NANCY MARIE ROGERS

Professor of Music Theory

Florida State University College of Music
Tallahassee, Florida

ACADEMIC EMPLOYMENT

Florida State University College of Music Tallahassee, Florida

Professor 2016 - present
Associate Professor 2008 - 2016
Assistant Professor 2002 - 2008
Graduate courses: pedagogy of music theory, atonal theory and analysis, music
cognition, doctoral seminar, survey course for non-theory majors. Undergraduate
courses: first- and second- semester theory, nineteenth-century music, Broadway
musicals. Coordinate the first-year theory program; responsible for all aspects of
the curriculum, including supervision of four to six teaching assistants. Advise
students in the M.M. Theory program; direct independent studies (both graduate and
undergraduate); serve on graduate and undergraduate degree committees.
Lawrence University Conservatory of Music Appleton, Wisconsin
Assistant Professor 2000 - 2002
Taught freshman and sophomore written theory and ear training. Solely responsible
for developing and implementing intensive theory sequence (new for 2001-2002
school year) geared towards students entering with relatively weak theory and/or
aural skills. Supervised the theory tutoring program. Established a program for a
minor in music theory.
University of Iowa School of Music Iowa City, Iowa
Visiting Assistant Professor 1997 - 2000
Graduate courses: seminar in music cognition, pedagogy of theory class,
independent study projects. Undergraduate courses: independently responsible for
first-year musicianship and theory. This included lecturing three times per week
(primary focus: written theory), coordinating lab sections two times per week
(primary focus: aural skills), and overseeing four to six teaching assistants.
Northwestern University School of Music Evanston, Illinois
Lecturer 1994 - 1996
Independently responsible for freshman aural skills curriculum, including lectures
and supervision of four to six teaching assistants. Taught sophomore theory as part
of a comprehensive musicianship program coordinated with music history
(Medieval, Renaissance, Romantic, and twentieth-century music).
Eastman School of Music Rochester, New York
Teaching Assistant 1989 - 1994
Taught freshman, sophomore, and junior (twentieth-century) theory. For two years,
independently taught intensive theory, a class that met five days per week for
students who entered Eastman with particularly weak backgrounds. By the end of
this course, students were prepared to enter regular sophomore theory. I was
responsible for all aspects of the course: content and pace, tests, assignments,
grading, etc.
Nancy Marie Rogers Page 2

EDUCATION
Degrees:
Eastman School of Music Ph.D. in Music Theory 2000
Dissertation: “The Role of Verbal Encoding in Memory for Musical Timbre and
Pitch Patterns” (Elizabeth West Marvin, advisor)
Minor in Musicology
University of Michigan M.M. in Music Theory 1989
Musicology cognate; received honors pass on Master’s examination
Northwestern University B.M. in Music Theory and Composition 1987
Graduated with distinction
Northwestern University B.A. in Linguistics 1987
Graduated with highest distinction
Other:
Mannes Institutes for Advanced Studies in Music Theory
Institute on Music and the Mind, Mannes College 2009
Institute on Chromaticism, Yale University 2006

PUBLICATIONS
Books:
Music for Sight Singing, tenth edition (copyright 2019) 2018
Music for Sight Singing, Chinese language edition (copyright 2014) 2015
Music for Sight Singing, ninth edition (copyright 2014) 2013
Music for Sight Singing, eighth edition (copyright 2011) 2010
Music for Sight Singing, seventh edition (copyright 2007) 2006
Co-written with Robert W. Ottman (Pearson)
Book Chapters, Articles, and Conference Proceedings:
“Small-Scale Improvisation in the Music Theory Classroom” 2020
in The Routledge Companion to Music Theory Pedagogy, ed. Leigh VanHandel
(Routledge, 2020), 87-95
“The Relative Importance of Math- and Music-Related Cognitive 2019
and Affective Factors in Predicting Undergraduate Music Theory Achievement”
(co-written with Connie Barrosa, Colleen Ganley, Sara Hart, and Jane Clendinning),
in Applied Cognitive Psychology (2019), 1-13
“Hearing an Old Story in a New Way: An Analysis of Loewe’s 2017
Erlkönig,” in Intégral 30 (2016), 31-40
“Specific Mathematical and Spatial Abilities Correlate with 2016
Music Theory Abilities,” in Proceedings of the 14 International Conference on
th

Music Perception and Cognition (2016), 537-543

Invited contribution to Research and Publication Column of 2015
Mosaic: A Journal of Music Research 3 (2015)
Nancy Marie Rogers Page 3

