FOREIGN CASE STUDY

(1) YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)

ARCHITECT-PAUL RUDOPH & GWATHMEY SIEGEL

• Yale University’s Rudolph Building – formerly known as the Art and Architecture Building
– was designed in 1963 by the modern master and then chair of the School of
Architecture, Paul Rudolph.

• It is considered one of his most important works and was recently completely renovated
and expanded, restoring the structure to its original 1963 intention.

• The 114,000 sqf Brutalist building, which is constructed of cast-in-place concrete, has a
total of 37 different levels on nine floors, two below grade, and is a cornerstone of Yale’s
vibrant arts campus.

• This extraordinary project represents the culmination of Charles Gwathmey’s forty-five

year relationship with the university’s School of Architecture.

• Paul Rudolph was its chairman during Mr. Gwathmey’s studies and also became his
mentor.

• It is located in New Haven, Connecticut.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2020
 YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
TECHNICAL STUDY
• Originally built in 1963 as Art & Architecture building
• Cast-in-place concrete structure
• Completely renovated and expanded for seven-story History of Art Department in 1996.
• Integration of programmatic, structural and mechanical needs ; restoration of exterior walls, installation of historically correct windows, etc.
• New Lighting and furnishings bring structure into compliance with current building code and fire code regulations
• The main volume of new expansion is clad in limestone and zinc panels, with intersection to the old building rendered in glass and aluminum
panels, thus reinforcing integration and articulation of two structures.

ASTHETIC STUDY
• Smart combination of old and new building, different materials and different architecture styles.
• Spacious and huge expression with outstanding building enclosure.
• Programmatic planning but also not fail in building expression, composition and lighting, ventilation systems.
• Interior spaces are furnished with contemporary art styles.
• Provides the atmosphere of art and architecture; being different but better together throughout the centuries.

ORGANIZATION CHART (YALE UNIVERSITY ADMISTRATION)

• Chairman of School of Architecture >> the school's own adminstration and board of directors >> teachers and staffs
• Chairman of School of Art >> the school's own adminstration and board of directors >> teachers and staffs
• Adminstration for public space management; Cafe', Exhibition Gallery >> Staffs

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
LOADING AND
GROUND FLOOR PLAN UNLOADING DOCK

MAIN ENTRANCE TO THE BUILDING TO THE FIRST FLOOR

ENTRANCE TO THE PUBLIC CAFE

PEDESTRAIN MOVEMENT
EXTERNAL
STAIR CASE
MOVEMENT FOR SERVICES

MECHANICAL SERVICES

CIRCULATION SPACE

ELEVATORS

STAIRCASE

OFFICE

READING ROOM

TEACHING AND STUDY ROOM

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2020
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
GROUND FLOOR PLAN

