Lindo: Richard PERCIVAL 110

Download as pdf or txt
Download as pdf or txt
You are on page 1of 9

Lindo

  
                   
Richard PERCIVAL

    
 = 110

  
               
Saxophone Soprano

     

                 
Saxophone Alto

  
   

Saxophone Ténor

            
Saxophone Baryton
  


             
           

4

         
Sax. S.

  
       

      
Sax. A.

     
Sax. T.    
    


          
       

Sax. Bar.
     
    
       
 
8

        
Sax. S.

       
  
              
Sax. A.

    
      

         
Sax. T.

       
Sax. Bar.        

          
            
12 

   
Sax. S.

              
 
    
Sax. A.

           
       


Sax. T.

    
             

Sax. Bar.

   
       
16

    

Sax. S.

   
             


    
Sax. A.

 
             


  
Sax. T.

                  



Sax. Bar.

2
   
             
20

  
Sax. S.

  
Sax. A.           
          

    
               
Sax. T.

              
    

Sax. Bar.

            
          

24

 
   
Sax. S.

                  
  

   
Sax. A.

    
      


  
Sax. T.

             
      


 
Sax. Bar.



         
  
          
28

  
Sax. S.

           
        

   
       
Sax. A.

       
        
 
Sax. T.

               
Sax. Bar.     
3
      
          

       
32

 
Sax. S.

      
               
3

 

    
Sax. A.


              
3


    
Sax. T.

             

Sax. Bar.

      

            
    
36

                              
Sax. S.


3


   
Sax. A.

                
  
3

   
Sax. T.

   
Sax. Bar.
        

  
                    
     
40


           
Sax. S.

        
      
3

     
Sax. A.

    
         
3

   
Sax. T.

              
Sax. Bar.
    
4
    
               

44

Sax. S.

      
           
3

  

Sax. A.

         

3


 
Sax. T.

             
Sax. Bar.

  
  
   
              
          
47


      
Sax. S.

       
  
       
     
        
   
Sax. A.

           
     
  

            
Sax. T.


                          

Sax. Bar.

          
            
51


  
Sax. S.

   
          

       
Sax. A.

      
        

Sax. T.

     

     
       
Sax. Bar.
  
5
Lindo
Saxophone Soprano

                
      
Richard PERCIVAL

  
   
 = 110

           
                          
  
6

       


             
  
 


13

         


           
         
 
20

 
               
  
               
    
27

     
                      


    
34

     
           
3

         
 

    
39

  

      
3 3

                             
    
   
  
44

        
3

          
       
        
50
Lindo
Saxophone Alto

                          
Richard PERCIVAL

            
   
 = 110

                               

      

7

      

    

  
                           
14 

         


          
  
      
                 
21

  
          
          


      
    
28

                               

      
34


3

                            
          

39

 
3 3

                             
     
              

 
45


3

      
          
 
51
Lindo
Saxophone Ténor

                           
Richard PERCIVAL

              
 = 110

                     
   
 

     
6

      
          
         

        

     
12

  


               
  
               
  
18



                    
 
             
    
26



 
        
               
             
34

 
            

              
          

    
42

            
 

  
     
       
 
   
50
Lindo
Saxophone Baryton

     
Richard PERCIVAL

                   
             
 = 110

              


 
           
          
8

                
                   

    

15



      
                      
               
22



        

                         
        
29

   
          
               
37

       
                            
 
44

     
     

    
                     
49

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy