Ethnography, Ethnology and The Ethnography of Ethnologies
Ethnography, Ethnology and The Ethnography of Ethnologies
Ethnography, Ethnology and The Ethnography of Ethnologies
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Graeme MacRae
ABSTRACT
ETHNOLOGY IS DEAD …
Boas and Malinowski are widely recognised as the two great pioneering fig-
ures who developed the methods we know as modern ethnography in the
Article · MacRae
American and British traditions of anthropology. But both also had theoreti-
cal agendas. Boas saw the forms of societies/cultures as resulting from the
particular historical and geographical circumstances in which they developed.
Malinowski saw them as particular systems of thought and behaviour de-
signed to meet human needs. Neither was explicitly opposed to comparison,
but both saw the business of ethnography as detailing these circumstances
and arrangements in all their particularity (995: 289).
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and somehow slips across the problems … which derive from the
time and space of prehistory (989: 27)
But he went on to argue that while ethnology was lost from sight behind our
dominant method and genre of linking specific ethnographic material with
a theoretical issue, it was at the same time uncritically embedded in hidden
assumptions of ethnographic regionalism (997: 27; see also Appadurai 986:
357; Fardon 990: 2–29).
Since then, our attempts to get to grips with the complex of not-so-local
phenomena, glossed under such terms as globalisation and transnationalism
have precipitated much rethinking of our basic methodological and theoreti-
cal tools and whether and how these might be applied to these new empiri-
cal situations (e.g. Appadurai 992; Gupta and Ferguson 997; Comarroff and
Comarroff 200). Yet, amongst the delocalising agenda of this project, the
related one of systematic comparison and generalisation across ethnographic
evidence has not been revived, let alone revisioned.
So ethnology is still around, whether we like it or not; it has just gone, simulta-
neously, popular, underground and global. I would suggest furthermore, that
ethnological thinking is a fundamental element of the informal social science
enterprise that is part of being human. The aim of this paper is to explore
some of these contradictions in the context of a place, long recognised as one
of anthropology’s ‘most favoured of favourite cases’ (Geertz 983,) but cur-
rently caught in a crossfire of contesting ethnological constructions.
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Article · MacRae
Bali is one of the more thoroughly anthropologised places in the world.⁸ Con-
temporary anthropological representations of Bali tend to emphasise the
richness and singularity of its traditional culture and contemporary trans-
formations, but this was not always so. When Europeans first stumbled on
Bali at the end of the sixteenth century they saw it as at once an anachronistic
outpost of India and as strangely similar to Holland, both constructions in
opposition to the world of Islam which occupied much of the ground between
(Boon 977: 0–20, Vickers 989: 2). A couple of centuries later Raffles and
Crawfurd revised this view to one of Bali as the last outpost of the once-great
Hindu civilisation of Java (Boon 977: 2–24, Vickers 989: 23):
This view was picked up and further refined by the Dutch after they finally got
a foothold in Bali in the mid-nineteenth century. Subsequent Dutch scholar-
ship systematically sought and, needless to say, found everywhere the Hindu,
even Sanskritic elements of Balinese culture (Boon 977: 25, 4–45,55; Vickers
989: 80–84).
The more singularist view of Bali as ‘a thing apart … more finely tuned than
any other part of the Indies’ (Korn 932) was a product of the early twenti-
eth century, when the interests of colonial management coincided with both
the overheated images of tourism and a general movement of anthropology
toward tightly focused studies of individual societies/cultures. The first com-
prehensive ethnography of Bali published in English introduces Balinese cul-
ture as ‘a complicated mixture …with superimposed layers of higher cultures’
(Covarrubias 994: 6), but proceeds to discuss it in terms which emphasise its
singularity. Subsequent studies of Bali by anthropologists, as well as scholars
of other disciplines, have tended to focus with ever-finer grain on the endless
intricacies, multiple manifestations and countless complexities of Balinese
culture, to the substantial exclusion of its positioning in either comparative
studies or wider political-economic contexts.
The ouvre of one of Bali’s most prolific and certainly its best-known ethnog-
rapher, Clifford Geertz, from the 960s to the 980s exemplifies this trend in
an ironic fashion. Much of his earlier work (963, 968) is both comparative
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and oriented to wider political contexts. But later in his career, following his
brilliant and programmatic essays on the ‘Interpretation of Cultures’ (983,) he
moved increasingly toward the explication of cultural singularity. His opus
magnum, Negara: The Theatre-state in Nineteenth-century Bali (980) which
purports to provide a general model of pre-colonial Southeast Asian polities,
in fact reads more as a celebration of the uniqueness of pre-colonial Bali:⁹ ‘If
ever there was a forcing house for the growth of a singular civilisation, this …
was it … a rather special orchid …’ (980: 20). Most anthropologists working
in Bali, even those well equipped for comparison through previous experi-
ence elsewhere, have likewise tended to become specialists in the local¹⁰.
