Kama Sutra (Sex)

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The passage discusses the Hindu concept of Purusharthas, which outlines the four main goals of life: Dharma, Artha, Kama, and Moksha. It also provides an overview of the contents of the Kama Sutra, which includes descriptions of sexual positions as well as other topics like massages, kissing, and safer sex practices.

The four main goals of life according to Hindu tradition are: Dharma (virtuous, lawful living), Artha (financial prosperity and security), Kama (love, passion, aesthetics), and Moksha (liberation from cycles of rebirth).

Some of the sexual positions described in the Kama Sutra include the Yawning position, the Widely Opened position, the Twining position, the Mare's position, the Rising position, and acrobatic positions like the Splitting of a Bamboo.

Kama Sutra

The Hindu tradition has the concept of the Purusharthas which outlines "four main goals of
life".[22][23] It holds that every human being has four proper goals that are necessary and sufficient
for a fulfilling and happy life:[24]

• Dharma – signifies behaviors that are considered to be in accord with rta, the order
that makes life and universe possible,[25] and includes duties, rights, laws, conduct,
virtues and right way of living.[26] Hindu dharma includes the religious duties, moral
rights and duties of each individual, as well as behaviors that enable social order,
right conduct, and those that are virtuous.[26] Dharma, according to Van Buitenen,[27] is
that which all existing beings must accept and respect to sustain harmony and order
in the world. It is, states Van Buitenen, the pursuit and execution of one's nature and
true calling, thus playing one's role in cosmic concert.[27]
• Artha – signifies the "means of life", activities and resources that enables one to be in
a state one wants to be in.[28] Artha incorporates wealth, career, activity to make a
living, financial security and economic prosperity. The proper pursuit of artha is
considered an important aim of human life in Hinduism.[29][30]
• Kama – signifies desire, wish, passion, emotions, pleasure of the senses,
the aesthetic enjoyment of life, affection, or love, with or without sexual
connotations.[31] Gavin Flood explains[32] kāma as "love" without violating dharma
(moral responsibility), artha (material prosperity) and one's journey towards moksha
(spiritual liberation).
• Moksha – signifies emancipation, liberation or release.[33] In some schools of
Hinduism, moksha connotes freedom from saṃsāra, the cycle of death and rebirth, in
other schools moksha connotes freedom, self-knowledge, self-realization and
liberation in this life.[34][35]
Each of these pursuits became a subject of study and led to prolific Sanskrit and some Prakrit
languages literature in ancient India. Along with Dharmasastras, Arthasastras and
Mokshasastras, the Kamasastras genre have been preserved in palm leaf manuscripts.
The Kamasutra belongs to the Kamasastra genre of texts. Other examples of Hindu Sanskrit
texts on sexuality and emotions include the Ratirahasya (called Kokashastra in some Indian
scripts), the Anangaranga, the Nagarasarvasva, the Kandarpachudmani, and
the Panchasayaka.[36][37][38] The defining object of the Indian Kamasastra literature, according to
Laura Desmond – an anthropologist and a professor of Religious Studies, is the "harmonious
sensory experience" from a good relationship between "the self and the world", by discovering
and enhancing sensory capabilities to "affect and be affected by the world".[38] Vatsyayana
predominantly discusses Kama along with its relationship with Dharma and Artha. He makes a
passing mention of the fourth aim of life in some verses.[39]

Vedic heritage
The earliest foundations of the kamasutra are found in the Vedic era literature of
Hinduism.[40][41] Vatsyayana acknowledges this heritage in verse 1.1.9 of the text where he names
Svetaketu Uddalaka as the "first human author of the kamasutra". Uddalaka is an early
Upanishadic rishi (scholar-poet, sage), whose ideas are found in the Brihadaranyaka
Upanishad such as in section 6.2, and the Chandogya Upanishad such as over the verses 5.3
through 5.10.[40] These Hindu scriptures are variously dated between 900 BCE and 700 BCE,
according to the Indologist and Sanskrit scholar Patrick Olivelle. Among with other ideas such
as Atman (self, soul) and the ontological concept of Brahman, these early Upanishads discuss
human life, activities and the nature of existence as a form of internalized worship, where
sexuality and sex is mapped into a form of religious yajna ritual (sacrificial fire, Agni) and
suffused in spiritual terms:[40]
A fire – that is what a woman is, Gautama.
Her firewood is the vulva,
her smoke is the pubic hair,
her flame is the vagina,
when one penetrates her, that is her embers,
and her sparks are the climax.
In that very fire the gods offer semen,
and from that offering springs a man.
– Brihadaranyaka Upanishad 6.2.13, ~700 BCE, Transl: Patrick Olivelle[42][43]
According to the Indologist De, a view with which Doniger agrees, this is one of the many
evidences that the kamasutra began in the religious literature of the Vedic era, ideas that were
ultimately refined and distilled into a sutra-genre text by Vatsyayana.[41] According to Doniger, this
paradigm of celebrating pleasures, enjoyment and sexuality as a dharmic act began in the
"earthy, vibrant text known as the Rigveda" of the Hindus.[44] The Kamasutra and celebration of
sex, eroticism and pleasure is an integral part of the religious milieu in Hinduism and quite
prevalent in its temples.[45][46]

Epics
Human relationships, sex and emotional fulfillment are a significant part of the post-Vedic
Sanskrit literature such as the major Hindu epics: the Mahabharata and the Ramayana. The
ancient Indian view has been, states Johann Meyer, that love and sex are a delightful necessity.
Though she is reserved and selective, "a woman stands in very great need of surata (amorous or
sexual pleasure)", and "the woman has a far stronger erotic disposition, her delight in the sexual
act is greater than a man's".[47]

