A Streetcar Named Desire - Themes

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A Streetcar Named Desire

Themes
Old South Versus New South
One important theme is the dichotomy between the Old South and the New
South. This is brought into light in the culture wars that happen within the
Kowalski household. The Old South represented a clear separation of
cultures and social classes. There was a clear hierarchy in the social order.
Blanche represents this Old South. The New South represented diversity in
race, ethnicity, and social class. Stanley most strongly represents this New
South. It is interesting to note, in light of this, that Blanche succumbs to
insanity and is hidden away from society in a mental institution while
Stanley and Stella raise the next generation.

Fantasy Versus Reality


Another theme is that of fantasy versus reality. Blanche, herself, believes in
hiding unfortunate truths. She says,
''I don't want realism, I want magic! Yes, yes, magic! I try to give that to
people. I misrepresent things to them. I don't tell the truth, I tell what ought
to be truth. And if that is sinful, then let me be damned for it!''
It is important to note that these lines are spoken by a person who is not
able to cope with reality and who ultimately loses control of her own mind.

Dependence
There is an interesting web of dependence in the play. Blanche looks for
someone to support her. When she can't find a man of the social standing
she desires, she seduces Mitch into marrying her. When her prospects with
him fall apart, she starts speaking of an old acquaintance who she hopes
will take her away on his yacht. A woman of the Old South would have had a
man to take care of her, and Blanche is unable to stand on her own in the
world when she does not have a husband.
Cruelty
The only unforgivable crime, according to Blanche, is deliberate cruelty.
This sin is Stanley's specialty. His final assault against Blanche is a merciless
attack against an already-beaten foe. On the other hand, though Blanche is
dishonest, she never lies out of malice. Her cruelty is unintentional; often,
she lies in a vain effort to plays. Throughout Streetcar, we see the full range
of cruelty, from Blanche's well-intentioned deceits to Stella self-deceiving
treachery to Stanley's deliberate and unchecked malice. In Williams' plays,
there are many ways to hurt someone. And some are worse than others.

Desire and Sex


Desire is not only in the title of the play, but the concept permeates
throughout the whole play. There is sexual tension between Blanche and
Stanley although they despise one another.
An argument could be made that desire is what destroys Blanche’s life. This
happens on multiple levels.
Her marriage ends when she discovers her husband in bed with another
man.
She loses her career when she sleeps with a student.
While it is important to note that rape is not about desire, it is
nonconsensual sex and the subsequent disbelief of those around her that
leads her finally to fall into madness.
There is a lot of desire between Stanley and his wife. He gets frustrated
because he can not be intimate with Stella as often as he would want to
because Blanche is there, and Stella returns to Stanley after he beats her
because of what occurs sexually between them.

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