‫لذ ْك ِر فَهَ ْل ِم ْن ُم َد ِكر۝‬

ِ ِ ‫ولـ َقَ ْد ي َ َس ْرنَا الـ ْ ُق ْراٰن ل‬

َ َ
We have made the Quran easy for remembrance. So, is there anyone who will
remember (and seek advice)? 54:32

Tajweed Essentials
Author: Altaf Sabir Kapadia
﷽

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 ﷽

Name of Book: Tajweed Essentials

Author: Altaf Sabir Kapadia
Version: First edition (APRIL 2016)
Published by: Darul Arqam Of Michigan
Website: darularqammichigan.weebly.com
Email: alkap80@gmail.com

© 2016 Altaf Sabir Kapadia. All rights reserved.

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 ﷽
Table of Contents

Tajweed Essentials ................................................... 6

Makhaarij ‫ـخا ِر ْٰج‬

َ ‫ َم‬........................................................ 6
Rules on the pronunciation of letters ....................... 8
Full Mouth Letters ................................................. 13
The rules of Ghunnah............................................. 14

The rules of Noon Saakin (ٰ‫)ن‬

ْ and Tanween (ٰ ٰ ًٰ ) ...... 16

Idh-haar ٰ‫ار‬ ِ
ْ َ‫ا ْظه‬: ........................................................ 17

Ikhfaa ْ‫ا ِ ْخفَ ٰاء‬: ............................................................. 18

ْٰ َ ‫ا ِ ْدغ‬:.......................................................... 19
Idghaam ‫ام‬

Qalb ‫ب‬
ٰ ْ ْ ‫قَل‬:................................................................. 21

The Rules of Meem Saakin ..................................... 22

Idghaam Meem Saakin ً‫اِدْغَا ْٰم‬:.................................... 23

Ikhfaa Meem Saakin ْ‫ ا ِ ْخفَ ٰاء‬: ....................................... 23

ْٰ َ ‫ا ِ ْظه‬: ................................... 24
Idh-haar Meem Saakin ‫ار‬

Qalqalah ‫ قَلْقَل َ ْٰه‬Part 1 ................................................ 25

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 ﷽
The rules of Raa ..................................................... 28

The rules of Laam )‫ (ل‬in the word ‫اهلل‬....................... 32

The Chapter of Waqf (To stop at the end or in the

middle of a verse) .................................................. 34
Part A: The Symbols of Waqf.................................. 35
Part B: How to make waqf at the end of a word .... 36
Part C: Rules of Qalqalah related to waqf............... 38
Part D: Rules of Raa Saakin related to waqf............ 39
The Rules of Madd ................................................. 41

Maddul Asli- ‫ مَدُٰ ْاْل َ ْصلِـ ْٰي‬............................................... 42

Maddul Far’ee- ‫مَدُٰ الـ ْفَ ْر ِعـ ْٰي‬........................................... 43

ٰ ْ ‫ مَدُٰ ال ْ ُـمتَـ ِص‬...................................... 44

Maddul Muttasil- ‫ل‬

ٰ ْ ‫ مَدُٰ ال ْ ُـمنْـ َفـ ِص‬.................................... 44

Maddul Munfasil- ‫ل‬

Maddul Aaridh Waqfi- ‫ض َوقْـ ِفـ ْٰي‬

ٰ ْ ‫ مَ ُٰد الْعَا ِر‬.......................... 45

Letters of Leen ....................................................... 45

Maddul Leen Aaridh Waqfi- ................................... 46

ٰ‫ض َوقْـ ْفـ ْي‬ ْٰ ‫ ٰمَ ُٰد اللِـيْـ‬........................................................ 46

ٰ ْ ‫ن عَا ِر‬

Maddul Laazim- ً‫ مَدُٰ َاْل ِٰز ْٰم‬............................................ 47

Kilmi Muthaqqal- ‫ ِكـلْـ ِمـ ْٰي ُمـثَـقَـل‬.................................... 48

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 ﷽
ِ ِ
Kilmi Mukhaffaf- ‫َـف‬ َ ‫ كـلْـمـ ْٰي ُم‬.................................... 48
ٰ ْ ‫ـخـف‬

ٰ ْ َ‫ َحـ ْرفِـ ْٰي ُمـثَـق‬..................................... 49

Harfi Muthaqqal- ‫ـل‬

ِ
Harfi Mukhaffaf- ‫َـف‬ َ ‫ َحـ ْرفـ ْٰي ُم‬.................................... 50
ٰ ْ ‫ـخـف‬

ْٰ ‫ لِـيْـ‬............................................... 51
Leen Laazim- ‫ن َْل ِز ْٰم‬

The rule of the word ‫ ا َنَا‬........................................... 52

The rules regarding the tiny ‫ س‬on top of ‫ ص‬........... 53

Miscellaneous rules ............................................... 54

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 ﷽
Tajweed Essentials
The definition of Tajweed: To recite every letter
correctly, from its place and with all its qualities.

The purpose of Tajweed: To recite the Qur’an in the

manner it was revealed and recited to Rasulullah‫ﷺ‬,
for the pleasure of Allah Ta’ala.

Makhaarij ‫َم َـخا ِر ْٰج‬

Definition: Makhraj is the place where the sound of a
letter originates.

According to Imam Khalil ‫ رح‬, there are a total of 17

Makhaarij (places where the sound originates).

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 ﷽
The Arabic names of our teeth

1. ‫ثَنايَا ُعلْيَا‬
7. (Dawaahik Ulya)
(Thanaaya Ulya)
2.َٰ‫ثَنَايَا ُسفْل‬ 8. (Dawaahik
(Thanaaya Sufla) Sufla)
3.‫َربَا ِع ْي ُعلْيَا‬
9. (Tawaahin Ulya)
(Rabaa'ie Ulya)
10. (Tawaahin
4. (Rabaa'ie Sufla) Sufla)
11. (Nawaajiz
5. (Anyaab Ulya)
Ulya)
12. (Nawaajiz
6. (Anyaab Sufla) Sufla)
Note: Numbers 7-10 are known as (Adraus)

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 ﷽
Please have a look and understand the above diagram.
Learn and memorize the Arabic name of every tooth.

Rules on the pronunciation

of letters
‫ا‬ Comes from the emptiness of the mouth.

‫ب‬ Pronounced from the wet portions of the

lips.

‫ت‬ With the tip of the tongue, touchin g the

roots of Thanaaya Ulya.

‫ث‬ With tip of the tongue, touching the

EDGE of Thanaaya Ulya.