PUBLICATIONS, continued

Foreword to Engaging Students: Essays in Music Pedagogy 2 (2014) 2014

<http://www.flipcamp.org/engagingstudents2/essays/rogers.html>
“Modernizing the Minuet Composition Project,” in Journal of 2013
Music Theory Pedagogy 27 (2013), 71-110
“Engaging Musical Expectation Research in Pedagogy of 2012
Musical Form and Phrase Structure,” in Proceedings of the 12 International
th

Conference on Music Perception and Cognition and the 8 Triennial Conference of

th

the European Society for the Cognitive Sciences of Music, ed. Cambouropoulos,
Tsougras, Mavromatis, and Pastiadis (School of Music Studies, Aristotle University
of Thessaloniki, 2012), 853-856
“How Structured Improvisation Can Improve Sight-Singing 2008
Performance (and More),” in AP® Music Theory: Teaching Sight Singing (part of
the Special Focus series), ed. Ken Stephenson (New York: The College Board,
2008), 49-58
“Interpreting and Harmonizing Melodies: Some Formulas 2008
for Success,” in AP® Music Theory: Building AP Music Theory Skills from the
Ground Up (part of the Curriculum Module series), ed. Melissa Cox (New York:
The College Board, 2008), 32-38
“Solmization Expertise Correlates with Superior Pitch Memory,” 2007
Em Pauta 18/30 (2007), 131-152
“Teaching Tonal Sight-singing” in AP® Music Theory Teacher’s Guide, 2007
ed. David Lockhart (New York: The College Board, 2007), 154-161
“Judgments of Distance between Trichords” (co-written with Clifton 2006
Callender), in Proceedings of the 9 International Conference on Music Perception
th

and Cognition, ed. Baroni, Addessi, Caterina, and Costa (Bononia University Press
[publishing house for University of Bologna], 2006), 1686-1691
“Reinforcing Written Theory with Aural Skills,” AP® Central Teaching 2005
Resources, an online publication of The College Board (October 2005)
“Conference Report: Eighth International Conference on Music Perception 2005
and Cognition,” Journal of Music Theory Pedagogy 18 (2004), 147-155
“Verbal Labels Affect Memory for Musical Timbre,” Actes du 2005
Colloque interdisciplinaire de musicologie: Le timbre dans la composition,
l’interprétation, la perception et la réception de la musique, ed. Traube and Lacasse
(Observatoire international de la création musicale, 2005)
“Square Dance Moves and Twelve-Tone Operators: Isomorphisms and 2003
New Transformational Models” (co-written with Michael Buchler),
Music Theory Online 9/4 (October 2003)
<http://mto.societymusictheory.org/issues/mto.03.9.4/toc.9.4.html>
Book Review:
Review of Gary Karpinski’s Aural Skills Acquisition 2003
Indiana Theory Review 22/2 (Fall 2001), 83-93
Nancy Marie Rogers Page 4

PUBLICATIONS, continued
Unjuried:
Vice President’s Report semi-annually, 2018 - 2019
SMT Newsletter (Vice President’s report to the membership of the Society for Music
Theory)
Professional Development Committee Report semi-annually, 2013 - 2015
SMT Newsletter (Chair of Professional Development Committee’s report to the
membership of the Society for Music Theory)
Music Theory Southeast Report semi-annually, 2008 - 2010
SMT Newsletter (Music Theory Southeast President’s report to the membership of
the Society for Music Theory)
“Actions of the Executive Board” semi-annually, 2005 - 2008
SMT Newsletter (Society for Music Theory Secretary’s report to the membership)
Book manuscripts in progress:
Music for Ear Training
Ear training materials for undergraduate core aural skills courses, coordinated with
Music for Sight Singing; under contract by Pearson
A Concise Guide to Tonal Harmony and Form (working title)
Textbook and ancillary materials for undergraduate core music theory courses;
under contract by Pearson

JURIED CONFERENCE PRESENTATIONS

“Mathematics and Music Theory: Assisting Music Theory 2019

Students with Math-Related Learning Disabilities” (joint research with Jane
Clendinning, Colleen Ganley, and Sara Hart)
Pedagogy into Practice conference (Santa Barbara, CA)
“Exploring Links between Mathematics and Music Theory: 2018
Investigating Pattern Processing Using Eye Tracking” (joint research with Jane
Clendinning, Sara Hart, and Colleen Ganley)
College Music Society annual conference (Vancouver, BC)
“Specific Mathematical and Spatial Abilities Correlate with 2017
Music Theory Abilities” (joint research with Jane Clendinning, Sara Hart, and
Colleen Ganley)
Society for Music Theory annual conference (Washington, DC)
Also presented at the Music Theory Southeast annual conference 2017
(Fort Myers, FL)
Also presented at the Fourteenth International Conference on 2016
Music Perception and Cognition (San Francisco, CA)
“The Development of the Music Theory Anxiety Scale” 2016
(joint research with Colleen Ganley, Sara Hart, and Jane Clendinning)
Association of Psychological Sciences annual meeting (Chicago, IL)
Nancy Marie Rogers Page 5

