Western (genre)

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"Westerns" redirects here. For other uses, see Western (disambiguation).
"Western movies" redirects here. For The Olympics song, see Western Movies.

Justus D. Barnes in Western apparel, as "Bronco Billy Anderson", from the silent
film The Great Train Robbery (1903), the second Western film and the first one shot
in the United States
File:The Great Train Robbery (1903) - yt.webm
PLAY The Great Train Robbery (1903); runtime 00:11:51.
Western is a genre of fiction set primarily in the latter half of the 19th and
early 20th century in the Western United States, which is styled the "Old West".
Its stories commonly center on the life of a nomadic cowboy or gunfighter[1] who
rides a horse and is armed with a revolver and/or a rifle. Cowboys and gunslingers
typically wear broad-brimmed and high-crowned Stetson hats, neckerchief bandannas,
vests, spurs, cowboy boots, and buckskins (alternatively dusters). Recurring
characters include the aforementioned cowboys, Indians, Spaniards, Mexicans,
bandits, lawmen, prostitutes, bounty hunters, outlaws, gamblers, soldiers
(especially mounted cavalry), and settlers (farmers, ranchers, and townsfolk). The
ambience is usually punctuated with a Western music score, including American folk
music and Spanish/Mexican folk music such as country, Native American music, New
Mexico music, and rancheras.

Westerns often stress the harshness of the wilderness and frequently set the action
in an arid, desolate landscape of deserts and mountains. Often, the vast landscape
plays an important role, presenting a "mythic vision of the plains and deserts of
the American West."[2] Specific settings include ranches, small frontier towns,
saloons, railways, wilderness, and isolated military forts of the Wild West. Many
Westerns use a stock plot of depicting a crime, then showing the pursuit of the
wrongdoer, ending in revenge and retribution, which is often dispensed through a
shootout or quick-draw duel.[3][4][5]

The Western has been recognized as the most popular Hollywood film genre of the
early 20th century through the 1960s. Western films first became well-attended in
the 1930s. John Ford's landmark Western film Stagecoach (1939) became one of the
biggest hits of that year, and made John Wayne a mainstream movie star. The
popularity of Westerns continued to grow in the 1940s, with the release of films
such as The Ox-Bow Incident (1943), My Darling Clementine (1946), Fort Apache
(1948), and Red River (1948). The 1950s have been described as the golden age of
the Western, an era which saw the release of films such as Broken Arrow (1950),
High Noon (1952), Shane (1953), Wichita (1955), The Searchers (1956), and Rio Bravo
(1959). Notable Western films released in the 1960s include Cat Ballou (1965), The
Good, the Bad and the Ugly (1966), The Wild Bunch, and Butch Cassidy and the
Sundance Kid (both 1969).[6]

Classic Westerns such as these have been the inspiration for various films about
Western-type characters in contemporary settings, such as Junior Bonner (1972), set
in the 1970s, and The Three Burials of Melquiades Estrada (2005), set in the 21st
century.

Contents
1 Themes
1.1 Plots
2 Film
2.1 Characteristics
2.2 Subgenres
2.2.1 Classical Western
2.2.2 Acid Western
2.2.3 Australian Western or Meat pie western
2.2.4 Blaxploitation Western
2.2.5 Charro, cabrito, or chili Westerns
2.2.6 Comedy Western
2.2.7 Contemporary Western or neo-Western
2.2.8 Dacoit Western
2.2.9 Documentary Western
2.2.10 Electric Western
2.2.11 Epic Western
2.2.12 Euro-Western
2.2.13 Fantasy Western
2.2.14 Florida Western
2.2.15 Greek Western
2.2.16 Horror Western
2.2.17 Martial arts Western (Wuxia Western)
2.2.18 Musical
2.2.19 Northern
2.2.20 Ostern
2.2.21 Pornographic Western
2.2.22 Ramen Western
2.2.23 Revisionist Western
2.2.24 Science fiction Western
2.2.25 Space Western
2.2.26 Spaghetti Western
2.2.27 Weird Western
2.3 Genre studies
2.4 Influences
3 Literature
4 Television
5 Visual art
6 Other media
6.1 Anime and manga
6.2 Comics
6.3 Games
6.4 Radio dramas
6.5 Web series
7 See also
8 References
9 Further reading
10 External links
Themes

The Lone Ranger, a famous heroic lawman, was with a cavalry of six Texas Rangers
until they all, except for him, were killed. He preferred to remain anonymous, so
he resigned and built a sixth grave that supposedly held his body. He fights on as
a lawman, wearing a mask, for "Outlaws live in a world of fear. Fear of the
mysterious."
The Western genre sometimes portrays the conquest of the wilderness and the
subordination of nature in the name of civilization or the confiscation of the
territorial rights of the original, Native American, inhabitants of the frontier.
[1] The Western depicts a society organized around codes of honor and personal,
direct or private justice–"frontier justice"–dispensed by gunfights. These honor
codes are often played out through depictions of feuds or individuals seeking
personal revenge or retribution against someone who has wronged them (e.g., True
Grit has revenge and retribution as its main themes). This Western depiction of
personal justice contrasts sharply with justice systems organized around
rationalistic, abstract law that exist in cities, in which social order is
maintained predominantly through relatively impersonal institutions such as
courtrooms. The popular perception of the Western is a story that centers on the
life of a seminomadic wanderer, usually a cowboy or a gunfighter.[1] A showdown or
duel at high noon featuring two or more gunfighters is a stereotypical scene in the
popular conception of Westerns.

In some ways, such protagonists may be considered the literary descendants of the
knights-errant, who stood at the center of earlier extensive genres such as the
Arthurian romances.[1] Like the cowboy or gunfighter of the Western, the knight-
errant of the earlier European tales and poetry was wandering from place to place
on his horse, fighting villains of various kinds, and bound to no fixed social
structures, but only to his own innate code of honor. Like knights-errant, the
heroes of Westerns frequently rescue damsels in distress. Similarly, the wandering
protagonists of Westerns share many characteristics with the ronin in modern
Japanese culture.

The Western typically takes these elements and uses them to tell simple morality
tales, although some notable examples (e.g. the later Westerns of John Ford or
Clint Eastwood's Unforgiven, about an old hired killer) are more morally ambiguous.
Westerns often stress the harshness and isolation of the wilderness, and frequently
set the action in an arid, desolate landscape. Western films generally have
specific settings, such as isolated ranches, Native American villages, or small
frontier towns with a saloon. Oftentimes, these settings appear deserted and
without much structure. Apart from the wilderness, the saloon usually emphasizes
that this is the Wild West; it is the place to go for music (raucous piano
playing), women (often prostitutes), gambling (draw poker or five-card stud),
drinking (beer, whiskey, or tequila if set in Mexico), brawling, and shooting. In
some Westerns, where civilization has arrived, the town has a church, a general
store, a bank, and a school; in others, where frontier rules still hold sway, it
is, as Sergio Leone said, "where life has no value".

