Human Perceptions of Recycled Textiles and Circular Fashion: A Systematic Literature Review
Human Perceptions of Recycled Textiles and Circular Fashion: A Systematic Literature Review
Human Perceptions of Recycled Textiles and Circular Fashion: A Systematic Literature Review
Review
Human Perceptions of Recycled Textiles and Circular
Fashion: A Systematic Literature Review
Melissa Monika Wagner * and Tincuta Heinzel
School of Design and Creative Arts, Loughborough University, Loughborough LE11 3TU, UK;
T.Heinzel@lboro.ac.uk
* Correspondence: M.M.Wagner@lboro.ac.uk
Received: 5 November 2020; Accepted: 16 December 2020; Published: 18 December 2020
Abstract: The textile and fashion industry has had significant technological developments but is
currently criticised for its environmental and social impacts and for being a major contributor to
waste. The rise of the circular economy (CE) has promoted more sustainable concepts, including the
trending of recycling strategies to add value to the textile and plastic waste. However, adding value
to products and for users implies technical upscaling and clear communication about the benefits of
recycling. This paper presents a systematic literature review (SLR) and explores the state of the art of
recycled textiles (RT) and circular fashion (CF) as perceived by humans. The literature review was
performed on the basis of journal articles, book chapters, and conference papers using the ScienceDirect
(SD) and Web of Science (WoS) databases. The review identified that a significant proportion of
consumers from different countries have a basic understanding of sustainable products but that
there have been differences in consumers’ attitudes towards sustainable purchase, use, consumption,
and post-purchase behaviour. Diverse and even contradictory results occurred concerning the
relationships between RT and CF and their perceived product attributes in terms of quality and
functionality, as well as social-cultural factors. Manufacturers’ and brands’ perceived values of RT
were observed to be influenced by different factors on the basis of the recycling system and cultural
values, while designer attitudes towards sustainability were observed to be influenced by external
factors. This review contributes to the creation of three main implications in terms of environmental
impact and awareness, including actions and concrete proposals for RT and CF.
Keywords: recycled textiles; circular fashion; textile waste; recycling; perception; consumer behaviour
1. Introduction
The high consumption and disposal of fast fashion are creating large numbers of post-consumer
textile waste from end-consumers. Estimations by the Waste and Resources Action Programme (WRAP)
report [1] refer to 1,130,000 tonnes of clothing and household textile purchases and a carbon footprint
of 26.2 million tonnes CO2 e in 2016, with the UK having the highest consumption rate in the EU
with 26.7 kg per capita in 2010 [2]. Moreover, the fashion and textile industry generates industrial
by-product textile materials in terms of fibres, fabrics, and overproduction, resulting in post-industrial
or pre-consumer waste. Oil-based fibres estimate for 63 per cent of the total global fibre consumption
of 108 million tonnes in 2019, and further market growth is expected [3]. Polyester is the most crucial
fibre worldwide, considering its market share of around 51.5% and its production volume of more
than 55.1 million tonnes in 2018 [4]. It has been claimed that polyester is an environmentally friendly
synthetic fabric as it can be recycled if unblended or made from polyethylene terephthalate (PET)
bottles [5]. In fact, single-use PET bottles are widely available, and brands and retailers started
using them to make clothing. In 1993, Patagonia [6] launched their first ever recycled polyester
fleece “PolarFleece” made of recycled polyester from plastic soda bottles. The most common recycled
synthetic fibres are recycled polyester and polyamide [4]. Polyester is also one of the most studied
recycling materials, besides cotton [7]. The current plastic production and disposal behaviour is
significantly impacting the environment through resource depletion of fossil fuels and large amounts
of carbon emissions [8], as well as the disruption of marine ecosystems predicting more plastic than
fish in the ocean by 2050 [9]. The fast consumption of fashion made from synthetic fibres accelerates
this trend. The globalised industry has led to the low-cost production of disposable fashion. Moreover,
as recently released by the Civil Society Shadow European Strategy, the current health and economic
crisis shows that “the textile supply-chain is particularly hard hit” [10]. The COVID-19 pandemic has
again increased plastic demand and reliance [11], pointing up barriers of the current system in terms of
resource-dependency. Lockdowns have created more supply than demand for second-hand clothes
among consumers and industry. New visions and models beyond this current situation are under
development but need more political support.
Hence, companies and brands have realised the need to reduce waste and have been reintroducing
the recycling of textile scraps [12]. More sustainable manufacturing and higher rates of recycling,
along with consumer awareness, are key elements to support sustainable development and lower the
impact of the fashion and textile industry [13]. Consumers are widely seen to play a vital role to drive
sustainability, such as the EU Textile Strategy, whereby consumers are one of the “12 key points for
circular textiles” [14]. “Globalization, consumerism, and recycling” and their influence on the clothing
life cycle present different scenarios [15]. Recycling aims to reduce landfill or incineration, as well as the
sourcing of virgin materials. Textile waste can add value to the industry, as some companies perceive
cost benefits through saving landfill charges or donating textile waste [16]. Nevertheless, even though
textiles and clothing are claimed to be nearly fully recyclable [16,17], less than 1% of clothing textile
material is recycled into new clothes [18]. This percentage means that around GBP 140 million worth
of clothing is lost through landfills per year [19]. However, the analysis of the recycled textile material
ratio is complex, with some experts assessing an even lower share of the 1%, e.g., <0.1% [18]. Still,
recycling barriers such as mixed waste streams are challenging the industry [20].
