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Canto General: America Insurrecta

This musical score features a soprano, clarinet, alto, viola, tenor, bass, and piano. It contains musical notation including notes, time signatures, key signatures, and dynamics. The score has multiple sections with changing time signatures, keys, and instrumentation throughout.

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Dimitris Dimitriadis
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338 views

Canto General: America Insurrecta

This musical score features a soprano, clarinet, alto, viola, tenor, bass, and piano. It contains musical notation including notes, time signatures, key signatures, and dynamics. The score has multiple sections with changing time signatures, keys, and instrumentation throughout.

Uploaded by

Dimitris Dimitriadis
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Canto

General
America Insurrecta Μίκης Θεοδωράκης
Pablo Neruda

  = 80
       

   
Soprano

      
  
Σι♭ Κλαρινέτο

   
   
    
        
     
Alto

   
 
Βιόλα

    
   


         
Tenor

  
Bass

          


   
              
    
Piano Bm Em Bm


  
      
6

        
S.



 
B♭ Cl.

        
  
   
        
A.



Vla.

     
  
  
 


        
T.

 
      
B.

    
    
         
  

  
Pno. Em F♯7


   
2

       
 
10


       
S.

     

 
B♭ Cl.

            
    
A.

 
       
 
Vla.

     
 
    
          
T.

  


 
   
B.

         
     
       
         
Pno. Bm F♯ G

     
        
  
14

     
S.

           
   
B♭ Cl.

    
  

        
A.


 
    
Vla.

 
 
         
T.



     
B.

   
           
           
Pno. F♯



3

      
19

 
S.

     

B♭ Cl.

    
     
  
        
A.

    
 
Vla.

                   
                 
 
T.

       


   
 
B.

          
   
       
 
       
Pno. Em Bm

     
 
  
        
23

   
S.

       
 
B♭ Cl.

      
 
   
     
A.


 
Vla.

          
  
3

          

 
T.

     


 
B.

       
               
   
 
       
     
Pno. Em F♯

   

4

            
27


        
S.

    

      
B♭ Cl.

     

    
A.

       

 
Vla.


           
3

       
T.


  

         
B.

           
   

             
Pno.


Bm F♯ G F♯

  

      
      

31

      
 
S.

    

    
B♭ Cl.

    
   


 
A.

          
 
 
Vla.

             
  
          
T.


 
  
B.

              
          

    
         
Pno. Bm F♯ G

  
   
5


35

S.

   
B♭ Cl. 

  
A.  

Vla.      


T.     

 
  


B.

  
   
    

   

Pno. F♯

 

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