JURIED CONFERENCE PRESENTATIONS, continued

“Cognitive and Affective Predictors of Music Theory Performance” 2016
(joint research with Connie Barroso, Sara Hart, Colleen Ganley, and Jane
Clendinning)
Association of Psychological Sciences annual meeting (Chicago, IL)
“Leading by the Ear: Improvising Harmony in the Music Theory Classroom” 2015
Improvisation Interest Group meeting at the Society for Music Theory annual
conference (St. Louis, MO)
“Music Theory Ability Correlates with Mathematical Ability” 2015
Society for Music Perception and Cognition annual conference (Nashville, TN)
Also presented at the Music Theory Southeast annual conference 2016
(Atlanta, GA)
“The Best of Both Worlds: Combining Improvisation and Composition 2012
Beyond the Minuet”
Society for Music Theory annual conference (New Orleans, LA)
“Engaging Musical Expectation Research in Pedagogy of Musical Form 2012
and Phrase Structure”
Twelfth International Conference on Music Perception and Cognition and
Eighth Triennial Conference of the European Society for the Cognitive Sciences of
Music (Thessaloniki, Greece)
“The Ear is Quicker than the Eye: Conveying the Cadential 64 ” 2012
AP Annual Conference (Orlando, FL)
“Developing Musicianship Skills through Improvisation” 2011
Music Theory Southeast and South Central Society for Music Theory
joint annual conference (Tallahassee, FL)
“Captivated by the Erlking: A Case for Studying Same-Text Settings” 2008
College Music Society national conference (Atlanta, GA)
“More than Parsimonious Voice Leading: A Perceptual Study of 2006
Trichordal Distance” (joint presentation with Clifton Callender)
Society for Music Theory annual conference (Los Angeles, CA)
“Judgments of Distance Between Trichords” (jointly written with 2006
Clifton Callender)
Ninth International Conference on Music Perception and Cognition and
Sixth Triennial Conference of the European Society for the Cognitive Sciences of
Music (Bologna, Italy)
“Interpreting and Harmonizing Melodies: Some Formulas for Success” 2006
AP Annual Conference (Orlando, FL)
“Verbal Encoding of Musical Timbre and Pitch” 2005
Society for Music Perception and Cognition workshops and annual conference (The
Neurosciences Institute, San Diego, CA)
Nancy Marie Rogers Page 6

JURIED CONFERENCE PRESENTATIONS, continued

“Hearing an Old Story in a New Way: An Analysis of Loewe’s Erlkönig” 2005
Dublin International Conference on Music Analysis (Dublin, Republic of Ireland)
Also presented at the South Central Society for Music Theory and
Music Theory Southeast joint annual conference (Atlanta, GA) 2004
“Verbal Labels Affect Memory for Musical Timbre” 2005
Conference on Interdisciplinary Musicology (Montreal, Quebec)
“Teaching Musical Principles (Not Musical Rules) for AP Music Theory” 2004
(joint presentation with Michael Buchler) AP Annual Conference (Orlando, FL)
“Getting the Big Picture: Putting Aural Skills in Context” 2003
Music Theory Midwest annual conference (Bloomington, IN)
“Some Correlations between Solfège Expertise and Pitch Memory” 2003
Music Theory Southeast annual conference (Davidson, NC)
“Some Isomorphisms between Transformational Theory and 2001
American Square Dance Calls” (joint presentation with Michael Buchler)
Society for Music Theory annual conference (Philadelphia, PA)
Also presented at the annual Music Theory Forum at FSU 2003
“Evidence of Verbal Encoding in Memory for Timbre” 2000
Society for Music Perception and Cognition annual conference (Toronto, ON)
“The Role of Music Cognition Research in Revising the Core Curriculum” 2000
Music Theory Midwest annual conference (Appleton, WI)
“Encoding Strategies and Their Effect on Musical Memory” 1999
Society for Music Theory annual conference (Atlanta, GA)
“What’s in a Name? The Effect of Labels on Musical Memory” 1999
Music Theory Midwest annual conference (Indianapolis, IN)

INVITED CONFERENCE SESSION

“Active Citizenship” 2018
Special session, Society for Music Theory annual conference (San Antonio, TX)
Organized special session and served as moderator and discussion leader for panel
focusing on civic engagement and strategies for effective advocacy.
Panelists: Lynn Brinckmeyer, Julia Smith, and Briauna Barrera
Nancy Marie Rogers Page 7

