Software Synthesis: Barry Vercoe

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AA. VV.

, The Csound Book, edited by Richard Boulanger, The MIT Press, 2000
Index

Foreword xxvii
Barry Vercoe

Preface xxxi
Max Mathews

Acknowledgments xxxiii
Introduction xxxvii
How to Use This Book xxxix

Software Synthesis
Csound Fundamentals
1. Introduction to Sound Design in Csound, 5
Richard Boulanger

2. Understanding and Using Csound's GEN Routines, 65


Jon Christopher Nelson

3. What Happens When You Run Csound, 99


John ffitch

4. Optimizing Your Csound Instruments, 123


Paris Smaragdis

5. Using Csound's Macro Language Extensions, 137


Johnffitch

Imitative Synthesis
6. Designing Acoustically Viable Instruments in Csound, 155
Stephen David Beck

7. Designing Legato Instruments in Csound, 171


Richard Dobson

8. Contiguous-Group Wavetable Synthesis of the French Horn in Csound, 187


Andrew Horner and Lydia Ayers

9. FM Synthesis and Morphing in Csound: from Percussion to Brass, 197


Brian Evans

10. Modeling "Classic" Electronic Keyboards in Csound, 207


Hans Mikelson

Algorithmic Synthesis
11. A Survey of Classic Synthesis Techniques in Csound, 223
Rajmil Fischman
12. FM Synthesis in Csound, 261
Russell Pinkston

13. Granular Synthesis in Csound, 281


Allan S. C. Lee

14. FOF and FOG Synthesis in Csound, 293


Michael Clarke

15. Processing Samples with Csound's FOF Opcode, 307


Per Byrne Villez

Mathematical Models
16. A Look at Random Numbers, Noise, and Chaos with Csound, 315
John ffitch

17. Constrained Random Event Generation and Retriggering in Csound, 339


Russell Pinkston

18. Using Global Csound Instruments for Meta-Parameter Control, 350


Martin Dupras

19. Mathematical Modeling with Csound: From Waveguides to Chaos, 369


Hans Mikelson

Signal Processing
Understanding Signal Processing through Csound
20. An Introduction to Signal Processing with Csound, 389
Erik Spjut

21. Understanding Csound's Spectral Data Types, 437


Barry Vercoe

Delay, Chorus, Reverberation, and 3D Audio


22. Using Csound to Understand Delay Lines and Their Applications, 451
Russell Pinkston

23. An Introduction to Reverberation Design with Csound, 467


Eric Lyon

24. Implementing the Gardner Reverbs in Csound, 483


Hans Mikelson

25. Csound-based Auditory Localization, 493


Eli Breder and David Mclntyre

Working with Csound's Signal Processing Utilities


26. Convolution in Csound: Traditional and Novel Applications, 507
Erik Spjut

27. Working with Csound's ADSYN, LPREAD, and LPRESON Opcodes, 521
Magdalena Klapper

28. Csound's Phase Vocoder and Extensions, 541


Richard Karpen

Modeling Commercial Signal Processing Applications


29. Efficient Implementation of Analog Waveshaping in Csound, 563
Michael Pocino

30. Modeling a Multieffects Processor in Csound, 575


Hans Mikelson

Programming
Adding Opcodes
31. Extending Csound, 599
John ffitch

32. Adding New Unit Generators to Csound 613


Marc Resibois

Appendixes
1. List of the Csound Book Chapter Instruments, 637
2. Recommended Reading, 645
3. Recommended Listening, 647
4. Sound Intensity and Formants, 653
5. Pitch Conversion, 657
6. Csound's Error Messages, 663
7. Csound Quick Reference, 701
Index, 727

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