0% found this document useful (0 votes)
70 views28 pages

3+ +Improv+Bootcamp

Uploaded by

Bumjong Kim
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
70 views28 pages

3+ +Improv+Bootcamp

Uploaded by

Bumjong Kim
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 28

improv Bootcamp Masterclass

Step 3 - Dominant Combo Brenden Lowe

Practice The Chord Scale Above To Half Step Below For All Roots For Dominant 7th Chords

Play With Anticipation


Starting On 3+ As Well
b7
C7 F7 B

&4 Ï
4 Ï Ï Ï Ï bú.
ú. ú. Ï Ï
Ï

b7 b7 b7
E A D

& bú. bÏ Ï bú. bÏ Ï


bÏ Ï bú.
4

b7
G B7 E7

& bú. #Ï #Ï Ï #Ï
#Ï #Ï ú. ú.
7

A7 D7 G7

& ú. Ï #Ï ú. Î
Ï #Ï ú.
10

© Jazz Piano School 2015


improv Bootcamp Masterclass

Step 3 - Dominant Combo Brenden Lowe

Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Dominant 7th Chords

Play With Anticipation


Starting On 3+ As Well
b7
C7 F7 B

&4
4 Ï Ï bú.
Ï Ï ú. Ï Ï ú. Ï Ï

b7 b7 b7
E A D

& bú. Ï bÏ bú. Ï bÏ


Ï bÏ bú.
4

b7
G B7 E7

& bú. #Ï #Ï ú. #Ï Ï
7
#Ï #Ï ú.

A7 D7 G7

& ú. #Ï Ï ú. Î
#Ï Ï ú.
10

© Jazz Piano School 2015


improv Bootcamp Masterclass

Step 3 - Major 7th Combo Brenden Lowe

Practice The Chord Scale Above To Half Step Below For All Roots For Major 7th Chords

Play With Anticipation


Starting On 3+ As Well
b
C maj7 F maj7 B maj7

&4 Ï
4 Ï Ï Ï Ï bú.
ú. ú. Ï Ï
Ï

b b b
E maj7 A maj7 D maj7

& bú. bÏ Ï bú. bÏ Ï


bÏ Ï bú.
4

b
G maj7 B maj7 E maj7

& bú. #Ï #Ï Ï #Ï
#Ï #Ï ú. ú.
7

A maj7 D maj7 G maj7

& ú. Ï #Ï ú. Î
Ï #Ï ú.
10

© Jazz Piano School 2015


improv Bootcamp Masterclass

Step 3 - Major 7th Combo Brenden Lowe

Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Major 7th Chords

Play With Anticipation


Starting On 3+ As Well
b
C maj7 F maj7 B maj7

&4
4 Ï Ï bú.
Ï Ï ú. Ï Ï ú. Ï Ï

b b b
E maj7 A maj7 D maj7

& bú. Ï bÏ bú. Ï bÏ


Ï bÏ bú.
4

b
G maj7 B maj7 E maj7

& bú. #Ï #Ï ú. #Ï Ï
7
#Ï #Ï ú.

A maj7 D maj7 G maj7

& ú. #Ï Ï ú. Î
#Ï Ï ú.
10

© Jazz Piano School 2015


improv Bootcamp Masterclass

Step 3 - Combo Brenden Lowe

Practice The Chord Scale Above To Half Step Below For All Roots For Minor 7th Chords

Play With Anticipation


Starting On 3+ As Well
b
C -7 F -7 B -7

&4 Ï
4 Ï Ï Ï Ï bú.
ú. ú. Ï Ï
Ï

b b b
E -7 A -7 D -7

& bú. bÏ Ï bú. bÏ Ï


bÏ Ï bú.
4

b
G -7 B-7 E -7

& bú. #Ï #Ï Ï #Ï
#Ï #Ï ú. ú.
7

A -7 D -7 G -7

& ú. Ï #Ï ú. Î
Ï #Ï ú.
10

© Jazz Piano School 2015


improv Bootcamp Masterclass

Step 3 - Combo Approach Brenden Lowe

Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Minor 7th Chords

Play With Anticipation


Starting On 3+ As Well
b
C -7 F -7 B -7

&4
4 Ï Ï bú.
Ï Ï ú. Ï Ï ú. Ï Ï

b b b
E -7 A -7 D -7

& bú. Ï bÏ bú. Ï bÏ


Ï bÏ bú.
4

b
G -7 B-7 E -7

& bú. #Ï #Ï ú. #Ï Ï
7
#Ï #Ï ú.

