Gulags Without Guards: Brown
Gulags Without Guards: Brown
Gulags Without Guards: Brown
To be a baker's boy
Bee Wilson
Bye-bye Blair
Michael White
THE TIM ES LIT ER ARY SU P P LE MEN T J UN E 8 2007 www.thc-tls.co.uk
3 SO C IAL STUD IES B eeWilson G oo d Bread is Back - A co n te m po rary hi story ofFrenc h br ead , the way it is m ade, an d th e peop le
w h o m ake it Steven La urence Ka p lan
Richard D av enport-Hines Impoten ce - A cu ltu ral hi sto ry A ng us M cLar en
6 HIST ORY K ateBrown C ann ibal Island - Death in a Siberian Gu lag N icolas We rt h . T h e U n kn ow n G ulag - The lo st
wo rld ofStalin' s special se ttlem ent s Lynne Viola. Gula g - Life an d death in side th e Soviet
co n ce n tratio n cJln ps T ornas Kizny
George Garnett The Eng lish N atio nal C h aracter - T h e hi sto ry o f an id ea from E d m u n d Burke to T o ny Blair Peter
M an dl er
Adam I. P . Sm ith The Declar ati on ofIndependen ce - A global h istory D a vid Armitage
10 P OLI T IC S Michael Whit e O ver T o You , Mr Brown A n t ho ny G iddens . Yo , I3lair! Geoffrey W heatcroft
14 COMM ENTARY J.A.North Senate House ru les- The U n iver sity ofLondon in search of a new role
J. C . N ll: The sho rt story market, A n ew (ish) Elio t rhym e, Academi c freedom , Defenders o f One
Hugo WilIiams Freelan ce
18 A RTS Bharat T andon ll ollywood - A h isto ry Mihir B o se. Rafta, R afta. . . Ayu b Khan-Din (Lytte lton T h eatre)
G ilIian D arle y A Passion for lluilding - T h e am ateur architect in E ng land 1650-1 85 0 (SirJ oh n Soa ne' s Museum)
Robert Shore lli g W h ite Fog T heod ore Ward (Alme ida T h eatre)
J eremy Noel-Tod Steve Bell (N o rw ich Art s Ce n tre)
24 L ITERAT URE Thomas Healy The Italian E nc ou n ter With T u do r En glan d - A cu ltural po liti cs oftran slation Mich ael Wyatt.
" W h o th e D evil Ta ug h t Thee So Mu ch Italian?" - Italian lan gua ge learning an d literary imitation in
early modern E ng lan d J aso n Lawren ce
25 LITERAR Y C R IT IC ISM J ames Carl ey Books U n de r Suspicion - C ensorsh ip and to leran ce ofrevelato ry w riting in late m edi eval En gland
Kat hryn Kerby-Fu lro n . C ensor sh ip an d C ult ur al Sens ibility - T he regu lation oflangu age in
Tudor -Stuart Eng lan d Debora Sh uger
P atrick D enman Fl an ery Imperial M asochi sm - British ficti on, fantasy, an d social class J ohn Ku ci ch
28 S C IEN C E Richard L e a C olossus- T h e secre ts of I3letc hley Park 's co deb reakingcom pu ter s B .J ac k Copeland, edito r.
The Bin ary R evolution - The hi sto ry an d development o f th e co m pu te r Neil Barrett
C harlie G e re Seen JU nseen - Art , scie nce and intuition from Leonardo to th e Hubble Telescope M ar ti n Ke m p
29 C LASSICS T . P . Wiseman A Com me n tary on O vid 's "Pa sti" - Book 6 R .J o y Littlew o o d . D esirin g Rome - Ma le
subj ect ivity and reading O vid 's "P asti" Richard} , K ing
30 R ELIGI O N D av id H empton Eva ng elicalism - A n Ameri cani zed C hristian ity R ichard Ky le
Alison Shell An gels in th e Early Modern World Pe ter M ar sh all an d A lexandra Walsham, editors
B ernic e M artin C h ristian Modern s- Freedom an d fetish in the mi ssion enc o u n te r Webb Kea ne
E amonDuffy The Pasto ral Role ofth e Roman C atho lic C hur ch in Pr c- Pamine Irelan d , 1750 - 1850 Ernmet
Lark in
32 I N B ru r r C u ttings - A year in th e garden with C h risto pher Lloyd C h ristop hc r L1oyd . Liverp ool 80 0 -
C ult ure , cha racter and histo ry J ohn Bel che rn , ed itor. T h e Offbeat Radicals - The British
tradition ofaltern ative dissent Geoffrey Ashe . A rt and Laught er Sheri Klein . Art and
Obscenity Ke rstein M e v. Art and Wa r Laura B rando n . H old Every th ing D ear - Di spatch es
on su rvival and resistan ce J ohn Berger . The M an Who N ever W as Ewen M ont agu .
Operation H eartbreak D u ff Cooper. C an A ny M ot her Help M e? Fifty years offriendship
through a secre t m agazin e J enna Ba iley . A C o n tract with God. A Life Forc e. Dropsie Aven ue
W iIIEisne r
C ove r picture : © Jonath an Kant or Stu dio. O th er pict ures rep rodu ced by kind permission o f: p3 © R cutcr slJacky Na cgclcn : pf © G etty Images: p2 0 © Ca rhcrinc Ashmore ; p21 © T he R on ald Grant
Ar chi ve ; p24 © AK G Im agesfErich Lessing; p29 © AKG Im ages
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SOCIAL STUDIES
Slaves to dough
The rebirth of French bread, with dignity but without sweat
o be a baker' s boy in eighteenth- B E E WIL SO N weig ht of do ugh will bake up to differe nt "washed out", "denatured" and essentially
formed frozen loaves could be finished in the were his proud, independent, artisanal ways. farin, and an amendment of 1998, gave the arti- baguette, making slow-rise versions without
oven , deceiving the customer into thinking that Working in a boulangerie became the career sanal baker proper legal recognition at last. As additi ves, using industrial mixers but set to a
the bread had been made on the spot - "arti- choice of total no-hopers - baker s were "big , Raffarin himse lf commented, "It's humiliating gentle speed. One of Kaplan' s best chapters is
sanal mimickry ", in Kaplans words: false strong and stupid", as the cliche went. Bakers for real bakers to see people who sell bread man- devoted to these new baking "mavericks" who
bakers' boys "mad e" bread all day long in a who came of age in the post-war period ufactured elsewhere passing themselves off as combine a love of the old ways with a know-
theatrica l ambience ; the bread was always hot observed a "deg radation " in the profes sion. As bakers". Unde r the law of 1998, it became ille- ledge of modern science.
and fresh, and the air was infused with the Kaplan writes, "Poorly trained and badly coun- gal for a " boulangerie" sign to be placed except Kayser has even invented something which
pleasant aroma of baking . selled, baker s languished in a sort of anomie , where professionals had been "personally Parmentier in the eighteenth cen tury only
Compared to their genuine counterparts in turning in desperation to millers, equipment involved in the kneading of the dough , its fer- imagined - a sourdough ferment which is
the eighteent h century, at least these fake salesmen and purveyor s of improving additi ves mentation and its shaping ". At no stage of gastronomically idea l without enslaving the
appre ntices had a relatively easy life. On the in the hope of finding a way out". production were the products to be "deep- baker. "Fermento-levain" is a liquid leaven
other hand, their labour was lacking in dignity. The death knell for French bread was frozen or frozen" . This law gave a huge boost to machine which churns out a constant flow of
These new baker s' boys could no longer claim sounded many times in the nationa l press; pre- the baker as artisan . reliable sourdough, giving Kaysers baguett e
respon sibilit y for what they produced ; why maturel y, as it turned out, because it is now pos- Meanwhil e, from the mid-1990 s, a new gen- its "de lectab le" qualities - the toasty crust and
would they want to, in any case, since the cheap sible to buy bread of the finest artisana l quality eration of bakers were giving fresh dignity to hazelnutty crumb. Whatever yearning one
baguettes they hauled from freezer cabinet to again, all over Paris ; bread whose crust crackles the profession . Their inspiration was Lione l might feel for the bread of the eighteent h cen-
oven were so insipid? Bread- lovers began to with the aroma of honey and gingerbread and Poilane, who had never stopped making bread tury, the bread made by Kayser and his contem-
despair of baker s, who produced baguettes which does not lose its charms after only a few with integrit y, practising what he called "retro- porarie s is better. It is probab ly the best bread
"without joy, without feeling, without appe- hours. Good bread is back, as Kaplans title innovation ", developing new techniques for that France has ever tasted, because it is made
tite", as the actor and gastronome Jean-Pierre says. In the end, the symbolic pull of bread making bread in the old traditions. Poilane' s sig- by thinking men and women who have not
Coffe comp lained in 1992. French bread con- was too great for the French. The State, long nature loaf was the miche, a splendid sourdough sacrificed themse lves to the tyranny of doug h.
sumptio n plummeted - from the high of 900 regarded as an oppres sive force by the bakers , orb. The new retro-innovators such as Eric As Kaplan concl udes, "It is worth recalling,
grams per person per day at the start of the came ga lloping to their rescue . The so-called Kayser and Dominique Saibron , both bakers in the end, that good bread depen ds above all
twentiet h century to a low of 150 gram s. The Raffarin decree of 1995, named after the charis- with shops on the rue Monge in the Latin on the quality of the men and wome n who
status of the boulanger plummeted too. Gone matic Minister of Commerce Jean-Pierre Raf- Quarter, turned their hands to rein venting the make it".
--------------------------~--------------------------
ticles of a suicide onto his own scrotum reported
TL S J UNE 8 2007 - 4-
100 BUTTERFLIES AND MOTHS THE CLASH WITHIN
Portraits from theTropical Forests of Costa Rica Democracy, Religious Violence, and India's Future
JEFFREY C. MILLER, DANIEL H. JANZEN AND MARTHA C. NUSSBAUM
WINIFRED HALLWACHS "This isanextraordinarily interesting book ona very difficult subject. Martha
Gathered bybiologists Daniel Janzen and Winifred Hallwachs in theforests of Nussbaum's commanding familiarity withculturally related political issues across
northwestern Costa Rica, 100tropical butterflies and moths represent thediversity theworld, past and present, combines immensely fruitfully here with herinvolve-
in large-format photographs byJeffrey Millerthatdocument thedizzying variety ment and understanding of India." -Amartya Sen, Harvard University
of shapes, colors, and markings. The photographs are accompanied byspecies Belknap Press / newincloth
accounts and images of thecorresponding caterpillar.
Belknap Press / 221 colorillus./ newincloth THE CASE AGAINST PERFECTION
Ethics in theAge of Genetic Engineering
DIVAGATIONS MICHAEL J. SANDEL
Inorder to grapple withtheethics of enhancement, we need to confront questions
STEPHANE MALLARME
largely lostfrom viewin themodern world. As these questions verge ontheology,
TRANSLATED BY BARBARA JOHNSON
modern philosophers and political theorists tend to shrink from them. Butournew
As anexpression of theSymbolist movement and asa contribution to literary
powers of biotechnology make these questions unavoidable. Addressing them is
studies, Divagations isvitally important. Butit isalso, in Johnson's masterful trans-
thetask of thisbook, byone ofAmerica's preeminent moral and political thinkers.
lation, endlessly mesmerizing.
Belknap Press / newincloth
Belknap Press / newincloth
know something is wrong when you wrote, the Gula g was built on "self-reliant, mili-
shows how the tragedy of Cann ibal Island was and then unlo aded bags of llou r. But , because The Law of God
mult ipli ed across the So viet frontier, in the the llou r bags were in sho rt supply , they pou red The Philosophical History of an Idea
No rthern Terri tori es, in the Fa r East, in Sib eria the flour dir ectl y on the gro und, a mountain of Remt Brague
and Kazakh stan , as hal f a milli on peopl e di ed grai n, soo n rot ting. Prison ers lined up to ge t Translated by Lydia G, Cochrane
of hun ger , co ld and ex haust ion in Gul ag speci al the ir ra tion. Fe w prison er s had containers and "Brague's sense of intellectual adventure is what makes his work
genuinely exciting to read. The Law of God offers a challenge that
sett leme nts in the 1930 s. Rather th an so they held out their hats, shi rt tail s, or dirt y anyone concerned with today's religious struggles ought to take up."
Eikhman s' s carefull y plann ed se ttle me nt, local palm s. In a snow fall, wi th no cooking utens ils, -Adam Kirsch, NewYork Sun
sec uri ty officer s were told to prep are for ten s of the fami shed prison er s ran to the river to mi x "A description and analysis of divine law,from prehistory to today,
thou sand s of ex iles in a few months' time, with the flou r with wa ter and gulp it do wn . Man y fell done with great economy and accuracy-altogether a feast for
few re sour ces. Wh en deport ees arrive d, few sick with d ysent ery. Oth ers dropped from hypo- the mind."-Harvey Mansfield
prep ara tion s we re wa iting . Dumped on har sh thermia. Within days, gangs organ ized to con - Cloth £20.00
THE LAW O F GOD
and und esirable territory, pri son er s usuall y had trol the llou r rations and the y starte d hunt ing T.. . T~ .. ..-..r "IC U 1~' n <MT o;N' .... I,....
Selected Poems of
to build their own hom es, scru b up some food, the we ak, the go ners. As the gangs grew bold er,
fullil quotas for loggin g or mining, or peri sh . the y attack ed healthy peopl e, their guards and ~ r:MI I'lkACUfl:
Luis de Gongora
•• ... .. ~~c.-...
And many did . Oth ers fled the ungu arded doctors. Some g uards lled . Oth er s began trad -
A BilingualEdition
Edited and Translated by
se ttle me nts, wa lking , hitchin g rides, j um ping ing wit h gang leader s, exchang ing food for gold
John Dent-Young
trains back hom e or to cities to disapp ear. Of fillin gs stolen from co rpses. Rumours of ca nni-
"Luis de Gongora was the James Joyce of his time,
1.3 m illion kul ak s deport ed from 1930 to 1933, bali sm lloated do wnri ver to the authori ties in more labyrinthine in diction and allusion, more daring
only 970 ,000 were in the se ttleme nts to be Western Sib eria . Tsepkovs bosses dressed him in the icy constellations of his mental and mythicalmetaphor.
co unted in Dec emb er 1934. do wn . He showe d up at the island , wrung his As a word inventor three hundred years ahead of his time, he
And so, the speci al sett leme nts bega t a new hand s, bark ed some ord er s and left agai n. was abused and adored."-Willis Barnstone, Indiana University
probl em in So viet socie ty; hundred s of thou - Tsepkov wa s a very unimportant man in the Cloth £19.00
san ds of esca ped "co nvicts", living on forge d So viet sys tem. Yet his name , actio ns, ev en his
Historical
papers and borrowed time . For lagod a, these thoughts ha ve perc olated do wn from his lon ely
mi splac ed peopl e we re a sec urity threat and river sid e outpost deep in the taiga bound by ice
Knowledge.
just pla in unsightl y. In the spring of 1933 and snow from Octob er to Ma y. Wh y do we
Historical Error
the Politburo ord er ed a clean sin g of Mo sco w, kno w so mu ch abo ut T sepko v, Naz ino and the A Contemporary Guide to Practice
Lenin grad and the posh Blac k Sea resort to wns horrors of the special se ttle me nts which Viol a AJlan Megill
whe re the leader ship vaca tio ned. Thi s cleansin g and Wer th set out ? Of fici a lly, the So viet Union
"Megill's argument deserves attention from everybody who wonders
about where the discipline of history might be headed once the dust
tossed up another 300,000 peopl e, of who m deni ed the ex istence of the Gu lag sys tem. has settled on the tired debates over objectivityversus relativist
ev entua lly 6,000 we re se nt to Nazi no. Som e Kno wled ge of the Nazi no tragedy cou ld easi ly skepticism."-Dipesh Chakrabarty, Universityof Chicago
we re indee d kulaks or crim inal s on the run . A have rem ained hidd en in the interior. Yet the Paper£16.00
fa ir number, ho we ver, were good wo rkers, eve n same Mo scow officials who ordered the depor-
party memb er s caught in the dr agn ets. On e tation s and se t fant astic all y optimistic goa ls for
fe llow had stepped ou t to smoke a cigar ett e colonizin g frontiers with starv ing prison er s, Reflections PRUL RICUEUR
be fore the movies. A wo ma n was in Mo sco w ordered inves tigations into "abuses" , when the y on the Just
on official party business . Th ey a ll were se nt ine vitabl y occurred . Th e qu ant ity of do cu- Paul Ricoeur
"1'H'E' .' .
to Naz ino, asserting, like every prison er , their mentary evi de nce is astonis hing . Wh y did Translated by DavldPellauer
loyalt y and innocenc e. So viet officials write abo ut the abu ses in the Consisting of fifteen thematically organized
In the spring of 1933, Dmi tri Tsepk ov, Gul ag first place , and then in such detail ? essays, Reflections ontheJust continues and
expands on the work Ricoeur began with his
commander o f the Narym Region, recei ved a Lynn e Viola argues that So viet leader s
"little ethics" in Oneself asAnother and The Just.