Plots
Common plots include:

The construction of a railroad or a telegraph line on the wild frontier

Ranchers protecting their family ranch from rustlers or large landowners, or who
build a ranch empire
Conflict over resources such as water or minerals
Revenge stories, which hinge on the chase and pursuit by someone who has been
wronged
Stories about cavalry fighting Native Americans
Outlaw gang plots
Stories about a lawman or bounty hunter tracking down his quarry
Film
Characteristics

Gary Cooper in Vera Cruz

The American Film Institute defines Western films as those "set in the American
West that [embody] the spirit, the struggle, and the demise of the new
frontier."[7] The term "Western", used to describe a narrative film genre, appears
to have originated with a July 1912 article in Motion Picture World magazine.[8]
Most of the characteristics of Western films were part of 19th-century popular
Western fiction, and were firmly in place before film became a popular art form.[9]
Western films commonly feature protagonists such as cowboys, gunslingers, and
bounty hunters, who are often depicted as seminomadic wanderers who wear Stetson
hats, bandannas, spurs, and buckskins, use revolvers or rifles as everyday tools of
survival and as a means to settle disputes using "frontier justice". Protagonists
ride between dusty towns and cattle ranches on their trusty steeds.[citation
needed]

Western films were enormously popular in the silent-film era (1894–1927). With the
advent of sound in 1927–28, the major Hollywood studios rapidly abandoned Westerns,
[10] leaving the genre to smaller studios and producers. These smaller
organizations churned out countless low-budget features and serials in the 1930s.
By the late 1930s, the Western film was widely regarded as a "pulp" genre in
Hollywood, but its popularity was dramatically revived in 1939 by major studio
productions such as Dodge City starring Errol Flynn, Jesse James with Tyrone Power,
Union Pacific with Joel McCrea, Destry Rides Again featuring James Stewart and
Marlene Dietrich, and especially John Ford's landmark Western adventure Stagecoach
starring John Wayne, which became one of the biggest hits of the year. Released
through United Artists, Stagecoach made John Wayne a mainstream screen star in the
wake of a decade of headlining B Westerns. Wayne had been introduced to the screen
10 years earlier as the leading man in director Raoul Walsh's spectacular
widescreen The Big Trail, which failed at the box office in spite of being shot on
location across the American West, including the Grand Canyon, Yosemite, and the
giant redwoods, due in part to exhibitors' inability to switch over to widescreen
during the Great Depression. After the Westerns' renewed commercial successes in
the late 1930s, their popularity continued to rise until its peak in the 1950s,
when the number of Western films produced outnumbered all other genres combined.
[11]

Western set at Universal Studios in Hollywood

In their book Unthinking Eurocentrism, Ella Shohat and Robert Stam explains that
cinema has combined narrative with spectacle and through this tells the story of
colonialism from the coloniser's perspective. Related to this they suggest that
cinema has spoken for the "winners" of history and that negative portrayals of in
this case Native Americans "helped rationalise the human costs of the imperial
enterprise."[12] These negative portrayals can for instance be found in Fighting
Blood (1911) and The Last of the Mohicans (1920) where Native Americans were
portrayed as savage marauders. This in itself is also a recurring stereotype of
Native Americans in Westerns. Shohat and Stam also points out that the point-of-
view in Westerns; how the film is structured with for example camera angles, makes
it impossible for sympathetic identifications with the Native Americans as the
filming always favours the Euro-American protagonist, and that the spectator
therefore "is unwittingly sutured into a colonialist perspective."[13] The
Hollywood Westerns did also generally show history from a turned point of view as
the Native Americans appears as intruders of their own land.[14]

Western films often depict conflicts with Native Americans. While early Eurocentric
Westerns frequently portray the "Injuns" as dishonorable villains, the later and
more culturally neutral Westerns gave Native Americans a more sympathetic
treatment. Other recurring themes of Westerns include treks (e.g. The Big Trail) or
perilous journeys (e.g. Stagecoach) or groups of bandits terrorizing small towns
such as in The Magnificent Seven.

Early Westerns were mostly filmed in the studio, as in other early Hollywood films,
but when location shooting became more common from the 1930s, producers of Westerns
used desolate corners of Arizona, California, Colorado, Kansas, Montana, Nevada,
New Mexico, Oklahoma, Texas, Utah, or Wyoming. These settings gave filmmakers the
ability to depict vast plains, looming mountains, and epic canyons. Productions
were also filmed on location at movie ranches.[citation needed]

Often, the vast landscape becomes more than a vivid backdrop; it becomes a
character in the film. After the early 1950s, various widescreen formats such as
Cinemascope (1953) and VistaVision used the expanded width of the screen to display
spectacular western landscapes. John Ford's use of Monument Valley as an expressive
landscape in his films from Stagecoach to Cheyenne Autumn (1965), "present us with
a mythic vision of the plains and deserts of the American West, embodied most
memorably in Monument Valley, with its buttes and mesas that tower above the men on
horseback, whether they be settlers, soldiers, or Native Americans".[2]

Subgenres

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Trailer for Along Came Jones (1945)

Author and screenwriter Frank Gruber identified seven basic plots for Westerns:[15]
[16]

Union Pacific story: The plot concerns construction of a railroad, a telegraph

line, or some other type of modern technology or transportation. Wagon-train
stories fall into this category.
Ranch story: The plot concerns threats to the ranch from rustlers or large
landowners attempting to force out the proper owners.
Empire story: The plot involves building a ranch empire or an oil empire from
scratch, a classic rags-to-riches plot.
Revenge story: The plot often involves an elaborate chase and pursuit by a wronged
individual, but it may also include elements of the classic mystery story.
Cavalry and Indian story: The plot revolves around "taming" the wilderness for
White settlers.
Outlaw story: The outlaw gangs dominate the action.
Marshal story: The lawman and his challenges drive the plot.
Gruber said that good writers used dialogue and plot development to develop these
basic plots into believable stories.[16] Other subgenres include:

