An "Emotional" Jesus and Stoic Tradition
An "Emotional" Jesus and Stoic Tradition
An "Emotional" Jesus and Stoic Tradition
attributing a high level of conceptual sophistication to the author. The lofty prose of the
Prologue, with its allusion to Greek and Hellenistic-Jewish speculation on the Logos,2 no
suggestion were correct, it might be profitable to explore whether any of the theological
claims of the Gospel are grounded in or in some way at least engaged with the
philosophical milieu of the first century. The question has not been at the forefront of
Johannine scholarship, which has pursued many other concerns, including the
relationship of the gospel to religious traditions of antiquity, the social location of the
Johannine community, and the literary history and dynamics of the text.3
The issue has, however recently been raised anew by a series of sophisticated
analyses by young scholars associated with the research project on Philosophy at the
Origins of Christianity. One of that scholarly group is Kasper Bro Larsen, whose work
and literary analysis that illuminates how the Gospel plays with the category of
Ms. Gitte Buch-Hansen, who defended her dissertation in the fall of 2007 at the
University of Copenhagen, focused on the language of “spirit” in the Fourth Gospel and
tried to put it in a new conceptual context grounded in Stoicism. Her work, focusing on
Stoic physics and metaphysics rehearses what Stoics thought about pneuma, a material
substance that pervades all things and holds them together, something like what modern
Wisdom of Solomon and in Philo’s reflection on the Logos. But Stoics also thought that
various kinds of matter could be transformed and all material forms underwent such a
transformation in the periodic conflagration that consumed all things and reduced the
physical universe to what modern cosmologists might call a singularity from which it
would again emerge. For that process the stoics used a technical term, anastoicheiosis.
Philo appropriates these categories with a twist, turning an eschatological category into a
useful tool for describing a Biblical event. The mysterious departure of Moses at the end
4
Recognizing the Stranger: Recognition Scenes in the Gospel of John (BIS 93;
Leiden/Boston: Brill, 2008)
5
The combination of literary and conceptual considerations in Larsen’s work is
essential for unpacking the complexity of the gospel. For an analogous attempt, see my
“The Cubist Principle in Johannine Imagery: John and the Reading of Images in
Contemporary Platonism,” in Jörg Frey, Jan G. van der Watt, Ruben Zimmermann, eds.,
with the collaboration of Gabi Kern, Imagery in the Gospel of John. Terms, Forms,
Themes and Theology of Figurative Language (WUNT 200; Tübingen: Mohr-Siebeck,
2006) 47-60.
materiality and an transformation into a pneuma available to his community in a new
Buch-Hansen argues that the story of “pneuma” in the Fourth Gospel reflects
precisely this kind of appropriation of a Stoic notion, now with a focus on Jesus, not
Moses or the Torah. Among other things, the divine pneuma undergoes a process of
transformation that explains some of the little narrative conundrums that have always
baffled interpreters, such as the famous noli me tangere scene in which the resurrected
Jesus seems to repulse Mary Magdalene. Jesus who had already completed the work that
to the Father. The spirit that is breathed out on the cross cannot be breathed into his
disciples as a community forming event until Jesus is well and truly gone, transformed
into the new form of existence.6 There are tropes galore in that famous episode, but the
conceptual play on how pneuma operates may well be one important element of the mix.
If Buch-Hansen is correct, then the Fourth Gospel knows and uses a piece of technical
Stoic theory, although one that has already been adapted to religious use by Jewish
thinkers.7
These studies on the possible traces of technical philosophy, both Platonic and
Stoic, lurking within the narrative of the Fourth Gospel call out for further exploration. If
6
For further reflection on the significance of that scene, see Harold W. Attridge,
“Don’t be Touching Me: Recent Feminist Scholarship on Mary Magdalene,” in A.-J.
Levine, ed., A Feminist Companion to John (2003) 2.140-166 [Essay # 11 in this
collection.].