Further challenges remain such as the discharge of microplastics and their potential toxicity.
Synthetic textiles such as acrylic, polyamide, and polyester are primary contributors to the microplastic
release in the environment and ocean. Synthetic clothing can shed during washing and cause plastic
microfiber pollution, whereby fleece fabric, compared to other knitted fabrics, sheds considerably more
fibres—around 110,000 fibres per garment and wash for a PET fleece [21]. Besides synthetic plastic
in terms of polyester, acrylic, polyamide, polyethylene, and polypropylene, natural and regenerated
cellulose fibres have been found to shed microfibres in southern European deep seas [22]. Furthermore,
it is assumed that textile waste can contain potentially unsafe chemicals [23], making it necessary to
develop appropriate recycling methodologies and technologies to remove restricted chemical residues.
Thus, one solution to cope with the issue of textile waste is to establish recycling of synthetics and
to develop large-scale textile-to-textile recycling [4]. There are different methods of textile recycling
from several suppliers with varieties of outcomes regarding price and quality [4]. Recycling is defined
in the EU legal acts such as “The European Waste Framework Directive” (Directive 2008/98/EC) [24].
The definition of recycling refers to material recovery and includes recovery other than energy
recovery, in terms of reuse, recycling and backfilling, and other forms of material recovery [25].
Waste management is based on the “waste hierarchy” with the following priorities (from most to least
preferred option): prevention, (preparing for) reuse, recycling, recovery, and disposal (landfilling
and incineration) [26]. The definition and distinction of the different terms are essential to apply this
legislation. However, there is no common definition, and many descriptions are used for “textile
recycling” such as “the reprocessing of pre- or post-consumer textile waste for use in new textile or
non-textile products ( . . . ) also including the recycling of non-textile materials and products ( . . . )” [7]
(p. 2). The global Non-profit Organization Textile Exchange describes “preferred fibres” [4], such as
“preferred recycled synthetic fibres” defined as “synthetic fibres that have been manufactured from
materials recovered from the waste stream” [27]. The Ellen MacArthur Foundation [18] describes a
Sustainability 2020, 12, 599 3 of 28
long-term vision for a new circular textiles economy by aiming for closed-loop clothing recycling,
described as “clothing fibres that are recycled back into fibres in clothing production” (p. 122).
Moreover, the Mistra Future Fashion research program focused on a circular fashion economy and
presented several reports and papers on the topic of textile recycling, including a comprehensive
“topology of textile reuse and recycling”, which summaries related terminology of textile recycling
from fabric and fibre recycling to polymerisation [7], and “general terminology used in the textile area”
in the two reports “The Fiber Bible Part 1 and 2” [28]. Recycling of textiles reduces “environmental
contacts” in terms of impacts, but different scenarios provide more or less environmental benefits [7,28].
In comparison to virgin textile fibres, the authors summarised that textile reuse and recycling have
environmental benefits in terms of avoided production—environmental-friendly textiles are supposed
to be manufactured with clean processes, and high replacement rates are essential for recycling, as well
as short transports and long use phases for reuse, with recycling including non-textile materials and
products [7]. The use phase estimates one-third of the environmental impacts throughout a product’s
life, according to the European Clothing Action Plan (ECAP) [29]. Besides environmental and business
benefits, there are also advantages for consumers. Filho et al. [30] reviewed the socio-economic
advantages of textile reuse and recycling models. Economic and social benefits were “empowering
consumers, suppliers and involved workers as well as adding value to businesses and communities”
(p. 4). Furthermore, it can include design as a “complimentary strategy”, such as “Design for
Cyclability”. This strategy designs virgin materials for future recycling and closed-loop systems in
terms of “recyclable fashion” with a “short life duration”. It includes design for recycling, up-cycling,
design for mono materiality, and design for disassembly [31]. This design strategy could be applied
for fast fashion consumers of “disposable fashion”, as pre-consumer waste can increase volumes of
particular styles [30].
Further substantial work is necessary to develop synthetic textile recycling. Historically,
synthetic textiles were recognised due to their “utilitarian virtues” [32] (p. 208). Recycled synthetics
such as polyester are still positively perceived for their functional or utilitarian attributes in terms of
“durable” and “economical” characteristics [33]. Synthetic fibres have good physical and chemical
properties such as high strength, durability, water, stain, or heat resistance. Besides their excellent
performance, polyester fibres are easy to process and are cost-effective [34]. It is claimed that there is
no significant difference between virgin polyesters and recycled polyesters in terms of high strength,
durability, versatility, and performance [35]. PET fibres from bottle-grade recycled co-polymer PET
material have similar properties as fibres produced from fibre-grade virgin homo-polymer PET [36].
