Eng3U January 27, 2021: Macbeth: The Exploration of Human Nature Through Time
Eng3U January 27, 2021: Macbeth: The Exploration of Human Nature Through Time
Eng3U January 27, 2021: Macbeth: The Exploration of Human Nature Through Time
The feeling of having no power over people and events is generally unbearable to us -when
we feel helpless, we feel miserable. No one wants less power; everyone wants more. However, this
ambition, if gone unchecked, can corrupt individuals and lead to their downfall. The nature of
humanity makes us strive to choose between right and wrong. From time to time, there is a conflict
between personal desires and ethical choices. Shakespeare’s Macbeth is a play that transcends time
because of its timeless and secular themes. These concepts are explored thoroughly throughout
Shakespeare's Macbeth, which allows the play to continue to be relevant as the concepts are deeply
rooted in both the play and today's contemporary society. William Shakespeare illustrates humanity
as murky and nefarious. He demonstrates the unsavory side of human nature through these
concepts. The concept of ambition prevents the audience from questioning the actions of certain
characters. Shakespeare also continuously uses the motif of blood, to represent the concept of guilt
in order to preview the complexity of the characters of Macbeth. The essence of unpredictability
and predictability, or rather free will and fate, allows the audience to stay observant and thoughtful
at all times.
Without ambition, many of the creations of men would not be possible. As no one would
seek to discover and clash against others to succeed. In life, it is thought that ambition is necessary
and rewarding. However, it is vital to understand that it is also mankind’s greatest evil. In
Shakespeare’s Macbeth, we see the negative effects of unchecked ambition. Unchecked ambition is
a cruel and wicked motivator that urges Macbeth’s cruel nature and eventually turns him into a
bloodthirsty beast. As soon as Macbeth hears “All hail, Macbeth, that shalt be king hereafter!”
(1.3.51), he is filled with lust for power and temptation. The temptation of power is brought out by
Macbeth's overwhelming and formidable force of ambition, increasing his dissimulated desire to
acquire more power. The concept of ambition is a complex trait to pin, as it is innately human. In
Macbeth, it is used to give the audience an explanation for certain actions of characters. These
characters are already accustomed to ambition. Ambition allows the audience to relate to the play,
as they could have been motivated by it before, either to gain more power or more knowledge. It is
in every person’s nature to strive for something greater, to gain more power. However, they do not
understand the consequences of their unchecked ambition. Though ambition drives many people to
accomplish great things it also can destroy a life, as it did in Macbeth. Through Shakespeare’s
exploration of unchecked ambition, people can grasp the full nature of ambition and they fully
understand both the virtues and the consequences. The audience is left to ponder on both their
past decisions and their future ones. They are also left baffled by the lengths other people are
At first, Shakespeare intrigues the audience with characters with questionable morals and
character’s that seem to be inhumane. However, soon the audience is captured by the effects of the
character’s inhumane actions. The world is full of decisions, and everyone makes wise ones and
poor ones at certain points in their life, but when poor choices are made, people must bear the
feeling of guilt. In Shakespeare’s Macbeth, the effects of guilt and having a guilty conscience is a
recurring theme displayed throughout the play. In act 1 of the play, Lady Macbeth persuades her
husband into killing Duncan, which at first makes her happy but she is quickly overwhelmed with
thoughts of remorse and a guilty conscience. Lady Macbeth’s spiral into madness starts shortly after
Duncan’s murder. She continuously ponders on his murder. However, once her sleepwalking
incident occurs we see the full extent of her guilt. In her episode she cries “Out, damned spot; out, I
say. One, two,—why, then ’tis time to do’t” (5.1.30-31). Lady Macbeth is still seeing Duncan’s blood
on her hand. Her hallucinations are so immersive that she can still smell Duncan’s blood on her
hands. “Paradoxically, she fears that Macbeth will be incapacitated by his own fear” (). Lady
Macbeth’s own fear is what incapacitates her adding another level of character development. This
detail shows the amount of remorse and guilt she feels for Duncan’s murder and how karma works
in the play. Her way of coping is to deny reality and to rely on her strength of will, but in the end,
even her will to live vanishes. After Shakespeare derives the play of all human emotions, he
introduces one of the strongest, guilt. He once again allows the audience to connect and feel what
the character is feeling as almost every human has felt guilt before. The absolute absence and then
sudden introduction of guilt allows for better characterization and development which captivates
the audience.
Throughout the play, the relationship between fate and free will is the most elaborate theme. It
permeates the tragedy from beginning to end. As the play progresses, Macbeth encounters the
three witches. The witches predict that “shalt be king hereafter!” (1.3.51). This statement is what
represents the beginning of Macbeth’s ascension to the throne, triggering thoughts on foul play.
Shakespeare’s placement of the three witches is what guides the audience’s perception of the play.
Shakespeare’s use of language is crucial in portraying the witches as a supernatural factor and
separating them from the characters. Thus the witches personify fate. However, the belief that
Macbeth is controlled by fate is completely shattered once Macbeth begins to plan the murder of
Duncan. It was clear since the prophecy, that Macbeth would do anything to become king. It
becomes impossible to determine whether Macbeth became king through his own actions and will
or if it was predestined because of Macbeth’s actions. Throughout the play it seems as though
Macbeth is simply following fate, however, to fulfill the prophecy Macbeth must make his own
decisions creating a question as to whether or not Macbeth is driven by fate or free will? Each
scene combines drama and mysticism, ambiguity, leaving a sense of incompleteness, thus
furthering the argument of free will vs fate. The absence of an answer allows the audience to argue
and debate on what determines the path of Macbeth? Is it free will, or fate indeed?
One can now understand, how Macbeth has sustained itself through centuries of change
and how it depicts timeless traits of human nature. Its exploration of timeless concepts of human
nature allows the play to transcend time. Adding the trait of wanting more power allows the
audience to explore characters without questioning their morals as ambition explains the actions
of the characters. The absence and the sudden introduction of guilt gives the audience something
to look forward to. The theme of free will and fate allows or the supernatural to keep the audience
on their heels and allows them to debate and have their own perception of the play adding
suspense and mystery. The play’s exploration of “radical identity of two opposite terms”(,13),
embodies the play’s uncertainty and mystery again adding to the audience’s confusion and keeping
the audience attentive. By exploring timeless traits of human nature and corruption, Macbeth not
only serves as entertainment but a piece of text which informs us of the physical and psychological
consequences of lust. Macbeth should and will be a piece of storytelling that will be passed on for
Weber, William W., and William Shakespeare. “On Macbeth.” Critical Insights: Macbeth, Oct. 2017, pp.
xiii–xxv. EBSCOhost,
search.ebscohost.com/login.aspx?direct=true&db=lkh&AN=130931084&site=lrc-plu