Film Analysis v2
Film Analysis v2
The popular film Shrek, released in 2001, tells the tale of a misunderstood ogre who
embarks on a quest to bring a princess to the kingdom in order to preserve his home. Along his
journey, Shrek encounters many obstacles that challenge his cognitions as well as his general
state of being, Shrek starts his journey as a curmudgeonly ogre but ends as an ogre who has
learned to care not only for his lover Fiona, but also for his new best friend Donkey and the same
people who had vilified him in the past. Despite this films’ general silliness, it incorporates many
theories and principles of social psychology that can be seen in our present society; the concepts
of prejudice and discrimination are especially prominent in this film as well as many other
One of the most prominent themes in this movie is the theme of prejudice, specifically
discrimination, this can be seen very early on in the movie in the following scene. Very early on
in the movie we see fairy tale creatures being round up and arrested for the purpose of forcefully
relocating them. In this scene we can see the unfair treatment of fairy tale creatures from regular
people in that we can see them getting forced into cages, separated from families, we can even
see some family of fairy tale characters turning them in, this is shown with Pinocchio’s father
turning him over. We see fairy tale creature families separated from their families in the case of
the three bears and the child bear being forced into a tiny cage while crying for its parents.
Overall a fairly dark scene that demonstrates well the unfair treatment of fairy tale creatures in
unfairly and/or harshly based on the sole factor of the victim’s affiliation with said group. In the
real world we see many different forms of discrimination such as discrimination in race, sexual
identity, religion, political affiliation and many more; in this movie we see a general
encompassing form of racial discrimination for all fairy tale creatures as they are sort of lumped
This scene does not try to hide the presence of discrimination and conforms with the idea
of racial discrimination in the way that we see fairy tale creatures treated. The overall basis of
this scene shows the forced imprisonment and relocation of fairy tale creatures far away from
where the normal people live, the general method used against the fairy tale creatures is similar
to how Americans treated Japanese-Americans during WWII when forcing them into internment
camps and how the Jewish people of Europe were forcefully arrested and forced to live in
ghettos and slums during the same time period. There is no known basis for the discrimination
against fairy tale creatures in this film other than the fact that we mainly see it result from an
The second social psychological principle that can be seen in this film is the idea of self-
presentation, this concept can be seen in pretty much any scene with Lord Farquaad. The scene
that I feel demonstrates this the best is the scene in which Lord Farquaad tortures the
Gingerbread Man. In this scene we see Lord Farquaad mentally and physically torture the
Gingerbread Man by hanging his severed legs over his head and interrogating him, Farquaad
even goes as far as to start pulling off the Gingerbread Man’s precious buttons, all so he can find
specifically with the use of intimidation. Self-presentation is the idea that we present only a
certain part of ourselves to other people in the hope they believe that the side of us that they see
is our true self. There are many techniques in self-presentation such as ingratiation, intimidation,
self-promotion, exemplification, and supplication. The technique that we see take place is
intimidation; the intimidation technique is all about asserting power over another and using fear
This scene conforms with self-presentation fairly well in that we see Farquaad incite fear
into the Gingerbread Man. We see Farquaad hide his dignified royal self and bring out his
intimidating fearful side in order to get what he wanted from the Gingerbread Man. In presenting
himself as an intimidating and fearful figure to the Gingerbread Man Farquaad is effectively
using self-presentation. There are many other instances in the film in which Farquaad uses even
The third social-psychological principle you can see in this film is cognitive dissonance
and the scene that shows this the best is as follows. When Shrek and Fiona are eating rats
together Shrek attempts to muster up the courage to ask Fiona a presumably romantic question
about their relationship, but he stops short and we see him being frustrated with himself. Later,
after Fiona goes inside to sleep, we see Shrek and Donkey talking with each other when Donkey
guesses Shrek’s feelings to which Shrek replies that even if he did tell her his true feelings, she
wouldn’t love him back due to him being an ogre. A few minutes later we see Shrek approaching
the windmill where Fiona is prepared to confess his feelings while holding a flower as a gift for
her.
The prominent social psychological principle we see in this scene is cognitive
dissonance. Cognitive dissonance is when a person holds two attitudes that are inconsistent
and/or conflicting with each other. The result of cognitive dissonance is a general feeling of
uneasiness which causes people to try various methods of reducing it or removing it completely.
A good example of cognitive dissonance comes from an experiment done by Festinger &
Carlsmith in which they had participants perform a boring task and paid them either $1 or $20 to
tell the next participant that the experiment was fun and exciting, asking them to lie. After this
the participants were asked how they enjoyed the task and the results showed that the
participants who received $1 enjoyed the task more than the participants who received $20. This
shows the conflicting cognitions of not liking the experiment but also pretending to enjoy it in
return for payment, and the participants who received $1 felt more convinced that the task was
actually fun.
This scene conforms with the concept of cognitive dissonance fairly well, although
Shrek’s dissonance was never shown or displayed outright and relied more on subtle signs more
than anything. In this case Shrek’s conflicting cognitions were his affection for Fiona and the
thought that there was no chance for a relationship due to him being an ogre. Shrek realizes his
feelings and we see him become very uneasy and stressed, which he displays as being irritable
and secluded, but eventually we see him change his cognitions to reduce most of his negative
which he challenges and reduces either one or both of his cognitions, in this case it was just his
As a film, Shrek offers an interesting and insightful look into many principles of social
psychology, many more than listed in this paper, and how the reflect real world issues and
problems. The most prominent social-psychological principle in this movie is prejudice and
discrimination, the prejudice in this movie is shown in many different ways but the most
common form we see is simply discrimination. The concept of self-presentation was definitely
very interesting the see displayed in this movie, not only when used by Lord Farquaad but also
when used by other characters such as Shrek, Donkey, and Fiona with the various techniques
they utilize. Lastly the concept of cognitive dissonance was displayed in a very interesting way
in this film. The way that characters such as Shrek struggle with their varying cognitions
throughout the movie provides insight to how much of an effect dissonance in one’s cognitions
can have on someone. Overall this movie demonstrates many social issues that are present in
todays society in a clear and understandable way and offers an interesting look at all different
types of characters and how they exhibit various social-psychological principles and concepts.