Polyester’s wear and tear resiliency make it a long-lasting fabric, which is a critical property to enable
a more extended use phase and lower environmental impacts by cutting waste and new resources.
However, when disposed of quickly, its non-biodegradability and slow degradation process becomes a
drawback. Some fast fashion consumers intend to wear their garments only “one time” [37] (p. 149),
“a season”, or “will never wear it” (p. 153), and expect their clothing to last only “a few wears”
(p. 156) before disposal. The active use time for clothing in the UK is an average of 3.3 years [38].
Thus, textile reuse and recycling are considered essential solutions for fast fashion. There are two
leading standards for the validation of textile recycling content—the Recycled Claim Standard (RCS)
sets requirements of the recycled content, and the Global Recycled Standard (GRS) refers to the
International Organization for Standardization (ISO) 14021 definition of recycled content and includes
social, environmental, and chemical requirements. Safety and quality are essential consumer attributes.
Mechanically recycled post-consumer waste fibres for new garments can be perceived as unhygienic or
unsafe by some brands and consumers [39]. It seems that a vast range of social variables and factors
impact the consumer relationship with virgin and recycled polyester, creating positive and negative
attitudes and behaviour, including an increasing or decreasing demand towards recycled synthetics.
The efforts of marketing and advertising, as well as trends and media coverage, should be considered to
understand consumer perception and purchasing behaviour. The choice between virgin and recycled
textile products depends on the perceived benefits or disadvantages of product attributes.
Sustainability 2020, 12, 599 4 of 28
There is a cultural shift towards textiles, including cultural expression and renewed interest in
material processes [12,40]. Awareness is needed for adaption to stimulate new experimentation [41].
Besides visual response, touch and haptic perception have become central elements in art and craft.
The textile artist and weaver Anni Albers (1899–1994) was best known for her design work in the context
of the Bauhaus in Germany and the Black Mountain College in the USA [42]. Perception is a process that
can include sensory experiences [41,43], whereby information is selected, organised, and interpreted
by the receiver to form a reaction [44]. Often, branded sustainable products are designed to create
perceived quality and added emotional value that impact buying behaviour: Mihaly Csikszentmihalyi,
the author of the psychological concept of flow, researched happiness such as the phenomenological
meaning of situational happiness in different cultures [45]. For example, Nicolao et al. [46] studied
whether experiential purchases could make consumers happier than material purchases. There have
been several studies on the consumption of sustainable fashion and textiles and the relation of product
attributes, consumer attitudes, and behaviour [47–52]. For example, the fibre content of clothing is one of
the most important factors influencing consumers’ purchase intention [53]. In the case of full consumer
satisfaction of personal needs and other factors, communication in terms of additional information
on environmental benefits can add value [54,55]. Similarly, the communication of the benefits of
fibre-to-fibre recycling can avoid potential negative assumptions [39]. Therefore, consumers’ awareness,
attribute importance, and perceived value become crucial for the success of recycled synthetic textile
products. Rucker’s [56] review on “consumer perceptions of recycled textile fibres” considered
consumers’ positive and negative attitudes and their relation to consumer characteristics as well as
external factors such as media attention, influencing “the green market”. Social media and its effect on
sustainable fashion consumption were studied by Strähle and Gräff [57]. Furthermore, Rucker [56]
compared perceptions of “traditional” and “recycled” textile fibres and materials, looking at the
fibre content; material blend and label prices [53]; fibre performance [58]; premium prices, choices,
or availability; aesthetics [55]; and fashion-image and credibility [59]. Researchers studied the
perception of different economic models including waste disposal and recycling in terms of circular
business models, such as the Circular Economy (CE) [60,61], and its definition, trends, and relationship
to other research streams such as cradle-to-cradle by McDonough and Braungart [62]. Circularity is
considered crucial, and researchers claim that “recycling is linear” if no circular strategy is adopted,
including reuse, recycling service models, and transferring skilled remanufacturing processes (people to
create awareness) [63]. According to the production and consumption cycle, sustainability varies
within fashion business models [64].
Consumers have become more reactive, showing awareness and concerns, as well as willingness
to change behaviour and use alternatives. Correspondingly, the textile industry, including brands
and retailers, has developed sustainable alternatives such as recyclable or renewable materials
and promoted sustainable strategies. The case of synthetic fibres throughout history demonstrates
contrary perceptions—plastic as both a “wonder” and a “threat”. Likewise, consumer response is
often controversial, and it is complex to identify the individual rationales behind this phenomenon.
Consequently, some academics have tried to collect a range of perceptions regarding textile materials
and designs. This research aims to understand the perceptions of recycled textiles (RT) and circular
fashion (CF) within the context of the CE and from a historical and cultural perspective.
This review paper has the following objectives:
1. To assess the awareness and value-meaning of sustainable concepts and fashion models.
2. To evaluate the positive and negative attitudes towards environmental and socio-economic issues
within the production processes and consumption activities related to consumer use, appreciation,
textile waste, disposal, and recycling.
3. To determine the state of the art on the response to textile waste and recycling including cultural
and historical perspectives.
Sustainability 2020, 12, 599 5 of 28
1. What is the consumer and the industry awareness of environmental and social issues related to
textile waste, and how is this measured?