QUIET AND PUBLIC AREA

PUBLIC
SEMIPUBLIC

PRIVATE

SEMIPRIVATE

CIRCULATION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
BASE PLAN

PEDESTRAIN MOVEMENT

CIRCULATION SPACE

ELEVATORS

STAIRCASE

OFFICE

COMPACT STACKS

HALL

EDUCATIONAL PURPOSE

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
BASE PLAN

REALATIVELY QUIETER AND SEMI –PRIVATE AREA

PUBLIC
SEMIPUBLIC

PRIVATE

SEMIPRIVATE

CIRCULATION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
SEMI-BASE PLAN

MOVEMENT FOR SERVICES

PEDESTRAIN MOVEMENT

MECHANICAL SERVICES

ELEVATORS

STAIRCASE

EDUCATIONAL PURPOSE

COMPACT STACKS
HALL

OFFICE AND STORAGE

CIRCULATION SPACE

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
SEMI-BASE PLAN

NOISY AND PRIVATE AREA

PUBLIC
SEMIPUBLIC

PRIVATE

SEMIPRIVATE

CIRCULATION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
1ST FLOOR PLAN

CIRCULATION SPACE
EXTERNAL
ELEVATORS
STAIR CASE
STAIRCASE

EXHIBITION

EDUCATION

OFFICE

PEDESTRAIN MOVEMENT

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
1ST FLOOR PLAN

NOSIY AND PUBLIC AREA

PUBLIC
SEMIPUBLIC

PRIVATE

SEMIPRIVATE

CIRCULATION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
2ND FLOOR PLAN

MECHANICAL SERVICES

CIRCULATION SPACE

ELEVATORS

STAIRCASE

LOUNGE

EDUCATION

OFFICE

PEDESTRAIN MOVEMENT

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
2ND FLOOR PLAN

QUIET AND SEMI-PRIVATE AREA

SEMIPUBLIC

PRIVATE

SEMIPRIVATE

CIRCULATION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
3RD FLOOR PLAN

MECHANICAL SERVICES

CIRCULATION SPACE

ELEVATORS

STAIRCASE

JURY ROOM

STUDIOS AND EDUCATION

OFFICE

PEDESTRAIN MOVEMENT

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
3RD FLOOR PLAN

QUIET AND PRIVATE AREA

SEMIPUBLIC

PRIVATE

SEMIPRIVATE

CIRCULATION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
4TH FLOOR PLAN
QUIET AND PRIVATE AREA (SEMIPUB,SEMIPRIVATE,PRIVATE)

MECHANICAL SERVICES

CIRCULATION SPACE

ELEVATORS

STAIRCASE

STUDIO ROOMS

OFFICE

PEDESTRAIN MOVEMENT

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
5TH FLOOR PLAN
QUIET AND PRIVATE AREA (SEMIPUB,SEMIPRIVATE,PRIVATE)

MECHANICAL SERVICES

CIRCULATION SPACE

ELEVATORS

STAIRCASE

STUDIO ROOMS

OFFICE

PEDESTRAIN MOVEMENT

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
6TH FLOOR PLAN
QUIET AND PRIVATE AREA (SEMIPUB,SEMIPRIVATE,PRIVATE)

MECHANICAL SERVICES

CIRCULATION SPACE

ELEVATORS

STAIRCASE

STUDIO ROOMS

OFFICE

PEDESTRAIN MOVEMENT

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
7TH FLOOR PLAN

MECHANICAL SERVICES

CIRCULATION SPACE

PENTHOUSE

STAIRCASE

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
SECTION AREA UTILIZATION

EXHIBITION AND LIBRARY EDUCATION TEACHING ROOM PAINTING ROOM ADMISTRATION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
EDUCATIONAL PURPOSE

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
EXHIBITION AND PUBLIC ZONE

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
YALE ART AND ARCHITECTURE BUILDING (RUDOLPH HALL)
EXTERIOR FORM(BRUTALISM ARCHITECTURE)

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
 (2) CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE

Architects: Zaha Hadid Architects

Area: 11500 m²
Project finished Year: 2019
Address: Mei Xi Hu Lu, Yuelu Qu, Changsha Shi, Hunan Sheng, China

• The new Culture & Arts Centre by Zaha Hadid Architects incorporates a contemporary art
museum (MICA), a 1,800-seat theatre with supporting facilities and a multipurpose hall.

• Its organic architectural language is defined by pedestrian routes that weave through the site to connect
with neighbouring streets.

• Providing views of the adjacent Meixi Lake from the city and giving access to the parks and walking trails
on the lake’s Festival Island, this ensemble of three separate cultural institutions creates external
courtyards where pedestrian routes intersect for outdoor events and sculpture exhibitions.

• The largest and most versatile cultural centre in Hunan province, the Culture & Arts Centre connects
directly with its station on Line 2 of Changsha’s new Metro System.

