USITT Lighting Job Descriptions
Uploaded by
Jonathan Allender-ZivicUSITT Lighting Job Descriptions
Uploaded by
Jonathan Allender-ZivicLighting Job Descriptions Project
By Vickie J. Scott for the USITT Lighting Commission
Published in TD&T, Vol. 46 No. 2 (Spring 2010)
Theatre Design & Technology, the journal for design and production
professionals in the performing arts and entertainment industry, is published
four times a year by United States Institute for Theatre Technology. For
information about joining USITT or to purchase back issues of TD&T, please
contact the USITT office:
USITT
315 South Crouse Avenue, Suite 200
Syracuse, NY 13210
tel: 800-93-USITT (800-938-7488)
tel: 315-463-6463
fax: 315-463-6525
e-mail: info@office.usitt.org
web: www.usitt.org
Copyright 2010 United States Institute for Theatre Technology, Inc.
lighting commission
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This project delineates a series of job descriptions with their specific responsibilities and
qualifications for positions within the lighting industry. These descriptions may be used as a point
of departure for specific job descriptions with individual employers, or as a possible guide for
training, on the job evaluations, or personal career enhancement.
The USITT membership encompasses a variety of lighting employers and employees:
educational, professional, volunteer, and union. These differences and similarities were taken into
account when formulating the job descriptions.
46((&45*0/4'0364*/(5)&%0$6.&/5
This document is only meant as a communications device and is by no means a binding document. The
job descriptions are general guidelines. They are intended as a departure point for most lighting crews.
Many lighting personnel are “hyphenates” (i.e., Electrician–Rigger). This project sought to
break down job descriptions to their most basic components. A combination of descriptions may be
necessary to accurately reflect actual responsibilities. Many productions will have specific require-
ments, and responsibilities should be increased or reduced as necessary.
Please note that although many job titles are consistent between theatre, film, and television
their specific responsibilities may be different. Also note that jobs with very similar descriptions may
have different titles in different industries.
The job descriptions included in this document cover responsibilities and qualifications only. Spe-
cific duties such as “sort color media” or “attend weekly meetings” should be created at the manage-
ment level within a specific theatre. In this document, duties are implied within the responsibilities.
At certain levels, a measure of education (e.g., MFA in design, or membership in United Scenic
Artists) or experience (e.g., three years professional experience, union membership) should be
added to the qualifications. Again, this should be specific to an individual theatre or production.
THEATRE DESIGN & TECHNOLOGY
12 S P R I N G 2010 Copyright 2010 United States Institute for Theatre Technology, Inc.
5)*35:+0#%&4$3*15*0/4"3&*/$-6%&%*/5)*4%0$6.&/5
theatre film & television
LIGHTING DESIGNER DIRECTOR OF PHOTOGRAPHY/CINEMATOGRAPHER
ASSOCIATE LIGHTING DESIGNER LIGHTING DIRECTOR
ASSISTANT LIGHTING DESIGNER ASSISTANT LIGHTING DIRECTOR
LIGHTING DIRECTOR LIGHTING DESIGNER
MASTER ELECTRICIAN LIGHTING COORDINATOR
HOUSE ELECTRICIAN CHIEF LIGHTING TECHNICIAN
ASSISTANT MASTER/HOUSE ELECTRICIAN ASSISTANT CHIEF LIGHTING TECHNICIAN
DECK ELECTRICIAN/LIGHTING RUN CREW BEST BOY
EFFECTS TECHNICIAN GAFFER
FOLLOWSPOT OPERATOR GRIP
ELECTRICIAN GENERATOR (GENNY) OPERATOR
LIGHT BOARD PROGRAMMER/OPERATOR LIGHT BOARD PROGRAMMER/OPERATOR
MOVING LUMINAIRE PROGRAMMER/OPERATOR LIGHTING TECHNICIAN/LAMP OPERATOR/LIGHTING OPERATOR
MOVING LUMINAIRE PROGRAMMER/OPERATOR
FOLLOWSPOT OPERATOR
SET WIREMAN
EFFECTS TECHNICIAN
This document was created by Vickie J. Scott for the USITT Lighting Commission using professional and educational sources to compile the data
necessary to write these descriptions.
THEATRE DESIGN & TECHNOLOGY
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theatre
LIGHTING DESIGNER
The artist who creates the look of the lighting for a production based on collaboration with the director and lighting staff.
The common acronym for this title is LD.
RESPONSIBILITIES QUALIFICATIONS
s 2EADS SCRIPT AND DETERMINES THE LIGHTING NEEDS OF THE PRODUCTION s %XPERIENCE IN SCRIPT ANALYSIS
s -EETS WITH THE $IRECTOR OF THE PRODUCTION TO HELP DETERMINE THE CONCEPT WHICH ALL ARTISTS WILL WORK WITHIN s %XCELLENT RESEARCH SKILLS
s 2ESEARCHES LIGHTING SOURCES AVAILABLE EQUIPMENTFACILITIES AND RENTAL POSSIBILITIES s +NOWLEDGE OF CURRENT LIGHTING lXTURES AND
s #REATES STORYBOARDS SKETCHES COMPUTERHAND RENDERINGS OR RESEARCH COMPILATIONS AS NECESSARY TO TECHNOLOGY
COMMUNICATE DESIGN IDEAS TO THE $IRECTOR AND DESIGN TEAM FOR APPROVAL s +NOWLEDGE OF POWER DISTRIBUTION AND
s #REATES A LIGHT PLOT AND ACCOMPANYING PAPERWORK TO REALIZE IDEAS AS DISCUSSED WITH THE $IRECTOR DIMMING SOURCES AND METHODS
s -EETS WITH LIGHTING PERSONNEL AS NECESSARY TO FACILITATE THE INTERPRETATION OF THE LIGHT PLOT INTO THREE
s -ASTERY OF $ESIGN 0RINCIPLES AND THE
DIMENSIONAL REALITY %LEMENTS OF $ESIGN
s $ETERMINES THE COLOR SCHEME OF ANY COLOR MEDIA ANDOR DIFFUSIONS s %XCELLENT RESEARCH SKILLS
s /VERSEES ASSISTANTS TO MAKE CERTAIN THAT PLOT AND PAPERWORK ARE UPDATED AND ACCURATE s %XCELLENT ORGANIZATIONAL SKILLS
s !TTENDS ALL TECHNICAL AND LIGHTING REHEARSALS TO COMMUNICATE WITH THE $IRECTOR AND FACILITATE INTEGRATION OF s $RAFTING SKILLS
THE ,IGHTING $ESIGN s 5NDERSTANDING OF LIGHT BOARD PROGRAMMING
s 7RITES EACH LIGHT CUE REQUIRED BY THE PRODUCTION AND COMMUNICATES IT EFFECTIVELY TO THE ,IGHT "OARD s )NTERPERSONAL AND COMMUNICATION SKILLS
/PERATOR TO BE RECORDED s 4IME MANAGEMENT SKILLS
s #OMMUNICATES PLACEMENT AND TIMING OF LIGHT CUES TO THE 3TAGE -ANAGER FOR CALLING THE CUES DURING THE SHOW s !BILITY TO REMAIN CALM IN EXTENDED HIGH
s -AINTAINS AN UP
TO
DATE SCRIPT OR CUE SHEET THAT INDICATES PLACEMENT OF ALL LIGHT CUES STRESS SITUATIONS
s !TTENDS REHEARSALS AS NECESSARY s %XCELLENT RENDERING ANDOR VISUAL
s !TTENDS PRODUCTION MEETINGS OR DELEGATES ATTENDANCE TO THE !SSOCIATE ,IGHTING $ESIGNER OR !SSISTANT COMMUNICATION SKILLS
,IGHTING $ESIGNER s !BILITY TO TRANSFER VISUAL DATA FROM LIGHT
s -EETS SCHEDULED DESIGN DEADLINES PLOT INTO FORMS OF HOOKUPS SCHEDULES ETC
ASSOCIATE LIGHTING DESIGNER
The artist who works closely with the Lighting Designer to create the look of the lighting for a production based on
collaboration with the director and lighting staff.