Spaghetti Westerns
Epic Westerns
Singing cowboy Westerns
Comedy Westerns, such as:
Along Came Jones (1945), in which Gary Cooper spoofed his Western persona
The Sheepman (1958), with Glenn Ford poking fun at himself
Cat Ballou (1965), with a drunk Lee Marvin atop a drunk horse
Blazing Saddles (1974)
Contemporary or neo-Western films, such as:
Brokeback Mountain (2005)
No Country for Old Men (2007)
Rango (2011)
In the 1960s and 1970s, the Western was reinvented with the revisionist Western.
[17]

Classical Western

John Wayne in The Comancheros (1961)

The first known Western narrative film is the British short Kidnapping by Indians,
made by Mitchell and Kenyon in Blackburn, England, in 1899.[18][19] The Great Train
Robbery (1903, based on the earlier British film A Daring Daylight Burglary), Edwin
S. Porter's film starring Broncho Billy Anderson, is often erroneously cited as the
first Western, though George N. Fenin and William K. Everson point out that the
"Edison company had played with Western material for several years prior to The
Great Train Robbery. " Nonetheless, they concur that Porter's film "set the pattern
—of crime, pursuit, and retribution—for the Western film as a genre."[20] The
film's popularity opened the door for Anderson to become the screen's first cowboy
star; he made several hundred Western film shorts. So popular was the genre that he
soon faced competition from Tom Mix and William S. Hart.[21]

The Golden Age of the Western is epitomized by the work of several prominent
directors including:[22]

Robert Aldrich – Apache (1954), Vera Cruz (1954)

Budd Boetticher – several films with Randolph Scott including The Tall T (1957) and
Comanche Station (1960)
Delmer Daves – Broken Arrow (1950), The Last Wagon (1956), 3:10 to Yuma (1957)
Allan Dwan – Silver Lode (1954), Cattle Queen of Montana (1954)
John Ford – Stagecoach (1939), My Darling Clementine (1946), The Searchers (1956),
The Man Who Shot Liberty Valance (1962)
Samuel Fuller – Run of the Arrow (1957), Forty Guns (1957)
Howard Hawks – Red River (1948), Rio Bravo (1959), El Dorado (1966)
Henry King – The Gunfighter (1950), The Bravados (1958)
Anthony Mann – Winchester '73 (1950), The Man from Laramie (1955), The Tin Star
(1957)
Nicholas Ray – Johnny Guitar (1954)
George Stevens – Annie Oakley (1935), Shane (1953)
John Sturges – Gunfight at the O.K. Corral (1957), The Magnificent Seven (1960)
Jacques Tourneur – Canyon Passage (1946), Wichita (1955)
King Vidor – Duel in the Sun (1946), Man Without a Star (1955)
William A. Wellman – The Ox-Bow Incident (1943), Yellow Sky (1948)
Acid Western
Main article: Acid Western
Film critic Jonathan Rosenbaum refers to a makeshift 1960s and 1970s genre called
the acid Western,[23] associated with Dennis Hopper, Jim McBride, and Rudy
Wurlitzer, as well as films such as Monte Hellman's The Shooting (1966), Alejandro
Jodorowsky's bizarre experimental film El Topo (The Mole) (1970),[23] and Robert
Downey Sr.'s Greaser's Palace (1972).[23] The 1970 film El Topo is an allegorical
cult Western and underground film about the eponymous character, a violent black-
clad gunfighter, and his quest for enlightenment. The film is filled with bizarre
characters and occurrences, use of maimed and dwarf performers, and heavy doses of
Christian symbolism and Eastern philosophy. Some spaghetti Westerns also crossed
over into the acid Western genre, such as Enzo G. Castellari's mystical Keoma
(1976), a Western reworking of Ingmar Bergman's The Seventh Seal (1957).

More recent acid Westerns include Alex Cox's Walker (1987) and Jim Jarmusch's Dead
Man (1995). Rosenbaum describes the acid Western as "formulating a chilling, savage
frontier poetry to justify its hallucinated agenda"; ultimately, he says, the Acid
Western expresses a counterculture sensibility to critique and replace capitalism
with alternative forms of exchange.[24]

Australian Western or Meat pie western

Main article: Meat pie Western
The Australian Western genre or meat pie western is set in Australia, especially
the Australian Outback or the Australian Bush.[25] The genre borrows from US
traditions and often features Indigenous Australians in the role Native Americans.

The Tracker is an archetype in this form of Australian Western, with signature

scenes of harsh desert environments, and exploration of the themes of rough
justice, exploitation of the Aboriginals, and the thirst for justice at all costs.
Others in this category include Rangle River (1936), Kangaroo, The Kangaroo Kid
(1950),The Sundowners (1960), Quigley Down Under, Ned Kelly (1970), The Man from
Snowy River (1982), The Proposition, Lucky Country, and Sweet Country.[26]
Mystery Road is an example of a modern Australian Western, and Mad Max has inspired
many futurist dystopian examples of the Australian Western such as The Rover.

Blaxploitation Western
Many blaxploitation films, particularly ones involving Fred Williamson, have
incorporated a Western setting within them, with examples such as Soul Soldier
(1970), Buck and the Preacher (1972), The Legend of Nigger Charley (1972), The Soul
of Nigger Charley (1973), Thomasine & Bushrod (1974), Boss Nigger (1975), Adiós
Amigo (1975), and Posse (1993).

Charro, cabrito, or chili Westerns

Charro Westerns, often featuring musical stars, as well as action, have been a
standard feature of Mexican cinema since the 1930s. In the 1930s and 1940s, these
were typically films about horsemen in rural Mexican society, displaying a set of
cultural concerns very different from the Hollywood metanarrative, but the overlap
between "charro" movies and Westerns became more apparent in the 1950s, '60s, and
'70s. Some examples are Ismael Rodríguez's Los Hermanos del Hierro (1961), Jorge
Fons's Cinco Mil Dólares de Recompensa, and Arturo Ripstein's Tiempo de morir. The
most important is Alberto Mariscal, great author of El tunco Maclovio, Todo por
nada, Los marcados, El juez de la soga, and La chamuscada.[27][28]

Comedy Western
Main article: Comedy Western
This subgenre is imitative in style to mock, comment on, or trivialize the Western
genre's established traits, subjects, auteurs' styles, or some other target by
means of humorous, satiric, or ironic imitation or parody. A prime example of
comedy Western includes The Paleface (1948), which makes a satirical effort to
"send up Owen Wister's novel The Virginian and all the cliches of the Western from
the fearless hero to the final shootout on Main Street." The Paleface "features a
cowardly hero known as "Painless" Peter Potter (Bob Hope), an inept dentist, who
often entertains the notion that he is a crack sharpshooter and accomplished Indian
fighter".[29]