JURIED CONFERENCE SESSIONS

“Rethinking the Pedagogy of Post-Tonal Music” 2015
Special session, Music Theory Southeast annual conference (Greenville, NC)
Helped plan special session and served as discussion facilitator for group focusing
on aural skills.
Discussion facilitators: Adrian Childs, Bryn Hughes, J. Daniel Jenkins, and Nancy Rogers

“Teaching Writing as a Music Theorist” 2014

Special session, Society for Music Theory annual conference (Milwaukee, WI)
Organized special session, assembled expert panel, and wrote proposal on behalf of
the Professional Development Committee.
Panelists: Walter Everett, William Marvin, and Lynne Rogers

“Classroom Teaching Videos for Job Applications” 2013

Special session, Society for Music Theory annual conference (Charlotte, NC)
Organized special session, assembled expert panel, and wrote proposal on behalf of
the Professional Development Committee.
Panelists: Sarah Ellis, Leigh VanHandel, and Lawrence Zbikowski
Presenter: Johanna Devaney

“Technology-Enhanced Instruction” 2013

Special session, Society for Music Theory annual conference (Charlotte, NC)
Organized special session, solicited speakers, and wrote proposal on behalf of the
Professional Development Committee.
Presenters: Greg McCandless, Jan Miyake, Deborah Rifkin, and Anna Stephan-Robinson

“Pedagogy of Music Theory: Practicum and Discussion” 2007

Special session, Society for Music Theory annual conference (Baltimore, MD)
Organized special session, assembled expert panel, and wrote proposal on behalf of
the Pedagogy Interest Group.
Panelists: Robert Gauldin, Joseph Straus, and Mary Arlin

“Shall We Dance? Music Theoretic Perspectives” 2001

Special session, Society for Music Theory annual conference (Philadelphia, PA)
Helped organize session and write proposal. Also presented paper; see above.

INVITED LECTURES, PANEL DISCUSSIONS, AND INTERVIEWS

Presenter: “Presenting a Poster” 2020
Meeting of the Music Theory Society of Florida State University
Lecturer: “Protecting Faculty Rights” 2019
Panel on Advocacy in Higher Education
Work and Family Interest Group Meeting, Society for Music Theory annual
conference (Columbus, OH)
Lecturer: “Music Theory for Parents” 2008, 2010, 2015 - 2020
Presentation for families of music majors at Florida State University
Presenter: “Asking the Right Question when Teaching” 2017
Meeting of the Music Theory Society of Florida State University
Nancy Marie Rogers Page 8

INVITED LECTURES, PANEL DISCUSSIONS, AND INTERVIEWS, continued

Lecturer: “What’s So Perfect About Perfect Pitch?” 2015, 2016

Florida State University — Cawthon Colloquium series
Lecturer: “Service at the University” 2016
Meeting of the Music Theory Society of Florida State University
Guest Lecturer: “Adapting Riepel’s Composition Project” 2015
University of Colorado at Boulder, Musicology Colloquium series
Workshop Leader: “Harnessing Unconscious Knowledge” 2015
Pedagogical workshop for high school music theory teachers (Boulder, CO)
Interviewed by a muppet about the interconnectedness of musical styles 2015
Children’s documentary produced by Molly Hauer and Justin Miller (students in the
Child and Youth Media Cultures class at FSU’s College of Motion Picture Arts)
Panelist: “Serving the University and the Academic Community” 2013
Meeting of the Music Theory Society of Florida State University
Panelist: “Conversations with Faculty” 2013
FSU’s Preparing Future Faculty series (in association with the Council of
Graduate Schools)
Panelist: “Interviewing for a Job” 2013
Meeting of the Music Theory Society of Florida State University
Graduate Student Workshop Leader 2012
Music Theory Southeast Conference, Emory University
Keynote Speaker: “Assembling the Nuts and Bolts: Building 2009
Musical Skills through Improvisation”
Musical Ear Conference, Indiana University
Panelist with Mary Wennerstrom, Gary Karpinski, and Elizabeth Aaron 2009
Musical Ear Conference, Indiana University
Panelist: “Publishing a Textbook” 2009
Meeting of the Music Theory Society of Florida State University
“Teaching for a Job Interview” 2009
Meeting of the Music Theory Society of Florida State University
Presenter/Panelist: “Classroom Organization” 2007
Program for Instructional Excellence event and meeting of the
Music Theory Society of Florida State University
“More than Parsimonious Voice Leading: A Perceptual Study of 2006
Trichordal Distance” (joint presentation with Clifton Callender)
Meeting of the Society of Composers, Inc., FSU student chapter
Interviewed (along with Clifton Callender) for Am Steg 2006
Podcast available at <http://amsteg.org>
Guest Lecturer: “Verbal Labels and Memory for Musical Timbre” 2005
Bowling Green State University
“Interviewing for a Music Theory Faculty Position” 2005
Meeting of the Music Theory Society of Florida State University
Nancy Marie Rogers Page 9