RESPONSIBILITIES QUALIFICATIONS
s 2EADS SCRIPT AND DETERMINES THE LIGHTING NEEDS OF THE PRODUCTION s %XPERIENCE IN SCRIPT ANALYSIS
s -EETS WITH THE ,IGHTING $ESIGNER AND THE $IRECTOR OF THE PRODUCTION TO UNDERSTAND THE CONCEPT WHICH ALL s %XCELLENT RESEARCH SKILLS
ARTISTS WILL WORK WITHIN s +NOWLEDGE OF CURRENT LIGHTING lXTURES AND
s 5NDER THE DIRECT SUPERVISION OF THE ,IGHTING $ESIGNER RESEARCHES LIGHTING SOURCES AVAILABLE EQUIPMENT TECHNOLOGY
FACILITIES AND RENTAL POSSIBILITIES s "ASIC KNOWLEDGE OF POWER DISTRIBUTION AND
s 5NDER THE DIRECT SUPERVISION OF THE ,IGHTING $ESIGNER CREATES STORYBOARDS SKETCHES COMPUTERHAND DIMMING SOURCES AND METHODS
RENDERINGS OR RESEARCH COMPILATIONS AS NECESSARY TO COMMUNICATE DESIGN IDEAS OF THE ,IGHTING $ESIGNER TO s +NOWLEDGE AND EXPERIENCE IN THE BASIC
THE $IRECTOR AND DESIGN TEAM FOR APPROVAL PRINCIPLES AND ELEMENTS OF DESIGN
s 5NDER THE DIRECT SUPERVISION OF THE ,IGHTING $ESIGNER CREATES A LIGHT PLOT AND ACCOMPANYING PAPERWORK TO s %XCELLENT RESEARCH SKILLS
REALIZE IDEAS AS DISCUSSED WITH THE $IRECTOR s %XCELLENT ORGANIZATIONAL SKILLS
s -EETS WITH LIGHTING PERSONNEL AS NECESSARY TO FACILITATE THE INTERPRETATION OF THE LIGHT PLOT INTO THREE s $RAFTING SKILLS
DIMENSIONAL REALITY s 5NDERSTANDING OF LIGHT BOARD PROGRAMMING
s 5NDER THE DIRECT SUPERVISION OF THE ,IGHTING $ESIGNER DETERMINES THE COLOR SCHEME OF ANY GELS ANDOR DIFFUSIONS s )NTERPERSONAL AND COMMUNICATION SKILLS
s /VERSEES LIGHTING ASSISTANTS TO MAKE CERTAIN THAT PLOT AND PAPERWORK ARE UPDATED AND ACCURATE s 4IME MANAGEMENT SKILLS
s !S DIRECTED BY THE ,IGHTING $ESIGNER ATTENDS ALL TECHNICAL AND LIGHTING REHEARSALS TO COMMUNICATE WITH THE s !BILITY TO REMAIN CALM IN EXTENDED HIGH
$IRECTOR AND FACILITATE INTEGRATION OF THE ,IGHTING $ESIGN STRESS SITUATIONS
s 5NDER THE DIRECT SUPERVISION OF THE ,IGHTING $ESIGNER COMMUNICATES PLACEMENT AND TIMING OF LIGHT CUES TO s %XCELLENT RENDERING ANDOR VISUAL
THE 3TAGE -ANAGER FOR CALLING THE CUES DURING THE SHOW COMMUNICATION SKILLS
s 5NDER THE DIRECT SUPERVISION OF THE ,IGHTING $ESIGNER MAINTAINS AN UP TO DATE SCRIPT OR CUE SHEET THAT s !BILITY TO TRANSFER VISUAL DATA FROM LIGHT
INDICATES PLACEMENT OF ALL LIGHT CUES PLOT INTO FORMS OF HOOKUPS SCHEDULES ETC
s !TTENDS REHEARSALS AS NECESSARY s ! CLEAR UNDERSTANDING OF UNION OR OTHER
s !TTENDS PRODUCTION MEETINGS AS DELEGATED BY THE ,IGHTING $ESIGNER HOUSE RULES AND PRACTICES
s -EETS SCHEDULED DESIGN DEADLINES AS DELEGATED BY THE ,IGHTING $ESIGNER
THEATRE DESIGN & TECHNOLOGY
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ASSISTANT LIGHTING DESIGNER
The individual who works as a personal assistant to the Lighting Designer for a specific production. Often these duties are
divided amongst several assistants. The common terminology is to refer to them as First Assistant, Second Assistant, etc.
Exactly how the following responsibilities are divided among multiple assistants is left to the discretion of the Lighting
Designer. The common acronym for this title is ALD.
RESPONSIBILITIES QUALIFICATIONS
s 2EADS SCRIPT s %XPERIENCE IN SCRIPT ANALYSIS
s #OMPILES RESEARCH FOR ,IGHTING $ESIGNER AS NECESSARY s %XCELLENT RESEARCH SKILLS
s ! (OUSE !,$ PROVIDES CIRCUIT LAYOUTS AND DESIGN DRAWINGS TO 'UEST ,IGHTING $ESIGNERS s +NOWLEDGE OF CURRENT LIGHTING lXTURES AND
s !CTS AS A LIAISON WITH LIGHTING PERSONNEL WHEN THE ,IGHTING $ESIGNER OR !SSOCIATE ,IGHTING $ESIGNER IS UNAVAILABLE TECHNOLOGY
s -AY SUPERVISE HANG AT THE ,IGHTING $ESIGNERS DISCRETION s +NOWLEDGE OF POWER DISTRIBUTION AND
s &ACILITATES FOCUS CALLS AND TECHNICAL REHEARSALS FOR THE ,IGHTING $ESIGNER DIMMING SOURCES AND METHODS
s #OMPILES AND DISTRIBUTES DESIGN NOTES FROM ELECTRICS CALLS AND TECHNICAL REHEARSALS s +NOWLEDGE AND EXPERIENCE IN THE BASIC
s !TTENDS PRODUCTION MEETINGS AND REHEARSALS AS ASSIGNED BY THE ,IGHTING $ESIGNER PRINCIPLES AND ELEMENTS OF DESIGN
s 0ROVIDES LIGHTING INFORMATION TO OTHER PRODUCTION AREAS s %XCELLENT ORGANIZATIONAL SKILLS
s #OMPILES AND MAINTAINS ACCURATE CUE SHEETS s $RAFTING SKILLS
s 2ESPONSIBLE FOR lNAL ACCURATE DRAFT OF THE LIGHTING PLOT s 5NDERSTANDING OF LIGHT BOARD PROGRAMMING
s 2ESPONSIBLE FOR UPDATING LIGHTING PAPERWORK AS FREQUENTLY AS REQUIRED BY THE NEEDS OF THE PRODUCTION s )NTERPERSONAL AND COMMUNICATION SKILLS
s -ANAGES PETTY CASH FOR THE ,IGHTING $ESIGNER s 4IME MANAGEMENT SKILLS
s -AY HANDLE RENTAL AND PURCHASE ARRANGEMENTS AT THE DISCRETION OF THE ,IGHTING $ESIGNER s !BILITY TO REMAIN CALM IN EXTENDED HIGH
s 2ECORDS FOCUS OF THE SHOW STRESS SITUATIONS
s 4RACKS LIGHTING CUES FOR THE SHOW s ! CLEAR UNDERSTANDING OF UNION OR OTHER
s -AY REMAIN WITH THE SHOW TO MAINTAIN THE INTEGRITY OF THE ,IGHTING $ESIGN HOUSE RULES AND PRACTICES
s -AY BE RESPONSIBLE FOR A REMOUNT OF THE SHOW IF THE ,IGHTING $ESIGNER IS NOT AVAILABLE
s 0ERFORMS OTHER DUTIES AS ASSIGNED BY THE ,IGHTING $ESIGNER
LIGHTING DIRECTOR
The artist who represents the venue and the lighting area during the hiring of lighting staff, and the scheduling,
installation and maintenance of a light plot for a production.
RESPONSIBILITIES QUALIFICATIONS
s )NTERVIEWS AND HIRES ALL LIGHTING STAFF s +NOWLEDGE OF AND EXPERIENCE IN ,IGHTING
s $ETERMINES THE YEARLY BUDGETARY NEEDS FOR THE LIGHTING AREA $ESIGN
s 2ESPONSIBLE FOR MAINTENANCEREPLACEMENT OF LIGHTING INVENTORY s +NOWLEDGE OF AND EXPERIENCE WITH BASIC
s &ACILITATES INSTALLATION OF LIGHT PLOT FOR ALL INCOMING PRODUCTIONS ACCOUNTING PROCEDURES
s !DVISES AND OVERSEES THE SEASON SCHEDULE FOR THE LIGHTING AREA INCLUDING BUT NOT LIMITED TO DESIGNER DUE s $EMONSTRATED KNOWLEDGE OF SAFETY
DATES DESIGNER RESIDENCY LIGHTING STAFF WORK DATES AND LIGHTING RUN CREW SCHEDULE STANDARDS AND IMPLEMENTATION OF SAME
s 0ARTICIPATES IN LONG RANGE PLANNING FOR THE THEATRE s %XPERIENCE IN INTERVIEWING HIRING AND
s 0ERFORMS OTHER DUTIES AS ASSIGNED BY THE 0RODUCTION -ANAGER OR !RTISTIC $IRECTOR SUPERVISING LIGHTING STAFF
s 0ROVIDES HOUSE ELECTRICAL INFORMATIONTECHNICAL RIDERS FOR OUTSIDE USERS
THEATRE DESIGN & TECHNOLOGY
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theatre
MASTER ELECTRICIAN
The technician who oversees installation and maintenance of a light plot for a production. The common acronym
for this title is ME.