There have, however, been some exceptions to this trend as well as signs of
change. Several writers have explicitly compared the manifestations of ‘caste’
in Bali with its classical forms in India (Boon 977: 45–64, Howe 987, Miller
& Branson 984, Vickers 987). Boon also observed that:
…Bali …lies about half as far from India as Hawaii. The same might
be said of its Indo-Pacific culture. … [but] almost no attention has
been paid to the distinctly Oceanic quality of its culture (977: , 8).
Some years later however, Thomas Reuter, working from a background in the
ANU Comparative Austronesia Project,
Project,¹¹ made the first systematic attempt to
locate the ethnography of the mountain communities of Bali, long regarded
as somewhat anomalous, in the comparative context of the more obviously
Austronesian cultures of Eastern Indonesia (Reuter 998, 2002a, 2002b). Since
then Hauser-Schaublin (2004) has attempted to reinterpret early Balinese
state formation,in terms of both its Indic and Austronesian elements.
Since the early 990s, much of the best ethnography of Bali has moved away
from Balinese singularity in another way by emphasising relationships be-
tween Bali, the Indonesian state and the global economy (Reuter 2003, Rubin-
stein and Connor 999, Vickers 996, Warren 993). What has not happened,
however, is any systematic attempt to locate Balinese culture in the twin con-
texts of its Indic and Austronesian aspects. This essay is a tentative and pre-
liminary step in this direction.
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Article · MacRae
In the case of Bali, the spatial organisation and architectural forms of houses,
temples and whole settlements provide a physical record in which elements of
Austronesian, Indic, Javanese and indigenous origin can be discerned. They
are not a substitute for analysis of cultural and social practice and discourse,
but they simultaneously stand apart from these and lead us toward them. They
may be documented and read in different ways and at different levels in terms
of such discourse and practice and, in turn, they help us to interpret discourse
and practice. A brief example should suffice to illustrate this.
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road running up-down hill, with a temple ((pura puseh) devoted to the found-
ing ancestors of the settlement at the uphill end and an open space for burial
and cremation (setra),), along with another temple ((pura dalem) for the tem-
porary residence of the souls of the newly deceased at the downhill end. The
cultural or ritual geography of the (village) desa corresponds to this elemen-
tary/typical physical geography.¹⁴
Pura puseh are associated not only with the deified founding ancestors of the
village, but with the life-giving water which flows down from the mountain
lakes – in other words, with the historical, ecological and ritual ‘origins’ of the
settlement. Pura Dalem and their associated setra are associated with the forc-
es of death and destruction and both the dangerous pollution associated with
the newly dead and the first steps in the process of returning their bodies to
the elements and their souls to their place of origin, upstream. This essential
geo-cosmic polarity, mapped onto the landscape itself, is reminiscent of and
consistent with, those of many other Eastern Indonesian societies in which
space is oriented along sea-mountain axes with similar meanings and evalua-
tions of (Fox 993, 997). Within the smaller spaces of temples and houseyards,
an essentially similar polarity of meaning and value is mapped onto the physi-
cal spaces and structures within them (MacRae 997: 84–87, 2006c).
There are, however, especially in South-central Bali, some villages which look
like this:
A transverse street has been laid across the original up-downhill one to cre-
ate a cross roads, more or less in the centre of the village. Usually, this has
arranged around it (some combination of) a market, a temple, a meeting hall
and the palace of the local aristocratic family. This complex defines a physical
centre of the village, but it is also understood as a social, economic, cultural
and political centre. This centric geometry is expressed explicitly in terms of
Indic mandala – diagrams which refer simultaneously to the microcosmic
structure of the human mind and the macrocosmos itself, as well as all levels
in between. As such they provide ideal models for mapping human political
arrangements onto physical landscapes, and in practice they have been used
as such – on scales ranging from palaces to whole empires (Tambiah 985).
Fig 3. Mandala
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Article · MacRae
This latter form tends to appear more often in larger villages in which aristo-
cratic rulers have established their palaces. These tend to be in the downhill
rice-growing plains areas where aristocratic Hindu-Javanese culture penetrat-
ed deeply during the fourteenth to sixteenth centuries.¹⁵ This introduced into
Bali a version of Hindu culture, common throughout pre-colonial Southeast
Asia, in which politico-religious models of cosmic order were expressed in
highly centric and symmetrical spatial forms and architectural structures
(Heine-Geldern 956).
This example, brief and simple as it is, illustrates three points. The first is how
readily such physical arrangements serve as materials for relatively straight-
forward ethnological comparison, even prior to any detailed ethnographic
understanding. The second is how they nevertheless lead us into deeper so-
cial and cultural contexts. Third is that they represent the beginning of an
ethnological mapping of the elements and influences which come into play
in contemporary Balinese culture. Such elements and influences are visible
in all manner of contemporary phenomena, especially cultural and religious
politics, to which we shall turn shortly.¹⁷ But this also leads us to questions of
why do it? What is the use of this kind of ethnological analysis anyway?