J~Sl
telegram wi th wo rd to prepare for a large contin- ord ered reports becau se they begrud ged the lost
"Ricoeur writes the best kind of philosophy-c-critical,
gent of special sett lers . Th e new shi pme nt eco no mic potential of fami shed labour force s. economical, and clear."- New York Times Book Review
wo uld mor e than doubl e the popul ation of the Nicola s W erth lays the blam e on a stubborn Cloth £16.00
already famis hed and goods-starve d regi on of insistence on en gin eerin g a utopia n world,
4,000 peopl e. Th e news was worris ome. T sep- desp ite all evi de nce of its failu re. Th ey are, of The Scientific
kovs previou s gro up of deportees had gone cou rse, both right. Econom ic rat ional e dro ve the Literature
wild. Dropped on the edge of to wn with no crea tion and e leva tion of the specia l settlements. A Guided Tour
jobs, hom es and food, the deportees had shifte d And ideology propped them up. Ideologically Edited with Commentaries by
fro m beggin g to robb ing the local population , and physica lly, ku lak s and " social unde sirabl es" Joseph E. Harmon and AJan G. Gross
until fin all y locals had hunted do wn and shot were ex penda ble in the dri ve for soci alism. But The ScientificLiterature is a collectionof writings--excerpts from
the remai ning se ttlers . Th e Na rym Region was I am not wholly con vinced that these were the scientific articles, letters, memoirs, proceedings, transactions, and
magazines-that illustrates the origin of the scientific article in
not exce ptional. By 1933, ro ving band s of onl y reasons for the excess of document s chroni- 1665 and its evolution over the next three and a half centuries.
escaped outl aws ra ided, ra ped, killed and gene r- clin g governme nt- issue nightm ares. I ha ve sat in Contributors include Robert Boyle, Cornte deBuffon, MarieCurie,
ally terrorized the lone Gul ag sheri ffs and their the tiny readin g room in the Mo sco w "s pecial A1bert Einstein, Etienne Francois Geoffroy. Stephen Jay Gould,
sma ll posses all along the So viet fron tier. archi ve" , and read the accounts from Gula g James Hutton, Thomas Jefferson, GottfriedLeibniz, Isaac Newton,
T sepkov cho se to se nd the latest gro up of agent s in the field. Man y of these are dry tex ts, Gregor Mendel, Joseph Silk, JamesWatson. and Sewall Wright.
se ttlers to the barren Nazino Island, not in the gro und out at the end of a wearyi ng day. But Paper £18.50
hope s of duplicat ing Eikhmans's success on others are startling in their immediacy and poign-
Vai gach Island , but bec au se he wa s terrilied of anc y. Th ere is something to the full-throated
this new group of prisoners. To give Tsepko v disgorging of horror in these reports that emits a
credit, he did try to di vert the ine vitabl e di sas- mournful hum an cry. Th e men ex press shock, Ethnographic Sorcery
ter. Before the deportees' arriva l, he tried to get sorrow but also of fence at bein g forc ed to wit- Harry G. West
wood and labo ur to buil d she lters, but the Gulag ness and take part in human degradation and "West is concerned with the question of how
offi cials failed to send funds . He asked loc al destructi on . In other words, in 1930 , the utop ian Muedans use sorcery discourse, both 'to speak about the world
and to act within it.' I found this bookconsistently fascinating,
collecti ve farm dir ectors to fork ou t food , but visionaries reconce ived industry, agriculture
subtle, and deeplygrounded in localunderstandings of a
they refu sed , be ing hun gry the mse lve s. Wh en and penal detention, as piring to rem ake "The complexand ambiguous worldand in anthropologicaltheory."
the se ttle rs cam e early on a listin g barge , World " in the ima ge of socialism. In 1933, local -Donald Brenneis, Universityof California,Santa Cruz
already sta rvi ng , dressed in rags, wit h onl y bags security offic er s inherited the violence and suf- Paper£9.00
of raw llour to keep the m, he sco ure d his region ferin g of the dystop ia the se visionaries inspired.
for cooking uten sil s and supplies . In a wee k of I have often thou ght that some of these "com-
searching, he du g up some tool s, a few hundred pany men " , the duti ful So viet sec urity officials,
pairs of felt boot s, and a bolt of cloth . So were tryin g, ho wever feeb ly and hopelessl y, to
Nazino Island, seve nty kilom etr es up river , make their world a little less aw ful.
- 7- TLS J U NE 8 20 0 7
HISTORY
he phrase " national character " occur s of Liberal Anglica n intellectu als like Thomas
T LS JU N E 8 2007 - 8-
HISTORY
point that mm , like literatur e, deserves more of an English national character - a term which self-mockery, destroys it. This is what Harold of the Opposition. How this recent development
attention than Mandler devotes to it. Churchill's was in any case progressively replaced by the Macmillan, that master of arch English under- is to be explained is a puzzle. If I were Mandler,
favourite film, That Hamilton Woman! (1941), is pseudo-psychological "identity" (bizarrely first statement, discovered in 1963. I'd look lirst at Scottish and Welsh devolution. It
not mentioned; but its adaptation of the Nelson coined in England by Thomas Arnold). Mandler But it is by no means clear that English is no longer simply a case of "Fog in the Chan-
myth in Britain' s linest (and darkest) hour is despairs at this disintegration, as well he might national character or identity is dead - hence the nel, Continent cut off ' - although this is once
germane to M andlers theme. Of the post-war when faced with John Major' s cackhanded number of recent books on the subject. Mandler again increasingly so - but fog on the Tees,
period, he comments in passing that many of attempt to resurrect national character by blend- does not attribute much significance to the Severn and Wye. No wonder the Prime Minis-
the Ealing comedies are concerned with commu- ing Baldwin with Orwell, in a sequence of current mania for llying llags of St George when- ter' s (Scottish) successor-presumptive has been
nities which were breaking up; but he makes no bucolic images which were already self-con- ever an English sports team is playing. Yet, even making speeches about Britishness (as opposed
attempt to reconcile this with the fact that the sciously out of date in the I930s. English a mere decade ago, only an eccentr ic would have to exclusive Englishness). Disraeli, who has a bit
Welfare State was being established at that very national character, or perhaps even national ident- llown a llag of St George. Now almost everyone part in this book, and Gladstone, who is unac-
time. ity, might be a fit subject for dry irony; indeed, does, right across the social spectrum, usually on countably almost ignored, might have approved.
Thereafter, what Mandler deems to be the frag- irony became an essential constituent of it. But if his or her car. During the football World Cup, But what would Dickens, with his low view of
mentation in British society made it more and irony is turned into a joke, then national charac- the Prime Minister was put under great pressure the political arts, have made of the attempt to
more difficult to sustain any convincing notion ter cannot survive. Mockery, especially national to conform with the precedent set by the Leader manufacture national character from above?
--------------------------~--------------------------
A Culture of Improvement
Technology and the Western Millennium
ROBERT FRIEDEL
On red rugs
'This is a spiendidbook, recaliing Mumford's Technics and Civilization in
ere are two polemics on the Blair years MI C HA EL WHIT E
its scope and erudition. It challenges usto think carefully about the idea of
progress, the 'culture of improvement,' and the uneasy reiatlonship that
persists between freedom, power,and socialresponsibility in the modern tech-
nological world. "
- MerriltRoe Smith , CultenProfessor oftheHistoryofTechnology, MIT
H from clever and experie nced writers
who should never be left alone together
in the same room. Anthony Giddens' s habit is
A nt ho n y Gidd en s
to give mildly reproachful indica tions that some OVE R T O YOU , MR B R OW N
£24.95' cloth' 978·0·262·06262·6' 576 pp. (117 iIIus .) aspects of New Labour governa nce have been 188pp. Polity. Paperback, £9.99.
disappoin ting since Tony Blair was swept to 978 07456 42239
In Praise of the Whip power in Britain on May I, 1997. Geoff rey Geo ff rey W h e at cr oft
A Cultural History of Arousal Wheatcroft' s rage against the man he describes
NIKLAUS LARGIER as a "pious God-botherer" and charlatan, one Y O , BL A I R !
TRANSLATED BY GRAHAM HARMAN who has des troyed his country' s independence, 128pp. Politico' s. £9.99.
bursts dyspeptically from virtually every page . 978 I 842752067
Anewhistoryof voluntary flagellation in Europe, from its invention in medieval
religious devotionto its use in themodern pornographicimagination.Working Both authors establish their perspective with
witha wide range of religious, literary, and medical textsand images, Niklaus a scene-setting description of visits to Washing- be a test. His tone is respectful (twice as many
Largier explores the emotional and sensual, religious anderotic excitement of ton, DC. Wheatcroft applauds the refusal in July index refere nces to Gordon as to Tony) and he
the whip,a crucial instrumentofstimuiationin devotional and sexual practices. 2006 of Nouri al-Maliki, newly appointed Prime certainly shares much of what will now become
£22.95 • cloth' 978·1·890951·65·8 • 550 pp . (52 iIIus, ) • A Zone Book
Minister of democratized Iraq, to bow to Amer- the New Labour Squared agenda. Wealth
ican bullying and take Israel' s side in its short creation through a lightly but firmly regulated
Who Are You? war with Hezbollah in Lebanon. He contrasts free-market economy; a state in which power is
Identification, Deception, and Surveillance this stand with Blair' s subsequent refusal, in devolved but which ensures that its citize ns
in Early Modem Europe Washington en route to a Carribean family holi- have the necessary mean s - health and educa-
VALENTIN GROEBNER
day, to condemn the Israeli counter-att ack. It is tion, jo bs and money - to lead fulti lled lives;
TRANSLATED BY MARK KVBURZ AND JOHN PeCK
cited as further shameful evidence that Britain ' s personal security from crime, terrorism, Big
The prehistoryof modern passport and identiflcation technologies: the poodle Prime Minister has reduced a proud and Brother and clim ate change; a better work/life
documents, seals, and stampsthat could document and transformtheir
owner's identity in thecenturies before photography and fingerprinting- ancient nation to craven subservience. balance; a better EUfUS balance too; it is a
from thechancelleries, courts and streets of late medievaland Renaissance As much the intellectual-as-court ier as familiar list, one which New Labour has pro-
Europe, tothevagrants, merceneries and gypsies of early modern Europe. Wheatcroft is the armchair freedom fighter, moted while failing, Giddens concedes, to syn-
£18.95 ' cloth' 978-1-890951-72-6'340 pp . (22 iIIu•. )· AZone Book Lord Giddens' s anecdote is equally revea ling thesize as the "third way" between Thatcherism
about its author's perspective. He descri bes his and the lost semi-socia list world of 194 5- 79 .
Secrets of Women own first trip in the Blair entourage to the All this is to be achieved in a society where
Gender, Generation, and the Origins twentieth century's New Rome in 1998: by the overall tax burden remains roughly at the 40
of Human Dissection Concorde with New Labour' s VIPs, black per cent-plus of GNP where it now stands, but
KATHARINE PARK limos from the airport esco rted by police out- rewe ighted in a more ega litarian and greener
Katharine Parkexplores thehistoryofwomen on the dissectiontable through riders, high-level meeti ngs, the White House way. The rich should pay more, the poor less.
a series of case studies, explodingthemyth that medievalreligious prohibi- dinner where he stands in line to meet President The poor should also get their fair shares of
tions hindered thepracticeof human dissection in medievaland Renaissance Clinton between Harrison Ford and Barbra society's goodies, health care and Cambridge
Italy and arguing thatfemale bodies played a central role in thehistoryof Streisand . The reader half-expects to learn that bursaries for their kids, though they must be per-
anatomy atthat time. both stars offered to play Tony and Cherie Blair suaded to take more responsibility for their own
£23.95' cloth' 978-1-890951-67-2'304 pp . (60 iIIu•. )· A Zone Book in the film of The Third Way if only Giddens lives too. It is an important insight of Blairism
would knock his 1998 Blairite text into a script. that Attlee's welfare state model delivered
Evocative Objects
No such luck, but the visit was "a bit different more to the middle class and the clever than to
Things We Think With
from teaching sociology in Cambridge", the the poor, a repro ach to Labour critics who extol
EDITED BY SHERRY TURKLE
wide-eyed aut hor notes. the Golden Age.
Autobiographicai essays, framed by two interpretive essaysbythe editor, "Children First" should be Brown's guiding
Indeed. A prime ministerial cavalcade is a
describethepower of anobject to evoke emotionand provokethought.
seductive expe rience and Giddens appears principle. Yes, says Giddens. Excellent, but it
"Evocative Objects is a collection of great richness andcomplexify. Reading
seduced, albeit by red-carpet treatment that is already is. The real question is how to do all
these essays transforms one's sense of the mostcommonplace objects, and
promptsus to explorethe palimpsest of the past within us." distinctly at odds with the unflashy and egalitar- this. Giddens is right to say that New Labour' s
- JiII KerConway, President Emerita, Smith College, author of The Road ian values of social democracy he preaches in recor d in reshaping public services , red istribut-
from Coorain Over to You, Mr Brown. As Wheatcroft might ing money to the poorest and much else since
£15.95' cloth' 978·0·262·20168·1 • 352 pp . (70 lIIu•. )· Ju ly 2007 interject, "That's Blair for you, showbiz vulgar- 1997 is much better than genera lly acknow-
ity triumphs over substance every time". Yet ledged by left-wing Labo ur critics of the
The Inner Touch Giddens's book is by far the more useful of the Betrayal School, let alone by libertarian upper-
Archaeology of a Sensation two as Blair hands the key to 10 Downing Street middle-class conservatives like Wheatcro ft,
DANIEL HELLER-RoAZEN to his long-term collaborator, No 11 neighbour who ignores it. But, like New Labour, Giddens
Anoriginal, elegant, and far-reaching philosophical inquiryinto the senseof and rival, Gordon Brown. It contains little that is also better at saying what "should" happen
beingsentient- what it means tofeel that one is alive - thatdraws on is likely to be unfamiliar to fellow toilers in than at doing the difficult bit and setting out
philosophical, literary, psychological, and medical accounts fromancient, academe (he generously cites the research exactly how a policy goal is to be achieved.
medieval, and modern cultures. of others), to policy-holies like Mr Brown or to Lloyd George knew what to do: break a few
£19.95' cloth' 978·1·890951·76·4' 300 pp.' A Zone Book co lonies of think tanks on the banks of the heads. But, on the home front at least, Blair has
Thames. But to the lay reader contemplating a usually been tim id and co nse nsua l. Hen ce the
The Prism of Grammar Brown future or to students, it will prove acces- pervasive sense of disappointment as he departs
How Child Language Illuminates Humanism sible and stimulating reading. Giddens knows that Young Lochinvar did not fullil his promise,
TOM ROEPER undergraduates well enough to bribe them with that presentational gloss - doubtful statist ics
"Thisengaging, perceptive, andwide-ranging study investigates individual a jo ke or three at the start of every chapter. about exam results, "spin" in the j argon of Fleet
ianguagesin terms of thechallenges theypose forfhe child as well as their There is more Grouc ho Marx here than Kar!. Street's counter-spinners - has too often been a
often surprising relations to other languagesand to the generalprinciples that So what does Giddens propose? And will substitute for delivery.
constitute thegenetically-determined languagefaCUlty. Lucid and engaging,
Prime Minister Brown , steeped in ten years of Giddens knows this and ruefully acknow-
The Prismof Grammar leadsthe reader from strikingobservations and
experiments with children that anyonecancarryout to subtle andintricate government experience as Britain' s finance min- ledges some of it, just as he admits that the activ-
issues that concerneveryparent - in fact, anyoneseekingto understand who ister as Blair was not in 1997- 8, take any notice ist, interven tionist foreign policy he sees as
we areand what we should be." of such an arch-Blairite scholar? Brown is essential to a globalized, inter-dependent world
- Noam Chomsky, Institute Professor, MIT famously wary of those who have not sworn a has led to half-cocked disas ter in Iraq. Giddens
£24.95' cloth' 978-0-262-18252-2'372 pp . (50 lllus) blood oath of loyalty, though he has promi sed does make some specific proposals, such as a
to be more open and inclusive. Giddens cou ld 1 per cent annual wealth tax on assets on a
TL S J UNE 8 2 0 07 - 10-
POLITICS
H,, ~;t ~; l~
opera legend Birgit theKurdishidentity British imperialism.
.. contextof globalisation. poetsin onevolume Nilsson11918·100511, inTurkey.
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Eurospan Iuniversity presses Tel' +44 (0)1767 604972 Fax +44 (0)1767 601640 Email eurospan@turpin -distribution.com www.eurospangroup.com/bookstore
From more than 3,000 poems ente red/or this yea r 's compe tition, the edito rs ofthe TLS ha ve chose n a shortlist of eleven p ieces, pr inted in random sequ ence below, f rom which read ers are invit ed to
select the winning po ems. Tho se wishing to take port in the ju dg ing pro cess should fill out and return the votin g slip prin ted at the f oot ofpa ge J3. or e-ma il tlspoe trytsme wsint.co. uk . by Jun e 28.
Readers are entitled to one vote each, identifying your chosen po em by the letter affixed to its title; yo u may also offer a second choice, which will ga in halfmarks in the adjudication . Beneath these
letters, you ore asked to fill in your nam e and address. The resul ts of the poll will be collated and printed on July 13. The mo st popular po em will win £2,000; runn ers-up will receive a total of£/ ,500.
