Tracing The Legacy of Kashmiri Tantra in Kerala: A Journey Through 13 Abodes of Rurujit Kali
Tracing The Legacy of Kashmiri Tantra in Kerala: A Journey Through 13 Abodes of Rurujit Kali
Tracing The Legacy of Kashmiri Tantra in Kerala: A Journey Through 13 Abodes of Rurujit Kali
Rurujit-Vidhana:
All over Kerala there are many Saktheya prathishtta’s(Devi worship
installations) in various forms of installations. Rurujit, Dakshajit,
Darikajit and Mahishajit are the four different forms of installations we
can find in kali temples. These names are derived from different forms
of the Goddess Kali winning (Jit) over different powerful demons.
Bhadhrakali, as the destroyer of demon Ruru is known as Rurujit.
Similarly, the victory over Daksha, Darika and Mahisha earns her the
other 3 names. These Saktheya prathishtta are considered to be
formulated in Rurujit-Vidhana which is a Kashmiri Tantra based style
of worship. Surprisingly enough we do not find the Prathishta model
and idol installation which do not seem to have much connection with
the Kerala Tantra.
6. Pisharikavu, Kozhikode
The shrine possesses a folklore about Devi and Mannan. Mannan, was
a landlord who possessed an ill character in treating his people. His
arrogant character caused people to complain about him to the Allada
Swaroopam. Allada Swaroopam refused to take up the issue as
Mannan was an intense devi worshipper and asked people to seek
help of Moothedaru ( Main Priest) of Madayi Kavu. Moothedaru is
believed to have a direct access to converse with Devi daily.
Mannampurathu Kavu, Kasaragod
The messenger was insulted and sent back but Moothedaru again
approached him directly and reported about the complaint against
him. Mannan due to his ego did not accept the request and on
understanding his adamant and cruel nature, Moothedaru returned
back. Being sad on insulting words moothedaru started his meditation
on Devi in a nearby sacred grove.
A known tale of the kavu claims that the Bhagavathi resided in the
Rajarajeshwara temple after killing Darika which explains Ugraroopam
(the anger form) of Devi. Normally Shantha pooja (offered for serene
deities) was conducted in this temple as the main deity is Siva. Devi
being in Ugraroopam and also favoring Kaulamargaachara was not
satisfied with the serene pooja form and was decided to be installed in
a separate shrine with the main rituals headed by Kolathiri Raja as
Madayi kavilamma is the Kuladevatha of Kolathiri dynasty. Even now
all the festivals and rituals are performed in the presence of Kolathiri
dynasty.
The idol of the Devi is made of very rare concentrated Jaggery (Kadu
Sarkara) which is an ayurvedic mixture that makes it unique from
other temples where it is Shila Prathishta and not Kadu Sarkara
Yogam. While entering the temple initially we can see Siva ,on its left
side Saptha Mathrukas (The seven mothers) with them Veerabhadran
and Ganapathi and near to them Bhagavathi, the main Prathishtta
facing east side.
6. Pisharikavu, Kozhikode
Pisharikavu [8] bhadrakali temple is one of the prominent Devi temple
situated at Koyilandi (Vadakara route), Kollam, near Anakulam bus
stop, Kozhikode district. The temple is said to be more than 600 years
old currently headed by Kattumadom Esanan Namboothirippad as the
Tantri (head priest) of the temple. The Urayma (Trustee) of the temple
is Ettu Veetil Pillamar.
The deity in standing posture with an angry face and eight hands
holding swords is said to made of Panchaloha Vigraha facing North
side. The Devi is offered three daily poojas following Rurujit-Vidhana,
the Kashmiri Tantric style of worship in which Saktheya prathishtta
(Devi worship installations) is followed. The other presiding deities
(Upadevata) are Siva, Ganapathi, Ayyappa and Saptamatruka.
The main festival of the temple is Kaliyaattam and the date of this
festival is decided on the tenth of Kumbham. The temple also
celebrates ten days before Vishu as a major festival. Navaratri is also
celebrated as a temple festival.
In olden times it was said that the temple witnessed big sacred grove
out of which most was destroyed. The temple area contains a pond
near to the north-west of the temple.
The main offerings to Devi are Guruthi. Before 60 years there were
Kukud and Ajam Guruthi and nowadays it is limited with coconut
water. An interesting story of this temple associates the mighty Tipu
Sultan who visited the temple and ordered priest that Devi herself
should offer prasad to him. Devi on his arrogacy appeared to offer
prasad but astonished to see Devi he fell unconscious and with
utmost devotion offered to take up the next whole year’s temple
expenses. Till 1956, the expense was thus funded by the government.
The pooja rituals such as daily pooja is conducted three times a day
and the main offering, Kukud Guruthi is conducted on Tuesday and
Friday which are performed by Moosad/Pidaran. This temple also
come under Saktheya prathishtta (Devi worship installations)
formulated to Rurujit-Vidhana, a Kashmiri Tantric style of worship.