‫ج‬ With the center of the tongue, touching

the hard palate.

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 ﷽

‫ح‬ Pronounced HARSHLY from the center of

the throat.

‫خ‬ Pronounced HARSHLY with a full mouth

from that part of the throat, nearest to the
mouth. And raising the back part of the tongue
towards the palate.

‫د‬ Pronounced SOFTLY with the tip of the

tongue, touching the roots of Thanaaya Ulya.

‫ذ‬ Pronounced SOFTLY with the tip of the

tongue, touching the EDGE of Thanaaya Ulya.

‫ر‬ With the tip of the tongue, touching the

gums of Thanaaya Ulya and Rabaa'ie Ulya. Note:
This letter will be pronounced with a full mouth
and at times, lightly with an empty mouth.

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 ﷽
‫ز‬ With the tip of the tongue, touching the
EDGES of Thanaaya Sufla and a little of
Thanaaya Ulya. Thus giving the sound of Z.

‫س‬ Same as the letter ‫ ز‬but with a sound of

a whistle.

‫ش‬ Same as the letter ‫ ج‬but with the sound

of "SH" as in Sheep.

‫ص‬ Same as the letter ‫ س‬but with a full

mouth.

‫ض‬ This is a full mouth letter. With

upturning the edge of one side or both sides of
the tongue, and touching the inner gums of
Dawaahik and Tawaahin. Also, raising the back
part of the tongue towards the soft palate.

TIP: When you pronounce it, make sure to keep

the front tip of the tongue away from the roots
of Thanaaya and Rabaa'ie Ulya and have it
touch the palate.

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 ﷽
‫ط‬ Same as ‫ت‬ but with a full mouth.

‫ظ‬ Same as ‫ ذ‬but with a full mouth.

‫ع‬ Same place as ‫ ح‬but pronounce it with a

stress, by going down deeper into the throat
and give a squeeze to your throat.

‫غ‬ Pronounced SOFTLY with a full mouth

from that part of the throat, nearest to the
mouth. And raising the back part of the tongue
towards the palate.

‫ف‬ With the edge of Thanaaya Ulya,

touching the inner portion of the bottom lip.

‫ق‬ Raising the extreme back part of the

tongue, touching the palate and uvula.

‫ك‬ Similar to ‫ ق‬but away from the Uvula.

‫ل‬ With the tip of the tongue, touching the

gums of the teeth, which extends from the
Dawaahik of one side to the other.

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 ﷽
‫م‬ Pronounced from the dry portion of the
lip.

‫ن‬ With the tip of the tongue, touching the

gums of the teeth, which extends from the
Anyaab of one side to the other.

‫و‬ Pronounced by the incomplete meeting

of both portions of the lip.

‫ه‬ Pronounced SOFTLY from that part of the

throat nearest to the chest.

‫ء‬ Same place as ‫ ه‬but without giving away

the sound of breath.

‫ي‬ With the center of the tongue, touching

the palate.

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 ﷽
Full Mouth Letters
The following seven letters will always be read with a
full mouth:

‫خصضغ طقظ‬
An easy way to remember it, is to combine the letters:

ٰ‫ص َض ٰغ َـط ٰقِـ ْظ‬

َ ‫ُٰخٰـ‬

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 ﷽
The rules of Ghunnah
Whenever a Meem ‫ م‬has a Tashdeed ًٰ , make
Ghunnah by making a humming sound with the mouth
closed for about 2 seconds.

Whenever a Noon ‫ ن‬has a Tashdeed ًٰ , make Ghunnah

for about 2 seconds, by making a nasal sound with the
front part of the tongue, spreading against the hard
palate.

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 ‫﷽‬
‫‪Examples:‬‬

‫ٰعَ ِٰم َ‬
‫كٰ‬ ‫ِٰم َمٰ‬ ‫بِ ِهٰ َنٰ‬
‫فَ ٰل َ َٰما‬ ‫ٰاِ َٰن‬ ‫ُكـل ُ ُٰه َ ٰ‬
‫ن‬
‫َٰم َنٰ‬ ‫ٰعَ َمٰ‬ ‫ٰاِ َن ا َ ٰ‬
‫لظ َنٰ‬
‫ٰاَ ٰنِٰـ ْٰي‬ ‫ِٰم ٰنَا‬ ‫َٰغمٰ‬

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 ﷽
The rules of Noon Saakin
(ٰ‫)ن‬
ْ and Tanween (ٰ ً )
There are four Rules for Noon
Saakin and Tanween:

1. Idh-haar ٰ‫اِ ْظهَ ْار‬

2. Ikhfaa ‫اِ ْخ َف ْٰاء‬
3. Idghaam ً‫اِ ْدغَا ْٰم‬
4. Qalb ٰ‫ب‬
ْ ْ ‫قَل‬

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 ﷽
Idh-haar ٰ‫اِ ْظهَ ْار‬:
If after a noon Saakin or tanween, one of the letters

of Idh-haar appear, ( ‫خ‬،‫غ‬،‫ح‬،‫ع‬،‫ه‬،‫) ء‬, then Idh-

haar will be made by reciting it without any nasal
sound or ghunnah.

ٰ‫ٰاَن ْ ٰـعَ ْم َت‬ ٰ‫ِٰمنْ ُٰه ْم‬ ٰ‫َو ِٰم ْن ٰا َ ْه ِل‬

‫ِٰم ْن َٰخ ْشي َ ِٰة‬ ‫ِٰم ْن َٰغيْـ ِٰر‬ ٰ‫َوتَـٰنْ ِٰح ُت ْو َن‬
ٰ‫عَ ْٰرش ٰعَ ِظيْم‬ ٰ‫قَ ْٰوم َهاد‬ ‫ٰاِذا ٰا َبَدا‬
ٰ‫ـمة َٰخيْـر‬
َٰ ‫َو َر ْح‬ ‫َس ِفي ْ ٰـنَة َٰغ ْـصبا‬ ‫عَلِ ٰي ْـما َٰح ِكيْمٰا‬

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 ﷽
Ikhfaa ‫اِ ْخ َف ْٰاء‬:
If after a noon saakin or tanween, the following
letters appear, then Ikhfaa will be made.

‫ك‬،‫ق‬،‫ف‬،‫ظ‬،‫ط‬،‫ض‬،‫ص‬،‫ش‬،‫س‬،‫ز‬،‫ذ‬،‫د‬،‫ج‬،‫ث‬،‫ت‬
Ikhfaa means to make a nasal sound for about 2
seconds, with the front part of the tongue hovering
close to the hard palate.