7
How the technical categories of ancient philosophers were available to the
author of the gospel remains an intriguing problem. Hellenized Jewish authors such as
Philo perhaps were the primary conduit.
there are at least traces of metaphysical and epistemological principles at work, are there
philosophy, a probe into the ethics of the Fourth Gospel.8 Some critics might dispute
whether the Gospel pays much attention to ethics. Its recommendations seem to boil
down to the love command, and that aimed primarily, if not exclusively, at members of
the community.9 Nonetheless, it might be possible to conduct the probe from another
angle.
At first glance at least it appears that certain features of the portrait of Jesus in the
gospel bear at least a family resemblance to the Stoic depiction of an ideal “sage,” the
wise man whose life is totally governed by reason. This ideal figure, a goal to which
ordinary mortals aspire and few, if any, ever reach,10 possessed in truth the status and
values to which all aspired. Thus only the sage was free,11 on the sage was truly a king.
independent action, whereas slavery is privation of the same; though indeed there
Moreover, according to them not only are the wise free, they are also kings;
kingship being irresponsible rule, which none but the wise can maintain; so
Laertius 7.121-22).
The Jesus who solemnly declares that the Truth will make one free (John 8:32)
and who stands before the only apparent political power of Rome, hinting at his own true
royalty (John 18:33-38), bears at least a family resemblance to this Stoic sage.
Similarly the generally “high” Christology of the Gospel, often accused of being a
kind of naïve docetism,12 might be compatible with what Diogenes reports of the sage:
“They are also, it is declared, godlike; for they have a something divine within them”
(7.119). The Jesus of the Fourth Gospel, in whom there is definitely “something divine”
12
The claim, famously attributed to Ernst Käsemann, The Testament of Jesus
According to John 17 (London: SCM; Philadelphia: Fortress, 1966) ET of Jesu Letzter
Wille nach Johannes 17 (Tübingen: Mohr Siebeck, 1966, 3d. ed., 1971), is surely
overblown. For a critique, see Udo Schnell, Antidocetic Christology in the Gospel of
John (Linda M. Maloney, trans.; Minneapolis: Fortress, 1992), ET of Antidoketische
Christologie im Johannesevangelium (FRLANT 144; Göttingen: Vandenhoeck und
Ruprecht, 1987).
often seems to be quite “above the fray,” serenely in control of the situation, unperturbed
wedding feast is not his concern until him mother nudges him to take the appropriate
action (John 2:4). In the face of hostile questions he always seems calm and measured,
though his retorts can at times be pointed (John 8:44; 10:6). Even when about to be
stoned, his response is a calm and rational question (John 10:32), though followed by
The depiction of the serene Jesus reaches its culmination on the cross and
conforms to other notions of a noble death. In this regard he seems to conform to the
requirements of a Stoic sage: “Now they say that the wise man is passionless, because he
is not prone to fall into such infirmity” (Diogenes Laertius 7.117). Even in his passion,
Jesus also displays a deep sense of duty. His food is to do the will of the one who
sent him (John 4:34; 9:4). Like a good emissary, he does what he is told (John 5:30) and
teaches what he has been taught from on high (John 7:16; 12:49). There are sheep that he
“must” gather (John 10:16). What is “completed” on the cross (John 19:30) is, among
other things, the mission on which he had been sent, the duty he had to perform.
There are, to be sure, qualities attributed to the ideal type do not quite seem to fit
the portrait of Jesus. After noting the “divine” quality of the sage, Diogenes continues:
The good, it is added, are also worshippers of God; for they have acquaintance
with the rites of the gods, and piety is the knowledge of how to serve the gods.
Further, they will sacrifice to the gods and they keep themselves pure; for they
avoid all acts that are offences against the gods, and the gods think highly of
them; for they are holy and just in what concerns the gods. The wise too are the
only priests; for they have made sacrifices their study, as also the building of
temples, purifications and all the other matters appertaining to the gods. (7.119)
There may be hints of a paradoxical “priestly” Christology in John,13 but none that
Other points of tension might be found between the ideal portraits of a sage and
the Johannine depiction of Jesus, but one set of descriptions in particular creates
problems for a comparison with Stoic traditions, a set that seems to stand in some tension
with the general depiction of the serene and undisturbed Jesus, depictions of his
emotions.