A -7 D -7 G -7

& ú. #Ï Ï ú. Î
#Ï Ï ú.
10

© Jazz Piano School 2015


Improv Bootcamp Masterclass

Step 3 - Chord Scale Above Approach Brenden Lowe

Fingering Practice The Chord Scale Above Approach To All Dominant 7th Chords
White To Black - 32
Black To White - 32 Or 43
White To White - 32 Or 43
Black To Black - 32 Or 43

G7
4
&4 î.
j Ï Ï. Ï Ï. Ï Ï.
ä Ï Ï . Ï Ï . ÏJ Ï . J J J Ï Ï . Ï
j
Ï. ä
J J

?4
4 ·
w w w w

C7
j j Ï Ï j j
& b î. ä j
Ï Ï. Ï Ï. Ï Ï . J Ï .
J Ï . Ï Ï . Ï Ï . Ïj Ï . ä

? · w w w w
b
6

F7
b Ï Ï
& b î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä
J J

? b ·
b w w w w
11

© Jazzpianoschoool.com
2 Step 3 - Chord Scale Above Approach

b7
B
b j Ïj j j
& b b î. ä j
Ï Ï. Ï . Ï
J
Ï . Ï
J
Ï . Ï Ï . Ï j ä
Ï. Ï Ï.
Ï Ï.

? bb · w w w w
b
16

b7
E
bb j j
& b b î. ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï

? bb ·
bb
w w w w
21

b7
A
bb j j
& b b b î. ä j j Ïj Ï . Ï Ï . Ï Ï . ÏjÏ . j j ä
Ï Ï. Ï Ï . Ï .
Ï Ï Ï.

? bb ·
bbb w w w w
26

b7
D
bb j Ï Ï Ï. Ï Ï. Ï Ï. j
& b b bb î . ä j
Ï Ï. Ï Ï . J
Ï . J J J Ï Ï .
j ä
Ï Ï.

? bbb ·
bbb
w w w w
31
Step 3 - Chord Scale Above Approach 3

F
#7
#### Ï Ï
& # î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä
J J

? #### ·
# w w w w
36

B7
#### . j Ïj
& î ä j Ï . Ï Ï . Ï Ï . ÏjÏ . j j ä
Ï Ï. Ï Ï. J J Ï Ï. Ï Ï.

? #### · w w w w
41

E7
### . j j
& î ä Ïj Ï . Ï Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä

? ### ·
w w w w
46

A7
# j j j j
& # î. ä j
Ï
j
. Ï Ï . Ï Ï . Ï Ï . Ï Ï . Ï
j
. j ä
Ï Ï. Ï Ï Ï Ï.

? ## · w w w w
51
4 Step 3 - Chord Scale Above Approach

D7
# . j Ï Ï Ï. Ï Ï. Ï Ï. j
& î ä j Ï Ï. J Ï . J J Ï Ï .
j ä
Ï Ï. J Ï Ï.

?# ·
w w w w
56
improv Bootcamp Masterclass

Step 3 - Chord Scale Above Approach Brenden Lowe

Fingering Practice The Chord Scale Above Approach To All Major 7th Chords
White To Black - 32
Black To White - 32 Or 43
White To White - 32 Or 43
Black To Black - 32 Or 43

C maj7
4
&4 î. ä j j Ï
j
Ï . Ï Ï . Ï Ï . Ï
j
Ï . j j ä
Ï Ï. Ï Ï . J J Ï Ï. Ï Ï.

?4
4 · w w w w

F maj7
Ï Ï
& b î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . Ïj Ï . ä
J J

? ·
b w w w w
6

b
B maj7
b j Ïj Ï Ï . Ï Ï . Ïj Ï . j
& b î. ä j
Ï Ï. Ï . J J Ï j ä
Ï. Ï Ï.
Ï Ï.