ٰ‫ِٰم ْن َٰجنٰت‬ ٰ‫َٰم ْن ٰثَ ُقل َ ْت‬ ٰ‫َو ٰا َن ْ ُٰـت ْم‬

ٰ‫بَ ٰعْض ُٰز ْخ ُرف‬ ٰ َ َ‫نَارٰا ٰذ‬
‫ات‬ ‫ٰدَكٰا ٰدَكَا‬
‫ص ْرنَا‬ ٰ ُ ْ ‫ٰفَان‬ ٰ‫َغ ُف ْٰورٰ َٰش ُك ْور‬ ‫لَيَال َٰس ِويا‬
ٰ‫ِٰظّل َ ٰظ ٰلِـيّْل‬ ‫َٰسـٰمٰـٰوٰت ِٰطبَاقَا‬ َٰ ٰ‫قَ ْٰوما َضاٰ لِـي ْـ‬
‫ن‬
‫عَ َد َٰاوة ٰك َا َ ٰن َ ُٰه‬ ٰ‫ٰثَـ َٰمنا ٰقَلِيّْل‬ ‫ُٰمـٰ ْح ِٰسن ٰفَل َ ُٰه‬

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 ﷽
ْٰ َ‫اِ ْدغ‬:
Idghaam ‫ام‬
If after Noon Saakin or Tanween, the letters

‫ن‬،‫م‬،‫و‬،‫ ي‬appear, then Idghaam with ghunnah will

be made. Idghaam means to join the harkat letter (a
letter with zabar, zer or pesh) with the idghaam
letter and pronounce it with a nasal sound for about
2 seconds. Also, if after Noon Sakin or Tanween,

from the Idghaam letters, a ‫ و‬or ‫ي‬ appears, then

blend the nasal sound into the sound of ‫ و‬or ‫ ي‬.

ٰ‫ُمنَا ِٰديا يْـنَا ِد ْيٰ ٰل ِـٰقَ ْٰوم ٰيَعْل َ ُم ْٰو َن‬ ٰ‫َو َٰم ْن يَـعْ َم ْل‬
‫َج ٰنَةٰ َٰو َحرِيْرا‬ ٰ‫ِٰم ْن َوٰلِـي‬ ‫ِر َجال ي ُٰـ ِحبُـ ْو َٰن‬
ٰ‫ِٰم ْن َماٰء‬ ٰ‫اِلٰـٰه َٰوا ِحد‬ ٰ‫يَـ ْو َم ٰئِذٰ َٰوا ِجفَة‬
‫َخ ٰي ْـٰر ِٰمنْ ُٰه‬ ٰ‫ـح ُف ْوظ‬ ْ ‫ل َ ْٰوح َٰم‬ ٰ‫اَيَامٰا َٰمعْ ُد ْودٰت‬
ٰ‫َر ُس ْٰوْل ٰن َبِـيا ي َ ْو َم ٰئِذ ن َا ِع َمة‬ ٰ‫فَ ٰل َ ْن ٰن َ ِزي ْ َد ُك ْم‬
ْٰ ‫َو َوالِـد َٰو َما َول َ ْٰد كَثِـيْـٰر َٰاويَهْ ِد‬
‫ي‬ ٰ‫َط ٰل ْـعٰ ٰن َ ِضيْع‬

Page | 19
 ﷽

If after a noon saakin or tanween, the letters ‫ر‬،‫ل‬

appear, then Idghaam without ghunnah will be made.

‫تَـٰ َوابٰا َٰر ِحـيْـما‬ ٰ‫ٰاَ ْن ٰل َ ْم ٰي َـ َٰرہ‬ ٰ‫ٰا َ ْن َٰراٰ ُه‬

ٰ‫َغـٰ ُفـ ْور َر ِحـيْـم‬ ٰ‫َجـنٰـت ل َ ُـه ْم‬ ْٰ ‫َمـتَاعا ٰلـَ ُك‬
‫م‬

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 ﷽
Qalb ‫ب‬
ٰ ْ ْ ‫قَل‬:
If after Noon Sakin, a letter ‫ ب‬appears, then the
Noon Saakin will change into a Meem Sakin ( ‫ ) ًْم‬and
it will be read with ghunnah. The ghunnah will be
done by making a humming sound with the mouth
closed. The ghunnah will be done for about 2
seconds.

E.g. ٰ‫ِٰم ْن ۢ ٰبَعْ ِد‬

If after tanween, a letter ‫ ب‬appears, then take away
a harkat from the tanween. Then join it with the
tiny Meem Saakin and make ghunnah.

E.g.
َ ِ‫ٰن َـ ْفٰسٰ ۢ ب‬
‫ـما‬ ‫ـما‬ ٰ ِ ‫نَـ ْف‬
َ ِ‫ٰس ۢ ب‬
ٰ‫ن بَـ ِخ َل‬
ْٰۢ ‫َٰم‬ ِ ‫ٰاَ ٰن ْ ِٰۢبياٰء‬
ٰ‫اّلل‬ َ َ ْٰۢ ‫ِٰم‬
‫ن ٰب َ ْقلِهَا‬
ٰ‫اصي َ ِة‬
ِ َ‫لـ َن َ ْس َٰفع ٰا ۢ ٰبِالـن‬ ‫قَ ْٰو ْٰل ۢ ٰبَ ٰلِيْـغا‬ ‫ا َبَـد ٰا ۢبِـ َما‬
ْٰ َ‫ي َ ْو َم ٰئِذ ۢ بِـ َجهَـن‬
‫م‬ ‫ُف ُ ٰرش ۢ ٰبَ َطاٰ ِٰئـ ُنهَا‬ ٰ‫اٰيَات ۢ بَـيِـنَات‬
ِ َٰ ‫عَـلِ ٰي ْم ۢ بِال ْ ُـمتَـقِيْـ‬
َْ ‫ن ُم ْـط َم ٰئن ۢ بِا ْ ْٰلِي‬
ِٰ ‫ـم‬
‫ان‬ ٰ‫اٰيٰتٰ ۢ ٰب َـيِـنٰت‬

Page | 21
 ﷽
The Rules of Meem Saakin

There are three rules for

Meem Saakin:

1. Idghaam Meem Saakin ً‫اِ ْدغَا ْٰم‬

2. Ikhfaa Meem Saakin ‫اِ ْخفَاء‬
3. Idh-haar Meem Saakinٰ‫اِ ْظهَ ْار‬

Page | 22
 ﷽
Idghaam Meem Saakin ًٰ‫اِدْغَا ْم‬:
If after Meem Saakin ً‫ ْٰم‬,there appears another
meem ‫ م‬, then ghunnah will be made by making a
humming sound with the mouth closed. The
ghunnah will be done for about 2 seconds.