Several passages in the Fourth Gospel, often noted as examples of the true
humanity of Jesus, portray him as having what appear to be strong emotions. The
narrative does not describe his emotional state during his action in the Temple (2:12-16),
but the narrator comments that his disciples latter remember the verse of Ps 69:9 “Zeal
for your house will consume me.” By implication Jesus was motivated by “zeal” (zelos,
13
See John 17. On such Christologies in general, see William Loader, Sohn und
Hoherpriester: Eine traditionsgeschichtliche Untersuching zur Christologie des
Hebräerbriefes (WMANT 53; Neukirchen: Neukirchener, 1981).
The clearest examples of what appear to be emotions appear toward the end of
Jesus’ public ministry. When Jesus comes to deal with the dead Lazarus, he becomes
agitated “in spirit” (enebrimēsato tō pneumatic kai etaraxen heauton).14 Exactly what this
agitation was has been the subject of debate. The last phrase, whose verb recurs at 12:27,
is clear enough. The first, less common, verb causes some difficulty. The word
accounts of exorcism (Mark 1:43; Matt 9:30) where Jesus angrily confronts demons.
Some suspect that the evangelist inherited the word from a source.16 However that may
be, the word suggests that the agitation of Jesus of Jesus was visible, and probably
14
Several witnesses offer a slightly more complex reading etarachthē tō
he upset at being forced by the crowds to perform a miracle,18 at the Jews and Mary for
the faithlessness displayed in their weeping,19 at the reality of death and the inimical
Jesus then openly displays his grief by weeping (11:35), and when he approaches
the same emotions to which his tears testified several verses earlier.
particularly in the picture of Mary who says little, but feels deeply. The surrounding
friends who attempt to console her believe her abrupt departure from the house at the
news of Jesus’ coming is simply a move toward grave-side weeping (John 11:31). The
image is of a woman in deep grief. She also reacts with an extravagant gesture when she
encounters Jesus (John 11:32). Is she demonstrating her devotion or her distress? In any
case there may be a deliberate polarity between her and her sister, Martha exemplifying a
“soul” (he psyche mou tetaraktai, 12:27). Exactly how Jesus was disturbed is not
specified, but it is hardly unreasonable to suspect that he had at least a slight shudder of
fear, dread, or apprehension. That would be particularly true if this brief remark in John
is a vestige of or distant cousin to the stories of the prayer of Jesus in the Garden of
Gethsemane.22 He later urges his disciples not to let their hearts be disturbed (14:1) and,
the language of the Psalms, which readily portray and inspire emotional appeals.
Particularly relevant is the combination of Psalms 42 and 43, e.g., the refrain of 42:5, 11;
43:5: “Why are you cast down, O my soul, and why are you disquieted within me.”23
Whatever the inspiration, the result of the portrait is clear. Jesus seems to share
that distinguishes the Fourth Gospel from the philosophical tradition.24 They note
22
Raymond E. Brown, “Incidents that Are Units in the Synoptic Gospels But
Dispersed in St. John,” CBQ 23 (1961) 143-60, esp. 143-48.
23
See Johannes Beutler, “Psalm 42/43 im Johannesevangelium,” NTS 25 (1978)
33-57, Thyen, Johannesevangelium, 533, and Margaret Daly-Denton, David in the
Fourth Gospel: The Johannine Reception of the Psalms (AGJU 47; Leiden: Brill, 2000)
253-58.
24
So e.g., Craig S. Keener, The Gospel of John: A Commentary (2 vol.; Peabody,
MA: Hendrickson, 2003) 2:845, n 98, on John 11:33 and the verb tarasso. “A goal of
philosophy, by contrast, was to be atarachon (Epictetus Diatr. 2.5.2; 4.8.27; Diogenes
Laertius 10.85; 10.144.17; cf. T. Dan 4:7; T. Job 36:3/4-5; apatheias in Crates Ep. 34, to
passages such as Diogenes Laertius 7.118, “Nor indeed will the wise man ever feel grief;
seeing that grief is irrational contraction of the soul, as Apollodorus says in his Ethics.”
