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    Laitz Exercises 18.3-18.5: (Applied Chords)

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    This document contains exercises on applied chords. Exercise 18.3 presents chord progressions that are initially incorrect and need correction. For example, progression A uses a major seventh chord instead of a minor seventh as the dominant of IV. Progressions are then shown with the corrections made. Exercise 18.3 also contains additional progressions labeled incorrectly in terms of where the chords want to lead and their voicing. The document notes voice leading issues that need to be resolved in some of the progressions.

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    Laitz Exercises 18.3-18.5: (Applied Chords)

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    This document contains exercises on applied chords. Exercise 18.3 presents chord progressions that are initially incorrect and need correction. For example, progression A uses a major seventh chord instead of a minor seventh as the dominant of IV. Progressions are then shown with the corrections made. Exercise 18.3 also contains additional progressions labeled incorrectly in terms of where the chords want to lead and their voicing. The document notes voice leading issues that need to be resolved in some of the progressions.

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    This document contains exercises on applied chords. Exercise 18.3 presents chord progressions that are initially incorrect and need correction. For example, progression A uses a major seventh chord instead of a minor seventh as the dominant of IV. Progressions are then shown with the corrections made. Exercise 18.3 also contains additional progressions labeled incorrectly in terms of where the chords want to lead and their voicing. The document notes voice leading issues that need to be resolved in some of the progressions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    50 views2 pages

    Laitz Exercises 18.3-18.5: (Applied Chords)

    Uploaded by

    No no
    This document contains exercises on applied chords. Exercise 18.3 presents chord progressions that are initially incorrect and need correction. For example, progression A uses a major seventh chord instead of a minor seventh as the dominant of IV. Progressions are then shown with the corrections made. Exercise 18.3 also contains additional progressions labeled incorrectly in terms of where the chords want to lead and their voicing. The document notes voice leading issues that need to be resolved in some of the progressions.

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    © All Rights Reserved
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    of 2

    Laitz

    Exercises 18.3-18.5
    (Applied Chords)
    Alex De Biasio


    Exercise 18.3

         
    A. B. C.

      
       
    (Uncorrected)

    F: V⁷/IV D: V⁶/ii a: V⁷/VI

    Uncorrected A tries to use a major seventh chord instead of a minor seventh chord as the dominant of IV. We
    can easily fix this by changing the E to an Eb.

    In B, we want to lead to an E Minor chord, but we cannot do so unless we have a leading tone. The D must bec-
    ome a D#.


    It is more natural for uncorrected C to lead to a sharp VI chord than to the natural VI of A Minor. So, we shift
    all of the notes in the chord down by a semitone.

    
        
    A. B. C.


      
    (Corrected)
       


    F: V⁷/IV D: V⁶/ii a: V⁷/VI
    _

    
       
    D. E. F.

     

        

    (Uncorrected)
    C:
    V⁷/iii G:
    V⁶/ii f:
    V⁷/VI
    (Corrected) V⁶₅/IV V⁴₃/VI V⁶₅/III


    The main issue with D, E, and F is that the original labels do not describe where the chord wants to lead. Also,
    the voicing of seventh chords is not labeled correctly based on the root note.
    _

           
     
    G. H. I.

     
       
      
       
    (Uncorrected)

    G: V⁷/V V d: V⁶/iv iv Eb: V⁷/iii iii


    In G, we have a voice leading problem. The leading tone doesn't resolve through stepwise motion, which weak-
    ens the cadence. There is also a direct fifth in the soprano and tenor that can be avoided just through resolving
    the leading tone.

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