ٰ‫َوا َْر ُجلَـ ُٰك ْم ِمٰ ْن‬ ٰ‫اِن َ ُٰـه ْم َٰمعَ ُك ْم‬ ٰ‫ل َ ُٰـه ْم ُٰم ْوس‬
‫لـ َ ُٰك ْم َٰما‬ ‫ي َ ٰا ْتِـيَـنَ ُٰك ْم ِٰمـٰ ِنـ ْيٰ اِلَي ْ ُٰك ْم ُٰم ْر َسل ُ ْو َٰن‬

Ikhfaa Meem Saakin ‫ ٰاِ ْخ َف ْٰاء‬:

‫م‬
If after Meem Saakin , there appears a Baa ‫ب‬,
then ikhfaa will be made by making a humming
sound with the mouth closed. The Ikhfaa will be
done for 2 seconds.

‫فَا َ َخ ْٰذنٰ ُٰـه ْم بِـ َما‬ ٰ‫ُر ُسل ُ ُٰه ْم ٰبِالْبَـيِـنٰ ِت‬ ٰ‫َربَ ُٰه ْم ٰبِ ِه ْم‬
ٰ‫ـمعْ ُر ْو ِف‬
َ ْ ‫يَا ْ ُم ُر ُٰه ْم ٰبِال‬ ‫اسبَـقَ ُٰك ْم ٰبِهَا‬
َ ‫َم‬ ٰ‫اٰ َمنْ ُٰـت ْم ٰبِه‬

Page | 23
 ﷽
ْٰ َ‫اِ ْظه‬:
Idh-haar Meem Saakin ‫ار‬
If any other letter besides Baa ‫ ب‬or meem ‫ م‬appears
‫م‬
after a Meem Saakin , then do not make ghunnah.

ٰ‫ل َ ُٰـه ْم ٰثِيَاب‬ ٰ‫اَن ْ ُف ُس ُٰه ْم خٰلِ ُد ْو َن‬ ‫اَن ْ ُٰـت ْم ٰل َـهَا‬
‫ُب ُط ْونِـ ِٰه ْم َٰوال ْ ُـجـل ُ ْو ُدٰ َمنْ َسكا ُٰه ْم ٰن َا ِس ُك ْو ُٰه لـ َ ُٰك ْم ٰفِيْهَا‬

Page | 24
 ﷽
Qalqalah ‫ قَل ْ َقل َ ْٰه‬Part 1
Qalqalah means to make a bouncing sound by either:

 Tapping the tongue against the hard palate.

 Or tapping the upper part of the lip with the
bottom part of the lip.
 Or tapping the uvula with the extreme back part
of the tongue.

If any of the following letters ‫د‬،‫ج‬،‫ب‬،‫ط‬،‫ ق‬have a

saakin, Qalqalah will be made.

ٰ‫ق‬-
ْ Make a bouncing sound, by tapping the uvula with
the extreme back part of the tongue.

ٰ‫بَٰـ ْٰق ِر‬ ٰ‫اُٰ ٰقْ ِس ُم‬ ٰ‫نَٰـ ْٰقص‬

ٰ‫ط‬-
ْ Make a bouncing sound, by tapping the tongue
against the hard palate.

ٰ‫فَ َو َسٰ ْطٰ َن‬ ٰ‫َٰم ْ ٰطل َ ِع‬ ‫ٰا َ ْ ٰطعَ َمنَا‬

Page | 25
 ﷽
ٰ‫ب‬-
ْ Make a bouncing sound, by tapping the upper part
of the lip with the bottom part of the lip.

‫َٰسبْـقا‬ ٰ‫َٰح ٰب ْـل‬ ‫ٰا َ ٰبْ َوابا‬

ٰ‫ج‬-
ْ Make a bouncing sound by tapping the tongue
against the hard palate.

‫َٰر ْٰجعِ ٰه‬ ٰ‫تَٰـ ْٰج ِر ْي‬ ‫ٰفَ ْٰج ٰر‬

ْٰ Make a bouncing sound by tapping the tongue

‫د‬-
against the hard palate.

ٰ‫ل َ ْم ي َ ٰلِ ْد‬ ٰ‫ٰاَ ْٰدب َ َر‬ ٰ‫لـ َ ٰقَ ْد‬

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 ﷽
Note: While making qalqalah, be sure to not create a

harkat sound ) ُ ِ َ (. For example ٰ‫ ٰفَ ْٰجر‬should not be

read as ‫ ٰفَ َٰج ٰر‬.
*Part 2 of Qalqalah is in the Chapter
of Waqf (Stopping).

Page | 27
 ﷽
The rules of Raa
Part 1- Raa ‫ ر‬prounounced with a full mouth:
1. If a Raa ‫ ر‬has a zabar or pesh, then it will be
read with a full mouth.

ٰ‫تَ ِٰز ُر‬ ٰ‫ُٰر ُبـ ُع‬ ٰ‫ـم َر‬

َٰ َ‫ث‬ ٰ‫اَ َٰم َر‬

2. If a Raa Saakin ٰ‫ ْر‬has a zabar or pesh before it,

then it will be read with a full mouth.

ٰ‫ُم ْٰرتَاب‬ ٰ‫فَٰ ُص ْر‬ ٰ‫ٰاَثَ ْٰر َن‬ ٰ‫ا َْٰر َس َل‬
Note: If there’s an empty mouth letter before the Raa
Saakin, then upon joining the two letters, blend the
sound from empty mouth to full mouth.

3. If a Raa Mu-shaddad ٰ‫ ر‬has a zabar or pesh,

then it will be read with a full mouth.

ٰ‫تَقْ َشعِٰـٰ ُر‬ ٰ‫يَـ ِفٰ ُر‬ ٰ‫َٰح َٰر َم‬ ٰ‫بِٰ َر‬

Page | 28
 ﷽
Note: If there’s an empty mouth letter before the Raa
Mu-shaddad, then upon joining the two letters, blend
the sound from empty mouth to full mouth.

ٰ‫ْر‬
4. If before a Raa Saakin , there is a temporary

zer (a zer which was not there from before),

then it will be read with a full mouth.