? b ·
b w w w w
11

© Jazzpianoschoool.com
2 Step 3 - Chord Scale Above Approach

b
E maj7
b j j
& b b î. ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï

? bb ·
b w w w w
16

b
A maj7
bb Ï Ï Ï. Ï Ï. Ï Ï.
& b b î. ä Ï Ï . ÏJ Ï . J Ï . J J J Ï Ï. Ï Ï. ä
J
J J

? bb ·
bb w w w w
21

b
D maj7
bb ä Ïj j Ï Ï Ï. Ï Ï. Ï Ï. j
& b b b î. Ï. Ï Ï. J Ï . J J J Ï Ï . ÏjÏ . ä

? bb · w w w w
bbb
26

b
G maj7
j Ï Ï. Ï Ï. Ï Ï.
bb
& b b bb î . ä Ï Ï . Ï Ï . ÏJ Ï . J J J Ï Ï . ÏjÏ . ä
J J

? bbb ·
bbb w w w w
31
Step 3 - Chord Scale Above Approach 3

B maj7
#### Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï .
& # î. ä Ï Ï. J J J J Ï Ï. ä
J J

? #### · w w w w
#
36

E maj7
#### . j j
& î ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï

? #### · w w w w
41

A maj7
### . Ï Ï . Ï Ï. Ï Ï. Ï Ï.
î Ï
ä Ï Ï. J Ï. J J J J Ï Ï. Ï Ï. ä
& J J J

? ### · w w w w
46

D maj7
# j Ï Ï. Ï Ï. Ï Ï. j
& # î. ä j
Ï Ï. Ï Ï . Ï
J
Ï . J J J Ï Ï .
j
Ï Ï.
ä

? ## · w w w w
51
4 Step 3 - Chord Scale Above Approach

G maj7
# . j Ï Ï. Ï Ï. Ï Ï. j
& î ä Ï Ï . Ï Ï . ÏJ Ï . J J J Ï Ï . Ï Ï. ä
J J

?# ·
w w w w
56
Improv Bootcamp Masterclass

Step 3 - Chord Scale Above Approach Brenden Lowe

Fingering Practice The Chord Scale Above Approach To All Minor 7th Chords
White To Black - 32
Black To White - 32 Or 43
White To White - 32 Or 43
Black To Black - 32 Or 43
D -7
4
& 4 î. ä j Ï
j Ï
Ï . Ï Ï. Ï Ï. Ï Ï. j
Ï j ä
Ï Ï. Ï. J J J J Ï . Ï Ï.

?4
4 ·
w w w w

G -7
j Ï Ï. Ï Ï. Ï Ï. j
& b î. ä Ï Ï . ÏJ Ï . ÏJ Ï . J J J Ï
J Ï . Ï Ï. ä

? ·
b w w w w
6

C -7
b j Ïj . Ï Ï . Ï Ï . Ïj . j
& b î. ä j
Ï Ï. Ï Ï . Ï J J Ï Ï Ï . j ä
Ï Ï.

? b · w w w w
b
11

© Jazzpianoschoool.com
2 Step 3 - Chord Scale Above Approach

F -7
b Ï Ï
& b b î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . Ïj Ï . ä
J J

? bb ·
b w w w w
16

b
B -7
bb j Ïj Ï Ï . Ï Ï . ÏjÏ . j
& b b î. ä j
Ï Ï. Ï . J J Ï j ä
Ï. Ï Ï.
Ï Ï.

? bb ·
bb w w w w
21

b
E -7
bb j j
& b b b î. ä Ïj Ï . Ï Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä

? bb ·
bbb
w w w w
26

b
A -7
bb Ï Ï . Ï Ï. Ï Ï. Ï Ï.
Ï Ï Ï. Ï Ï. ä
& b b bb î . Ï
ä Ï Ï. J . J
J
J J J J J

? bbb ·
bbb w w w w
31
Step 3 - Chord Scale Above Approach 3

#
C -7
#### j Ïj . Ï Ï . Ï Ï . Ïj . j
& # î. ä j Ï J Ï Ï Ï . Ïj . ä
Ï Ï. Ï Ï. J Ï

? #### · w w w w
#
36

#
F -7
#### . Ï Ï
& î ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . Ïj Ï . ä
J J

? #### ·
w w w w
41

B-7
### . j Ïj j j
& î ä j Ï Ï . Ï Ï . Ï Ï . Ï Ï . Ï j ä
Ï Ï. Ï . J J Ï . Ï Ï.