• Located on historic trade routes through China, the city of Changsha’s traditions as an important centre of
communications continues as one of the country’s leading media hubs with the centre’s Grand Theatre
hosting a popular programme of performances and television productions.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
(2) CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
TECHNICAL STUDY
• For convenient accessibilty, the center is directly connected to Changsha city's new Metro system.
• Pedestrian routes weave through the site to connect with neighbouring streets and parks.
• Also built two pedestrian bridges to provide access to the Festival Island, a linear islet located in
the Miexi Lake.
• For the center to be active all time, three civic institutions keep vitality by different opening times;
the theatre opens as the museum concludes it's day-time operations, whilst events in smaller
multipurpose venue ensures it will be used at all times.

ASTHETIC STUDY

• Composition of dramatic curves expressing the artistic flowing of contemporary arts, and the
buildings themselves flow into the urban area fitting in with grace.
• - The exterior of each building of the center features the studio's signature white, fluid facades,
punctured by curving panes of glass.
• - The grand theatre acting as the focal point of plan, all three buildings are linked by sinuous
passageways and white planes, having wings and petals.
• - Strata(layers) of skylights and large openings along with the elevated walkways are main aesthetic
of the interior spaces.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
(2) CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ORGANIZATION CHART (CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTER ADMISTRATION)

CHAIRMAN OF THE MUSEUM CHAIRMAN OF THE GRAND THEATRE ADMISTRATION FOR PUBLIC SPACE
MANAGEMENT
MUSEUM’S OWN ADMISTRATION THEATRE’S OWN ADMISTRATION
MULTIPURPOSE HALL
BOARD OF DIRECTORS BOARD OF DIRECTORS
EXHIBITION AND GALLERIES
STAFF STAFFS
OTHER FACILITIES

STAFFS

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
 CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
THE GRAND THEATRE
• The Grand Theatre is the focal point of the Changsha International Culture & Arts Centre. It is the largest performance venue in the city with a total
capacity of 1800 seats.

• It provides all front-of-house functions in sculpted lobbies, bars, and hospitality suites, as well as the necessary ancillary functions including
administration offices, rehearsal studios, backstage logistics, wardrobe, and dressing rooms.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
THE GRAND THEATRE

1-AUDITORIUM 1
2-FOYER
3-WAITING AREA

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
THE GRAND THEATRE

ELEVATION VIEWS

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
SECTIONS

1- STAGE
2-AUDITORIUM
3-ENTRANCE LOBBY
4-REHEARSAL ROOM

1-MAIN STAGE
2-SIDE STAGE
3-REHEARSAL ROOM

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ART MUSEUM
• With eight juxtaposed exhibition galleries totaling 10,000 sq.m
centered around an atrium for large-scale installations and events,
the MICA art museum also includes dedicated spaces for
community workshops, a lecture theatre, café, and museum shop.

• The Museum’s composition of three fluid petals around its internal

central atrium, juxtaposes of the various patchworks of gallery
spaces in a truly seamless fashion.

• With outward views and balconies to its exteriors, it aims to engage the site’s unique location and
surrounding views into some of its gallery spaces.

• An external plaza which faces Meixi Lake Road allows for outdoor sculptures, exhibitions and events to
be extended to an expansive outdoor space.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ART MUSEUM

GROUND FLOOR PLAN

1- ATRIUM
2- BIG BOX AREA
3- APPLIED ART CENTRE
4- LECTURE THEATRE
5- SHOP

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ART MUSEUM

2F PLAN 4F PLAN

1- SPECIAL EXHIBITION SPACE 1- CAFÉ 2-PERMANENT COLLECTION ROOM

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ART MUSEUM

ROOF PLAN

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ART MUSEUM

ELEVATION VIEWS

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ART MUSEUM

1- BIG BOX SPACE

2- CLASS ROOM
3- CAFE
4- INTERNATIONAL EXHIBITION SPACE
5- PERMANENT COLLECTION

1- ATRIUM
2- BIG BOX EXHIBITION SPACE
3- HUNAN EXHIBITION SPACE
4- LECTURE HALL
5- GLOBAL PLATFORM EXHIBITION
6- PERMANENT COLLECTION