It was n ' t meant to start like that: Tw o owls con versing The man agem ent ha ve a quota to lil l.
my sister 's best frie nd in a hat as darkness comes to the zoo. So we have a fro ntline job to do,
pluck ed from her head on Elie beac h The ow l in the cage prote ct ing this country fro m alien s.
by strong Fi fe breeze I have walked the line of Regulation s
and me - in reck less hot pursuit - as ks What is f reed om? too often, fee ling like I' m auditioning
its rescu er. Th e de ed bore fru it The ow l on the outside as ks for the TV version of Men in Black .
beyond all ex pec tations, eac h What is confinement?
signed up to please This one claim s he is an An glic an vica r,
I as k What is it delegate to a conferenc e at Lam beth Palace.
the other for a lifetim e. Lur ch that brin gs llvo owls toge ther I' m sure they have prop er Churches
of bells in an An struther chur ch , to talk as night fall s ? in Nigeria, not j ust the happ y-clapp ys
rece ption at a festal hall , or the ones with tho se sonorous titles
a honeymoon The ZOO-kee per says that sound like a prop hecy in their own right.
in Norway : these grew from my act Lo ve and ph ilosophy shap e
of chiva lry. Last year , attacked the wisdom of owls. He obviously didn' t buy the do g-collar
by some thing terr ible thou gh sma ll, or his smart barathea blazer in Duty Free
you hummed our tune I ) T he Exurru n o r s at Lagos; his soft ly spoken Wo rld Ser vice
Where the house is co ld and empty and the gar de n's overgro wn , Eng lish is better than mine, or yours.
ex haustedly - then closed your eyes The y are there. No, it's the shoes, not your usual sandals
on thre e decades, our nupt ial prize. Where the letters lie unopened by a disconnected phone, or crocodile skin, or black Oxford loa fers.
Onco logists cou ld do more The y are there.
tha n shake their heads; Where your footste ps echo strange ly on each moonlit cobb leston e, Brothel creep ers . Blue bro the l creep ers.
and so a journey onc e begun Wh ere a shadow strea ms behind you but the shadow 's not your own , I nearl y sang him the Elvis, ex ce pt he looked
so fli ppantly red uced to one You ma y think the wo rld's yo ur oys ter but it' s bon e, bon e, bone: as if he ' d heard it before , had a homil y ready.
man gazing at a poli shed 1100r, They are there, they are there, they are there. I haven' t see n a pair in public since 1978 ,
the fatef ul bed ' s the old Ted s and Rockers are dyin g of f;
They can parse a Latin sentence; they ' re as learn ed as Plot inus, Rock 'n ' Roll ' s not dead , j ust in a coma.
occupant as still as stone. The y are there.
I held your hand. Th e ancient bon e They ' re as sharp as Ockham' s razor, they're as subtle as Aq uinas, Mind you, Litt le Richard found the Lord,
benea th the llesh had been there since The y are there. so did Al Green , & Elvis sang Go spel.
the dawn of time : They delin e us and refine us with their beta -q uery-minu s, If he says anything sensi ble about comfort
you were an imme mo rial fact The y're the wa ll-const ructing Emp eror s of undi sco vered Ch inas, or spide rs, or he ca n 't quote from the Goo d Book ,
whic h none cou ld cancel. Our staunch pact The y coniine us, then ma lign us, in the end they undermine us, he 'll need a miracle or a sign from Go d.
cou ld not be brok en . None cou ld rinse They are there, they are there, they are there. Tim e for my Nanc y Sinatra impress ion.
away the rhyme
They assume it as an impo st or they take it as a toll,
and reason of that Elie beach The y are there.
and everything within our reac h: The con tractor s gra nt them all that they incontinentl y stole K ) The Side Line
the home, the kids, the rich years spent, The y are there.
our maiden kiss, They will shrive l your ambition with their qu alit y control, The pile of spe nt pistach io she lls his linge rs
and a blown hat I de ftly caught. They will de sicc ate your passion , then eviscerate your soul, burro wed throu gh in sea rch of salty bu llet s,
Tho se numb ers don 't add up to nau ght. Wri ng your life out like a sponge and stuff your body down a hole, that urgent click of carapa ce upon carapa ce ,
and ye t I sense it was n't meant They are there, they are there, they are there.
to end like this. brou ght to mind the sound of Scrab ble ch ips
In the desert of your dreaming they are humped behind the dunes, in their white cott on bag, linge rtips
They are there. se arching eac h face for the ind ent of a letter:
On the undisco vered planet with its seve n circling moon s,
G) Inc ident They are there. the high numbers, the smoot h blank s.
They are tickin g all the boxes, mak ing sure yo u ea t your prun es, Som e pla yers insist on laying all the pieces
Like any oth er day, the ea rly sun slips They are sending secre t messages by heliu m balloon s, face do wn , takin g the ir pick on the basis of fate.
slantw ise thro ugh the cri ss-cross railway bridge. They are humming Bach cantatas , they are playing looney tunes,
The y are there, they are there, they are there. Ju st staring at the back of his head as he ' s getting them
The long-haired , hare-lipp ed port er co unts down in at the bar should tell you the nature of the man .
the creo soted tieba rs to Worc ester and to London; They are there, they are ther e like a whis per on the air, Som etim es it does, sometimes it doesn ' t.
The y are there.
the grav id schoolgirl in the bunched -up skir t They are slippery and soa py with our hope and our despair, His side line - so casually thro wn into our talk
loll s und er anniversary llags and lights a cigarette. The y are there. of what we do and whe re we ' re fro m: the spit-
So it' s idle if we bridle or pretend we ne ver ca re, sealed pledges, the celebrato ry all-night sessi ons.
Behind the private park ing sign a dog bark s If the questions are superll uous and the mark ing isn ' t fair,
in bursts of thre e and a plane starts For we know they ' re going to ge t us, we j ust don't kno w when This along with the curved leather ar mcha ir,
or whe re, the gold jamm ed on to his li nge rs, gave him
up fro m nowhere out of a pale blue sky, The y are there, they are there, they are there. the air of a don . T hat' s Don - as in Corl eon e.
di stant and staccato. It is still so ea rly
,,
,,
ant s skim fast as wa ter boa tme n along
cracks in the sun-c razed asphalt; the plat form Voting slip - TLS/Foyles Poetry Competition 2007 ,,
,,
C h oice of po em s in order of preference: Pl eas e r eturn thi s slip by JUNE 28 to :
thrums the onr ush of the Paddington ex press
whole minutes be fore it passes and before the news
First choic e:
Second choic e: .
. TLS Poetry Competition, Cu stom er Liaison, 1,,
I Virginia Street , London E98 I RL ,,
com es in, wire less and incr edib le. At ten the porter
Pl ea se fill in d etails: A lternati vely, vote online by visiting www.the-tls.co.uk :
hauls dow n the buntin g. The cluster ed passengers mutt er
Name (please print ): . :
J nFI
_
Address: Onlv one vote per person
and go hom e, past the do g barkin g on and on in threes.
It is very still. Smoke-dri ft scents the wind beh ind the trees.
~~~~~~e~~.~.~.~.~.~~~.~.~.~.~.~.~~~~.~.~~.~.~. ~ ~~~._ .~.~.~._.~~~~.~.~ ______________________ _~:~l!!~::~~=!~:~:~~: ~
__
Senate House rules munit ies that ran the Institutes. The Director s of
the Institutes togeth er chose their Dean from
their own number and shared resources among
themselves. Thi s system has effectively pre-
served their autonom y and individualit y.
The University of London in search of a new role Together with their libraries they have been,
and still are, an important national and inter-
hose who look for book bargains in 1. A . NORTH condi tion defies simple analysis and is quite national asset, located in the University of Lon-
III www.eurospangroup.com/bookstore
famous Warbur g Institute. In the past, these
libraries have been maintained and run by the
in the Senate House. The new librar y, which
already exists at least on paper, is called the
there has never been any Institute at all. There University in fact want to see research in these
are of course advantages in co llaboration: for areas concentrated in the Senate House? But the The Most Arrogant Man
instance, it is useful to be able, as is now possi- interests of the University of London are only
ble, to search a single library catalogue , but this one of the issues that need to be taken seriously in France
had been agreed long before the creation of the here. Gustave Courbet and the
ULRLS and in no sense depend s on its exis t- The Institutes of the SAS taken together Nineteenth-Century Media Culture
ence. No doub t, also, some economies in buy- make an essential contribution to the intellec- Petra ten-Doesschate Chu
ing policy can be worked out, though, in the tual life of this co untry, and also foster and
future ju st as in the past, this will best be done maintain international links by providing a con- "In this insightful book, Chu (who edited and
by gro ups of academics and specialist librarians text in which high-quality research work has translated Gusta ve Courbet's letters) examines how
the painter (18 19- 1877) used the ptess to market his
working together. But the real issue at stake, the been car ried on by scholars from many parts of
work. ... Chu's brilliant stud y of Courbet's paintings
case for the merger in intellectual and resea rch the world. It is a model that has immense value,
and marketing strategies sheds much light on his work
terms, has never been publicly debated: is there !irst developed in London in the 1920s by the and the artistic milieu of the 19th centu ry."
really a national need for creating a new Human- Institute of Historical Research, that should be -PublishersW<ekly
ities research library when we already have the extended to other subject-areas, not dim inished 248 pages. 49 color plates. 88 halfton es. 8 x 11.
British Library virtually round the corner? where it has already grown up. It is, of Cloth $45 .00 £26.95 978-0-691-12679-1
It is clear what will be lost: the best of the course, of great import ance also that the Senate
Institutes have provided a coherent space House Library should thrive and develop as a
within which the library, teach ing rooms, work- resource for all London ' s Universities; but it
ing spaces and commo n room s are all adminis- will be a tragedy if saving the Senate House What They Think of Us
tered by staff who specia lize in the area of work Library causes, as now seems all too likely, International Perceptions of the United States
and identify with the purposes of researchers irreparable damage to such a valuable asset as since 9/11
from London , the rest of the country and the Institutes.
Edited by David Farber
In this book, a remarkable group of writers from
Party the Middle East, Europe, Asia, and Latin America
describes the world's profoundly ambivalent attitudes
toward the United States-before and since 9/11.
The firewor k went off in the box
causing screams and laughter - "Each [essay] is thoughtful, and consciously and
and a knocked-over bottle of wine, unconsciously revealing"
-Greg Sherldan, TheAustralian
then someone put on The Doors
Cloth $24.95 £14.95 978-0-691-13025-5
up so loud the panes vibrated
while a tipsy blonde sang along.
She spun round like a compass needle One of Amazon.coms BestNonfiction Books of 200S
at the Pole, then dropp ed dead. Winner of the 2005 Aword for Exceiience in
The identica l Finnish twins shrieked. The ET H ICS Professional/Scholarly Publishing in Philosophy,
Association of American Publishers
MATTHEW SW E E NEY
IT2> PRINCETON UNIVERSITY PRESS
f you haven ' t had much luck placin g your Newton, Beetho ven, Pushkin , Volt aire, Char - Israeli compan ies or collabor ate on research
t is hard to under stand how Segolenc for duplicity? A strange survivor is "un-
T LS JU N E 8 2007 - 16-
uni ver se here wh er e the ability to read the origi-
nal lan gu age in qu estion see ms to be regard ed
The importance of camouflage as a mere irrel evance - or ev en a di sad vantage.
Of a vid, Wilmer suggests that a " lim itatio n
Sir, - Aft er gi ving a succi nct d efinition o f suggests , but an esse nt ial adjunct of the strate- submari ne, was kill ed after it had been torp e- in Hu ghe s' s art and outlook" helped him to
camouflage in her revi ew of the cur rent exhibi- gic plan fo r the Battle o f El Alamein. Th e con- doed by a U- boa t in the Atlantic. imi ta te the Metam orpho ses, "e lid ing the prin -
tion at the Imperial War Mu seum and the structi o n o f a dummy railh ead and the siting o f Camoullage continu es to be an ong o ing cipl e o f order that uni fies the poem and its
accompan yin g book by Tim New ar k (Arts, dummy ta nks and g uns co nfuse d the ene my as requirement in warfare, but both the ex hibitio n vision" . It mi ght be ar gu ed th at "eliding" her e
Jun e I) co m pa ring them with the fa sh ion fo r to whe re the o ffens ive wo uld be launched. and Tim Newark, in hi s splend id ly illu strat ed mean s some thing more lik e " igno ring " or e ven
camouflage design s, Cl are Grifliths tends to The concealme nt o f shi ps at sea was far more book, co nce ntrate on un iform s w hile ne gl ect ing "v anda lizi ng" - be that as it ma y, we are left
underestim ate the importanc e o f camoullage in d ifficult than hid ing tar get s on land . The da zzle the countermeasure s against sys te ms of detect- wonde ri ng if the all eged lim itation is a vice or a
both wor ld wa rs and a fter. paint design s of the Fi rst World W ar mad e ion such as radar, in frar ed and so und alread y virtue in Hu gh es as a " translator" of a vid .
Perhaps this is not surprisi ng afte r viewi ng ships more conspicuous, and had to be replaced being introduced in the latt er stages o f the Th ere are vers io ns in thi s book fro m fo ur teen
the bel at ed but rather inconclusive ex hibition by shades o f w hite and grey accor d ing to the Second World W ar. lan gua ges. It wo uld be int er estin g to kno w ho w
at the IWM wi th its limi ted di spl ay of artefacts . theatre of war. Sci enti sts began to repl ace art- man y o f them Hu gh es read directl y. Th e wor d
Camoullage was by no mean s an "abs urd ity" ists in devi sin g de sign s. On e o f them , A . E. GUY HARTCUP "t ran sla tion s" in the titl e is a red herrin g. Wh y
in the We stern De sert in 1942 , as Gri ffith s Schuill, while making ob ser vat ion s from a 16 Temple Sheen, East Sheen, London SW 14. no t call these text s " poe ms in spired by other
poem s" ? Th en we could tak e them or lea ve
--------------------~-------------------- them and eve n ad mire them witho ut imag ini ng
F
irst staged in 1938 by the Negro Unit on his m ulatto mot her-in-law for her " idiotic
of the Chicago Fe deral Theater Project,
Big White Fog , T heodore Ward's am bi- Invisible men pride" in her "rapi ng [wh ite] ancestors" .
Ward is eq ually forthrig ht in showing ho w the
tio us theatrical deb ut, exp lores the obsta cles princi pled man can bring terrible sufferings on
enco untered by a black fami ly as it tries to ROB ER T SH OR E com mon gro und", or a new socialist dawn for his ow n fam ily. Les is refused a unive rsity scho l-
battle its way out of the enveloping mias ma of black and whi te alike based on the Ru ssian arsh ip on the grounds of his co lour - " I happen
co lour preju dice. In a note written many years T h e od o r e W a rd mod el - beg ins to suggest itse lf more force- to be a little too black, I guess" - but it is Vie ' s
later, Ward remembered how, as a yo ung man fully. As the fam ily face eviction from their stub born fait h in Garvey, who, in a sp lendi dly
trave lling across the Unite d States, he had been B IG WH ITE FOG hom e, Vic is persuaded by his son Les to stan d decora tive ceremony, has him hon ou red wit h
overwhe lme d by the su blime magnificence of A lmeida Th eatre and fight rat her than plan a future in Africa, and the airy title of "Lord of Agric ulture of the Provi-
the American landscape. " But suddenly I fo und in the rousing, rather operatic fina le a chan ting siona l Rep ublic of Africa", that ultimately endan-
myse lf sickened as I realized the trut h: 'I'm a mixed-race mob of "reds" appear at the doo r to gers his son 's chances of obtaining a co llege ed u-
Negro and all this beauty and majesty does not try to chase away the bailiffs. (As is often catio n. The radica lism of Big White Fog's polit-
belong to me ' .... In my bewilderment that late note d, W ard' s career was bligh ted in the 1950s ica l conte nt is hardl y matched by its distinctl y
afternoon, it sudden ly occurred to me that we as under McCarthy and the Hou se Un-American old-fas hione d three-act form: the curtain lines in
a peop le were eng ulfed by a pac k of lie s, sur- Activities Co mmi ttee . It is no less ironic, how- partic ular tend towards the me lodramatic, and
ro unded, in fact, by one big white fog thro ugh ever, that his paean to socialist brotherhood, the revelation s are often cl unkily sprung. How-
whic h we cou ld see no ligh t anyw here ." whic h look s to the Soviet Union to provi de a ever, the most end uring pleas ure of Ward's play
Big White Fog was inten ded to pose an urgent ne w design for living, was written in 1937, at lies in its portrait of fami ly life and in its ability
qu estion: how can black Americans ac hieve a the heigh t of the Great Terror.) to perso nalize the politica l (especially in the vari-
se nse of "belonging"? Stra dd ling the 192 0s and If the writing is perhaps overly schematic, it is ous inter-generationa l conflicts), aspects of the
30s , the action follows the shifti ng fort unes of a wea kness that is more than compensated by the writi ng that are brill iantly rea lized in Mic hae l
Vie Maso n and his exte nded fam ily who live vigour and to ugh-mindedness of Ward' s argu- Atten boro ugh's fluidly evocative production.
cheek by jowl on the So uth Side of Chicago. mentation, a qua lity that is we ll serve d by the Atte nboro ugh has also assem bled a wo nderfu l
Opening in 192 2, the play initia lly seems to author's knack for prod ucing cris ply epigram- cast: at its heart is Danny Sapani, who beautifully
offer its protagonists a star k choice between matic turns of phrase ("T he on ly fair thing about conveys the mora l blindness as well as the charis-
co mp lete segregation from, and tota l imitative the white man is the colour of his skin", for matic passio n of Vie as he wilfu lly invites ruin
integration into, mainstream white cu lture . Vie, insta nce) . In fac t, Wa rd's target here is not so on his family. Atte nboroug h's produc tion is espe-
an ed ucated man who can only lin d emp loyment Danny Sa pa ni a s Victor Mason m uch the "big white fog" itse lf but the prej udices cia lly welcome for draggi ng the forg otte n Theo-
as a hod -carrier on a building site, has joi ned within the black community that hinder it as it dore Ward out of the fog of theatrical neg lect and
M arcus Garvey's se paratist Back to Africa has squeezed out of his black neighb our s. tries to find its way through that fog . Internal restoring him to his rightf ul place alongsi de more
movement; his brother-in-law Dan, meanwhil e , The action then leaps forward a decade, into tensions are revealed as the Cari bbean Garvey is ce lebrated stage chro niclers of black American
has chosen to "use the white ma n's met hod " to the mid st of the Depression and a seve re down- repeatedly described as a "mo nkey-c haser" by life such as Lorraine Hansberr y and Aug ust Wil-
get ahead, build ing cheap low-grade acco mmo- turn in the M asons' fina ncia l circ umstances, Dan, while Vie, who praises Garvey as "t he star son. Asto nishing ly, this Almeida stagi ng is also
dation and buying a Ca dillac with the pro lits he when a Third Way - " unity wi th the majority on of his peo ple's destiny" , makes a vicious attack Big White Fog's European premiere.
Whaddya mean?
Haruki Murakami' s exi stential musings
S O P H IE RAT CLl F F E
W
e meet the heroine of Af ter Dar k in a of our person al ity to some greater System or guide to the novel' s ce ntre. T his is a no vel
late-nigh t diner, somew here in a Ord er ? And if so, has not tha t Sys tem, at so me about the sys tems of which we form a part,
large Japanese city. The din er is stage, demand ed of us so me kind of ' insanity' ? about socie tal guilt. Ta kahas hi's account of the
H arttk i Murak ami
describe d first. Th e " unre markable but Is the narrative you now possess rea lly and trul y face less ness of society chimes , all too neatl y,
adequ ate lightin g" , the "expressionless decor A F TE R D ARK your ow n?" There ha ve alway s been elements with the fig ure that wa tches the sleeping Eri
and tablewa re", the "i nnoc uous back ground Translated by Jay Rubin of Mu rakam i' s liction that refe r to pro blems from insi de the Son y televisi on, a fig ure whose
music at low volume" : 208pp. HarvillSecker. £ 15.99. and questions in co nte mpo rary Jap an. Refe r- "mas k fits the face like a seco nd skin". "We
Every thing about the restaurant is anonymous 978 I 846550478 ences to pop cu lture ha ve always jos tled with sha ll call him " , the narrator notes, "t he Man
and interchangeable. And almost every seat is reportage and ec hoes of film noir. However, up with No Face ." And Ta kahas hi spe lls thin gs out
filled. buds. Her sleep is deep. She is probably not to now, one of the strengt hs of his writi ng ha s a little too c learly. He is give n to raisi ng his
After a quick survey of the interior, our eyes eve n drea ming. . Her slender white neck been that one is never exac tly sure what his index finger in orde r to emp hasize his po int - a
co me to rest on a girl sitting by the front preserves the dense tranquillity of a hand- message has been . In Kaj ka on the Shore, for habit tha t see ms excessive, co nsidering that his
window. Wh y her? Wh y not someone else? crafted product. Her small chin traces a clea n exa mp le, we ca n try to wor k out the relation remar ks are fairly straig htforward. (He co mes
Hard to say. But, for some reaso n, she attracts angle like a well-shaped headland. Even in the bet ween a tee nage boy, a villai n ca lled Colonel out with sentences like "you ju st have to live
our atte ntion - very naturall y. She sits at a profo undest somnolence, people do not tread Sa nde rs, some large fis h falling fro m the sky one day at a time" , " people are all differen t.
four-perso n table, reading a book. Hooded so deeply into the realm of sleep. They do not and a gro up of soldiers - but we will onl y fai l. Even siblings" , and " if yo u reall y wa nt to kno w
gray parka, blue jeans, yellow sneakers faded attain such a total surrender of conscio usness There , as wit h the labyrinth ine workings of The so mething, you have to be willing to pay the
from repea ted was hing . . . . Little makeup, no .. . . This is all we ca n concl ude for no w. Wind-Up Bird Chronicle , one may co nclu de price"). Wh en it co mes to one- liners, Kaoru
jewellery, small, slender face .. . . Every now Soo n, eve n more abnorma l things happen. The along wit h Mu rak am i' s hero that the answer isn't much better, lean ing towa rds Ma ri to ask
and then , an earnes t wrinkle forms between her te levision in the corner of Eri' s bedroom start s may be "so me thing intangi ble" . Tho se novels "w hat's a gi rl like you do ing hangin g ou t all
brows. to behave bizarrely. Th e set is unplugge d, but it are not so much me tap horical mapp ings or night in a place like this?".)
Gradua lly, mo re details abo ut the gir l's late- begi ns to I1icker. A picture appea rs on its ex plora tions of any one tru th, as exp lorati ons of In the handling of his characte rs, as with the
nigh t vig il are revealed. Her name is Mari , she nove l as a whole, Mur ak ami see ms to have lost
is in her first yea r at co llege specializing in hold of iro ny. Admitted ly, his teenage
C hinese , and there is tro uble at hom e. W ith no characte rs do display it on a sma ll sca le.
warn ing , her elder sister ha s dropp ed out of Ta kahas hi makes a joke abou t why Mari
norm al existence . Two month s ear lier, the beau - both ers to avo id bat tery-fed chicke n while
tiful Eri decl ared that she was " going to go to chai n-smo king her way through a packet of
sleep for a while" , and has not wo ken up. Ca me l Filters. Mari finds hersel f defining the
Mari read s her mysterious book wit h co nce pt of iro ny to Kaoru , whe n she explains
co nce ntratio n, but keep s being interrupted . Her the fact that the Love Hotel takes its name from
first visi tor is an old friend of her siste r's . Jean -Lu c Go dar d's 1965 film : "Cause in
Tetsuya Ta kahashi, a law stude nt and A lphavi lle, you 're not allowe d to have deep
trombon ist, is tak ing a break fro m an all-nig ht feelings. So there' s nothing like love. No cont ra-
ja mming sess io n to gra b a chic ken salad. The dictions, no irony. They do eve rything accord -
seco nd is Kaoru , a former fema le pro -wrestlin g ing to num erical formul as" . Kaoru listen s, but
cha mp, who run s "A lphavi lle", the local Love she claims tha t she does n't "rea lly ge t it" . Nei-
Hotel. It tran spires that a man ha s brut all y ther, in truth, do we. The phil osophi cal discu s-
attac ked a C hinese wo man in one of the hotel sio ns in Af ter Dark are deadp an exc ha nges .
roo ms, an d nobody ca n und er stand what has T he re is a se nse that we are listening to so me-
happened. Having heard that Mari speaks thing , as the narr ator put s it, "of great signifi-
C hinese , Kaoru ca lls on her as tra nslato r. ca nce ". This is not a no vel tha t wears itse lf
Meanwhil e, Haruk i Murakam i' s imperious lightl y.
narra tive voice mo ves bet ween areas of the city , M urak am i' s vision o f ad olescent co nscious-
zoo mi ng in on Mari' s wo rld, on that of her An image from Mamoru Oshii's Anime-inspired film Ghost ill the She1l2 : Innocence (2004) ness has always been an acquired taste, but
siste r, and, linall y, on the office of a co mputer some of the awkwardness here co mes from Jay
pro gramm er nam ed Sh irakawa. scree n, of a masked man. Thi s "new intrud er" wha t it migh t mean to inhabit more than one Rubin' s mid-Atl antic translat ion , which see ms
Mu ch of this is familiar Mu rak ami territory. in the telev isio n is " ne ither qu iet nor tra nspar- wo rld at a time. vario usly inco ngruo us or over-egged in its hand-
From the detail s give n in the nove l, it appea rs en t. No r is it neutral. It is" , the narra tor tell s us, Aft er Dark, in co ntrast , see ms to offer the ling of dialogue, as if so meo ne 's fat her had
that Shirakawa is the per petrator of the cri me in " undoubtedly trying to inter vene" . reade r a clea r moral imperat ive, throu gh the found him sel f at an afte r- party , and was tryin g
A lphav ille. As for the connections between the The fig ure in the telev ision is not the only figur e of Ta kahas hi. The law stude nt see ms to to fit in. Tee nage rs "grab some shut-eye",
other narrative strands, they are left loose. Vari - piece of interference. Throughou t the novel , the have an opinio n on eve rything, fro m the differ- talk of their "buddies " and ask eac h oth er
ous reaso ns co uld be moo ted for Eris exte nded reader notices so met hing both intr usive , and ent sor ts of bath ing suits girls wea r to the crisp- "W haddya mean ?" .
nap. A model, she was living a highl y press ured newly " interventionist" about the narrat ive ne ss of the toast in the diner. His main gri pe, it Mur akam i is often co mpa red to J. D.
teenage existence , "i nsa nely busy, taking a voice itse lf. On a forma l level , by using the seems, is with co ntem porary Japan ese society, Salin ger, but his cult-stat us novel Norwegia n
million lessons" . One co uld see her so mno lent third person plural , Mur akami ca ptures the which he ca n onl y describ e as "a creature" : Wood relies on the kind of ex iste ntial mu sing
sta te as a ca se of h ikokomo ri - a so rt of slee ping reader and d raws them into a "sing le po int of It takes on all kind s of different shapes - some- and soft-foc us nostalgia that Hold en Ca ulfield
sic kness currently co mmon among de presse d view ". But the re is also the suspici on of a sus- times it's "the nation" , and sometimes it' s "the would have seen as " phoney" . In Aft er Dark,
Jap anese teenagers. However, like so man y of tained social criti que. Nea rly ten years ago, law" , and someti mes it takes on shapes that are Mu rakam i never seems fully to countenance the
Mur akami' s sleepers, there see ms be so met hing Murakam i wrote a book about the po isonous more difficul t and dangerous than that. You potential co medy of his characte rs, or the fac t
more uncann y tha n physio logic al going on. As sarin gas attack on the To kyo Unde rgro und, per- can try cutting off its legs but they just keep on that their discu ssions fall into a familiar sys tem
the narrative voice puts it, "we gradually co me petra ted by the memb ers of a religiou s cu lt. In growing back. Nobody can kill it. It' s too of their own. Th is tona l difference must be seen
to sense tha t there is so me thing abou t her slee p the book he argued that while the followers of strong, and it lives too far down in the ocea n. as part of the sensibility of twentieth-century Jap-
that is not normal. It is too pure, too perfect" : "Aum" had a distorted view of the world, the Nobody knows where its heart is .. .. And this anese art, which, from Ta nizaki to Anime ca r-
We allow ourselves to becom e a single point of phil osophy offered by mainstrea m society was crea ture, this thing doesn' t give a damn that toons, relies on the dead pan and the absurd. But,
view, and we observe her for a time. Perhaps it no better. The attac k, he arg ued, showe d up I' m me or you ' re you. In its presence, all in the end, nothing abou t Afte r Dark, and its
should be said that we are peepi ng in on her. " the co ntrad ictions and weak nesse s deep within human beings lose their names and their faces . wide-eyed philo sophizing, seems surprising. Per-
Our viewpoi nt takes the form of a midair our social system . ... Wh at was made clear We all turn into signs, into numbers. hap s this is because its message is far too clear
camera that can move freely about the room was the struct ura l routing of 'o ur' system". His speec h about the "creature" is addressed to to be truly bewild ering. One wishes Haruki
. . Her eye lids are closed like hard winter " Haven' t we entrus ted", he asked , "so me part Mari , but the diatrib e also see ms intended as a M urakam i had left a little more in the shade.
- 2 1- TLS J UNE 8 2 0 07
FICTION
lieutenant, calling himself Dorbeck, asks him to THE DAR KROO M OF D AMO CL ES the Netherlands of his own youth. Yet it would G erard Dono van
develop a roll of film, a service the shop adver- Translated by Ina Rilke be a mistake to read The Darkroom of
tises. Two things immediately strike 391pp.Harvill Seeker. £ 16.99. Damocl es, which was first published in 1958, J UL IUS WI NSOM E
Osewou dt: first, the customer is as tiny as he is 978 1 843432 067 as a historical account. Rather, the Occupat ion, 224pp. Faber. Paperback, £10.99.
- and he himself has been rejected for military with its moral reversals, its laws and shibbo- 978057 1235360
service because of his lack of height; and any given time - haunt The Darkroom of leths, its imposed need for disguises, untruths
second, the other man' s surprised, grey-g reen Damocl es, as other photographs do W. F. and assumptions of alien ident ity, provides the UliUS Winsome lives in a wood cabin with
eyes match his own. Osewoud ts wife, Ria, nine
years his senior, remarks on the likeness: "He
looked exac tly like you, the way a photo
Herrnans' s fine novel, Beyond Sleep (1966). perfect setting for Hermans to exercise his dis-
They stand for our desire to make sense of the illusioned view of human nature, his refusal of
world, even a Nazi-co ntrolled society; we strive befogging idealisms. An academic geologist,
J 3,282 book s left to him by his father,
shelved alphab etically around the walls.
He does some men ial work in summer and sits
negative looks like the positive. You look as to impose order on our experience by compress- Hermans views people as far less secure in their out the winters alone. This is how he has lived
much like him as a pudding that hasn't set ing a representative scene into the limits of a physical circ umstances than they suppose, and for fifty-one years. There was a dog, but he has
properly looks like a . . . let' s see, a pudding frame. Yet life won' t stand still for us. Hence far too easily content with inaccurate measure- been shot.
that has set properly". the photographs' own erratic history. ment and false readings. What control had The dog' s death opens Gerard Dono van' s
There is a cruel truth in her words. While Photography enables the unkind Ria to Osewoudt over biology' s allocat ion to him of third novel, and provides a convincing, low-key
Osewou dt is small, beardless and has a make another important point: Dorbeck is bad parents? Or of his personal deficiencies? At pretext for its exploration of grief, violence and
woman' s high voice, Dorbeck is patently virile. Osewoud t' s "negative" ; he reverses the other 's the book ' s close, when the war is over but he is solitude in the co ld spaces of Northern Maine.