Although scholars wonder about what caused the “anger,” of Jesus in John 11, the reality
of death or lack of faith, they finally tend to see the emotion as evidence of the humanity
The Fourth Gospel then, might be seen as either quite divorced from the
philosophical tradition in general and from Stoic tradition in particular, or even, perhaps,
a bit of “anti-Stoicism,” a precursor of the later Augustine.26 In order to test whether that
importance to Stoic ethical theory, a subject of significant reflection within the school in
the late Hellenistic and early imperial periods, and a bone of contention between the
Stoics and their philosophical rivals.27 For the Stoics, emotions (pathe) were inimical to
Metrocles).” The passages cited by Keener from Diogenes Laertius 10 have to do with
Epicurean ideals of tranquility, interesting but not germane to our inquiry into
connections with Stoicism, which featured so strongly not only an ideal of
“imperturbability” but also a sophisticated analysis of what emotions were and how they
worked.
25
See Keener, John, 2:845-46.
26
For an insightful account of Augustine’s critique of the Stoic tradition, see
Nicholas Wolterstorff, Justice: Rights and Wrongs (Princeton and Oxford: Princeton
University Press, 2008) 180-206.
27
In general see Martha Nussbaum, The Therapy of Desire: Theory and Practice
in Hellenistic Ethics (Martin Classical Lectures 2; Princeton: Princeton U.P., 1994) 359-
401, and Richard Sorabji, Emotion and Peace of Mind: From Stoic Agitation to Christian
moral flourishing and should be extirpated as far as possible. The ideal human being, the
sage, would be a person totally governed by reason, living totally in conformity to nature,
in unperturbed harmony. This Stoic position, grounded in their conviction that the soul is
unitary and not divided, as Platonists and Peripatetics thought, into three different parts or
functions,28 stimulated severe and constant criticism as being counter to the facts of
human experience.29
What the Stoics technically meant by “emotion” (pathos) created some of the
difficulty. In the classical theory and throughout the history of Stoicism, emotion
involved not just a feeling but a judgment. The emotion of anger was not simply the
physical affect of a reddened face, eyes blazing, and lips quivering, the kind of portrait
Seneca vividly sketches,30 but a judgment that a certain course of action was to be
pursued (e.g., the offending enemy was to be eliminated). The propositional dimension of
Temptation (Oxford: Oxford University Press, 2000). For a useful review of the issues
involved, see the collection of essays by Juha Sihvola and Troels Engberg-Pederson, The
Emotions in Hellenistic Philosophy (Dordrecht: Kluwer, 1998).
28
See Tad Brennan, “The Old Stoic Theory of Emotions,” in Sihvola and
Engberg-Pederson, Emotions, 21-70.
29
For reflection on such criticism, see T. H. Irwin, “Stoic Inhumanity,” in Sihvola
and Engberg-Pederson, Emotions, 219-41.
30
Seneca, De ira 1.1.3-4.
the emotion, not simply the “excessive” character of the subjective state,31 was what
Stoics devoted enormous attention to the emotions (pathē), not merely their
taxonomy, but also the processes for dealing with the impulses that could lead to
passions. When they sketched the image of the “sage,” there was no room for such
misfirings of the soul. But Stoics also were concerned with the training of souls in the
pursuit of that ever elusive goal of the wise man’s pure rationality. They recognized that
even the sage could be stirred in the direction of an undesirable emotion and had to deal
The categories of emotion that are attributed to Jesus, and by extension to his
disciples, would be familiar to anyone steeped in the Stoic tradition. Different mappings
of the world of emotion could be made. According to the account of Zeno’s On the
Passions preserved in Diogenes Laertius, 7.111, there were four great classes of emotion:
grief or distress (lype), fear (phobos), desire or craving (epithymia), and pleasure
(hedone).32 The episodes that apparently describe how Jesus feels readily correspond to
31
The chief characteristics are combined in Stobaeus 2.88,8-90,6 (SVF 3.378). Cf.