RESPONSIBILITIES QUALIFICATIONS
s /VERSEES THE INSTALLATION OF ALL LIGHTING ELEMENTS FOR A PRODUCTION TO THE THEATRES AND ,IGHTING $ESIGNERS s $EMONSTRATED ELECTRICIAN EXPERIENCE AT THE
SATISFACTION PROFESSIONAL LEVEL
s 3UPERVISES LIGHTING STAFF DURING ALL PHASES OF PRODUCTION s +NOWLEDGE OF SAFE ELECTRICAL PRACTICES AND
s #OORDINATES ELECTRICIANS AND SCHEDULES ALL LIGHTING WORK CALLS AS REQUIRED TO MEET THE NEEDS OF THE IMPLEMENTATION OF SAME
PRODUCTION s +NOWLEDGE OF SAFE RIGGING PRACTICES AND
s %XPEDITES PRODUCTIONS WITHIN SCHEDULED DEADLINES IMPLEMENTATION OF SAME
s -ANAGES ALL LIGHTING EQUIPMENT INCLUDING REPAIRS MAINTENANCE AND REPLACEMENT s +NOWLEDGE OF LIGHTING lXTURES AND
s 3UPERVISES ALL LIGHT HANG AND FOCUS CALLS AS WELL AS LIGHTING STRIKE TECHNOLOGY
s !TTENDS ALL TECHNICAL AND LIGHTING REHEARSALS TO TROUBLESHOOT PROBLEMS AS NECESSARYAPPROPRIATE s +NOWLEDGE OF POWER SOURCES AND DIMMER
s 0ROVIDES TIMELY ACCURATE INFORMATION TO THE ,$ OR !,$ FOR MAINTENANCE OF PAPERWORK AND PLOT CONTROL
s %NFORCES COMPLIANCE WITH SAFETY STANDARDS FOR ALL LIGHTING STAFF s +NOWLEDGE OF BASIC LIGHT BOARD
s 2ESPONSIBLE FOR TIE
INS AT COMPANY SWITCH PROGRAMMING
s 2ESPONSIBLE FOR PLACEMENT AND WIRING OF RUN LIGHTS SPOTTING LIGHTS PRACTICALS AND OTHER EQUIPMENTSTAGE s $EMONSTRATED EXPERIENCE IN PERSONNEL
MACHINERY ASSOCIATED WITH A PRODUCTION MANAGEMENT
s 2ESPONSIBLE FOR TIMELY COMPLETION OF ELECTRICS NOTES TO THE ,$S SATISFACTION s )NTERPERSONAL AND COMMUNICATION SKILLS
s #OORDINATES PRE
LOAD
IN PREPS EQUIPMENT PROVISION BUNDLES TRANSPORTATION WITH RENTAL HOUSE s %XCELLENT ORGANIZATIONAL SKILLS
s $EMONSTRATED ABILITY TO INTERPRET LIGHTING
PLOTS AND PAPERWORK
s $EMONSTRATED KNOWLEDGE OF SAFETY
STANDARDS AND IMPLEMENTATION OF SAME
s #ERTIlCATION THROUGH THE %NTERTAINMENT
4ECHNICIAN #ERTIlCATION 0ROGRAM %4#0 IS
HIGHLY DESIRED AND MAY BE REQUIRED
HOUSE ELECTRICIAN
The technician who represents the venue and represents the lighting area during the scheduling, installation and
maintenance of a light plot for a production.
RESPONSIBILITIES QUALIFICATIONS
s 3AME AS THOSE FOR THE -ASTER %LECTRICIAN AND ALSO INCLUDE THE FOLLOWING s 3AME AS FOR THE -ASTER %LECTRICIAN AND ALSO
s )NTERVIEWS AND HIRES ALL LIGHTING STAFF INCLUDE THE FOLLOWING
s $ETERMINES THE YEARLY BUDGETARY NEEDS FOR THE LIGHTING AREA s +NOWLEDGE OF AND EXPERIENCE WITH BASIC
s 2ESPONSIBLE FOR MAINTENANCEREPLACEMENT OF LIGHTING INVENTORY ACCOUNTING PROCEDURES
s &ACILITATES INSTALLATION OF LIGHT PLOT FOR ALL INCOMING PRODUCTIONS s $EMONSTRATED KNOWLEDGE OF SAFETY
s !DVISES AND OVERSEES THE SEASON SCHEDULE FOR THE LIGHTING AREA INCLUDING BUT NOT LIMITED TO DESIGNER DUE STANDARDS AND IMPLEMENTATION OF SAME
DATES DESIGNER RESIDENCY LIGHTING STAFF WORK DATES AND LIGHTING RUN CREW SCHEDULE s #ERTIlCATION THROUGH THE %NTERTAINMENT
s 0ARTICIPATES IN LONG RANGE PLANNING FOR THE THEATRE 4ECHNICIAN #ERTIlCATION 0ROGRAM %4#0 IS
s 0ERFORMS OTHER DUTIES AS ASSIGNED BY THE 0RODUCTION -ANAGER OR !RTISTIC $IRECTOR HIGHLY DESIRED AND MAY BE REQUIRED
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ASSISTANT MASTER / HOUSE ELECTRICIAN
The technician who assists the Master or House Electrician on a specific production
RESPONSIBILITIES QUALIFICATIONS
s !SSISTS IN OVERSEEING THE INSTALLATION OF ALL s $EMONSTRATED ELECTRICIAN EXPERIENCE
LIGHTING ELEMENTS s +NOWLEDGE OF SAFE ELECTRICAL AND RIGGING PRACTICES AND IMPLEMENTATION OF SAME
s 3UPERVISES LIGHTING STAFF ON SPECIlC TASKS AS s +NOWLEDGE OF LIGHTING lXTURES AND TECHNOLOGY
DIRECTED BY THE -% s +NOWLEDGE OF POWER SOURCES AND DIMMER CONTROL
s !TTENDS ALL LIGHTING WORK CALLS s +NOWLEDGE OF BASIC LIGHT BOARD PROGRAMMING
s %XPEDITES PRODUCTIONS WITHIN SCHEDULED s )NTERPERSONAL AND COMMUNICATION SKILLS
DEADLINES s 'OOD ORGANIZATIONAL SKILLS
s !TTENDS TECHNICAL AND LIGHTING REHEARSALS AS s $EMONSTRATED KNOWLEDGE OF SAFETY STANDARDS AND IMPLEMENTATION OF SAME
THE DISCRETION OF THE -% s #ERTIlCATION THROUGH THE %NTERTAINMENT 4ECHNICIAN #ERTIlCATION 0ROGRAM %4#0 IS HIGHLY DESIRED AND MAY
s 0ROVIDES TIMELY ACCURATE INFORMATION TO THE ,$ BE REQUIRED
OR !,$ FOR MAINTENANCE OF PAPERWORK AND PLOT
s %NFORCES COMPLIANCE WITH SAFETY STANDARDS
FOR ALL LIGHTING STAFF
DECK ELECTRICIAN / LIGHTING RUN CREW
The technician who operates any lighting equipment other than the lighting console or followspots during performance.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS LIGHTING WORK CALLS REHEARSALS AND s 7ORKING KNOWLEDGE OF LIGHTING EQUIPMENT USED IN THE PRODUCTION
OR PERFORMANCES AS SCHEDULED s 7ORKING KNOWLEDGE OF BASIC STAGE ELECTRICIAN SKILLS INCLUDING BUT NOT LIMITED TO CHANGING A LAMP CIRCUITING
s /PERATES LIGHTING OR ELECTRICAL EQUIPMENT AND PATCHING COLOR MEDIA AND DIFFUSION PATTERNS LUMINAIRE ASSOCIATED ACCESSORIES
DURING THE PERFORMANCE AT THE COMMAND OF s !BILITY TO QUICKLY AND ACCURATELY FOCUS A LIGHTING INSTRUMENT
THE 3TAGE -ANAGER s !BILITY TO STAND OR SIT FOR LONG PERIODS OF TIME
s 4ROUBLESHOOTS PROBLEMS WITH LIGHTING s 0HYSICAL ABILITY TO MOVEOPERATE LIGHTING EQUIPMENT
EQUIPMENT AS APPROPRIATE s 0RIOR THEATRICAL BACKSTAGE EXPERIENCE
s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
s )NTERPERSONAL AND COMMUNICATION SKILLS
s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
s 0ROBLEM SOLVING ABILITY
s 0ERSONAL INITIATIVE
s +NOWLEDGE OF AND ADHERENCE TO SAFE WORKING PRACTICES
s #ERTIlCATION THROUGH THE %NTERTAINMENT 4ECHNICIAN #ERTIlCATION 0ROGRAM %4#0 IS HIGHLY DESIRED AND MAY
BE REQUIRED
EFFECTS TECHNICIAN
The technician who install, troubleshoot and operate all effects/effect equipment for a production.
