Sonata For Flute Viola Harp 1915

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Sonata for flute viola harp 1915

Part of the 6 sonatas for various instruments.

This was composed encouraged by the music publisher Jacques Durand in homage to
French composers of 18th century. Before this his last chamber music work was his string
Quartet.

These sonatas where composed in his last 4 years of life, while he was depressed by world
war 1 and diagnosed with colon cancer.

Durand Family published (Saint saenz, Ravel, Faure other French composers).

Debussy took inspiration by World war 1, Rameu and couperin

François Couperin French Baroque composer, organist and harpsichordist

Jean-Philippe Rameau one of the most important French composers and music theorists of the 18th
century. He replaced Jean-Baptiste Lully as the dominant composer of French opera

It was composed in 1915 it has 3 movements,

It has some ambiguity in Harmony and form (not classical sonata form and structure)

Remember other of his earlier orchestral works as “La mer” and “prelude alpres midi dun
faune” (prelude to the afternoon of a faun)

Debussy tittles often suggest visual images like programmatic music (like the landscape
after the world war)

The first arpeggios from the flute fuse with the viola making a theme resembling the picture
of water (a wave) or like been dreaming.

>Pastorale Despit scenes of rural life, Religious meaning of Sheppard of God used even by
bach and in the Baroque, symbol of nature of pure nature.

>interlude Musical composition between parts of a longer composition like Acts or


movements of a larger work. The intermède (the French equivalent of the intermezzo) was
the single most important outside operatic influence in Paris in the mid-18th century, and
helped create an entire new repertory of opera in France (see opéra comique).

>Finale

The first performance of the Sonata took place in Boston, at Jordan Hall in the New
England Conservatory, on November 7, 1916

Debussy initially planned this as a piece for flute, oboe and harp. He subsequently decided
that the viola's timbre would be a better combination for the flute than the oboe's, so he
changed the instrumentation to flute, viola and harp. The instrumentation would later
become a standard ensemble instrumentation.

The unfinished sonatas

Debussy wrote in the manuscript of his violin sonata that

the fourth sonata should be written for oboe, horn, and harpsichord,

and the fifth for trumpet, clarinet, bassoon and piano.

For the final and sixth sonata, Debussy envisioned a concerto where the sonorities of the
"various instruments" combine, with the gracious assistance of the double
bass,[10][11] making the instrumentation:

Flute
Oboe
Clarinet
Bassoon
Horn
Trumpet
Harp
Piano
Harpsichord
Violin
Viola
Cello
Double bass

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