? ### · w w w w
46

E -7
# j j
& # î. ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï

? ## ·
w w w w
51
4 Step 3 - Chord Scale Above Approach

A -7
# . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï .
& î ä Ï Ï. J
J
J J J Ï Ï. ä
J

?# · w w w w
56
Improv Bootcamp Masterclass

Step 3 - Half Step Below Approach Brenden Lowe

Practice The Half Step Below Approach To All Major 251's With Anticipation
Fingering
White To Black - 23
Black To White - 23 Or 21

Key Of C
D -7
4
& 4 î . b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ

?4
4 ·
w w w w

G7 C maj7

b Ï n Ï Ï b Ï nÏ Ï Ï Ï Ï Ï Ï Ïb Ï nÏ Ï b Ï nÏ Ï
& Ï b Ï nÏ Ï b Ï nÏ
ÏÏ Ï b Ï nÏ Ï

?
w w w w
6
w

& Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï Î
Ï Ï Ï

?
11
w w w

© Jazzpianoschoool.com
2 Step 3 - Half Step Below Approach

Key Of F
G -7
b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï
& b î . b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ

?b ·
w w w w
16

C7 F maj7
b Ï n Ï Ï b Ï nÏ Ï Ï Ï Ï Ï Ï Ïb Ï nÏ Ïb Ï nÏ Ï
&b Ï b Ï nÏ Ï
ÏÏ Ï b ÏnÏ Ï
b Ï nÏ

?
b w w w w
w
21

b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï
&b Ï b Ï nÏ Ï Ï Ï Ï Î

?
b w w w
26

Key Of Bb
C -7
b
& b î. b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï
b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ

? b · w w w w
b
31
Step 3 - Half Step Below Approach 3

b
F7 B maj7
b Ï Ï Ï Ï Ï Ïb Ï n Ï Ïb Ï n Ï Ï
& b Ï b Ï n Ï Ïb Ï n Ï Ï b Ï nÏ Ï b ÏnÏ
ÏÏ Ï b ÏnÏ Ï

? bb w w w w w
36

b
& b Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï Î
ÏÏ Ï

? b
b w w w
41

Key Of Eb
F -7
b Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï
& b b î . nÏ Ï Ï Ï Ï Ï nÏ Ï Ï Ï nÏ Ï Ï nÏ Ï

? b ·
bb w w w w
46

b7 b
B E maj7
bb Ï b Ï n Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï n Ï Ï Ï b Ï n Ï Ï Ï Ï
& b nÏ nÏ Ï
Ï Ï Ï b Ï nÏ Ï

? b
bb w w w w w
51
4 Step 3 - Half Step Below Approach

b b Ï nÏ Ï b Ï nÏ Ï nÏ Ï Ï
&b b Ï b Ï nÏ Ï Ï Ï Ï Î

? bb
b w w w
56

Key Of A b
b
B -7
bb
& b b î. Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï Ï
nÏ Ï Ï Ï nÏ Ï Ï nÏ

? bb ·
bb w w w w
61

b7 b
E A maj7
bb Ï Ï Ï Ï Ï nÏ Ï Ï
& b b Ïb Ï nÏ Ï nÏ Ï Ï Ï b Ï nÏ Ï nÏ Ï Ï Ï
ÏÏ Ï nÏ Ï Ï nÏ

? bb w w w w
bb w
66

bb
& b b Ï b Ï nÏ Ï b Ï nÏ Ï nÏ Ï Ï Î
nÏ Ï Ï ÏÏ Ï

? bb
bb w w w
71
Step 3 - Half Step Below Approach 5
Key Of D b minor

b
E -7
bb Ï Ï Ï Ï Ï nÏ Ï Ï
& b b b î . nÏ Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï Ï nÏ Ï Ï nÏ Ï

