5 New - Glass - Review PDF
5 New - Glass - Review PDF
5 New - Glass - Review PDF
tltlllilf ill!
Copyright© 1984
The Corning Museum of Glass
Corning, New York 14831
Printed in U.S.A.
Standard Book Number 0-87290-110-6
issn: 0275-469X
Library of Congress Catalog Card Number
81-641214
D u R I N G the judging process, I was guided by two prin But the New Glass Review is not what I wish it was, not
cipal attitudes toward the glass. First, I chose several pieces what we had in mind when we started in 1976. The in
that appeared from the slides to be well crafted and well dustrial designer is barely evident, geographic represen
designed and to contain strong contours and definitional tation is spotty, and the appearance of work from produc
lines (Hyde, 38; Powell, 68; Tagliapetra/Marina, 86). tion studios is diminishing as the studios themselves pro
These pieces are successful for me because they are crisp, liferate.
clean, controlled, and self-contained (Alex Brand, 12; Why?
Perkins, 66; Takeuchi, 87). They may lack emotion, they Over the years slides have been submitted in virtually
may be too pure or even cold, but they stand on their own all categories, but we find some more interesting than
as art objects because they project a heightened sense of others. For example, the subtleties in knop variations on
style and beauty. immaculate crystal wineglasses have proven less appeal
My second attitude toward the glass dominated the ing than unique sculptures evidencing the imaginations,
majority of my choices. I was especially drawn to work convictions, and abilities of individual artists. And it is
that was emotionally charged (Briggs, 10), (Caffery, 17; with this bias that we have chosen our fellow judges—
Zamecnikova, 100), or whimsical (Handler, 32; Shapiro, largely artists, curators of art, and art critics.
78). I also was attracted to work which was painterly A more balanced Review in every sense requires cate
(Burton, 15; Schreiter, 75), sculptural (Lee, 47; Leser, 49; gorizing, but that, in turn, requires enough submissions
Taylor, 88), or figurative (Halvorson, 31; Klein, 42; Van of sufficiently high quality in each category to choose
Cline, 92). At times, though, the craftsmanship could from. Everything depends on what is submitted; in the
have been more precise (Johnson, 40), the emotions more final analysis, New Glass Review can be no better than the
fully explored (Menzer, 59), the figures rendered with best we are privileged to review. What do you think we
somewhat more subtlety (Bally-Jensen, 6; Quagliata, should do? THOMAS S. BUECHNER
70), or the scale more monumental (Babula, 5; Luebtow,
52). This trendsetting group deserves serious and careful
study; New Glass Review 5 is particularly adventurous A s one who has been and continues to be excited by glass,
because it emphasizes this type of work. the material, I found that the entries to New Glass Review
Finally, I feel compelled to record that in too many 5 reinforced my belief that glass has only begun to
cases very poor photographs masked what may have been be as expressive and provocative as it will yet become. It
quality work. Certain artists, however, were rejected is apparent that glassmakers now know how to make
simply because work of a similar nature had been in beautiful vessels and windows, but current efforts are
cluded in prior issues of New Glass Review. more toward conceptual questioning and mainstream art
All in all, I was witness to enough exciting work to concerns. As is to be seen in many of the pieces in this
underscore my long-held beliefs that glass is an intriguing Review, this approach does not produce what is tradi
but very challenging medium and that many of the most tionally considered "beautiful" glass, nor is some of it
innovative ideas in art today are finding expression through truly resolved. But not to review the new is to placate
numerous talented artists working in glass. I was very what could become vapid aesthetics in the so called "glass
honored, especially as a collector, to be chosen as one of art movement."
the visiting jurors for New Glass Review 5. I hope that my Most of the objects are more than patterns of visual
choices and this explanatory statement will be stimulating stimulation; most seem to have pasts and futures. Refer
toothers. RONALD D . ABRAMSON ences are made to the rich heritage of glass associations
and uses which are then denied or transformed. Vessel
shapes are cut up, pieced together to create new forms or
T H E New Glass Review is a selection made by four judges are so heavily laden with decoration that the idea of func
on the basis of their individual notions of quality and tion becomes one of the past. Flat glass (usually associated
originality and, to a minor extent, history. I have been with leaded glass) is used as components for sculptural
one of those four for eight years (three on the microfiche, work and is slumped, scratched, broken, tied, fused,
five on New Glass Review), and I enjoy that role more each blasted, bolted, glued, and painted. Painterly concerns
year—like a child on Christmas morning, who can hardly are strong, with paint being used very expressionistically,
wait to see what Santa Claus has brought. often on both sides of multiple glass surfaces to create a
This year was the best yet; sometimes we barely make rich viewing depth. Figurative work is abstracted, dis
one hundred choices on our first time through. This time torted, very primitive, and somewhat symbolic.
we had three hundred at the end of round two—and a lot Prevalent is the use of mixed media with glass, this
of misery over the eliminations. being particularly apparent in works I shall call ritualistic
environments. Totems, altars, and shrines, derived from will never again be the same; I will always look for the
personal vision, seem to reveal cryptic messages purport spirits within.
ing mythic (or banal) understandings of life. The frequent Both of these objects surprised me; neither was ex
allusion to ritual—a prescribed code of behavior regulat pected. Is that the meaning of intuition AND of innova
ing social conduct often associated with belief—seems tion? Yes or no, both compelled me to write my initials
somewhat metaphorical for the currently confused politi besidethem. WILLIAM WARMUS
cal state of the world. Participation in these environ
ments, where placement and scale of objects have gone • • •
awry, is one of sumptuous provocation.
The richer the associations elicited when viewing art,
the more interested and inquisitive I become about the COMMENTARY
work. Overall, most of the artists submitting to this Re
view have strong personal vision that speaks of contem C O N T E M P O R A R Y glass has been an important focus at
porary concerns and are pushing concepts beyond their The Corning Museum of Glass since its opening in 1951.
logical conclusions, important steps for growth of glass Two great exhibitions have surveyed the field worldwide:
artists and their work. SUSAN STINSMUEHLEN Glass 1959 and New Glass in 1979. In 1976 we also began
to publish a survey compiled from slides submitted by
contemporary glassmakers and selected by a jury of cura
WA S it last year I wrote that the most personal decisions tors, artists, museum directors, critics and others. This
are intuitive? This year, I will try to explain two particular survey became the New Glass Review in 1980 with color
intuitive selections, objects still vivid in my memory illustrations, a bibliography of recently published litera
from all the slides viewed. I know them only from slides, ture, and a gallery listing.
and my reaction is an instinctive, almost involuntary re The Review, meant to serve as a forum for the presenta
sponse to the power of the projected image. The image is tion of new work, provides all those interested in con
so strong that it instantly conveys an entire world to me. temporary glass with a useful overview of each year's
How? activity; jurors are urged to look for the unusual and the
The first object is Transition by Patrick Collentine (#23). innovative in aesthetics, function, and technique. Certain
We are all aware of the impending demise of the old difficulties, of course, are inherent in judging from slides:
hard-edged, steel-based industrialism—Howard Ben-Tre, quality and workmanship of individual pieces are hard
for example, captures the essence of this decline in cast to gauge; poor photography may mean that interesting
glass monoliths with corroded metal surfaces. We antici works cannot be published; objects dependent upon mo
pate the changes of high technology and the rise of arti tion, lighting effects, etc., will always pose problems of
ficial intelligence. A certain style of fashionable clothing interpretation.
even attempts to mimic the aesthetic of high tech, but it In 1983, more than 5,000 announcements were mailed.
does so by envisioning the human body as a fabulous Each entrant submitted a maximum of three slides; a total
"soft machine." Eventually, perhaps, computers will be of 790 individuals or companies representing twenty-
soft and supple enough to wear as jackets. "Thinking seven countries submitted 2,198 slides, a slight decrease
jackets." from last year. All slides submitted to New Glass Review 3
The image presented by Transition is so compelling and 4 have been retained for the Museum's archives where
because for me it is the first tentative glimmer of this they may be viewed by those interested in contemporary
fusion of the solid state (the copper laminate on glass) and glass. In addition, copies of slides published in any of the
the soft machine (the fragile paper that looks like an egg past Reviews may be purchased by special order from the
crate). I don't know if this was the artist's intent. I do Sales Department of the Museum.
know my immediate response. A strong visual image The selection panel consists of four members. Thomas
caught my attention in the midst of thousands of slides. I S. Buechner, Chairman of Steuben Glass and President of
made an intuitive selection. Only after my choice did I The Corning Museum of Glass, and William Warmus,
articulate my reason. Will Transition survive for me as a Associate Curator of Twentieth-Century Glass, are the
compelling image now that I can write about it? The two permanent members. The 1983 visiting members
answer will require repeated viewings. were Susan Stinsmuehlen, artist, and Ronald D. Abram-
Buddha Door Listening with Open Mind by Kari Carter son, collector. This year each juror has contributed a brief
(#20) is an "open" door, but reduced to a caricature—the personal statement about the Review and the objects se
"doorness" existing only as a pedestal for the glass head. lected. The initials of the jurors follow the objects they
The implied violence of a smashed door and the casual chose (jurors abstained from selecting the work of their
painted surface seem to relate to punk or new wave art, students or associates, or work in their collections).
while the mixing of "found" elements is in the style of the The judges and editors of the Review wish to thank all
surrealists or cubists. None of that came to mind when I those who generously submitted their slides. Special
first saw and chose this, though—only later. Something thanks are due to those who made the publication pos
in that sad door—a mere shadow of itself surmounted by sible: Louise Bush, Charleen Edwards, Phyllis Casterline,
a redeeming human head—made me choose it. Doors Barbara Miller and Charlene Holland.
Artists and Objects Flash glass, sandblasted,
slumped, and painted; glass
ware, rope, and wire
H. (largest flag) 121 cm, L.
1 Hank Murta Adams (rope) 5 m
Tennessee, United States RA, SS, WW
Agnes
Blown; carved and finished 4 Michael J.
basswood and cherry
H. 183 cm, W. 61 cm Aschenbrenner
RA, TB, SS, WW New York, United States
The Manoa Pick-up
Sandblasted; painted canvas
2 Brigitta Ahlin and cutouts on wood
Sirkka Lehtonen H. 30.5 cm, W. 91.5 cm
Stockholm, Sweden RA, SS, WW
Le ciel eclarte I
Laminated 5 Mary Ann Babula
H. 280 cm, W. 25 cm Massachusetts, United States
RA, SS
Untitled
Multi-laminated sheet glass,
3 Valerie Arber commercial plate glass,
Vitrolite, fused stained glass;
New Mexico, United States cut, ground, polished
Flag Series/Dangerous H. 26 cm, W. 18 cm
Decadence RA, WW
6 Judy Bally-Jensen 9 Rick Bernstein
Texas, United States Massachusetts, United States
Encounters Home Again; Eat Again; Watch
Reverse painting on etched some T.V.
glass Hand-blown flashed glass and
H. 480 cm, W. 890 cm Vitrolite; polished, sand
RA, WW; SS abstained blasted, etched, diamond-
point engraved, glued,
drilled, bolted; plexiglass
7 P. M. B. Beegan base; life-sized broom
England H. 140 cm, W. 79 cm, Depth
46 cm
Sunburst Caught in Glass © 1983
Blown into plaster molds TB; RA abstained
H. 24 cm, W. 16 cm
TB, SS
10 Bonnie Biggs
Pennsylvania, United States
8 Gregor Bendel ACS #3 Blocks
Federal Republic of Germany Layered safety glass, sand
Mirror: Four Elements blasted; vacu-formed poly
Mirror, etched; inlaid and vinyl; painted wood
painted objects; wooden H. 180 cm, W. 90 cm
Frame RA, TB, SS, WW
H. 83 cm, W. 115 cm
SS, WW 6
9 10
11 Jim Bowman Cast and blown, laminated
Glassearch and assembled; plexiglass
Texas, United States "altar"
Portable Fascination with H. 45.7 cm, W. 30.5 cm
Hidden Meaning Photograph© 1983 Roger
Schreioer
Fused, cast, cut, polished; RA, SS
mixed media
H. 48 cm, W. 68 cm
RA, SS, WW
14 Jane Bruce
Ohio, United States
12 Alex Brand
Massachusetts, United States Table for Ora
Blown, slumped, fused;
Footed Vessel handmade paper and wire
Blown in separate parts; cold- screen
worked, fused hot, additional H. 61 cm, W. 76 x 76 cm
blowing; legs cold-worked RA, TB, SS, WW
and fabricated
H. 22.8 cm, W. 20.3 cm
RA, TB, SS, WW
15 David Burton
California, United States
13 Dorit Brand
Washington, United States Site #3
Pate de verre; laminations
Little Red (Interior Altar H. 61 cm, W. 69 cm
series) RA, TB, SS, WW
12 13
14 15
16 Ken Butterfield 19 Jay Carter
California, United States Washington, D.C., United
A Merman I May Grow to Be
States
Slump cast; bronze School Security Screen # 1,
H. 23 cm, W. 10 cm Chemistry Class
RA, SS, WW Includes Pyrex ® glass, wood
metal, enamels
H. 153 cm, W. 56 cm
17 Mary Ann Caffery RA, SS, WW
Louisiana, United States
L.E.D. Temple
Mold-blown, drilled, sawed, 20 Kari E. Carter
glued, wired, soldered, pol Rhode Island, United States
ished; mixed media Buddha Door Listening with
H. 33 cm, W. 23 cm Open Mind
RA, TB, SS Blown; found door piece;
telephone wire; tar; acrylic
paint; carved
18 James Carpenter H. 292 cm, W. 22 cm
New York, United States RA, SS, WW
Red Lattice Screen
Hand-blown roundels with
