CH 3 Great Gatsby
CH 3 Great Gatsby
CH 3 Great Gatsby
Chapter 1 Chapter 2 Ch 3
party goers: who's Daisy, Tom, Jordan Myrtle, Tom, the Jordan, Nick,
there? (who) McKees Gatsby, owl-eyed
man, many other
comers and goers
type of party? Cocktail party?
Dinner party
(what/why)
Gallant ball,
almost, a great
communion
overall impression?
art 1: Set and Setting: First 6 paragraphs = the party set up. This lush description all
leads up to this short, simple phrase:The party had begun. .. it all leads up to that. What does
Fitzgerald show in this opening... literally...and figuratively? That's your over-arching
question:
Fitzgerald focuses on the description of the setting. It’s all about the moment
before the action ensues. In contrast to the last chapter, this one holds a different kind of
chaos, Nick being swept up in the world of Gatsby. Fitzgerald shows that so much of this
setting is the setting, and not what happens within.
Lets start with a "Belletristic reading... reading for beauty, artistry, skill:
1. First reading... Be a noticer... What are some of the things Fitzgerald is doing in these
paragraphs to create an impression? How do those choices build up to an impression? To
do that...
What's your first reaction? What do you see, feel, understand, and/or wonder? Get it on
paper!
Blue gardens, moths, music, champagne bubbles like stars, cataracts of foam
Rich, a large machine of splendor producing an almost dreamlike lifestyle, food food food
Orchestra, music, many people coming and going of all color dress, enthusiasm
It’s all very grandiose, splendorous, ornate, opulent (a million more adjectives like these).
The impression he creates is that Gatsby is a mysterious man who is admired and revered
by almost everyone, even those who would otherwise have little to whisper about. In
actuality, he’s a rather gentle man who, to Nick, seems not to have a bad bone in his body,
despite all the mystery around him.
“It was testimony to the romantic speculation he inspired that there were whispers about
him from those who found little that it was necessary to whisper about in this world” (pg
48-49). Here, Gatsby is portrayed as something other than man, something along the lines
of mythology. These people look to him as a phantom, who appears once every so often
and leaves everyone stunned.
“ ‘If you want anything just ask for it, old sport,’ he urged me. ‘Excuse me. I will rejoin you
later’” (pg 53). This Gatsby, in conversation with Nick, is entirely pleasant and normal;
nice, even. He doesn’t, at least to me, live up to that illusory presence he seems to leave
with everyone. Still, he leaves Nick enthralled, demanding to know who he is.
“my eyes fell on Gatsby, standing alone on the marble steps and looking from one group to
another with approving eyes… I could see nothing sinister about him” (pg 55). Here again,
Gatsby is nothing but cordial and lovely, almost paternal. There’s very little mystique
about him; he’s an ordinary man in the same way as the son of God.
“He smiled understandingly—much more than understandingly. It was one of those rare
smiles with a quality of eternal reassurance in it, that you may come across four or five
times in life. It faced—or seemed to face—the whole external world for an instant, and
then concentrated on YOU with an irresistible prejudice in your favor” (pg 53). This reads
like the description of Jesus. He’s a remarkable figure, precisely in his uniquely kindly and
warm manner.
2. Second Reading: Moving to Rhetorical Analysis: Practice annotating: Print and use
your colored pens or annotate on the screen. Your goal for annotation = notice and
record the rhetorical and poetic strategies Fitzgerald uses to bring you to Gatsby's party.
Remember the 4 domains of style: narrative perspective, diction, form, presentation of
character.
Here are some things to notice and consider in this passage... but you might notice other
things as well!
● sensory imagery (consider the way he mixes and appeals to different senses.
bring the right language to your noticing: visual, auditory, tactile, olfactory,
gustatory, kinesthetic).
● patterns of imagery within the passage (and how they might also connect to
similar patterns across the text)
● sound... word choice that appeals to the ear (alliteration, consonance,
assonance, euphony, dissonance, etc)
● comparisons (simile, metaphor, personification) In this passage mlook for an
extended metaphor.
● Verbs choice
● Form... Consider patterns in syntax like... parallel structure, commas vs. "and"
● Cataloging (it's an epic convention... what does it mean? Where doe Fitzgerald
do it? What's the effect?)
Make a rhetorical analysis: Analyze the choices Fitzgerald makes to achieve a specific
purpose in this opening
A lot of this chapter reads like poetry to me. A few remarkable sentences:
In his blue gardens men and girls came and went like moths among the whisperings and the
champagne and the stars…
On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city,
between nine in the morning and long past midnight, while his station wagon scampered
like a brisk yellow bug to meet all trains…
The bar is in full swing and floating rounds of cocktails permeate the garden outside until
the air is alive with chatter and laughter and casual innuendo and introductions forgotten
on the spot and enthusiastic meetings between women who never knew each other’s
names… (wow!)
Laughter is easier, minute by minute, spilled with prodigality, tipped out at a cheerful
word…
A celebrated tenor had sung in Italian and a notorious contralto had sung in jazz and
between the numbers people were doing ‘stunts’ all over the garden, while happy vacuous
bursts of laughter rose toward the summer sky…
Fitzgerald uses this dreamy, idyllic language to portray this affair as one that
carries everyone in attendance away — especially Nick. Where the last chapter
begins with the description of a wasteland of ash and filth, this begins with a
winding description of regality and richness. He uses this poetic language to convey
this dreamy, heavenly setting. It’s all mystical, in a different way to the secrets of
the first party or the confusion of the second. It’s like a wonderland, especially to
Nick, where confusion and secrets take on new meaning. Some of these
descriptions are just brilliant.