RESPONSIBILITIES QUALIFICATIONS
s !TTEND ALL EFFECTS WORK CALLS REHEARSALS s 7ORKING KNOWLEDGE OF APPROPRIATE EFFECTS EQUIPMENT
ANDOR PERFORMANCES AS SCHEDULED s +NOWLEDGE OF ALL SAFETY CONSIDERATIONS AND PROCEDURES ASSOCIATED WITH THE EQUIPMENT BEING USED
s )NSTALL TROUBLESHOOT AND OPERATE EFFECTS s ,ICENSE OR CERTIlCATION AS REQUIRED BY LOCAL ANDOR STATE LAW
INCLUDING BUT NOT LIMITED TO ATMOSPHERE s +NOWLEDGE OF ALL SAFETY POLICIES AND PROCEDURES OF THE VENUE
LASERS AND PYROTECHNICS s 0HYSICAL ABILITY TO MOVEOPERATE EFFECTS EQUIPMENT
s %NFORCES COMPLIANCE WITH ALL SAFETY s 0RIOR EFFECTS TRAINING AND EXPERIENCE
PROCEDURES s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
s )NTERPERSONAL AND COMMUNICATION SKILLS
s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
s +NOWLEDGE OF AND ADHERENCE TO SAFE WORKING PRACTICES
s #ERTIlCATION THROUGH THE %NTERTAINMENT 4ECHNICIAN #ERTIlCATION 0ROGRAM %4#0 IS HIGHLY DESIRED AND MAY
BE REQUIRED
THEATRE DESIGN & TECHNOLOGY
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theatre
ELECTRICIAN
The technician who assists the Master or House Electrician with the installation and maintenance of the light plot
for a production.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING WORK CALLS REHEARSALS s 7ORKING KNOWLEDGE OF LIGHTING EQUIPMENT USED IN THE PRODUCTION
PERFORMANCES ANDOR STRIKES AS SCHEDULED s 7ORKING KNOWLEDGE OF BASIC STAGE ELECTRICIAN SKILLS INCLUDING BUT NOT LIMITED TO CHANGING A LAMP CIRCUITING
s )NSTALLS LIGHTING EQUIPMENT AS DIRECTED AND PATCHING COLOR MEDIA AND DIFFUSION PATTERNS LUMINAIRE ASSOCIATED ACCESSORIES
s 2UNS POWER CABLE AND CIRCUITS AND PATCHES s !BILITY TO QUICKLY AND ACCURATELY FOCUS A LIGHTING INSTRUMENT
LIGHTING EQUIPMENT AS DIRECTED s !BILITY TO STAND OR SIT FOR LONG PERIODS OF TIME
s 2UNS POWER TO ALL ON
STAGE PRACTICALS s 0HYSICAL ABILITY TO MOVEOPERATE LIGHTING EQUIPMENT
s &OCUSES LIGHTING EQUIPMENT UNDER THE s 0RIOR THEATRICAL BACKSTAGE EXPERIENCE
DIRECTION OF THE ,$ OR HISHER DESIGNATE s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
s -ANAGES TIME IN AN EFFECTIVE MANNER s )NTERPERSONAL AND COMMUNICATION SKILLS
s 0ERFORMS OTHER DUTIES AS ASSIGNED BY THE s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
LIGHTING SUPERVISOR s 0ROBLEM SOLVING ABILITY
s 0ERSONAL INITIATIVE
s +NOWLEDGE OF AND ADHERENCE TO SAFE WORKING PRACTICES
s #ERTIlCATION THROUGH THE %NTERTAINMENT 4ECHNICIAN #ERTIlCATION 0ROGRAM %4#0 IS HIGHLY DESIRED AND MAY
BE REQUIRED
FOLLOWSPOT OPERATOR
The technician who are responsible for the operation of the followspots during performance.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING AND TECHNICAL s %XCELLENT WORKING KNOWLEDGE OF THE FOLLOWSPOT INSTRUMENT AND ITS FEATURES
REHEARSALS AS WELL AS PERFORMANCES s %XCELLENT WORKING KNOWLEDGE OF BASIC STAGE ELECTRICIAN SKILLS INCLUDING BUT NOT LIMITED TO CHANGING A LAMP
s /PERATES THE FOLLOWSPOT AT THE INSTRUCTION OF CHANGING COLOR MEDIA OR DIFFUSION AND FOCUSING AN INSTRUMENT
THE 3TAGE -ANAGER OR ,EAD 3POT /PERATOR s %XCELLENT WORKING KNOWLEDGE OF BASIC FOLLOWSPOT SKILLS AND TERMINOLOGY
DURING REHEARSALS AND PERFORMANCES s !BILITY TO STAND OR SIT FOR LONG PERIODS OF TIME OFTEN IN A VERY WARM ENVIRONMENT
s 4ROUBLESHOOTS PROBLEMS WITH THE FOLLOWSPOT s 0HYSICAL ABILITY TO MOVEOPERATE FOLLOWSPOT INSTRUMENT
AS APPROPRIATE s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
s 'OOD INTERPERSONAL AND COMMUNICATION SKILLS
s 'OOD ORGANIZATIONAL AND TIME MANAGEMENT SKILLS
s +NOWLEDGE OF AND ADHERENCE TO SAFE WORKING PRACTICES
LIGHT BOARD PROGRAMMER / OPERATOR
The technician who is responsible for programming and operating the lighting console. Sometimes operation and
programming duties are split between different people, dependent on the needs and resources of the production.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING AND TECHNICAL s +NOWLEDGE OF THE SPECIlC LIGHTING CONSOLE BEING USED
REHEARSALS AS WELL AS PERFORMANCES s 3PEED AND ACCURACY IN DATA ENTRY WITH THE LIGHTING CONSOLE
s 0ROGRAMS THE LIGHTING CUES TO THE s !S THIS IS A HIGHLY SKILLED POSITION PRIOR THEATRICAL BACKSTAGE EXPERIENCE IS A MUST
SATISFACTION OF THE ,$ s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
s %XECUTES ALL LIGHTING CUES AT THE COMMAND s !BILITY TO SIT FOR LONG PERIODS OF TIME
OF THE 3TAGE -ANAGER DURING REHEARSALS s )NTERPERSONAL AND COMMUNICATION SKILLS
AND PERFORMANCES s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
s 4ROUBLESHOOTS PROBLEMS WITH THE LIGHT BOARD s +NOWLEDGE OF AND ADHERENCE TO SAFE WORKING PRACTICES
AS APPROPRIATE
s !SSISTS THE 3TAGE -ANAGER OR -ASTER
%LECTRICIAN WITH DIMMERFOCUS CHECKS PRIOR
TO EACH TECHNICAL REHEARSAL OR PERFORMANCE
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MOVING LUMINAIRE PROGRAMMER/OPERATOR
The technician who is responsible for programming, operating and troubleshooting the moving lights for a production.