threading set in hand-
lacquered wooden frame
H. 192.5 cm, W. 450 cm
TB, SS, WW; RA abstained
21 Jose M. Chardiet 24 Gunnar Cyren
Ohio, United States Orrefors Glasbruk, Sweden
Gray City Stratos
Blown, kugler drawing, Blown, cut
slumped, cut H. 18 cm, W. 19 cm
H. 55 cm, W. 34 cm TB, WW
SS, WW
25 Victor Deniau
22 Jon Clark France
Piennsylvania, United States Le Voyage D'Hiver
Dancing Figu
oure Dalle de verre
Mold-'
-blown, painted D. 183 cm
H. 42 cm, W. 10 cm SS, WW
RA, TB, SS
23 Patrick Collentine
California, United States
Transition
Copper laminated on glass;
electricity; capacitor on
formed paper
H. 300 cm, W. 400 cm
21 WW
26 Peter Dreiser 29 Saburo Funakoshi
England Hoya Corporation, Japan
The Price of Oil Capsule (Hexagon)
Blown; copper, stone, and Blown; cut ana polished
diamond wheel-engraved H. (tallest) 21.5 cm, W. 12 cm
H. 20 cm, W. 15 cm RA, TB
RA, TB, SS, WW
30 EkaHaberling
Switzerland
27 Garth Edwards Seduction (perfume bottle)
Oregon, United States Lampworted; sandblown
She Froze H. 5 cm, W. 4.5 cm
Lead and copperfoil technique TB, WW
H. 50 cm, W. 120 cm
RA, TB
28 Makoto Fujiwara
Japan
Untitled
Blown; acid-polished
H. 26 cm, W. 21 cm
TB, SS
31 Erik Halvorson 34 Amber Hiscott
Wisconsin, United States United Kingdom
Untitled 1983 Stained Glass Canopy for
Sandcast, sandblasted Liberty of Regent Street,
H. 40 cm, W. 17.6 cm London
RA, TB, SS, WW Flat glass; lead glazed,
painted, acid-etched, sand
blasted; internally lit; sofit
32 Audrey Handler 260 cm x 230 cm
Wisconsin, United States TB, WW
All the World's a Stage (Arrival)
Blown glass; beveled plate 35 Pavel Hlava
glass; sterling silver figures;
paintings on canvas; wood Made in collaboration with
H. 24.1 cm, W. 29.2 cm Jaroslav Stursa
RA, TB, SS Czechoslovakia
Light Sculpture in the
National Theater, Prague
33 Richard Spencer Harned Individual elements cast and
Ohio, United States cut; metal construction; neon
H. 1250 cm, W. 1000 cm
God's Eye RA, TB, WW
Rolled sheet glass and neon
tubing
H. 100 cm, W. 270 cm
31 RA, SS
33
34 35
36 Diana Hobson Blown; trailed decoration
England H. (tallest) 20 cm, W. 11 cm
© 1983
Group of Three Hollow Forms RA, TB
Pate ae verre
H. (tallest) 12 cm, W. 15 cm
TB, WW 39 Kinukolto
Japan
Nightcap
Pate de verre
37 Barbara JofFe Hursh H. 6.5 cm, W. 7.1 cm
California, United States RA, TB, WW
Untitled
Stained glass, sandblasted,
leaded, copperfoiled; fused 40 Dan Johnson
glass, vitreous paints, silver Pennsylvania, United States
stain, forged wire Hang Glider
H. 66 cm, W. 71 cm Slumped and fused, cut and
Photograph by Bob Aude ground; wood and rope
RA, SS, WW H. 110 cm, W. 100 cm
RA, SS
38 Elaine Hyde
California, United States
Black Wrap Series
•f"
41 Robert Kehlmann 44 Kimiko Kogure
California, United States California, United States
Oracle Nest
Flat glass, sandblasted; reverse Slumped and sandblasted;
copper etched fabricated with silk
H. 42 cm, W. 31 cm H. 86 cm, W. 86 cm
RA, SS, WW © 1983 Kimiko Kogure
RA, TB, SS, WW
43 Joachim Klos
Federal Republic of Germany
Freie Komposition
Leaded glass
H. 1500 cm, W. 600 cm
41 RA, TB, SS, WW
44 45
46 Richard LaLonde The Elephants Are Dying
Washington, United States Blown; cut, sandblasted
enameled
From Post-Contemporary Series
H. 105 cm, W. 120 cm
Fused, slumped, neat-
TB, SS
polished matte finish
H. 17 cm, W. 43 cm
Photograph© 1983 Roger
Schreiber
TB, WW
49 MaxLeser
Ontario, Canada
Glass Sculpture
Laminated and fabricated
47 Christopher Lee H. 30 cm, W. 30 cm
California, United States RA, TB
Wall Wedge
Plate glass; brass, gold leaf,
enamel; drilled, bolted, glued,
assembled
H. 96 cm, W. 61 cm 50 oel Linard
RA, SS : rance
47 48
51 Bert van Loo Amphitheatrum
The Netherlands Laminated and cut
H. 11 cm, D. 75 cm
Blind Faces RA, TB
Mosaic glass, Vitrolite,
antique glass, slumped and
blown; leaded; on plywood
H. 200 cm, W. 110 cm
SS 54 Linda MacNeil
Massachusetts, United States
Plate Glass Vessel
Plate glass; cut, ground,
drilled, polished, etched;
52 John Gilbert Luebtow goldplated brass
California, United States H. 16 cm, W. 16 cm
RA, TB
Linear Form Series—# 64
Slumped, polished,
sandblasted
H. 46 cm, W. 31 cm
RA 55 Andrew Magdanz
Massachusetts, United States
Massively Resting
Blown; wheel-cut,
acid-polished
53 Maria Lugossy H. 33 cm, W. 14 cm
51 Hungary RA, TB, WW
52 53
56 John R. Magin 59 JeffMenzer
Massachusetts, United States Nevada, United States
Pas de Deux It's a Girl
Slumped and blown; Vitro- Sandcast and sandblasted;
lite; sandblasted, glued metal, wood
H. 40.6 cm, W. 35.6 cm H. 25 cm, W. 15 cm
RA, SS RA, TB
58 Concetta Mason
New York, United States
Arena
Blown; controlled breaking
technique; sandblasted,
enameled
H. 25 cm, W. 20 cm
TB, SS, WW 56
59 60
61 William Morris 64 Thomas O'Connell
Washington, United States Massachusetts, United States
Standing Stone Rt. 95N. Ruler
Mold-blown Cast glass (into graphite
H. 92 cm, W. 39 cm mold); blown glass, cut,
Photograph© 1983 Roger sandblasted, acid-etched
Schreioer H. 43 cm, W. 14 cm
RA, TB, WW; SS abstained RA, SS
62 63
64 65
66 Danny Perkins Syrinx System II
California, United States Laminated, engraved,
ground, polished; painted
Black Lagoon steel
Blown; fractured, sandblasted; H. 13 cm, W. 13 cm
oil paint, silicon RA, TB; SS abstained
H. 48.4 cm, W. 22 cm
RA, TB, SS, WW
69 Pamela E. Powers
67 Richard Posner Rhode Island, United States
Washington, United States
Medicine Cup with Attached
The Crystal Pallets: deFence of Glass
Light Blown; enameled
Detail of project for the Mult H. 16 cm, W. 7 x 11 cm
nomah County Elections TB, SS, WW
Building in Portland, Oregon
Laminated plate glass, photo-
sandblasted mirror; assem
bled with nylon nuts and bolts
H. (overall) 810 cm, W. 4500 70 Narcissus Quagliata
cm California, United States
RA, SS, WW The Glance
Stained and leaded glass
H. 132.5 cm, W. 172 cm
68 Carl Powell © 1983 Narcissus Quagliata
Georgia, United States RA, TB, SS, WW 66
67 68
69 70
71 Neil Roberts Tetra
Australia Leaded and painted glass
H. 85 cm, W. 55 cm
Broken Illumination # 1 (Night) TB, SS, WW
Installed in external wall at the
Canberra School of Art
Plate glass; neon/argon tube
H. 120 cm, W. 3 cm
RA, SS, WW 74 Shimpei Sato
Japan
Refraction II
Double-glazed glass; cracked,
glued, cut, leaded, sand-
72 WaineRvzak Blasted
British Columbia, Canada H. 60 cm, W. 110 cm
Installation if 1 2 © 1983 Shimpei Sato
Cast glass parts installed in an SS, WW
environment of silk, cotton,.
and fluorescent light
H. 366 cm, W. 183 cm
RA, TB, SS, WW 75 Johannes Schreiter
Federal Republic of Germany
Fazit 19/1983/GB
Leaded glass; executed with
W. Derix, Taunusstein
73 Gizela Sabokova H. 259 cm, W. 105 cm
71 Czechoslovakia RA, TB, SS, WW
jIL
76 Anne K. Schroeder 79 Mary Kay Simoni
Ohio, United States Ohio, United States
Untitled Anne's Window
Flat and blown glass; oil paint Plate glass and glass chips;
H. 130 cm, W. 75 cm painted wood
RA, SS, WW H. 55 cm, W. 60 cm
RA, SS
78 Susan Shapiro
Massachusetts, United States
Fred's Flower
Sandcast; wheel-cut, sand
blasted, fired enamels
H. 29 cm, W. 14 cm
RA, TB
81 Stephen Skillitzi Pair of painted panels
South Australia Flat glass; enameled, luster,
Sentinels sandblasted, acid-etched
H. (each) 376 cm, W. 100 cm
Float glass disks; restackable RA, SS
H. 175 cm, W. 60 cm
RA, SS
84 Therman Statom
California, United States
Untitled
Plate glass; paint, water, cane,
T<exas, United States silicone construction
Lightsketch #4 H. 150 cm, W. 45 cm
Flat glass; leaded; silicone RA, SS, WW
sealant
H. 86.7 cm, W. 38.3 cm
) 1983 Jeff Smith
RA, TB, SS
85 Rejene Stowe
Nova Scotia, Canada
Reticulum
Flat glass; copperfoil
technique
83 Anne Francesca Smyth H. 52.5 cm, W. 78.5 cm
England TB, SS
86 Lino Tagliapetra and Flat glass; laminated,
Angelin Marina constructed
Effetre International, Italy H. 49 cm, W. 30 cm
Photo by Jamey Stillings
Psico Vase RA, TB, WW
Blown; filigree
H. 32 cm, D. 13 cm
RA, TB, WW
89 Catherine Thompson
Washington, United States
Fairuz and the Elephant King at
the Lake of the Moon
87 Denji Takeuchi Flat glass; painted, sand
Sasaki Glass Co., Ltd., Japan blasted, leaded
Object—Composition #50 H. 61.2 cm, W. 61.2 cm
Cast; cut and polished TB, SS
H. 30 cm, W. 10 cm
RA, TB
90 Akiko Usami
Japan
Swell of Ocean—Zaboon
88 Michael Taylor Flat glass, wood resin
New York, United States lacquered; mother-of-pearl,
gold leaf, metal frame
Rare Minerals Location Device H. 60 cm, W. 160 cm
—Prior to Activation SS, WW
91 Bertil Vallien H. 43.2 cm, W. 28.8 cm
Sweden RA, SS, WW
Solitude
Glass, sandcast and hot-
worked; cut and polished
H. 21 cm, W. 20 cm
RA, TB, SS, WW 94 Jack Wax
Rhode Island, United States
Redmarker Group
Cast glass and inlaid industrial
92 Mary Van Cline flashed white glass, cut,
Massachusetts, United States ground, and polished; white
The BalanceJust Beyond lacquered wood
Photo plate, cast glass, H. 89 cm, W. 105 cm
two-way mirror, lampwork, RA, SS, WW
wood
H. 42 cm, W. 25 cm
RA, TB, SS
95 Steven I. Weinberg
Rhode Island, United States
93 James Watkins Untitled
Rhode Island, United States Cast; cut, polished, sand
Still life II blasted
Plate glass, cut, assembled, H. 15 cm, W. 25 cm
painted; wood TB, WW; RA abstained
94 95
96 Dick Weiss H. 45 cm, W. 29.5 cm
Washington, United States SS, WW
Figure Series, No. 1
Stained glass; rondels by W.
Morris and S. Blomdahl
H. 220 cm, W. 65 cm 99 Dulany Lingo Young
RA, SS, WW New Mexico, United States
Memory Is the Editor
Flat glass; copperfoil tech
97 Walter White and nique, sandblasting, lead
Benjamin Moore overlay, epoxy, painting,
Washington, United States and double plating
Alabaster Hornet (hanging H. 93 cm, W. 95 cm
light fixture) © 1983 Dulany Lingo Young
Blown; machined brass hard SS, WW
ware
H. 45 cm, D. 41 cm
TB, SS
100 Dana Zamecnikova
Czechoslovakia
98 Lynda Wright Shooting Gallery
New York, United States
Multiple
" "ultiple layei
layers of sheet glass;
Black Venus sandblasted, enameled,
Flat and gathered glass; con engraved
structed; copperfoil technique; H. 31 cm, W. 31x10 cm
brass wire RA, TB, SS, WW 96
Bibliography O F R E C E N T L Y P U B L I S H E D ARTICLES A N D B O O K S O N GLASS
This list includes publications added to the Corning Mu-. hensive coverage of contemporary glassmaking:
seum of Glass Library since the bibliography for New
Glass Review 4. American Art Glass Quarterly
Glass Art Society Journal
Contemporary Glass (after 1945) Glass Review (Czechoslovakia)
Flat Glass (after 1945) including Architectural, Mosaic, Glass Studio
Painted, and Stained Glass Neues Glas
Technology (after 1945) New Work
Films on Videotape Stained Glass
C O N T E M P O R A R Y G L A S S (after 1945)
ANONYMOUS "British Glassware on Show in Japan" "Da Vicenza un richiamo alia semplicita"
"ACC Honors Achievement in the Crafts" Glass (U.K.), v. 5 9 , no. 1 2 , Dec. 1 9 8 2 , p. Vetro Informazione, v. 3, no. 14, March-
American Craft, v. 4 3 , no. 4 , Aug.-Sept. 492, ill. April 1983, pp. 32-34, ill-
1983, p. 7 6 , ill. Harvey Littleton. Royal Brierley presentation chalice. Glassware from Murano firms Seguso,
"American Craft Museum I" "Capolavori di vetro" Toso and others.
Neues Glas, no. 1, 1 9 8 3 , p. 3 7 , ill. Casa Vogue, no. 1 4 2 , June 1 9 8 3 , p. 1 0 8 , ill. "Daum setzt auf Fachhandel"
Two exhibits: Glen Lukens, and 7 Czech Exhibit of Seguso glass. Porzellan+Glas, no. 12, 1982, p. 57, ill.
glass artists. "La Carafe dans l'art de la table" "Don Friel—Resident Glass Artist"
"American Studio Glass: Masters of the Art" Revue des Industries d'Art Offrir, no. 1 8 8 , Jan. The Journal, A Newsletterfor Friends of
Gifts & Decorative Accessories, v. 8 4 , no. 1, 1983, PP- 91-97, ill. Wheaton Village, v. 6, no. 2, 1983, p. 2, ill.
Jan. 1 9 8 3 , pp. 1 1 6 - 1 2 1 , ill. Decanters and carafes, French firms. "Drei Glaskiinstler mit raffinierten
"An American Tradition" "Centenaire de la verrerie B. S. N. a Techniken"
The Journal, A Newsletterfor Friends of Veauche" Porzellan+Glas, no. 4 , 1 9 8 3 , p. 2 9 , ill.
Wheaton Village, v. 6, no. 4, 1983, p. 2, ill. La Revue de la Ceramique et du Verre, no. 11, Louis Leloup, Alina Gorny, and Kea
Steve Tobin at Wheaton Village Glass July-Aug. 1983, p. 43, ill. Verweij at Lucerne gallery.
Center. French bottle factory visited by studio "Dreissig Jahre Roberto Niederer—Glaser.
"Annual Exhibition— 1 9 8 3 " artists. Die 'Hergiswiler Glasi'"
Scottish Glass Society Newsletter, no. 1 0 , June "Close Up on Quality" Die Schaulade, v. 5 8 , no. 7 , July 1 9 8 3 , pp.
1 9 8 3 , p. 2 . Glass (U.K.), v. 6 0 , no. 1 0 , Oct. 1 9 8 3 , p. , 1123-1125, ill.
Perth exhibition. 369, ill. "Duett in Glas"
"Artists' News" Engraved vase by Edinburgh Crystal. Porzellan-\-Glas, v. 8 3 , no. 7 , 1 9 8 3 , p. 3 0 , ill.
Neues Glas, Continuing series: no. 1, 1 9 8 3 — "Come guizza quel cristallo" Monica Guggisberg and Philip Baldwin
no. 4 , 1 9 8 3 . Casa Vogue, no. 1 4 2 , June 1 9 8 3 , pp. exhibit, Munich.
"Ausstellung/Exhibition: Louis Leloup, 188-189, ill. "Exceptional and Rare"
Meister des Glases aus Belgien" Sculptures by Roberto Sambonet for Czechoslovak Glass Review, v. 9 , no. 2 - 3 ,
Neues Glas, no. 2 , April-June 1 9 8 3 , p. 9 4 , ill. Baccarat. 1954, pp. 5-16, ill.
"Ausstellung/Exhibition; Tucson Museum "Contemporary Glass Group to Meet at Lobmeyr glass, 1 9 5 0 's.
of Art: Sculptural Glass" Wheaton Village" "Exhibitions; Czechoslovakia: Vera Liskova,
Neues Glas, no. 2 , April-June 1 9 8 3 , p. 9 3 , ill. The Journal, A Newsletterfor Friends of Glass Artist"
"Ausstellung: Neues Glas in Deutschland" Wheaton Village, v. 6 , no. 2 , 1 9 8 3 , p. 2 . Craft International, April 1 9 8 3 , p. 4 6 .
Neues Glas, no. 2 , April-June 1 9 8 3 , pp. Newly formed contemporary glass group of 7 Czech artists at American Craft Museum,
the Delaware Valley. N.Y.
8 4 - 8 8 , ill.
5 9 German artists in exhibit organized by "Creative Glass Center of America Awards "Exhibitions: The Pressed Glass ofjirf Brabec
Diisseldorf Art Museum. Fellowships" and Vratislav Sotola"
"Award-winning Student Glass Designer" The Journal, A Newsletterfor Friends of Glass Review, v. 3 7 , no. 1 2 , 1 9 8 2 , p. 1 8 , ill.
Glass (U.K.), v. 6 0 , no. 7 ,July 1 9 8 3 , p. 2 3 3 , Wheaton Village, v. 6 , no. 3, July-Sept. 1 9 8 3 , "Fine Glass Engraving for Brooklyn Bridge
ill. p. 1. Centenary"
Anita Harris, Stourbridge College. 6 glass artists to use Wheaton Village Ceramic Industry, July 1 9 8 3 , pp. 4 8 - 4 9 , ill.
facilities. Commemorative tumbler designed by Peter
"Bohemian Crystal Chandeliers in the
Presidential Palace in Manila" "Cristal habille, cristal nu. Expositions pour Yenawine.
Glass Review, v. 3 2 , no. 6 , 1 9 7 7 , p. 9 . la promotion du cristal" "La forma finlandese"
From Kamenicky Senov. Revue des Industries d'Art Offrir, no. 1 8 7 , Abitare, no. 2 1 6 , July-Aug. 1 9 8 3 , pp. 5 8 - 7 5 ,
Dec. 1982, pp. 31-33, ill- ill. English summary.