Part 2: The party... "I believe I that on the first night I went to Gatsby's house I was one of the
few guests who had actually been invited..." The narrative perspective shifts from omniscient
and descriptive (observer) to first person and participatory (nick as participant)
But still... remember Chapter 2... where does Nick move from "within" to "without" as he
moves through his writing of his first Gatsby party.
1. As you read, make some notes about the party. How does it compare to the ones in
Chapter 1 and 2?
As previously mentioned, this party puts an entirely different spin on secrets and
confusion. Where the first party is very hush, very formal, with multiple layers of
conversation occurring, this party is mystical like a fairy tale. Where the second party is a
whirlwind of confusion born of a filthy, off-putting setting, this party is splendorous and
magical in a way that carries Nick off his feet, especially when we switch to the first
person perspective. This tone is set by the language used in the introduction to the party.
Gatsby
3. Another set of spectacles...the owl-eyed man. What does he admire about Gatsby?
)
What is it about Gatsby's smile? Be specific. What are Nick's first impressions of Gatsby?
Use some quotes!
Nick’s impression of Gatsby is deep and personal. His smile, to Nick, is “more than
understanding… It understood you just so far as you wanted to be understood, believed in
you as you would like to believe in yourself and assured you that it had precisely the
impression of you that, at your best, you hoped to convey” (pg 53). His smile is like that of
a parent, almost. Forgiving, understanding, loving; seeing you as your best self, as a loving
parent would.
4. The party lurches to an end with a "bizarre and tumultuous scene"? What is it? Explain.
5. How does this party compare with the ones in Ch 1 and 2.. you can revisit the chart for
details. What did this party show you.... literally and figuratively?
This party puts an entirely new spin on the emotion of the last two. It reveals something
about Gatsby’s character, while developing the relationship between Nick and Jordan.
These three certainly come to most importance in this chapter. It shows that Gatsby is a
secretive yet kind man who avoids as much conflict as possible and enthralls all whom he
meets.
The caterwauling horns had reached a crescendo and I turned away and cut across the lawn
toward home. I glanced back once. A wafer of a moon was shining over Gatsby's house, making
the night fine as before and surviving the laughter and the sound of his still glowing garden. A
sudden emptiness seemed to flow now from the windows and the great doors, endowing with
complete isolation the figure of the host who stood on the porch, his hand up in a formal gesture
of farewell.
First, give that paragraph a belletristic r eading. Note and appreciate some of the cool
things Fitzgerald does here as an artist.
What does Fitzgerald do in this paragraph to complete and conclude this portrait of a
party?
This party concludes in a more proper way than the last. Despite the car crash, it ends
with Gatsby wishing farewell to Nick, and the rest of the party-goers. It has a much more
complete ending.
Part 3: Nick reflects: The chapter doesn't end with the party. It ends in another
conversation between Nick and Jordan. What do they talk about?
I would call myself cautious, however I find I have to constantly remind myself to
pay attention and not drift off.
3. You know all about recklessness from The Odyssey... "And the recklessness of their
ways destroyed them all!" You know, then, that recklessness is one of the cardinal vices of
the ancients... but what about carelessness? What do you think? Is it a vice... or just a
folly?
Carelessness, to me, seems like a latent thing, something one could correct if they were so
inclined. I think it only becomes a vice when one is aware of it, it has a negative impact, and
one chooses to do nothing.
4. And what's the difference between recklessness and carelessness? Let this little legal
overview inform the larger issue....
"Often, people are confused about the difference between careless and reckless driving
offenses. Both are traffic violations and both are summaries that carry fines. However,
careless driving is a less serious offense than reckless driving. The main difference
between the two crimes is intent.
Careless driving is defined as "any person who drives a vehicle in careless disregard for
the safety of persons or property." 75 Pa.C.S. section 3714. This may occur if a person is
driving too fast, texting on a cell phone, illegal lane changes, and so on. Careless driving
will cost a driver 3 points on their license and includes a fine. If anyone is injured or killed
by the careless driving, then the driver faces higher fines.
According to 75 Pa.C.S. section 3736, a person is guilty of reckless driving if they "drive
any vehicle in willful or wanton disregard for the safety of persons or property." Willful or
wanton disregard means that the driver was intentionally acting with disregard or
irresponsibility. Reckless driving is a more serious offense than careless driving. It not only
involves a fine, but also a 6 month license suspension. However, it does not carry any
points. Again, if anyone is injured or killed, the fine increases, and jail time may be
imposed." (emkeylaw.com)
Honesty
(What do you think "cardinal" means in that sentence? Don't google, just use the context.)
I know that “cardinal virtues” emerge from Arisotelian virtue ethics, and would imagine
they tie to theology somewhat (and probably, also, to Ben Franklin)
6. "Everyone suspects himself of at least one of the cardinal virtues, and this is mine..."
What's yours?
I would say my cardinal virtue is accommodation, however I don’t think that’s always a
good thing. It’s hard for me to fully decide. But were I to choose, I’d say I’m a fairly
accommodating person.
Homework for Wednesday: Finish this guide. Keep reading as per the schedule (chapter
4 & 5). Mark at least one passage to talk about. Be ready to explain why. Use your
resources. Watch for patterns. Be a belletristic reader. Be a noticer!
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