11 - Pythagoras and Pythagorean Scale
11 - Pythagoras and Pythagorean Scale
and
Pythagorean
Scale
The relationship
between music and math
Outline
𝑐
Pythagoras 𝑏
(lived around 550 BC)
𝑎
𝑎2 + 𝑏2 = 𝑐 2
His discovery #1
⚫ He thought that
➢ the tones produced by the hammering was related to the weight
of hammer and
➢ the weights came in simple whole number ratios to each other.
His discovery #2
3
3 6 3:6 or 6
1 2
⚫ For example, 1: 2 and 2: 4 are the same ratio because = .
2 4
Exercise (Calculation of a ratio)
⚫ There are apples and oranges. The number of apples is 10.
⚫ We know that the ratio of apples to oranges is 2:3.
⚫ How many oranges are there?
2 ∶ 3 = 10 ∶ ?
Solution of the exercise
⚫ Consider the fraction form and the relationship between numerators.
×5
2 ∶ 3 = 10 ∶ ? 2
3
= 10
?
3 × 5 = 15
C C’
name C C’ C C’
frequency 𝑓 2𝑓 𝑓 ∶ 2𝑓 = 1 ∶ 2
⚫ The ratio of two frequencies is 1:2. Two notes are an octave apart.
How to construct Pythagorean scale
C C’
How to construct Pythagorean scale
C G
⚫ We consider new tone G from C so that
the frequencies of two tones are in 2:3.
𝑓 ∶ 2𝑓 = 2 ∶ 3
3 3 3
⚫ Since 𝑓 × = 𝑓, the frequency of G is 𝑓.
2 2 2
C G
3
𝑓∶ 2
𝑓 =2∶3
C G C’
name C G C’
3
frequency 𝑓 𝑓 2𝑓
2
How to construct Pythagorean scale
G D’
3
⚫ Next, we consider new tone D’ from G 2
𝑓 ∶ 2𝑓 = 2 ∶ 3
so that the frequencies of two tones are in 2:3. G D’
9 3 9
⚫ D’ is not in the octave because of 2𝑓 < 𝑓. 𝑓 ∶ 𝑓 =2∶3
4 2 4
C G C’ D’
name C G C’ D’
3 9
frequency 𝑓 𝑓 2𝑓 𝑓
2 4
How to construct Pythagorean scale
⚫ We want to confine our scale within one octave.
⚫ So, we consider new tone D by moving D’ one octave down.
C D G C’ D’
name C D G C’ D’
9 3 9
frequency 𝑓 𝑓 𝑓 2𝑓 𝑓
8 2 4
How to construct Pythagorean scale
⚫ Next, We consider new tone A from D so that the frequencies of
two tones are in 2:3.
9 3 27 27
⚫ Since 𝑓 × = 𝑓, the frequency of A is 𝑓.
8 2 16 16
C D G A C’
name C D G A C’
9 3 27
frequency 𝑓 𝑓 𝑓 𝑓 2𝑓
8 2 16
How to construct Pythagorean scale
⚫ If you repeat this, 13th tone is very close to C’.
⚫ Then, Pythagoras stopped adding new tone, and defined them
the first twelve-tone scale.
C C# D D# E F F# G G# A A# B C’
name C C# D D# E F F# G G# A A# B C’
frequ 2187 9 19683 81 729 3 6561 27 243
𝑓 𝑓 𝑓 𝑓 𝑓 𝑓 𝑓 𝑓 𝑓 𝑓 2𝑓
ency 2048 8 16384
64 512 2 4096 16 128