Sometimes operation and programming duties are split between different people, dependent on the needs and
resources of the production.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING AND TECHNICAL s +NOWLEDGE OF THE SPECIlC EQUIPMENT BEING USED
REHEARSALS AS WELL AS PERFORMANCES s 3PEED AND ACCURACY IN DATA ENTRY WITH THE MOVING LIGHT CONSOLE
s 0ROGRAMS THE MOVING LIGHT CUES TO THE s !S THIS IS A HIGHLY SKILLED POSITION PRIOR THEATRICAL BACKSTAGE EXPERIENCE IS A MUST
SATISFACTION OF THE ,$ s !BILITY TO WORK WELL IN HIGH PRESSURE SITUATIONS
s %XECUTES ALL LIGHTING CUES AT THE COMMAND s !BILITY TO SIT FOR LONG PERIODS OF TIME
OF THE 3TAGE -ANAGER DURING REHEARSALS s )NTERPERSONAL AND COMMUNICATION SKILLS
AND PERFORMANCES s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
s 4ROUBLESHOOTS PROBLEMS WITH THE MOVING s +NOWLEDGE OF AND ADHERENCE TO SAFE WORKING PRACTICES
LIGHTS AS APPROPRIATE
s !SSISTS THE 3TAGE -ANAGER OR SUPERVISING
ELECTRICIAN WITH DIMMERFOCUS CHECKS PRIOR
TO EACH TECHNICAL REHEARSAL OR PERFORMANCE
film & television
lighting commission
DIRECTOR OF PHOTOGRAPHY / CINEMATOGRAPHER
The artist who imparts a photographic style to a film or videotape based on the script and the director’s vision.
The common acronym for Director of Photography is DP.
RESPONSIBILITIES QUALIFICATIONS
s 2EADS SCRIPT AND DETERMINES THE VISUAL NEEDS THAT MEET AND SUPPORT THE DIRECTORS LIGHTING NEEDS OF THE s %XPERIENCE IN SCRIPT ANALYSIS
PRODUCTION s 2ESEARCH SKILLS
s -EETS WITH THE $IRECTOR AND DESIGN TEAM OF THE PRODUCTION TO HELP DETERMINE THE CONCEPT WHICH ALL ARTISTS s +NOWLEDGE OF CURRENT LIGHTING lXTURES AND
WILL WORK WITHIN TECHNOLOGY DESIRED
s 3ELECTS THE lLM TYPE CAMERA AND CAMERA LENSES USED FOR DIFFERENT SHOTS s +NOWLEDGE OF CURRENT CAMERA lXTURES AND
s $ETERMINES CAMERA MOVEMENT AND FRAMING ANGLE ALONG WITH THE $IRECTOR TO ACHIEVE EACH SHOT TECHNOLOGY
s -EETS WITH LIGHTING PERSONNEL AS NECESSARY TO FACILITATE THE INTERPRETATION OF THE LIGHTING IDEAS INTO REALITY s +NOWLEDGE OF lLM TYPES SPEEDS AND
s $ETERMINES THE COLOR SCHEME OF ANY GELS ANDOR DIFFUSIONS DEVELOPMENT PROCESSES
s -EETS SCHEDULED DESIGN DEADLINES s +NOWLEDGE AND EXPERIENCE IN THE BASIC
PRINCIPLES AND ELEMENTS OF DESIGN
s %XCELLENT ORGANIZATIONAL SKILLS
s %XCELLENT TIME MANAGEMENT SKILLS
s !BILITY TO REMAIN CALM IN EXTENDED HIGH
STRESS SITUATIONS
THEATRE DESIGN & TECHNOLOGY
Copyright 2010 United States Institute for Theatre Technology, Inc. S P R I N G 2010 19
film & television
LIGHTING DIRECTOR
The artist who, in collaboration with the director and lighting staff, imparts a photographic style to a television or
videotape production based on the script and the director’s vision.
RESPONSIBILITIES QUALIFICATIONS
s 2EADS SCRIPT AND DETERMINES THE LIGHTING NEEDS OF THE PRODUCTION s %XPERIENCE IN SCRIPT ANALYSIS
s -EETS WITH THE 0RODUCER THE $IRECTOR AND DESIGN TEAM OF THE PRODUCTION TO DETERMINE THE CONCEPT WHICH ALL s 2ESEARCH SKILLS
ARTISTS WILL WORK WITHIN s +NOWLEDGE OF CURRENT LIGHTING lXTURES AND
s 2ESEARCHES LIGHTING SOURCES AVAILABLE EQUIPMENTFACILITIES AND RENTAL POSSIBILITIES TECHNOLOGY
s -EETS WITH LIGHTING PERSONNEL AS NECESSARY TO FACILITATE THE INTERPRETATION OF THE LIGHT PLOT INTO THREE
s +NOWLEDGE OF POWER DISTRIBUTION AND
DIMENSIONAL REALITY DIMMING SOURCES AND METHODS
s $ETERMINES THE COLOR SCHEME OF ANY COLOR MEDIA ANDOR DIFFUSIONS s +NOWLEDGE AND EXPERIENCE IN THE BASIC
s /VERSEES ASSISTANTS TO MAKE CERTAIN THAT PLOT AND PAPERWORK ARE UPDATED AND ACCURATE PRINCIPLES AND ELEMENTS OF DESIGN
s !TTENDS ALL TECHNICAL AND LIGHTING REHEARSALS TO COMMUNICATE WITH THE $IRECTOR AND FACILITATE INTEGRATION OF s /RGANIZATIONAL SKILLS
THE ,IGHTING $ESIGN s 5NDERSTANDING OF LIGHT BOARD PROGRAMMING
s 7RITES EACH LIGHT CUE REQUIRED BY THE PRODUCTION AND COMMUNICATES IT EFFECTIVELY TO THE ,IGHT "OARD s )NTERPERSONAL AND COMMUNICATION SKILLS
/PERATOR TO BE RECORDED s %XCELLENT TIME MANAGEMENT SKILLS
s -AINTAINS AN UP
TO
DATE SCRIPT OR CUE SHEET THAT INDICATES PLACEMENT OF ALL LIGHT CUES s !BILITY TO REMAIN CALM IN EXTENDED HIGH
s !TTENDS REHEARSALS AS NECESSARY STRESS SITUATIONS
s !TTENDS PRODUCTION MEETINGS OR DELEGATES ATTENDANCE TO !,$
s -EETS SCHEDULED DESIGN DEADLINES
ASSISTANT LIGHTING DIRECTOR
The individual who works as a personal assistant to the Lighting Director for a specific production.
RESPONSIBILITIES QUALIFICATIONS
s $EMONSTRATED ,IGHTING $ESIGN EXPERIENCE
s 2EADS SCRIPT
AT THE EDUCATIONAL OR PROFESSIONAL LEVEL
s #OMPILES RESEARCH FOR ,IGHTING $IRECTOR AS NECESSARY
s +NOWLEDGE OF AND EXPERIENCE IN BASIC
s !CTS AS A LIAISON WITH LIGHTING PERSONNEL WHEN THE ,$ IS UNAVAILABLE
STUDIO LIGHTING TECHNIQUES
s &ACILITATES FOCUS CALLS AND TECHNICAL REHEARSALS FOR THE ,$
s +NOWLEDGE OF AND EXPERIENCE IN BASIC
s #OMPILES AND DISTRIBUTES DESIGN NOTES FROM ELECTRICS CALLS AND TECHNICAL REHEARSALS
ACCOUNTING PROCEDURES
s !TTENDS PRODUCTION MEETINGS AND REHEARSALS AS ASSIGNED BY THE ,IGHTING $IRECTOR
s %XCELLENT ORGANIZATIONAL SKILLS
s 0ROVIDES LIGHTING INFORMATION TO OTHER PRODUCTION AREAS
s %XCELLENT COMPUTER SKILLS
s #OMPILES AND MAINTAINS ACCURATE CUE SHEETS
s %XCELLENT DRAFTING SKILLS
s #REATES AN ACCURATE DRAFT OF THE LIGHTING PLOT LIGHT PLOT AND ACCOMPANYING PAPERWORK TO REALIZE IDEAS AS
s !BILITY TO WORK WITH A VARIETY OF ARTISTS IN
DISCUSSED WITH THE ,IGHTING $IRECTOR
HIGH
PRESSURE SITUATIONS
s 2ESPONSIBLE FOR UPDATING LIGHTING PAPERWORK AS FREQUENTLY AS REQUIRED BY THE NEEDS OF THE PRODUCTION
s %XCELLENT INTERPERSONAL AND COMMUNICATION
s -ANAGES PETTY CASH FOR THE ,IGHTING $IRECTOR
SKILLS
s -AY HANDLE RENTAL AND PURCHASE ARRANGEMENTS AT THE DISCRETION OF THE ,$
s 2ECORDS FOCUS OF THE SHOW
s 4RACKS THE LIGHT CUES FOR THE SHOWS
s 0ERFORMS OTHER DUTIES AS ASSIGNED BY THE ,$
THEATRE DESIGN & TECHNOLOGY
20 S P R I N G 2010 Copyright 2010 United States Institute for Theatre Technology, Inc.
lighting commission
LIGHTING DESIGNER
Under the direct supervision of the Director of Photography, the artist who can be brought into a recorded media
production to assist with special lighting needs such as concerts, club lighting, etc.