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In the case of Balinese, people are at present much pre-occupied with issues
of their own cultural identity and integrity, and these are inseparable from
their relationships with other places and peoples. This pre-occupation is not
new: Balinese distaste for and resistance to incursions from the outside world
in general and Javanese Islam, Dutch colonialism and international tourism
in particular are well-known (Picard 2005a: 5–7, Robinson 995: 22–23).
Ironically, however, the latter two incursions, and later ones discussed below,
have been instrumental less in undermining Balinese identity than in provid-
ing a focus for it.
The latest version of this process takes the form of a movement known as
Ajeg Bali.¹⁹ A major element of this movement is the issue of the immigra-
tion of people from neighbouring islands. These immigrants are also Indo-
nesians, but they are mostly Javanese, people who Balinese see as different in
several ways. One of the most significant of these differences is that Javanese
are mostly Muslim, whereas Balinese are Hindu. Such religious differences
correlate with differences of geo-cultural origins and contemporary linkages
– ethnological differences.
Another relationship, deeper into Java, is with Jakarta, which is not especially
Muslim, but it is the centre of the Indonesian state and also of capital, often
Chinese owned. Both of state power and foreign capital impinge on Bali in
ways that Balinese see as detrimental to Balinese interests. A third relation-
ship, or influence, is Australia, from whence come things both good and bad.
Tourists, unlike Javanese and Jakarta people, are friendly and bring economic
benefits to Bali. But they also bring some not-so-good things, such as drugs
and the influence of ‘decadent Western culture’, which ultimately comes from
America even more than Australia. Either way, it is seen as a bad influence,
especially for the younger generation, not just Balinese but for Indonesia in
general, because Balinese and Indonesians see themselves as sharing ‘eastern’
cultural values that are different from ‘Western’ ones.²⁰
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Article · MacRae
It has been argued (Hobart 2004) that Balinese understandings of their place
in the ethnic order of things are complex and subtle, or at least they were in
the late 980s. The evidence presented here suggests that this is still the case,
but that the lines they draw between themselves and others may be harden-
ing. The solution to the problems referred to above is, in popular Balinese
thinking, twofold. One part is to protect the boundaries of Balinese culture by
physically keeping Javanese Muslims out and by also somehow filtering out
the bad elements of Western influence. The other part is to strengthen Bal-
inese culture from the inside. Balinese culture is Hindu culture and strength-
ening it means, at least for some people, going back to its roots, the ultimate of
which is seen to be in India. Thus, one of the dominant trends within Balinese
Hinduism is to re-Indianise Balinese religion – to (re-)locate Bali into a world
of global Hinduism.
A further irony is that this debate over the Hindu-ness or Indian-ness of Bal-
inese culture is conceived in terms of a search for the origins of Balinese cul-
ture, a pre-occupation which is more characteristic of Austronesian cultures
than Indian ones. So these ethnological projects are not without their ironies
and even contradictions. On of the aims of a project, of which this essay forms
a part, is to attempt to map such tensions between Indic and Austronesian
ways of doing and thinking.
But the point for now is that all these local debates and discourses involve an
elaborate, if contested, defining and mapping of Balinese culture in relation
to a number of other cultures – an essentially ethnological project. I would
suggest, again, that everyone works with folk-ethnologies of this kind, they
may even be a basic part of the practices we call identity or perhaps even
culture itself.
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notes
Article · MacRae
2 For a detailed account of this process see James Urry’s article in this issue and
Stocking’s writings especially the title chapter in (992) and (995: 84–5).
7 I have personally had this experience once only, but have heard anecdotal evi-
dence of similar experiences by others.
9 For a recent critique of Geertz’s Negara, and a summary of earlier ones, see
MacRae (2005).
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2 This, ironically is the very problem scientific ethnography was supposed to ad-
dress in the first place – but it turned out that there were more interesting things
to discover along the way.
3 Arjun Appadurai’s The Social Life of Things (986*) was an early landmark in
this rediscovery of the social-in-the-material. The Journal of Material Culture
and a plethora of books on “‘material culture”’ are testimony to its reinstatement
in the social/cultural sciences.
4 This description and those to follow are generalisations, with all the caveats that
such generalisations entail. They are, however, based not on ideal-type models
but on a considerable body of empirical evidence from all over Bali, especially
South-Central Bali and most especially my own evidence collected in the area
of the Wos Valley, around Ubud and for some way both up- and down-hill
(MacRae 997:29-26*, see also Stuart-Fox 2002:24*).
7 Jeff Sissons (in this issue) makes a similar argument about the ways in which ar-
chitectural arrangements reflect histories of socio-cultural influence, but takes
it a step further, suggesting that they can also be active agents of (what Clifford
Geertz [*] referred to, in another context (973:93-4) as “‘models of and models
for”’) socio-cultural transformation.
8 This was made very clear in Fredrik Barth’s landmark collection of essays Ethnic
Groups and boundaries (969*) and has since become staple fare of any discus-
sions of ethnicity.
3
Article · MacRae
9 For discussions of Ajeg Bali see MacRae (2006a, b,d2005*) and Picard (forth-
coming).
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