2. What are the positive and negative consumer and industry attitudes towards RT and CF concepts?
3. What are the contexts of responses to textile waste including cultural and historical perceptions,
and what kind of strategies should be adopted in the future to facilitate textile recycling in terms
of consumers and textile manufacturers, brands, and retailers’ attitudes? What are some of the
critical issues in the conducted studies?
Then, the next step of screening and sorting of relevant data took place. After conducting
an in-depth literature survey, we implemented exclusion criteria to shape the literature review.
Identified studies which were not available were eliminated from an examination, as well as articles
which provided duplicated studies from the same author, or studies on similar research questions
on identical datasets. Furthermore, those studies which were only related to consumer preferences
referring to textiles but not subjected to the theme of RT or CF were also eliminated. The inclusion and
exclusion criteria are summarised in Table 2.
Table 2. The inclusion and exclusion criteria in the systematic literature review (SLR), adapted from
Adro and Leitão [67].
Finally, after analysing the information obtained from the databases, we conducted the first search,
which resulted in several documents that were screened and evaluated for relevancy by analysing the
abstracts, leading to a significant decrease in sample size. Moreover, 3 articles that were double in the
2 databases were excluded. Figure 1 shows the selection steps for the reviewed articles.
Sustainability 2020, 12, 599 7 of 28
Sustainability 2020, 12, x FOR PEER REVIEW 7 of 28
sustainable recycled textile fibres, waste, and perceptions have come from additional sources such as
Sustainability 2020, 12, x FOR PEER REVIEW 8 of 28
books and proceeding papers.
Figure 2. The distribution of papers in year of publication. The years 2020/2021 are not complete as the
Figure 2. The
literature distribution
search of papers in
ended in September year of publication. The years 2020/2021 are not complete as
2020.
the literature search ended in September 2020.
The ranking of the most cited papers in the citation indexes of SD and the citation network
The
of the WoS40 Core
reviewed research
Collection articles research
presented were published
articles,inexcept
the Journal of Cleaner
the second rankedProduction (4 times),
paper, which is a
Resources
literature Conservation and Recycling,
review on consumer attitudesand Sustainability
and their clothing (3 disposal
times), as well as inThe
behaviour. themost
Autex Research
cited paper
Journal,
by Davis International Journal
et al. [70] was of Consumer
a survey Studies,recycling
to understand Journal ofparticipation
Product and in Brand
the UKManagement,
(see Table Journal
3). of
The Textile Institute, Sage Open, and the Textile Research Journal (2 times). The 3 journals most often
2.2.2. Trends
selected relateofdirectly
ResearchtoStudies and Topics
the reviewed research field, covering research on cleaner production,
environmental, and sustainability research
The theories applied in the reviewed articles and practice (Journaltoofconsumer
mainly referred Cleaner Production); sustainable
behaviour models such
management
as the attitudeand conservation
theories of resources (Resources
and the attitude–behaviour Conservation
relationships models. and MostRecycling); as wellwere
essential theories as
environmental, cultural, economic, and social sustainability of human beings, and studies
recorded as the theory of reasoned action [71,72] applied to analyse consumer and designer attitudes and related to
sustainability and sustainable development (Sustainability). For example, the
behaviours, as well as the theory of planned behaviour [73], investigating the attitude–behaviour gap.growing trend of
publications related to the
Other consumer-related CE was
theories recorded
referred to thefor the Journal
consumer of Resources,process,
decision-making Conservation and consumer
including Recycling
[69]. Other notable contributions to sustainable recycled textile fibres, waste, and
preference and willingness to buy, sustainable consumption drivers and barriers, as well as consumer perceptions have
come
valuesfrom
suchadditional sourcesof
as the typology such as booksvalue
consumer and proceeding papers.applied sensory evaluation and
[74]. Few studies
studied perception, for example, for materials [75] using sensorial of
The ranking of the most cited papers in the citation indexes SD and
scales. the citation
Several network
other theories of
were
the WoS Core Collection presented research articles, except the second ranked
used such as the unified theory of acceptance, the use of technology, the source credibility theory, paper, which is a
literature
as well asreview on consumertheory
the contamination attitudes and their
[76–78] clothing disposal
and behavioural behaviour.
avoidance The moststimulus
of a negative cited paper
[79].
by Davis et al. [70] was a survey to understand recycling participation in the UK
Moreover, product storytelling “narrative” and the institutional theory and customer behaviour [80] (see Table 3).
were discussed. Hence, a diverse range of case studies was seen in several articles [81–88].
Table 3. The most cited papers.
The methodologies applied in the reviewed articles were recorded as mainly quantitative
methods such as survey in terms of an online questionnaire, Author,using illustration, and the mall intercept
Rank Title Journal Citations
method [89]. Qualitative methods applied were mostly Year interviews in terms of unstructured or
Demonstrating
expert interviews. the needworkshops
Moreover, for the development
and experiments were used, such as sensorial experiments,
online of
field internal research
experiments, as capacity:
well as Understanding
testing. Davisused
Several studies et al.,two-Resources, Conservation
or three-stage mixed methods
1 63 [90]
recycling participation using the Theory of 2006 and Recycling
such as qualitative open-ended questions and quantitative survey, survey, and experimental study,
Planned Behaviour in West Oxfordshire, UK
as well as interview, survey, and semi-Delphi [91] methods. Further, several case studies were found in
Doing the ‘dirty work’ of the green economy:
Gregson et
the articles, as well as several other single-used methodologies. European Urban and
2 Resource recovery and migrant labour in the 20
al., 2016 Regional Studies
EU
Between classification, objectification, and
Botticello, Textile—The Journal of
3 perception: Processing secondhand clothing 18
2012 Cloth and Culture
for recycling and reuse
Sustainability 2020, 12, 599 9 of 28
Furthermore, the research studies of the reviewed articles had a wide geographical range.
The countries covered most were the United Kingdom (5 times) and United States (4 times), India and
Malaysia (3 times), as well as Australia, Italy, Korea, and The Netherlands (2 times). Other countries
studied were Brazil, Canada, China, the European Union, Finland, Germany, Hong Kong, Lithuania,
Poland, France, Spain, Romania, Slovenia, and Turkey. Some articles carried out international studies,
hence selecting several countries.
With reference to the network visualisation of the bibliometric data, Figure 3 shows the relationship
of topics and articles related to the perception of RT and CF, presented within 3 clusters.
The 18 items within the 3 clusters–(1) value (red colour), (2) clothing (green colour), and (3)
impact (blue colour)–emerged as the following. In cluster (1) (9 items), the main topic refers to
value (occurrences: 13). Value mainly referred to consumer added value related to sustainability and
the products’ symbolic value [46,92–94]. Other value-related mentions were value orientations [95],
value for money [96], economic value added to companies [82,85], the fashion index value [97],
and poor value appropriation for recycling [87]. Value can be added through a diverse range of
strategies (occurrences: 11) and responses (occurrences: 9), including a practical recycling strategy [85],
marketing communication strategy [98], strategy of past identity [99], or a collective strategy in terms
of the implementation of life cycle assessment (LCA) [79]. Responses related mainly to marketing [99].
Other topics were disposal (occurrences: 7) in terms of clothing disposal behaviour, sample (occurrences:
Sustainability 2020, 12, 599 10 of 28
7) referring to the study samples, as well as textile (occurrences: 6), landfill (occurrences: 6),
reuse (occurrences: 6), and textile waste (occurrences: 5). In cluster (2) (5 items), the main topic refers
to clothing (occurrences: 10) and the fashion industry (occurrences: 5) in relation to sustainability
(occurrences: 8) and awareness (occurrences: 6), as well as research participant (occurrences: 6).
Cluster (3) (4 items) presents the main topic impact (occurrences: 12) and refers to the importance
(occurrences: 6) and need (occurrences: 6) related to the environment (occurrences: 5). Most studies
highlighted the importance of the sustainability concept in the fashion industry [100]. To summarise,
the first cluster refers to actions and concrete proposals, the second cluster contains studies regarding
awareness, and the third cluster includes programmatic papers comprising the need to discuss the
environmental impact.
Sustainability 2020, 12, x FOR PEER REVIEW 10 of 28
Figure 3. The
Figure three
3. The threeclusters ofresearch
clusters of research topics
topics related
related to theto the perception
perception oftextiles
of recycled recycledand textiles
circular and
fashion.
circular fashion.
The 184,items
In Figure within the 3 clusters–(1)
the development value articles
of the research (red colour),
over(2) clothing
time (greenwhereby
is shown, colour), and (3)
the articles
impactin(blue
published 2013colour)–emerged as the following.
focused on awareness In cluster (1) (9
and environment items),to
related thetextiles,
main topic
andrefers to value
the more recent
(occurrences:
publications shifted 13). Value mainly
tox topics referred
focused to consumer added value related to sustainability and the
Sustainability 2020, 12, FOR PEER REVIEW on value and sustainability with relation to textile waste. 11 of 28
products’ symbolic value [46,92–94]. Other value-related mentions were value orientations [95], value
for money [96], economic value added to companies [82,85], the fashion index value [97], and poor
value appropriation for recycling [87]. Value can be added through a diverse range of strategies
(occurrences: 11) and responses (occurrences: 9), including a practical recycling strategy [85],
marketing communication strategy [98], strategy of past identity [99], or a collective strategy in terms
of the implementation of life cycle assessment (LCA) [79]. Responses related mainly to marketing
[99]. Other topics were disposal (occurrences: 7) in terms of clothing disposal behaviour, sample
(occurrences: 7) referring to the study samples, as well as textile (occurrences: 6), landfill (occurrences:
6), reuse (occurrences: 6), and textile waste (occurrences: 5). In cluster (2) (5 items), the main topic
refers to clothing (occurrences: 10) and the fashion industry (occurrences: 5) in relation to
sustainability (occurrences: 8) and awareness (occurrences: 6), as well as research participant
(occurrences: 6). Cluster (3) (4 items) presents the main topic impact (occurrences: 12) and refers to
the importance (occurrences: 6) and need (occurrences: 6) related to the environment (occurrences:
5). Most studies highlighted the importance of the sustainability concept in the fashion industry [100].
To summarise, the first cluster refers to actions and concrete proposals, the second cluster contains
studies regarding awareness, and the third cluster includes programmatic papers comprising the
need to discuss the environmental impact.
In Figure 4, the development of the research articles over time is shown, whereby the articles
published
Figure Figurein4. 2013
4. The The focused on
development
development awareness
of of
the research
the and
research environment
articles
articles over time related
timefrom to textiles,
fromawareness
awarenessto to and the more
value-related
value-related recent
topics.
topics.
publications shifted to topics focused on value and sustainability with relation to textile waste.
3. Results
The results in the following section are linked to the three topics of awareness, needs, and actions
(see Figure 3), and the development towards value-related topics (see Figure 4). This chapter presents
the analysis of the 47 articles selected for qualitative synthesis to investigate human perception of RT
and CF. An overview of the articles is presented in Appendix A.
The analysis was based on the two major consumer behaviour topics of awareness and attitudes,
which are linked to behavioural responses: (1) awareness, in terms of consumer and industry
Sustainability 2020, 12, 599 11 of 28
3. Results
The results in the following section are linked to the three topics of awareness, needs, and actions
(see Figure 3), and the development towards value-related topics (see Figure 4). This chapter presents
the analysis of the 47 articles selected for qualitative synthesis to investigate human perception of RT
and CF. An overview of the articles is presented in Appendix A.
The analysis was based on the two major consumer behaviour topics of awareness and attitudes,
which are linked to behavioural responses: (1) awareness, in terms of consumer and industry awareness
of general clothing sustainability, (1.1) consumer awareness of recycling and disposal, and (1.2) industry
awareness of recycling, as well as (2) attitudes and response including perceived values, in terms of
(2.1) consumer attitudes, and (2.2) industry attitudes.
being conscious of recycling and perceiving it as a sustainability concept of the fashion industry [100],
the consumer disposal of fashion has remained a research gap compared to other successful material
recycling options such as glass, plastic, and paper [92]. The study in the UK by Ritch [92] found that
there was limited awareness of fibre recycling and its sustainable contribution. A study conducted
in India by Norris [108] referred to the growing Indian consumer awareness of recycling as an
environmentally friendly practice, as well as recycling as an ancient process that is even linked to
reincarnation [108]. A quantitative study carried out in Malaysia by Yee et al. [106] focused on
the clothing disposal behaviour of young fashionable consumers and showed that it is affected by
philanthropic awareness and somewhat by the attitude towards clothing disposal. The authors
suggested that these insights could be used by the government and related authorities or organisations
to develop strategies accordingly to foster consumer clothing recycling [106]. Moreover, the consumer
experience of a collaborative redesign can help to raise awareness of redesigned and sustainable
clothing [109].
in terms of lower perceived quality. The study by Park and Lin [112] assumed that many consumers
in Korea have a positive attitude toward sustainable products. Nevertheless, this attitude does
not influence green buying behaviour, referring to the green purchase gap. Other factors and the
product type influence the intention–behaviour—positive perceived utilitarian values in terms of
quality and performance, consumer effectiveness and reduced availability, and economic risk are
important for recycled (second-hand) and upcycled fashion products. Consumer effectiveness is a
consumer belief that actions can affect the environment [113], whereby respondents perceived that
upcycled products have more utilitarian value than recycled products but have high economic risk.
In addition, recycled fashion products were found to have more availability risk than upcycled fashion
products [112].
out in India by O’Reilly and Kumar [87] highlighted the importance of “sense of duty” in attitude
formation of an intention to recycle garments. Additional important factors were the availability and
accessibility of recycling options, as well as self-efficacy issues [87]. Other positive consumer attitudes
towards clothing disposal behaviour referred to charity issues and related to education, knowledge,
and understanding of effective disposal methods [106,122].
4. Discussion
In this section, the results of the SLR are discussed regarding the perception of RT and CF to
understand the influence of recycling upon the society, economy, and environment through contextual
aspects. The paper concludes with research gaps, future research suggestions, and limitations.
According to the previously defined research questions, we discuss the following aspects in detail,
corresponding to findings of the reviewed articles.
• Sustainability in general;
• Consumer recycling and disposal;
• Industrial recycling.
The reviewed articles discussed consumer awareness as well as industry awareness in terms of
companies, brands, and designers. For example, Patagonia was one of the pioneering companies using
recycled polyester [6]. The two case studies by Baier et al. [88] and Wang and Shen [84] analysed the
sportswear brands Adidas and Patagonia and their recycled products. Additionally, researchers are
interested in industry awareness of recycling in terms of designer awareness. This study proved that
the “sustainability gap” also exists among practitioners [101]. Still, manufacturers felt the pressure
towards increased recycling practices.
When analysing the awareness towards sustainability, on the one side, it was found that consumers
have an increasing awareness of sustainability in general. On the other side, little and complete lack of
awareness exists among consumer groups. Awareness was measured in different ways. Awareness was
assessed in terms of environmental issues and ocean plastic recycling [96]. Recycling was seen as an
ancient process that is even linked to reincarnation [108].