"Bohemian Lead Crystal"
Baccarat. Riihimaki Glass Museum; designers
Czechoslovak Glass Review, v. 9 , no. 2 - 3 ,
"Czech Glassware" Wirkkala, Kallio, Franck, Sarpaneva; Iittala
1954, PP- 38-43, ill-
Design, no. 4 0 9 , Jan. 1 9 8 3 , p. 5 , ill. tableware.
"Bonnie Biggs at Helen Shlien Gallery" Award winning tableware by Jozef
Art Now/Boston, New England Gallery Guide, "Fragile Art 1 9 8 3 "
Klembus. Neues Glas, no. 3 , July-Sept. 1 9 8 3 , pp.
v. 4 , no. 1, Sept. 1 9 8 3 , p. 4 , ill.
150 —151, ill. "Glossar/Technical Terms" Crafts, no. 60, Jan.-Feb. 1983, pp. 26-29, ill-
Fifth annual competition. Neues Glas, Continuing series: no. 1, 1983— Exhibition at London gallery: neon, C.
"Fragile Art Competition Announces 18 no.4, 1983. Williams mold-blown fixture, etc.
Winners" "Die grosste Weinflasche und die grossten "A Little Bit of Cheshire"
The Craft Report, v. 9, no. 93, July/Aug. Zierglaser der Welt" Glass International, Dec. 1982, p. 57, ill.
1983, p. 11. Die Schaulade, v. 58, no. 7, July 1983, pp. Stipple-engraved goblet.
"Gallery: Glass" 1114-1115, ill. "Luciano Vistosi— 1980-1982"
American Craft, Continuing series: v. 43 , no. Oversized wine bottle and decorative Vetro Informazione, v. 2, no. 12, Nov.-Dec.
1, 1983— v. 43, no. 6, 1983. glasses blown in Regenhiitte. 1982, pp. 50-51, ill.
"The Gallery of Czechoslovak Glass in "Die grossten Zierglaser und die grosste Exhibit in Venice of Vistosi's recent work.
Toronto" Weinflasche der Welt" "Medallions of Creative Participants in the
Glass Review, v. 32, no. 7, 1977, p. 15, ill. Porzellan+Glas, v. 83, no. 7, 1983, p. 44, ill. Symposium"
English summary. Glass Review, v. 38, no. 3, 1983, pp. 16-33,
"G. A. S. Conference 1982, Featured Artists"
Oversized bottle and glasses. ill.
Glass Art Society Journal 1982-1983, pp.
90-94, ill. "Harvey K. Littleton" Work done by European artists at Novy
Bang, Buxbaum, Cash, Cuny, Seide, Neues Glas, no. 1, 1983, p. 2. Bor.
Wiener. Speech given by Littleton in Nov. 1982 at "Meister in der Tradition alter mahrischer
Essen. Glasmacherkunst"
"Giuseppe Signoretto"
Vetro Informazione, v. 2, no. 12, Nov.-Dec. "Hergiswiler Glastreffen/International Glass Porzellan+Glas, no. 2, 1983, p. 148, ill.
1982, pp. 34-35, ill. Meeting Hergiswil" Glass designer Frantisek Brunovsky.
Venetian glassmaker. Neues Glas, no. 3, July-Sept. 1983, p. 152, "Memphis '82: l'oggetto reinventato"
"Glaserne Spiegel der Existenz" ill. Casa Stile, no. 134, Oct. 1982, pp. 288-291,
Symposium, May 1983. ill. English Summary.
Porzellan+Glas, no. 4, 1983, pp. 116-117,
ill. "High Artistic Level of Czechoslovak Glass" Includes glass designed by Sottsass and
Maria Lugossy, Zoltan Bohus, Gyorgy Czechoslovak Glass Review, v. 9, no. 2-3, Zanini, made by Toso Vetri d'Arte.
Buczko at Essener Glasgalerie. 1954, PP- 50-55. >11- "Milt Walker's Magical Back Yard"
"Glashutte Eisch, Frauenau. Ausstellungen "Holography Poised for Breakthrough" Americana, v. 10, no. 6,Jan./Feb. 1983, p.
'Poesie in Glas' weiterhin erfolgreich" Design, no. 417, Sept. 1983, p. 7, ill. 104, ill.
Painted glass hologram by Susan Gamble. Glass mosaic structures.
Die Schaulade, v. 58, no. 2, Feb. 1983, pp.
428-429, ill. "Hundert jahre Kunst: von Art Nouveau bis "Modern Bohemian Cut Glassware"
Continued success of Eisch exhibit. pate de verre' Czechoslovak Glass Review, v. 9, no. 2-3,
"Glashuttenfest alter Tradition" Porzellan+Glas, no. 2, 1983, p. 185, ill. 1954, PP- 17-19, ill-
Cristallerie Daum, especially their
Die Schaulade, v. 58, no. 3, March 1983, pp. "Moser—das Glas hervorragender Qualitat"
contemporary pate de verre pieces.
604-605, ill. Die Schaulade, v. 57, no. 12, Dec. 1982, pp.
Cut glass firm Nachtmann. "Informationem" 1910-1911, ill.
"laskunst aus der Tschechoslowakei" Neues Glas, Continuing series: no. 1, 1983—
"Moser, Glass of Kings. A Historical
Porzellan+Glas, no. 2, 1983, pp. 186-187, ill. no.4, 1983. Causerie on Carlsbad Moser Crystal"
Hlava, Jezek, Novak Jr., Exnar, Vizner, News of conferences, exhibitions, etc.
Czechoslovak Glass Review, v. 9, no. 2-3,
Jelfnek. "In memoriam Valentin Eisch, Frauenau" 1954, pp. 20-29, ill.
"Glas—kunstvoll vor der Lampe geblasen" Die Schaulade, v. 58, no. 2, Feb. 1983, p.
"Motion and Beauty Enshrined in Magic
Porzellan+Glas, no. 12, 1982, p. 79, ill. 453, ill- Material"
Exhibit of lampworked objects. "Island Glass" Czechoslovak Glass Review, v. 9, no. 2-3,
"Glas und Kunst" Design, no. 416, Aug. 1983, p. 86, ill. 1954. PP- 30-37, ill-
Glaswelt, v. 36, no. 1, Jan. 1983, p. 36, ill. Isle of Wight studio glass.
"Nachwuchs der Rietveld-Akademie/Young
German artist Gerhard Schechinger. "Jubileum prof. Ludviky Smrckove, Generation of the Rietveld-Academy"
" 'Glass America 1984' To Be at Heller zaslouzile a narodnf umelkyne" Neues Glas, no. 4, Oct.-Dec. 1983, pp.
Gallery" Sklara Keramik, v. 33, no. 2, 1983, u.p., ill. 209-211, ill.
Antiques & The Arts Weekly, v. 11, no. 49, Ludvicka Smrckova. Student exhibition, Amsterdam.
Dec. 9, 1983, p. 15. "Kosta-Boda" "Neon Seems to Shine on Interiors"
"Glass Art at Heller Gallery" Revue des Industries d'Art Offrir, no. 187, Interior Design, v. 54, no. 1, Jan. 1983, p.
Antiques & The Arts Weekly, v. 11, no. 13, Dec. 1982, pp. 86-87, ill- 138, ill.
April 1, 1983, p. 24. B. Vallien, A. Ehrner. N.Y. neon firm.
"Glass Artist Fellowships Announced" "Kosta-Boda" "Neue Glaskunst mit der Verbindung von
The Journal, A Newsletterfor Friends of Revue des Industries d'Art Offrir, no. 188, Jan. Gravur und Heisstechnik"
Wheaton Village, v. 6, no. 2, 1983, p. 2. 1983, pp. 227-232, ill. Porzellan+Glas, no. 2, 1983, p. 178, ill.
Offered by Creative Glass Center of Bertil and Ulrica Vallien. Udo Edelmann and Stanislaw Borowski.
America and Wheaton Village. "Kosta-Boda-Ausstellungen 'Lava-Glas aus "Neues Glas in Deutschland"
"The Glass Chapel of Eureka Springs" Schweden'" Die Schaulade, v. 58, no. 9, 1983, p. 1660, ill.
Southern Living, v. 18, no. 3, March 1983, p. Porzellan+Glas, no. 12, 1982, pp. 80-81, ill. Exhibits in Diisseldorf and Hannover
46, ill. Bertil Vallien. museums.
Arkansas chapel. "Kunst der Moderne von klassischer "New Additions to Museum's Contem
"Glass Happenings" Klarheit: Glas nimmt makellose Haltung porary Art Glass Collection"
New Work, no. 13/14, Winter-Spring 1983, an" The Journal, A Newsletterfor Friends of
p. 28, ill. no. 15/16, Summer-Fall 1983, pp. Porzellan+Glas, no. 12, 1982, p. 84, ill. Wheaton Village, v. 6, no. 1, 1983, p. 1, ill.
22-24, ill- Exhibit of Harvey K. Littleton sculptures at
"New Exhibits at American Craft Museum
Exhibit and workshop announcements. Essener Glasgalerie.
I"
"The Glass Sculpture at Mala Skala" "Kunst in Glas—gestalterisches wie Antiques & The Arts Weekly, v. 11, no. 3, Jan.
Glass Review, v. 38, no. 5, 1983, pp. 26-27, kommerzielles Reservoir mit Zukunft" 21, 1983, p. 42.
ill. Porzellan+Glas, no. 1, 1983, pp. 34-35, ill. Glen Lukens' work that includes glass;
Exhibition including work by Jan Fisar and Symposium at Novy Bor. "Czechoslovakian Glass: Seven Masters."
Dana Vachtova. "Kurzubersicht/Vitae'' "News: USA Glass Industry Study Released"
"Glass with Class" Neues Glas, Continuing series: no. 1, 1983— Tableware International, v. 12, no. 12, Dec.
Design, no. 408, Dec. 1982, p. 79, ill. no.4, 1983. 1982 /Jan. 1983, p. 5.
Sandblasted glass decorated with electro- Artists' biographies. Analysis of 26 hand glass manufacturers.
formed metals. "Lights"
"Nord Boemia: terra di cristallo" Czech industrial design awards. "Sussmuth—mehr als eine Glashiitte"
Casa Stile, v. 10, no. 118, March 1983, pp. "Program, Glass Art Society 12th Annual Glaswelt, v. 36, no. 10, Oct. 1983, p. 857, ill.
32-33, ill. Conference, New York City, April 7-10, "Talks with the Symposium's Participants"
Czech glass. 1982" Glass Review, v. 38, no. 3, 1983, pp. 10-15,
"Olivier Juteau, souffleur de verre" Glass Art Society Journal 1982-1983, pp. ill.
Metiers d'Art, no. 21, Dec. 1982, pp. 61-62, 80-81, ill. At Novy Bor.
ill. "II punto di vista di Casa Vogue" "Tapio Wirkkala"
"Orrefors-Gallery" Casa Vogue, no. 142, June 1983, p. 121, ill. La Revue de la Ceramique et du Verre, no. 9,
Porzellan+Glas, no. 2, 1983, p. 194, ill. English summary. March/April 1983, pp. 33-35, ill.
Vase by Edvin Ohrstrom. Vases by Zuccheri for Barovier & Toso. On occasion of retrospective exhibition in
"Pate de verre on View at Uptown Heller "Rassegna, notizie e design: oggetti decora- Paris.
Gallery" tivi/Review, News and Design: Decorative "Tchecoslovaquie. Cristal de Boheme, trois
Antiques & The Arts Weekly, v. 11, no. 39, Articles" siecles de tradition"
Oct. 7, 1983, p. 72. Abitare, v. 73, no. 220, Dec. 1983, pp. 1-11, Revue des Industries d'Art Offrir, no. 192, May
Work of Doug Anderson. ill. 1983, pp. 96-98, ill.
"Paul Stankard: Evolution from Craftsman Includes glass designed by Sottsass, Brief history and present day products.
to Artist" Zuccheri, Sambonet, Aufiero, Frattini, "Three Generations of Glassmakers in April
Park Avenue Paperweights, Ltd. Newsletter, Castiglioni. Show at Heller, Soho"
Sept.-Oct. 1983, pp. 1-2. "San Diego Names Public School After Glass Antiques & The Arts Weekly, v. 11, no. 14,
"The Peace Theme in Art Glass" Artist" April 8, 1983, p. 12.
Glass Review, v. 38, no. 5, 1983, pp. 14-15, The Crafts Report, v. 9, no. 95, Oct. 1983, p. Jesse, Harvey, and John Littleton.
ill. 7- " 'Tiffany'-Glaskunst"
Sculptures and engravings by Libensky and Steve Correia. Glas+Rahmen, v. 33, no. 19, 1982, p. 1111,
students. "San Francisco: Fifth Annual National Glass ill.
"Personal Viewing of the Duncan-Doring Exhibition" Imitation Tiffany lamps.
Bequest" Neues Glas, no. 2, April-June 1983, p. 95, ill. " 'Ungarische Glaskunst' von Maria Lugossy,
Glass (U.K.), v. 59, no. 12, Dec. 1982, p. Sculptural works by 70 artists. Zoltan Bohus, Gyorgy Buczko in der
492, ill. "Schweizer Glasaktivitaten/Glass-Activities Essener Glasgalerie"
Cut and engraved compote by Dema in Switzerland" Glas+Rahmen, no. 5, 1983, pp. 242-243, ill.
Design Studio and Thomas Webb. Neues Glas, no. 1, 1983, pp. 33-36, ill. Exhibit of Hungarian artists at Essen.
"Pick of the Exhibition" "Show der Graduierten '83/Degree Show "UNO-Generalsekretar bei Orrefors"
Glass Art Society Journal 1982-1983, pp. '83" Die Schaulade, v. 58, no. 7, July 1983, pp.
87-89, ill. Neues Glas, no. 3, July-Sept. 1983, p. 145, IIIO-IIII, ill.
Selections from exhibition at GAS 1982 ill. Orrefors presentation pieces: United
conference. Royal College of Art, London, student Nations vase and Eva Englund graal bowl.
"Portfolio: Concetta Mason" work. "Utmarkt, Svensk Form: Glas"
Collector Editions, v. 11, no. 1, Spring 1983, "Sklo R. Roubicka na vystavach roku 1965" Form, v. 79, no. 3-4 (619), 1983, pp. 30-35,
p. 43, ill. Ars Vitraria, no. 2, 1968, p. 171, ill. ill. English summary.
"Portfolio: Damian Priour" Rene Roubfcek. Orrefors and Kosta Boda designers.
Collector Editions, v. 11, no. 3, Fall 1983, p. "Sklo v galerii Karolina" "Vasi d'autore/Precious Glass"
50, ill. Umenia Remesla, no. 1, 1983, pp ; 9-10. Domus, no. 640, June 1983, p. 51, ill.
"Rusted Bolt" series at Austin, Texas, Work ofjaromfr Rybak, Gizela Sabokova, 30 design reviewers selected to design vases
gallery. Vaclav Hanus. of Murano glass.
"Portfolio: John Luebtow" "Small Scale Sculpture by Three Glass Artists "Vera Walther, Glasunikate fur Kenner"
American Craft, v. 43, no. 5, Oct.-Nov. at Uptown Heller" Die Schaulade, v. 58, no. 2, Feb. 1983, p.
1983, p. 40, ill. Antiques & The Arts Weekly, v. 11, no. 5, 454, ill.
Slumped and sandblasted sculptures. Feb. 4, 1983, p. 25. German artist using lampwork technique.
"Portfolio: K. William LeQuier" Kallenberger, Musler, Weinberg. "La Verrerie a la main au Bresil"
American Craft, v. 43, no. 1, Feb./March "Something New? The Glass and Water Revue des Industries d'Art Offrir, 188, Jan.
1983, p. 34, ill. Clock" 1983, pp. 114-117, ill.
"Portfolio: Katherine Bernstein" Glass Circle News, no. 27, Dec. 1983, p. 6. Brazilian glass factories.
American Craft, v. 43, no. 2, April/May 42 V2 ft. glass timepiece on display in Berlin. "Vetri del quarto potere"
1983, P- 36, ill. "Souvenir de Bruxelles" Casa Vogue, no. 142, June 1983, pp.
Slump-molded sculptures. Czechoslovak Glass Review, v. 13, no. 6, 190-193, ill.
"Portfolio: Kreg Kallenberger" 1958, pp. 7-8+, ill. Casa Vogue's entries in vase exhibition.