? bb b ·
bb w w w w
76

b7 b
A D maj7

b b b nÏ Ï Ï nÏ Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï nÏ Ï Ï
& bb Ï nÏ Ï Ï Ï Ï nÏ Ï Ï nÏ Ï
Ï

? bb
bbb w w w w
w
81

bb
& b b b Ï nÏ Ï Ï Ï Ï Ï nÏ Ï Ï nÏ Ï Ï Ï Ï Ï Î

? bb
bbb
w w w
86

Key Of G b minor
b
A -7
b b b î. Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï Ï
b
& bb nÏ Ï Ï Ï nÏ Ï Ï nÏ

? bbb ·
bbb w w w w
91
6 Step 3 - Half Step Below Approach

b7 b
Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï
D G maj7
bb b b Ï n Ï Ï Ï n Ï Ï Ï nÏ nÏ Ï Ï Ï Ï nÏ Ï Ï nÏ Ï
& bb Ï

? bb b b w w w w
bb w
96

b b b b Ï nÏ Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï
& bb nÏ ÏÏ Ï Î

? bbb
bbb w w w
101

#
Key Of B
C -7
####
& # î. n Ï # Ï Ï Ï Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï
nÏ #Ï Ï Ï Ï Ï nÏ#Ï Ï nÏ#Ï

? #### · w w w w
#
106

#7
F B maj7
#### Ï Ï Ï Ï Ï n Ï# Ï Ï
& # Ï n Ï# Ï Ï n Ï # Ï Ï Ï n Ï# Ï Ï n Ï# Ï Ï n Ï# Ï
Ï Ï Ï n Ï# Ï Ï

? #### w w w w
# w
111
Step 3 - Half Step Below Approach 7

####
& # Ï nÏ #Ï Ï nÏ #Ï Ï nÏ #Ï Ï Î
nÏ #Ï Ï Ï Ï Ï

? #### w w w
#
116

Key Of E
#
F -7
#### .
& î nÏ #Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï nÏ#Ï Ï b Ï nÏ

? #### ·
w w w w
121

B7 E maj7
# # # # n Ï# Ï Ï n Ï # Ï Ï Ï Ï Ï Ï Ï Ï n Ï # Ï Ï n Ï # Ï Ï
& Ï b Ï nÏ Ï Ï Ï n Ï# Ï Ï b Ï n Ï
Ï

? ####
w w w w
w
126

####
& Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï nÏ #Ï Ï Î
ÏÏ Ï

? ####
w w w
131
8 Step 3 - Half Step Below Approach

Key Of A
B-7
### .
& î nÏ #Ï Ï Ï Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï
b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ

? ### · w w w w
136

E7 A maj7
###
& n Ï # Ï Ï b Ï n Ï Ï Ï Ï Ï Ï Ï Ïb Ï n Ï Ï n Ï# Ï Ï
Ï b Ï nÏ Ï b ÏnÏ
ÏÏ Ï n Ï# Ï Ï

? ### w w w w
w
141

###
& Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï nÏ #Ï Ï Î
ÏÏ Ï
? ###
w w w
146

Key Of D
E -7
# Ï Ï Ï Ï Ï b Ï nÏ Ï
& # î . b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ

? ## ·
w w w w
151
Step 3 - Half Step Below Approach 9

A7 D maj7
## b Ï n Ï Ï Ï Ï Ï Ï Ï Ïb Ï n Ï Ï n Ï# Ï Ï
& Ï n Ï# Ï Ï b Ï nÏ Ï b ÏnÏ
ÏÏ Ï n Ï# Ï Ï

? ##
w w w w
w
156

##
& Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï nÏ #Ï Ï Î
ÏÏ Ï

? ##
w w w
161

Key Of G
A -7
# . b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï
& î b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ

?# · w w w w
166

Ï Ï Ï Ï Ï b Ï nÏ Ï
D7
# Ï nÏ #Ï Ï b Ï nÏ Ï Ï nÏ #Ï Ï b Ï nÏ Ï
& Ï Ï

?# w w w w
171
10 Step 3 - Half Step Below Approach

G maj7
# b Ï nÏ Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï b Ï nÏ Ï
& Ï b Ï nÏ Ï ÏÏ Ï Î

?#
w w w w
175

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy