Structuralism: Structuralism in Literary Theory and Criticism

Structuralism
The term "structuralism" is a belated term that describes a particular

philosophical/literary movement or moment. The term appeared in the works of French
anthropologist Claude Lévi-Strauss and gave rise, in France, to the "structuralist
movement." Influencing the thinking of writers such as Louis Althusser, the
psychoanalyst Jacques Lacan, as well as the structural Marxism of Nicos Poulantzas,
most of whom disavowed themselves as being a part of this movement.
The origins of structuralism connect with the work of Ferdinand de Saussure on

linguistics, along with the linguistics of the Prague and Moscow schools. In brief, de
Saussure's structural linguistics propounded three related concepts. [1]
1. De Saussure argued for a distinction between langue (an idealized abstraction of

language) and parole (language as actually used in daily life). He argued that the
"sign" was composed of both a signified, an abstract concept or idea, and a
"signifier", the perceived sound/visual image.
2. Because different languages have different words to describe the same objects
or concepts, there is no intrinsic reason why a specific sign is used to express a
given signifier. It is thus "arbitrary".
3. Signs thus gain their meaning from their relationships and contrasts with other
signs. As he wrote, "in language, there are only differences 'without positive
terms.'"[4]
Structuralism in literary theory and criticism
In literary theory, structuralist criticism relates literary texts to a larger structure, which
may be a particular genre, a range of intertextual connections, a model of a universal
narrative structure, or a system of recurrent patterns or motifs.[12] Structuralism argues
that there must be a structure in every text, which explains why it is easier for
experienced readers than for non-experienced readers to interpret a text. Hence,
everything that is written seems to be governed by specific rules, or a "grammar of
literature", that one learns in educational institutions and that are to be unmasked. [13]
A potential problem of structuralist interpretation is that it can be highly reductive, as

scholar Catherine Belsey puts it: "the structuralist danger of collapsing all difference." [14]
An example of such a reading might be if a student concludes the authors of West Side
Story did not write anything "really" new, because their work has the same structure as
Shakespeare's Romeo and Juliet. In both texts a girl and a boy fall in love (a "formula"
with a symbolic operator between them would be "Boy + Girl") despite the fact that they
belong to two groups that hate each other ("Boy's Group - Girl's Group" or "Opposing
forces") (BINARY OPPOSITION))and conflict is resolved by their death.
Structuralist readings focus on how the structures of the single text resolve inherent
narrative tensions. If a structuralist reading focuses on multiple texts, there must be
some way in which those texts unify themselves into a coherent system. The versatility
of structuralism is such that a literary critic could make the same claim about a story of
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two friendly families ("Boy's Family + Girl's Family") that arrange a marriage between
their children despite the fact that the children hate each other ("Boy - Girl") and then
the children commit suicide to escape the arranged marriage; the justification is that the
second story's structure is an 'inversion' of the first story's structure: the relationship
between the values of love and the two pairs of parties involved have been reversed.
Structuralistic literary criticism argues that the "literary banter of a text" can lie only in
new structure, rather than in the specifics of character development and voice in which
that structure is expressed. Literary structuralism often follows the lead of Vladimir
Propp, Algirdas Julien Greimas, and Claude Lévi-Strauss in seeking out basic deep
elements in stories, myths, and more recently, anecdotes, which are combined in
various ways to produce the many versions of the ur-story or ur-myth.
History and background
Throughout the 1940s and 1950s, existentialism, such as that propounded by Jean-Paul
Sartre, was the dominant European intellectual movement. But Structuralism rose to
prominence in France in the wake of existentialism, particularly in the 1960s. The initial
popularity of structuralism in France led to its spread across the globe.
Structuralism rejected the concept of human freedom and choice and focused instead
on the way that human experience and thus, behavior, is determined by various
structures. The most important initial work on this score was Claude Lévi-Strauss's 1949
volume The Elementary Structures of Kinship. Lévi-Strauss had known Jakobson during
their time together at the New School in New York during WWII and was influenced by
both Jakobson's structuralism as well as the American anthropological tradition. In
Elementary Structures he examined kinship systems from a structural point of view and
demonstrated how apparently different social organizations were in fact different
permutations of a few basic kinship structures. In the late 1950s he published Structural
Anthropology, a collection of essays outlining his program for structuralism.
By the early 1960s structuralism as a movement was coming into its own and some
believed that it offered a single unified approach to human life that would embrace all
disciplines. Roland Barthes and Jacques Derrida focused on how structuralism could be
applied to literature.[citation needed][dubious – discuss]
The so-called "Gang of Four" of structuralism was Lévi-Strauss, Lacan, Barthes, and
Foucault.[15]
Interpretations and general criticisms
Structuralism is less popular today than other approaches, such as post-structuralism

and deconstruction. Structuralism has often been criticized for being ahistorical and for
favoring deterministic structural forces over the ability of people to act. In the 1980s,
deconstruction—and its emphasis on the fundamental ambiguity of language rather
than its crystalline logical structure—became popular. By the end of the century
structuralism was seen as an historically important school of thought, but the
movements that it spawned, rather than structuralism itself, commanded attention.
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Structuralism

The term "structuralism" is a belated term that describes a particular

The origins of structuralism connect with the work of Ferdinand de Saussure on

1. De Saussure argued for a distinction between langue (an idealized abstraction of

Structuralism in literary theory and criticism

A potential problem of structuralist interpretation is that it can be highly reductive, as

History and background

Interpretations and general criticisms

Structuralism is less popular today than other approaches, such as post-structuralism

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