The Syllable: The Pulse' or Motor' Theory of Syllable Production Proposed by The Psychologist R

The syllable
Syllable is an unit of pronunciation typically larger than a single sound and smaller
than a word. A word may be pronounced ‘syllable at a time’, as in ne-ver-the-less, and a good
dictionary will indicate where these syllabic divisions occur in writing, thus providing
information about how a word may be hyphen-ated. The notion of syllable, in short, is very
real to native-speakers, and isoften used in a quasi-technical sense in everyday conversation
(e.g. Shall I put it in words of one syllable?).
Providing a precise definition of the syllable is not an easy task, and there are several
theories in both phonetics and phonology which have tried to clarify matters. From a phonetic
viewpoint, attempts have been made to define the syllables of a language on the basis of the
articulatory effort needed in order to produce them.
The ‘pulse’ or ‘motor’ theory of syllable production proposed by the psychologist R.

H. Stetson (1892–1950) argued that each syllable corresponds to an increase in air pressure,
air from the lungs being released as a series of chest pulses. This can often be readily felt and
measured, particularly in emphatic speech; but it is also often difficult to detect such a pulse
in adjacent syllables, as when two vowels co-occur, e.g. going (which is two syllables, but
usually said in a single muscular effort).
An alternative phonetic approach attempts to define the syllable in auditory terms:

the prominence theory argues that, in a string of sounds, some are intrinsically more
‘sonorous’ than others, and that each ‘peak’ of sonority corresponds to the centre of a syllable.
These peaks are best illustrated by vowels, whichhave the greater carrying-power.
The less sonorous sounds provide ‘valleys’ of prominence, and are best illustrated by
the closures and narrowings which produce consonants. This approach gives a useful general
guideline, but it does not always indicate clearly where the boundary between adjacent
syllable falls, e.g. in busker, the problem of whether to split the word as bus-ker, bu-sker or
busk-er is not answerable using arguments based on perceived sonority. The problem remains,
even if other acoustic features than sonority (such as pitch or length) are incorporated within
the notion of prominence, but has been specifically addressed in some phonological theories
(notably metrical phonology).
Phonetic approaches of this kind attempt to provide a definition of the syllable valid
for all languages, and it is possible that more valid definitions in terms of speech production
or perception will emerge. Phonological views of the syllable, on the other hand, focus on the
ways sounds combine in individual languages to produce typical sequences. Here, two classes
of sounds are usually established: sounds which can occur on their own, or at the centre of a
sequence of sounds,and sounds which cannot occur on their own, or which occur at the edges
of a sequence of sounds. The former include such sounds as [i], [a], [u], etc., and are
generally referred to as vowels; the latter include such sounds as [p], [ì], [f],[Ä], etc., and are
generally referred to as consonants. A consonant–vowel (CV) sequence is a pattern which
seems to be found in all languages: because the syllable is not ‘closed’ by another consonant,
this type of syllable is often called an open syllable type. A CVC pattern is also very common
in English. In such a case, the following terminology is widely used:
the opening segment of a syllable = the onset;
the closing segment of the syllable = the coda;
the central segment of the syllable = the centre or nucleus.
A useful collective term for the opening and closing segments is the margins (oredges)
of the syllable. In metrical phonology, the nucleus and coda areviewed as a single constituent
of syllable structure, called the rhyme (or rime),and syllables are distinguished phonologically
in terms of their weight.
Using such methods, syllables can be defined in terms of the way the soundsegments
of language function. In this way, for instance, one can identify the various clusters of
segments which may occur at syllable margins, such as CV (say), CCV (play), CCCV (stray),
etc. Exceptional syllables can also be identified, such as those where certain consonants occur
alone to form the syllable –the nasals and laterals in words such as button [bÎtÚ] and bottle
[b∞t;],where [a] indicates that the final consonant is a syllabic consonant.The notion of
syllable is widely used elsewhere in phonology, e.g. in relation to prosody and cross-linguistic
studies of rhythm.
In the distinctive feature theory of phonology proposed by Chomsky and Halle,

syllabic is used to replace the earlier term ‘vocalic’,referring to all segments constituting a
syllabic nucleus. Vowels, liquids andnasals would be [+syllabic] ([+syll]); all other segments
would be [−syll]. In laterapproaches to phonology, the notion of syllable has become
increasingly important, especially in models of non-linear phonology. Here, syllabification
(andresyllabification) are interpreted in relation to questions of representation –how and at
what point syllable structure is assigned to strings in a derivation,and which phonological
rules are involved in syllabification.
Strong and weak syllable
*Is useful to make separate syllables that have more prominent nucleus, that is, which
is normally pronounced loud, and less prominent nucleus, because of this, they divided the
syllables into strong (have more prominent nucleus) and weak (have less prominent nucleus).
*The stress is a major factor in determining whether a syllable is strong or weak, so,
these two types of syllables can be described in part in terms of stress since they are closely
associated with this aspect.
Combination of syllabic consonant
! It is important to remember that it is often possible to say with certainty wheteher a

speaker has pronounced a syllabic consonant, a non-syllabic consonant or a non-syllabic
consonant plus. The transcription makes it looks as if the difference between these words was
clear, it is not.
Conclusion
! A syllable consists of a phoneme or a sequence of phonemes. Each vowel has the

possibility of constituting a syllable (hence a monosyllabic word) by itself whereas this is
never possible for a consonant.

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The syllable

The ‘pulse’ or ‘motor’ theory of syllable production proposed by the psychologist R.

An alternative phonetic approach attempts to define the syllable in auditory terms:

the opening segment of a syllable = the onset;

the closing segment of the syllable = the coda;

the central segment of the syllable = the centre or nucleus.

In the distinctive feature theory of phonology proposed by Chomsky and Halle,

Combination of syllabic consonant

! It is important to remember that it is often possible to say with certainty wheteher a

! A syllable consists of a phoneme or a sequence of phonemes. Each vowel has the

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