Awareness can influence sustainable fashion consumption. For example, clothing disposal was
positively affected by philanthropic awareness [106]. Accordingly, the development of strategies
is needed to foster consumer clothing recycling [106], and unique consumer experience can help
to raise awareness through, for example, collaborative redesign [109]. Hence, such sustainable
fashion models and concepts mentioned in the reviewed articles were, for example, upcycling and
collaborative redesign.
The accessibility of products in terms of widely available and mainstream point of sales might
stimulate awareness and consumer behaviour, but consumer perception of fashion production processes
such as usage of chemicals might still be limited [92]. The sustainability concept in the fashion industry
is perceived as limited to the usage of organic materials and recycling [100]. However, there was
limited awareness of fibre recycling and its sustainable contribution [92]. For example, Testa et al. [83]
studied the implementation of LCA among SMEs as a collective strategy for exploiting recycled wool.
Still, more concrete LCA studies are needed to determine the environmental and social impacts.
There are numerous variables such as consumer demographics or product attributes that influence
consumer attitudes towards RT and CF and recycling behaviour. As Park and Lin [112] showed,
general consumer attitudes are positive toward circular products, but this might not positively
influence green buying behaviour due to other factors, such as perceived values and the product
type. For example, running shoes made of ocean plastic received higher purchase intention than a
sweater [96]. In collaborative redesign, consumers can be uncertain and may have negative attitudes
towards garment-type requirements and time [109], as convenience is crucial [127]. Additionally,
consumers can feel powerless [117].
Perceived environmental and economic advantages exist and could be stimulated through
additional value attributes in terms of novelty and play, as well as increased familiarity [92]. The positive
attitudes towards the creation process of upcycling, such as enjoyment and fun [112], correspond to the
findings of happiness in activities by Csikszentmihalyi and Wong [45]. Similarly, Kamleitner et al. [99]
found that past identity salience through storytelling results in positive consumer response. Moroever,
multiple communication channels, the shopping experience, and digital services could create additional
value for consumers [47].
Industry attitudes were highly influenced by external factors such as client preferences [101].
Nevertheless, the benefits of recycling were perceived, such as the expertise in sorting that can increase
the brand value [126]. In one study, it was suggested that chemically recycled fibres could be perceived
as more “clean” and culturally acceptable than mechanically recycled fibres [94].
4.3. Contexts
Various disciplines and studies were used to understand how RT and CF impact society. As seen
from the journal selection of the articles reviewed in Section 2.2.1, research related to social sciences
and humanities in terms of consumer behaviour, and subjects such as sustainable development
and consumption, as well as sustainable products and services. Fields included marketing and
branding, business, economy and waste management, product design, as well as fashion and
culture. As seen in Section 3.1, the growing trend of the CE concept created awareness among
consumers and industry towards sustainable developments in terms of textile waste recycling.
This movement could also involve firm engagement with NGOs to support consumer adoption of
sustainable products [81]. For example, the registered UK charity WRAP works with governments,
businesses, and communities to accelerate the move to a sustainable, resource-efficient economy.
Global politics are keenly promoting the CE through consortia such as the Organisation for Economic
Co-operation and Development (OECD) and United Nations Environment Programme (UNEP), as well
as through reports and events [69]. For example, the UN environment programme presents a circularity
platform (www.buildingcircularity.org, 2020), focusing on the plastics, textiles, and electronics sectors.
According to the European Urban Knowledge Network (EUKN) [128], the country leaders of CE
policies in Europe are Denmark, Germany, the Netherlands, and the UK [69]; in Asia, early pioneers
are Japan and China [69]. Several studies targeted the UK, and the survey carried out in the UK by
Davis et al. [70] was the most cited paper. The UK has increased interest to implement the CE with
reference to its heritage and economy—besides having the highest textile consumption rate in the
EU [2], the UK is among the top 10 EU textile and clothing producers, with an economic value of GBP 9
billion [14]. According to the perspective of Hawley [16], the textile recycling process is a global system.
Increased textile waste globally makes it necessary to implement disposal strategies and cross-cultural
research. For instance, Ianole-Calin et al. [95] found different consumer attitudes toward collaborative
consumption in Romania and Italy.