Collector Editions, v. 11, no. 1, Spring 1983, Czech glass displayed at Brussels "Vetro a Venezia: le riviste progettano/Glass
p. 40, ill. Exposition, 1958. in Venice: The Reviews Do Some
"Portfolio: Michael Glancy" "Stala muzejnf expozice v Jablonci nad Designing"
Collector Editions, v. 11, no. 3, Summer Nisou" Abitare, no. 215,June 1983, pp. 6-9, ill.
1983, p. 70, ill. Ars Vitraria, no. 2, 1968, pp. 169-171, ill. Abitare's entries in competition to design
English summary. vases of Murano glass.
"Portfolio: Sonja Blomdahl"
Glass and costume jewelry on display in "What's Happening with David Hucht-
American Craft, v. 43, no. 4, Aug.-Sept.
Jablonec. hausen"
1983, p. 16, ill.
"Studio Glass at Uptown Heller Gallery" Collector Editions, v. 11, no. 1, Spring 1983,
"Portfolio: Vernon Brejcha"
Antiques & The Arts Weekly, v. 11, no. 35, p. 20, ill.
American Craft, v. 43, no. 4, Aug.-Sept.
Sept. 9, 1983, p. 51. "What's Happening with Tom Patti"
1983, p. 21, ill.
Molly Stone, Curt Brock Collector Editions, v. 11, no. 3, Fall 1983, p.
"Portfolio: W. Stephen Hodder"
"Suede: Kosta-Boda" 16, ill.
American Craft, v. 43, no. 6, Dec. 1983/Jan.
Revue des Industries d'Art Offirir, no. 192, "Young Blood"
1984, p. 36, ill.
Minnesota artist. May 1983, pp. 89-93, ill- Crafts, no. 65, Nov.-Dec. 1983, pp. 28-29,
Work of the Valliens. ill.
"Products Recommended for 'Selected for
"Surprises from Heikki Orvola: Impressive British student design show, includes glass.
CID' Registration and Some Other New
Experimental Glass" "1. mezinarodnf sklarske sympozium v
Products"
Form-Function-Finland, no. 1, 1983, pp. Novem Boru"
Glass Review, v. 38, no. 7, 1983, pp. 8-26,
50-51, ill. Sklara Keramik, v. 33, no. 2, 1983, u.p., ill.
ill.
Symposium for studio glass artists at Novy 14 Artists: Glass BERNSTEIN, RUBY
Bor. Atlanta, Ga.: the gallery, 1983, 14 pp., ill. "Bay Area Glass Studios Form Association"
"125 Jahre Moser: Eine Weltmarke feiert Glass Art Society Journal 1982-1983, pp.
A U R I C H G.
Geburtstag" 78-79, ill.
"Arbeiten von/Works by Ingrid BASAG, Northern California.
Porzellan+Glas, no. 12, 1982, pp. 44-45, ill. Conrad-Lindig"
"6. trienale rezaneho skla v Moravske galerii" Neues Glas, no. 4, Oct.-Dec. 1983, pp. "Glass Collectors from Coast to Coast"
Bulletin Moravske Galerie v Brne, no. 31, 200-201, ill.
Glass Art Society Journal 1982-1983, pp.
1981, pp. 55-56, ill. 66-67, ill-
6th Triennial of cut glass at Moravian BALTIMORE, MARYLAND. THE
B I E N N , D A V I D and T E W S , M A R Y -
Gallery. BALTIMORE MUSEUM OF ART
KATE
Bruce Nauman: Neons (Text by Brenda
AACHEN. HANDWERKSSTUDIO Richardson) "Results: 1984 Louisiana World Exposition's
La Maitre verrier, L. Leloup/L. Leloup, Ein Baltimore, Md.: the museum, n.d. [1982?], First International Water Sculpture
Meister des Glases aus Belgien 103 pp., ill.
Competition"
Aachen: Handwerkskammer, 1983, u.p., Arts Quarterly, v. 5, no. 3,July-Sept. 1983,
ill. BALTIMORE, MARYLAND. pp. 36-41, ill.
TOMLINSON CRAFT COLLECTION Vaclav Cigler's "Water Rainbow" sculpture,
ABRAMSON, RONALD D.; HALEM, Feet of Glass, One To Be Exact one of 13 finalists' proposals.
HENRY; HELLER, DOUGLAS; Baltimore, Md.: Art Glass Alliance of
W A G N E R , D A V I D ; and P O R T N O Y , S Y BINGHAMTON, NEW YORK.
Maryland, [1983], [23 pp.], ill.
"Where Are We Going" ROBERSON CENTER FOR THE ARTS
Work of 41 artists exhibited.
Glass Art Society Journal 1982-1983, pp. AND SCIENCES
68-74, ill- B A R N E S , J A N E T and A L L E N , C H A R L E S Ancient Inspirations/Contemporary
Talks delivered at 1982 GAS conference. " 'Directions,' Wanderaustellung der 'British Interpretations (Text by Roslyn Tunis)
Artists in Glass'/Touring Exhibition of Binghamton, N.Y.: the center, 1982, 78
ACZEL, JOHN British Artists in Glass' " PP., IN.
"Useful Increase in Swedish Tableware Neues Glas, no. 4, Oct.-Dec. 1983, pp. Includes glass by Rochester Folk Art Guild,
Exports" 202-208, ill. N. Freeman, R. Palusky, T. Buechner III,
Tableware International, v. 12, no. 12, Dec. Includes review of 7th BAG Conference. W. Glasner.
1982 /Jan. 1983, pp. 22-23, ill-
Work of Kosta Boda designer Anna Ehrner. BARRETT, ROSEMARY BLACKWOOD, MICHAEL
"Delicacy from Strength" "When the Sun Burns ..."
ADLEROVA, ALENA South African Garden&Home, May 1983, pp. Czechoslovak Glass Review, v. 11, no. 4,
Adolf Matura: Lisovanesklo [Prague?]: Sklo 97-100, ill. 1956, u.p., ill.
Union K.P. Obas a Skloexport A .S., Glassmaker Peter Philip from Swizzle sticks and cocktail picks.
[1982?], 44 pp., ill. Namaqualand.
BLALOCK, DELORES
"Ciglerovy prostorove studie"
B A S C H E T , B E R N A R D and F R A N C O I S "Orient & Flume"
Umen'ia Remesla, no. 1, 1983, pp. 10 -11, ill.
"Instruments divers: Recherche et creation American Art Glass Quarterly, Winter 1983,
Vaclav Cigler cubic sculptures.
instrumentales contemporaines" pp. 30-49, ill-
Frantisek Peceny: Lisovane sklo [Prague?]: Metiers d'Art, no. 10-11, April 1980, pp.
Sklo Union K.P. Obas a Skloexport A.S., B L E N C H , B R I A N J . R.
134-135, ill-
[1982?], [44] PP-, ill- Glass organ. "Ed Iglehart"
JiriBrabec: Lisovane sklo [Prague?]: Sklo Neues Glas, no. 3, July-Sept. 1983, pp.
Union K.P. Obas a Skloexport A.S., BAYLISS, ARLON 142-144, ill. English summary.
[1982?], [30] pp., ill.
"Reflections on a 7 Month Tour of the United American working in Scotland.
States" "Scottish Glass: 1945 to the Present Day"
"Modern Glass" British Artists in Glass Newsletter, [Aug.?]
Glass Review, v. 38, no. 8, 1983, pp. 8 -13, Journal of Glass Studies, v. 25, 1983, pp.
1983, pp. [n-12]. 207-211, ill.
ill.
Czech glass, Art Nouveau to contemporary, BELL, ROBERT BOETHIUS, LENA
on display in Japan. "International Directions in Glass Art" "Formrevy: Glasportratt"
Pavel Panek: Lisovane sklo [Prague?]: Sklo Craft Australia, no. 2, Winter 1983, pp. Form, v. 79, no. 1 (617), 1983, p. 48, ill.
Union K.P. Obas a Skloexport A.S., 45 - 5 2 , ill. Asa Brandt.
[1982?], [30] pp., ill. 57 works in Australian exhibition.
"Formrevy: Kristall och spiraler"
Rudolf Jurnikl: Lisovane sklo [Prague?]: Sklo BEN TR£, HOWARD Form, v. 79, no. 1 (617), 1983, p. 50, ill.
Union K.P. Obas a Skloexport A.S., "Symposium International du Verre en Berit and Jan Johansson.
[1982?], [42] pp., ill. France" "Ny glashytta"
"Tschechoslowakische Glasplastik Glass Art Society Journal 1982-1983, p. 54. Form, v. 79, no. 6 (621), 1983, p. 43, ill.
1983/Czechoslovakian Glass-sculpture At Sars-Poterie. New studio in Goteborg.
1983" BEN TR£, HOWARD; KEHLMANN, "Rubinrott 50 -tal"
Neues Glas, no. 3, July-Sept. 1983, pp. ROBERT; MYERS, JOEL PHILIP ; and Form, v. 79, no. 2 (618), 1983, p. 55, ill.
1 14-127, ill. QUAGLIATA, NARCISSUS Fifty years of ruby red glass at Reijmyre
Vratislav Sotola: Lisovane sklo [Prague?]: "A Look at the Future of Glass as Art" glassworks, Sweden.
Sklo Union K.P. Obas a Skloexport A.S., Glass Art Society Journal 1982-1983, pp. BOMAN, MONICA
[1982?], 18 pp., ill. 57-61 + , ill. "Scandinavia Today: Tingen talar"
"Z vysledku souteze na sklo pro Svetovou Panel discussion held at 1982 GAS Form, v. 78, no. 8 (616), 1982, pp. 12-14, ill.
vystavu v Montrealu" conference. English summary.
Ars Vitraria, no. 2, 1968, pp. 161-163. BERLIN. GALERIE LIETZOW Exhibition, U.S.A.
English summary.
Erwin Eisch: Glas—Zeichnungen—Graphik B R A D Y , D . ; T A Y L O R , M . ; and
Glass competition for the Universal
Berlin: the gallery, 1982, [30] pp., ill. WHITE, M.
Exhibition in Montreal, 1967.
BERLIN. GALERIE UNTER DEN "Glass Education Programs"
ANDERSON, ALEXANDRA Glass Art Society Journal 1982-1983, pp.
LINDEN
"Decorative Arts: Art Glass from the Fifties" 102-104.
Glas der DDR II
Portfolio, v. 5, no. 4, July-Aug. 1983, p. Berlin: the gallery and Staatlicher
74+, ill- BRAIDWOOD, STEVE
Kunsthandel der DDR, 1983, [35] pp., ill. "Technology for Craft-based Factory"
European designers and firms. Exhibition of 16 E. German artists, Design, no. 419, Nov. 1983, pp. 65-66, ill.
ATLANTA, GEORGIA. GREAT including Precht, the Oelzners, Energy efficient studio furnace designed by
AMERICAN GALLERY Greiner-Mai. David Taylor of London's The Glasshouse.
BREMEN. MONICA TRUJEN "Mission: Impossible" 1983, pp. 70-74. iU-
[GALLERY] New Work, Winter-Spring 1983, pp. 30-36, "Dernieres reflexions sur le colloque Tavenir
Glas und Keramik aus der DDR: Hubert Koch, ill. de la creation en verrerie' "
Volkhard Precht, Walter Gebauer, Gerd Lucke Chihuly team during a blowing session at Revue des Industries d'Art Offrir, no. 192, May
Bremen: the gallery, 1983, 9 typescript pp., the N.Y. Experimental Glass Workshop. 1983, pp.27-29.
ill. "The New York Experimental Glass Paris colloquium, 1982.
"Der Zauber einer Kugel." Paperweights Workshop" "Waterford Crystal fetera en 1983 ses 200 ans
Bremen: the gallery, 1982, u.p. typscript, Glass Art Society Journal 1982-1983, pp. de prestige du cristal a travers le monde"
ill. 84-85, ill. Revue des Industries d'Art Offrir, no. 188, Jan.
Exhibit of paperweights by 25 European "A Remembrance of Venice" 1983, pp. 117-119, ill.
glass artists. New Work, Winter-Spring 1983, pp. 20-23,
COREY KEEBLE, K.
BRODIE, DAVID A. ill.
"In Review. Daniel Crichton: Freeblown
"Victor Trabucco's Paperweights. Past, Watching Carlo Toso and other Venetian
glassmakers work. Glass"
Present and Future" Ontario Craft, v. 8, no. 4, Winter 1983, pp.
Park Avenue Paperweights, Ltd. Newsletter, C H A N D L E R , M A R C U S B. 21-23, iU-
May/June 1983, pp. 1-2. "Reviews: Glass Midwest"
CORNING, NEW YORK. THE
BRO2OVA, JARMILA New Art Examiner, v. 10, no. 4, Jan. 1983, p.
CORNING MUSUM OF GLASS
"Skill and Mastery in History and the 21.
Indianapolis exhibit, nine artists. New Glass Review 4
Present" Corning, N.Y.: the museum, 1983, 48 pp.,
Glass Review, v. 38, no. 6, 1983, pp. 14-17, "Reviews: Indiana. Glass of'83" ill.
ill. New Art Examiner, v. 10, no. 8, May 1983, Annual worldwide survey of selected
Glass by Hlava, Jelinek, Rozsypal, Rybak. p. 20. pieces.
Invitational show at Wabash College.
BRUST!K, JAN CURTIS, CATHY
"Die Glashiitte Kvetna" CILKA, PETR "The Matter of Technique"
Tschechoslowakische Glasrevue, v. 16, no. 8, "Exhibitions of Art Glass Organized by Art Artweek, Dec. 18, 1982, u.p., ill.
1961, pp. 248-251, ill. Centrum in 1982" Review of exhibit of Narcissus Quagliata
Glass Review, v. 38, no. 6, 1983, p. 19, ill. sculptures.
BUFFALO, NEW YORK. ALBRIGHT-
KNOX ART GALLERY CINCINNATI, OHIO. CINCINNATI DARMSTADT. RAT FUR
Chryssa: Urban Icons ART MUSEUM FORMGEBUNG
Buffalo, N.Y.: the gallery, 1983, 79 pp., ill. The 1981 Cincinnati Invitational Exhibition Bundespreis 'GuteForm' 1982. Glas—Asthetik
Artist using neon. Cincinnati: the museum, 1981, 32 pp., ill. und Technik im Wohnbereich, Design zum
Entries using neon, beads, stained glass. Erleben und Nutzen (Text by Heinz Engler
BUSCH, AKIKO
"Views: Pattern's Appeal Is More Than COHEN, EDIE LEE and Heribert Oel)
Merely Aesthetic" "Italia, Italia: Lighting Italian Style" Darmstadt: Rat fur Formgebung, 1982, 84
Industrial Design, v. 30, no. 2, March/April Interior Design, v. 54, no. 2, Feb. 1983, pp. PP., IN.
112-113, ill. Council of Design awards to German
1983, pp. 8-9, ill.
Includes piece by Molly Stone. companies making tableware, lighting, etc.
C O H E N , R O N N Y H.
BUTLER, ANNIE "Reviews: Robert Levin, Heller Gallery" D A V I S O N , D A V I D and others
"Paul Ysart, Master Glassmaker" Artforum, v. 22, no. 3, Nov. 1983, p. 76, ill. "Of Mind & Matter: The Artists Speak"
Hobbies, v. 87, no. 11, Jan. 1983, pp. 16-19, Craft International, Jan. 1983, p. 13, ill.
COLUMBUS, OHIO. THE COLUMBUS Mary Ann "Toots" Zynsky on working
ill. COLLEGE OF ART AND DESIGN
Scottish paperweight maker. with glass.
The Fine Art of Contemporary American Glass
CAMR, JAROSLAV Columbus, O.: the college and Habatat DAW, DEBORAH
"Bohemian Glassware on World Fairs and Galleries, Lathrup Village, Mich., 1983, 55 "Art and Crafts"
Exhibitions" P P „ IN. Portfolio, v. 5, no. 4, July-Aug. 1983, pp.
Czechoslovak Glass Review, v. 11, no. 7, Work of 20 artists, including preparatory 58-63, ill.
1956, u.p., ill. drawings and statements. Studio glass in mainstream of today's art
Trade fair entries by Glassexport. Contemporary Swedish Design market.
(Text by Monica Boman and others) DEMAY, MARIANNE
CARBONDALE, ILLINOIS.
Stockholm: Nationalmuseum and Svensk "Reapparition des presse-papiers"
UNIVERSITY MUSEUM, SOUTHERN
Form/The Swedish Society of Crafts and Revue des Industries d'Art Offrir, no. 197,
ILLINOIS UNIVERSITY
Design, 1983, 55 pp., ill. Nov. 1983, pp. 82-84, ill.
