rsa atk ELECTRONIC KEYBOARD Ca a CeContents arkansas Traveller cae ‘The lrish Washerwoman : ie Farewell to Lochaber : oe The Sligo Maid* ; re -rioso (from Cantata, BWV 156) : Bie ance ofthe Little Swans (from Swan Lake) : ae ‘Jupiter (from The Planets) : i Theme from New York, New York. : mae ‘The NeverEnding Story : Clarke Mediterranean Breeze : Technical work ri 6 * own interpretation Pease refer tthe Electronic Keyboard & Organ Syllabus 2019-2022 for detalson all ectons ofthe inguin information on keyboard specification, voices, volume and accompaniments ete, introsjennn pre-recorded material and registration facilities, own interpretation, chords, tempo and set He ings, use of Summary of exam requirements PIECES ene arr eechcet rowamme of three pices, chosen from the complet fist inthe sylabus, An oun ‘Composition may be played TECHNICAL WORK = Keyboard exercise ~ Either sales & chard knowledge or exercises SUPPORTING TESTS ‘Ary TWO o the folowing: ~ Sight reaging ~ Aural Improvisation ~ Musial knowledge Every, eft Tint tts been mesTRINITY COLLEGE LONDON Press 03 ELECTRONIC KEYBOARD es & Technical Work for Trinity College London Exams 2019-2022 GP Fee dons GRADE Published by Trinity College London Press Lte trinitycollege.com Registered in England Company no. 09726123, ‘© Copyright 2018 Trinity Colege London Press Ltd Second impression, June 2019 All pieces adapted and arranged by TCL Press except ‘Mediterranean Breeze’, by Joanna Clarke Uneuthorised photocopying is illegal ‘No part of this publication may be copied or reproduced in any form or by any means without the prior permission ofthe publisher. Cover image courtesy of Yamaha Music Europe GmbH Printed in England by Caligraving LtdColonel Sandford Fatting, “t ‘Accomp on a ending Play repeats in the exam, jece Please set up for the next P 2 cai 208 ry alge London Pres LiVoice; Resonance Lead Style: 6/8 Motown Pop or 6/8 Ballad The Irish Washerwoman Jono “40 Trad. [Resonane a Fill to B Ab Gm Fm Fm Pe & DS. al Coda FIIItoA nf ‘© Copyright 2018 Tty College London Press Lid Please set up forthe next piece 3+ Harmonica, Bright Pad Country Waltz Farewell to Lochaber Trad, Fill to B Bright Pad) lth 3D ” A Fim Play repeats in the exam 4 cone 201 ty Cotege London ress tt Please set up for the next piece‘own interpretation* Voice(s): Style The Sligo Maid Trad. Jao e * Candidates should refer to the current syllabus requirements for own interpretation pieces. © Copright 2018 Tnty Coleg London Pest Lit Please set up for the next piece 5strings Voices: English Hor, Bassoon (sounding an octave ower), Style: Orchestral Rock Ballad Arioso from Cantata, BWV 156 Johann Sebastian ax, Jeo (English Horn] Gm & FP go 27 Bb © c F Gm? C7 F Fill toB Please set up for the next petVoice: Woodwind Section Style: 8-Beat Dance of the Little Swans J=80 Woodwind Section| 13 wp os Se z Rhythm on from Swan Lake Peter lyich Tchaikovsky 10 A o ‘Accomp on, 7 Bs, F 3s (© copyrigtt 2018 Trinity Cotoge London Press i Gm o ————_ ¢ Please set up for the next piece 7counding pitch, Strings (orchestral Section) Voices: Brite Organ (played at s Style: Waltz (Enalish) Jupiter from The Planets Gusta Theodore i Ist (aa) : ; eS Rhythm off mp wey ‘Accomp off