Several of the reviewed articles used case studies [81–88] and had various specific contexts to
study consumer and industry perceptions in terms of textile manufacturers, brands and retailers,
and designers, considering geographies, cultures, specific situations, as well as garment types. This more
restricted context makes it difficult to generalise these results. For example, Baier et al. [88] focused
on the perspective in an apparel and sportswear context. Furthermore, responses to RT and CF were
Sustainability 2020, 12, 599 18 of 28
discussed within the contexts of circular business models such as the CE [60,61], as well as sustainable
design strategies such as “design for cyclability” [28]. Researchers in the sustainability field have
established ground-breaking concepts for sustainable development and waste management, such as
the “cradle-to-cradle” philosophy by architect McDonough, as well as the work of process engineer
Braungart [62], who with regards to the notion of “why being ‘less bad’ is no good” states the limited
benefits of merely reducing, recycling, or downcycling. In one article, consumers had similar attitudes
towards the quality of recycled materials, perceived as “not as good” but “improving” compared to
conventional materials [92] (p. 275). Negative perceptions towards RT were linked to contamination
theories. In social sciences, de Coverly et al. [129] discussed “the social avoidance of waste” and stated
that “waste is socially sensitive”. Derksen and Gartrell [130] studied the social context of recycling
and found that besides concern and attitudes towards the environment, people need access to a
structured recycling program to adopt pro-environmental behaviours in terms of recycling. Several of
the reviewed articles considered accessibility and convenience as dominant factors. For example,
availability and accessibility of recycling options were important factors to facilitate attitude formation
of an intention to recycle garments [87], with widely available and mainstream point of sales stimulating
awareness of recycled products [92]. Recycling exists far back in history and has often emerged in
a new way or trend, for instance, upcycled saris that were used then and now in different contexts,
with reference to “reincarnation” and creating cultural meaning [108].
factors on the basis of the recycling system and cultural values, while designer attitudes towards
sustainability were observed to be influenced by external factors. Our qualitative analysis of the
literature review showed that most of the reviewed articles focused on case studies addressing specific
contexts. This is the reason why any attempts to transfer the findings from one context to another
might be difficult, and no general rules related to the implementation of sustainability paths can be
applied in every context.
Therefore, main clusters of research topics and their development over time are identified, and the
analysis of the results lead to a new research agenda and vision of RT and CF. On the basis of
these findings, we can provide a number of implications according to the identified clusters which
require further research and policy actions, as well as professional management: “need to discuss
the environmental impact”, “studies regarding awareness”, and “actions and concrete proposals”,
as well as “value”, and “sustainability of textile waste”. These clusters could serve as a starting
point to develop future research and a vision for sustainable and circular practices, as well as to help
policymakers and practitioners to further engage in solutions for a sustainable textile and clothing
industry. Textile leaders could include these implications for sustainable and circular practices to
facilitate decision-making processes.
Nevertheless, this SLR has limitations regarding the restricted use of two databases and its
exclusion of grey literature. Furthermore, the focus of this manuscript was constrained to two main
consumer behaviour topics, excluding other areas which could be reviewed in further research.
Nevertheless, this study presents an important overview of the available literature in the field of
human perceptions of RT materials and CF practices in the textile and clothing industry, including a
descriptive analysis of the paper distribution in years, the most cited papers, as well as research trends
and topics.
The following implications are suggested on the basis of the clusters:
• Exact share and rates of mechanical and chemical RT materials and CF practices [18].
• Global and local impact of RT materials and CF practices on the environment [8] and marine
ecosystems [9].
• Concrete LCA studies to determine the environmental and social impacts of RT and CF [7].
Estimations are complex and there is still uncertainty of exact numbers regarding the size and the
impact of RT and CF [18]; similarly, there are contrary opinions and results that require more studies.
There is a diverse range of sustainable RT materials and CF business models, and consumer
perceptions vary accordingly. However, the focus of the reviewed studies was on consumer awareness
of RT products and CF services. Awareness of production and technologies remains a gap. Furthermore,
awareness is as a major consumer behaviour topic, and few studies have targeted industry awareness.
The review identifies diverse levels of awareness and both positive and negative attitudes towards RT
and CF.
Sustainability 2020, 12, 599 20 of 28
• To identify the past, present, and future “identity of recycled plastics” [131].
• The acknowledgement of a textile recycling global system [16] must not undermine the local
values and approaches to recycling.
• Identification of perceived risks in terms of expected quality, functionality, and contamination,
as well as greenwashing and lack of authenticity can help companies to make a better
decision [94].
• To create new knowledge in terms of sensory perception, including the haptics of RT
materials and CF products—experiential material characterisation [75], and the definition of
ethnographic “fashion journeys” of recycled textile materials such as polyester [132].
In future research, the recycling of specific textile materials could be considered, including emerging
trends in terms of bio-based waste such as bioplastics [133].
Author Contributions: Conceptualization, M.M.W. and T.H.; methodology M.M.W.; software, M.M.W.; validation,
M.M.W. and T.H.; formal analysis, M.M.W.; investigation, M.M.W.; data curation, M.M.W.; writing—original draft
preparation, M.M.W.; writing—review and editing, M.M.W. and T.H.; supervision, T.H. All authors have read and
agreed to the published version of the manuscript.
Funding: This research was funded by the Creative Industries Clusters Programme managed by the Arts and
Humanities Research Council as part of the Industrial Strategy, under grant no. AH/S002804/1.
Acknowledgments: This research is part of the Business of Fashion, Textiles and Technology Partnership
Collaborative R&D Partnership (BFTT), Challenge 5: Circular Materials. The authors are grateful for the
partnership with the University of the Arts London (UAL) and would like to acknowledge Kate Goldsworthy and
Rosie Hornbuckle.
Conflicts of Interest: The authors declare no conflict of interest.
Sustainability 2020, 12, 599 21 of 28
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