Manuscripts
The Kamasutra manuscripts have survived in many versions across the Indian subcontinent.
While attempting to get a translation of the Sanskrit kama-sastra text Anangaranga that had
already been widely translated by the Hindus in regional languages such as Marathi, associates
of the British Orientalist Richard Burton stumbled into portions of the Kamasutra manuscript.
They commissioned the Sanskrit scholar Bhagvanlal Indraji to locate a
complete Kamasutra manuscript and translate it. Indraji collected variant manuscripts in libraries
and temples of Varanasi, Kolkata and Jaipur. Burton published an edited English translation of
these manuscripts, but not a critical edition of the Kamasutra in Sanskrit.[48]
According to S.C. Upadhyaya, known for his 1961 scholarly study and a more accurate
translation of the Kamasutra, there are issues with the manuscripts that have survived and the
text likely underwent revisions over time.[49] This is confirmed by other 1st-millennium CE Hindu
texts on kama that mention and cite the Kamasutra, but some of these quotations credited to
the Kamasutra by these historic authors "are not to be found in the text of the Kamasutra" that
have survived.[49][50]

Contents
Vatsyayana's Kama Sutra states it has 1250 verses, distributed over 36 chapters in 64 sections,
organised into 7 books.[51] This statement is included in the opening chapter of the text, a
common practice in ancient Hindu texts likely included to prevent major and unauthorized
expansions of a popular text.[52] The text that has survived into the modern era has 67 sections,
and this list is enumerated in Book 7 and in Yashodhara's Sanskrit commentary (bhasya) on the
text.[52]
The Kamasutra uses a mixture of prose and poetry, and the narration has the form of a dramatic
fiction where two characters are called the nayaka (man) and nayika (woman), aided by the
characters called pitamarda (libertine), vita (pander) and vidushaka (jester). This format follows
the teachings found in the Sanskrit classic named the Natyasastra.[53] The teachings and
discussions found in the Kamasutra extensively incorporate ancient Hindu mythology and
legends.[54]

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Table of Contents
Cover
Table Of Contents
Introduction
Using My Kama Sutra
Preparing For Love
Preparing The Bod

Perfuming The Breath


Bathing Together
The Erogenous Zones
Best Foot Forward
The Sensual Skin
The Breasts
The Buttocks
Creating The Mood
Touching And Caressing
Embracing
The Touching Embrace
The Rubbing Embrace
The Pressing Embrace
The Piercing Embrace
Embracing And Lovemaking
The Milk And Water Embrace
Climbing A Tree
The Mixture Of Sesamum Seed With Rice
The Twining Of A Creeper
The Embrace Of The Thighs
The Embrace Of The Jaghana
The Embrace Of The Forehead
The Embrace Of The Breasts
Mutual Grooming
Saving His Beard
Shampooing Her Hair
Sensual Massage
Shoulders And Head
Back And Spine
Using Massage Oil
Feet And Legs
Buttocks
Arms And Chest
The Upper Back
Scratching
Hair Play
A Light Touch
Revealing The Neck
Tacticle Pleasure
Kissing And Mouthplay
Kissing
The Bent Kiss
The Turned Kiss
The Straight Kiss
The Pressed Kiss
The Kiss Of The Upper Lip
The Clasping Kiss
The Kiss That Kindles Love
The Kiss That Awakens
The Kiss That Turns Away
Kissing The Body
Breast Kissing
Kissing And Licking
Biting
The Biting Of A Boar
The Broken Cloud
Cunnilingus
Clitoral Stimulation
Stimulating The Perineum
Genital Kissing
Tounge Insertion
Fellatio
Licking The Penis
The Butterfly Flick
Oral Sex Etiquette
Sucking The Penis
The Congress Of A Crow
Kama Sutra Positions
The Yawning Position
The Variant Yawning Position
The Widely Opened Position
The Position of The Wife Of Indra
The Power of Touch
Side-By-Side Clasping Position
Clasping Position
The Pressing Position
The Twining Position
The Mare's Position
The Rising Position
The Half-Pressed Position
The Pressed Position
Acrobatic Positions
The Splitting of A Bamboo
Fixing of A Nail
The Crab's Position
The Lotus-Like Position
The Turning Position
Erotic Sculptures
The Suspended Congress
The Supported Congress
Woman-On-Top Positions
The Top
The Swing
The Pair of Tongs
The Elephant Posture
The Congress of A Cow
Ananga Ranga Positions
Kneeling/Lying Positions
Level Feet Posture
The Four Basic Postures
The Dragon Turns
Raised Feet Posture
The Refined Posture
Kama's Wheel
The Intact Posture
The Placid Embrace
The Gaping Position
The Encircling Position
The Splitting Position
Side-By-Side Positions
The Crab Embrace
The Transverse Lute
Sitting Positions
The Lotus Position
The Accomplishing Position
The Position of Equals
The Snake Trap
The Paired Feet Position
The Crying Out Position
Woman-On-Top Positions
The Orgasmic Role-Reversal
The Ascending Position
The Inverted Embrace
The Positions of The Tao
The Four Basic Postures
The Dragon Turns
A Silkworm Spinning A Cacoon
Two Fishes
Butterflies In Flight
Mandarin Ducks
Swallows In Love
The Pine Tree
The Galloping Horse
Seagulls On The Wing
Cicada On A Bough
The Goat And The Tree
The White Tiger
A Phoenix Playing In A Red Cave
A Huge Bird Above A Dark Sea
A Singing Monkey
Late Spring Donkey
Cat And Mice Sharing A Hole
Before And After Love
Safer Sex
Minimizing Risk
Non-Penetrative Sex
Condoms
Using A Condom
Prolonging The Mood
Rekindling The Excitement
Sustaining The Harmony
Index

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