OTHER PRESENTATIONS

“Abilities Correlating with Music Theory Aptitude” postponed due to pandemic

Florida State University — Cawthon Colloquium
“More than Parsimonious Voice Leading: A Perceptual Study of 2006
Trichordal Distance” (joint presentation with Clifton Callender)
Meeting of the Music Theory Society of Florida State University
“Some Aesthetics and Principles Shared by Twelve-Tone Composition 2004
and American Square Dance” (joint presentation with Michael Buchler)
College Board’s AP Reading — Music Theory Professional Colloquium
“Telling a Story Through Music” 2004
Florida State University — Cawthon Colloquium
“The Impact of Verbal Labels on Musical Memory” 2003
College Board’s AP Reading — Music Theory Professional Colloquium
“Some Isomorphisms between Transformational Theory and 2001
American Square Dance Calls” (joint presentation with Michael Buchler)
Indiana University — Music Theory Colloquium series

RADIO SEGMENTS

Initiator and coordinator of “Labor Minute,” which is broadcast weekly on WFSU-FM

(Tallahassee’s National Public Radio affiliate). The series shares stories of the American
Labor movement, including the challenges and success of American workers. It is
sponsored by the United Faculty of Florida and also funded in part by the Florida AFL-
CIO and the Big Bend Labor Chapter. Segments archived at http://uff-fsu.org/
archives/labor-minute/
Scripts I researched, wrote, and read: First aired:
“Sixteen Tons” May 14, 2014
“Collective Bargaining” June 4, 2014
“The Triangle Factory Fire” June 11, 2014
“Crystal Lee Sutton” August 6, 2014
“Workplace Vigilance” August 13, 2014
“Labor Day” September 3, 2014
“The Wobblies” September 10, 2014
“Tom Morello” September 17, 2014
“Right to Work” October 29, 2014
“Grievance” November 5, 2014
“Solidarity Action” November 12, 2014
“The Norris-La Guardia Act” December 3, 2014
“Yellow-Dog Contracts” December 10, 2014
“Martin Luther King: Economic Justice” January 7, 2015
“Martin Luther King: Minimum Wage” January 14, 2015
“Martin Luther King: Organized Labor” January 21, 2015
“Martin Luther King: The Last Campaign” January 28, 2015
Nancy Marie Rogers Page 10

RADIO SEGMENTS, continued

Scripts I researched, wrote, and read (continued: First aired:

“Isaac Myers” February 11, 2015
“The Colored National Labor Union” February 18, 2015
“Unions and the Top Ten Percent” March 18, 2015
“Arturo Giovannitti” April 1, 2015
“The Most Successful Labor Strike” April 8, 2015
Scripts I edited and read: First aired:
Irene Padavic, “Union Wage Premium” May 28, 2014
Irene Padavic, “The Gender Wage Gap” July 2, 2014
Irene Padavic, “Unions Benefit All Workers” July 9, 2014
Irene Padavic, “A. Philip Randolph” February 4, 2015
Irene Padavic, “Joe Hill” February 25, 2015
Irene Padavic, “Dividing by Race” March 11, 2015
Scripts I edited: First aired:
Jack Fiorito, “What is a Labor Union?” April 9, 2014
Jennifer Proffitt, “Harlan County, Kentucky” April 16, 2014
Jennifer Proffitt, “Which Side Are You On?” April 23, 2014
Jennifer Proffitt, “The Fair Labor Standards Act” April 30, 2014
Tarez Samra Graban, “Charlotte Perkins Gilman and May 21, 2014
Maternity Reform”
Tarez Samra Graban, “Mother Jones” June 25, 2014
Jack Fiorito, “What Do People Think of Unions?” July 16, 2014
Jack Fiorito, “Unions in Florida” July 30, 2014
Randolph Langley, “Ira Steward” (co-edited) August 20, 2014
Randolph Langley, “Coxey’s Army” (co-edited) October 1, 2014
Tarez Samra Graban, “Fanny Fern and the October 8, 2014
Practical Blue Stocking”
Tarez Samra Graban, “Fanny Fern and the October 15, 2014
Working Girls of New York”
Tarez Samra Graban, “Life in the Iron Mills” October 22, 2014
Jennifer Proffitt, “Bread and Roses” December 31, 2014
Nancy Marie Rogers Page 11

PROFESSIONAL SOCIETIES

Society for Music Theory

Vice President 2017 - 2019
Publications Subvention Committee (chair, ex officio) 2017 - 2019
Accessibility Committee 2018 - 2019
Ad Hoc 2018 Meeting Response Committee (chair) 2018
Planned and implemented special events and activities in response to discriminatory
laws that were enacted in Texas (and retaliatory laws enacted by California) after SMT
was contracted to hold its annual meeting in San Antonio.
Liaison to the American Musicological Society’s 2018
Ad Hoc 2018 Meeting Response Committee
Interest Groups Task Force 2018
Addressed numerous practical concerns surrounding the Society’s interest groups
Ad Hoc Transition Advisory Committee (chair) 2017
Responsible for preparing SMT’s new Executive Director to run the Society
Ad Hoc Committee on Archives Policy 2016 - 2018
Professional Development Committee (chair, 2012 - 2014) 2011 - 2014
Secretary 2004 - 2008
Committee for the Status of Women 2000 - 2003
Session chair or moderator at annual meeting 2007, 2011, 2013, 2014
Organizer or reviewer for interest group special session 2002, 2007, 2011
Society for Music Perception and Cognition
Session chair at joint meeting with international societies (ICMPC8) 2004
Session chair at annual meeting 1999
Society for Interdisciplinary Musicology
College Music Society
Advisory Committee for Music Theory 2008 - 2010
Music Theory Southeast
President 2008 - 2010
Program Committee (chair, 2008) 2007 - 2010, 2019
Nominations Committee 2014
Session chair at annual meeting 2005, 2007, 2008, 2009, 2010
Music Theory Midwest
Treasurer 2001 - 2003
Representative for Area III (IA, MN, NE, ND, SD) 1999 - 2001
Session chair at annual meeting 2001
Program Committee 1998
Music Theory Society of Florida State University
Program Committee 2003, 2014
Pi Kappa Lambda, Phi Chapter (FSU)
President 2014 - 2016
Vice President (and President-Elect) 2012 - 2014
Nancy Marie Rogers Page 12

NON-CLASSROOM INSTRUCTION

Florida State University

Directed independent studies:
Music Cognition
Alan Elkins 2018 Stan Fink 2017
Evan Williams 2010 Nastassja Riley 2009
Crystal Peebles 2008 - 2009 Bryn Hughes 2008
Beth Smith 2002
Keyboard Harmony Chandler Blount 2019
Yue Sun 2019 Aaron Houston 2018
Cameron Stahl 2017 Jenn Harding 2016
Toni Rubini 2015 Catherine Mullins 2015
Lewis Jeter 2015 Cara Stroud 2015
Rich Lee 2014 Brian Jarvis 2013
Rafael Almario 2013 Kaleb Delk 2013
Ben Krock 2012 Jay Smith 2012
Douglas Barlow 2009 - 2010 Fabrice Curtis 2009
Garrett Shatzer 2008 Crystal Peebles 2007
Bryn Hughes 2007 Sean Atkinson 2006
Sean Johnston 2005 Kathy Biddick Smith 2004
Notation and Music Analysis John Combs 2019
Chinese and American Music Theory Pedagogy Yue Sun 2019
Design of Elective Courses in Music Theory Jenn Harding 2018
Absolute Pitch (Honors) Yuki Proulx 2014
Empirical Study of Fundamentals Instruction Rod Gorby 2013
Music, Movement, and Metaphor (Honors) Annie Teague 2012 S, F
Analysis of Musical Theater Ben Krock 2012
Musical Abilities: Kim Tomaselli 2010
A Comparison of Abilities Observed in Children and Adults (Senior Thesis)
Curriculum Design for AP Music Theory Rachel Lim 2007
Japanese Experimental Music Kim Tomaselli 2006
as a Derivative of Twentieth-Century Styles
Music of Joaquín Turina Alex Sanchez-Béhar 2004
Chamber Music Forms and Styles Omari Rush 2003
Degree Committees (* = major professor):
Ph.D. in Music Theory
Lewis Jeter * in progress Jenn Harding in progress
Brian Jarvis 2015 Crystal Peebles * 2011
Bryn Hughes * 2011 Alex Sanchez-Béhar 2008
Ph.D. in Theatre Studies Allison Gibbes 2019
D.M. in Composition
Ash Stemke 2019 Jabez Co 2018
D.M. in Performance Steve Mattingly 2007
Nancy Marie Rogers Page 13