MFA Thesis Exhibits—82/83
Traveling exhibition catalog; includes glass General history of paperweights and new
Carbondale, 111.: the museum, 1983, [12] by Asa Brandt, Bertil Vallien, Gunnar
PP., in. French ones.
Cyren.
Includes glass byJohn Elias. Dictionary of Hot Glass Circumstance
COPENHAGEN. KUNSTINDUSTRI- [n.l.]: Australian Association of Glass
CERNA, NORA Artists; Underdale: South Australian
MUSEET
"Bibliografie ceskoslovenskeho sklarstvi za College of Advanced Education, 1982, 147
Moderne Tjekkoslovakisk Glas
leta 1965-1966" Copenhagen: the museum in cooperation PP*
Ars Vitraria, no. 2, 1968, pp. 145-156. International listing and description of hot
with the Museum of Applied Art, Prague,
Bibliography of literature on old and new glass artists, studios, schools, workshops,
1983, [30] pp., ill.
Czech glass, published 1965-1966. etc.
Work and biographies of 13 Czech artists.
C H A M B E R L A I N , M.;and COPENHAGEN. THE MUSEUM 'Directions': Contemporary Glass Art. British
BETTELHEIM, J . ; and KVAPIL, J . Artists in Glass
OF DECORATIVE ART
NCECA: SanJose 82 [n.l.]: The Commonwealth Institute, 1983,
The Glasshouse [London] (Text by Fiona
Alfred, N.Y.: National Council on Educa [36] pp., m.
Adamczewski)
tion for the Ceramic Arts, 1982, 105 pp., ill. Work of 47 artists, circulating exhibit.
Copenhagen: the museum, 1982, [14] pp.,
Conference program; some contemporary
ill. DOKTOROWICZ, ZOFIA
glass displayed concurrently in San Jose
6 glass artists. "Zaproszenie do muzeum"
galleries.
CoRBifeRE, CLAUDE DE
Szklo i Ceramika, v. 34, no. 4, 1983, pp.
CHAMBERS, KAREN S. 151-152, ill.
"Au Musee des Arts Decoratifs: Tapio
"Gianni Toso: Reflections and Revelations" Muzeum Szkla Wspolczesnego (Museum of
Wirkkala"
New Work, Winter-Spring 1983, pp. 24-25, Revue des Industries d'Art Offrir, no. 192, May Contemporary Glass); work of Henryk
ill. Tomaszewski illustrated.
DRDACKA, PAVLA ELSEN, ALBERT A Frabel Year in Black & White, 1982-1983
"Dalibor Tichy, einjunger "Night Lights" Atlanta, Ga.: The Frabel Gallery, 1982, 32
tschechoslowakischer ARTnews, v. 82, no. 9, Nov. 1983, pp. PP„ in.
Glaskunstler/Dalibor Tichy, a Young 108-115, ill. Lamp worked sculptures by Hans Frabel.
Czechoslovakian Glass-Artist" Las Vegas neon signs. Frabel 1983-1984
Neues Glas, no. 4, Oct.-Dec. 1983, pp. Atlanta, Ga.: The Frabel Gallery, 1983, 28
EMMETT, PETER
190-194, ill. pp., ill.
"Aspects of Contemporary Australian Glass"
"An Important Gathering of Creators of Craft Australia, no. 3, Spring 1982, pp. Calendar/catalog.
Glass" 101-104, ill. FRANTAL, ZDENEK
Glass Review, v. 38, no. 3, 1983, pp. 5-9, ill. Work of Tony Hanning, Nick Mount and "Thirty-Five Years of Existence of the
Symposium at Novy Bor. Warren Langley on display in Sydney. Zeleznobrodske Sklo Concern
"The International Glass Symposium in Corporation"
"The Australian Experience—Images,
Frauenau" Glass Review, v. 38, no. 2, 1983, u.p., ill.
Origins, Elements of Change"
Glass Review, v. 37, no. 11,1982, pp. 17-18,
Craft Australia, no. 2, Winter 1982, FRASER, DORIS
ill.
Supplement, pp. i-viii, ill. "Prairie Glass—A Report"
"A Life Devoted to Glass" Sydney exhibitions: Michael Keighrey,
Glass Review, v. 38, no. 6, 1983, pp. 20-27, Glass Gazette, (Glass Art Association of
Andy Neilson, Neil Roberts, Warren Canada), [Fall 1983?], pp. 4-5.
ill. Langley.
Ludvika Smrckova. Manitoba glassmaker's electric melt
"Australian Glass: Aspekte des zeit- furnace.
"Success at the International Craft Fair in genossischen australischen Glases/Aspects
Munich" of Contemporary Australian Glass" FRODE, HANS
Glass Review, v. 38, no. 9, 1983, pp. 25-26, Neues Glas, no. 1, 1983, pp. 8-10, ill. "The Glassblowing School in Orrefors"
ill. New Work, Winter-Spring 1983, p. 13, ill.
Petr Hora award-winning sculpture. ENNIS MICHAEL
"Orrefors"
"The Cutting Edge" New Work, Winter-Spring 1983, pp. 14-17,
DREISBACH, FRITZ Texas Monthly, v. 11, no. 3, March 1983, ill.
"International Symposium, 20-22 May 1982, pp. 128-135+ , ill.
Frauenau, Bavaria, West Germany" Texas artists Stinsmuehlen, Madison, FUCHS, J .
Glass Art Society Journal 1982-1983, p. 51. Hester, Wadley, Patterson, Priour. Jorg F. Zimmermann: Glasgestaltung
[s.l. Villingen?]: Uschi Deimling-Binder
Du R U S Q U E C , C L A I R E ERIKSON OLAF
andj. Fuchs, n.d. [1981?], 19 pp., ill.
"Expositions: Robert Smithson" "Illumination and Modern Interior
La Revue de la Ceramique et du Verre, no. 9, Decoration" FULLER PETER
March/April 1983, pp. 40-41, ill. Czechoslovak Glass Review, v. 12, no. 1, "Glass Fountain by Allen David"
"Expositions Salon des AA" 1957 u.p., ill. The Connoisseur, v. 173, no. 697, March
La Revue de la Ceramique et du Verre, no. 13, 1970, p. 195, ill.
ESSEN. ESSENER GLASGALERIE
Nov.-Dec. 1983, pp. 40-41, ill. On a piazza site near Guildhall, London.
Harvey K. Littleton (Text by Penelope
Includes glass by Harald Harrer and Moinier GADNEY, ALAN
Hunter-Stiebel)
Creations in Paris show. How to Enter and Win Clay and Glass Crafts
Essen: the gallery, n.d. [1983?], 16 pp., ill.
"Expositions: Vivre sa mort" Contests
La Revue de la Ceramique etdu Verre, no. 13, FAAS, GERHARD
New York, N.Y.: Facts on File
Nov.-Dec. 1983, p. 44, ill. "Winkelschliff und funkelndes Bleikristall" Publications, 1983,204 pp.
Includes glass by Claude Morin and Die Schaulade, v. 58, no. 4, April 1983, pp.
Veronique Monod. 730-731, ill. G A M B L E , D O R O T H Y A.
Munich exhibit of Orrefors glass. "Contemporary Art Glass in Canada"
ECKFORD, LIZ Glasfax Newsletter, v. 15, no. 4, Nov. 1983,
"Prague" FABEL, KAREL
pp. 1-6, ill.
British Artists in Glass Newsletter, May 1983, "Umelecke remeslo ze trf svetadilu"
pp. 9-11. Umenia Remesla, no. 1, 1983, pp. 11—21, ill. GARDNER, PAUL VICKERS
Stephen Proctor takes students to meet English summary. "Einfallsreich, originell, witzig: Glaskompo-
Czech glass artists. 1982 arts and crafts exhibit at Erfurt, sitionen von Dan Dailey/Imaginative,
including Semenescu, Gaspar, Cadar, Original, Humorous: Glass-Creations by
EHN, MARIT Richter, Precht. Dan Dailey"
"Formrevy: Glasmastarglas" Neues Glas, no. 4, Oct.-Dec. 1983, pp.
Form, v. 79, no. 5 (620), 1983, p. 48, ill. FENTON, DAN
182-189, ill-
Bengt Heintze. "Glass Slumping Procedure"
Glass Studio, no. 39, [1983], pp. 27-31 + , ill. GARNER, PHILIPPE
"Formrevy: Kristallfrukter"
"Post-war Glass"
Form, v. 79, no. 2 (618), 1983, p. 55, ill. FLADGATE, DEBORAH
Antique Collecting, v. 18, no. 3,July-Aug.
Lars Hellsten of Orrefors. "South Africa"
1983, p. 49, ill.
"Formrevy: Skrin av silver ach kristall" British Artists in Glass Newsletter, May 1983, Especially Scandinavian and Italian work of
Form, v. 79, no. 3-4 (619), 1983, p. 146, ill. PP- 7-9- the 1940s and 50s.
Gunnar Cyren. Author visits glassblower Shirley Cloete.
GARRETTI, PAOLO
"Graalglas" FLEISCHER, ROLAND E. "Solo lampadine"
Form, v. 78, no. 6/7 (615), 1982, p. 58, ill. The Art of Robert Willson, Texas Artist
Eva Englund. Abitare, no. 213, April 1983, pp. 50-63, ill.
[s.l.]: Tejas Art Press, 1982, 58 pp., ill. New lamps, lighting.
"Svenskt glas pa segertag"
FORSELL, ULLA; ULLBERG, EVA; GELDZAHLER, HENRY; HOLLISTER,
Form, v. 78, no. 8 (616), 1982, p. 45, ill.
and BRANDT, ASA PAUL; SHIFF, RICHARD ; and
"Scandinavia Today" glass.
"Four Swedish Glass Artists" BUECHNER, THOMAS
EISCH, ERWIN Glass Art Society Journal 1982-1983, pp. "What Makes Art?"
"Erwin Eisch Discusses His Work" 47-50, ill. Glass Art Society Journal 1982-1983, pp.
Glass Art Society Journal 1982-1983, pp. . [Only three artists discussed]. 5-11 + , ill.
17-21, ill. The Frabel Gallery, 1980 Panel discussion at 1982 GAS conference.
EISENMAN, STEPHEN F. Atlanta, Ga.: the gallery, 1979, 30 pp., ill.
Catalog. GELNAR, MICHAL
"Arts Reviews: Daniel Buren" "High Enamel"
Arts Magazine, v. 57, no. 8, April 1983, p. Frabel: Nineteen Hundred and Eighty-One
Glass Review, v. 38, no. 6, 1983, pp. 6-9, ill.
43, ill- Atlanta, Ga.: The Frabel Gallery, 1980, 32
Decorative painted glassware from Novy
Contemporary installation, two rooms with pp., ill.
Bor.
painted and mirror glass. Catalog.
GIRARD, SYLVIE London: Weidenfeld and Nicolson, 1968, 46 H L O U S K O V A , Z D E N A and
"Ann Warff " pp., ill. KUTA£, VINCENC
La Revue de la Cevamique et du Verve, no. 10, Glass by Kaj Franck, Wirkkala, Sarpaneva "Bohemian Lead Crystal"
May-June 1983, pp. 34-35, ill. and others. Glass Review, v. 38, no. 9, 1983, pp. 1-12,
"JozefTomecko" ill.
HARROD, TANYA
La Revue de la Ceramique et du Verve, no. 11, "Careers in Glass" HOBSON, DIANA
July-Aug. 1983, pp. 36-37, ill. Cvafts, no. 62, May/June 1983, pp. 16-21, "Breaking the Mould"
Czech artist. ill. Cvafts, no. 64, Sept.-Oct. 1983, pp. 36-39,
The GlassArt Society Resouvce Catalogue 1983 7 British glassmakers talk about their work. ill.
Cambridge, Mass.: Andrew Magdanz for "Group Glass Exhibition" British artist using pate de vevve.
Glass Art Society, 1983, 52 pp., ill. Cvafts, no. 62, May/June 1983, p. 45, ill. HOFFMAN, MARILYN
Suppliers, schools, galleries. Fladgate, Woods, Stern, Hassell, "Collecting the Crafts"
McDonald, Steers. Amevican Cvaft, v. 43, no. 1, Feb./March
Glass: Michigan Glass Month 1983
"Reviews: Glass—Class of '82; Studio Glass 1983, pp. 15-19, ill-
s.l.: Michigan Glass Month Committee, 1 p.
Now; Glass and Acrylic" Includes glass collectors.
brochure, ill.
Exhibitions, lectures, etc., throughout state Cvafts, no. 60, Jan.-Feb. 1983, pp. 44-46, ill.
British shows, autumn 1982. HOLESOVSK^, KAREL
for April. "Prirustky umeleckoprumysloveho odboru
HAVEL, RICHARD Moravske galerie v roce 1980"
Glastveffen Hevgiswil. Bevicht iibevdas intev-
"Eine neue dekorationsart von uberfangenem Bulletin Movavske Galevie v Bvne, no. 31,
nationale Seminav mit Hiittenavbeit in dev
Bleikristall" 1981, pp. 11-17, ill.
Hevgiswilev Glasi
Tschechoslowakische Glasvevue, v. 16, no. 2, Includes work by Pavel Hlava and Vladimir
Hergiswil: Hergiswiler Glas AG and
1961, pp. 62-63, ill. Klein.
Lucerne: Glas-Galerie, 1983, 54 pp., ill.
Report on Swiss seminar with photographs, HAVEL, ROBERT "Uvaha o sklenene plastice ve sbfrkach
program summaries, etc. "Neue Dekors in Geschliffenem Bleikristall" Moravske galerie"
Tschechoslowakische Glasvevue, v. 16, no. 3, Bulletin Movavskegalevie v Bvne, no. 31 , 1981,
GLOWEN, RON pp. 43-45, ill-
1961, pp. 96-97, ill.
"Ann Gardner" Sculptural pieces by Svoboda and Vasicek.
Cut glass vases.
Amevican Cevamics, v. 2, no. 1, Winter 1983,
PP- 52-53, ill- "Ein neues Bleikristallservice aus der HOLLISTER, PAUL
Seattle sculptor using ceramic and glass. Glashiitte in Dobronfn" "Joel Philip Myers' Glass: 'A Quiet, Peaceful
Tschechoslowakische Glasvevue, v. 16, no. 8, Way of Working'"
GOLDSCHMIT, WERNER 1961, p. 252, ill. Neues Glas, no. 3, July-Sept. 1983, pp.
"In Memoriam: Hanns Model" 128-133, ill-
"Uberfang-Bleikristall fur das moderne
Neues Glas, no. 4, Oct.-Dec. 1983, p. 214,
Interieur" "Monumentality in Miniature"
ill. Tschechoslowakische Glasvevue, v. 16, no. 6, Amevican Cvaft, v. 43, no. 3, June/July 1983,
G R A V E S , M. 1961, pp. 196-197, ill. pp. 14-17+, ill.
"The Exhibition of Bohemian Glass in Tom Patti.
HAYWARD, KAREN
London" "The Pairpoint Glass Works Today" "Tom Patti: the Code Is in the Glass"
Czechoslovak Glass Review, v. 11, no. 1, Neues Glas, no. 2, April-June 1983, pp.
Antiques & The Avts Weekly, v. 11, no. 29,
1956, u.p., ill. 74-83, ill.
July 22, 1983, p. 56, ill.
Hadelands Glassvevk. Hadeland, Novway HEGEMAN, WILLIAM R. HONKASALO, JUHA
Jevnaker, Norway: the company, 1982, 44 "Cork Marcheschi" Lasi Kanssamme: Tietopaketti Kaytto- ja
pp., ill. taidelasista
ARTnews, v. 82, no. 1, Jan. 1983, p. 124.
English summary. Catalog of tableware [Karhula]: A Ahlstrom Osakeyhtio, Iittalan
Neon.
line. Lasitehdas, 1983, 80 pp., ill.
HEJTMAN, JOSEF (Glass Together with People: Information
HALL, MARY
"New Chandeliers for the Royal Chateau in on the Use of Art Glass)
"Mosaic" Warsaw"
Cvaft Austvalia, no. 2, Winter 1982, pp. Iittala Glassworks.
Glass Review, v. 32, no. 6, 1977, pp. 24-25,
33-36, ill. ill. HORNEKOVA,JANA
Author occasionally uses glass tesserae. "In memoriam Jaroslav Horejc"
HERLITZ-GEZELIUS, ANN MARIE Umenia Remesla, no. 2, 1983, pp. 1-2, ill.
HANNES, ALFONS
"Lindshammer—Glasbruket med farg"
"Novy Bor CSSR Interglas-Symposium" HOUSA, JAROLSAV
Nya Antiket Auktion, no. 11, Nov. 1983, pp.
Neues Glas, no. 1, 1983, pp. 40-41, ill. "Thirty-Five Years of Existence of Glass-
39-41, ill.
English summary. Swedish factory; work of Gunnar Ander export Co. Ltd., Liberec"
and E. Ohrstrom's glass obelisk in Glass Review, v. 38, no. 2, 1983, pp. 2-3, ill.
HANNUM, JILL
"Marbles" Stockholm. HOUSSARD, FRAN^OISE
Mavble-Mania, v. 31, July 1983, pp. 1 -2. HERMAN, GREG "Actualites artisanales"
Includes description of how Richard "A Short Account of Some Experiences with Revue des Industvies d'Avt Offviv, no. 193, June
Marquis makes marbles by hand. Glassmakers and Galleries in Europe or 1983, p. 62, ill.
What I Did on My Summer Vacation" Antoine and Etienne Leperlier.
HANSEN, CARYL
"Beyond the Sheraton: N. Y. Events during Glass Gazette, (Glass Art Association of "Actualites artisanales: Peter Layton,
the 1982 GAS Conference" Canada), [Fall 1983?], pp. 9-10. Norman Stuart Clarke et Siddy Langley"
Glass Avt Society Jouvnal 1982-1983, pp. Revue des Industvies d'Avt Offviv, no. 189, Feb.
HIRZEL, STEPHAN
82-83, ill. 1983, pp. 51-52, ill.
Kunsthandwevk und Manufaktuv in Deutschland London Glassblowing Workshop.
"Michigan Glass Month" seit 1943
Glass Avt Society Jouvnal 1982-1983, p. 67. Berlin: Rembrandt Verlag, 1953, 147 pp., "Daum, sculptures en pate de vevve"
ill. Revue des Industvies d'Avt Offviv, no. 192, May
HANSEN, SANDRA 1983, pp. 45-51, ill.
Includes tableware by Sussmuth and
"Contemporary Kaleidoscopes" Pate de vevve work at Daum in last 15 years.
Wagenfeld.
CollectovEditions, v. 11, no. 3, Summer "Frangois Vigorie"
1983, p. 36, ill. HLAVA, PAVEL Revue des Industvies d'Avt Offviv, no. 191,
"The First International Glass Symposium at April 1983, p. 17, ill.
HARD AF SEGERSTAD, ULF
Novy Bor" Parisian glass artist.
Modevn Finnish Design
Glass Review, v. 38, no. 3, 1983, pp. 3-4, ill.
"Verreries et ceramiques contemporaines
dans les collections nationales" Vaclav Hanus: unikaty studie vyrobky pro 55-56, ill.
Revue des Industries d'Art Offrir, no. 196, Oct. Jablonecke sklarny (Text by Antonin "Introducing Takako Sano"
1983, pp. 62-66, ill. Langhamer) Glass Art Society Journal 1982-1983, pp.
Monods, Van Lith. Jablonec: the museum, [1967], 3 p. folder, 40-43, ill.
ill. Curator of Yamaha's annual exhibition.
HOUSTON, TEXAS. HADLER/
RODRIGUEZ GALLERIES Vyzkumny ustav uzitkoveho skla Novy Bor: KENEDY, MONIQUE R.
Howard Ben Tre Dagmar Kudrova (Text by Antonfn "News and Views from France; Musee des
[Houston, Texas]: the galleries, [1981], [12] Langhamer) Arts Decoratifs: Tapio Wirkkala"
pp., ill. Jablonec: the museum, [1966], 3 p. folder, Canadian Collector, v. 18, no. 2,
ill. March/April 1983, p. 63, ill.
HOWE, KATHERINE
"Keith Sonnier" J O H N S O N , G L E N N S. Kestner-Museum Jahresbericht 1977-1981
Flash Art, no. 113, Summer 1983, pp. "Whitefriars Lives On" Hannover: the museum, 1982, 186 pp., ill.
64-65. The Caithness Report, no. 1, Aug. 1982, pp. Acquisitions of 57 pieces of contemporary
Exhibit review. 2 "3-
glass.
Caithness producing Whitefriars' paper
H U E B N E R , C A R O L and K L E I N , T O A N and
weights.
WATSON, STEVEN eds. ECKENWALDER, SUSAN
Artifacts at the End of a Decade JONSON, LOTTA "Max Leser; A Clear Vision"
New York, N.Y.: the editors, 1981, u.p., "Engelskt glas pa turne" Ontario Craft, v. 8, no. 4, Winter 1983, pp.
ill. Form, v. 78, no. 6/7 (615), 1982, p. 59, ill. 19-20, ill.
Dan Dailey. British artists from The Glasshouse. Glass sculptures with movable parts by
HULDT, AKE J O N S O N , L O T T A and H E D L U N D , Toronto artist.
"The Designer and the Artist: a Talk with MARI-LOUISE KLIVAR, MIROSLAV
Ann WarfF' "Konstfack 83: Keramik och glas; Industri- "Askold Zacko—Artist and Pedagogue"
American Craft, v. 43, no. 2, April/May design" Glass Review, v. 38, no. 2, 1983, u.p.,ill.
1983, pp. 38-41, ill. Form, v. 79, no. 5 (620), 1983, p. 25, ill. "Eva Fiserova"
English summary.
HUNTER-STIEBEL, PENELOPE; Glass Review, v. 38, no. 8, 1983, pp. 22-26,
Black glass bowls by Lena Fredholm and
JOHNSON, I. STEWART; and SMITH, ill.
vases by Erika Lagerbjelke.
PAUL J . Glass sculptures.
"Museum Attitudes toward Collecting" JUCHEN , HAUS KATZ "The Glass of Vera Liskova"
Glass Art Society Journal 1982-1983, pp. Kunst/Werk. Foto, Glas, Geralt, Keramik, Glass Review, v. 37, no. 11, 1982, pp. 8 -13,
22-28, ill. Schmuck, Stahl, Textil ill.
[s.l.: s.n., 1983]; (Essen: Halfer & Schmitt), "World Glass New '82 Exhibition"
HUNTINGTON, WEST VIRGINIA.
66 pp., ill. Glass Review, v. 37, no. 11, 1982, pp. 19-21,
HUNTINGTON GALLERIES
Glass by Harald Harrer, Balazs ill.
Exhibition 280: Works off Walls
Kardos, Fritz Lauten. At Hokkaido Museum, Sapporo.
Huntington, W. Va.: the galleries, 1983,
[ 1 5 ] pp., ill. KALABISOVA, ZDENKA KLOFA£, RADKO
Includes work of 6 artists using glass. "Czechoslovak Glass at the Nuremberg "Vystava sklajana Gabrhela"
Gallery" Ars Vitraria, no. 2, 1968, p. 161.
HYLT£N-CAVALLIUS, CAMILLA
Glass Review, v. 38, no. 9, 1983, p. 27, ill. English summary.
"Allehanda: Hoga priser pa Lindstrand-glas" Hlava sculpture.
Nya Antik et Auktion, no. 7-8, July-Aug. Exhibition of work ofjan Gabrhel, Chlum.
"An International Glass Symposium in
1983, P- 57, ill- KOLAROVA, SARKA
Glass by Vicke Lindstrand. France"
"The Oven-Moulded Rhapsody by Frantisek
Glass Review, v. 37, no. 12, 1982, p. 28, ill.
ISAACSON, RON Zemek"
Sars-Poteries.
Czechoslovak Glass Review, v. 12, no. 3,
"Thoughts on G.A.S."
Mindscape, (Evanston, 111.) May 1983, p. 2. KALKAR. STADT MUSEUM 1957, u.p., ill.
FLAT GLASS (after 1945) Including Architectural, Mosaic, Painted, and Stained Glass
20-21, ill. Glas+Rahmen, no. 7, April 1983, pp. Cut panels with "sketched" insects and
327-330, ill. animals.
"College Work 1982, Supplement"
Solar buildings in U.S.A., including Los "Glass Art Awards"
Craft Australia, no. 1, Autumn 1983, pp. 9 4 -
Angeles' Crystal Cathedral. Craft Australia, no. 2 , Winter 1982, p. 71.
95, ill-
"Exhibitions in Review" Australian stained glass competition.
"Conferences"
Stained Glass, Continuing series: v. 78, no. "Good Art, Good Business"
Stained Glass, v. 78, no. 3, Fall 1983, p. 270.
1, Spring 1983— v. 78, no. 4, Winter Glass Studio, Continuing series: no. 36,
Reviews of: SGAA 1983 Summer
1983-84. 1982 —no. 39, 1982 [pub. 1983].
Convention, Portcon 1983 at San Diego,
and Glass Craft Expo '83 in Reno. "Freihandig geschliffene Zeichnungen auf
News of exhibitions, publications, "Stained Glass Professionals Form National La Revue de la Ceramique et du Verre, no. 12,
conferences, gallery shows. Association" Sept.-Oct. 1983, pp. 36-39, ill-
"Guild of Glass Engravers Annual The Crafts Report, v. 9 , no. 9 5 , Oct. 1 9 8 3 , p. Exhibition reviews.
Exhibition" 30.
CHARTRES. CENTRE INTERNATIONAL
The Glass Engraver, no. 3 3 , Autumn 1 9 8 3 , "Stained Glass Window Wins Approval" DU VITRAIL
pp. 14-16, ill. Glass (U.K., v. 60, no. 11, Nov. 1983, p. Vitrail Labyrinthes, Chartres IQ83
London, Oct. 1 9 8 3 . 443, ill. Chartres: the center, 1983, 71 pp., ill.
"Hand Engraving: Reviving Interest in Resurrection window by Oddyssey Glass. Work of 13 French artist-designers.
Beautiful Glass" "Studio-Wochenende fur Glasgestaltung"
Glass (U.K.), v. 6 0 , no. 9 , Sept. 1 9 8 3 , pp. Glas-\-Rahmen, no. 1, 1983, p. 7, ill. CHILDRESS, MARK
357+, ill. Seminar for artists and architects in "Southerners Polishing a Reputation in
Taunusstein. Glass"
"Handwerklich gefertigte Tischplatten"
Southern Living, v. 1 8 , no. 3 , March 1 9 8 3 , p.
Glas+Rahmen, no. 8, April 1983, p. 401, ill. " 2 5 Jahre Glaskunst Dedy"
106+ , ill.
Tables by Schott firm. Glaswelt, v. 3 5 , no. 11, Nov. 1 9 8 2 , p. 9 9 2 , Jancik Studio, Florida.
"Kunst am Bau" ill.
Glaswelt, v. 3 6 , no. 5 , May 1 9 8 3 , p. 3 9 0 , ill. Leverkusen stained glass company. C O L L I N S , G E O R G E R.
Cut glass panel by Rainer Prokasky. "Raquel Rabinovich"
AINSWORTH, DON
Arts Magazine, v. 5 7 , no. 6 , Feb. 1983, p. 4,
"Names in the News" "Engraving on Glass"
ill.
Stained Glass, Continuing series: v. 7 8 , no. Who's Who in Stained Glass (Carl Hungness Sheet glass sculptures.
1, Spring 1983— v. 78, no. 4, Winter Publishing, Speedway, Ind.), 1 9 8 3 , p. 7 0 .
1983-84. C U M P S T O N , C H A R L E S B.
BERLIN. GALERIE LIETZOW
"Open Window: Portcon Canada Open "Stained Glass International 1 9 8 2 Draws
Ron Wood (Ed. by Beverly Inskeep)
Competition Winners" 1,300 in Successful New York Debut"
Laguna Beach, Cal.: Ron Wood &
Glass Studio, no. 3 6 , Sept. 1 9 8 2 , p. 5 9 , ill. Glass Digest, v. 6 2 , no. i,Jan. 1 9 8 3 , pp.
Associates, 1983, folder, 28 inserts.
"The Palace Doors of Abu Dhabi: 76-86, ill.
English and German. Etched glass panels
Masterpieces Created byJames Hubbell" and sculptures. DALLAS, TEXAS. MUSEUM OF
The American Art Glass Quarterly, Fall 1 9 8 2 , FINE ARTS
pp. 60-65, ill. BERNARDINI-BEYER, RITA
Texas Crafts: New Expressions
"Marni Bakst, Buoyant Illusions in Glass" Dallas: the museum, 1981, [22] pp., ill.
"Portfolio: Marni Bakst"
Stained Glass, v. 7 8 , no. 4 , Winter 1 9 8 3 - 8 4 , Susan Stinsmuehlen.
American Craft, v. 4 3 , no. 3 , June/July 1 9 8 3 ,
p. 21, ill. PP-338-343, ill-
DAVID, PETER
"Portfolio: Patrick Wadley" BEYER, OSKAR
"Natural History Subjects for Glass
Collector Editions, v. 11, no. 4 , Winter 1 9 8 3 , Kirchenfenster des Malers Hans Gottfried von Engraving"
p. 29, ill. Stockhausen The Glass Engraver, no. 3 3 , Autumn 1983,
Sandblasted vases. Kassel: Friedrich Lometsch Verlag, i 9 6 0 , pp. 23-25, ill.
"Readers' Glass Art" u.p.,ill.
Post-war German windows DEPREEUW, DIRK
American Art Glass Quarterly,
"Edward Liebovitz: Bleigefasste Fenster in
Spring/Summer 1983, pp. 5 -11, ill. BLALOCK, DOLORES der Synagoge in Antwerpen/Leaded
Work of 1 2 artists. "Eli McFly's: Glass Encounters of the Third Windows in Antwerp Synagogue"
"Scala Information: Stained Glass" Kind" Neues Glas, no. 3 , July-Sept. 1 9 8 3 , pp.
Scala, (Frankfort, W. Germany) no. 3 , 1 9 8 3 , American Art Glass Quarterly,
146-149, ill.
p. 34, ill. Spring/Summer 1983, pp. 22-33, ill-
Restoration work and new work of California restaurant designed by Michael DREISER, PETER
workshop in Linnich, W. Germany. Leeds using work from ten studios. "The Price of Oil"
"Seminar Topics Cover Wide Range" The Glass Engraver, no. 3 3 , Autumn 1 9 8 3 , p.
BLEY, HY
Glass Digest, v. 6 2 , no. 7 , July 1 5 , 1 9 8 3 , pp. 4, ill-
"Stand Up Figures in Stained Glass" Wheel-engraved vase by author illustrating
72-74, ill. Stained Glass, v. 7 8 , no. 1 , Spring 1 9 8 3 , pp.
Work of some of the invited artists for oil pollution.
56-58, ill.
Stained Glass International/ 1983, N.Y. DUCANGE, SOPHIE
BLONKAMP, PAUL
"Stained Glass Designer Is Subcontractor for "Les Artisans du Beam: les collages du
Design Firm" "Letter from South Africa" verrier"
Glass Digest, v. 6 2 , no. 2 , Feb. 15 1 9 8 3 , pp. Stained Glass, v. 7 8 , no. 1 , Spring 1 9 8 3 , pp. L'Estampille, no. 4 3 , June 1 9 7 3 , p. 2 1 , ill.
40-41, ill. Bernard Letienne.
77-78, ill.
Texas artist. Author's work in Johannesburg and
Pretoria. DUER, CLIFF
"Stained Glass Exhibit in Airport Spotlight" "Homage in Green: Richard Spaulding and
The Craft Report, v. 9, no. 93, July-Aug. BRENT, ADALI£ the Seattle Conservatory Canopy"
1983, p. 11. "Artists of Light" Stained Glass, v. 7 8 , no. 1 , Spring 1 9 8 3 , pp.
2 0 Northwest glass artists at Seattle airport. Stained Glass, v. 7 8 , no. 3 , Fall 1983, pp. 2 0 - 2 3 , ill-
"Stained Glass International Draws 1300 to 256-259, ill.
Spirited Exploration of the Future" Author's work in Louisiana. DUPONT, JACQUES
The Crafts Report, v. 9 , no. 8 9 , March 1 9 8 3 , "Les Vitraux de peintres dans les monuments
BRUSSELS. SINT-LUKAS GALLERY historiques"
p. 1 5 . L'Ombre des Couleurs; Bernard Villers Metiers d'Art, no. 2 0 , Nov. 1 9 8 2 , pp. 4 4 - 5 5 ,
"Stained Glass International/Looking Back & Brussels; Sint-Lukasstichting, v.z.w., 1 9 8 3 , ill.
Looking Forward" 20 pp., ill.
Windows by Chagall, Braque and other
The Edge, Feb. 1 9 8 3 , p. 3 6 + . Plate glass sculptured. painters.
Exposition, Nov. 1 9 8 2 .