RESPONSIBILITIES QUALIFICATIONS
s 2EADS SCRIPT AND DETERMINES THE LIGHTING NEEDS OF THE PRODUCTION s %XPERIENCE IN SCRIPT ANALYSIS
s -EETS WITH THE $IRECTOR OF THE PRODUCTION TO HELP DETERMINE THE CONCEPT WHICH ALL ARTISTS WILL WORK WITHIN s %XCELLENT RESEARCH SKILLS
s 2ESEARCHES LIGHTING SOURCES AVAILABLE EQUIPMENTFACILITIES AND RENTAL POSSIBILITIES s +NOWLEDGE OF CURRENT LIGHTING lXTURES AND
s #REATES STORYBOARDS SKETCHES COMPUTERHAND RENDERINGS OR RESEARCH COMPILATIONS AS NECESSARY TO TECHNOLOGY
COMMUNICATE DESIGN IDEAS TO THE $IRECTOR AND DESIGN TEAM FOR APPROVAL s +NOWLEDGE OF POWER DISTRIBUTION AND
s #REATES A LIGHT PLOT AND ACCOMPANYING PAPERWORK TO REALIZE IDEAS AS DISCUSSED WITH THE $IRECTOR DIMMING SOURCES AND METHODS
s -EETS WITH LIGHTING PERSONNEL AS NECESSARY TO FACILITATE THE INTERPRETATION OF THE LIGHT PLOT INTO THREE
s +NOWLEDGE AND EXPERIENCE IN THE BASIC
DIMENSIONAL REALITY PRINCIPLES AND ELEMENTS OF DESIGN
s $ETERMINES THE COLOR SCHEME OF ANY GELS ANDOR DIFFUSIONS s %XCELLENT ORGANIZATIONAL SKILLS
s /VERSEES ASSISTANTS TO MAKE CERTAIN THAT PLOT AND PAPERWORK ARE UPDATED AND ACCURATE s $RAFTING SKILLS
s !TTENDS ALL TECHNICAL AND LIGHTING REHEARSALS TO COMMUNICATE WITH THE $IRECTOR AND FACILITATE INTEGRATION OF s 5NDERSTANDING OF LIGHT BOARD PROGRAMMING
THE ,IGHTING $ESIGN s )NTERPERSONAL AND COMMUNICATION SKILLS
s 7RITES EACH LIGHT CUE REQUIRED BY THE PRODUCTION AND COMMUNICATES IT EFFECTIVELY TO THE ,IGHT "OARD s 4IME MANAGEMENT SKILLS
/PERATOR TO BE RECORDED s !BILITY TO REMAIN CALM IN EXTENDED HIGH
s !TTENDS REHEARSALS AS NECESSARY STRESS SITUATIONS
s -EETS SCHEDULED DESIGN DEADLINES
LIGHTING COORDINATOR
The artist who creates the look of the lighting for a production in collaboration with the director and lighting staff.
RESPONSIBILITIES QUALIFICATIONS
s 2EADS SCRIPT AND DETERMINES THE LIGHTING NEEDS OF THE PRODUCTION s %XPERIENCE IN SCRIPT ANALYSIS
s -EETS WITH THE $IRECTOR AND DESIGN TEAM OF THE PRODUCTION TO DETERMINE THE CONCEPT WHICH ALL ARTISTS WILL s 2ESEARCH SKILLS
WORK WITHIN s +NOWLEDGE OF CURRENT LIGHTING lXTURES AND
s 2ESEARCHES LIGHTING SOURCES AVAILABLE EQUIPMENTFACILITIES AND RENTAL POSSIBILITIES TECHNOLOGY
s -EETS WITH LIGHTING PERSONNEL AS NECESSARY TO FACILITATE THE INTERPRETATION OF THE LIGHT PLOT INTO THREE
s +NOWLEDGE OF POWER DISTRIBUTION AND
DIMENSIONAL REALITY DIMMING SOURCES AND METHODS
s $ETERMINES THE COLOR SCHEME OF ANY GELS ANDOR DIFFUSIONS s +NOWLEDGE AND EXPERIENCE IN THE BASIC
s /VERSEES ASSISTANTS TO MAKE CERTAIN THAT PLOT AND PAPERWORK ARE UPDATED AND ACCURATE PRINCIPLES AND ELEMENTS OF DESIGN
s !TTENDS ALL TECHNICAL AND LIGHTING REHEARSALS TO COMMUNICATE WITH THE $IRECTOR AND FACILITATE INTEGRATION OF s /RGANIZATIONAL SKILLS
THE ,IGHTING $ESIGN s 5NDERSTANDING OF LIGHT BOARD PROGRAMMING
s 7RITES EACH LIGHT CUE REQUIRED BY THE PRODUCTION AND COMMUNICATES IT EFFECTIVELY TO THE ,IGHT "OARD s )NTERPERSONAL AND COMMUNICATION SKILLS
/PERATOR TO BE RECORDED s %XCELLENT TIME MANAGEMENT SKILLS
s -AINTAINS AN UP
TO
DATE SCRIPT OR CUE SHEET THAT INDICATES PLACEMENT OF ALL LIGHT CUES s !BILITY TO REMAIN CALM IN EXTENDED HIGH
s !TTENDS REHEARSALS AS NECESSARY STRESS SITUATIONS
s !TTENDS PRODUCTION MEETINGS OR DELEGATES ATTENDANCE TO !,$
s -EETS SCHEDULED DESIGN DEADLINES
THEATRE DESIGN & TECHNOLOGY
Copyright 2010 United States Institute for Theatre Technology, Inc. S P R I N G 2010 21
film & television
CHIEF LIGHTING TECHNICIAN
The technician who oversees the entire Lighting Department for a movie or TV production.
Note: Chief Lighting Technician is the correct title mandated by IATSE under its Studio Contract. In other situations, this position is called Gaffer.
RESPONSIBILITIES QUALIFICATIONS
s $ETERMINES WITH THE ,IGHTING $IRECTOR THE LIGHTING s %XTENSIVE PROFESSIONAL LIGHTING EXPERIENCE IN 46 ANDOR lLM
EQUIPMENT AND PURCHASES NECESSARY FOR THE s +NOWLEDGE OF CURRENT LIGHTING EQUIPMENT AND TECHNOLOGY
PRODUCTION s +NOWLEDGE OF POWER DISTRIBUTION SYSTEMS
s 3UPPLIES THE NECESSARY INTENSITY COLOR ANGLE AND s #URRENT CERTIlCATION FOR WIRING GENERATOR OPERATION ANDOR ELECTRICAL OPERATION AS REQUIRED BY
LIGHTING QUALITY AS DIRECTED FOR EACH SHOOT LOCAL LICENSING AUTHORITY
s 3UPERVISES LIGHTING STAFF DURING ALL PHASES OF s +NOWLEDGE OF BASIC lLMSTUDIO LIGHTING TECHNIQUES
PRODUCTION s +NOWLEDGE OF SAFE ELECTRICAL PRACTICES AND IMPLEMENTATION OF SAME
s -ANAGES TIME IN AN EFFECTIVE MANNER s +NOWLEDGE OF SAFE RIGGING PRACTICES AND IMPLEMENTATION OF SAME
s %XPEDITES PRODUCTIONS WITHIN SCHEDULED DEADLINES s $EMONSTRATED EXPERIENCE IN PERSONNEL MANAGEMENT
s /VERSEES POWER SUPPLY TO OTHER PRODUCTION s %XCELLENT INTERPERSONAL AND COMMUNICATION SKILLS
DEPARTMENTS AS REQUIRED s %XCELLENT ORGANIZATIONAL SKILLS
ASSISTANT CHIEF LIGHTING TECHNICIAN
The technician who works as assistant to the Chief Lighting Technician.
Note: Assistant Chief Lighting Technician is the correct title mandated by IATSE under their Studio Contract.