NON-CLASSROOM INSTRUCTION, continued

Florida State University, continued

Degree Committees, continued (* = major professor):
M.M. in Music Theory Chandler Blount * 2020
Julian Jenson * 2020 Alan Elkins * 2019
Cameron Stahl * 2018 Hon Ki Cheung 2018
Morgan Block * 2017 Jeremie Michael 2017
Jenn Harding * 2017 Toni Rubini 2016
John Mattessich * 2016 Daniel Tompkins 2015
Eric Jordan * 2014 Jeremy Robins * 2014
Rafael Almario * 2013 Micah Lomax * 2012
Megan Lavengood 2012 Matt Bell 2011
Nastassja Riley * 2010 Chelsey Hamm 2010
Fabrice Curtis 2009 Danny Brown 2009
Greg Decker * 2007 Rachel Lim 2007
Crystal Peebles * 2007 Ian Henning * 2006
Sam Stokes * 2006 Sean Atkinson 2006
Emmy Valet * 2004 Chris Steele 2006
M.M. in Music Education Paul Ketchen 2007
B.M. in Music Theory
Annie Teague * 2013 Kim Tomaselli * 2010
Honors Committees (* = major professor):
Eric Meincke, B.M.E. in Music Education 2019
Frances Falling, B.M. in Voice Performance 2014
Rachel Espendez, B.A. in Music 2014
Annie Teague, B.M. in Music Theory * 2012
Dana Boebinger, B.M. in Music Therapy and B.A. in Psychology 2011

Florida A & M University

Degree committee:
Angela Drew, M.Arch, “The Twelve-tone Operations of 2007
Atonal Music Applied to Architectural Forms”

Lawrence University
Honors project committee:
Kris Shaffer, “Transcending Rock Tradition: Form, Text, and 2002
Integration in the Music of Dream Theater”
University of Iowa
Independent studies:
Keyboard Skills for Classroom Theory Use Mike Jones 2000
Keyboard Skills for Classroom Theory Use David Helvering 1999
Nancy Marie Rogers Page 14

UNIVERSITY COMMITTEES AND SERVICE

Florida State University

Faculty Senator 2012 - 2022
Faculty Senate Steering Committee 2013 - 2015, 2017 - 2022
United Faculty of Florida — FSU Grievance Chair 2015 - present
United Faculty of Florida — FSU Senator 2013 - present
Honors Program Liaison for the College of Music 2009 - present
Student Academic Relations Committee 2008 - present
Temporary chair, 2009; chair, 2010-2015
College of Music Alumni Relations Committee 2007 - present
Advise M.M. music theory majors 2006 - present
Coordinate first-year theory program (MUT 1111 & 1112) 2005 - present
Graduate Competency Exams:
Keyboard harmony (coordinator) 2003 - present
Partwriting and melody harmonization 2002 - present
Styles 2010, 2011, 2013
College of Music Committee on Honors and Citations 2002 - present
Faculty Mentor for Gilad Rabinovitch (FYAP award recipient) 2019 - present
Search Committee for tenure-track music theorist, chair 2018
Judge, Kingsbury Undergraduate Writing Award 2018
College of Music Committee on Recruitment Communication, chair 2015
United Faculty of Florida — FSU Academic Affairs Liaison 2013 - 2015
Search Committee for visiting music theorist 2014
Search Committee for tenure-track music theorist 2014
Judge, Three-Minute Thesis™ competition 2014
College of Music Bylaws Committee, chair 2013
College of Music Memorials and Courtesies Committee 2005 - 2013
Graduate Policy Committee’s subcommittee for English Department, chair 2012
Selection Committee for Dissertation Research Grants 2009 - 2012
Search Committee for Admissions Coordinator, College of Music 2010
Academic honor system hearing panelist 2008
College of Music Graduate Faculty Status Committee (ad hoc) 2008
Cawthon Admissions Committee 2006 - 2008
Graduate Faculty Steering Committee 2005 - 2006
College of Music Chamber Music Committee 2003 - 2005
Advised undergraduate music theory majors 2002 - 2006
Lawrence University
Faculty reviewer for university website prototype 2002
Search Committee for visiting theorist 2002
Search Committee for tenure-track composer 2001 - 2002
Committee on Instructional Technology 2001 - 2002
Department liaison to the Enrollment Committee 2001 - 2002
Advised music composition majors 2001 - 2002
Supervised theory tutoring program (also maintained website) 2000 - 2002
Ad Hoc Committee on New Student Week 2000
Nancy Marie Rogers Page 15

ACADEMIC JOURNALS

Journal of Music Theory Pedagogy Editorial Board Member 2019 - 2022

Music Perception External Reviewer 2012, 2014, 2016
Music Theory Spectrum External Reviewer 2012
Acta Psychologica External Reviewer 2011, 2012
Music Theory Online External Reviewer 2008, 2011
Intégral Editor 1993 - 1995
Reviews Editor 1992 - 1993
Staff member 1990 - 1992
In Theory Only Staff member 1987 - 1989

OTHER PROFESSIONAL EXPERIENCE

The College Board and Educational Testing Service (ETS)