A. A. Long and D. N. Sedley, The Hellenistic Philsophers (2 vols.; Cambridge:
Cambridge University Press, 1987) 1:410; 2:404: “They say that passion is impulse
which is excessive and disobedient to the dictates of reason, or a movement of soul which
is irrational and contrary to nature; and that all passions belong to the soul’s commanding
faculty.” The combination of ingredients in the definition reflects some of the tensions in
the Stoic discourse about emotions/passions, but the final phrase is important for locating
the passion in the function of the hegemonikon, the controlling element of the soul, where
judgments occur.
32
Stobaeus, 2.88,8-90,6 and Andronicus, On the Passions, list the same pathe, but
in a different order. See Long and Sedley, Hellenistic Philosophy, 1:411; 2:404.
the first two of these overarching categories: grief (ch. 11), fear (chs. 12 and 14). Anger,
which, Jesus apparently experiences in his encounter with Mary and and Martha, is a sub-
The ways in which the emotions are treated in the cases of grief, anger, and fear
merit attention. The critical point is that even for the sage, the ideal limiting condition of
rational humanity, it is not impossible to have what we might call feelings, stirrings of the
soul, occasioned by sensory impressions. What made these psychic motions emotions
controlling element of the soul. This assent turned the initial stirring into an impulse
(horme), which could be defined as a proposition with a practical object.34 What takes
place in the case of animals, a sort of stimulus-response that produces action, becomes in
the case of human beings a process in which reason intervenes to shape the response.35
The ideal embodiment of apatheia will not be devoid of external impressions and
stirrings of the soul, but will shape them and subject them to rational control. The
impressions that become impulses to action will remain in conformity with the dictates of
reason/nature and will not interfere with the tranquility of the philosophical mind.
33
According to Stobaeus, 2.90,19-91,9. See SVF 3.394, Long and Sedley,
Hellenistic Philosophy, 1:412; 2:406-7.
34
So Stobaeus, 2.88,2-6 Long and Sedley, Hellenistic Philosophy, 1:197, 2:2:200.
35
The overall psychic process is outlined succinctly in Diogenes Laertius 7.86,
culminating in the affirmation that “reason supervenes as the craftsman of impulse”
(technitēs gar houtos [scil. logos] epiginetai tēs hormēs.)
The emotionless sage is a limit case, defining one end, the most desirable of
course, of human experience. Most people are on a journey toward that limit. In the
words of many Stoic moralists, they are “making way” (prokoptōn) toward that goal.36
Sages in training may experience the emotional tug, the “irrational contraction,” but will
is wrong.
The basic Stoic framework for thinking about emotions, unnatural judgments
corresponding to excessive impulses of the soul was part of the traditional teaching of the
school. In the late Hellenistic period, there was new emphasis on the first stage of the
process, the basic impulse that led to the disordered state that was passion. The influential
teaching and rehabilitating the “irrational” dimensions of the soul on which Platonic and
Aristotelian rivals insisted.37 We need not solve the disputed issue of how significant his
departures were from traditional Stoicism.38 The interest of Posidonius in the question of
the emotions was shared by Stoics of the Roman period and their methods for the
36
For a sketch of the “one who is making progress,” see Epictetus, Diss. 1.4; 3.2
37
For a general assessments see J. M. Rist, Stoic Philosophy (Cambridge:
Cambridge University Press, 1969) 201-18, and with even more caution about attributing
too much influence to Posidonius, Long, Hellenistic Philosophy, 216-22.
38
For discussion of the possibilities, see Brennan, “Old Stoic Theory,” (n. 29
above), and Richard Sorabji, “Chrysippus – Posidonius - Seneca: A High-Level Debate
on Emotion,” in Sihvola and Engberg-Pederson, Emotions, 149-70. For another account
of some of the distinctive features of Roman Stoicism, see Gretchen Reydams-Schils,
The Roman Stoics: Self, Responsibility, and Affection (Chicago: University of Chicago
Press, 2005).