‫ اِ ْٰر َح ْـم ُه َما‬...‫۞اِ ْٰر ِجعِـ ْي‬

5. If before a Raa Saakin ٰ‫ ْر‬, there is a zer in the

previous word, then it will be read with a full
mouth.

ْٰ ‫َٰر ِب‬
‫ار َح ْـم ُه َما‬ ْٰ ‫ٰاَ ِم‬
‫ارتَا ُب ْوا‬ ۞‫ار ِج ُعـ ْو ِٰن‬
ْٰ ‫َٰر ِب‬

6. The Raa Saakin ٰ‫ ْر‬in the following four words,

will always be read with a full mouth:

ٰ‫ٰفِ ْٰرقَة‬ ٰ‫ٰقِ ْٰر َطاس‬ ‫ٰاِ ْٰر َصادا‬ ‫ِٰم ْٰر َصادا‬

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 ﷽
Part 2- Raa ‫ ر‬prounounced with an empty mouth:
7. If a Raa ‫ ر‬has a zer , then it will be read with an
empty mouth.

ٰ‫ٰن ُـ ُٰذ ِر‬ ‫ِٰر ْٰزقا‬ ٰ‫َٰوا ٰقْـٰتَـٰ ِٰر ْب‬

8. If a Raa Saakin ٰ‫ ْر‬has a zer before it, then it will

be read with an empty mouth.

ٰ‫ِش ْٰرب‬ ٰ‫اَنْـ ِذ ْٰر ُه ْم‬ ٰ‫َو َشا ِو ْٰر ُه ْم‬

9. If a Raa Mu-shaddad ٰ‫ ر‬has a zer, then it will be

read with an empty mouth.

ٰ‫ِم ْن َٰش ِر‬ ٰ‫َول ِ ٰل ِٰر َج ِال‬ ٰ‫بِالْبِٰـ ِر‬

Note: If there’s a full mouth letter before the Raa

Mu-shaddad, then upon joining the two letters,
blend the sound from full mouth to empty mouth.

Page | 30
 ﷽
ٰ‫ْر‬
10. If before a Raa Saakin , there is an original zer

(a zer which was there from before), then it will

be read with an empty mouth.

ٰ‫فَان ْٰـتَٰـ ِص ْر‬ ْٰ ِ‫ا‬

ٰ‫صبِٰـ ْر‬ ٰ‫فِ ْٰرعَ ْو َن‬

11. If before a Raa Saakin ٰ‫ ْر‬, there is a zer in the

same word, then it will be read with an empty
mouth.

ٰ‫ٰبِ ِش ْٰر ِك ُك ْم‬ ٰ‫فَ َذ ِكٰ ْر‬ ٰ‫َوي َ ْصٰبِـٰ ْر‬

*Part 3 of of the rules of Raa is in the

Chapter of Waqf (Stopping).

Page | 31
 ﷽
The rules of Laam )‫ (ل‬in the
word ‫اهلل‬
If a zabar or pesh appears before the word ‫ اهلل‬, then
the word ‫ اهلل‬will be read with a full mouth.

Examples for a zabar before the word ‫اهلل‬:

ٰ‫اهلل‬ ‫ِضـ‬ ٰ ‫ٰن َـٰ َر‬

ُ ‫َر ٰٰ َي‬ َ‫اهلل‬ ٰ‫اهلل‬
ُ ‫َخ ٰـت َ َم‬

Examples for a pesh before the word ‫اهلل‬:

ِ ‫صرا‬ ٰ ‫َواتَـٰ ُٰقوا ا‬ ِ ‫ر ٰسـٰ ٰو ُل ا‬

ٰ‫هلل‬ ُ ٰ ْ ٰ‫ٰن َـ‬ َ‫هلل‬ ٰ‫هلل‬ ْ َُ

Page | 32
 ﷽
If a zer appears before the word ‫ اهلل‬, then the word
‫ اهلل‬will be read with an empty mouth.

ِ ‫َم ْر َضا ِت ا‬ ِ ‫بِ ٰس ِم ا‬

ٰ‫هلل‬ ُ ‫ُٰق ِل‬
ٰ‫اهلل‬ ٰ‫هلل‬ ْ

Page | 33
 ﷽
The Chapter of Waqf (To
stop at the end or in the
middle of a verse)
There are four parts to this lesson:

A. The symbols of Waqf. What to do when one

comes across certain symbols.
B. Rules pertaining on how to stop at the end or in
the middle of a verse.
C. Rules that are related to the Chapter of
Qalaqalah.
D. Rules that are related to the Chapter of Raa )‫(ر‬.

Page | 34
 ﷽
Part A: The Symbols of
Waqf
When the following symbols appear, one should stop
completely:

‫قف‬ ‫ط‬ ‫ع‬

‫۝‬ ‫م‬

When the following symbols appear, one will have the

option to stop or continue without stopping:

‫ز‬ ‫صلے‬ ‫ص‬

When the following symbols appear, one will pause for

a moment without breaking the breath:

‫وقفه‬ ‫سكته‬ ‫س‬

‫ق‬ This means its preferable not to stop.

‫ج‬ This means its preferable to stop.

‫ال‬ This means, one should not stop at that place.

Instead, he can stop at a word before or after it.

Page | 35
 ﷽
Part B: How to make waqf
at the end of a word
1. If the last letter of a word has any harakah
besides do zabar ) ً ( , kara zabar ) ( or a zabar

with an alif ) َ‫ ( ﺎ‬, it will be removed and

replaced with a saakin.

ٰ‫َح َٰس َد‬ ٰ‫َح َٰس ْد‬ ٰ‫بَـلَـ ِد‬ ٰ‫بَـلَـ ْد‬

ٰ‫ـخ ُ ٰر ُج‬
ْ َ ‫ـخ ُ ٰر ْجٰ ي‬
ْ َ‫ي‬ ٰ‫ا ََٰحد‬ ٰ‫ا ََٰح ْد‬

ٰ‫َخ ْٰوف‬ ٰ‫َخ ْٰو ْف‬

2. If the last letter already has a sakin, Kara zabar,
or a zabar with an alif, then there will be no
changes while making waqf.

‫دَسٰهَا‬ ‫ا َْع َمال َ ُٰـه ْمٰ دَسٰهَا‬ ٰ‫ا َْع َمال َ ُٰـه ْم‬

‫لـ َ َٰش ٰتـى‬ ‫لـ َ َٰش ٰتـى‬

Page | 36
 ﷽
3. If the last letter has a do zabar and an alif, then
remove one zabar and use the alif to stretch the
last letter. If there is NO alif, then add one.

