Art Appreciation Lesson 3
Art Appreciation Lesson 3
Art Appreciation Lesson 3
Learning Outcomes:
Let’s Begin
“Good is the object of desire… Beauty, on the other hand, is the object of
cognitive power, for we call beautiful things which give pleasure when they
are seen; thus beauty rests on proper proportion, because the senses delight
in things with proper proportion as being similar to themselves; for the sense
and all cognitive power is a kind of reason, and because cognition takes place
by means of assimilation, and assimilation pertains to form, beauty properly
belongs to the concepts of formal cause.” Summa Theologiae, I q. 5 a 4 ad.1
What is beauty?
St. Thomas defined beauty as that which gives pleasure when seen [ST 1-
11, 27.1). But what does the word “seen” mean? “Seen” is the “activity of
contemplation”
“…beauty relates to the cognitive faculty; for beautiful things are those which
please when seen. Hence, beauty consists in due proportion; for the senses
delight in duly proportioned, as in what is after their own kind-because even
sense is a sort of reason, just as is every cognitive faculty. Now, since
knowledge is by assimilation, and similarity relates to form, beauty properly
belongs to the nature of a formal cause” [Q. 5, Art. 4].
Let’s Recall
What forms of art do you know? Why do you think they are considered as art?
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Work on These: Answer the questions:
1. Differentiate the four-fold criteria or standards of beauty. Cite examples.
2. How can you utilize the standards of beauty to yourself, your community,
and your relation to others?
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1. Your physical senses do not recognize the blue rose to be beautiful.
2. Instead, your mind is responsible for recognizing the beauty of the blue rose.
3. Knowledge has two aspects: (1) passive part receives the data from outside of
your mind (extra-mental reality) whereas the (2) active part of your mind abstracts
the forms new existence in your mind. The apprehension of beauty is the result of
your mind.
+Sight and hearing are the most important physical senses for cognitive beauty
since it is through those senses that one perceives and extracts the form from the
object.
Bibliography:
Michael Spicher, “Medieval Theories of Aesthetics” in the Internet Encyclopedia of
Philosophy (11 December 2010); Wladyslaw Tatarkiewics, History of Aesthetics,
Volume 2 (New York: Continuum, 1995, 2000).
Orate, Allan C. (2010). “Lecture Notes on Aesthetics: Theories of Art and Beauty,”
and “Representationalism” from Blended Learning Modules.