8. Thiruvalayanadu, Kozhikode
Thiruvalayanadukavu [10] is a temple on the top of a hill situated in
Valayanad, Kozhikode at North Kerala to be dated more than 1500
years old. The tantri is Vatolli Moosad and the pooja rituals is
performed by the Shanthi (priest). The temple is associated with
Samoothiri Rajavu and his royal family. Saktheya prathishtta (Devi
worship installations) formulated to the Kashmiri Tantric style of
worship, the Rurujit-Vidhana is practiced here.
9. Thirumandhamkunnu, Malappuram
Thirumandhamkunnukavu [11] is situated at Angadipuram,
Perinthalmanna, Malappuram district which is the capital of
Valluvanad Rajavamsham. In this temple, Saktheya prathishtta (Devi
worship installations) is not performed and thus no Guruthi is offered
in this temple but Guruthi is conducted in other temples in the name of
Thirumandhamkunnukavu.
Thirumandhamkunnu, Malappuram
Siva declined her request and told Parvathi herself to get it from him.
Parvathi send Bhadrakali to take back her Siva Lingam but when
approached she was unable to near the premises because of
Mandhadavu’s power. This lead to war between the Bhadrakali and
the saint.
To protect her team Bhadra kali attacked the sage by throwing a bitter
seed called aatanga. Based on this, a ritual called Aatangeru is
performed . Being successful to reach the hill- top Bhadrakali took the
Siva linga and it broke into two pieces from which Siva and Parvathi
with Ganesha appeared to form Sree Mulasthanam. Bhadrakali also
presided in the premise and Mandhadavu is believed to have attained
Samadhi here. Upadevata’s are Saptha Mathrukas (The seven
mothers), Kshetrapalan, Ganapathi, Nagam, Rakshass. The main
festivals are Kalampattu, pattukooriduka, Makarachova.
The main Prathishtta is Bhagavathi who looks very calm with eight
hands holding swords and sits in a Veerasanam posture facing the
west. This temple has the highest number of Daru idols in Kerala.
Chaanthattam is conducted every year as a festival to protect the idol.
The pooja rituals are performed by brahmins and the main offerings
are Neyvillaku, Chathukshatham, pushpanjali, and the Devi is
worshipped with daily five poojas. The temple premise has a canal on
the western side of the temple.
The trustee of this temple is Padikanmar.In this temple, all the rituals
are secret and handed over by the legacy of their family. The pooja
techniques were based on the textbook Matrusatbhavam. Previously,
the rituals were based on Kaulachara,and later it is believed that
Shankaracharya Swamikal changed into a mely manner thus
reforming pooja techniques and timings. This had connection with
Valyathampuran and Adikal karnor depicting that some rituals were
practiced on the val of certain people.
After many years as a result of the problem among the brahmins and
to witness bloodstain near the temple, it understood through astrology
that bhagavathi prathistta was conducted many years ago and thus
reclaimed bhagavathy worshipping.
Adikal is the trustee of the temple and pooja rituals are now
performed by brahmins. Shrayikoor kovilam is found to be associated
with the temple. The prathistta faces the east side wherein other idols
are seen to be facing from the north side. Idol is Daru shilpam and
daily three pooja are offered and the Upadevatha’s are Karimkali,
Kodumkali, Bhootakali, Kshetrapalan, Bhramarakshass,
Bhuvaneshwari, Annapoorneshwari and inside the temple are
Bhadrakali, Chanthadum bhagavathi, Veerabhadran, Saptha
Mathrukas, Ganapathi (Has 32 gestures).
Another feature of this temple is that the Eastside door of the temple
always remains closed and we pray by focusing on shut doors of the
temple. The reason can be mapped in folklore which says that the idol
was installed by Durvsavu Maharshi in Dvapara era and when Naratha
Maharshi approached Devi to offer pushpanjali, Devi reacted by
throwing the peedam which even frightened Durvsavu Maharshi to
understand and decide that no one can see Devi.
In divine form so the entrance should be closed permanently and
Sreechakra to be installed on the right side of the temple. All the pooja
is performed to the Sreechakra. The main festivals fall on medium
first on Vishu festival, Sivarathri and Navarathri. Eighteen-acre sacred
grove and 2 ponds inside the grove is found in the temple premises.
The daily poojas are conducted three times a day. The main festival is
Meena Bharani which lasts for three days. Previously, big Saktheya
sacred groves and ponds were present here. The main trees are
Kanjiram and Aalmaram.
5. Conclusion
When we look into Kashmir there were big temples like
Sharathapeedam, Marthanda Temple which faced destruction. The
people who followed this tradition are not to be found there but the
culture still remains alive and all its beauty lies in the fact that it
transferred from Kashmir to Kerala (distance is 2548 km) which is still
practiced in many of the temples.
This paper is pure evidence to show that, the culture and traditions are
still alive beyond time and regional boundaries. Through Kali, the
Mother Goddess we can understand the true essence of a culture
where nature is seen as our own mother and all the others as her
children still exist.