Example with an alif: ‫اَبَدا‬ ‫ا َٰبَ َدا‬

Example without an alif: ٰ‫َج َزآءَا َج َزآء‬

4. If the last letter is a taa marbootah (a round
taa), then regardless of what harakah it has, it
will be changed into a small haa with a sakin on

top. ٰ‫ُق َٰوة‬ ٰ‫ُق َٰو ْه‬

5. If the last letter has a tashdeed, then hold on to
the last letter for about 1 ½ seconds.

ٰ‫َمـ َٰفـر َمـ َفٰـ ُر‬

Page | 37
 ﷽
Part C: Rules of Qalqalah
related to waqf
If any of the letters of ٰ‫ ُق ُط ُب َجد‬receives a saakin due
to waqf, then qalqalah will be made.

ٰ‫َخـل َٰـ َق‬ ٰ‫َخٰـل َٰـ ْق‬

Also, if the qalqalah letter has a tashdeed, then while
making waqf upon it, hold on to the qalqalah letter for a
moment.

ٰ‫َٰحـٰق‬ ‫َحٰـق‬

Page | 38
 ﷽
Part D: Rules of Raa Saakin
related to waqf
1. If before a Raa mawqoofah ٰ‫( ْر‬a raa that
received a saakin due to Waqf), there’s another
saakin letter. And before that, there’s either a
zabar or pesh. The raa saakin will be read with a
full mouth.

ٰ‫ِم ْن ن ُ ْور‬ ‫ِم ْن ن ُ ْو ْٰر۝‬ ‫ٰعَ ْش ٰر‬ ‫ٰعَ ْش ْٰر۝‬

ٰ‫َم َع ْاْل َ ٰبْ َرا ِر‬ ْٰ ‫َم َع ْاْل َ ٰبْ َر‬

‫ار۝‬
In this example, before the raa saakin, there’s an alif
with a zabar. It will be read with a full mouth.

Page | 39
 ﷽

2. If before a Raa mawqoofah ٰ‫( ْر‬a raa that

received a saakin due to Waqf), there’s another
saakin letter.
And before that, there is a zer. The raa saakin
will be read with an empty mouth.

ٰ‫َو َْل ٰبِ ْكر‬ ؕ ‫َو َْل ٰبِ ْك ْٰر‬

3. If there’s a yaa saakin ‫ ٰي ْـ‬before a raa

mawqoofah (a raa that received a saakin due to
waqf), then regardless of whether there is a
zabar or pesh before the Yaa saakin, the Raa
saakin will be read with an empty mouth.

ٰ‫لـٰ َ َٰخبِـيْـر‬ ‫ـخبِـيْـ ْٰر۝‬

َٰ َ ‫ل‬

ٰ‫َوالٰ َطيْـ َر‬ ؕ ٰ‫َوالٰ َطيْـ ْر‬

Page | 40
 ﷽
The Rules of Madd
The meaning of Madd is to stretch the sound of a letter.

There are three letters of madd:

‫ًَٰا‬
1. An Alif ( ) with a zabar before it.

2. A waw Saakin ( ٰ‫ ) ًُٰ ْو‬with a pesh before it.

‫ِيْـ‬
3. A Yaa Saakin ( ) with a zer before it.

There are two types of Madd:

 Maddul Asli- ٰ‫َم ُد ْاْل َ ْصلِـ ْي‬

 Maddul Far’ee- ‫ي‬ ْٰ ‫َم ُد الـْ َف ْر ِعـ‬

Page | 41
 ﷽
Maddul Asli- ‫َم ُد ْاْل َ ْصلِـ ْٰي‬
After the letters of Madd )‫ َا‬، ‫ ُ ْٰو‬، ‫( ِ ٰي ْـ‬, there should be:

 NO Humza )ُٰ‫ا‬،ِ‫ ٰا‬،َ‫ ٰا‬،‫(ء‬

 NO other saakin letter after a , ٰ‫ يْـ ْو‬or‫ًَٰا‬
 NO Tashdeed- ًٰ
 And NO madd symbols ) ٓ ( on top.
Maddul Asli will be stretched for one alif only.

NOTE: One Alif means the amount of time it takes to lift

one finger.

It is NOT permissible to stretch it more or less than one

alif. Otherwise one will be adding or subtracting a letter
from the the Qur’an.

ٰ‫َوقِـيْـ َل‬ ٰ‫ٰن ُـٰ ْٰوح‬ ٰ‫ٰذَا َت‬

Page | 42
 ﷽
Maddul Far’ee- ‫َم ُدالـ ْ َف ْر ِعـ ْٰي‬
After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there’s either:

 A Humza )ُٰ‫ا‬،ِ‫ ٰا‬،َ‫ ٰا‬،‫(ء‬

 Another saakin letter after a , ٰ‫ يْـ ْو‬or‫ًَٰا‬
 A Tashdeed- ًٰ
 And at times, a madd symbol ) ٓ ( on top.
Maddul Far’ee is broken down into 5 types:

ِ َ‫َم ُد الْـمت‬
ٰ‫ـص ْل‬
Related
to
1. Maddul Muttasil-
ُ
Humza.
ِ ‫َم ُد الْـمنْـ َف‬
ٰ‫ـص ْل‬
2. Maddul Munfasil-
ُ
Related 3. Maddul Aaridh Waqfi- ٰ‫َم ُٰد الْـعَا ِر ْض َوقْـ ِفـ ْي‬
ٰ ‫م ُد الِـيْـ ْن عَا ِر ْض وقْ ِف‬
to
4. Maddul Leen Aaridh Waqfi- ‫ي‬
Waqf. ْ َ َ
5. Maddul Laazim- ً‫َم ُد َاْل ِٰز ْٰم‬

Page | 43
 ﷽
Maddul Muttasil- ‫ل‬ ِ َ‫َم ُدالْـمت‬
ٰ ْ ‫ـص‬ ُ
After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there appears a
Humza )‫ (ء‬in the SAME word. It’s preferable to stretch
it for 4 alifs.

ٰ‫يُٰـ ِضٰـ ْٰٓي ُء‬ ٰ‫لـٰ َتَ ُـنـٰ ْٰٓو ُء‬ َٰ ‫َٰج‬
‫آء‬

Maddul Munfasil- ‫ل‬ ِ ‫َم ُدالْـمنْـ َف‬

ٰ ْ ‫ـص‬ ُ
After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there appears a
Humza )َ‫ ٰا‬،ِ‫ ٰا‬،‫ ( ُٰا‬in the FOLLOWING word. It’s preferable
to stretch it LESS than Maddul Muttasil which will be 2
½ alifs.