“therapy” of the soul may be useful to compare with the portrait of Jesus in the Fourth
Gospel.
The distinction between the initial impressions and the emotions that could flow
Singing sometimes stirs us, and quickened rhythm, and the well-known blare of
the War-god’s trumpets; our minds are perturbed (movet mentes) by a shocking
picture and by the melancholy sight of punishment even when it is entirely just; in
the same way we smile when others smile, and are saddened by a throng of
mourners (et contristat nos turba maerentium), and are thrown into a ferment by
the struggles of others. Such sensations, however, are no more anger than that is
sorrow which furrows the brow at the sight of a mimic shipwreck … but they are
all emotions of a mind that would prefer not be so affected; they are not passions,
but the beginnings that are preliminary to passions (sed omnia ista motus sunt
None of these things which move the mind through the agency of chance should
be called passions; the mind suffers them, so to speak, rather than causes them.
Passion, consequently, does not consist in being moved by the impressions that
are presented to the mind, but in surrendering to these and following up such a
chance prompting. (Nihil ex his, quae animum fortuito impellunt, adfectus vocari
debet; ista, ut ita dicam, patitur magis animus quam facit. Ergo adfectus est not
ad oblatas rerum species moveri, sed permittere se illis et hunc fortuitum motum
There fore that primary disturbance of the mind (illa agitatio animi) which is
excited by the impression of injury is no more anger than the impression of injury
is itself anger; the active impulse consequent upon it, which has not only admitted
the impression of injury but also approved it, is really anger – the tumult of a
How then should one deal with these impressions? Seneca suggests that certain
principles be kept in mind, principles that will govern and shape the response to the
impressions. Remembering human folly will lead one to dispense with anger and to grant
indulgence to the wayward.39 Proper training of the young may counter the effects of
natural bodily conditions that may be conducive to anger;40 for adults what most often
perspective and the anger will dissipate. A little self-awareness will keep resentments
toward others in check.42 While psychogogy will take various forms in the face of
different characters, entreaty, reproof, shame,43 the fundamental strategy is to have a right
assessment of the character of the passion itself.44 Knowing the truth in various ways is
39
De ira 2.9.1-2: Ne singulis irascaris, universis ignoscendum est, generi humano
venia tribuenda est. Cf. Epictetus, Diss. 1.18.
40
De ira 2.19-21.
41
De ira 2.22.2
42
De ira 2.28.5-8.
43
De ira 3.1.2.
44
De ira 3.5.4.
what sets the sage or the person striving to be one, free from the deleterious passion of
anger.
For Epictetus, full of practical advice for those who are “making progress,” the
“first and greatest task of the philosopher is to test the impressions (tas phantasias) and
discriminate between them, and to apply none that has not been tested.”45 When
impressions that could lead to passions emerge, he suggests that that the “polished
weapons” that will counter them are right “preconceptions” (prolēpseis).46 Against the
fear of death stands the understanding that it is inevitable and one must do one’s duty.47
When impressions come along the like of which later theological traditions would call
temptations, the man progressing in virtue will counter them. Against the impression of a
fair maid or youth ready for sex, he will “introduce and set over against it some fair and
When the Johannine Jesus is tugged by the initial stirrings of what a Stoic would
call a “passion,” he responds in ways that a contemporary Stoic might recognize, but
about which she might have some doubts. The pattern is clearest in the case of the fear
that Jesus has begun to experience in the face of impending death (John 12:27). Jesus is
portrayed as engaged in a monologue that turns into a prayer. He notes the disturbance
(hē psychē mou tetaraktai) and responds with a rhetorical question, asking himself how to
respond (kai ti eipō). The question itself suggests a kind of detachment from the first
timorous impression. The response first asks the Father, in a rather non-Stoic way, for
deliverance (sōson me ek tēs hōras tautēs), perhaps reflecting the Biblical traditions of
45
Diss. 1.20.7.