RESPONSIBILITIES QUALIFICATIONS
s !SSISTS THE #HIEF ,IGHTING 4ECHNICIAN IN DETERMINING s 0ROFESSIONAL LIGHTING EXPERIENCE IN 46 ANDOR lLM
THE LIGHTING EQUIPMENT AND PURCHASES NECESSARY FOR s +NOWLEDGE OF CURRENT LIGHTING EQUIPMENT AND TECHNOLOGY
THE PRODUCTION s +NOWLEDGE OF POWER DISTRIBUTION SYSTEMS
s !SSISTS THE #HIEF ,IGHTING 4ECHNICIAN IN THE SUPPLY s #URRENT CERTIlCATION FOR WIRING GENERATOR OPERATION ANDOR ELECTRICAL OPERATION AS REQUIRED BY
THE NECESSARY INTENSITY COLOR ANGLE AND LIGHTING LOCAL LICENSING AUTHORITY
QUALITY AS DIRECTED FOR EACH SHOOT s +NOWLEDGE OF BASIC lLMSTUDIO LIGHTING TECHNIQUES
s !SSISTS THE #HIEF ,IGHTING 4ECHNICIAN IN THE s +NOWLEDGE OF SAFE ELECTRICAL PRACTICES AND IMPLEMENTATION OF SAME
SUPERVISION OF THE LIGHTING STAFF DURING ALL PHASES OF s +NOWLEDGE OF SAFE RIGGING PRACTICES AND IMPLEMENTATION OF SAME
PRODUCTION s %XCELLENT INTERPERSONAL AND COMMUNICATION SKILLS
s !SSISTS THE #HIEF ,IGHTING 4ECHNICIAN TO EXPEDITE THE s %XCELLENT ORGANIZATIONAL SKILLS
SCHEDULE AND DEADLINES FOR THE PRODUCTION
s !SSISTS THE #HIEF ,IGHTING 4ECHNICIAN IN THE
OVERSIGHT OF THE POWER SUPPLY TO OTHER PRODUCTION
DEPARTMENTS AS REQUIRED
BEST BOY
The technician who oversees the entire Lighting Department for a movie production.
RESPONSIBILITIES QUALIFICATIONS
s !SSISTS THE #,4 WITH ORDERING AND ORGANIZATION OF s 0ROFESSIONAL LIGHTING EXPERIENCE IN 46 ANDOR lLM
EQUIPMENT REQUIRED FOR PRODUCTION s %XCELLENT KNOWLEDGE OF LIGHTING EQUIPMENT AND TECHNOLOGY
s /VERSEES LOADING AND UNLOADING LIGHTING EQUIPMENT s %XCELLENT KNOWLEDGE OF POWER DISTRIBUTION SYSTEMS
FROM VEHICLES s #URRENT CERTIlCATION FOR WIRING GENERATOR OPERATION ANDOR ELECTRICAL OPERATION AS REQUIRED BY
s 3UPPLIES NECESSARY CREW AND EQUIPMENT FOR EACH LOCAL LICENSING AUTHORITY
WORK CALL s %XCELLENT KNOWLEDGE OF SAFE ELECTRICAL PRACTICES AND IMPLEMENTATION OF SAME
s 3UPERVISES ALL LIGHTING WORK CALLS s %XCELLENT KNOWLEDGE OF SAFE RIGGING PRACTICES AND IMPLEMENTATION OF SAME
s -ANAGES ALL LIGHTING EQUIPMENT INCLUDING REPAIRS s $EMONSTRATED EXPERIENCE IN PERSONNEL MANAGEMENT
MAINTENANCE AND REPLACEMENT s %XCELLENT INTERPERSONAL AND COMMUNICATION SKILLS
s %NFORCES COMPLIANCE WITH SAFETY STANDARDS FOR ALL s %XCELLENT ORGANIZATIONAL SKILLS
LIGHTING STAFF
s %XPEDITES PRODUCTIONS WITHIN SCHEDULED DEADLINES
THEATRE DESIGN & TECHNOLOGY
22 S P R I N G 2010 Copyright 2010 United States Institute for Theatre Technology, Inc.
lighting commission
GAFFER
The technician who oversees the entire Lighting Department for a movie or TV production.
Note: Gaffer is an older, non-union term for Chief Lighting Technician. The duties are the same.
RESPONSIBILITIES QUALIFICATIONS
s $ETERMINES WITH THE ,IGHTING $IRECTOR THE LIGHTING s %XTENSIVE PROFESSIONAL LIGHTING EXPERIENCE IN 46 ANDOR lLM
EQUIPMENT AND PURCHASES NECESSARY FOR THE s +NOWLEDGE OF CURRENT LIGHTING EQUIPMENT AND TECHNOLOGY
PRODUCTION s +NOWLEDGE OF POWER DISTRIBUTION SYSTEMS
s 3UPPLIES THE NECESSARY INTENSITY COLOR ANGLE AND s #URRENT CERTIlCATION FOR WIRING GENERATOR OPERATION ANDOR ELECTRICAL OPERATION AS REQUIRED BY
LIGHTING QUALITY AS DIRECTED FOR EACH SHOOT LOCAL LICENSING AUTHORITY
s 3UPERVISES LIGHTING STAFF DURING ALL PHASES OF s +NOWLEDGE OF BASIC lLMSTUDIO LIGHTING TECHNIQUES
PRODUCTION s +NOWLEDGE OF SAFE ELECTRICAL PRACTICES AND IMPLEMENTATION OF SAME
s -ANAGES TIME IN AN EFFECTIVE MANNER s +NOWLEDGE OF SAFE RIGGING PRACTICES AND IMPLEMENTATION OF SAME
s %XPEDITES PRODUCTIONS WITHIN SCHEDULED DEADLINES s $EMONSTRATED EXPERIENCE IN PERSONNEL MANAGEMENT
s /VERSEES POWER SUPPLY TO OTHER PRODUCTION s %XCELLENT INTERPERSONAL AND COMMUNICATION SKILLS
DEPARTMENTS AS REQUIRED s %XCELLENT ORGANIZATIONAL SKILLS
GRIP
The technician who are responsible for rigging, moving and installation of scenic elements, and for any diffusion, color
and reflective media placed in front (away) from the light such as a C-Stand with a flag or cookie. They do so for the
lighting department.
RESPONSIBILITIES QUALIFICATIONS
s 3ETS UP STRIKES AND MOVES ALL SCENIC ELEMENTS s $EMONSTRATED GRIP EXPERIENCE
s )NSTALLS STRIKES AND MOVES ALL mYING SCENERY AND s 0HYSICAL ABILITY TO MOVEOPERATE GRIP EQUIPMENT
CATWALKS s +NOWLEDGE OF RIGGING SYSTEMS
s /PERATES AND MOVES ALL REmECTOR BOARDS REmECTIVE s +NOWLEDGE OF SAFETY PRACTICES AND ABILITY TO IMPLEMENT SAME
MATERIAL COLOR CORRECTIVE GELS AND DIFFUSION s )NTERPERSONAL AND COMMUNICATION SKILLS
EQUIPMENT s /RGANIZATIONAL SKILLS
s /PERATES AND MOVES ALL CAMERA DOLLIES CRANES
MOUNTS AND ANY OTHER CAMERA OR SOUND MOBILE
EQUIPMENT
s ,OADS AND UNLOADS ALL GRIP EQUIPMENT
GENERATOR (GENNY) OPERATOR
The technician who operates and maintains the generators and/or power plants used by the production for all of its
portable power requirements
RESPONSIBILITIES QUALIFICATIONS
s "ALANCES ALL ELECTRICAL LOADS s #URRENT CERTIlCATION FOR GENERATOR OR ELECTRICAL OPERATION AS REQUIRED BY LOCAL ANDOR STATE
s 0ROVIDES SUFlCIENT FUEL TO MAINTAIN POWER LICENSING AUTHORITY
PRODUCTION s +NOWLEDGE OF POWER DISTRIBUTION SYSTEMS
s )NSTALLS ALL FEEDER CABLES FOR ELECTRICAL SERVICE AS s +NOWLEDGE OF SAFE ELECTRICAL PRACTICES AND IMPLEMENTATION OF SAME
NECESSARY s %XCELLENT ORGANIZATIONAL SKILLS
s #OORDINATES WITH THE #,4 TO ENSURE ADEQUATE POWER s )NTERPERSONAL AND COMMUNICATION SKILLS
SUPPLIES s 0HYSICAL ABILITY TO MOVEOPERATE POWER DISTRIBUTION EQUIPMENT
s -AINTAINS ALL POWER PRODUCTION AND DISTRIBUTION s %XCELLENT TIME MANAGEMENT SKILLS
EQUIPMENT AS NECESSARY
s %XPEDITES PRODUCTIONS WITHIN SCHEDULED DEADLINES
s %NSURES COMPLIANCE WITH ELECTRICAL SAFETY STANDARDS
THEATRE DESIGN & TECHNOLOGY
Copyright 2010 United States Institute for Theatre Technology, Inc. S P R I N G 2010 23
film & television
LIGHT BOARD PROGRAMMER/OPERATOR