ٰ‫ي ٰاِلَـيْـ ِه‬

ْٰٓ ‫َويَـهْ ِٰد‬ ٰ‫ُت ْو ُبـٰ ْٰٓوا ٰاِلَـيْـ ِه‬ ٰ‫َك َٰمآ اُٰ ِم ْر ُت‬

Page | 44
 ﷽
Maddul Aaridh Waqfi- ‫َم ُدالْعَا ِر ْض َو ْقـ ِفـ ْٰي‬

After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there appears a

temporary Saakin due to waqf (stopping). It will be
stretched 3 or 5 alifs.

ِٰ ‫فِـي الـْ ِمـيْـ َٰز‬

‫ان۝‬ ْٰ ‫فِـي الـْ ِمـيْـ َٰز‬
‫ان۝‬

‫َو َمـ ْش ُـهـٰ ْودٰ۝‬ ‫َو َمـ ْش ُٰـهـ ْو ْٰد۝‬

ُٰ ْ ‫ـما يُـ ِٰري‬

‫ـد۝‬ ِ ‫ـما يُـ ِٰريْـ ْٰد۝‬ِ
َ ‫ل‬ َ ‫ل‬
Letters of Leen
There are two letters of Leen:

1. A waw Sakin ( ‫ ) َ ْو‬with a ZABAR before it.

‫َيْـ‬
2. A Yaa Sakin ( ) with a ZABAR before it.

‫ َخ ٰـي ْـ ٰر‬،‫ عَ ٰـي ْـن‬،‫ قَـ ْٰول‬،‫زَ ْٰوجا‬

Page | 45
 ﷽
Maddul Leen Aaridh Waqfi-
‫َم ُداٰللِـيْـ ْن عَا ِر ْض َوقْـ ْفـ ْٰي‬
After the letters of Leen ) ‫ َْو‬، ‫( َيْـ‬, there appears a
temporary Saakin due to waqf (stopping).

It will be stretched 1 ½ or 2 alifs.

‫ِمـ ْن َخـٰ ْوفٰ۝‬ ٰ ْ ‫ِمـٰ ْن َخـٰ ْو‬

‫ف۝‬

ٰ ِ ْ ‫الـصـي‬
‫ـف۝‬ ٰ َ ‫َو‬ ‫ـف۝‬
ٰ ْ ْ ‫الـصـي‬
َ ‫َو‬

Page | 46
 ﷽
Maddul Laazim- ًٰ‫َم ُد َاْل ِٰز ْم‬
There are 5 types of Maddul Laazim:

1. Kilmi Muthaqqal- ٰ‫ِكـلْـ ِٰمـ ْٰي ُمـث َ َـق ْـل‬

ِ ِ
2. Kilmi Mukhaffaf- ‫َـف‬
ٰ ْ ‫ـخـف‬ َ ‫كـلْـمـ ْي ُم‬
3. ٰ ْ ‫َحـ ْرفِـ ْي ُمـث َ َـق‬
Harfi Muthaqqal- ‫ـل‬

ِ
4. Harfi Mukhaffaf- ٰ‫ـخـف َْـف‬َ ‫َحـ ْرفـ ْي ُم‬
5. ْٰ ‫لِـيْـ ْن َْل ِٰز‬
Leen Laazim- ً‫م‬

Terms to remember:

ٰ ْ َ‫ ُح ُر ْو ُف الْـمقَ َطع‬: A word that is in

Hurooful Muqatta’aat ‫ات‬
ُ
the beginning of many surahs. Only Allah Ta’ala knows
the meaning of these words.

KIlmi: A word which is NOT from the Hurooful

Muqatta’aat (Letters of Muqatta’aat).

Harfi: A word which is from the Hurooful Muqatta’aat

(Letters of Muqatta’aat).

Muthaqqal: A word that has a tashdeed.

Mukhaffaf: A word that has a permanent Saakin.

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Kilmi Muthaqqal- ‫ِكـلْـ ِمـ ْي ُمـث َ َـقـل‬
After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there appears a
Tashdeed in the same word. It will be stretched 3 or 5
alifs.

ٰ‫ـحآ ُجـ ْٰٓونِٰـ ْي‬ ٰ ِ ٰ‫صف‬

َٰ ‫ اَ ُت‬،‫ت‬ ٰ ٓ ‫ َوالـ‬،‫اَلـْ َٰحآقَـ ُة‬

In this example, it has two kilmi muthaqqals, ‫ٰٰ َا‬ and ٰ‫ ُ ْو‬.

ٰ ْ ‫ِكـلْـ ِٰمـ ْي ُم َـخ َـف‬

Kilmi Mukhaffaf- ‫ـف‬
After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there appears a
permanent saakin in the same word. It will be stretched
3 or 5 alifs.

There is only one example in the Qur’an: ٰ‫ٰﺁا ٓ ٰلـ ْئ َن‬

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ٰ ْ ‫َحـ ْرفِـ ْي ُمـث َ َـق‬
Harfi Muthaqqal- ‫ـل‬
After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there appears a
Tashdeed in the letters of Muqatta’aat. It will be
stretched 3 or 5 alifs.

) ‫م ( اَل ِ ْـف َْل ْٰٓم ِٰمـي ْٓ ْم‬

ٰٓ ٓ ‫ ا ٰلـ‬In this example, the Laam ٓ ‫ ٰلـ‬will
be Harfi Muthaqqal because of a tashdeed after it.

) ‫ طٰ ٰٓس ٓم ( َطا ِسـي ْٓ ْم ِمـي ْٓ ْم‬In this example, the Seen ‫ٓسـ‬
will be Harfi Muthaqqal because of a tashdeed after it.

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ٰ ْ ‫َحـ ْرفِـ ْي ُم َـخ َـف‬
Harfi Mukhaffaf- ‫ـف‬
After the letters of Madd )‫ َا‬، ‫ ُ ْو‬، ‫( ِيْـ‬, there appears a
permanent saakin in the letters of Muqatta’aat. It will
be stretched 3 or 5 alifs.

ٰ ْ َٓ‫ٰٓق ( ٰق‬
)‫اف‬

ْٰ ْٓ ‫م ( ا َل ِ ْـف َْل ْٰٓم ِمـي‬

)‫م‬ ٰٓ ٓ ‫ ٰالـ‬In this example, the meem ‫ٰٓم‬
will be Harfi Mukhaffaf because of a permanent Saakin
at the end of meem.