But Ria' s comment has another significance, black-and-white. And after his first meetings in mortal trouble, he bursts out: "The reason As Julius responds to the loss of his comp anion,
for it is the only evidence we have of Dorbeck' s with Dorbeck - their subsequent meetings are they' ve put me in prison is not that Dorbeck we are fed glimpses of his past: a brief love
objective existence over the six anarchic years few - and his decision to comply with any can' t be found, the reason is that I have a high affair, education at the hands of his father, and
the novel covers. Alone with him two days directives from him, Osewoudt abandons all the voice like a castrato, a face like a girl and no the mental breakdo wn of his grandfather, a
later, Osewoud t listens as Dorbeck explains conventions that have governed his life so far. beard. I've been imprisoned in this body all my First World War veteran, whose Lee-Enlield
his situation. In the early hours of the Nazi To serve Dorbeck' s cause, he enters strange life; my appearance has made me what I am" . rille is now dusted off, as the murder mystery
invasion, he ordered the men in his command to houses and kills defenceless individuals, with Th is is not wholly true, but it is not untrue turns into a revenge tragedy.
shoot two newly released Ger man prisoners. He barely a sign of emotion. His self has slipped either. Beneath the complicated, often co ld The rille, given to his grandfather by a
is unrepentant; he may be in danger but he is into its negative form. Yet, by the novel' s close manipulations of their plots, Herm anss fine British soldier moments after the Armistice,
wholeheartedly committed to resisting the - when even he comes to see the misapprehen- novels - long withheld from translation by his jo ins the violence of twent ieth-centur y Europe
enemy. Develop ing the roll of film would be sions, the acceptance of unchecked statements, own proscription - burn with passionate feeling to that of present-day America - themes
Osewo udt's contribution to the strugg le. of the last years - we feel that the positive may for humanity. To read this novel in Ina Rilke' s explored in Donovan' s previous novels,
Those photographs - their mysterious subject have returned, that the old black-and-white has sensitive, supple English is a literary expe rience Schope nhauer 's Telescope (2003) and Doctor
matter, their provenance, their whereabouts at been reinstated. Osewoud ts physica l effemi- of the rarest kind. Sa lt (2005). We are told that the grandfather
"never lired a rille after he came back from that
-----------------~,----------------- war .. . gave his medals to my father and told
Dolboy' s nature, on the other hand, is "to him to keep them or to throw them away, he
T
ual reverie. In this coming-of-age story,
world, far older and more distant than Dolb oy keeps exa mining his ow n motives, acts o f revenge to acts of random vio lence pro-
the decade and a half since its dissolu- Karl Mand ers despite his success. At no point does the novel vides a fruitful border to explore, but it lead s
tion. To exhume this time, before freedom and accuse its protagonists of weakness - Mander s the reader from familiar emotions into the
choice took on the semblance of inevitability, is MOTHS understands the pressures of suffering too well realms of psychopath ology.
to run the risk of seeming fantastical. Karl 224pp. Chatto and Windus. £12.99. for that. But it is in Dolboy' s preservation of his Julius Wins ome is told in the first person, but
M anderss scintillating novel Moths opens ju st 978 07 0 1 18106 2 private motivation that the difference between two voices seem, at times, to compete: the hard,
before the Second World War and ends some- the stories consists; the boy has a sage dignity self-consciously isolated man of the woods and
where in the late 1950s. For all the intimate, serve a ten-year sentence of hard labour. which is rellected in Manders' s prose. His style the gentler, more innocent student of nature.
earthy realism of its detail, it is written - and The novel is constructed from two beauti- recalls a formal era, glimpsed through Mirjam' s Julius' s home education among his father 's
read - from the higher towers of European fully intert wined different stories. The grim family or at Dolboy' s private school, with its books complicates matters further. We see him
history, and its action is seen throughout with Kalkaesque morb idity of Cornelius' s journ ey crisp, exquisitely turned sentences, avoiding reading Chekhov and Pope but, by his own
vertiginous clarity. through the labyrinth of Soviet bureaucracy any stiffness. Th is writing, with extraordinary admission, the classics do not intrude on his
The son of a wealthy merchant family based and the privations and violence of life in the visual power, is a pleasure to read. narrative style. What are we to make of some-
in the Netherlands, Cornelius van Baerle has Gulag, form a dystopian tale of Europe gone Karl Manders, a former journ alist, is one who has compiled lists of Shakespearean
often travelled on business to Czechoslovakia, wrong, the individual tossed in the ogre hands described as having lived "in many places and coinages but only uses them when speaking to
where a brief passion results in a son. This of the state. The transformat ion of his own through interesting times", and his descriptive his victims: "You are blood-boltered, I said.
son, Dolboy, rescued by Corne lius from his hands, once the supple instrument of the pian- verve is informed by a wealth of real experience. You are besmoiled"?
damaged mother, grows up in the Netherlands ist, now "thic k, like burnished horn", charts his The novel is full of richly imagined detail, from The iron ic distance necessary to read Julius
with his aunt; he develops a passion for running regress ion in civi lization. Estrangement from the colours in the paint factory staining the skin as self-deluded only gradually opens up, and
and for Mirjam , the daughter of a noble family. his home starts a slow estrangement from him- of the Gulag' s workers to the blindly I1itting never entirely. That his tone remain s reaso nable
At school Dolboy' s athletic ability brings him self, as, broken down by the camps, he retires moths of the title. Here, all the powers of the throughout, is central to the novel's effect: "I
fame and later he becomes one of the leading after serving his sentence to a neighbouring state are insufficient to account for even one had no logic, no excuse. He was my friend, and
athletes of his generation, urged to compete on colony of ex-convicts. 'T his is our life", says a individual' s full nature, and socialism is a I loved him. That is all of it". But the reader
the international stage - though competition has fellow prisoner, as freedom is gradually sub- failure of the belief that people exist in more cannot rest there. The dead dog, Hobbes, has a
ne ver been his motivation. sumed into survival. Regardless of guilt or inno- dimensions than those the state imagines. If the name rich with implications in this wild setting,
Cornelius, meanwhile, on another foreign cence, the individual only has one history, and characters in this stately ode to individualism yet we are told that it was chosen at random
tour, falls innocently into the clutches of Soviet ten years as a convict makes Cornelius into a become entangled in the web of European from the book shelves. There is a half-nod , a
bureaucracy. His musical talent grants him a convict. Facing the malignancy of the state, and history, it is not from blind chance or mere wink, from somewhere between the autho r and
brief reprieve in Eddie Rozner' s band of con- devoid of other choices, he ceases to hope; he brutality: like the mating of the moths, its "me- his creation, too vague to suggest how this
victs, but as jazz falls out of favour, so does he; relinquishes the desire for self-determination andering, like all our blindness, concealed a fate- detail might contribut e towards our overall
and he is taken off to the Siberian Gulag to even as that capacity is stripped from him. ful purpose". understanding.
f the many literary reference s in a character named Jerr y Shteynfarb, the author
-----------------------~,-----------------------
aspect of the book is weaken ed by the earl y rev- beauty of its soaring skyscraper s, and its setting
City of the plains elation that Helenow ski is on the loose. The
nove l is told from a sometime s bewildering
number of points of view, and although
on the sandy shores of Lake Michigan, where
the sun rises, "looking at first flat and razor-thin
and then like a bloody organ taken from a
ANDREW ROSENHEIM loose, and that the killer is Helenowski, though Magnu son is the protagoni st he is an elusive body" . The city' s inhabitants have a "friendly
the madman has switched identitie s with a character, alternately obsessive and despairing. lour about their faces that stemmed from . . . the
Mark Smith vagrant he murders at the beginning of the book. What become clear s is that the real hero of the arroganc e of their own awareness of themselves
Magnu son is alwa ys one step behind his book is Chicago itself. as Chicagoan s" . Smith' s cameos are idiosyncrat-
THE DEATH OF THE DETECTIVE quarry, as he travels across the city, from its Writer s from Theodore Dreiser to Nelson ically preci se - of a feeble bartender posturing
600pp . Northwestern U nive rsity Press . Paperback , wealthy northern fringe, through its flat lifeless Algren have tried to stake out that city as their as a tough guy, he writes: "Even his numerou s
$18.95. suburbs on the West Side , to Skid Row and own, but only Saul Bellow 's The Adventures tattoos did not suggest military service, manli-
9780 81012387 8 even into the no-go zone , the black ghetto of of Au gie Mar ch and William Brashler' s under- ness or evil so much as his having been held
the South Side. A subplot concerns the discov- valued City Do gs can rival Mark Smith for down forcibly by sadistic friends and muti-
he Death of the Detective was first ery by Farquarson' s "nephew" of his real parent-
T
visceral engagement with the place. His descrip- lated". Describing the teenage sons of wealth y
published in the United States in 1974, age ; ano ther invo lves a small-time hoodlum tions of the city are relentlessly inventive, tilled men, he notes they "wou ld not have to hone
and although it was well received and who kills a cop and is ruthlessly hunted down. with mixed emotion s for "the vast, dirty, dilapi - themselves like knives to move up . .. . They
shortlisted for the Nationa l Book Award , it The Death of the Detective is a long, sprawl- dated city that . .. stretched out in either direc- were already there, waxing fat". There are
soon disappeared, through a mixture of bad ing novel, less a mystery than an odyssey. Not tion like a Russian city built upon the plains". shortcomings to the plot, which often verges on
luck and publisher' s neglect. Its re-emergence all of its characters come alive - especia lly Always counterpoised against Chicago 's indus- the prepo sterous, but the novel's stylistic rich-
has been equally capriciou s: an editor at since so many are murdered - and the whodunit trial drearine ss is its irrepre ssible vitality, the ness is extraordinary.
Northw estern University Press did an internet
search for a lawyer called Mark Smith, and
found an entry for the author of this remarkab le rime novelists are contin ually pushing La ura Lippman officers do not belie ve her. Kay, the social
novel.
Arnold Magnu son, a retired world-weary
widower living in Chica go, is an uncorrup ted
C against the limits of the genre. High
stylists create fantastic baroque per-
formanc es around the investigation of murder ;
WHAT THE DEAD KNOW
345pp. Orion. Paperback, £9.99.
978 07 528 88514
worker, is drawn to her client in sympat hy but
also repelled by her childlik e self-absorption
and her inability to empat hize with anyone
police detective who left the force and set up a blood-and-psychopathy devotee s invent ever US: William Morrow. $24.95. else. The woman ' s own thoughts are designed
securit y agency which is called in for every- nastier ways for villains to torment their vic- 978 0 06 112 885 I to give awa y only so much, leaving as much in
thing from weddings to professional baseba ll tims; and more restrained writers use the occa - doubt for the reader as for the officer in charge
games. Magn uson lives in a Miesian tower of sion of violenc e for delicate explorations of news stories. For the Bethany s, the stress built of the investigation .
"charcoal steel and glass" , cut off from his the contradictions of life and society. up until it ripped their marriage apart . Now, a The smoothly written narrative switche s
neighbour hoo d root s and his children, who li ve Laura Lippman' s new novel, Wha t the woman who has illega lly left the scene of a betwe en many points of view and se veral
abroad. A summons from a former client, an Dead Know, shows her to be one of the most minor car accident in Baltimore, in which she different periods, raising ever more complex
ageing millionaire named Farquarson, brings effective member s of the restrained school. was injured, claim s to be Heather, the younger questions. The picture of the girls' lives before
Magnuson out of his disengagement , but before She has a way of dep icting peculiar families of the two missing girls. The police, the the disaster become s as vivid as their parent s'
he learns what Farquarson wants, the old man is with such clarity and sympat hy that she hospital social worker and the lawyer who has unhappine ss and the strugg les of the police
murdered. throws light on the pains and pleasures of far been found to represen t her, all have to decide to work out what really happened . Laura
Other murders follow, and it transpires that more con ventiona l relationships. This time, whether to believe her. She tantali zes them, Lippman heightens the tension without any
all the victims are linked to a past conspiracy in her focus is on the battles between sisters. and the reader, with snippets of information savagery or melodrama, while at the same
which Farquarson ' s wife was forcibly incarcer- Thirty years ago, the two Bethany sisters, about the day the sisters disappeared and time exploring the nature of family relation-
ated in a lunatic asylum, where she became preg- aged lifteen and eleven, disappeared, leaving about what was subsequently done to them . ships in all their misery and necessity. What
nant by a fellow patient named Helenow ski. their parents to suffer all the agonies of fear, Although much of the information is cor- the Dead Know is an impressive and engaging
The child of their union has been raised by false hope, malicio us hoaxe s and well-mean - rect - and unlike ly to be known by someon e novel.
Farquarson as his nephew. It soon become s ing but erron eous sightings familiar from who was not involved in the case - the police NATASHA COO PER
clear to Magnuson that a seria l killer is on the
- 23 - TL S J UNE 8 2007
LIT ERATURE
A new tongue
" R ather drinke at the wel-head , than sip THOM AS H EAL Y
at pudled streames; rather buy at the
lirst hand , than goe on trust at the Mi ch a el W yatt
bucksters." John Florios enco urageme nt to
his readers at the start of his second Italian T H E IT ALI A N ENC OUNTER WITH
language learning manual, Second Frutes T UDO R ENG LA N D
(159 1), cha racteri zes how the impetus for A cultura l po litics o f translation
language acquisition in sixtee nth- and early 371pp. Cambridge University Press. £50 (US $90).
seventeenth-ce ntury Eng land rested on gaining 9780 52184896 I
reading proficiency. A desire to engage with J a s on L a wr enc e
the literature, history, political philoso phy, and
other writings that had emerge d from Italy' s ce l- " W HO T HE D E VIL TAU G HT T HE E
ebrated, if at times suspect, culture prompted S O M UC H IT ALI A N ?"
Itali an lan gu age learn ing and literar y imi tatio n in
English endeavours with Italian. In the latter
early modern Eng land
sixtee nth century , English printers issued Ital-
224pp. Manchester University Press. £47.50.
ian books directed at a native public keen to 978 0 7 19069 147
drink at the Italian "we l-head", prompt ing a cul-
tural engage ment far greate r than mig ht be
acco unted for by the few hundred Italians living a sense of civi lity that was ofte n perceived as
in England at any one time after the Reform a- lack ing in England. As Frances A. Yates noted,
tion - mostly merchants and Protestant refu- Florio's language manu als have something of
gees, such as Joh n Florio's father the courtesy- book about them, and Florio - and
Michelangelo, who in 1550 became the first to an exte nt his readers - may have felt that
Pastor of the Italian "s tranger" congregation in acquiring Italian encourage d a refor matio n in
London. For every Roger Asc ham castigati ng manners, the absence of which, eve n among
the poisonous Circe- like Italians for making "of " the gentle classes" , was much remar ked on by
a plaine Englishman" a debased figure who Italian visitors.
abandons honesty, while acquiring pride and an Michael Wyatt' s extensive consideration of Count Baldassare CastigIione (1630) by R embrandt
arrogant contempt for others, there were far T udor England ' s enco unters with Italy divides
more dra wn to Italy as a cu lture that man ifested into two parts. In the first, he outlines the varied writing, not least because Florio was happ y to Thee So Much Italian ?" linds much common
;::::================::::;-l clerics
responses of Italian visitors, diploma ts and
to Britain. Baldassare Castig lione, for
include slang and dialect amo ng his 44,000
entries. His linguistic endeavo urs also impacted
ground with Wyatt ' s but, importantly, it
explores the impact of Florio on English
instance, arrived in 1506 as the Duke of on English. The Oxf ord English Dictionary literary writing, es pecia lly Samu el Daniel, with
Urbino' s envoy and was delighted by the hon- has him as the ear liest citation for 1,164 words, whom Florio was we ll acquainted, and Shake-
ours accorded him. Surp risingly from a modern mak ing Florio one of the most significant con- speare , whom he likely knew as well. As
perspective, most visitors were favourably tributors to the language (Chaucer is first with Lawrence demonstrates, English interest in
Contemporary German Prose in Britain and impressed with the food: its variety, abundance, 2,004 words). Italian was notably directed at its literature and,
France (1980-1999): A Case Study of the eve n its preparation. But many others tend ed The most interesting part of Wyatts survey like Michael Wyatt, he shows that langua ge-
Significance of Otherness in Translation towar ds condesce nsion and alarm over aspects of Florio, though, is his considera tion of Firs te learners were less concerned with the spoken
Wiebke Sievers of English life, such as the freedo ms enjoyed Fruites and Second Frutes, the language- language than with its written form. In exten-
"...an excellen t study which raises some very important
questions about contemporary trans lation practice in the by women, includin g the shock of witnessi ng learnin g manuals he publi shed in 1578 and sive analysis of work by William Drumm ond,
global market ..." Or Georgina Paul, St Hilda' s College, public kissing between the sexes. Alessandro 1591. Presented in Italian and English in two Daniel and Shakespeare, Lawrence shows how
University of Oxford the parallel-text appro ach used in language
Magno disapprovingly noted that "if a foreig ner co lumns , these co nsist o f phra ses, di alo gu es,
April 2007 / 312pp / 978-0-7734-53 60-9 / HB / £74.95
enters a house and does not first of all kiss the prove rbs and borrowe d prose extracts. As learn ing impacte d not only on translation and
mistress on the lips, they think him badly Wyatt demonstrates, Florio offered his readers imitation during the period but on more original
Eavan Boland's Evolution as an Irish
brought up". Yet, though often dismayed by the possibility of constructing themse lves in an literary writing, too . Unlike modern dispo si-
Woman Poet: An Outsider within an
Outsider's Culture encounters with English xenophobia , Italians imaginat ive world, one where theatricality - the tions to reproduce as accurately as possible the
Pilar Vlllar-Argalz frequentl y found England appearing in a new adopting of varying roles - was enco urage d for language of a text's original state, where the
.....This full-length book on a contemporary Irish woman desirabl e light if they ventured to Scotland or moral and civ il refinement. Florio was awa re translated version is witnessed as a type of
writer is something of a rarity in Irish studies and most Ireland. Enea Silvio Piccolom ini, the future of both opportunities and dangers in this, as his client to the original, Early Modern writers per-
welcome ..." Or Eibhear Walshe, University College Cork
April 2007 / 442pp / 978-0-7734-53 83-8 / lIB / £79.95
Pope Pius 11, retu rned to England from Scotland English versio n of an Italian prove rb illustrates: ceive d original and translation existi ng in a con-
as one who "see med that I was seeing, as if for "with art and with deceit, halfe the yeere we current symbiotic relation. Parallel texts enco ur-
the lirst time, a civilized world inhabited by live: with deceit and with art, we live the other age d comparison and observa tion of different
Brian Moore and the Meaning of the Past:
hum an beings", finding the North, "horrifying, part" . Further, he was not ave rse to employing effects between languages, and the differences
An Irish Novelist Re-Imagines History
primitive and in the winter never touched by the his language exe rcises to enter into poli tical of mean ing these could genera te. The printer
Patrick Hicks
.....it is an important and authoritative contribution to the warming rays of the sun" . Similarly, Francesco critique, suggest ing that the instability which John Wool fe' s 1588 trilingual edition of Cas-
growing body of Mo ore criticis m..." Professor Norm an Chiericati , a papal nuncio to England from unchecked socia l disg uise generated ultim ately tig lione' s II Co rtegiano, for exa mple, prints the
Van ce, University of Sussex
1515, undertook a pilgrimage to Lough Derg in resulted from the Queen. In Firste Fruites, Italian in para llel with Sir Thomas Hoby' s Eng-
April 2007 / 228pp / 978-0-7734-5403-3 / lIB / £69.95
Donegal - the reputed portal into Purgatory - he observes that "a handycrafts man wil be a lish version and Gabriel Chappuys' s French
The Problem of Translating and was clearly shaken by the rigou rs and priva- merch ant , a merch an t wit be a ge nt leman, a one , a for ma t designe d to encourage thi s ty pe of
"Jabberwocky": The Nonsense Literature of tions encountered. gentleman a Lord e, a Lorde a Duke, A Duke comparative readin g. Jason Lawrence' s study
Lewis CarrolI and Edward Lear and Their The Refor mation inev itably restricted Italian a King, so that everyone seekes to overcome adds significa ntly to our understandin g of how
Spanish Translators wanderings in England, and also coloured the another in pride". The source of this is English authors approac hed fo reign language
Pilar Orero accou nts of those who did visit, unless Protes- Elizabeth, who "is so pitiful, that she letteth material s.
..The principal finding of the book may perhaps be the tant themselves. The seco nd part of Wyatt' s everyone to doe what he pleaseth most; lust These two books complement one anoth er
simple recognition or affirmation that the translations of
nonsense calls upo n all available techniques of translation ..." study exp lores the Engli sh acquisition of the and covetousness are practised very much" . and contri bute impor tantly to our knowledge
Or Alberto Mira, Oxford Brookes Univers ity Italian language, focusing on the inlluential Florin' s position bears similarities to arg uments of how the Early Mod em English engage d with
April 2007 / 382pp / 978-0-7734-5358-6 / lIB / £74.95 John Florio. As well as a translator of that Spenser was later to use in The Fae rie Italian and, to a lesser extent, with Italians.
Montaigne, Florio is best known for A Woride Queene. Where Spenser employed allegory , They both present compe lling arguments for
The Edwin Mellen Press of Worde s, published in 1598, which set a new Florin' s students might use Italian to engage the importance of Florin' s impact on English
www.mellenpress.co.uk benchm ark for bilingual dictionaries and with ideas that might be risky to voice in their culture. His standard biography remains
Tel:++44(0) 1570423356 became an important resource for Engli sh own tongue. Fran ces Yates' s 1934 acco unt. The time is
email: cs@mellen.demon.co.uk
engage ments with a whole range of Italian Jason Lawrence' s " Who the Devil Taught surely ripe for another.
TLS J UNE 8 20 07 - 2 4-
LITERARY CRITICISM
-•
ISBN 978 -1 -8518 2-990-3 256 pages £50 Published: 8 June
by membe rs of Eng lish faculties, both concern e
"La strada sempre que lla" (1955) by Mimmo Rotella; from Mimmo Rotella
them sel ves with other disciplines, theology and by Germano Ce la nt (575pp. Milan: Skira. 020; d istrib u ted in tbe UK by 7 Malpas Street, D ublin 8, Ireland
law, and neither is an easy read, eve n thou gh Thames & Hudson. £80. 978 88 8491359 3) TeL (Dublin) 453 4668 www.fourcourtspress.ie
of Dd . 1.17, whic h is best know n for the copy of decided to remove the offending verses simp ly been ce lebrati ng a Free Spirit Ma ss mu st be against individuals (fic tio nal wri ting was usu-
Gildass De excidio Brita nnie it contains . It was becau se they were hostile to the King, In any ca lled into q uest ion , especially since Ramsbu ry ally unt ou ched because it dea lt wit h types) wa s
lon g associated with Glastonb ury Abbey, on the ca se Fa ustina wa s, like Bodley , a co nventual incl uded the elevation e ven if he may have needed, since, as Bishop John Jewel poi nte d
basis of statements by the sixteenth-ce ntury anti- produ ct: it too was written in the "safety" of St neglected the wor ds of consecration (whic h he out , thro ug h slander peo ple co uld be " killed not
quary Jo hn Joscel yn ; but there are prob lems A lbans Abbey . T he re was , in othe r word s, no m ay not have known and whic h wo uld in any for what they believed but for what men we re
wit h the attributio n, and in A. G. Watso n's Sup- nee d for censorship as suc h in eit her version. case have norm all y been recited sotto voce by fa lse ly led to be lie ve about them". The "paper
plement (1987) to N. R. Kers Medieval Librar- Kerby-Fulto n takes the ca nce llation of two an ti- the ce lebrant), bullets of the press" , as Ric hard Baxter
ies ofGreat Bri tain it is inc luded in the G las ton- men dicant poems in BL MS Cotton Cleopatra Like the mys tics she studies, Kerby-Fult on de scribed them, were no less dangero us for
bury list wi th a q uery . In her comprehensive B_I1 as a blin d . As a res ult of crossing o ut, they considers her work revo lutio nary and reve la- being metaphorical bullets. By English law,
Summary Catalogue of the Manuscripts of the ap pear to be ce nso red , bu t in fac t are still reada- tory - in a variety of places she observes that therefore, ver bal assau lt wa s as cu lpab le as
Historia Regum Britannie of Geoffrey of Mon- ble, and thus co nst itute a "pe rfect form of func- she is the first to have noticed one pattern or physical attack, Ver bal iniuria inl1icted infamia
mouth (1989) (no . 40), Juli a C. Crick has laid tio nal am big uity or self-protection " . (T his pre- anot her - and she hopes her book wi ll ins pire o n its vic tims . T he pun ishment for slan der or
o ut the evidence wit ho ut comi ng to any co ncl u- suma bly stan ds in contrast to the "benign" cen- others. After reading it, I had ma ny qua lms, malicious acc usation cou ld be severe, as in the
sio n, althoug h she has noted sim ilarities with sor ship used by the Carthusians to "rein in ma v- large and sma ll, and major difli culties de proba- case of a quack physician ca lled Woode, who in
Lond o n, BL, MS Royal 13 D .I, itse lf deriving erick enth usia sms" of individuals like M argery tione. Are the so urces she examines rea lly 1595 "lost both his ea rs upon the pillory, was
from St Pe ter- upon-Comhi ll in Lo ndo n. Ulti- Kempe thro ug h the use of minor de letions.) largel y understudied? Sho uld modern scho lar- slit in the nose, sealed in the fore head, &
mate ly, Ra lph Han na ' s statement that " the his- Cancellatio n thro ugh cro ssing o ut is a common ship take her lead on how to interpret silence ce nsured to perpet ua l imprisonment".
torical text s . . . suggest origin among regu lar phenomenon in medieval manuscripts, but I concerning the Thir d Status Joach im ism (ie, the Defamation, as Shuger observes, also vio-
clergy" takes us abou t as far as we can go - and have ne ver come across anot her example of this eme rgence of a spiri tua l Churc h to rep lace the lated divine law becau se it stoo d in op position
from th is to the York Aug ustinians is a grea t sort of functional ambiguity - it seems more corrupt cleri ca l Churc h) in medieval Eng lish to chari ty. It wa s a two-edged sword, and
leap, even allowing fo r Hanna' s specu lation like over-ingenuity on Ker by-Fu lton's part - text s? In what sense are the Benedictines a con- wou nded the perpetrator as we ll as the victim ,
that the historical materials m ig ht possibly be and [ wou ld need m uch more docum entation to templative order? Does He nry Cos sey not turn Pre ss cen sors hip wa s thus an enforcement of
linked to the City of York . be co nvinced. up more regularly in English booklists than sac red norm s. C ulpability lay in intent rather
Mo nastic pryvetee is something mu ch A lthoug h wide-ranging in her use of so urces, Joach im o r O livi preci se ly because he wa s Eng- than meani ng: so unds in them selves ma y be
evoked by Kerby-Ful ton in her discussio ns of Kerby-F ulton makes no mention of Rich ard lish? We re the prop hecies of the "obscure" Rob- harmless, but signs are not necessarily so. In
the circulation of for bidden material, as are Rex' s revisionist account in The Lollards ert of Uzes almost unknown in Eng land? Never- me dieval and ear ly mo dem Eng lan d, motives
tricks to confuse pos sib le censors. Like (2002) of Wi lliam Ramsb ury' s ap parent ly theles s, I am sure that Kathryn Kerby-Fu lton' s we re judged o n an et hica l rat her than a psyc ho-
Dd . 1.17, so we are to ld, the unpu rge d versio n of heterod ox version of the Mass, wit h its "si lent book wi ll spark co ntroversy, making many of logical basi s. T he social aspec t of be ha viour
the poem on the execution of Rich ard Scrope, co ntempt of the e levation". Un like Kerby- us re-examine old assumptions . (verbal an d physical) also meant that every citi-
Archbis hop of Yor k - in Oxford, Bodleian Fu lton, Rex maintains that Ramsbury was a cyn- De bora Sh uge r's Censorship and Cultural zen entrusted his ide ntity to the word s others
Lib ra ry, MS Bod ley 85 1 (anot her Piers Plow- ica l m isc reant and sceptic purposel y paraded by Sensibility: The regulation of language in spoke abo ut him or, as a theo logian in
man manuscript) - was " prod uced in the safety his j udge s as a Loll ard. If Rex is correct (and Tudor -Stuart England has an entirely different Elizabeth' s re ign put it, each individual wa s "a
of a co nve nt". As A. G. Rigg has pointed out , mo st Loll ard scho lars , I sho uld add , wou ld dis- l1avour. T his is an extremely difficult , but in the per son [o nly] in respect of another". Honour
however, the scribe of the later cop y, in BL MS agree wi th his interpretation), Kerby-Fulto n' s end high ly rewarding, piece of scho larship. linke d self to society, identity to reputation, and
Cotton Fa us tina B.IX , may have himsel f assumption that Ramsbury mig ht we ll ha ve Like Kerby-F ulton, Shuger distinguishe s ultimately it mattered more than liberty. It is for
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiir=====:~?~~====]l tobetween
this reason that, in Richard 11, M o wbray cou ld
printed book s and manuscri pts, and
points o ut that for her perio d, whic h carries up assert that "Mine ho no ur is my life" . T his is
the co llap se of the T udor lice nsing system in also how we should read Ric ha rd Lovelace ' s
1641 , manu script ci rc ulation wa s virtually "cavalier" appeal to Lucasta that " I cou ld not
uncon tro lled . She also ob serves that because so love thee , dear, so muc h, Loved I not ho nou r
mu ch has been lost there may not be any lina l more".
MAKING ISLAM DEMOCRATIC THE PARADOX OF A GLOBAL USA answers to many of the qu estions she pose s Charit y, by these models, a llowe d for a dis-
Social Movements and thePost-IslamistTurn Edited by BmceMaz lish, abo ut the reg ulation of langu age . Shuge r is, continuous self thro ugh radical transforma-
AsifBayat Nayan Chanda, &
Kennetbr1iisbrode
moreover, very specific in her definition of ce n- tions , and it is this discont inu ity that makes
May 2007320 pages sorship, which "almos t alwa ys connotes the Wo lsey's complete (and psyc ho logically unco n-
978-0-8047-5595-5 May2007240pages
Paperback £14.50 978-0-8047-5156-8 exercise of state power ove r texts and their vinci ng) volte-face in Hen ry VIII, for exa m ple,
978-0-8047-5594-8 Paperback £12.95 authors " . One of her key distinctions is between possible. To pro be motivation and intention,
Hardback £34.95 978-0-8047-5 155-1
Hardback £32.50 Continental regulation, which was normally ide- which we treat as normal practice , co uld be
ological (the Index ce nsored books containing see n as libell o us. Shuge r, ho wever , sees a shift
Offers a new app roachto Describes thestrained relationship
Islam and democracy. between the US andglobalisation. heretical ideas), and insular regul ation , which to a Tacitean mod el towards the end of the six-
co nce rne d iniuria - that is, attacks on the "dig- teenth century: this postu late d a lixe d and irrev-
nity and integrity of the self'. Not surpris ingly, oca ble sense of character. In this case, censor-
THE BOUNDARIES OF THE REPUBLIC AGAINST FREUD
MigrantRightsand the li mits of Universalism therefore, there we re no laws pro hibiting the ship cou ld become a means of suppressing
CriticsTalk Back
in France, 1918-1940 possession of Catho lic books in Eng land - it know ledge of injustice. Historic para lle ls wit h
Todd Dufresne
.iWary Dewhurst Lewis wa s printing, not access, that wa s illega l - but contemporary issues, as in Ben Jonsons Seja-
May 2007200pages
Jun 2007384 pages, 4 tables, 978-0-8047-5548-1 there was, after 1599, a comprehensive ban on nus, lent cre dibility because they sho wed the
I 3 figures, 8 illustrations, 2 maps Paperback £12.95 satires and epigrams. universal link between power and corruption.
978-0-8047-5722-5 978-0-8047-5547-4
Paperback £16.50 Hardback £32.50 Queen Eliza bet h hersel f came under sus- T he shift, by De bora Shugers acco unt , is a
978-0-8047-5582-5
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tai ned attack from exiled Cat ho lics , Cardinal major one, because censorship was now trans-
Collects the fra nkmusings
of some oftheworld'sbest Wi lliam A llen descri bing her in 1588 as the formed into an instrument of ty ranny (or at least
Uncoversthe French Republic's
.nJ_ _ ---" hiddenhistoryof inequality. critics ofFreud. "incestuo us ba sta rd" of " an infamous courte- of utter control in the case of Christian doctrine
san" who used Leiceste r "only to serve her filty as James I interprete d it) rather than protection.
lust". T his was typical of the sexual insu lts Rewarding critical studies ultima tely lead
TERRORISM FINANCING REFLECTIONS ON LITERATURE
directed against Protestants from the Continent, you back to the pri mar y texts they elucidate and
AND STATE RESPONSES AND CULTURE
A Comparative Perspective Edited by HannahA rendt and in his Life of Ca lvin the Carmelite Jerom e- allow you to view them in new ways. In Henry
Edited byjeanneK. Giraldo Hermes Bo lsec describ ed the undou bte dly VIII, Cat heri ne of Aragon responds to the false
Mar2007400pages
& HaroldA .Trinkunas heterosexual theo logian as a stigmatized sodo- charge s against the Duke of Buck ing ham by his
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978-0-8047-5565-5
Hardback £41.95 Brings tog ether for thefirst time fundament and pri vy me mbers". In Eng land , on nobler sou l" . As I now rea lize , the Q uee n is
Arendt'sreflections on literature
Examines terrorist organisations and culture. the other hand, Cat holics were ro utine ly alluding here not on ly to iniuria as ver ba l
suchas AI Qaeda andHezbollah. accu sed of plotting against the throne or king- transgression in all its legal ramifications, but
dom, In James I's reign, after the failure of the also to its theo logical dimension as a vio latio n
Eurospon I university presses
~
G unpowder Plot, the attacks tended be agai nst of charity, and therefore a cor rupter of souls. In
Tel: + 44 (0)1767 604972 Fax: + 44 (0)1767 601640 roya l policy in ge neral, cloistered scho lars fictio n, as in reality, Cat heri ne wa s a learned
Stanford Email: eurospan @turpin -distribut ion.com
" meddl[ing] wit h thing s above their capacity" . scholar , we ll equipped to cro ss-examine those
www.eurospangroup.com/bookstore Reg ulatio n of in l1ammatory texts directed who mi sled the King or them se lve s.
TL S J UNE 8 2007 - 2 6-
LI T ER ARY CRITI CI SM
J
ohn Kucich explains that his new book , P A T RI CK DENMAN F LANERY while he notes the initial periodica l publica- uncon sidered .
Imperial Masochism , seek s to demonstrate tion of Conrad' s, Stevenson ' s and Kipling ' s The author 's treatment and selec tion of his
the "continued relevance of psychoanalysis J o hn Ku c i c h works, there is very litt le investigation of the so urces are also occasionally naive. For
to historicism" as well as to "e lucidate the effects of this kin d of pub lis hing, an d on the example, he add uces as evi dence Sam ue l Cron
ro le masochistic fantasy" plays in forming [MPERIAL MASOCH ISM very speci fic class implication s of pu blishing Cro nwrig ht-Sc hrei ners description of O live
identity. Kucic h combines these two critical British fictio n, fa ntasy, and socia l clas s in periodica ls like Blackwood's Maga zine Sc hrei ner banging her head on a table, but fa ils
preoccupations to reveal "the socia l function" 258pp . Prince to n U niversity Press. £22.95 and The Cornhill Maga zine , whic h had, as he to draw atte ntio n to the fact that Crons
(US $35).
of masochis tic fantasy in nineteenth-century fleeting ly ack now ledges , "a pre domi nant ly accou nts of hi s wife as suffering, weak and
978069 1 [ 271 2 3
Britis h imperial culture, paying specific middl e-class readership ". me nta lly unsta ble have long been seen as less
attention to its class implications. Rather than Given the project's co lonia l focus , Kucich's tha n entire ly cre dible. Odd ly, too, nowh ere
adhering to the conventional sense of potence". His theory of the se is so broad ly racia l and national categories are lacking in does Kucich note Sc hrei ner' s use of the
masochism as a sexual impulse, however, defined that it encompasses a range of disparate nua nce . Samoans, black Sout h Africans, pse udo nym "R alph Iron" , sure ly relevant to
Kucic h exp lains that his usage derives from experiences, from Sc hreine r' s evangelica l self- Indians, Afg hans and Malays are referred to, any discussion of her feminism an d se lf-
relational psyc hoanalysis, emphasizing the lessness, to schoo lboy bullying in Kipling ' s fic- unironically, as " natives" , and Stevenson is effacement. He cites ear ly American pirated
ro le played by "narcissistic fanta sies of tion, all gathered too tidil y under a sing le criti- described as " having gone native" in Polynesia. edi tion s of so me of Sc hreiner's works, an d
omnipotence". ca l umbrella . Kucic h regar ds this as a positive The closest Kucich co mes to ethnic specificity e lsew here in Imperial Masochism he relies on
The works - and to some extent the Ii ves - of and even necessary effect, since " masochistic in the Sc hreiner chap ter is a sing le re ference to a patch work of recen t paperback, crit ica l, an d
Robe rt Louis Stevenson, Olive Schreiner, fantasy is ... more a part of dail y psychosocial Zu lus and the Sa n peop le. In his discu ssion of first editio ns.