Advanced Placement Exam in Music Theory
Distributed Exam Leader 2020
Question Leader 2011 - 2019
Outside Item Writer (contributed free-response questions) 2014, 2019
Contributed sixteen free-response questions (seven in 2014, nine in 2019) including dictation,
partwriting, and sight singing to the test pool for future AP Music Theory exams.
External Reviewer for AP Music Theory draft exam 2018
External Reviewer for AP Music Theory Free Response Questions 2018
Reviewed and revised new dictation, partwriting, and sight singing questions for use in future
AP Music Theory exams.
Table Leader 2009 - 2010
Faculty Reader and Consultant 2003 - 2008
Invited participant in the AP Music Theory Faculty Colloquium (Chicago) 2008
Educational Policy Improvement Center (EPIC)
Reviewer for Maine Course Pathways Project 2009 - 2012
Junior Reviewer for Maine Course Pathways Project 2009
Course Auditor for Advanced Placement Music Theory 2007 - 2008
Ohio State University — Music & Science Colloquium and Teaching Series
Program Committee member for Future Directions of Music Cognition 2020
Texas Christian University
External reviewer for tenure and promotion case 2019
Oxford University Press
Reviewer for book proposal 2018
University of North Carolina at Greensboro
External reviewer for promotion case 2017
Bates College
External reviewer for Department of Music 2016
Hofstra University
External reviewer for tenure and promotion case 2013
Nancy Marie Rogers Page 16

OTHER PROFESSIONAL EXPERIENCE, continued

James Madison University

External reviewer for tenure and promotion case 2013
Ithaca College
External reviewer for tenure and promotion case 2012
Queens College, City University of New York
External reviewer for Certificate of Continuous Employment 2012
Indiana State University
Consultant for undergraduate core curriculum 2011
Texas Tech University
External reviewer for tenure and promotion case 2010
Routledge
Reviewer for book proposal 2009, 2015
Pearson Prentice Hall
Reviewer for book proposals 2006, 2008
W.W. Norton & Company
Developmental Reviewer for textbook revisions 2007
City University of New York, PSC-CUNY Research Foundation
Reviewer for research grants 2005
Performance Adjudicator
Bach Parley “Kids Go For B’roque” Competition 2015
Jury Panelist for string division of the Young Artist Competition 2010
Jury Panelist for final round of the Young Artist Competition 2009

HONORS, AWARDS, FELLOWSHIPS, AND GRANTS

FSU Multidisciplinary Support Award 2015

Psychology and Music Theory: A Multidisciplinary Approach to Understanding
the Math-Music Link (with Colleen Ganley, Sara Hart, and Jane Clendinning)
Won FSU Undergraduate Teaching Award 2013
Nominated for FSU Teaching Award Graduate: 2007, 2011, 2013, 2014*
Undergraduate: 2006, 2012, 2014*
Florida State University Travel Grant 2005, 2006, 2012, 2015
Doctoral advisee Crystal Peebles won university-wide 2011
Graduate Student Research and Creativity Award
Fellow at the Mannes Institute for Advanced Studies in Music Theory 2009
Florida State University Faculty Development Grant 2008
Office of Distributed and Distance Learning support for the electronic enhancement
of graduate music theory pedagogy course

*Ineligible for consideration in 2014 because I had won a teaching award the previous year.
Nancy Marie Rogers Page 17

HONORS, AWARDS, FELLOWSHIPS, AND GRANTS, continued

Award for grading consistency (100% accuracy) on the 2004, 2006, 2007, 2008
Advanced Placement Test in Music Theory (Educational Testing Service)
Named an “up-and-coming researcher” at Florida State University 2007
Fellow at the Mannes Institute for Advanced Studies in Music Theory 2006
Named a Florida State University “WebStar” 2004
Award for effective use of instructional technology to enhance teaching
Florida State University First-Year Assistant Professor Award 2003
Summer salary support for research
Florida State University Faculty Development Grant 2003
Office of Distributed and Distance Learning support for the electronic enhancement
of freshman theory courses
Lawrence University Curricular Development Grant 2001
Supported my efforts to gather and organize a significant collection of musical
excerpts from the literature that would be appropriate for ear training
University of Rochester’s Edward Peck Curtis Award 1992
University-wide award for best teaching by a graduate student
Eastman School of Music Graduate Teaching Assistant Award 1990
Mellon Fellow in the Humanities 1987
International fellowship for those planning a career teaching in the humanities
Phi Beta Kappa 1987
Pi Kappa Lambda 1986
Sigma Alpha Iota 1985 - 1987
Sword of Honor 1987
Officer 1986 - 1987
Gamma Province Scholarship (for composition Woodwind Quartet) 1985
Coleman Chamber Music Competition — Honorable mention 1985
Northwestern University Saxophone Quartet