46
Diss. 1.27.6
47
Diss. 1.27.7-10;
48
Diss. 1.28.25.
lament Psalms that possibly lurk in the background of the chapter.49 But then comes the
reaffirmation that duty calls (alla dia touto ēlthon eis tēn hōran tautēn),50 a principle
(might we call it a prolēpsis?) that runs through the Gospel.51 The concluding invocation
to glorify the name of the Father and above all the voice from heaven that comes in
response to Jesus’ prayer (12:28) do not fit comfortably in a Stoic environment. Fear is
overcome by a sense of duty, but also by an appeal to and a external affirmation from the
soul is discernible in chapter 12, it is less clear within the framework of the narrative of
the emotion laden chapter 11. The stirrings of anger and grief that lead to Jesus tears
(John 11:33-35) may not be “emotions” in the technical Stoic sense, and the passage from
Seneca De ira 2.2.5 about sadness at the sight of mourners not being grief might help one
who wants to detect Johannine compatibility with Stoicism here. What we do not find is a
narrative of Jesus confronting his impression with a set of principles or practices that
would shape the movement of the soul and steer it away from its potentially pathetic path.
49
See note 23 above.
50
The sources of the Johannine motif of the “sending” of the son no doubt lie in
prophetic Christological patterns, on which see Wayne Meeks, The Prophet-King: Moses
Traditions and the Johannine Christology (NovTSup 14; Leiden: Brill, 1967), José P.
Miranda, Die Sendung Jesu im vierten Evangelium: Religions- und
theologiegeschichtliche Untersuchungen zu den Sendungsformeln (SBS 87; Stuttgart:
Katholisches Bibelwerk, 1977), M. Eugene Boring, “The Influence of Christian Prophecy
on the Johannine Portrayal of the Paraclete and Jesus,” NTS 25 (1978-79) 113-23.
Nonetheless, Epictetus would have understood the notion of the philosophical hero, the
true Cynic, being on a divine mission. See Diss. 3.22.23-25.
51
See John 4:34; 5:23-24, 30, 37; 6:38-39; 7:16, 28, 33; 8:16, 18, 26, 29; 9:4.
Instead, the relationship between emotion and action that we find in the final stage of the
story is precisely what Stoics would find troubling. Whatever it is that upsets Jesus about
the situation, it does appear to be his emotion that at least accompanies and perhaps
motivates the action of raising Lazarus (John 11:38, embrimōmenos en heautō erchetai
eis to mnēmeion). This could represent the kind of relationship between anger and action
that Peripatetics defended and Stoics rejected. For the Aristotelian opponents of the Stoa,
While the portrait of Jesus’ treatment of his own “emotions” seems to run counter
to the general Stoic mold, his interactions with the mourning women in the chapter,
whatever the subtle differences between them, do suggest a response to their grief that
has some purely formal resemblance to Stoic principles. In response to their grief Jesus
presents a truth or series of truths that should eliminate the grounds of their grief: the
truth that Lazarus will rise again (John 11:23). Martha understands him eschatologically
(John 11:24), but Jesus insists that what he means refers to the present (11:25-26).
However we understand the Gospel’s eschatology,53 the principle is clear that the divine
power dramatically encountered in the presence of Jesus banishes fear of death now and
forevermore. However the characters in the dramatic setting of the Gospel may develop,
the Gospel as a whole on this point at least is engaged in a bit of therapy for its readers
52
Cf. Seneca’s repeated critique of Academic positions in De ira 1.9.2; 1.17.1;
2.13.1; 3.3.1. See also Nussbaum, Therapy, 402-38.
53
On resurrection in particular, see Harold W. Attridge, “From discord Rises
Meaning: Resurrection Motifs in the Fourth Gospel,” in Craig R. Koester and Reimund
Bieringer, eds., The Resurrection of Jesus in the Gospel of John (Tübingen: Mohr
Siebeck, 2008) 1-19 [Essay # 12 in this collection.].
providing them with the principle on which they may escape “fear of death.”54 Stoics
might recognize the strategy, though they would probably not be impressed with the
eschatological solution.