Rudyard Kipling and Joseph Conrad are experience than many of us have yet realized". Co nra d, he switc hes between "Malays" and In his fina l paragraph, Kuch ich co nce des,
Kucic h's central focus; and while his approach But over the co urse of the book the repetitive "natives" , wit h no apparent ratio nale for using so mew ha t de fen sively, that he may appear to
produces some intrig uing rea dings , and should deployment of catc hphrases suc h as "omni- the latter except as binary oppo site for occu py the pos ition of critic who "becomes
perhaps be admired for attempting to expand potent fanta sy", "narcissistic excess" and " whites" ; in his discussion of Nina , in Conrad's master of all he ... surveys" , bu t asks us to
the fie ld of masochism studies, his critical inter- " magical groups" becomes a kin d of litany, Almayer's Folly, he descri bes her, witho ut quo- ju dge the book on the basis of the "pro ductiv-
ventions often feel arbitrary. He organizes his obscuring rather than illuminating the social tatio n, as "ha lf-caste". ity and .. . interp retive yie ld" of his scholar-
study aro und four imbricated type s of "maso- phenomena disc ussed . T he sy m bo lica lly loaded " native" is in- ship . This is an unco nvi ncing apo logy for a
chistic fanta sy" : "fantasies of tota l control over There is vir tua lly no consideration of how appropriate in this co ntext; the QED, in mu lti- meth odological approach whic h m igh t have
others, fantasies about the annihilation of the masoch istic elements Kucich finds in ple defi nitio ns, notes that it is now "considered be ne fited fro m greater critical se lf-awareness,
others, fanta sies that maintain the omnipotence these fo ur writers' works mig ht ha ve been read offe nsive" . Even the more po litically correct rat he r tha n the "st ringent critical askesis" Joh n
of ot hers, and fantasies of solitary omni- by a udiences at the time. For example, " indigenous" has recen tly bee n supersede d Kuci ch claims.
~--------------------------------------------------------------------------- ---------------------------------------------------------------------
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- 27 - TLS J UNE 8 2007
SC IENCE
--------------------------~--------------------------
ccording to its author, Mar tin Kemp, images. It could be argued that such work is too
A Seen/Unseen is a contribution to a
"history of the visual" that attempts to
go beyond the divisions between the arts and
Picture that theoretical for a book intended for general con-
sumption; but Seen/Unseen is too idiosyncratic
in its choice of subject matter to be comfortab ly
the sciences . It is a study of how the style of C HARLIE GERE practice diminishes, especially once Kemp regarded as such.
images, whether from science of art, conveys moves away from the Renaissance. The small I suspect that Martin Kemp is simply not
complex cultural values. In particu lar, it seeks Martin Kemp section on Andy Goldsworthy at the end seems intereste d in such approac hes. What he clearly
to show that scientific images are just as to be there in order to justify the use of the word is fascinated by is the way in which representa-
much redolent of their period as artistic images . SEEN/UNSEEN "art" in the book's title, rather than add to the tions and visual styles help us to order and
It ranges wide ly, taking in early modern Art, science and intuition from Leonardo to the argument. understand our apprehension of the world,
astronomy; the representation of space in Hubble Telescope This, then, may be the academic equivalent of rather than how they might be used as a means ,
368pp.Oxford UniversityPress.£25 (US $45). the dog that did not bark in the night, the absence for examp le, of self-expression. Art itself is
Renaissance architecture; the representation
9780 19 9295722 that is a symptom of something interesting that is thorough ly subordinated to science in this
of nature in Leonardo da Vinci 's microcosmic
studies and in the pottery of Bernard Palissy: not being properly acknowledged. A more particular attempt at a cross-disciplinary visual
the relation between the early theories of accepts the absence of the kind of theoretica l theoretical approach might have produced an history. Furthermore, Seen/Unseen reads as if
Erasmus Darwin and other eighteenth-century approac h that is more usual to art history. Partic- analysis of the differences between the styles of written by someone with a scientific-realist
scientists and Romantic artists such as Robert ularly enjoyab le is the materia l about Bernard representation to be found in art and in science; view of the purposes of representation, and a
Thornton; the downgrading of the visual in the Palissy and D' Arcy Thompson, though Kemp tellingly, such approaches are not even men- comparative lack of interest in other factors,
representation of ideas about evo lution from has missed a trick in not mentioning the strong tioned. Thus, in a book that includes a section contexts and drives. This is not necessarily a
Charles Darwin through Mende l to Dawkins; influence the latter had on the Independent about the emergence of perspective, there is no fault, but those looking for a critica l ana lysis
the application of the geometrical theories of Group (the loose collection of artists , designers, mention of the work of Martin Jay, for examp le, of the different regimes of power that order
D' Arcy Thompson to both art and science; and architects and theorists that coalesced around who has written about the different "scopic the visual field will be disappointe d. Those,
the various forms of recording made possib le London' s Institute for Contemporary Arts in regimes of modernity", or, in a section about pho- however, looking for a handsome and beguiling
by photography and other representational the 1950s). But as the narrative proceeds , the tography, that of Jonathan Crary and his work on study of the different ways, scientific or artistic,
techno logies. attention paid to scientific representation perception, or in one about scientific images, no in which we can mirror nature, will find much
There is much to treasure here, once one increases and that to more artistic kinds of reference to James Elkin's work on non-artistic to enjoy.
wo thousa nd years ago , Caesar Augus- ge t away with an esse ntially mean ingless title,
- 2 9- TLS J UNE 8 2 0 07
RELIGION
revolution has swept America n Christ- their faith in free enterprise, and marched to
circle
watch televangelists, or read the acres of print angels? The editors of An gels in the Early angels and demon s were "inextricably bound
produced by popul ist Evangelicals such as Hal Modem World, Peter Marshall and Alexandra together, seen as formed of the same mysteriou s
Lindsey, Rick Warren and Tim LaHa ye, who Walsham, ask whether post-medievalists have immaterial substance and subject to similar limi-
are amon g the bestselling author s of all time. been put off the topic because it has been tations" . Thi s metaphysical similarity between
All of this has been produced by a movement associated too exclusively with early Christian ALISON S HELL good and bad spirits helps to suggest why
which has traditionally regarded itself as dis- and medieval thought. Certainly, historians' visions of angels were often treated with suspi-
tinctly countercultural or even marginalized by often scornful treatment of angelology has clear cion: they might be a satanic deception in them-
culture . How can this be explained? Protestant antecedent s. The question of how P et er Marsha ll and selves, or accompany evil spirits, or imply that
Kyle' s method is to show how Evangelical- many angels cou ld dance on the head of a pin, A lexandra W a lsh am , e d i t o r s the visionary was tamperin g with forbidden
ism' s longstanding embrace of a market eco - long used to parody over-relined academic ANGELS I N THE EARL Y MODER N matter s.
nomy in a nation with no Established Church inquiry in general, has been wrongly attribut ed WORLD Some individua ls at this date experienced
has shaped its cultural style. Throughout its to Thom as Aquinas, but see ms to have first 326pp. Cambridge University Press. £55 (US$99). angel s or demon s as an advisory presence at
history, Evangelicali sm has peddled a conserva- appeared in print in 1638, in The Reli gion of 9780 521843324 their side; others saw the supernatural battle
tive, sometimes fundamentalist, message Prot estants by William Chillin gworth . between good and evil played out before them
through modern and inno vative method s. From A reconsideration of angels is, then, an sex, and if so, how ? Thanks to Pa radise Lost, in positively cinematic terms. Amon g them was
George Whitefield, the eighteenth-century excellent and very timely project, and the scholars of early modern literatur e have paid the Commonwealth minister John Pordage,
reviva list, to Bill Hybels, the pastor of the collection's intercontinental breadth lives up to more attention to angels than have their oppo- who had strong links to the underground mysti-
Willow Creek mega church in Chica go, Evan- the promi se of its title. The main focus is inevi- site number s in history departm ents; Joad cal tradition associated with Hendrik Niclae s
gelicals have been both trend-setters and trend- tably on Reformation and Counter-Reform ation Raymond ' s essay, focusing on the logistics of and Jacob Boehme . Ejected from his rectory in
follo wers in adapting their message to popular theology and its reception and development in Milton ' s poem, conclude s that Milton' s angels 1654, Pordage published a vindication of his
culture . Althou gh this feature of Evangelical- England , but Raymond Gillespie, Elizabeth are conceived in exceptiona lly bodily terms. conduct in which he described his visions of
ism has a long historical pedigree, its signili - Reis and Fernando Cervantes contribute strong As this suggests, while the collection ' s over- both evil and good angels: the former had "ears
cance has increased since the 1960s for a essays on - respectively - Ireland, Puritan New all focus is more historical than literary, it con- like those of Cats, cloven feet, ugly legs and
variety of reasons. The democratization of the England and Spani sh America . In the early tains many leads for literary critics. Among bodies" ; the latter were "spirits, in ligurati ve
airwaves, the easing of immigration control s, stages of evangelizing South America , Euro- these is the possibility of gaining a sharper focus bodies, which were clear as the morning-star,
the decline of denom inationalism, and the den i- pean missionaries practised the kind of cultural on the language of flattery. All angels were by and transparent as Christal".
gration of elite cultur e have all contribut ed to syncretism analysed by Peter Davidson in delinition subservient to God, while the notion Angels, in other words, can have a dangerou s
a baby boomer religiosity which is seeker- his forthcomin g monograph The Universa l of angelic hierarchies was given its most delini- imaginati ve polyvalency: which may be why,
friendl y, conve nient, non-liturgical and thor- Baro que. Bernardino de Sahaguns Psatmodia live formulation by Dion ysius the Pseudo- comp ared to the early modern wo rld, not much
oughly Americ an. Bubblin g up primaril y from Christiana, originall y compo sed in Nahuatl , Areopagite in the lifth or sixth centuries. Thus , is heard about them in today' s Church . But as
compares angels to native bird life: "You divine to call someone an angel is sometimes a straight- a glance at the "Mind, Body and Spirit" section
- - - - - - - - - - - - - - - - - --, orioles, you grosbeaks, you mockin gbirds, you forward hyperbo le, sometimes a term of scrupu- of most bookshops will conlirm, belief in
hummingbirds, all you sons of God, you angels: lously limited praise. Thi s helps to contextualize angels forms a large part of popular occultism:
NEW AUIHORS
PUBLISH YOUR BOOK
come, circle round the court yard of our
church". More common, though, was the con-
the famously abstruse ending of Donne' s poem
"Air and Angels" , often interpreted as implying
in particular , the notion of the guardian angel
provides comfort at a remarkable distance from
ALL SUBJECTS INVITED ceptualization of angels as superhuman. Even if that women's affections are less spiritual and its Catholic origins. As the editors of this vol-
FICTION, BIOGRAPHY, HISTORICAL, POETRY, FANTASY & SCI-FI, the question of angels' pin-dancin g capaciti es more bodily than men' s: "Just such disparity I ume put it, "Modern popular culture in North
RELIGIOUS, SPIRITUAUSELF·HELP, ACADEMIC &REFERENCE
WRITE OR SENDYOUR MANUSCRIPTTO: was never seriously posed, both medie val and As is ' twixt air and angels' purity I 'T wixt America and (particu larly) Western Europe
:~
7 '\J '!!!!!!2~~Y~!~
early modern thinkers were fascinated by the women's love, and men' s will ever be". At their may have discarded much of its foundational
question of how these higher being s best, angels were only ever transmitter s of Christian heritage, but it retain s an almost
TWICKENHAM TW1 4EG , ENGLAND differed from humans: How do angels talk to God' s goodness; at their worst, they could sub- visceral understanding of the potency of images
www .athe napress.com
e-mail: info@athenapress.com each other? How do they digest? Do they have vert creation . Angels mirrored devils in the of angelic care and protection ".
TLS JU N E 8 2007 - 30 -
RELIGION
ebb Keane' s Christian Modem s between persons and things, good spirits and
-----------------------~-----------------------
mmet Larkin established his pre- Christmas and Easter the parish clergy became
Geoffrey Ashe
THE OFFBEAT RADICALS
The British tradition of alternative dissent
274pp . Methuen. £17.99.
978041377 460 6
of sympathy and lucidity, directn ess of address, was used for the deception. It was no coinci- dom esticit y. Most were midd le-class graduate s,
Art History human warmth , and cosmopolitan example. dence that the body was that of a man with no frustrated, in the 1930s, by having to give up
Sheri KIein Berger is difficult to classify. Ever since Ways close family and few friends and whose body emplo yment through the marriag e bar, but "Cot-
A RT AN D LA UGHTER of Seeing (1972 ) he has been a significant cul- would not be undul y missed. The poignant ton Good s" was a working-class member who
168pp. 978 I 8504 3 931 8 tural presence. He describ es himself here as a point of Duff Cooper' s story is that his hero had here writes proudl y about her Lanca shire mill
Kerstein Mev story teller, which may be as apt an appellation always wanted to go into action again st the backgro und. When a hint of anti-Semitism
ART AN D OBSC E N#ITY as any. The strength of his writing is his reading enemy and had only achieved his ambi tion after tinged some entries in 1938, "Ad Astra" asked
I92pp . 978 I 845 11 235 6 - his ability to evok e the work of other writers, death. Duff Cooper, who had doubtl ess learnt "E lektra" , who was Jewish, to join.
Laura Brandon poets especia lly. He has the gift of friendship about the operation in his ministeria l capacity, Members follo wed each other s' activities
ART AND W AR and correspond ence , and has encouraged and was di scoura ged by the government from close ly and sympathetically, so that strong
I92pp . 978 I 845 11 237 0 inspired all manner of creati ve artists. revealin g what had been a wartime top secret; friends hips were soon forged. They all rejoiced
Tauris. Paperback , £14 .99 each. This collection of short essays and reflec - but he persisted, because - as his son John at the success of "Angharad"' s television plays
tions from the past five years or so is a miscel- J ulius Norw ich explains in his preface - he did and wept for the few who se marriage s failed or
lany on art and politic s, like The Shap e of a not see an y circumstances in which the ruse whose children or grandchil dren were handi-
T hese adro it little book s aren't reall y about
art per se, but about the role of art in gener-
ating or modi fying various discour ses on what
Pocket (200 I). Each piece is dated, but no pro v-
enance is given, for the most part ; some frag-
could be used again and therefore had to be kept
under wrap s. It is an engaging novel in its own
capped or morta lly sick. The entries are some-
time s candid about private matters like orga sms
the publisher call s "the real stuff of life" . They ment s look familiar from publi shed article s and right, whic h gives a nostalgica lly sepia-tinted and birth contro l. In a poignant series of confes-
aren't quite as accessible as they are made out exhibition catalogues . The watchwords are sur- picture of life in Britain between the wars. sional letters, "Isis" recount s her unreq uited pas-
to be, but, in genera l, theory is related to prac- vival in the face of displacement , disempo wer- The Man Who Ne ver Was was written by sion for her doctor, subsequent mental collapse
tice with a light touch . ment and despair, and resistance to the depreda- Ewen Montagu (the naval offic er who con- and quest for peace within Catholi cism. The
The troubl e with the real stuff of life is that it tions of "the economic and mi litary global ceived and executed the decept ion) over a details of life durin g the Second Wor ld War are
tend s to bridle at neat taxonomi es. Jake and tyrann y of today" , that is, globa l capit alism. single weekend at the request of the security ser- especia lly vivid, but the book ' s main impact is
Dino s Chapman ' s work, to cite one example, is "Yes, I'm still amongst other things a mar xist." vices as an immediate attempt to tell the story as a human rather than sociological document.