BUNGAY, SUFFOLK. ELLINGHAM Du R U S Q U E C , C L A I R E
"Stained Glass International 1 9 8 3 , New MILL ART SOCIETY'S GALLERY
York" "Expositions: Roger Narboni"
Eric Gill: Wood Engravings, Lettering and La Revue de la Ceramique et du Verre, no. 10,
Glass Digest, v. 6 2 , no. 9 , Sept. 1 5 , 1 9 8 3 , pp. Drawings/Glass Engravings by David Peace
1 0 2 - 1 0 3 , ill- May-June 1983, p. 41, ill.
Bungay: the art society, 1983, [7] pp.
"Stained Glass Mural" DYBKA, ANNE
Glass (U.K.), v. 6 0 , no. 6 ,June 1 9 8 3 , p. 2 2 7 , CHABOISIER, FLORENT "Anne Dybka"
ill. "Vitrail contemporain: 'Vitrail Labyrinthes' a Craft Australia, no. 4 , Summer 1982, p. 6 8 ,
By Goddard & Gibbs Studios, depicting Chartres, 'Vitrail-comparaison' au Salon ill.
history of railways. des A.A." Glass engraver.
ESSLINGEN. GALERIE DER STADT GLASGOW, SCOTLAND. GLASGOW ISHIKAWA, KAYO
ESSLINGEN AM NECKAR MUSEUMS AND ART GALLERIES "Mr. Ludwig Schaffrath in Japan"
Hans Gottfried von Stockhausen: eine Alison Geissler, Glass Engraver Stained Glass (British Society of Master
Werkiibersicht Glasgow: the museums, 1983, [8] pp., ill. Glass-Painters), Spring 1983, pp. 5-6.
Esslingen: Stadt Esslingen am Neckar, Glas. Ahlin & Lehtonen JEKYLL, ROBERT
1983, 27 pp., ill. [s.l.]: Ahlin & Lehtonen, n.d. (1982?), ill. "Overview: Canadian Stained Glass"
EVANS, WENDY Swedish laminated glass artists using Glass Studio, no. 36, Sept. 1982, pp. 20-23.
"Exhibition of Work by the British Society of various decorative techniques for buildings,
interiors. JUTEAU,JACQUES
Master Glass Painters"
"Le Vitrail dans la vie quotidienne"
Crafts, Sept./Oct. 1973, p. 41. Gravieren mit biegsamer Welle. Ein Bericht iiber Metiers d'Art, no. 20, Nov. 1982, pp. 56-60,
FENTON, DAN das 5. intemationale Seminar im Glassstudio ill.
"Bunnell Studio: The Screen Wall Project" Baden Domestic and civil stained glass.
American Art Glass Quarterly, Vienna: Glasgruppe Baden, 1983, 26 pp., ill.
Spring/Summer 1983, pp. 42-59, ill. Engraving seminar arranged by Glasgruppe KAHSNITZ, RAINER
Kathie Bunnell and Bird Brother project for Baden under direction of Peter Rath, "Abstrakte Komposition"
John Denver home. Lobmeyr. Anzeiger des Germanischen Nationalmuseums,
1983, pp. 105-106, ill.
FISCHER, PETER H A N S E N , D O U G L A S and F R Y , J I M
Two windows by Georg Meistermann,
"Ravenna Zwischen altem und neuem "Power of Color and Concrete: a Review of
1962-1968.
Mosaik" Lutz Haufschild's Magnum Opus"
Die Kunst und das schone Heim, v. 95, no. 9, Stained Glass, v. 78, no. 2, Summer 1983, KEHLMANN, ROBERT
Sept. 1983, pp. 605-608, ill. pp. 120-123, ill. "Glass as a Free Art Form/Glas als eine Form
Contemporary mosaic work in Ravenna, Dalle de verre windows in church in British der freien Kunst"
Italy. Columbia. NeuesGlas, no. 1, 1983, pp. 11-17, ill.
Fenster. Bilder. Glasmalerei 1926 bis 1982 "The Arts and Crafts Centre" KLIVAR, MIROSLAV
Munich: Deutsche Gesellschaft fur Glass Review, v. 38, no. 10, 1983, pp. 14-23, "Vladimir Kopecky's Coloured Structures"
christliche Kunst, 1982, 50 pp., ill. ill. Glass Review, v. 38, no. 5, 1983, pp. 21-25,
Poensgen, Schaffrath, Klos, Prikker and Prague center of 60 workshops: mosaic ill.
many others. panels, engraved flat glass, sculptures, Sandblasted and spray-painted panels.
painted windows, etc.
FROIDEVAUX, YVES-MARIE KRAUSE, RAINER
"Vitrail et architecture" HAUFSCHILD, LUTZ "Una casa nella casa"
Metiers d'Art, no. 20, Nov. 1982, pp. 38-39. "The Pilchuck Glass School—Teaching Casa Vogue, no. 142, June 1983, pp.
What Cannot Be Taught" 172-177, ill.
GARNER, CHARLOTTE Stained Glass, v. 78, no. 1, Spring 1983, pp. Glass house in Hamburg by Prague
"Chicago Art Glass" 35-39, ill. architect.
American Art Glass Quarterly, "We Need to Know"
Spring/Summer 1983, pp. 34-41, ill. KREWINKEL, HEINZ W.
Glass Studio, no. 36, Sept. 1982, p. 77. "Funktion und Design. Modernes Gussglas
"Hendrix & Landers: Strong Drama, Vibrant Publications on architectural stained glass als Gestaltungsmittel"
Color" need to present architectural context better. Glasforum, v. 33, no. 4, 1983, pp. 30-35, ill.
American Art Glass Quarterly, Winter 1983,
H I C K M A N , H E L E N C. Cast glass architectural panels.
pp. 68-79, ill.
"Environments: A Jeweled Restaurant" LANGHAMER, ANTONfN
GIEDRAITYTE, DANA Stained Glass, v. 78, no. 3, Fall 1983, pp. "Contemporary Use of Glass in
"Kevin Little" 264-265, ill. Architecture"
Craft Australia, no. 4, Summer 1982, pp. Milwaukee panels of etched glass. Glass Review, v. 38, no. 10, 1983, pp. 32-37,
52-56, ill. ill.
HOFFMANN, UTE
GILPIN, SUSAN "Malen mit Glas" Jelfnek, Hlava, Kopecky, Exnar, Hejlek,
"Our Glass Company: Past and Future Glas+Rahmen, no. 24, 1982, p. 1358+, ill. and others.
Merge in Painted Glass" Interview with artist Alois Johannes Plum. "The Crystalex Branch Corporation, Novy
American Art Glass Quarterly, Bor"
Spring/Summer 1983, pp. 72-79, ill. HOLLAWAY, ANTONY Glass Review, v. 38, no. 10, 1983, pp. 6-13,
Deena Matlack, Washington firm. "Antony Hollaway at Manchester ill.
Cathedral" Fountain, chandeliers by Hlava, Roubfcek;
GIORGI, LOUIS P. Stained Glass 1983 (British Society of Master wall panels by Rozsypal, Roubfcek;
The Windows of the Church of Saint Justin Glass-Painters), Autumn 1983, pp. 8-11, ill. windows by Koudelka.
Martyr
Philadelphia, Pa.: The Art Alliance Press, HUGHES, BRONWYN "The Tradition of Bohemian Glass in
1982, 139 pp., ill. "An Interview with Ludwig Schaffrath" Architecture"
Done in 1970s by Ruggiero firm. Craft Australia, no. 2, Winter 1982, pp. Glass Review, v. 38, no. 10, 1983, pp. 2-5,
64-65, ill. ill.
GIROUX, REN£ Architectural work by Libensky-Brychtova,
"La Formation du maitre verrier" I S E N B E R G , A N I T A and S E Y M O U R
Soukup, Roubicek, Liskova; also old and
Metiers d'Art, no. 20, Nov. 1982, pp. 19-22, Anita Isenberg's Patterns to Work in Stained
new stained glass.
ill. Glass
Radnor, Pa.: Chilton Book Co., 1983, 80 "The Zeleznobrodske Sklo Concern
G I R O U X , R E N M and pp., ill. Corporation, Zelezny Brod"
GU£VEL, MICHEL Glass Review, v. 38, no. 10, 1983, pp. 24-31,
How to Work in Stained Glass. 2nd edition
"La Dalle de verre" ill.
Radnor, Pa.: Chilton Book Co., 1983, 334
Metiers d'Art, no. 20, Nov. 1982, pp. 61-67, Architectural glass by Libensky-Brychtova,
pp., ill- Kostka, Drobnik.
ill.
Updated from 1972.
Panels of inlaid blocks of glass. LANGLEY, WARREN
"Stephen Moor" MILLARD, RICHARD "Sylvia Nicolas O'Neill: Storytelling
Craft Australia, no. 3, Spring 1982, p. 95. "America's First Antique Glass Manufacturer through Many Media"
Review of exhibit in Sydney. Is Fabulous Frempnt Glass" Stained Glass, v. 78, no. 3, Fall 1983, pp.
Glass Digest, v. 62, no. 2, Feb. 15, 1983, pp. 260-263, ill-
LAUSTEN, THORBJ0RN 66-67, ill. Includes stained glass by Joep Nicolas'
"Interaction of Linguistic and Visual daughter.
"Environments and Applications"
Representation in Three Kinetic Art
Stained Glass, Continuing series: v. 78, no. PEACE, DAVID
Installations"
Leonardo, v. 16, no. 2, Spring 1983, pp. 1, Spring 1983— v. 78, no. 4, Winter "Some Principles for Engraving Heraldry on
1983-84. Glass"
117-119, ill.
Author uses glass plates. "On Stained Glass" The Glass Engraver, no. 31, Spring 1983, p.
Glass Digest, Continuing series: v. 62, no. 1, 19+.
L I C H T E N A U E R , S T E V E and C H E R Y L Jan. 1983— v. 62, no. 12, Dec. 1983. "Thoughts on the Scaffold"
"Computer Assisted Stained Glass Lamp
"Stained Glass Bounces Back with the The Glass Engraver, no. 32, Summer 1983,
Design"
Economy, but the Winnowing Process pp. 9-11-
Glass Studio, no. 39, [1983], pp. 18-20, ill.
Continues" Engraving on windows in situ.
LITTLETON, HARVEY Glass Digest, v. 62, no. 7, July 15, 1983, p.
70+, ill.
Personal Image for Social Space /L'image
"Glass—A Potential for Printmaking"
personnelle dans I'espace collectif
Glass Art Society Journal 1982-1983, pp. M I L L A R D , R I C H A R D , ed. [Toronto]: Artists in Stained Glass, [1980?],
62-65, ill-
Stained Glass Guidelines, a Monthly Technical ill. folder.
LOCKWOOD, KEN Newsletter (Hopewell Junction, N. Y.) Jan. Juried competition for projects integrating
"Paul Kyral" 1983—Dec. 1983, 4 pp. each, ill. glass in Canadian architecture.
Craft Australia, no. 2, Winter 1982, pp. Technical, design, and business
POENSGEN, JOCHEM
40 -41, ill. information.
"Deutsche Glasfenster/Architectural Glass"
Glass etching artist.
MILLER, JUDY Neues Glas, no. 2, April-June 1983, pp.
LONGACRE, SARAH "Stained Glass Furniture and Accessories" 89-92, ill.
"Architect Sees Growing Emphasis on The American Art Glass Quarterly, Fall 1982, Freiburg exhibition of German architectural
Stained Glass for Architectural Use" pp. 70-71, ill. glass and glass painting, 1926-1982.
The Crafts Report, v. 9, no. 89, March 1983,
MOLE, SHEILA "Licht—Farbe—Glas, Glasfenster von Ed
p. 15. "Stained Glass Overseas" Carpenter/Light—Color—Glass,
Kenneth vonRoenn at Stained Glass Architectural Glass of Ed Carpenter"
Stained Glass 1983 (British Society of Master
International conference. Neues Glas, no. 2, April-June 1983, pp.
Glass-Painters), Autumn 1983, pp. 3-8, ill.
MAKARAVIEZ, ALAIN Goddard and Gibbs in the Middle East, 68-73, ill.
"Libres propos d'un maitre verrier" Caroline Swash in the U.S.A. POWLEY JEFF
Metiers d'Art, no. 20, Nov. 1982, pp. 40-41, MRAZEK, WILHELM "A Symbol for Lexington Market"
ill. "Betonglasfenster von Adolfo C. Winternitz Stained Glass, v. 78, no. 1, Spring 1983, p.
Remarks by author, a stained glass artist. 59-
zur Ausstellung von Entwiirfen und
MANNING, MARTHA Originalen im Wiener Kiinstlerhaus" Baltimore, Md., piece.
"Four Generations of Blenko Glassmakers" Alte und Modeme Kunst, v. 6, no. 44, 1961, PRICE, BARCLAY
Stained Glass, v. 78, no. 4, Winter 1983-84, pp. 25-27, ill. "Commissions"
PP- 350-355, ill- "Glasfenster von Isolde Maria Joham" Crafts, v. 63 ,July-Aug. 1983, p. 51, ill.
Alte und Modeme Kunst, v. 8, no. 66, Jan.- Church window by Mark Angus.
MARQ, CHARLES
Feb. 1963, pp. 48-50, ill.
"Art et artisanat" RAE, RON
Metiers d'Art, no. 20, Nov. 1982, pp. 42-43. THE MT. TOM STAINED GLASS "On Going Contemporary"
Stained glass artist ARTISANS Stained Glass, v. 78, no. 2, Summer 1983,
Challenging Projects in Stained Glass pp. 1 18 -1 19, ill.
MARSLKOVA, JAROMFRA
New York, N.Y.: Arco Publishing, Inc., Recent work of the author.
"Artistic Use of Sheet Glass"
1983, 161 pp., ill.
For You From Czechoslovakia, no. 2,June RALLI, GIOVANNA
1983, PP-52-53-ill- Starting Out in Stained Glass "Come un giardino di vetro"
New York, N.Y.: Arco Publishing, Inc.,
MATHEWS, LEE Casa Vogue, no. 135, Nov. 1982, pp.
1983, 148 pp., ill.
238-240, ill. English summary.
"Denise Leone's Sculpted Panels"
OAKLAND, MIKE Apartment stained glass designed by
Stained Glass, v. 78, no. 2, Summer 1983,
"The New Wave of Small Glass Studios: Portoghesi.
pp. 164-167, ill.
Laminated and sandblasted panels. Toward a Higher Degree of
Raquel Rahinovich
Professionalism"
MCCALL, CHRIS New York, N.Y.: Center for Inter-American
Stained Glass, v. 78, no. 1, Spring 1983, pp.
"Increase Your Business" Relations, 1983, 3 p. folder, ill.
49-51, ill.
Who's Who in Stained Glass (Carl Hungness Exhibition of sheet glass sculpture at the
Publishing, Speedway, Ind.), 1983, pp. OSBORNE, RICHARD center.
68-69. "Konstantinos S. Vournas"
RICKARD, STEPHEN
American Art Glass Quarterly, Winter 1983,
M C C L U N E Y , G R E G O R Y D. "Some of My Commissions"
pp. 62-67, ill-
"Artist-Designer: Ronald Neill Dixon" The Glass Engraver, no. 31, Spring 1983 , p.
PALMER, SHIRLEY 29+.
Stained Glass, v. 78, no. 1, Spring 1983, pp.
16-19, ill- "On Getting Started" RICKEY, CARRIE
The Glass Engraver, no. 28, Summer 1982, "Six-sided Constructions"
MCGRATH, SUSAN pp. 15-18, ill.
"Neil Finn" Art in America, v. 71, no. 4, April 1983, pp.
How author began engraving. 150-153, ill-
Craft Australia, no. 2, Winter 1982, p. 39+,
ill. PASCA, VANNI Larry Bell.
Stained glass artist. "Giappone: dopo l'urlo il silenzio" RIGAN, OTTO B.
Casa Vogue, no. 135, Nov. 1982, pp. James Hubbell's Palace Doors of Abu Dhabi
MEISTERMANN, GEORG 244-251, ill. English summary. Palo Alto, Cal.: Hidden House
"Georg Meistermann Discusses His Work" Glass block house by Japanese designer Publications, 1982, 120 pp., ill.
Glass Art Society Journal 1982-1983, pp. Tadao Ando.
12-16, ill. R O E M E R , W I L L I A M A.
PAUL, ANDY
"The Windows of St. Mark's in the Bowery: "More About Stained Glass: People, Places WLCKMAN KERSTIN
Some Old, Some New" and Events" "Fargen gloder i glaset"
Stained Glass, v. 78, no. 4 , Winter 1983-84, The Kaleidoscope, Nov. 1983, pp. 4 - 5 . Form, v. 79, no. 6 (621), 1983, pp. 2 2 - 2 3 , ill.