Positive “Emotion”
Most of the emoting in the Fourth Gospel appears in chapters 11 and 12, as the
public ministry of Jesus reaches its conclusion. In what follows, there appear other hints
at emotional states that merit brief attention. As his “hour” (John 12:23) begins, Jesus
displays his love for his own as he dines with them (John 13:1) and teaches them about
self-giving love through example (John 13:15), command (John 13:34; 15:12), and
proverbial word (John 15:13).55 The love that Jesus exemplifies and teaches leads to a
relationship between himself and his disciples (John 15:4) and between all of them and
the Father (John 14:2), a relationship of mutual indwelling. It is not clear that any of this
one other apparent emotion, a fulfilled joy (chara, John 15:11). Grief (lypē) and joy are
also paired in a prediction of what the disciples will experience in the future, as they
lament the departure of Jesus over which the world will rejoice. Reversal will occur,
however, and the disciples’ grief will be turned to lasting joy (John 16:20-23).56
With these passages one might be tempted to compare the Stoics reflections on
the “positive emotional states,” the eupatheiai. Diogenes Laertius provides a handy
summary:
Also they say that there are three emotional states which are good, namely, joy
for though the wise man will never feel fear, he will yet use caution. And they
Whether the “joy” envisioned by the Fourth Gospel is what the Stoics had in mind
is hardly clear, and there may be some reason to doubt that it is. Like so much else in the
vocabulary of Stoicism, this common word has a technical meaning. Martha Nussbaum
captures its flavor nicely, discussing whether her fictive young woman philosopher,
thinking that extirpation will leave much of Nikidion’s happiness where she is
accustomed to find it, while merely getting rid of many difficulties and tensions.
The state that Seneca describes is indeed called joy. But consider how he
describes it. It is like a child that is born inside of one and never leaves the womb
to gout into the world. It has no commerce with alaughter and elation. For wise
Seneca’s joy, like that promised by Jesus, may be never failing,58 but it is a “stern
matter” (res severa), and it is a rather restrained joy (gaudio … blando) that fills the
But we can see already that the change to Stoic joy from Nikidion’s own is vast.
It is the change from suspense and elation to solid self-absorption; from surprise
However much liberating truth plays a role in the soteriology of the Fourth
Gospel what finally causes the disciples’ joy does not seem to be the calm assurance that
57
Nussbaum, Therapy, 400, referring to Diogenes Laertius 7.117.
58
Seneca, Ep. 23.4, numquam deficiet, cum semel unde petatur inveneris.
59
Nussbaum, Therapy, 401.
one is, according to the basic Stoic formula, “living in conformity” with nature. It is
rather the joy that arises from the intimacy of personal relation, the fellowship of Father,
Son, and Spirit-guided believers. The relationship may lack what the Stoics called
passions, but it displays an interpersonal emotional intensity that they would have found
problematic.
Summary
The effort to test the hypothesis that the Fourth Gospel is in some conversation
with Stoic traditions has yielded decidedly mixed results. Some elements of the portrait
of the serene and detached Jesus echo aspects of the ideal Stoic sage. The portrait of the
“emotions” of Jesus does not immediately remove Johannine narrative from the realm of
possible Stoic discourse. Stoics recognized that “impressions” had to be tamed by reason
lest they become problematic “emotions.” The Gospel does provide means for dealing
with what are like “impressions” in the Stoic system and those means do on occasion
seem to have a formal resemblance to the way Stoics exercised their “therapy of desire.”
Yet the resemblance remains formal. If the evangelist has any relationship to Stoic
notions of the passions and their healing, he invests them, as he does in so many other
cases, with a new meaning.60 The principles by which one overcomes the stirrings of grief
and fear, and on which positive emotions are based, are ultimately not abstract theories
about the simple truth that virtue is the only good and all else is indifferent. Those
principles are relationships, with the one who is the Way, the Truth and the Life and with
all those who find spirit-guided access to the Father through him.
60
See Harold W. Attridge, “Genre Bending in the Fourth Gospel,” Journal of
Biblical Literature 121 (2002) 3-21.