Contemporary Western or neo-Western

Also known as neo-Westerns, these films have contemporary U.S. settings, and use
Old West themes and motifs (a rebellious antihero, open plains and desert
landscapes, and gunfights). These films have been on the rise since the release of
Joel and Ethan Coen's No Country for Old Men (2007).[citation needed] For the most
part, they still take place in the American West and reveal the progression of the
Old West mentality into the late 20th and early 21st centuries. This subgenre often
features Old West-type characters struggling with displacement in a "civilized"
world that rejects their outdated brand of justice. Taylor Sheridan's filmography
can be used as a template to identify what being a neo-Western film means,[30] with
three identifying themes. First is the lack of rules, with morals guided by the
character's or audience's instincts of right and wrong rather than by governance.
The second is characters searching for justice. The third theme, characters feeling
remorse, connects the neo-Western film to the broader Western genre, reinforcing a
universal theme that consequences come with actions.[30]

Examples include Nicholas Ray's The Lusty Men (1952); John Sturges's Bad Day at
Black Rock (1955); Lonely Are the Brave, screenplay by Dalton Trumbo (1962), Hud,
starring Paul Newman (1963); the Oscar winning Midnight Cowboy (1969) Don Siegel's
Dirty Harry (1971); Sam Peckinpah's The Getaway (1972); Junior Bonner (1972); Bring
Me the Head of Alfredo Garcia (1974); Hearts of the West starring Jeff Bridges
(1975); John Carpenter's Assault on Precinct 13 (1976); Alan J. Pakula's Comes a
Horseman (1978); J. W. Coop (1972), directed/co-produced/co-written by and starring
Cliff Robertson; Flashpoint (1984); Extreme Prejudice (1987); Robert Rodríguez's El
Mariachi (1992), Desperado (1995) and Once Upon a Time in Mexico (2003); John
Sayles's Lone Star (1996); The Way of the Gun (2000); Down in the Valley (2005);
Quentin Tarantino's Kill Bill: Volume 2 (2004) and Once Upon a Time in Hollywood
(2019); Tommy Lee Jones's The Three Burials of Melquiades Estrada (2005); Ang Lee's
Brokeback Mountain (2005); Wim Wenders's Don't Come Knocking (2005); Joel and Ethan
Coen's No Country for Old Men (2007); Clint Eastwood's Gran Torino (2008); Scott
Cooper's Crazy Heart (2009); Out of the Furnace (2013); The Rover (2014); Rambo:
Last Blood (2019); El Camino: A Breaking Bad Movie (2019); Nomadland (2020); as
well as George Miller's Mad Max franchise. The television shows Sons Of Anarchy
(2008–2014); Justified (2010–2015), Longmire (2012–2017), Mystery Road (2018–
present) and Yellowstone (2018–present) along with the Nicholas Winding Refn
noir/satire mini series Too Old to Die Young (2019); Sicario (2015) and its sequel
Sicario: Day of the Soldado (2018); Hell or High Water (2016); Wind River (2017)
and Those Who Wish Me Dead (2021), all written by Taylor Sheridan; and the
superhero film Logan (2017). Fallout: New Vegas (2010), Call of Juarez: The Cartel
(2011) and Grand Theft Auto V (2013) are examples of neo-Western video games.
Likewise, the television series Breaking Bad and its spin off Better Call Saul,
which both take place in modern times, feature many examples of Western archetypes.
According to creator Vince Gilligan, "After the first Breaking Bad episode, it
started to dawn on me that we could be making a contemporary Western. So you see
scenes that are like gunfighters squaring off, like Clint Eastwood and Lee van
Cleef—we have Walt and others like that."[31]

The precursor to these[citation needed] was the radio series Tales of the Texas
Rangers (1950–1952), with Joel McCrea, a contemporary detective drama set in Texas,
featuring many of the characteristics of traditional Westerns.

Dacoit Western
Main article: Dacoit Western
The Bollywood film Sholay (1975) was often referred to as a "curry Western".[32] A
more accurate genre label for the film is the "dacoit Western", as it combines the
conventions of Indian dacoit films such as Mother India (1957) and Gunga Jumna
(1961) with those of spaghetti Westerns. Sholay spawned its own genre of "dacoit
Western" films in Bollywood during the 1970s.[33]

The first Western films made in India – Kalam Vellum (1970, Tamil), Mosagallaku
Mosagadu (1971, Telugu), Mappusakshi (Malayalam),[citation needed] Ganga (1972,
Tamil), and Jakkamma (1972, Tamil) – were based on Classic Westerns. Thazhvaram
(1990), the Malayalam film directed by Bharathan and written by noted writer M. T.
Vasudevan Nair, perhaps most resembles the Spaghetti Westerns in terms of
production and cinematic techniques. Earlier Spaghetti Westerns laid the groundwork
for such films as Adima Changala (1971) starring Prem Nazir, a hugely popular
"zapata Spaghetti Western film in Malayalam, and Sholay (1975) Khote Sikkay (1973)
and Thai Meethu Sathiyam (1978) are notable curry Westerns. Kodama Simham (1990), a
Telugu action film, starring Chiranjeevi and Mohan Babu, was one more addition to
the Indo Western genre that fared well at the box office. It was also the first
South Indian movie to be dubbed in English as Hunters of the Indian Treasure[34]

Takkari Donga (2002), starring Telugu actor Mahesh Babu, was applauded by critics,
but was average at box office. Quick Gun Murugun (2009), an Indian comedy film that
spoofs Indian Western movies, is based on a character created for television
promotions at the time of the launch of the music network Channel [V] in 1994,
which had cult following.[35] Irumbukkottai Murattu Singam (2010), a Western
adventure comedy film, based on cowboy movies and paying homages to the John Wayne,
Clint Eastwood, and Jaishankar, was made in Tamil. Laal Kaptaan (2019) is an
IndoWestern starring Saif Ali Khan, which is set during the rise of the British
Empire in India.

Documentary Western
The documentary Western is a subgenre of Westerns that explore the nonfiction
elements of the historical and contemporary American West. Ken Burns' The West is
an example of a series based upon a historical storyline, whereas films such as
Cowboys: A Documentary Portrait provide a nonfiction portrayal of modern working
cowboys in the contemporary West.