PP- 356-359, ill. "A New Flesh Stain" English summary.
Stained Glass, v. 78, no. 4 , Winter 1983-84, M. Sundquist and S. Heim, Stockholm
ROWLAND, AMY ZAFFARANO
P- 377. ill- studio.
Handcra fted Doors & Windows
Emmaus, Pa.: Rodale Press, 1982, 200 pp., "The Sports Bay Window at SaintJohn the "Klistret blir monster"
ill. Divine" Form, v. 79, no. 6(621), 1983, pp. 30 -31, ill.
Stained and leaded, etched, engraved, Stained Glass, v. 78, no. 1, Spring 1983, pp. English summary.
sandblasted, etc. 42-44, ill. Laminated panels by Sweden's Birgitta
Work done by D'Ascenzo and Willet Ahlin and Sirkka Lehtonen.
RUBIN, DAVID Studios.
"Review of Exhibitions: Peter Liashkov at W I L L E T , E. C R O S B Y
"Susan and Caroline Glyn: A Collaboration "St. Mary's Cathedral: A 20th Century
Jan Blum"
between Mother and Daughter" Masterpiece"
Art in America, v. 71, no. 8 , Sept. 1983, p.
Stained Glass, v. 78, no. 3, Fall 1983, pp. Stained Glass, v. 78, no. 1, Spring 1983, pp.
179+.
251-255, ill. 45-48, ill.
SCH WEIGER, KAROL Windows for Australian chapel. Dalle de verre windows in San Francisco
"Seeing Is Believing/Voir c'est Croire" church.
TEMME, NORMAN; MCGUIRE,
Canadian Collector, v. 18, no. 1, Jan./Feb.
MAUREEN; and VONROENN, KENNETH WILLINGHAM, GERI
1983, p. 46.
"Stained Glass Artist-Designer: Maureen "Glass Artist as Designer Finds Flexible
Exhibition of a New Brunswick stained
McGuire" Approach Opens Wide Range of
glass project by Nora Gaston and Paul
Stained Glass, v. 78, no. 2 , Summer 1983, Opportunities"
Blaney.
pp. 124-127, ill. The Crafts Report, v. 9 , no. 90, April 1983, p.
SCRIVEN, EARL E. 9, ill.
VANDERWERF, KLASINA
"The Crown Jewels in the Fine Art of "Stained Glass Is Integral Part of Home
"Sign Maker of Aspen"
Beveling" Design"
Americana, v. 10, no. 6 , Jan./Feb. 1983, pp.
Glass Digest, v. 62, no. 4 , April 15, 1983, pp. Glass Digest, v. 62, no. 7, July 15, 1983, p.
78-79, ill.
50-54, ill. 71, ill.
Glue-chipped glass.
Past uses and procedures, methods used
now. VIRGO, HILARY WILSON, GERALD J .
"On Getting Started" "Creative Freedom Has Its Own Rewards"
SMALLEY, BARBARA Stained Glass, v. 78, no. 3, Fall 1983, pp.
The Glass Engraver, no. 32, Summer 1983,
"Cameo, Crystal and Light: Engravings on 224-227, ill.
pp. 15-18, ill.
Glass" Stained Glass Workshop, Woodbury, N. Y.
Author's engraved work.
Museum, v. 4 , no. 3, Sept.-Oct. 1983, pp. commissions.
46 -51, ill. VONROENN, KENNETH F.,JR.
Corning engraver Max Erlacher. and BUCHANAN, GEORGE F. WOODS, LYNN
"Commission: A Stained Glass Window for a "Fragile Hearts: Confessions of a Stained
SMEJKAL, JAROSLAV Glass Teacher"
Peridontist's Office"
"Figured Rolled Glass" Glass Studio, no. 39, [1983], pp. 1 2 - 1 7 , ill-
Stained Glass, v. 78, no. 4, Winter 1983-84,
Czechoslovak Glass Review, v. 11, no. 7,
pp. 366-369, ill. "Glorious Moments"
1956, u.p., ill.
Patterned architectural glass. American Art Glass Quarterly, Winter 1983,
WALLEN, ERIC R.; HACKNEY,
pp. 16-29, ill-
BERNICE; BEASTON, TERRY;
STAHL, GEORG California studio/gallery.
and PERTEGAZ, JOSE I.
"El Universo: Tamayo's Laminated "The Sky walker Ranch and Sky walker Art
"Exhibitions"
Window" Glass Studio"
Stained Glass, v. 78, no. 3, Fall 1983, pp.
Stained Glass, v. 78, no. 2 , Summer 1983, The American Art Glass Quarterly, Fall 1982,
274-277. ill-
pp. 134-140, ill. pp. 18 -31, ill.
Reviews of 1983 competitions and shows
Largest laminated panel ever made, Mexico
held in San Francisco, Honolulu, San Diego, "Zampa"
City.
Australia, Spain. The American Art Glass Quarterly, Fall 1982,
STINSMUEHLEN, SUSAN pp. 44-59, ill-
W A T T S D A V I D and G R O S ,
"Susan Stinsmuehlen" California sandblast studio.
GABRIELLA , eds.
New Work, Winter-Spring 1983, pp. 18 -19, WYSOCKI, ROBERT J .
"Playing a Less Controversial Tune—John
ill.
Piper's Stained Glass" "A Museum in Its Infancy"
Constructions combining lamination,
Glass Circle News, no. 25, Feb. 1983, p. 2. Stained Glass, v. 78, no. 4 , Winter 1983-84,
fusing and painting, etching, various
Exhibition in Cambridge (U.K.). p. 326, ill.
metals.
Display of 20th c. American panels in
WEBB, MICHAEL
STREISINGER, LOTTE Cincinnati, organized by Stained Glass
"Saving Simon Rodia's Towers"
"Craft in Architecture: Hult Center for the Association.
Portfolio, v. 5, no. 4 , July-Aug. 1983, pp.
Performing Arts"
68-71, ill. YOKI
American Craft, v. 43, no. 3 , June/July 1983, "Le Vitrail contemporain au Musee
Concrete surfaces imbedded with bits of
pp. 11—1 3 , ill- romontois"
glass.
Glass panels by John Rose and Ed
L'Oeil, no. 329, Dec. 1982, pp. 3 7 - 3 9 , ill.
Carpenter. WHITE, CLAIRE NICOLAS
"Joep Nicolas, His Life and Work" ZIMMER, JENNY
T A L A B A , M A R K , comp.
New Work, Winter-Spring 1983, pp. 4 - 1 2 , "An Interview with Klaus Zimmer"
"Glass Class"
ill. Craft Australia, no. 2, Winter 1982, pp.
Glass Studio, Continuing series: no. 36,
53-56, ill.
1982 —no. 39, 1982 [pub. 1983]. Answers to WICHERT, GEOFFREY Schaffrath workshop in Melbourne.
readers' questions. "Free Spirits, Paul Marioni's Floating
Figures" "An Interview with MarjorieJohnson"
TEMME, NORMAN Craft Australia, no. 2 , Winter 1982, pp.
Stained Glass, v. 78, no. 4 , Winter 1983-84,
"A Landmark Restored to Its Former Glory" 62-64, ill-
PP- 370-371. ill-
Stained Glass, v. 78, no. 2, Summer 1983, Organizer of glass seminar and exhibits
pp. 146-147, ill. "Light Motif—the Glass of Paul Marioni" during Schaffrath visit, Melbourne.
Biblical windows by North Carolina firm. American Craft, v. 43, no. 6, Dec. 1983 /Jan.
"Ludwig Schaffrath and Contemporary Glass
1984, pp. 28 -31., ill.
Large-scale cast glass by Seattle artist. Design"
Craft Australia, no. 2, Winter 1982, pp. BRADFORD, KATHY Proceedings, the Twenty-Seventh Symposium
50-51, ill. "A Discussion on Sandblasting Glass" and Exhibition on the Art of Glassblowing (The
"Two Glass Masters: John Orval, Stephen Who's Who in Stained Glass, (Carl Hungness American Scientific Glassblowers Society,
Moor" Publishing, Speedway, Ind.) 1983, pp. Toledo, Ohio), 1982, pp. 16-19, ill.
Craft Australia, no. 3, Spring 1982, pp. 64-67, ill.
L U I S I , J O S E P H H.
44-48, ill. BRAY, CHARLIE "Scientific Glassblowing Certification and
"Mould Making" Degree Programs at Salem Community
British Artists in Glass Newsletter, May 1983, College"
pp. 23-24. Proceedings, the Twenty-Seventh Symposium
and Exhibition on the Art of Glassblowing (The
CLARK, DAVID B. American Scientific Glassblowers Society,
"A Miracle Material" Toledo, Ohio), 1982, pp. 44-75, ill.
Glass (U.K.), v. 60, no. 8, Aug. 1983, pp.
291-292. M A T T O X , D O U G L A S M . and
Uses of glass in architectural, household, CADOFF, LAURENCE H.
packaging fields, and new technologies. "Flame-working and Sealing Alternatives: A
Review of the Various Methods of Heating
T E C H N O L O G Y (after 1945) Dictionary of Glass to Working Temperatures"
Glass-Making/Dictionnaire de verrerie/ Glass Industry, v. 64, no. 2, Feb. 1983, pp.
Glas-Fachworterbuch 10-13.
ANONYMOUS (Prepared by Sub-Committee A1 of the
"Diamond Abrasives and Glass Engraving" MAYO, GENE
Interntional Commission on Glass)
Glass (U.K.), v. 60, no. 2, Feb. 1983, p. 52, Amsterdam: Elsevier Scientific Publishing "Soldering Techniques"
ill. Co., 1983, 402 pp., ill. The American Art Glass Quarterly, Fall 1982,
"The Equipment Page" pp. 68-69.
D U N N I N G T O N , B R U C E W. Making stained glass windows.
The American Art Glass Quarterly, Fall 1982,
"How to Drill Precision Holes in Bittle
pp. 66-67, ill. MILES, WILLIAM O .
Materials"
Bending stained glass window reinforcing "Foil Repair of Leaded Glass"
Glass Digest, v. 62, no. 3, March 15, 1983,
bars. Glass Studio, no. 37 (Oct. 1982), 1983, p. 71,
pp. 80-85, ill-
"Glass Formulas" ill.
British Artists in Glass Newsletter, Part 1: Dec. ELSKUS, ALBINAS Updated 1979 article.
1982, p. 18. Part 2: [Aug.?] 1983, p. [24]. "Painting on Glass"
MYERS, MARY
Soda-lime, lead, borosilicate. Glass Studio, no. 37 (Oct. 1982), 1983, pp.
80-88, ill. "Bending Glass for Lampshades"
"Glossary" Glass Studio, no. 37 (Oct. 1982), 1983, pp.
British Artists in Glass Newsletter, Part 1: Dec. Excerpted from author's book.
30-32, ill.
1982, pp. 23-25; Part 2: May 1983, pp. FENTON, MALCOM Updated 1980 article.
[29-30]; Part 3: [Aug.] 1983, pp. [37-40]. "Glassmaking: Science & Art"
Glassmaking terms. NEW-SMALL, DAVID
Glass Studio, no. 39, [1983], pp. 59-61, ill.
"Materials Used in Glass Making" From "a scientist's perspective." "Angie—An Electric Furnace Story"
British Artists in Glass Newsletter, Part 1: Dec. Glass Gazette (Glass Art Association of
GUTBERLET, FRANCIS J . Canada), [Fall 1983?], pp. 2-3, ill.
1982, pp. 20-22. Part 2: [Aug.?] 1983, pp.
"Grinding and Polishing of Glass"
[25-28]. P L A T T , D. M I C H A E L
Proceedings, the Twenty-Seventh Symposium
"Safety" and Exhibition on the Art of Glassblowing (The "Acid Etching"
British Artists in Glass Newsletter, [Aug.?] American Scientific Glassblowers Society, Glass Studio, no. 37 (Oct. 1982), 1983, pp.
1983, pp. [29-34]. Toledo, Ohio), 1982, pp. 24-31, ill. 42-47, ill.
BALDWIN, LEE R I G A N , O T T O B.
H E R M A N , S A M , ed.
"Semi-hot Glass" "Technical Section" Photographing Stained Glass
Glass Studio, no. 37 (Oct. 1982), 1983, pp. British Artists in Glass Newsletter, May 1983, Lake Oswego, Ore.: Mercury Press, 1983,
26-28, ill. pp.17-30. 84 pp., ill.
Updated article of 1980. Glass formulas, materials used in SARFI, GEORGE
BARAZANI, GAIL glassmaking, technical articles, glossary. "Borosilicate Glass Paperweights"
"Hazards of Stained Glass" J A C O B S O N , D O N and H A N N U M , J I L L Glasfax Newsletter, v. 14, no. 3, Sept. 1982,
Glass Studio, no. 37 (Oct. 1982), 1983, pp. "Lampwork Renaissance" pp. 1-10, ill.
50-51 + . Glass Studio, no. 37 (Oct. 1982), 1983, pp. Technical aspects of weights created by
Updated 1979 article. 10-13 + , ill- author.
"Protecting Your Health" Updated 1979 article. SCRIVEN, EARL E.
The Craft Report, v. 9, no. 93, July-Aug. "More Crown Jewels in the Fine Art of
KEDDA, HELENA
1983, p. 4. Beveling"
Working with stained glass. Stained Glass Cook Book
Chevy Chase, Md.: Paw-Print Press, 1983, Glass Digest, v. 62, no. 5, May 15, 1983, pp.
"Protecting Your Health: Free Crystalline 86-88 + , ill.
56 pp., ill.
Silica" Handbook for slumping glass and restoring Survey of beveling from 1800s to 1930s, and
The Crafts Report, v. 9, no. 89, March 1983, bent panel lamps. how-to-do-it techniques.
p. 4.
KEOGH, PETER TALABA, MARK
BERLYE, MILTON K.
"The Acton Sandblaster" "The Zen of Packing & Shipping Leaded
The Encyclopedia of Working with Glass Glass Work"
Glass Gazette (Glass Art Association of
(revised ed.) Glass Studio, no. 36, Sept. 1982, pp. 42-44,
Canada), [Fall 1983?], pp. 6-8, ill.
New York, N.Y.: Everest House ill.
Publishers, 1983, 280 pp., ill. KOHLER, LUCARTHA
ULLBERG, EVA
"Photo Silkscreening on Glass"
BLUMENFELD, MORT "An Electric Glass Furnace"
Glass Studio, no. 37 (Oct. 1982), 1983, p.
"A Designer's Notebook for Glass, Glass Art Society Journal 1982-1983, pp.
15 + , ill.
Ceramics, and Carbon" 98-99, ill.
Updated 1981 article.
Industrial Design, v. 30, no. 2, March/April
K O T , C A S E Y and M O R R I S , J A M E S VERBERNE, DANIEL
1983, pp. 52-55, ill.
Different types of glass and glass-ceramic "What Every Glassblower Should Know "Designing and Building a Glass Furnace"
materials. about Fiber Optics"
Glass Art Society Journal 1982-1983, pp. FILMS ON VIDEOTAPE Masters of Murano
100-101, ill. Landmark Films, 1982
17 min., color, sound
WADE, KENT Cameo Glass Three contemporary glassmakers
"Alternatives for Photosilkscreening on Charles Hadjamach, Broadfield House
Glass" Glass Museum, 1983 Tiny Bits of Beauty
Glass Studio, no. 37 (Oct. 1982), 1983, pp. 65 min., color, sound Michigan Council for the Arts, [1975-1976]
22-23. Casing cameo glass 10 min., color, sound
Demonstration by two Venetian
WILSON, H . WEBER Glass—a Dwelling/or Light beadmakers
"Practical Techniques for Residential Stained Sveriges Riksradio AB/ Swedish Radio
Glass Repair" Company, [1983] A list of films acquired before 1983 may be
Glass Studio, no. 37 (Oct. 1982), 1983, pp. purchased from The Corning Museum of Glass
26 min., color, sound
62-63 + , ill. Library.
Glassmaking in Smaland, Sweden
Galleries
Based upon the replies to a 1983 Museum Survey, the their exhibition schedule and policies to New Glass Re
following list includes commercial galleries with active view, Department G, The Corning Museum of Glass,
exhibition policies and those which have held significant Corning, New York 14831, U.S.A., no later than De
one-person or group shows. Galleries wishing to be listed cember 1984. Those galleries not replying to two con
in New Glass Review 6 should send a letter describing secutive surveys will be removed from this list.