
    technology can be used to set the ambiance of the artwork into a darker and creepier mood. Using
    the manipulation of lights in a video presentation, this video will be projected as the artwork’s
    spotlight which will exhibit greater impact for it builds the mood.

    ● Performance

    The Principle of Performance, on the other hand, cannot be applied in the said assemblage
    because in order to exhibit performance, it requires movement or an action in which an artwork
    cannot do.
    February 11, 2020 [​ARTWORK PLAN WORKSHEET 1​]

    Q and A

    1. What makes your artwork contemporary?

    Contemporary art, by definition, is a form of art in which an artist expresses his/her ideas

    An artwork, to be considered as contemporary art, must consist of the characteristics and


    elements in it. The group modernized the depiction of the artwork ​Cry of Pugadlawin which is why
    instead of using painting or sculpture they used another form of artwork which is assemblage. The
    artwork is not confined in museums, it is exposed in public wherein it involves the connection between
    the audience and the artwork itself. Comparing the assemblage to the others, it makes contemporary
    since it is made at the present time and it developed elements from the existing artwork by Carlos
    “Botong” V. Francisco, a national artist, which is the ​Cry of Pugadlawin. F​ urthermore, the artwork also
    exhibits mainly two principles of contemporary arts namely; appropriation and hybridity. The Principle
    of Appropriation is presented in the assemblage for its elements inspired in the original artwork but
    depicts different messages for the audience. Hybridity on the other hand, is also exhibited since it will be
    assembled using unconventional materials such as recycled papers and plastics. Furthermore the group,
    as students, are the prime example of youths who are aware of the degrading issues that the country is
    facing nowadays which is why they chose to represent the issue based on what the current setting is
    representing.

    2. How does your artwork contribute to building a culture of peace, development, and stewardship?

    Seeing the past through art as our lenses, this artwork will demonstrate the silences of certain voices
    from the Philippine history. The story behind this artwork is one of those which is about the historical
    rape of Emilio Aguinaldo to Gregoria De Jesus, the Lakambini of Katipunan. This artwork likewise
    promotes respect for all human rights that fully play a part in making peace and promoting humanity, as
    it portrays termination of the past rape issue of Emilio Aguinaldo. It aims to diminish all maltreatment to
    women, generally, all sexual violence. The artwork also depicts the crime committed by Emilio
    Aguinaldo in ordering an execution to the leader of the Philippine Revolution, Andres Bonifacio along
    with his brother Procopio which is against humanity. His betrayal to his fellow Filipinos proves how
    inhumane people can be when blinded by greed for power. This lesson from the past builds our integrity
    and character in order to restore our faith to humanity. Lastly, documenting the historical struggles of
    Filipinos from Spanish colonization through this artwork will also foster a culture of stewardship. This
    will help us remain good stewards of people, freedom and democracy. With the 333 years of oppression
    to Filipinos, it teaches us to protect our nation, identity and also the right to vote for the greater benefit
    of the country. The bystanders who did nothing as the Bonifacio brothers were being killed shown in the
    artwork neglected their responsibility to defend the lives of their fellowmen. Ultimately, this artwork
    through historical representations has the power to awaken the audience encouraging them to be the
    change they want to experience.

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