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
 CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
ART MUSEUM

• The Small Theatre (Multipurpose Hall) is characterized by its flexibility. With a maximum capacity of 500 seats, it can be adapted and
transformed to different configurations.
• It can therefore accommodate a broad range of functions and shows that span from banquets and commercial events to small plays,
fashion shows and music.
• A commercial attraction, this venue shares seamless public access to retail areas and restaurant facilities, which are seated in an open
and gently sunken courtyard linking visitors to and from the basement level.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
SMALL THEATRE (MULTIPURPOSE HALL)

GF PLAN 2F PLAN

1- ENTRANCE LOBBY 2- AUDITORIUM 1-RESTAURANT

3- LOBBY 4- COURTYARD
MG WAI YAN PHONE MYINT DESIGN THESIS
VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
EXTERIOR FORM

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE
EXTERIOR FORM

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
CHANGSHA MEIXIHU INTERNATIONAL CULTURE ART CENTRE

• Although these civic institutions are uniquely

defined and separate, they supply each other in all
respects within its setting with plazas offering
visitors a tapestrylike sequence of urban
ambiances that relate to the different institutions,
inject the site with urban vitality.

• The working hours of the different venues also

overlap to ensure continuity during the full 24
hour cycle; Operated during the evening, the
Grand Theatre becomes active as the Museum
begins to conclude its daytime operations whilst
the Small theatre and retail/restaurants would be
commercially available day and night. In this
regard, they benefit from each other’s vicinity,
ensuring that the site is lively 24 hours a day.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
(3) KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)
•ARCHITECTS: BANGKOK PROJECT STUDIO

•Area: 2000 m²
•Year-2011
•Address: Nakhon Pathom, Bangkok
• Kantana Institute aims to product quality graduates with international standards, so it
offers integrated courses focusing mainly on students as the center and practical skills
with the workshop teaching method taught by faculty team with experiences and
specialties well-known in Film Production and Animation Production.

• Kantana Institute is an institute of higher learning in the art of production of

entertainment media.

• The school was shortlisted for the AGA KHAN AWARD FOR ARCHITECTURE.

• It is a one story building which combines perfectly with the beautiful natural
environment that surrounds it.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)
TECHNICAL STUDY
• Massive eight-meter-high handmade brick walls with undulating
geometric profiles characterize this building.
• Supported by a steel inner structure, the cavity between inner and outer
skin affording protection against heat transfer.
• Greystone and concrete paths are interspersed with trees image.
• Circulation between the four buildings becomes and opportunity for
reflection image

ASTHETIC STUDY
• The complex five different areas - administration office, lecture room,
workshop, library and canteen - are all connected by an inserted forest
in the form of a greystone and concrete pathway punctuated by trees,
running centrally along a solid east-west and a broken north-south axis.
• Openings in the walls provide relaxation spaces and a link with the green
landscaping beyond.
• Over half a million handmade bricks were made locally and imbue the
space with a distinctly human scale and touch.

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)

CONCEPT BLOCK DIAGRAM

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)

ADMISTRATION OFFICE ZONE MULTIMEDIA LIBRARY ZONE

WORKSHOP ZONE

LECTURE ZONE

CANTEEN

RESTROOMS

PEDESTRAIN MOVEMENT

CIRCULATION

Ground floor area: 2000 m²

Total site area: 16000 m²
MG WAI YAN PHONE MYINT DESIGN THESIS
VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)
ELEVATION VIEWS

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)
SECTIONS

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)
SECTIONS

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)
SECTIONS

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)
EXTERIOR FORM

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019
KANTANA FILM AND ANIMATION INSTITUTE (THAILAND)

MG WAI YAN PHONE MYINT DESIGN THESIS

VI B.ARCH -29 NATIONAL CENTER OF CONCEPT DESIGN &DIGITAL PRODUCTION 1ST JURY 13
2019-2020 ACADEMIC YEAR 3.5.2019