Electric Western
The 1971 film Zachariah starring John Rubinstein, Don Johnson, and Pat Quinn, was
billed as the "first electric Western."[36] The film featured multiple performing
rock bands in an otherwise American West setting.[36]

Zachariah featured appearances and music supplied by rock groups from the 1970s,
including the James Gang[36] and Country Joe and the Fish as "The Cracker
Band."[36] Fiddler Doug Kershaw had a musical cameo[36] as does Elvin Jones as a
gunslinging drummer named Job Cain.[36]

The independent film Hate Horses starring Dominique Swain, Ron Thompson, and Paul
Dooley billed itself as the "second electric Western."[37]

Epic Western
The epic Western is a subgenre of the Western that emphasizes the story of the
American Old West on a grand scale. Many epic Westerns are commonly set during a
turbulent time, especially a war, as in Sergio Leone's The Good, the Bad and the
Ugly (1966), set during the American Civil War, or Sam Peckinpah's The Wild Bunch
(1969), set during the Mexican Revolution. One of the grandest films in this genre
is Leone's Once Upon a Time in the West (1968), which shows many operatic conflicts
centered on control of a town while using wide-scale shots on Monument Valley
locations against a broad running time. Other notable examples include The Iron
Horse (1924), Duel in the Sun (1946), The Searchers (1956), Giant (1956), The Big
Country (1958), Cimarron (1960), How the West Was Won (1962), Duck, You Sucker!
(1971), Heaven's Gate (1980), Dances with Wolves (1990), The Assassination of Jesse
James by the Coward Robert Ford (2007), Django Unchained (2012), and The Revenant
(2015).

Euro-Western
Main article: List of Euro-Western films
Euro-Westerns are Western-genre films made in Western Europe. The term can
sometimes include the spaghetti Western subgenre. One example of a Euro-Western is
the Anglo-Spanish film The Savage Guns (1961). Several Euro-Western films,
nicknamed sauerkraut Westerns[38] because they were made in Germany and shot in
Yugoslavia, were derived from stories by novelist Karl May, and were film
adaptations of May's work. One of the most popular German Western franchises was
the Winnetou series, which featured a Native American Apache hero in the lead role.
Also in Finland, only a few Western films have been made, the most notable of which
could be the 1971 low-budget comedy The Unhanged, directed by, written by, and
starring Spede Pasanen.

Some new Euro-Westerns emerged in the 2010s, including Kristian Levring's The
Salvation, Martin Koolhoven's Brimstone, and Andreas Prochaska's The Dark Valley.

Fantasy Western
Main article: Fantasy Western
Fantasy Westerns mixed in fantasy settings and themes, and may include fantasy
mythology as background. Some famous examples are Stephen King's The Stand and The
Dark Tower series of novels, the Vertigo comics series Preacher, and Keiichi
Sigsawa's light novel series, Kino's Journey, illustrated by Kouhaku Kuroboshi.

Florida Western
Main article: Florida Western
Florida Westerns, also known as cracker Westerns, are set in Florida during the
Second Seminole War. An example is Distant Drums (1951) starring Gary Cooper.
Greek Western
According to the naming conventions after spaghetti Western, in Greece they are
also referred to as "fasolada Westerns" (Greek: φασολάδα = bean soup, i.e. the so-
called national dish of Greece). A notable example is Blood on the Land (1966),
which was nominated for the Academy Award for Best Foreign Language Film.[39]

Horror Western
Main article: Horror Western
Another subgenre is the horror Western, with roots in films such as Curse of the
Undead (1959) and Billy the Kid vs. Dracula (1966), which depicts the legendary
outlaw Billy the Kid fighting against the notorious vampire. Another example is The
Ghoul Goes West, an unproduced Ed Wood film to star Bela Lugosi as Dracula in the
Old West.[citation needed] Newer examples include the films Near Dark (1987)
directed by Kathryn Bigelow, which tells the story about a human falling in love
with a vampire, From Dusk till Dawn (1996) by Robert Rodriguez deals with outlaws
battling vampires across the border, Vampires (1998) by John Carpenter, which tells
about a group of vampires and vampire hunters looking for an ancient relic in the
west, Ravenous (1999), which deals with cannibalism at a remote US army outpost;
The Burrowers (2008), about a band of trackers who are stalked by the titular
creatures; and Abraham Lincoln: Vampire Hunter (2012). Undead Nightmare (2010), an
expansion to Red Dead Redemption (2010) is an example of a video game in this
genre, telling the tale of a zombie outbreak in the Old West. Bone Tomahawk (2015),
one of the most recent entries in the genre, received wide critical acclaim for its
chilling tale of cannibalism, but like many other movies in the genre, it was not a
commercial success.

Martial arts Western (Wuxia Western)

While many of these mash-ups (e.g., Billy Jack (1971) and its sequel The Trial of
Billy Jack (1974)) are cheap exploitation films, others are more serious dramas
such as the Kung Fu TV series, which ran from 1972 to 1975. Comedy examples include
the Jackie Chan and Owen Wilson collaboration Shanghai Noon (2000). Further
subdivisions of this subgenre include Westerns based on ninjas and samurais
(incorporating samurai cinema themes), such as Red Sun (1971) with Charles Bronson,
Alain Delon, and Toshiro Mifune.

Musical
Main article: Western musical
There have been many musical films with a Western setting and many musicians have
appeared in Western films, sometimes in non-musical roles. Singers Doris Day and
Howard Keel worked together in Calamity Jane, a huge success on release which
remains one of the most popular Western musicals. On the other hand, crooner Dean
Martin and pop singer Ricky Nelson played the parts of gunfighters in Rio Bravo,
which is not a musical, although they did combine to sing a couple of songs in the
middle of the film while they were guarding the jailhouse.[citation needed]

Northern
Main article: Northern (genre)
The Northern genre is a subgenre of Westerns taking place in Alaska or Western
Canada. Examples include several versions of the Rex Beach novel, The Spoilers
(including 1930's The Spoilers, with Gary Cooper, and 1942's The Spoilers, with
Marlene Dietrich, Randolph Scott, and Wayne); The Far Country (1954) with James
Stewart; North to Alaska (1960) with Wayne; Death Hunt (1981) with Charles Bronson;
and The Grey Fox (1983) with Richard Farnsworth.

Ostern
Main article: Ostern
Ostern films, also known as "Eastern" or "Red Western" films, were produced in the
Soviet Union and Socialist Eastern Europe. They were popular in Communist Eastern
European countries and were a particular favorite of Joseph Stalin.

"Red Western" films usually portrayed the American Indians sympathetically, as

oppressed people, fighting for their rights, in contrast to American Westerns of
the time, which frequently portrayed the Indians as villains. Osterns frequently
featured Gypsy or Turkic people in the role of the Indians, due to the shortage of
authentic Indians in Eastern Europe.