ae Syne start, & & & , ‘Accomp on Cn y B Fm Cm Bb Gm 8 ©Copmight 2018 TrntyCotege London Press te Please set up for the next pieceThis page has been left blank to facilitate page turns| jig Band Brass, Sax Section (sounding an octave lower) Big Band (Medium) Theme from New York, New York Words by Fred Ebb swing += 108 Music by John Kander (Big Band Brass] ee SSS Fill toB Copyright ©1977 Ext Una Cataog Ine {United Partnership Limited. THs arrangement Copylght © 2018 EMI Unart Catalog nc 10 International Copyriot Secured A Rights Reserved Used by permission ot Hal Leonard Europe Limited. ra D po” Fim B87 Em N —-_ +¥ Fill to A D 3 r—3—_ En! ar } Fill to B ey G Gm D Br Em? Fim? GA? AT Big Band Brass BAT D b. 7 (th) Please set up for the next piece 11n) f in octave lowel E Resonance Lead, Overdriven Guitar (sounding ar Sty UK Pop ~The NeverEnding Story Giorgio Moroder 20 Resonance Lead] Dm __F Am 8 c Gas! G Dn__f = Am: G c Ges G Dm_ F & , Cm Cm? Aye 4 Bb c Ges G Dm Am G TS B Bysuse) Bb Fm Cm Bb bom te = {©1990 Warner Bros. Muse Corp Mipagranement © 2018 Warne Bros. Muse Corp, WarerChappe North Ameria Li W8 SDA, 12 _-ARigns Reserved Reproduced by persion ol FABLN MUSIC LTD. ond ALT gba FilltoB(Overdriven Guitar G —_~—— By oo Bm = : D.C. al Coda 1 ToRes. Lead Fill to. Repeat to fade Please set up forthe next piece 13Flute, strings. | | | Woices: Guitar (sounding an octave lover) Mediterranean Breeze [aad] {FluteB E re ie D.C.al Coda Togtr Fill to A —= Rhythm stop Please set up for thenext piece 15Technical work Candidates pepe section tater section 2s secon 1. KEYBOARD EXERCISE (music may be used) EYDOARDE spain te Ls Hutte Bon don tnords IV. V" nts sou playa oie oko snes ath FH accord BY 1 Amo Gamo mio and cok) coter the flowing: 2." SCALES & CHORD KNOWLEDGE (om mon) ~ Exams set 6M YAmaior Ane 1 Gino Ganache ee harmon oF melodic nal no es lopli ¥ Sisson sale oA sae on waco] | a ¥ Chromatic scale in similar motion starting on G and A fae ¥ Amar pentatonic ands separate sagt Ne $$ _eesmung canciate choice) 1 Gino penatnie Fitony stalght or sn9 » Bocssce ong ‘candidat choke 1 cheese potion rt nd ston inersions Chord progression of LVIIV-V"t In the following keys: Roni orion ante ie) moi mine or exercises tus may be sed) Canddtes prepare althree eer. Candidates reo one execs to play est Eanes then eet oe ofthe ean two execs fo e performed 1 Wigner Lease teyboard function exercse 2. Ravana Moonah alc everse 3. wiih vay Finisicerrese 1. Keyboard exercise ‘A major scale accompanied by LH chords I, 1V, V’ and vi A Fir ; a aay DIA j EuGt A * Chord Vay be played in pace of V" ie E/GH maybe played in pace of G8)eon minor scale accompanied by LH chords, iv, Vand VI Gn BIG ce che + crondVay be played in place of V” (ie D/FS may be played in place of D/F4) 2. Scales & chord knowledge major scale two octaves) ad i oe a4 4Mixolydian scale on A (two octaves) Dorian scale on G (two octaves) Vea 4 he o Dat! 2srr nt nie scale (two octaves) straight or swung everett 2 S==— 2 ——— See = qt oF F chords In oot postion first and second inversions a & ENG? 7B th e BIG: eB eo rh or Ort DA © ‘Chord progression of I-vi-IV-V"-1 in A major th, ’ Chord progression of i-VI-iv-V"-i in G minor th o DFE DIA