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Leen Laazim- ‫لِـيْـ ْن َْل ِز ْٰم‬
After the letters of Leen ) ‫ َْو‬، ‫( َيْـ‬, there appears a
permanent Saakin in the letters of Muqatta’aat. It will
be preferable to stretch it for 3 alifs.

) ‫اف َها يَا ٰعَـيْٓـ ْن َٓص ْاد‬ ٰٓ ‫ ٰكٓـٰهٰـيٰـٰ ٰع ٓـ‬In this example,
ٰ ْ َٓ ‫ص ( ك‬
the Ain ‫ عٓـ‬will be Leen laazim. Because inside the letter
Ain ‫ عٓـ‬, there is a ‫َيْـ‬ ( a yaa saakin with a zabar before

it). And right after that, there’s a permanent saakin, at

the end of Ain ‫ عٓـ‬.

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 ﷽
The rule of the word ‫اَنَا‬
Wherever the word ‫ اَنَا‬appears in the Qur’an, the alif ‫ا‬
after the noon ‫ ن‬, will NOT be used to stretch the
‫ن‬
noon . Instead, it will be read as ٰ‫ا ََن‬.

‫ا‬
But in the following words, the alif after the noon ‫ن‬,
will be used to stretch the noon : ‫ن‬

ِ
َ َ ‫اٰب‬،‫ َجآءَنَا‬،‫ا َنَاسـٰ َٰي‬
‫آءنَا‬

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 ﷽
The rules regarding the tiny
‫ س‬on top of ‫ص‬
There are 4 words in Qur’an, where there is a tiny ‫ س‬on

top of ‫ص‬.

In the following two words, the ‫ س‬will be read:

ٰ ُ ‫( َويَـبْـ‬In Surah Baqarah, Ayah # 245)

ٰ‫ص ْط‬

ٰ ْ ‫( بَـ‬In Surah A’raaf, Ayah # 69)

ٰ‫ص َطة‬
In the following third word, one can choose to read

either ‫ س‬or ‫ص‬:

‫صيْـ ِط ُر ْو َٰن۝‬
ٰ َ ‫ـم‬
ُٰ ْ ‫( ٰاَ ْٰمً ُه ُم ال‬In Surah Toor, Ayah # 37)

In the following fourth word, the ‫ س‬will NOT be read:

ٰ‫صـيْـ ِطر‬
ٰ َ ٰ‫( بِـٰ ُمـ‬In Surah Ghaashiyah, Ayah # 22)
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Miscellaneous rules
1. In the following words, the Alif will be used to
stretch the letter ONLY AT THE TIME WAQF:

َ ‫ا‬، ‫اَلـ َر ُسـ ْو َ ْٰل۝‬، ‫( اَلـٰ ُظ ُنـ ْونَا۝‬In Surah Ahzaab)

ٰ َ ْ ‫َلـسـبِـي‬
‫ـّل۝‬

‫( لٰـ ِكـنَا‬Surah Kahaf)

But, if one does not make waqf at those places, then
the Alif will NOT be used to stretch the letter.

2. In the following word, one has a choice,

whether to use the Alif for stretching the
second laam:

ٰ‫ َس َّل ِس َّل‬or ‫ل‬

ٰ ْ ‫( َس َّل ِس‬In Surah Dahr)

3. The word ‫ قَـ َوا ِري ْ َرا‬in Surah Dahr, is repeated

twice. In the first one, the alif after raa will
ONLY be used when making waqf.

In the second ‫ قَـ َوا ِري ْ َرا‬, the Alif will not be used at all,
regardless whether one is making waqf or not.

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 ﷽
4. In the following words, the Alif after Laam will
NOT be used to stretch the Laam:

‫ـح َشـ ُر ْو َٰن۝‬ ِٰ ‫( َْل اِ َ ٰل ا‬In Surah Aale Imraan,Ayah

ْ ‫هلل ُت‬
#158)

‫ ( َٰو َْل ا َْو َض ُعـ ْوا۝‬In Surah Taubah, Ayah #47)

‫ـحـنَ ُه‬
َ َ‫( ا َْو َ ْٰل اَ ْذب‬In Surah Surah Namal, Ayah #21)

َ ْ ‫( َ ْٰل اِ َ ٰل ال‬In Surah Saaffaat, Ayah #68)

ِٰ ْ ‫ـجـ ِحـي‬
‫م۝‬

ٰ‫( َ ْٰل اَن ْ ُـت ْم‬In Surah Hashar, Ayah #13)

5. In Surah Hood, the Raa in the word ‫ـجرٰ َها‬

ْٰ ‫ َم‬will
be read with Imaalah. In other words, it will be
read as “Ray”.

6. In Surah Haa Meem Sajdah, the second Hamza ‫ء‬

in the word ٰ‫ـج ِمي‬
َ ‫ ٰءَ ٰاَ ْع‬will be read with

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 ﷽
Tas’heel. In other words, blend the sound of
both the humzas with a soft tone.

7. While making ghunnah on the Noon

Mushaddad ٰ‫ ن‬in the word ‫ َْل تَا ْ َمـنَا‬, make the

lips round for a moment and then leave it.

8. In the following words, blend the sound of ‫ط‬

into ‫ ت‬, from full mouth to empty mouth,
without any qalqalah on the ‫ط‬:

ٰ‫( َمافَ َٰر ْط ٰتُـ ْم‬In Surah Yusuf)

ٰ‫ـسـ ْط َت‬
َ َ ‫( لـ َئِ ْن ب‬In Surah Ma’idah)
ٰ‫( َمافَ َٰر ْط ُت‬In Surah Zumar)

ٰ‫ال ا ََٰح ْط ُت‬

َ َ‫( فَق‬In Surah Namal)
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 ﷽

ِ‫ـخيْـ ِٰر۞ َوالٰـتَـ ْوفِـيْـق‬ َ ْ ‫َوتَ َـم ْت بِال‬

ِ ‫ِم َن ا‬
ٰ‫هلل ت َ ٰعَال‬

Thursday Rabiul Awwal 26th , 1437

Thursday January 7th , 2016

May Allah Ta’ala make this book a means of benefit for

everyone in learning, reciting and implementing the
Qur’an in our lives. Also, may Allah Ta’ala make this
book a means of salvation for myself, my family, and all
my Asaatidha (teachers). Ameen

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 ﷽

Darul Arqam Of Michigan

Website: darularqammichigan.weebly.com

Phone: 734-474-2279 Email: alkap80@gmail.com

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