Gojko Mitić portrayed righteous, kind-hearted, and charming Indian chiefs (e.g., in
Die Söhne der großen Bärin (1966), directed by Josef Mach). He became honorary
chief of the Sioux tribe when he visited the United States, in the 1990s, and the
television crew accompanying him showed the tribe of one of his films. American
actor and singer Dean Reed, an expatriate who lived in East Germany, also starred
in several Ostern films.

"Eastern" films typically replaced the Wild West setting with by an Eastern setting
in the steppes of the Caucasus. Western stock characters, such as "cowboys and
Indians", were also replaced by Caucasian stock characters, such as bandits and
harems. A famous example of the genre was White Sun of the Desert, which was
popular in the Soviet Union.[40]

Pornographic Western
Pornographic Westerns use the Old West as a background for stories primarily
focused on erotica. The three major examples of the porn Western film are Russ
Meyer's nudie-cutie Wild Gals of the Naked West (1962), and the hardcore A Dirty
Western (1975) and Sweet Savage (1979). Sweet Savage starred Aldo Ray, a veteran
actor who had appeared in traditional Westerns, in a non-sex role. Among
videogames, Custer's Revenge (1982) is an infamous example, considered to be one of
the worst video games of all time.

Ramen Western
First used in the publicity of the film Tampopo, the term "ramen Western" also is a
play on words using a national dish. The term is used to describe Western style
films set in Asia. Examples include The Drifting Avenger, Break the Chain,
Millionaires Express, East Meets West, Thai movies Tears of the Black Tiger and
Dynamite Warrior, Let the Bullets Fly, Unforgiven, Marlina the Murderer in Four
Acts, Buffalo Boys, The Good, the Bad and the Weird and Sukiyaki Western Django.
[41]

Revisionist Western
Main article: Revisionist Western
After the early 1960s, many American filmmakers began to question and change many
traditional elements of Westerns, and to make revisionist Westerns that encouraged
audiences to question the simple hero-versus-villain dualism and the morality of
using violence to test one's character or to prove oneself right. This is shown in
Sam Peckinpah's The Wild Bunch (1969). One major revision was the increasingly
positive representation of Native Americans, who had been treated as "savages" in
earlier films. Examples of such revisionist Westerns include Ride the High Country
(1962), Richard Harris' A Man Called Horse (1970), Little Big Man (1970), Soldier
Blue (1970), Man in the Wilderness (1971), The Outlaw Josey Wales (1976), Dances
with Wolves (1990), Unforgiven (1992), The Quick and the Dead (1995), and Dead Man
(1995). A television miniseries, Godless (2016), also fits into this category. A
few earlier revisionist Westerns gave women more powerful roles, such as Westward
the Women (1951) starring Robert Taylor. Another earlier work encompassed all these
features, The Last Wagon (1956). In it, Richard Widmark played a white man raised
by Comanches and persecuted by Whites, with Felicia Farr and Susan Kohner playing
young women forced into leadership roles.

Science fiction Western

Main article: Science fiction Western
The science fiction Western places science fiction elements within a traditional
Western setting. Examples include Jesse James Meets Frankenstein's Daughter (1965)
and The Valley of Gwangi (1969), the latter featuring cowboys and dinosaurs. John
Jakes's Six Gun Planet takes place on a future planet colonized by people
consciously seeking to recreate the Old West (with cowboys riding robot horses...).
The movie Westworld (1973) and its sequel Futureworld (1976), Back to the Future
Part III (1990), Wild Wild West (1999), and Cowboys & Aliens (2011), and the
television series Westworld (2016, based on the movie). Fallout: New Vegas (2010)
is an example of a video game that follows this format, with futuristic technology
and genetic mutations placed among the Western themes and desert sprawl of the
Mojave Wasteland.[citation needed]

Space Western
Main article: Space Western
The space Western or space frontier is a subgenre of science fiction, which uses
the themes and tropes of Westerns within science-fiction stories.[citation needed]
Subtle influences may include exploration of lawless frontiers in deep space, while
more overt influences may feature literal cowboys in outer space who use ray guns
and ride robotic horses. Examples include the American television series BraveStarr
(which aired original episodes from September 1987 to February 1988) and Firefly
(created by Joss Whedon in 2002), and the films Battle Beyond the Stars (1980),
which is a remake of The Magnificent Seven; Outland (1981), which is a remake of
High Noon; and Serenity (2005, based on the Firefly TV series). Another example is
the Japanese anime series Cowboy Bebop. The classic Western genre has also been a
major influence on science-fiction films such as the original Star Wars movie of
1977, with 2018's Solo: A Star Wars Story and 2019's Star Wars: The Mandalorian
more directly featuring Western tropes. Famously, Gene Roddenberry pitched the
concept of the TV show Star Trek as a "Wagon Train to the stars".[citation needed]

Spaghetti Western
Main articles: Spaghetti Western and Zapata Western
During the 1960s and 1970s, a revival of the Western emerged in Italy with the
"spaghetti Westerns", also known as "Italo-Westerns". The most famous of them is
The Good, the Bad and the Ugly, the third film of the Dollars Trilogy. Many of
these films are low-budget affairs, shot in locations (for example, the Spanish
desert region of Almería) chosen for their inexpensive crew and production costs,
as well as their similarity to landscapes of the Southwestern United States.
Spaghetti Westerns were characterized by the presence of more action and violence
than the Hollywood Westerns. Also, the protagonists usually acted out of more
selfish motives (money or revenge being the most common) than in the classical
Westerns.[42] Some Spaghetti Westerns demythologized the American Western
tradition, and some films from the genre are considered revisionist Westerns. For
example, the Dollars Trilogy itself has much different tropes compared to standard
Westerns, demythologizing the Sheriff figure (in A Fistful of Dollars and For a Few
Dollars More), putting both the Union and the Confederacy in ambiguously moral
positions (The Good, the Bad and the Ugly), and not featuring Native Americans
(except for a brief mention in A Fistful of Dollars).

Clint Eastwood as the ambiguously named protagonist of the Dollars Trilogy

(marketed as "the Man with No Name") in a publicity image of A Fistful of Dollars,
a film by Sergio Leone
The Western films directed by Sergio Leone were felt by some to have a different
tone from the Hollywood Westerns.[43] Veteran American actors Charles Bronson, Lee
Van Cleef, and Clint Eastwood[43] became famous by starring in spaghetti Westerns,
although the films also provided a showcase for other noted actors such as James
Coburn, Henry Fonda, Rod Steiger, Klaus Kinski, Jason Robards, Gian Maria Volonte
and Eli Wallach. Eastwood, previously the lead in the television series Rawhide,
unexpectedly found himself catapulted into the forefront of the film industry by
Leone's A Fistful of Dollars (the first in the Dollars Trilogy).[43]

Weird Western
Main article: Weird West
The weird Western combines elements of the classic Western with those of other
genres, invariably fantasy, horror and science fiction. The Wild Wild West
television series, television movies, and 1999 film adaptation blend the Western
with steampunk. The Jonah Hex franchise also blends the Western with superhero
elements. The film Western Religion (2015), by writer and director James O'Brien,
introduces the devil into a traditional Wild West setting. The Old Man Logan (2008–
2009) graphic novel combines the elements of superhero and post apocalyptic fiction
with Westerns.

Genre studies

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Tom Mix in Mr. Logan, U.S.A., circa 1919

In the 1960s, academic and critical attention to cinema as a legitimate art form
emerged. With the increased attention, film theory was developed to attempt to
understand the significance of film.[citation needed] From this environment emerged
(in conjunction with the literary movement) an enclave of critical studies called
genre studies. This was primarily a semantic and structuralist approach to
understanding how similar films convey meaning.[citation needed]

One of the results of genre studies is that "Westerns" need not take place in the
American West or even in the 19th century, as the codes can be found in other types
of films. For example, a very typical Western plot is that an eastern lawman heads
west, where he matches wits and trades bullets with a gang of outlaws and thugs,
and is aided by a local lawman who is well-meaning, but largely ineffective until a
critical moment, when he redeems himself by saving the hero's life, as in the quite
complex[according to whom?] classic The Man who shot Liberty Valance.[citation
needed] This stars James Stewart and John Wayne although Lee Marvin, then a
supporting actor, bears the title role to which the unknown hero (and plot
ambiguity) alludes.[citation needed] This classic description can be used to
describe any number of Westerns, but also other films such as Die Hard (itself a
loose reworking of High Noon) and Akira Kurosawa's Seven Samurai, which are
frequently cited[by whom?] examples of films that do not take place in the American
West, but have many themes and characteristics common to Westerns. Likewise, films
set in the American Old West may not necessarily be considered Westerns.[citation
needed]

Influences
Being period drama pieces, both the Western and samurai genre influenced each other
in style and themes throughout the years.[44] The Magnificent Seven was a remake of
Akira Kurosawa's film Seven Samurai, and A Fistful of Dollars was a remake of
Kurosawa's Yojimbo, which itself was inspired by Red Harvest, an American detective
novel by Dashiell Hammett.[45] Kurosawa was influenced by American Westerns and was
a fan of the genre, most especially John Ford.[46][47]

Despite the Cold War, the Western was a strong influence on Eastern Bloc cinema,
which had its own take on the genre, the so-called "Red Western" or "Ostern".
Generally these took two forms: either straight Westerns shot in the Eastern Bloc,
or action films involving the Russian Revolution and civil war and the Basmachi
rebellion.[citation needed]
An offshoot of the Western genre is the "postapocalyptic" Western, in which a
future society, struggling to rebuild after a major catastrophe, is portrayed in a
manner very similar to the 19th-century frontier. Examples include The Postman and
the Mad Max series, and the computer game series Fallout. Many elements of space-
travel series and films borrow extensively from the conventions of the Western
genre. This is particularly the case in the space Western subgenre of science
fiction. Peter Hyams' Outland transferred the plot of High Noon to Io, moon of
Jupiter.

More recently, the space opera series Firefly used an explicitly Western theme for
its portrayal of frontier worlds. Anime shows such as Cowboy Bebop, Trigun and
Outlaw Star have been similar mixes of science-fiction and Western elements. The
science fiction Western can be seen as a subgenre of either Westerns or science
fiction. Elements of Western films can be found also in some films belonging
essentially to other genres. For example, Kelly's Heroes is a war film, but its
action and characters are Western-like.

John Wayne (1948)

The character played by Humphrey Bogart in noir films such as Casablanca and To
Have and Have Not—an individual bound only by his own private code of honor—has a
lot in common with the classic Western hero. In turn, the Western has also explored
noir elements, as with the films Pursued and Sugar Creek.[citation needed]

In many of Robert A. Heinlein's books, the settlement of other planets is depicted

in ways explicitly modeled on American settlement of the West. For example, in his
Tunnel in the Sky, settlers set out to the planet "New Canaan", via an interstellar
teleporter portal across the galaxy, in Conestoga wagons, their captain sporting
mustaches and a little goatee and riding a Palomino horse—with Heinlein explaining
that the colonists would need to survive on their own for some years, so horses are
more practical than machines.[citation needed]

Stephen King's The Dark Tower is a series of seven books that meshes themes of
Westerns, high fantasy, science fiction, and horror. The protagonist Roland
Deschain is a gunslinger whose image and personality are largely inspired by the
Man with No Name from Sergio Leone's films. In addition, the superhero fantasy
genre has been described as having been derived from the cowboy hero, only powered
up to omnipotence in a primarily urban setting. The Western genre has been parodied
on a number of occasions, famous examples being Support Your Local Sheriff!, Cat
Ballou, Mel Brooks's Blazing Saddles, and Rustler's Rhapsody.[citation needed]

George Lucas's Star Wars films use many elements of a Western, and Lucas has said
he intended for Star Wars to revitalize cinematic mythology, a part the Western
once held. The Jedi, who take their name from Jidaigeki, are modeled after samurai,
showing the influence of Kurosawa. The character Han Solo dressed like an
archetypal gunslinger, and the Mos Eisley cantina is much like an Old West saloon.
[48]

Meanwhile, films such as The Big Lebowski, which plucked actor Sam Elliott out of
the Old West and into a Los Angeles bowling alley, and Midnight Cowboy, about a
Southern-boy-turned-gigolo in New York (who disappoints a client when he does not
measure up to Gary Cooper), transplanted Western themes into modern settings for
both purposes of parody and homage.[49]

Literature
Main article: Western fiction
Western fiction is a genre of literature set in the American Old West, most
commonly between 1860 and 1900. The first critically recognized Western was The
Virginian (1902) by Owen Wister."Classic Wild West Literature". Other well-known
writers of Western fiction include Zane Grey, from the early 1900s, Ernest Haycox,
Luke Short, and Louis L'Amour, from the mid 20th century. Many writers better known
in other genres, such as Leigh Brackett, Elmore Leonard, and Larry McMurtry, have
also written Western novels. The genre's popularity peaked in the 1960s, due in
part to the shuttering of many pulp magazines, the popularity of televised
Westerns, and the rise of the spy novel. Readership began to drop off in the mid-
to late 1970s and reached a new low in the 2000s. Most bookstores, outside of a few
Western states, now only carry a small number of Western novels and short-story
collections.[50]

Literary forms that share similar themes include stories of the American frontier,
the gaucho literature of Argentina, and tales of the settlement of the Australian
Outback.

Television
Main article: Westerns on television

James Garner and Jack Kelly in Maverick (1957)

Television Westerns are a subgenre of the Western. When television became popular
in the late 1940s and 1950s, TV Westerns quickly became an audience favorite.[51]
Beginning with rebroadcasts of existing films, a number of movie cowboys had their
own TV shows. As demand for the Western increased, new stories and stars were
introduced. A number of long-running TV Westerns became classics in their own
right, such as: The Lone Ranger (1949–1957), The Life and Legend of Wyatt Earp
(1955–1961), Cheyenne (1955–1962), Gunsmoke (1955–1975), Maverick (1957–1962), Have
Gun – Will Travel (1957–1963), Wagon Train (1957–1965), Sugarfoot (1957–1961), The
Rifleman (1958–1963), Rawhide (1959–1966), Bonanza (1959–1973), The Virginian
(1962–1971), and The Big Valley (1965–1969). The Life and Legend of Wyatt Earp was
the first Western television series written for adults,[52] premiering four days
before Gunsmoke on September 6, 1955.[53][54]

The peak year for television Westerns was 1959, with 26 such shows airing during
primetime. At least six of them were connected in some extent to Wyatt Earp: The
Life and Legend of Wyatt Earp, Bat Masterson, Tombstone Territory, Broken Arrow,
Johnny Ringo, and Gunsmoke.[55] Increasing costs of American television production
weeded out most action half-hour series in the early 1960s, and their replacement
by hour-long television shows, increasingly in color.[56] Traditional Westerns died
out in the late 1960s as a result of network changes in demographic targeting along
with pressure from parental television groups. Future entries in the genre would
incorporate elements from other genera, such as crime drama and mystery whodunit
elements. Western shows from the 1970s included Hec Ramsey, Kung Fu, Little House
on the Prairie, McCloud, The Life and Times of Grizzly Adams, and the short-lived
but highly acclaimed How the West Was Won that originated from a miniseries with
the same name. In the 1990s and 2000s, hour-long Westerns and slickly packaged
made-for-TV movie Westerns were introduced, such as Lonesome Dove (1989) and Dr.
Quinn, Medicine Woman. Also, new elements were once again added to the Western
formula, such as science-fiction Western Firefly, created by Joss Whedon in 2002.
Deadwood was a critically acclaimed Western series that aired on HBO from 2004
through 2006. Hell on Wheels, a fictionalized story of the construction of the
First Transcontinental Railroad, aired on AMC for five seasons between 2011 and
2016. Longmire is a Western series that centered on Walt Longmire, a sheriff in
fictional Absaroka County, Wyoming. Originally aired on the A&E network from 2012
to 2014, it was picked up by Netflix in 2015 until the show's conclusion in 2017.

"As Wild felled one of the redskins by a blow from the butt of his revolver, and
sprang for the one with the tomahawk, the chief's daughter suddenly appeared.
Raising her hands, she exclaimed, 'Go back, Young Wild West. I will save her!'"
(1908)
Visual art
Main article: Artists of the American West
A number of visual artists focused their work on representations of the American
Old West. American West-oriented art is sometimes referred to as "Western Art" by
Americans. This relatively new category of art includes paintings, sculptures, and
sometimes Native American crafts. Initially, subjects included exploration of the
Western states and cowboy themes. Frederic Remington and Charles M. Russell are two
artists who captured the "Wild West" in paintings and sculpture.[57] Some art
museums, such as the Buffalo Bill Center of the West in Wyoming and the Autry
National Center in Los Angeles, feature American Western Art.[58]

Other media
The popularity of Westerns extends beyond films, literature, television, and visual
art to include numerous other media.

Anime and manga

With anime and manga, the genre tends towards the science-fiction Western [e.g.,
Cowboy Bebop (1998 anime), Trigun (1995–2007 manga), and Outlaw Star (1996–1999
manga)]. Although contemporary Westerns also appear, such as Kōya no Shōnen Isamu,
a 1971 shōnen manga about a boy with a Japanese father and a Native American
mother, or El Cazador de la Bruja, a 2007 anime television series set in modern-day
Mexico. Part 7 of the manga series JoJo's Bizarre Adventure is based in the
American Western setting. The story follows racers in a transcontinental horse
race, the "Steel Ball Run". Golden Kamuy (2014–present) shifts its setting to 1900s
Hokkaido, having the Ainu people instead of Native Americans, as well having other
recognizable western tropes.

Comics
Western comics have included serious entries, (such as the classic comics of the
late 1940s and early 1950s (namely Kid Colt, Outlaw, Rawhide Kid, and Red Ryder) or
more modern ones as Blueberry), cartoons, and parodies (such as Cocco Bill and
Lucky Luke). In the 1990s and 2000s, Western comics leaned towards the fantasy,
horror and science fiction genres, usually involving supernatural monsters, or
Christian iconography as in Preacher. More traditional Western comics are found
throughout this period, though (e.g., Jonah Hex and Loveless).

Games
Western arcade games, computer games, role-playing games, and video games are often
either straightforward Westerns or Western-horror hybrids. Some Western-themed
computer games include The Oregon Trail (1971), Mad Dog McCree (1990), Sunset
Riders (1991), Outlaws (1997), Desperados series (2001–), Red Dead series (2004–),
Gun (2005), and Call of Juarez series (2007–). Other video games adapt the "weird
West" concept – e.g., Fallout (1997), Gunman Chronicles (2000), Darkwatch (2005),
the Borderlands series (2009–), Fallout: New Vegas (2010), and Hard West (2015).

Radio dramas
Western radio dramas were very popular from the 1930s to the 1960s. Some popular
shows include The Lone Ranger (first broadcast in 1933), The Cisco Kid (first
broadcast in 1942), Dr. Sixgun (first broadcast in 1954), Have Gun–Will Travel
(first broadcast in 1958), and Gunsmoke (first broadcast in 1952).[59]

Web series
Westerns have been showcased in short-episodic web series. Examples include League
of STEAM, Red Bird, and Arkansas Traveler.