"about" war, laughter and obscenity, and so fea- There are nuggets of pure Berger. On first as it really was - and possibly to take the wind SARAH C URTIS
tures in all three of these book s; it' s also about disco vering the poems of Nazim Hikmet, for out of Duff Cooper' s book . The meticu lous
sex and death , two even more ambitiou s titles example, he writes, detail of the plannin g is totally absorbing, and it Comics
slated for future publica tion , and so may be They didn't describe space; they came through was serialized in the Dail y Expre ss in 1953 and
expected to crop up there too. One might add it, they cro ssed mountains. subsequently made into a popu lar lilm . The Will Eis ner
that it' s also abou t technolo gy and con sum er- They were also about action. They related deception had paid off, and Mont agu was decor - A CONTRACT WITH GOD
ism, and eve n assert that if it's any good it doubts, solitude, berea vem ent , sadness , but ated for his part in its success - though he found 192pp. 978 0 39332 804 2
ought to be about plent y more besides. these feelin gs follo wed actions rather than it difficult to explain to King Geor ge VI ju st A LIFE FORCE
Mean while , Robert Mapplethorp e, to cite bein g a substitute for action . Space and action s what he had done when the king inquired at the 160pp. 978 0 39332 803 5
another, was more than just a paper tiger go together. Their antith esis is prison , and it investit ure . D ROPS lE AV EN UE
dreamed up to displease the American Right: he was in Turki sh prisons that Hikm et, as a polit - Both book s - in their contr asting ways - are 192pp. 978 0 39332 811 0
was also an acutely original craft sman and styl- ical prisoner, wrote half his life' s work. well worth rereadin g, and they benelit from a Norton . Paperback , £10 .99 each.
ist, a strange sort of abstractionist and an intrigu- Or again , on the forest photograph s of Jitka j uxtapo sition that has more than a mere "t wo
ing criti c of the classical tradi tion . Slottin g indi-
vidual artists into wide thematic overviews like
Hanzlo va:
It is as if they have been taken between times,
where there is none . .. . Yet in a forest there
for on e" to commend it.
JOH N UR E W ill Eisner was one of the patriarch s of
comic s, but where most of the other
grand old men were content for others to further
this risks makin g them seem like one-trick
ponies, passive instruments of discour ses are "events" which have not found their place
Journ alism de velop the grammar of pictur e, dia logue and
which, in realit y, they transcend or disregard. in any of the forest' s numbe rless timesca les, grid that they had creat ed, he struck off in pro-
Neverthe less, each of these book s gives a and which ex ist between those scales. What J enna Bail ey duc tive and largely new directions. His long-
rich sense of the vitality of art in public life over events, you ask. Some are in Jitka' s photo- CAN ANY MOTHER HELP ME ? running strips and book s abo ut the Spirit , a
recent years: its problematic relation ship with graphs. They are what remain s unnam eab le in Fifty years of friend ship throug h crime -li ghter dra wn and written with a lighter
the State and with established moralities, its the photographs after we have made an inven - a secret mag azine touch than the Shadow or Dick Tracy, had
power to get peop le talking and thinking about tory of eve rything that is recogni zab le. 330pp. Faber. £ 16.99. always tended to concentrate as much on ordi-
important things. The cedin g of visual art ' s old Hold Everything Dear is a meditation, an 978057 123 3 137 nary peop le as on vampy villainesses and cow-
function s - ornamental, doc umen tary, commcm - injunction, and, in Bergers own word, a contes - licked polic emen. Among all the murd ers and
orati ve - to other media is taken for grant ed,
and presum ed to have little impact on its ability
tation.
ALEX DANCH EV T he Mass Observation Archive at the Univer-
sity of Sussex is a treasure trove of quirky
national remini scence. Jenna Bailey, a Cana-
gang wars, ordin ary people had good and bad
luck, committed small sins and occasionally
paid terrib le prices.
to bear mean ing, or rather its right to have mean-
ing imputed to it. One coro llary is that the role History dian researc h student looking for a subject for In the works of his middle age and later, he
of photojournalism, say, or cinem a, to do thing s her Master ' s thesis, was told about a collection ditched everything but this sense of ordin ary
that art used to do, is somew hat overlooked; Ewe n Mo ntagu, THE MAN WHO of home -made magazines circu lated between life and its small melodram as. A Contra ct with
there ' s no Don McC ullin in Art and War , for NEVER WAS; Duff Cooper, 1935 and 1990 by a group of women, born God is perhap s the most cruci al of the three vol-
exa mple. In fact, none of the three troubl es OPERAnON HEARTBR EAK between 1894 and 1927, who called themsel ves umes, made up as it is of four short stories in
itself with con vertin g the sceptic. Nobod y who 224pp . Spellmount. Paperback, £14 .99. the Coope rative Corre spondence Club (CCC) . which he demon strated once and for all that the
wants to know why Anni e Sprink le' s cervix or 978 I 86227 364 I She obtained permi ssion from those still living, skills he had used for commercial ente rtainment
a can of Piero Manzoni ' s shit must be thought and from the familie s of the decea sed, to pub- cou ld tell deeper and darker stories . A piou s
"art" at all will find the answer here. The empha-
sis laid on the cont emporary also mean s the T he idea of publi shin g these two quite sepa-
rate and distinct book s in one volume is an
appe aling one . Both tell the story of the decep -
lish extract s, which she has intelligently organ -
ized into topic s co vering different aspect s of
their lives and annotat ed with short biograp hies
man loses his faith and becom es somet hing of a
mon ster; an unpleasant jan itor is destroyed by
malice and goss ip; a vain young woman
book s will date quick ly. A notable absence
from Art and War , for instance , is Ste ve tion oper ation in 1943, in which a British sub- of the twenty main contributors. recei ves an edu cation in lo ve.
McQueen' s recent set of stamps depic ting Brit- marine launched the body of a dead officer into The Club began with a cri de coeur letter in A Life Force is a more transition al collection
ish se rvi ce me n killed in Iraq . the sea off the coa st of Spain in the confid ent the Nurs ery World, signed " Ubique". asking for - here the stories are less about indi vid uals and
KEITH MILLER expectation that it would be washed ashore and ideas to alle viate the writer 's loneliness. One of more about the South Bronx and how it
that the briefcase attached to the body would be those who replied suggested an exchange of changed . Th is theme gets picked up rather more
opened and cop ies of its contents passed on to letters between like-minde d women . Under systematically in Dropsie Av enue, whic h takes
J ohn Berger German intelligence . The documents in que s- pseudon yms the memb ers contributed a fort- a neighbo urhood from Dutch farmland to smart
HOLD EV ER YT HIN G DEAR tion, whic h included a letter from Lord Mount - nightl y article to the editor, "U bique" at lirst, townho uses to decaying tenemen ts to burnt-out
Dispatches on surv ival and resistanc e batten to the C-in-C Medite rranean Fleet , were who stitched the entri es together into a book shells and to new housing estates. The ethnic
142pp. Verso. £ 12.99. devised to reveal an Allied plan to recapture with a decorative lin en cov er , which wa s circu- charact er of Dropsie Avenue chan ges as often
978 84467 1380 Southern Europe throug h Greece - rather than lated by post. The first memb ers were recruited as hemlin es - Eisner is mord ant about the way
(as was in fact the case) thro ugh Sicil y and from Nurse ry World respond ents and later one s there are always nati ves and newcomers. All of
Italy. by persona l recommendation, the last in the these are pat, tight narrative s whose ironies are
A ny book by John Berger is an event. This
one is more fragmentary than some of its
predecessors, but his is an art of fragment s, and
Operation Heartbreak is a novel by Duff
Coop er, first published in 1950, about the imagi-
early 1950s. They all had to be mothers but
mothers who coul d write engagingly about all
nothing new ; Eisner ' s drawing style gives them
universality and a poignant darkness.
admirer s will recognize the charact eri stic blend nary career and love life of the man whose body their experiences and intere sts, not ju st about Ro z KAVENEY
lucy.smart@newsint.co.uk
www.the-tls.co.uk
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THI S W E EK 'S CO NTRIB UT O R S IN N E X T W E EK' S
J ad Adams 's recent books incl ude publis he d last year. Her Villa ges of most rece nt book is Methodism : Rob ert Sh ore is wr iting a book o n th e
TLS
Pankhurst, 2003, and Kipling , 2005. Vision is to be pub lished in a revised Empire ofthe sp irit, 2005 . seventee nth-ce ntury dram atist
P aul Bindin g ' s With Vine-leaves in ed itio n later this year. Mark Kamine is As sistan t Willi am Davenant.
His Hair : l bsen and the artist was Richard Davenport-H ines is the Produ cti on M anager o n The Adam I. P . Smi th is a lect urer in
publis hed last year. author of The Pursuit ofObliv ion: Sopranos . He rece nt ly lin e-produ ced A me rica n Hi story at University
K ale Bro wn is an Ass ista nt Professor A global history ofnarcotics, Interview, a movie starring Steve Co llege Lo ndo n. He is the author of
at UMBC in Maryland. Herbook,A 1500-2000,200 1, and A Nigh t at the Busce m i and Sienna M iller. No Party Now: Polit ics ill the Civil
Biography ofNo Place: From ethnic Maj estic, pub lished last yea r. He is Ro z K a veney ' s book Teen Dreams: War North , pub lis he d last year.
borderland to Soviet heartland, won co mp let ing a biogr aphy of Lady Reading teen film and television from Matthew Sween ey ' s Selected Poems
the America n Historica l Association's Desborou gh. Hea thers to Veronica Mars was was p ublished in 2002. He edi ted The Ferdinand Mount
George Lou is Beer Prize for 2004. Patrick Denman F la ner y rece ntly publis he d last year. New Faber Book ofChildren 's Verse,
P aula Byrne is the au thor of Jane fini shed a doctor at e in Engl ish at St Richard Lea works at Guardian 200 1. The ration-book
Austen and the Theatre, 2002, and Cross Co llege, Ox ford . He is a Unlimited Books. Bharat T andon tea ch es at St A nne ' s
Perdita: The Life ofMary Robinson, teac hing associate in the Universi ty o f Bernice M artin is Emer itus Reader in Co llege , Ox for d . Hi s book Jane w orld
2004. Sheffield ' s Sc hoo l of Eng lish. Soc io logy at the Unive rsity of Lo ndo n. Au stell and the Morality of
J ames Car ley's mos t rece nt book is Ea m on Duffy is Pro fes sor of the She is co mp leting a boo k, with David Conversation wa s published in 200 3.
The Books of King Henry VUI and His Hi stor y of C hr istia nity at the M artin , on Pentecostali sm. John Ur e's rece nt books inclu de
Wives, 2005, and he is completi ng an Unive rsity of Ca mb ridge, and a Keith Miller' s book abo ut St Peter 's Pilgrimage: The great adv enture of William Fitzgerald
ed itio n and tran slatio n of John Fe llow of Magdale ne Co llege. He is Bas ilica wa s pub lis he d ea rlierthis the Middle A ges, published last yea r,
Lelan d ' s De uiris illustribu s for the author of The Stripp ing ofthe year. and IIISea rch ofNomads , 200 3. Sex in a
Ox ford Medieval T exts. He is based at Altars: Traditional religion in Jerem y No el-Tod is writing a Ph D Alexander Ur q u ha r t is a ga rde n
York Un iversity in Toront o. England 1400-/580 ,1 992 . o n T . S. E liot at Trini ty Co llege, designer.
Roman mirror
Na tasha C ooper 's new no vel, A George Garnett is a Fe llow and T utor Ca mbri dge. Michael White is an assis ta nt ed itor
Greater Evil, was pub lis hed earl ier in Modern H istory at St Hu gh ' s J . A. No r th is Eme ritus Prof essor of at the Guardian , w hose po litica l
this year. Co llege , Oxford . Hi s most rece nt
book is Conquered England:
Hi stor y at University Co llege Lon don. ed itor he wa s from 1990 to 2006. David Papineau
Sa ra h Curtis' s most recent book was He is the co -author of Religions of Hugo Williams ' s most rece nt
Children Who Break the La w, 1999. Kingship, succession , and tenure Rome, 1998. co llec tion of poe m s is Dear Room , Principles
She edi ted the three vo lumes of 1066 - 1166, pub lis he d thi s yea r. Sop hie Ratcliffe is Brit ish Acade my publis he d last year.
W ood ro w Wyatt's Journals, Charlie G ere is a Reader in New Post Doctor al Research Fe llow, Bee Wilson is writing a history of for poker
1998-2000. M edi a Research at th e In stitu te for worki ng o n ideas of sympath y an d food adulterat ion. She is the author of
Alex Danchev is Pro fessor of C ultural Research , La ncas ter se ntime ntality . She is working o n The Hi ve: The story ofthe hon eyb ee
Int ern ati onal Rel ati on s at the Unive rsity . a se lec ted ed ition of the lett er s of and us, 2004 .
Unive rsity of Nottingha m . H is most Oli ver Ha r r is is studyi ng the P. G . Wodeh ou se. T . P . Wiseman is Professor E me ritus Michael Saler
recent book s are the co llect ion of Shakespeare in H istory MA at Andrew Rosenheim ' s no vel Keeping of Clas sics at th e Uni versity of Exe te r.
essays The Iraq War and Democratic Unive rsity Co llege Lo ndo n. Secre ts was pub lishe d in 2005 . Hi s book The Myths ofRome appeared Yiddish in
Politics, 2004, and Georges Braque: Thomas H eal y is Professor of Alison Sh ell is a lecturer in E ng lish at in 2004.
A biography, recentl y published in Renai ssan ce Stud ies at Birkbeck Du rham Univers ity . She is the author C o r r ect io n: O live r Rey no ld s' s poe m
Michael C habon
pa per back. Co llege , Lon don . o f Catholicism, Controversy and the "Dear Angclo" (J une 1) begi ns "We
G ill ia n Darley is th e author of David H empton is a Pro fes sor of English Literary Ima gination, are lo okin g at the past . . ." , not , as
John Evel yn: Living f or ingenuity, Hi stor y at Harvard University. Hi s 1558- 1660, 1999. printed, "the po st".
R a lll tl } ,llh l The Clay Sanskrit Library makes everything easy and enjoyable for any reader: the
R~I)L
lhree Sanskrit text, written in familiar Roman letters, faces the new English translation,
rh ~ rrr~ ,1 and the convenient pocket size is both elegant and practicaL In addition to the nine
by\:II I1I IJ..1 volumes of the Ramayana and thirty-two volumes of the Maha-bharata, The Clay
Sanskrit Library will include more than fifty other classics of Sanskrit literature.
BIRTH OF KUMARA
: .. LOVE LYRICS RAKSHASA'S RING
By Kali·dasa. Translated by David Smith. By Amaru and Bhartri·hari. Translated by Greg Bailey. By By Vishakha·dalta. Translated by Michael Coulson.
Bilhana. Edited and translated by Richard F Gombrich.
THE EMPEROR OF THE SORCERERS (VOL. 1) RAMA BEYOND PRICE
By Budha·svamin. Ediled and lranslated by MAHA·BHARATA BOOK 2: "THE GREAT HALL" By Murarl, Edited and translated by Judit T6rzs6k.
Sir James Mallinson. Translated by Paul Wilmot.
RAMAYANA BOOK 1: "BOYHOOD"
THE EMPEROR OF THE SORCERERS (VOL. 2) MAHA·BHARATA BOOK 3: "THE FOREST" (VOL. 4) By Valmfki. Translated by Robert Goldman.
By Budha·svamin. Ediled and lranslated by Translated by William Johnson.
RAMAYANA BOOK 2: "AYODHYA"
Sir James Mallinson.
MAHA.BHARATA BOOK 4: "VIRATA" By Valmfki. Translated by Sheldon I. Pollock.
THE EPITOME OF QUEEN L1LAVATI (VOL. 1) Translated by Kathleen Garbult.
RAMAYANA BOOK 3: "THE FOREST"
By Jina·ratna. Edited and translated by Richard Fynes.
MAHA·BHARATA BOOK 7: "DRONA" (VOL. 1) By Valmfki. Translated by Sheldon I. Pollock.
THE EPITOME OF QUEEN L1LAVATI (VOL. 2) Translated by Vaughan Pilikian.
RAMAYANA BOOK 4: "KISHKiNDHA"
By Jina·ratna. Edited and translated by Richard Fynes.
MAHA·BHARATA BOOK 8: "KARNA" (VOL. 1) By Valmfki. Translated by Rosalind Lefeber.
FIVE DISCOURSES ON WORLDLY WISDOM Translated by Adam Bowles.
RAMAYANA BOOK 5: "SONDARA"
By Vishnu·sharman. Edited and transialed by
MAHA·BHARATA BOOK 9: "SHALYA" (VOL. 1) By Valmfki. Translated by Robert Goldman and
Palrick Olivelle.
Translated by Justin Meiland. Sally Sulherland Goldman.
THE HEAVENLY EXPLOITS: BUDDHIST
MESSENGER POEMS THE RECOGNITION OF SHAKONTALA
BIOGRAPHIES FROM THE D[VYAVADANA
By Kali-dasa, Dhoyi, and Rupa Go·svamin. Edited and By Kali·dasa. Edited and translated by
Ediled and lranslated by Joel Talelman.
translated by Sir James Mallinson. Somadeva Vasudeva.
"THE LADY OF THE JEWEL NECKLACE" &
MUCH ADO ABOUT RELIGION THREE SATIRES
"THE LADY WHO SHOWS HER LOVE"
By Bhatla Jayanta, Edited and translated by By Nila-kantha, Kshernendra, and Bhallata. Edited and
By Harsha. Translated by Wendy Doniger.
Csaba Dezs6. translaled by Somadeva Vasudeva.
THE OCEAN OF THE RIVERS OF STORY (VOL. 1) WHAT TEN YOUNG MEN DID
By Soma·deva. Translated by Sir James Mallinson. By Dandin. Translated by Isabelle Onians.
11
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