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Classic Literature Mini-Lesson Tool

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How to Introduce a Whole-Class Classic Literature Novel

1. Once you’ve decided that you want to teach a Classic literature novel in your class,
create a mitigated choice list of at least three novels you might want to teach and
think would be appropriate for your specific class of readers.
2. Once your three novels are chosen, create and conduct three different “Book Demos”
for each novel. Plan out a short section from each novel that is representative of most of
the book, then have students read that section. Afterwards, test students on their ability
to:
a. Retell what they just read
b. Define some key vocab you’ve chosen beforehand
c. Answer a couple of general inferential questions
And finally…
d. Ask which section they enjoyed reading the most
3. Based on the results from each student, determine which book choice might provide the
best mixture of challenge and engagement for the MAJORITY of the readers in your
class.
4. Once a book is selected, create a few lesson plans following Anne Crout Shelley’s
“Workout Plan” of Scaffolded Study, to help build students up to the whole-class
novel. Focus lesson plans around:
a. Building background knowledge of the work and author
b. Developing the difficult vocabulary found within
c. Facilitating the reading of the text through activities such as DTRAs (Directed
Reading Thinking Activity) and Read Alouds
d. Enrichment and Extension
5. After students go through the lesson plans, give students a final assessment test and
use a checklist to determine if they’re ready to move on the whole-class novel.
a. Make a small assessment sheet with checklist here (See Sample Question
below)
i. Sample assessment questions can be based on any classic novel
1. Does the example text’s language resemble the language of a
proposed whole-class novel?
2. Does the example text require a lot of context to understand?
3. Consider using a short story or poetry from the author or era
rather than an excerpt from a larger novel.
b. Checklist Items:
i. Can the student define at least 90% of the vocabulary in the book
section?
ii. Can the student accurately describe/summarize most of what is
happening in the book section?
iii. Is the student intrigued or interested in reading more?
iv. Has the student developed the skills necessary to read the text?
1. Are they ready to further develop the skills you wish to teach with
the text?
v. Does the student require any outside reading supports? I.e. audiobooks,
other material?
1. Can you provide those supports to that student?
6. If the majority of students pass the assessment, the class should generally be ready
for the whole-class novel. If not, you might want to either go back through some of the
build up lessons again, or shift your reading focus back to independent reading and
return to the whole-class novel unit at a later date.

Sample Pre-Assessment Questions:

Pyramus and Thisbe are lovers who live in connected houses, but are forbidden by their parents
to be wed.

“A thing which they could not forbid, they were both inflamed, with minds equally captivated.
There is no one acquainted with it; by nods and signs, they hold converse. And the more the fire
is smothered, the more, when so smothered, does it burn. The party-wall, common to the two
houses, was cleft by a small chink, which it had got formerly, when it was built. This defect,
remarked by no one for so many ages, you lovers (what does not love perceive?) first found
one, and you made it a passage for your voices, and the accents of love used to pass through it
in safety, with the gentlest murmur. Oftentimes, after they had taken their stations, Thisbe on
one side, and Pyramus on the other, and the breath of their mouths had been mutually caught
by turns, . . .” --from Metamorphoses; Book IV

1. Underline two sentences that show Pyramus and Thisbe experience a shared love.
2. Rewrite this sentence in your own words: “The party-wall, common to the two houses,
was cleft by a small chink, which it had got formerly, when it was built.”
3. Identify and explain a metaphor Ovid uses in the passage.

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