The technician who are responsible for the operation of the followspot during photography
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING AND TECHNICAL REHEARSALS AS WELL s %XCELLENT WORKING KNOWLEDGE OF THE FOLLOWSPOT INSTRUMENT AND ITS FEATURES
AS PERFORMANCES FOR lLMINGTAPING s %XCELLENT WORKING KNOWLEDGE OF BASIC ELECTRICIAN SKILLS INCLUDING BUT NOT LIMITED TO CHANGING A
s /PERATES THE FOLLOWSPOT AT THE INSTRUCTION OF THE LAMP CHANGING COLOR MEDIA OR DIFFUSION AND FOCUSING AN INSTRUMENT
,IGHTING $IRECTOR OR ,IGHTING $ESIGNER DURING s %XCELLENT WORKING KNOWLEDGE OF BASIC FOLLOWSPOT SKILLS AND TERMINOLOGY
REHEARSALS AND PHOTOGRAPHY s !BILITY TO STAND OR SIT FOR LONG PERIODS OF TIME OFTEN IN A VERY WARM ENVIRONMENT
s 4ROUBLESHOOTS PROBLEMS WITH THE FOLLOWSPOT AS s 0HYSICAL ABILITY TO MOVEOPERATE FOLLOWSPOT INSTRUMENT
APPROPRIATE s 0RIOR FOLLOWSPOT OPERATION EXPERIENCE
s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
s 'OOD INTERPERSONAL AND COMMUNICATION SKILLS
s 'OOD ORGANIZATIONAL AND TIME MANAGEMENT SKILLS
LIGHTING TECHNICIAN / LAMP OPERATOR / LIGHTING OPERATOR
The technician who install, focus, fix, move, power and operate the lighting equipment.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING WORK CALLS REHEARSALS ANDOR s $EMONSTRATED LIGHTING AND ELECTRICS EXPERIENCE
SHOOTS AS SCHEDULED s 0HYSICAL ABILITY TO MOVEOPERATE LIGHTING EQUIPMENT
s )NSTALLS LIGHTING EQUIPMENT AS DIRECTED s +NOWLEDGE OF LIGHTING EQUIPMENT AND POWER DISTRIBUTION SYSTEMS
s 2UNS POWER CABLE AND CIRCUITS AND PATCHES LIGHTING s +NOWLEDGE OF SAFE ELECTRICAL PRACTICES AND ABILITY TO IMPLEMENT SAME
EQUIPMENT AS DIRECTED s +NOWLEDGE OF SAFE RIGGING PRACTICES AND ABILITY TO IMPLEMENT SAME
s &OCUSES LIGHTING EQUIPMENT UNDER THE DIRECTION OF s )NTERPERSONAL AND COMMUNICATION SKILLS
THE #HIEF ,IGHTING $IRECTOR OR HISHER DESIGNATE s /RGANIZATIONAL SKILLS
s -ANAGES TIME IN AN EFFECTIVE MANNER
s 0ERFORMS OTHER DUTIES AS ASSIGNED BY THE LIGHTING
SUPERVISOR
MOVING LUMINAIRE PROGRAMMER/OPERATOR
The technician who is responsible for programming, operating, and troubleshooting the moving lights for a production.
Sometimes operation and programming duties are split between different people, dependent on the needs and resources
of the production.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING AND TECHNICAL REHEARSALS AS WELL s +NOWLEDGE OF THE SPECIlC EQUIPMENT BEING USED
AS PERFORMANCES FOR lLMINGTAPING s 3PEED AND ACCURACY IN DATA ENTRY WITH THE MOVING LIGHT CONSOLE
s 0ROGRAMS THE MOVING LIGHT CUES TO THE SATISFACTION s !BILITY TO WORK WELL IN HIGH PRESSURE SITUATIONS
OF THE ,IGHTING $IRECTOR s !BILITY TO SIT FOR LONG PERIODS OF TIME
s %XECUTES ALL LIGHTING CUES AT THE COMMAND OF THE s )NTERPERSONAL AND COMMUNICATION SKILLS
,IGHTING $IRECTOR ANDOR ,IGHTING $ESIGNER DURING s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
REHEARSALS AND PERFORMANCES
s 4ROUBLESHOOTS PROBLEMS WITH THE MOVING LIGHTS AS
APPROPRIATE
THEATRE DESIGN & TECHNOLOGY
24 S P R I N G 2010 Copyright 2010 United States Institute for Theatre Technology, Inc.
lighting commission
FOLLOWSPOT OPERATOR
The technician who is responsible for programming and operating the lighting console. Sometimes operation and
programming duties are split between different people, dependent on the needs and resources of the production.
RESPONSIBILITIES QUALIFICATIONS
s !TTENDS ALL LIGHTING AND TECHNICAL REHEARSALS AS WELL s +NOWLEDGE OF THE SPECIlC LIGHTING CONSOLE BEING USED
AS PERFORMANCES FOR lLMINGTAPING WHERE A LIGHT s 3PEED AND ACCURACY IN DATA ENTRY WITH THE LIGHTING CONSOLE
BOARD IS USED s 0RIOR THEATRICAL BACKSTAGE EXPERIENCE
s 0ROGRAMS THE LIGHTING CUES TO THE SATISFACTION OF THE s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
,IGHTING $IRECTOR ANDOR ,IGHTING $ESIGNER s !BILITY TO SIT FOR LONG PERIODS OF TIME
s %XECUTES ALL LIGHTING CUES AT THE COMMAND DURING s )NTERPERSONAL AND COMMUNICATION SKILLS
REHEARSALS AND PERFORMANCES s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
s 4ROUBLESHOOTS PROBLEMS WITH THE LIGHT BOARD AS
APPROPRIATE
SET WIREMAN
The technician responsible for all practical set wiring.
RESPONSIBILITIES QUALIFICATIONS
s 0ROVIDES POWER TO ALL DEPARTMENTS DURING 0RE
s #URRENT CERTIlCATION FOR WIRING OR ELECTRICAL OPERATION AS REQUIRED BY LOCAL LICENSING AUTHORITY
0RODUCTION s %XCELLENT KNOWLEDGE OF POWER DISTRIBUTION SYSTEMS
s )NSTALLS AND RUNS POWER TO ALL ELECTRICAL EQUIPMENT s %XCELLENT KNOWLEDGE OF SAFE ELECTRICAL PRACTICES AND IMPLEMENTATION OF SAME
THAT APPEARS ON
CAMERA s 'OOD ORGANIZATIONAL SKILLS
s -AINTAINS AND REPAIRS ON
CAMERA ELECTRICAL s 'OOD INTERPERSONAL AND COMMUNICATION SKILLS
EQUIPMENT AS NECESSARY s %XCELLENT TIME MANAGEMENT SKILLS
s %XPEDITES PRODUCTIONS WITHIN SCHEDULED DEADLINES
s 2EPORTS TO #,4 DURING 0RINCIPAL 0HOTOGRAPHY
EFFECTS TECHNICIAN
The technician who is responsible for the implementation and operation of special effects on a production.
RESPONSIBILITIES QUALIFICATIONS
s !TTEND ALL EFFECTS WORK CALLS REHEARSALS ANDOR s 7ORKING KNOWLEDGE OF APPROPRIATE EFFECTS EQUIPMENT
SHOOTS AS SCHEDULED s +NOWLEDGE OF ALL SAFETY CONSIDERATIONS AND PROCEDURES ASSOCIATED WITH THE EQUIPMENT BEING USED
s )NSTALL TROUBLESHOOT AND OPERATE EFFECTS INCLUDING s ,ICENSE OR CERTIlCATION AS REQUIRED BY LOCAL ANDOR STATE LAW
BUT NOT LIMITED TO ATMOSPHERE LASERS AND s 0HYSICAL ABILITY TO MOVEOPERATE EFFECTS EQUIPMENT
PYROTECHNICS s 0RIOR EFFECTS TRAINING AND EXPERIENCE
s %NFORCES COMPLIANCE WITH ALL SAFETY PROCEDURES s !BILITY TO WORK WELL IN HIGH
PRESSURE SITUATIONS
s )NTERPERSONAL AND COMMUNICATION SKILLS
s /RGANIZATIONAL AND TIME MANAGEMENT SKILLS
THEATRE DESIGN & TECHNOLOGY
Copyright 2010 United States Institute for Theatre Technology, Inc. S P R I N G 2010 25
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